Inconspicuous, his presence noted only by the obscurity and the ever growing number of spent cigarette stubs that littered the ground.  It had been a long day and the rain, relentless in its tenacity had little intention of stopping, baleful clouds still  hung heavy, dominating the lateness of the afternoon sky, a rain laden skyline broken only by smoke filled chimney pots and the tangled snarl of corroded television aerials.

     The once busy street was fast emptying now, the lure of shop windows no longer enticed the casual browser as local traders closed their premises to the oncoming night, solitary lampposts curved hazily into the distance, casting little more than insipid pools mirrored in the gutter below, only the occasional stranger scurrying home on a bleak, rain swept afternoon, the hurried slap of wet leather soles on the pavement, the sightless umbrellas, the infrequent rumble of a half filled bus, hell-bent on its way to oblivion.

     In the near distance as the working day ended, a sudden emergence of factory workers told Beamish it was 5-o'clock, most would be hurrying home to a hot meal, while others, for a quick drink perhaps before making the same old sorry excuse... for Jack, the greasy spoon would be closing about now, denying him the comfort of a badly needed cuppa' and stale cheese sandwich.  A subtle legacy of lunchtime fish and chips still lingered in the air, Jack's stomach rumbled, there was little chance of a fish supper for Beamish tonight, it protested again... louder.

     From beneath the eaves of the building opposite several pigeons broke cover, startled by the rattle as a shopkeeper struggled to close the canvas awning above his shop window.  Narrowly missing Beamish they flew anxiously over the rooftops, memories of the blitz sprang to mind as Jack stepped smartly to one side, he stamped his feet... it dashed a little of the weather from his raincoat, just as the rain dashed a little of the pigeons' anxiety from the pavement... the day couldn't get much worse if it tried.  Shielding his face, Jack struck the Ronson one more time and cupped the freshly lit cigarette between his hands, it was the only source of heat to be had that day... and still it rained.

     'By Appointment to Certain Personages...' the letter heading rang out loudly... 'Jack Beamish ~ Private Investigator...' a throat choking mouthful by any stretch of the imagination, thought Jack and shot every vestige of credulity plummeting straight through the office window and amidst a fanfare of trumpet voluntary, nominate itself for a prodigious award in the New Year Honours list.   Having formally served in a professional capacity for a well known purveyor of pickled condiments, who  incidentally, brandished the same patronage emblazoned upon their extensive range of relish as the one Jack had more recently purloined from them... a paid commission no less, which by Jack's certain understanding had made him, albeit fleeting in nature, a professional consultant of said company... and consequently, if they could flaunt the auspicious emblem, then according to Jack's infallible logic, so could Jack.  

     The recently appropriated letterhead possessed certain distinction... in much the same way, Jack reasoned, that a blank piece of paper did not... and whereas correspondence bearing the heading 'By Appointment' may not exactly strike terror into the hearts of man... unlike a really strong pickled onion, it nevertheless made people think twice before playing him for the fool, which sadly, Jack had to concede, they still invariably did... and he would often catch them wagging an accusing finger or two in his direction with such platitudes as... "watch where you put your foot", they'd whisper, "that Jack's a right Shamus...", and when you'd misplaced your footing as many times as Jack had, then he reasoned, that by default the celebrated Shamus must have landed himself in more piles of indiscretion than he would readily care to admit, but that wouldn't be quite accurate either, in Jack's line of work it was the malefactor that actually dropped him in them more often than not.

     A cold shiver suddenly ran down his spine, another quickly followed as a spurt of icy water from a broken rain spout spattered across the back of his neck, he grimaced... Jack's expression spoke volumes as he took one final pull from his half soaked cigarette and flicked it, amid an eruption of sparks against the adjacent brick wall.  Sinking further into the shadow he tipped his fedora against the oncoming rain, then, digging both hands deep within his pockets, he huddled behind the upturned collar of his gabardine... watching.

     It was times such as these when Jack's mind would slip back, in much the same way you might slip back on a discarded banana peel, when a matter of some consequence, or in particular this case the pavement, would suddenly leap up from behind and give the back of Jack's head a resoundingly good slapping and tell him to "stop loafing around in office hours... or else", then drag him, albeit kicking and screaming back into the 20th century.  This intellectual assault and battery re-focused Jack's mind wonderfully as he whiled away the long weary hours until his next cigarette; cup of tea, or the last bus home, his capacity to endure such mind boggling tedium called for nothing less than sheer ******-mindedness and very little else... Beamish had long suspected that he possessed all the necessary qualifications.  

     Jack had come a long way since the early days, it had been a long haul but he'd finally arrived there in the end... and managed to pick up quite a few ***** looks along the way.  Whilst he was with the Police Constabulary... and it was only fair to stress the word 'with', as opposed to the word 'in'... although the more Jack considered, he had been 'with' the arresting officer, held 'in' the local Bridewell... detained at Her Majesties pleasure while assisting the boys in blue with their enquiries over a minor infringement of some local by-law that currently had quite slipped his mind at that moment.  Throughout this enforced leisure period he'd managed to read the entire abridged editions of Kilroy and other expansive works of graffiti exhibited in what passed locally as the next best thing to the Tate Gallery, whereupon it hadn't taken Jack very long to realise that it was always a good place to start if you wanted free breakfast, in fact the weeks bill of fare was tastefully displayed in vivid, polychromatic colour on the wall opposite... you just had to be au-fait with braille.
                            
     No matter how industrious Beamish laboured to rake the dirt there always appeared to be a dire shortage of gullible clients for Jack to squeeze, what would roughly translate as an honest crust out of, and although his financial retainer was highly competitive he understood that potential clients found it bewildering when grappling with the unplumbed depths of his monthly expense account, which would tend to fluctuate with the same unpredictability as the British weather, the rest of Jack's agenda revolved around a little shady moonlighting... in fact he'd happily consider anything to offset the remotest possibility of financial delinquency... short of extortion... which by the strangest twist was the very word prospective clients would cry while Jack beavered around the office with dust-pan and brush sweeping any concerns they may have had frantically under the carpet regarding all culpability of his extra-curricular monthly stipend... and they should remain assured at all times... as they dug deep and fished for their cheque books, and simply look upon it as kneading dough, which eerily enough was exactly the thick wedge of buttered granary that Jack had every intention of carving.

     Were there ever the slightest possibility that a day could be so utterly wretched, then today was that day, Jack felt a certain empathy as he merged with his surroundings... at one with nature as it were.  The rain, a timpani on the metal dustbin lids, by the side of which Beamish had taken up vigil, also taking up vigil and in search of a morsel was the stray mongrel, this was the third time now that he'd returned, the same apprehensive wag, yet still the same hopeful look of expectation in his eyes, a brief but friendly companion who paid more attention to Jack's left trouser leg than anything that could be had from nosing around the dustbins that day... some days you're the dog, scowled Beamish as he shook his trouser leg... and some days the lamppost, Jack's foot swung out playfully, keeping his new friend's incontinence at a safe distance, feigning indignance  the scruffy mongrel shook himself defiantly from nose to tail, a distinct odour of wet dog filled the air as an abundance of spent rainwater flew in all directions.   Pricking one ear he looked accusingly at Jack before turning and snuffled off, his nose resolutely to the pavement and diligently, picking out the few diluted scents still remaining, the poor little stalwart renewed its search for scraps, or making his way perhaps to some dry seclusion known only to itself.
  
     Two hours later and... SPLOSH, a puddle poured itself through the front door of the nearest Public House... SPLOSH, the puddle squelched over to the payphone... SPLOSH, then, fumbling for small change dialled and pressed button 'A'..., then button 'B'... then started all over again amid a flurry of precipitation... SPLASH.  The puddle floundered to the bar and ordered itself a drink, then ebbed back to the payphone again... the local taxi company doggedly refused to answer... finally, wallowing over to the window the puddle drifted up against a warm radiator amidst a cloud of humidity and came to rest... flotsam, cast upon the shore of contentment, the puddle sighed contentedly... the Landlady watched this anomaly... suspiciously.

     The puddle's finely tuned perception soon got to grips with the unhurried banter and muffled gossip drifting along the bar, having little else to loose, other than what could still be wrung from his clothing... Beamish, working on the principle that a little eavesdropping was his stock-in-trade engaged instinct into overdrive and casually rippled in their general direction...  They were clearly regulars by the way one of them belched in a well rehearsed, taken-a-back sort of way as Jack took stock of the situation and was now at some pains to ingratiate himself into their exclusive midst and attempt several friendly, yet relevant questions pertinent to his enquiries... all of which were skillfully deflected with more than friendly, yet totally irrelevant answers pertinent to theirs'... and would Jack care for a game of dominoes', they enquired... if so, would he be good enough to pay the refundable deposit, as by common consent it just so happened to be his turn...  Jack graciously declined this generous offer, as the obliging Landlady, just as graciously, cancelled the one shilling returnable deposit from the cash register, such was the flow of light conversation that evening... they didn't call him Lucky Jack for nothing... discouraged, Beamish turned back to the bar and reached for his glass... to which one of his recent companions, and yet again just as graciously, had taken the trouble to drink for him... the Landlady gave Jack a knowing look, Beamish returned the heartfelt sentiment and ordered one more pint.

     From the licenced premises opposite, a myriad of jostling customers plied through the door, business was picking up... the sudden influx of punters rapidly persuaded Beamish to retire from the bar and find a vacant table.  Sitting, he removed several discarded crisp packets from the centre of the table only to discover a freshly vacated ashtray below... by sleight of hand Jack's Ronson appeared... as he lit the cigarette the fragile smoke curled blue as it rose... influenced by subtle caprice, it joined others and formed a horizontal curtain dividing the room, a delicate, undulating layer held between two conflicting forces.

     The possibility of a free drink soon attracted the attention of a local bar fly, who, hovering in the near vicinity promptly landed in Jack's beer, Beamish declined this generous offer as being far too nutritious and with the corner of yesterdays beer mat, flipped the offending organism from the top of his glass, carefully inspecting his drink for debris as he did so.

     A sudden draught and clip of stiletto heels as the side door opened caused Beamish to turn as a double shadow slipped discreetly into the friendly Snug... a little adulterous intimacy on an otherwise cheerless evening.  The faceless man, concealed beneath a fedora and the upturned collar of his overcoat, the surreptitious lady friend, decked out in damp cony, cheap perfume and a surfeit of bling proclaimed a not too infrequent assignation, he'd seen it all before... the over attentive manner and the band of white, Sun-starved skin recently hidden behind a now absent wedding token, ordinarily it was the sort of assignment Jack didn't much care for... the discreet tail, the candid snapshot through half drawn curtains... and the all too familiar steak tartare... for the all too familiar black eye.

     To the untrained eye, the prospect of Jack's long anticipated supper was rapidly dwindling, when it suddenly focused with renewed vigour upon the contents of a pickled egg jar he'd observed earlier that evening, lurking on the back counter, his enthusiasm swiftly diminished however as the belching customer procured the final two specimens from the jar and proceeded to demolish them.  Who, Jack reflected, after being stood out in the rain all day, had egg all over his face now... and who, he reflected deeper, still had an empty stomach.  Disillusioned, Jack tipped back his glass and considered a further sortie with the taxicab company.

     "FIVE-BOB"!!! Jack screamed... you could have shredded the air with a cheese grater... hurtling into the kerb like a fairground attraction came flying past the chequered flag at a record breaking 99 in Jack's top 100 most not wanted list of things to do that day... and that the cabby should think himself fortunate they weren't both stretched flat on a marble slab, "exploding tyres" Jack spluttered, dribbling down his chin, were enough to give anyone a coronary... further broadsides of neurotic ambiance filled the cab as the driver, miffed at the prospect of missing snooker night out with the lads, considered charging extra for the additional space Jack's profanity was taking...

     And what part of 'Drive-Carefully', fumed Beamish, did the cabby simply not understand, that pavements were there to be bypassed, 'Nay Circumvented', preferably on the left... and not veered into, wildly on the front axle... an eerie premonition of 'jemais-vu' perched and ready to strike like a disembodied Jiminy Cricket on Jack's left shoulder, looking to stick its own two-penny worth in at the 'Standing-Room-Only' arrangements in the overcrowded cab... and at what further point, Jack shrieked, eyes leaping from his head as he lurched forward, shaking his fist through the sliding glass partition, had the cabbie failed to grasp the importance of the word 'Steering-Wheel...' someone wanted horse whipping, and as far as Beamish was concerned the sole contender was the cab driver...

     In having a somewhat sedate and unruffled disposition it had fallen to Beamish... as befalls all great leaders in times of adversity, to single handedly take the bull by the horns, so to speak and at great personal cost, alert the unwary passing motorist...  Waving his arms about like a man possessed whilst performing acrobatic evolutions in the centre of the road as the cabby changed the wheel came whizzing around the corner at a back breaking 98 on Jack's ever growing list... and why, Jack puzzled, why had they all lowered their side windows and gestured back at him in semaphore..?  Rallying to its aid, Jack's head and shoulders now joined his shaking fist through the sliding glass partition and into the cabby's face, "Who" Beamish screeched with renewed vigour ,"Who Was The Man", Jack wanted to know... *"a

first date conversation: research
on lemurs and taxis without floors
because the city is too poor
for upscale renovation

and we exchange backgrounds and
drug stories and some-day-soon
kind of musings

/a southern peach and a sour
stiletto; the man in corner singing
slowly Nobody's Child/

and eventually we write our names in chalk
on the ceiling (and the wall because
I'm tired of places appearing as if I'd
never been there at all)

and later still we write our names in heat
against the cloudy window (twice
because the steam keeps swallowing up
our evidence of existence)

but it's easy to write again and
again because our names are the same
and I'm starting to believe in this idea
of genuine permanence

I am sitting on a broken branch

under the drug addled canopy of insecurities and lies.

I am feeling the steady sway of an oxycontin daze.

Walking slowly through a ketamine daydream that pulls at my core

like a phantom puppet master controlling my limbs.

It crashes into my brain like the breaking waves on the shore.

Breathing in nicotine filtered filth as I wait to catch a breath of fresh air.

Lungs filled with recycled tar that prevents me from gasping.

In darkened corners where lies sleep and rumors are hidden,

I wait.

I dance on a tightrope between conscious and subconscious

that is held by reality and dreams.

Dark sunglasses on to avoid

the blinding stinging light of what is real.

Mirrored glasses are reflecting the reflections back at intruders.

Deflecting glances, shifty eyes, and dilated pupils

searching for a focus point of truth  

in a neon technicoloured blur of hypocrisy.

The background blaring horns blended with a steady bass line

mimics my heartbeat.

Thump thump. Thump thump.

The fading noises pass quickly,

highlighted with insults and curses of hate and gossip

that are forgotten before you can make them out.

Spun truths turned into lies

intermixed with resin

left from yesterday.

The litter paved streets break under my heels.

Click clack. Click clack.

Broken and cracked

like the false promises

And hopes

And dreams

of those who have walked here before.

The monotonous pace is repeated

only pausing to notice the gum under the stiletto

that fails to hold her in place

as she runs towards the wet cement that has replaced

another sheet of cracked concrete.

The wet cement that has covered another lie

in order to show the simplicity of fake appearances.

A reminder of how easy it is to replace and mask

the hate filled holes that get trampled on.

The flicker of hope is suddenly unseen

like the street light lined alley that is now dark.

The stench of garbage, decay, and rotting flesh

is mixed with expensive perfume, sweat, make-up, and spilled *****.

Garbage cans are filled with the leftovers of last night.

A *** stained dress with no owner draws no attention

as the sound of snapping latex is muffled

by the screams of ecstasy that rapidly fade

like the fleeting feeling of MDMA.

Thick white ****** fluid oozes out like human glue

in an attempt to mend the lack of connection.

Strangers intertwined in hasty conversations

waiting for human contact to forget

that they are in dark alleys.

To forget

that they live in dark places

where no one lays down wet cement.

The distorted reality of alleys deceive passer bys

into thinking that they are not menacing

has been weaved like a web by street sweepers and garbage men.

The pressing sense of the need to avoid the sweepers

is unsaid but felt.

They falsely clean what will always be *****.

The *** filled backstreets yearn for love

like the treacherous woman guarding its corner.

Daddy issue lined dresses are asking to be undone

just like her lost innocence that can never be mended.

The issues and clothing that can never be fixed

abandoned on top of garbage cans for someone else to pick up.

Patches of dead grass are left

untended, unwatered, and unwanted

waiting to be replaced by wet cement.

Wet cement that soon enough will crack and break

under the heavy heated pressure of the stomping heels

of lost Girls in a desolate city.

Blood trickled trails are left behind

that have dried into the cigarette lined streets that lead nowhere.

The injured egos of men are left to linger at back doors

that will never be opened.

******* induced insanity whirls around a flurry

of whispers and paranoia wanting to here the Truth

between the spewed anger and rage of the low toned hushed voices

that wish not to be heard.

Whiskey hinted murmurs pressing on the sidewalk cracks

knowing that they will never be heard.

Looking into the dark where

Truth will never be seen.

The constant beat of narcotic users searching

for salvation in pre-packed bags of white powder,

digging for redemption in empty bottles of multi-colored pills.

Screaming through the silence,

They are not heard.

The desperation can be heard through the whining moans

of the junkies that are tethered to addiction.

The over whelming sound of

Want and Need and Lust

move through the streets like the overflowing gutter water.

Heartbeats are replaced with the impatient pacing of

her stilettos waiting for her pain to cease.

Stilettos stomping on broken dreams

waiting to cross broken streets.

She gazes at the other side as if it is different.

Stilettos tapping on the street

waiting for the firm grasp of a sweaty hand to distract her from reality.

Waiting to be touched

And grabbed

And ******

                                              In hopes that love will arise from ****** ****** encounter with

strange men in uncomfortable places.

Clothes are feverishly removed with the promise of

flesh on flesh enveloped in a hazy cloud of body heat

that warns off the internal coldness.

Heavy breath and touch and kiss release chemicals

to replace the drug depleted emptiness.

The rhythmic sound of rubbing flesh mingles with

the moaning of the streets.

It fuses with the short lived pleasure laden moans of

lonely people and un-climatic *******.

Awkward silences are brief as the sound of her heels owns the street.

Click clack. Click clack.

The sound of stilettos on cement hurriedly walking away when there is

no longer a need for his body heat.

That unmistakable click clack click clack

on uneven, *****, dangerous streets.

Red lipstick smeared stains are the only trace of her that is.

That is the only trace of me that is left.

Click clack steady on the street.

Steady like mimicking bass line

Click clack heartbeat.

The crunch of broken glass under the stiletto

echoes her broken dreams.

Click clack.

Head held high never looking at the ground as she walks forward.

Click clack. Click clack.

Click clack.

The urban mud of

Wet cement goes

Squish!

under her stiletto.



V.Mata

hand slaps shoulder knee rhythmically that’s called hamming the bone sitting on a street curb singing making up lyrics i got a transitor sister loves cossack named jake he rides Cherokee chopper all he’s ever known is hate he’s going down underground where a man can be a man wrestle alligators live off the land ebb flow i don’t know racing chasing hair-pin turning at 150 miles per hour downshift to 3rd spread the word sweet sour naked flower touching skin deep within defies all sin with a grin speed speed speed all i need i’m getting off coming on you tawny scrawny bow-legged pigeon-toed knock-kneed Don Juan Ponce de Leon Aly Khan all wrapped up into one going to have ******* good time good time tonight i feel like an orphan mom and dad seem so far away tonight i feel like an orphan you make me feel this way hand slaps shoulder knee rhythmically hand bone hand bone

Odyseuss drifts job to job construction worker office assistant waiter whatever he does not understand how road to recognition works continues showing portfolio to art dealers but they react indifferently he does not know how to attain notice in art world begins to suspect there is no god watching over souls instead he imagines infinite force juggling light darkness creation destruction love hate Mom and Dad insist he can earn respectable income if only he will learn commodity futures like cousin Chris Mom says you can work down at the exchange and paint on the side a part of Odysseus wants desperately to please his parents he considers perhaps Mom is right for the time being maybe build up nest egg it seems like sensible plan he wonders why Dad and Mom never speak about money how to save manage they treat the subject as forbidden topic Odysseus has no idea what Dad or Mom earn or investment strategies Odysseus is about to make serious mistake the decision to get job working at commodity exchange needs deeper examination why is he giving in to his parents what attracts him to commodities trading is it Chris’s achievement and the money? does Odysseus honestly see himself as a winning trader or does it simply look like big party with lots of rich men pretty young girls is that where he wants to be why is he giving up on his dream to be a great artist does it seem too impossible to reach who makes him think that? is he going to give up on his true self? he halfheartedly follows his parent’s advice begins working as runner at Chicago Mercantile Exchange several friends including Calexpress disloyalty for entering straight world commodity markets are not exactly straight in 1978 clearing firms pay adequately hours are 8 AM to 2 PM over course of next 6 months Odysseus runs orders out to various trading pits cousin Chris rarely acknowledges Odysseus maybe Chris feels need to protect his image of success perhaps in front of his business associates Chris is embarrassed by Odysseus’s menial rank and goof-off attitude maybe Chris senses what a terrible mistake Odysseus has made

Chicago suffers harsh winter in February Roman Polanski skips bail in California flees to France in April President Carter postpones production of neutron bomb which kills people with radiation leaving buildings intact in October Yankees win World Series defeating Dodgers in November Jim Jones leads mass-****** suicide killing 918 people in Jonestown Guyana in December in San Francisco Dianne Feinstein succeeds murdered Mayor George Moscone in Chicago John Wayne Gacy is arrested

darkness descends upon Odysseus his heart is not into commodity business more accurately he hates it he loathes battleship gray color of greed envy he resents prevailing overcast of misogyny he meets many pretty girls yet most of them are only interested in catching a trader it is rumored numerous high rolling traders hire young girls for sole purpose of morning ******* remainder of day girls are free to mingle run trivial errands commodity traders typically trash females it is primitive hierarchy Odysseus bounces from one clearing firm to another then moves to Chicago Options Exchange then Chicago Board of Trade on foyer wall just outside trading floor hangs bronze plaque commemorating all men who served in World War 2 Uncle Karl’s name is on that plaque Daddy Pat bought his son seat hoping to set him up after war Uncle Karl’s new wife wanted to break away from Chicago persuaded him to sell seat move to California Uncle Karl bought car wash outside Los Angeles with Daddy Pat’s support Mom and Dad encourage assure Odysseus commodities business is right choice they promise to buy him full seat on exchange if he continues to learn markets they feel certain he can be saved from his artistic notions the markets are soaring in profits cousin Chris is riding waves a number of Chris’s friends are sons of parents who belong to same clubs dine at same restaurants as Mom and Dad Odysseus is not alpha-male like Chris Odysseus is a dreamer painter poet writer explorer experimenter unlike Chris who has connections Odysseus starts out as runner then gets job holding deck for yuppie brokers in Treasury Dollar trading pit Odysseus holds buy orders between index and middle fingers sell orders in last 2 fingers arranged by time stamp price size in other hand holds nervous pencil he stands step below boss in circular pit in room size of football field full of raised pits everything is traded cattle hogs pork bellies all currencies gold numbers flash change instantaneously in columns on three high walls fourth wall is glass with seats behind for spectators thousands of people rush around delivering orders on telephones flashing hand signals shouting offers quantities every moment every day calls come in frantically from all around world space is organized chaos sometimes not so organized fortunes switch hands in nano-seconds it is global fiscal battleground rallies to up side or breaks to down side send room into hollering pushing shoving hysteria central banks financial institutions kingpin mobsters with political clout daring entrepreneurs old thieves suburban rich kids beautiful people pretty young females abound big guns **** in same air stand next to low-ranking runners everyone flirts sweats sneezes knows inside they are each expendable Odysseus is spellbound by sheer force magnitude he feels immaterial only grip is his success with girls it is not conscious talent he grins girls grin back Chris’s trader friends recognize Odysseus’s ability they push him to introduce girls to them it is way for Odysseus to level playing field he has no money or high opinion of himself he simply knows how to hook up with girls

1979 January Steelers defeat Cowboys at Super Bowl Brenda Ann Spencer kills 2 faculty wounds 8 students responds to incident “i don't like Mondays” in February Khomeini seizes power in Iran in March Voyager space-probe photographs Jupiter’s rings a nuclear power plant accident occurs at Three Mile Island Pennsylvania in May Margaret Thatcher is elected Prime Minister in England in Chicago American Airlines flight 191 crashes killing 273 people in November Iran hostage crisis begins 90 hostages 53 of whom are American in December Soviet Union invades Afghanistan 1980 in November Ronald Reagan defeats Jimmy Carter one year since Iran hostage crisis began

he meets good-looking younger girl named Monica on subway heading home from work he has seen her running orders on trading floor she is tall slender with long dark brown hair in ponytail pointed nose wide mouth innocent face she confides her estranged father is famous Chicago mobster Odysseus recognizes his name they talk about how much they dislike markets arrant disparity of wealth between traders and themselves Odysseus says i hate feeling of being so disposable worthless Monica replies yeah me too he tells her if i was a girl i’d ******* myself to several handsome generous traders Monica acknowledges that’s an interesting idea but who? how? which traders? do you know? he answers yeah i know exactly who and how Monica says if you’re serious i’m in i have a girlfriend named Larissa who might also be interested i’ll call Larissa tonight following day Monica approaches Odysseus at work agrees to meet at his place after markets close that afternoon Monica and Larissa show up eager to learn more about Odysseus’s scheme Larissa is petite built like a gymnast giggly light brown hair younger than Monica he lays it all out for them cousin Chris and his buddies the money ******* both girls are quite lovely he suggests they rehearse with him he will coach them on situations settings techniques girls consent for 4 weeks every afternoon they meet at Odysseus’s place get naked play out different scenarios he shows girls how to pose demure at first then display themselves skillfully fingers delicately pulling open ***** spreading wide apart buns working hidden muscles he directs each to take up numerous positions tasks techniques then has them switch places he teaches them timing starting slow gradually building up rhythms stirring into passionate frenzy having two mouths four hands creates novel sets of possibilities one girl attends his front while other excites his rear he positions them side-by-side so he can penetrate any of all four holes he stacks them one on top of the other many other variations after reaching ****** several times making sure to reciprocally satisfy their eager needs Odysseus dismisses girls until following day finally after month of practice Monica and Larissa feel confident proficient primed Odysseus arranges for girls to meet with 2 traders through Chris most traders have nicknames Twist who is hosting event is notoriously wild insatiable on opening night Odysseus behaves like concerned father Larissa and Monica each bring several dresses and pairs of shoes Odysseus helps them choose suggests Monica ease up on make-up he styles Larissa’s hair instructs Monica to call him when they arrive again when they leave he requests they return directly to his place Monica wears hair pulled back in French twist pearl earrings sleek little black dress black stiletto heels she stands several inches above Odysseus Larissa wears braided pigtails pink low-scooped leotard brown plaid wool kilt just above knees brown suede cowboy boots he kisses each on lips then pats their butts warns them to be careful mindful Monica winks Larissa giggles more than an hour passes as Odysseus sits wondering why he has not heard from girls suddenly reality hits he does not want to be commodities trader and certainly not a **** this is not how he wants to be known or remembered Odysseus wants to be a painter and writer Monica and Larissa are good sweet girls whom he has misguided he calls Twist’s place Twist answers Odysseus asks to speak with Monica when she comes to phone he questions are you all right Monica answers yes we’re fine we’re having a fantastic time why are you calling what’s wrong he explains you were suppose to call me when you arrived i began to worry i think maybe this whole arrangement is a bad idea i want you to call it off and come back home i don’t want either of you to become prostitutes i love you both and don’t want to be associated with dishonoring you Monica says it’s a little late to call it off but we’ll see you when we’re done kissy kiss bye Odys another hour passes then another he frets wondering what they are doing after 4 hours as he is about to call Twist’s house again doorbell rings Monica and Larissa both giggling beaming Odysseus can spot they have a coke buzz Monica announces you should be proud of us Odys we got each of them off 2 times we left them stone-numb and tapped out the girls open their purses each slaps 5 hundred dollar bills unto table Monica says this is your cut Odys we both got a thousand for ourselves he replies i can’t touch that money we need to sit down and talk Monica demands no talking Odys take off your clothes he insists i’m serious Monica i’m never going to send you out again Larissa claims there’s no turning back for me i had too much fun Monica  pleads come on Odys we’ll be good we promise now take off your clothes Twist and his buddy never attended to our needs i’m ***** as hell Larissa where’s that little bottle of dust Twisty handed you

Chicago Monday night December 8 1980 Cal and Odysseus sit at North End they're on 4th round feeling buzz the place is lively adorned with holiday decorations Cal says you’ve changed Odysseus questions what do you mean? how? Cal says the commodity markets and your cousin and his friends they’ve changed you when was the last time you painted Odys? are you dealing coke Odysseus looks Cal in the eyes answers they’re so ******* rich Cal you can’t believe it one drives a black Corvette Stingray another a ******* Delorean anything they want they buy girls cars clothes condos boats yeah i’m dealing coke to Chris’s friends it’s my only leverage remember the Columbian dude Armando we met at tittie bar? i score from him and keep it clean Chris’s buddies pay up for the quality i don’t remember my last painting maybe the black painting i never finished after breaking up with Reiko Lee a girl falls off bar stool crashing to floor at other end of bar Cal says Odys, you better play it careful you’re messing with the devil got any blow on you suddenly bar grows quiet someone turns up TV volume they watch overhead as news anchorman speaks slow solemn camera pans splattered puddle of blood pieces of broken glass on steps to Dakota Building Cal looks to Odysseus John Lennon has been murdered Cal waits for Odysseus to say something tear rolls down cheek Cal glances away stares down at floor they drink in silence

My Mom needed something from the store
So I told her I’d walk up there for her and get it.
We were barely getting by
The two of us.
She was living on a disability check
And I was in between jobs
Again
So these little walks to the store were all I had.
I got her some Epsom salts and was walking back
Had just walked past the hardware store
When a small, sleek, black, BMW pulled up next to me.
To my surprise it was a chick
A big titted redhead with pink sunglasses.
There was something in her eyes
When she peeked below the sunglasses
I saw something in them
that frightened me
A voice inside was screaming at me
Just keep walking
Just keep walking
But like a fool
I ignored it
And bent over the passenger seat
In the convertible that smelled new.
“How big is your ****?”
The lady asked
Her chest just heaving and jiggling
With every breath she took
And every word she spoke.
“What?”
“I said….how big is your ****?”
“Ha ha!”
I took a look around
Expecting to see a hidden camera
Or a film crew in a van across the street.
There was no one
No witnesses.
I leaned back down
“7 inches? Maybe 8? I don’t know lady, I haven’t measured my **** since the 11th grade!”
The redhead took off the sunglasses completely and looked me up and down
Those bright green eyes scanning me
From my worn out Converse to my greasy pompadour on my head.
It seemed like an eternity
I got uncomfortable.
Just standing there
Squirming
While the redheaded fox
Kept inspecting me.
“Okay. Get in. Hurry up.”
I wasn’t even thinking
Just reacting to it all.
I’d always dreamed of this
When I was walking down that
Same old ******* street
The only street that I ever saw
Dreaming of
A beautiful woman in a sports car.
And now here she was.
Here we were
Driving down the street
The breeze blowing in our hair
She made an immediate right turn
Onto a suburban side street.
She parked in front of a house that was up for sale.
Again she took off the sunglasses.
“Let me see it.”
She said, staring at my crotch.
“Whoa, whoa, lady. What’s this all about?”
“My husband and I…..we have certain…..tastes. Things we like, things we enjoy. He’s an older guy, so he likes to watch young guys **** me. I mean, just really give it to me good, make me scream. And of course after your services have been….rendered….you’ll be paid two-thousand dollars. Now do you think you can do that?”
“Uh……I—I think so.”
“Well, I need you to know so. And if you were bullshitting me, if that **** isn’t at least 7 inches, you can get out of the car right ******* now.”
“No it is, it is.”
“Well...”
“Well...you gotta start my engine first—“
Before I could finish my cheesy line
She was in the passenger seat
Climbing on top of me.
“Rip it open” She said looking down.
I did as I was told
And ripped the front of her blouse open
The buttons flying in all directions
Bouncing off the windows and rolling on the dashboard.
Her two, round, fake, **** sprang out of the top
Hitting me in the face
As she rubbed them up and down
And all around.
She kissed me sloppily
And then started in with that biting *******.
She met my lip so hard
It drew blood
acting purely on reflex
I grabbed her by the arms very hard
And pulled her back from me
Staring at her with those crazy, intense, eyes
That I sometimes got when startled.
“Oh…..” She said looking down, at the ******* in my Levi’s.
“Alright. You wanna see the house?” She asked.
I let go of her arms and she rolled off of me,
hopping into the driver’s seat and starting the car up.

She drove all the way to the edge of the city
Where the Red Mountains in the east
Meets the long winding road out of town
And into the desert.
It was a large ranch style mansion
Decorated with cowboy themed ****.
The redhead parked the sports car in
A massive garage
Filled with dozen of rare and expensive automobiles .
She told me to leave my plastic grocery bag of Epsom salts
In the car
She said I could get it later, when we were done.
I followed her to an elevator at the back of the garage.
We took it all the way down to the very bottom.
Stepping out of the elevator
I found myself in a large expansive grey room.
The floors were concrete
But they were shiny and slick
Reminded me of the floor in the meat department
At the job I had just lost.
The room had a few beds in it
Some custom built sets were erected all over the room
An office, a jail cell, a medieval dungeon, a medical examination room,
There were a lot these little sets built all over
In the back of the room
The corners
Were pitch black and covered in darkness.
I wondered what they had over there.
“So what do we do?” I asked, fidgeting in my pants
thumbing my switchblade stiletto in my right front pocket.
“We have to wait for my husband to come down. I just texted him.”
“Oh okay.”
“You should take your clothes off and put this on.”
The redhead said, taking a hospital gown from a hanger
Next to the medical examination set.
“….put that on and I’m gonna go get into character.”
She said, walking behind a white privacy screen
The old kind, like they used to have in doctor’s offices.
I undressed myself and got into the hospital gown.
I can’t say what it was exactly
But I still had that real nervous feeling
I couldn’t ignore it
So for some reason
I hid my switchblade on me.
Put it in the waistband of my underwear.
And that made me feel a little bit safer
This whole thing was beyond belief
I was never this lucky
Something was rotten in Denmark
I could feel it in my bones.
But there was no backing out now
I was riding this all the way
No choice.
I took a seat on the medical examination table
The thin paper crunching loudly beneath my ***
They had it down to the finest detail.
Even the little slots with the Highlights magazines.
I watched the black & white clock on the wall
And it took them 28 minutes to finally come out
The two of them together.
The tall, beautiful, redhead and the rich old man.
But they matched in an odd way
His face was nearly the same color as her hair.
A red faced, big nosed, drinker,
I’ve seen that face a thousand times
Ain’t no mistakin’ it.
He had white hair all spiked up
Like how young people have it
And he wore nothing but gold
All over himself.
Gold necklace, full fists of rings, bracelets,
I couldn’t ******* believe it
I tried my best not to laugh
I was snorting to myself
The ******* had a Mercedes medallion around his neck
Like Flavor Flav or something, it was that flamboyant.
But the guy was like 70 years old
None of it made any ******* sense.
The florescent lighting above
it did this thing where
his eyes were so sunken in
that it created these two black shadows
where his eyes should’ve been
just pitch black
endlessly hollow and empty
with a red face.
Satan himself, covered in gold and diamonds.

“What’s up?” He said, extending his well tanned, leathery claw.
“Hey.”
“Alright, so let’s not waste any time. Let’s get down to business? Huh?”
“Yeah, sure.” I said.
“**** yeah! Let’s ****! You wanna **** him baby?”
”Why do you think I got him? Hell, I almost ****** him on the way home.”
“Did you now?” He said, looking over at me with this look
I couldn’t tell if it was pleasure or rage.
“Alright, alright then.”
The chick started to walk up the three little steps
Of the examination table
Her feet were pale as snow and her toes
Shiny and red like a the paint job on a brand new Cadillac in 1956
I remember that.
She climbed on top of me
Started kissing me and
Rubbing my ****
Under the examination gown.
From the corner of my eye
I saw the husband moving over to the camera
Which was setup a few feet away
Looked to be hi-def ****.
She bit my lip again
Really ******* hard
Pulled a big chunk of skin off
“*******!” I yelled.
“What?” The husband shouted back.
“He hates it when I bite him!” The redhead shouted with a smile
blood on her lips, from mine.
“Well, don’t take any **** son! If she does that again, you just give her a good smack!”
“What?”
“Yeah, don’t be timid boy! This ain’t ******’ Sunday school! We’re ******’, here!”
She did it again
And I wasn’t even thinking of what that old coot was yelling about
I just hit her on principle.
A good open handed smack across the cheek.
“There ya ******’ go! That’s what I’m talkin’ about.”
The old man threw his hands in the air
And started doing this little dance it was the weirdest ****
I had ever seen.
The redhead grabbed my face with her hands
Taking my eyes off the old man
Who was now singing some song
And shuffling around the floor.
She looked right into my eyes
Those mint colored eyes
She whispered to me
But I read her lips
“I’m sorry.”
And she pulled me in and kissed me
Put my hands to her *******
And proceeded to kiss me
Like a long lost love
Not some guy off the street.
And that’s the last thing I remember.
Besides the ***** of the needle in my neck.
Just her red hair hanging in my face
The florescent light shining through.
When I came to
I was standing upright
But I was strapped to a table
My arms
My legs
My head
Every part of me strapped down
Tight.
I wasn’t going anywhere
This was that bad feeling I got when she looked at me.
This was where it ended. Right now.
They were both standing there
Staring at me
Smiling with drinks in their hands
The cameras rolling
They had multiple cameras setup
Some 80’s techno playing from an iPod dock.
“What? What are you gonna do?” I slurred, it was hard to talk.
“I know, I’m sorry. Okay, look. We both agree that you probably are owed an explanation, I mean….these being your last moments and all…”
The redhead interrupted, looking at me, like she had before
There was love in her eyes
“Honey…remember what I said? About how there are things that we like and things that we enjoy? I’m sorry, but this is what we like.”
“*****?” I managed to choke out,
just the sound of the words chilled my ******* blood.
“Yeah. Hey…son, let me tell ya…we’re actually saving you a whole lot of heartache and disappointment. You weren’t gonna go anywhere, you weren’t going to accomplish anything. You’d work the same **** jobs, bouncing from one to the other, until you finally died of either ***** or drugs.”
“It’s for the best, sweetie.” The redhead said.
And I’d love to tell you that
They left the room for a few minutes
And I was able to free my hand
Taking the switchblade
From my underwear
Cutting myself free
Killing them both
And cleaning out their safe’s cash and diamonds.
But this was no movie.
Well not the kind with a happy ending anyway.
That’s when she walked over to the table
And grabbed the knife.
The song on the iPod changed
And I instantly recognized it.
It was the song.
I never could explain why
But as a boy
This song would come on the radio
This 80’s electro song
And it always scared the **** out of me
Turned my stomach
I never knew why
But now it all made sense.
That song would be the last thing I ever heard.
With the cameras rolling
The redhead gave me one more kiss.
I closed my eyes and pretended.
I pretended that she was a girl that loved me
That she was kissing me goodnight
Sending me off with a smile.
I just kept my eyes closed
Squeezing them tight
And I didn’t even feel the knife
When she slit my throat right there
In that slick, shiny, grey basement.
It didn’t hurt
I didn’t feel any pain.
Just warmth.
The blood flowing down the front of my neck and chest
pure warmth sliding down me
And I started to get light headed
Everything getting dark
Very quickly.
I could hear my heartbeat
In sync with a high-pitched ringing in my ears.
The last thing I saw
Was the redhead standing there
Luckily the husband had his head behind the camera
So I didn’t have his scary face as the last thing I ever saw.
No
It was the redhead
And those mint green eyes.
They never found my body.
The couple put me through a wood chipper
And fed my scraps to their dogs
After slicing off my biceps for dinner that night.
They went on doing this for years
Picking up guys and girls from the streets
who were down on their luck
And wouldn’t be high profile missing persons.
They acquired hundreds of DVD’s
Selling these ***** films
To their elite and powerful
Friends in high places.
But they justified it all.
Surely I wouldn’t be missed.
I didn’t have a mother
Like they had a mother
I didn’t laugh and love
Like they did
I was expendable
Disposable
Use once and discard.
The rich eating the poor
Blood meal for their insatiable & gruesome appetites.
It’s okay though.
I’m not mad or anything now.
It’s just blackness
A dreamless sleep
I don’t even know how I’m telling you this
But the worst part
The thing I still think about the most
Is my mother.
And what she must of thought
When her only son
Went to the store for her
Epsom salts
And just never came back.

Music provides a blanket of background noise,
As you sit, in a velveteen chair, legs parted, hands on your knees,
I stand between them, silhouetted against flashing gold lights,
I stare down into your upturned face & slowly begin to undress.
Piece by piece my clothing drops to the floor at your feet,
Pooling around my clear, stiletto heels.
Your eyes too drop down, lingering on my *******,
My skin, soft & sun kissed, shimmers golden in the soft light.
I turn slowly, allowing every curve of my body to be illuminated,
The arch of my back, the contour of my hip & the arc of my buttocks
Your eyes trace down my thighs, now spread & back up,
As I bend, & reveal my inner most secrets to you.
My sweet opening that promises so much pleasure,
Just inches from your lips & your tongue & your pleasure.
Slowly I slide to my knees, down on all fours, face to the floor,
Inviting you to enter me, visually, take me with your eyes,
I turn to meet your groin & I watch with interest,
As I play with my ******, at the stirring that may come.
I rise up instead, to my knees, cupping my *******, blowing,
On my now ***** ******* & my eyes reach yours,
And time & space hold for us, as we join together, for a second,
Before I lean in, my breath on your cheek & I whisper,
That's £20 please.

If you annoy a Sicilian woman
She will fling herself at you shrieking,
Her hair and eyes wild with rage; she’ll plunge a dagger
Into your heart three times before you fall

And then she’ll spit on your corpse and curse your memory

If you annoy a French woman
She will fling at you a stiletto heel
Or a saucepan (with sauce veloute’, oui!)
Either one will take you down, mon ami

And then she’ll dial a friend for company

If you annoy a Russian woman
She will make a discreet telephone call
And when in spring the ice of the Neva thaws
Your frozen body will at last pop up

And then she’ll write a poem in your memory

If you annoy an English woman
She will smile sweetly, and poison your tea
And as you collapse, gasping desperately for breath
She will smile again, and ask if anything’s wrong

And then she’ll ring for Jeeves to tidy up

Finally:

A Canadian woman  (I’m telling no tales) -
You mess with her, and you’re bait for the whales!

                               -fin- (so to speak)

Turn the kitchen sink on. Wait 36 seconds. Turn the sink off. Count the sides of the kitchen doorway. One, two, three. Put socks on, walk to the bathroom. Take socks off. Turn the bathroom sink on. Wait 36 seconds. Turn the sink off. Count the sides of the bathroom doorway. One, two, three. Put socks on. The whole procedure had been finely polished into a smooth six minutes. Exactly. Justin’s day can now begin. He finishes his normal routine and leaves the house. He checks the gutter. He’s not checking for anything specific, but it’s sixth in his morning ritual and must be done.

Today he found something. There’s a girl, passed out. She is wearing an excessively short turquoise sequined dress, with matching stilettos. Justin was at a loss. The gutter was not empty. Should he call the police? He took her shoe. He ran. Six blocks later, he stopped. He was In front of his favourite coffee shop. It was an intimidating place, with a tattoo and piercing service offered, while you wait for your coffee. He liked it because the address was 666. He was worried the police he hadn't phoned would be searching for the stiletto he had stolen. Who would have known he would turn to a life of crime? Just earlier, while the bathroom sink was on, he had been thinking of complementing the local parking officer (the one with the limp) on his ability to write tickets. Now here he was, holding the glittering fruit of his crime. Maybe he could return it to the young lady. She seemed nice enough, from what little he knew of her. But what if she questioned him? Best have an excuse prepared. He could say he saw a spider climbing into it. His chivalry had saved her from a nasty bug bite. No, he couldn't pull that off. He would pretend to be a poet, that’s what he’d do. Poets are known for being strange. So he set about writing her a poem.

Turquoise like the rain,
off you go, down the drain.

With a dress, short like our fleeting existence,
that could really do with some more distance.

I took your heel to 666,
left you a poem in the mix.

Justin was in fact quite proud of his apparent literary side. He rejected -yet again- a discount on tattoos, and left the coffee shop. He walked back to his gutter, Finding once again the girl, passed out. Slipping the stiletto back into place on her foot, he looked around guiltily, double checking the police hadn't followed him. He went inside. He went to bed. The next morning, he forgot to turn the kitchen sink on. He didn’t wait 36 seconds. Didn’t turn the sink off. Didn’t count the sides of the kitchen doorway. One, two, three. Didn’t put socks on. Didn’t walk to the bathroom. Didn’t take socks off. Didn’t turn the bathroom sink on. Didn’t wait 36 seconds. Didn’t turn the sink off. Didn’t count the sides of the bathroom doorway. One, two, three. Didn’t put socks on.

Lyrics in her face
blaze, from screen to mouth
bony thumb, scrolling
mumbling into an ancient microphone
hanging from the rope swing
in her garage.

Voice shakes here, shivers there
but ****
she is soulful.

Authentic, exquisite
in holey socks and wet hair
and goosebumped arms
getting swallowed by a hoodie.

*******, she has it all
and gives it nothing.

Some of us are simply stunning
no spray tans or updos
no sequined skirts or stiletto shoes
no autotune or makeup kits
no words-

only nothing
could improve her.

Nothing could improve her.

... he points his toes
like a swan stretching its neck :
smooth calves in fish-nets
to slip into stiletto heels,
        performance art of a deceptive nymph

... grace on fine-point tips : his gift - in stiletto heels,
impersonation or personification of feminine beauty
leporine lithely limned
delicate dancer
       it is almost as if floating across water
       he mimicked once more before
some inner mother's nature took over
façade of savoir face - voila! a star in it's place ...

... It is her face when the night creates a cape
borne with Van Gogh plumes sufficed with self
she paints upon his face : starry nights
sun-flowers, irises covering the welts...
comparably museum worthy, imitation flames
yet like any other canvas
          beneathe it could lie disappointment and mistake
          drafts of inspiration, cover-ups of cynicism
          another creature - some creation unlike him
what was before / the curtain / is unseen, but what if ...

... the truth and process to what presently one sees
or believe
could be / only an amateur attempt:
moments unfelt under layers & layers
of trial and errors / contempt?
      would you wipe away Mona Lisa's
      smile and devilish wicked secret ?
just to uncover blemished a masterpiece:
an ugly Danish duckling underneath

to prove that swan-lake
a gent

... to evolve from broken eggshells
become a song timely hummed & remembered well
priceless history murals' on passing face
all spoken thoughts performing down the lace
      define yourself, how the flight of life from embers
      happiness pursuant to tender
Fully free with grace,
it is the power of creativity / the spirit's ability
to overcome adversity
the art of divinity - that is
what he is practicing  
                                 This trumpeter
                                 swan in stiletto heels...

A black stiletto lost in the throws of passion, kicked to lie far under the bed. Poor shoe forgotten in the heat of love making, forever separated from the perfect smoothness of your slim left leg.
The soft kisses, your arms holding me tight, a simple shoe left bereft at the end of the night.
Come morning the stiletto eluded us.
“It doesn’t matter” you said your soft lips finding mine. Full of the joy of our love making you left your face radiant a single shoe clutched in your hand.

---

You stand perplexity giving way to anger, A slim black stiletto points straight at my heart.
“What is this? It isn’t my size. No lies. Who is she? You *******”.

If I had  a daughter,
I would tell her this-
"Never lose your strength baby girl,
Always respect yourself enough to walk away
From anything or one that makes you unhappy
Walk away in combat boots or stiletto heels."
I would tell her,
"Always travel light, don’t ever be weighed down by all
The burdens life will make you carry
And if you struggle sometimes don’t worry because
Your mama will always be behind you with a purse
Big enough to hold some of them for you."
I would tell her,
"Always keep your heart on your sleeve
And after that teenage boy rips it off time and time again
Don’t worry because mama will always keep on hers
A needle and thread to sew it back on."
And, "Either way Papa's a straight shot."
I would tell her,
"Baby girl when things get rough,
When you’re down and getting back up seems
Impossible and you’re feeling low and you're feeling stuck
You can always reach for my hand if you need it
Even though I know you don’t."
And I know she’ll remember how strong she really is
How beautiful in everyway she grew up to be
And when the same people that pushed her down
Tried to again-
She would tell them,
"You know, you should really talk to my mother."

i want a good heart .
i want it to be made of good stuff .
i want the stain glass window builder to be my drinking buddy .
i want to drink only the punch of a million gender queer school kids taking free martial arts lessons to survive recess .
i stopped calling myself a pacifist when I heard gandhi told women they should not physically fight off their rapists .
i believe there is such a thing as a non violent fist .
i believe the earth is a woman muzzled , beaten , tied to the cold slinging tracks .
i believe the muzzled have every right to rip off the bible belt and take it to the patriarchy’s *** .
i know these words are going to get me in trouble .
it is never polite to throw back the tear gas .
just like its never polite to bring enough life rafts .
they crowd the balconies where the wealthy shine their jewels .
but sometimes love ..
sometimes real love
is ******* rude .
is interrupting a wedding mid vow just as the congregation is about to cry .
to stand up in your pew to say 
“ is everyone here clear on how diamonds are mined ?” 
hallelujah to every drag queen at stonewall who made weapons out of her stiletto shoes .
hallelujah to the blues keeping the neighborhood awake .
to the activist standing in the snow outside of the circus 
holding a ten foot photograph 
of a baby elephant in chains ,
when it’s probably some little kid’s birthday .
hallelujah to making everyone uncomfortable .
to the terrible manners of truth .
to refusing to clean the blood off the plate .
bend this spine into a bow 
i can pull across the cello of my speech .
love readies its heart’s teeth ,
chews through the etiquette leash .
takes down the cellphone tower after millions of people die in wars in the congo fighting for the minerals that make our cellphones . 
love blows up the dam .
chains itself to the redwood tree ,
to the capital building when a trailer of mexican immigrants are found dead on the south texas roadside .
love insists well intentioned white people officially stop calling themselves color blind .
insists hope lace it’s ******* boots 
always calls out the misogynist , racist , homophobic joke . 
refuses to be a welcome mat where hate wipes its feet .
love asks questions at the most inappropriate times .
overturns the defense of marriage act then walks a pride parade . asking when the plight of poor single mothers will ignite our hearts into action like that .
love is not polite .
deadlocks our rush hour traffic with a hundred stubborn screaming bikes .
hallelujah to every suffrage movement , hunger strike .
hallelujah to insisting they get your pronouns right .
hallelujah to tact never winning our spines .
to taking our power all the way back to that first glacier that had to learn how to swim .
to not turning our heads from a single ugly truth .
to knowing we live in a time when beauty recruits its models outside the doors of eating disorder clients .
that is not a metaphor .
this is not a line to a poem .
an indian farmer walks into a crowd of people and stab himself in his chest to protest 
the poisoning of his land .
a buddhist monk burns himself alive on the streets of saigon .
a united states' soldier hangs himself wearing his enemy’s dog tags around his holy neck .
may my heart be as heavy 
as a tuba in the front row of the mardi gras parade five months after katrina .
may it weigh the weight of the world 
so it might anchor the sun 
so it might hold me to my own light until i am willing to sweat as much as i cry .
until i am willing to press into the clay of our precious lives .
a window .
might our grace riot the walls down .
may the drought howl us awake
may we rush into the streets 
to do the work of opening each other’s eyes .
may our good hearts forever be 
too loud to let the neighbors sleep .

I ain’t got no intimate, ain’t got no stiletto heels
Ain’t got no Lsd, ain’t got no smack
Ain’t got no partners, ain’t got no drill
Ain’t got no slapstick, ain’t got no hanky—panky
Ain’t got no Lsd, no slot to mount

Ain’t got no castrato, ain’t got no crumpet
Ain’t got no conjoined twins, ain’t got no nuns or eunuchs
Ain’t got no whipcord, ain’t got no adoration
Ain’t got no *******, ain’t got no stimulant
Ain’t got no ******

Ain’t got no oscillation, no shags
No uniform, no parts
No smack, no drill
No partners, no peccadillo
Ain’t got no stimulant

Ain’t got no whipcord, no propagators
No titbits, no intimate
I jabbered, I ain’t got no uniform, no hanky—panky
No peccadillo, ain’t copulated till one is blue in the face to have a funny feeling
And I ain’t got no ******

Oh, but what have I copulated, oh, what have I copulated
Let me tell what I copulated and nobody’s going to enlarge telescopic

I got my ***** on my face
My extra—sensory perceptions, my knobs
My ******, peckers and my *******
I got my stuck—out tongue

I got my tentacle, my proboscis
My *****, my *******
My thingummies, my cockles of the heart and my posterior
I got my *******

I got my thingummies, my talons
My ball and socket joints, my forelegs
My hooves, my pincers and my snorker
Got my crest

I got *****, I’ve inseminated cheerleaders
I’ve got bottomgremlins and hacksawhoodoo
And Mephistophelian juggernauts too like you

I got my *****, my pistil
My ESP, my knobs
My vaginas, my peckers and my *******
I got my stuck-out tongue

I got my tentacle, my proboscis
My ***** and my *******
My *****, my ***** and my posterior
I inseminated my ****** sorbet

I got my thingummies, my talons
My ball and socket joints, my forelegs
My hooves, my pincers and my snorker
Got my crest

I got my *****, I got my slipperiness, my *****
I got *****

Drag/Queen

... he points his toes
like a swan stretching its neck :
smooth calves in fish-nets
to slip into stiletto heels,
        performance art of a deceptive nymph

... grace on fine-point tips : his gift - in stiletto heels,
impersonation or personification of feminine beauty
leporine lithely limned
delicate dancer
       it is almost as if floating across water
       he mimicked once more before
some inner mother's nature took over

façade of savoir face - voila! a star in it's place ...

... It is her face when the night creates a cape
borne with Van Gogh plumes sufficed with self
she paints upon his face : starry nights
sun-flowers, irises covering the welts...
comparably museum worthy, imitation flames
yet like any other canvas
          beneath it could lie disappointment and mistake
          drafts of inspiration, cover-ups of cynicism
          another creature - some creation unlike him
what was before / her soft curtain / kept unseen,
but what if ...

... the truth and process to what presently others see
     to believe or not
could be / only an amateur attempt:
moments unfeeling under layers & layers
of blush / trial and errors / sharp contempt

      would you wipe away Mona Lisa's
      smile so devilish with wicked secret
just to uncover blemished a masterpiece:
an ugly Danish duckling underneath ?

To  prove his swan-lake / a gent

... to evolve from broken eggshells
become a song sung timely
hummed & remembered well
(hells bells and *****)
Drag queens’
priceless history / murals' on passing face
No broken naughts
While performing down his lace
      define yourself, she affirms her mirrors...
The harsh flight of life from the embers,
      happiness pursuant to tender
Fully free with goddess grace,

it is the power of creativity / the spirit's ability
to overcome adversity
the art of divinity - that is
what he is practicing  
                                 This trumpeter
                                 swan in stiletto heels...

He made a mistake and called his girlfriend a heartless witch.
It was no mistake when she threw him into a ditch.
She said, you and I are through.
And then kicked him in the head with her stiletto shoe.
It was too bad that his head landed in dog poo.
And she ruined her nice stiletto shoe.

So sadistic comes the night
in red stiletto heels.
Many fallen angels
knows just how this feels.

Vampire slayer's
record player
spins without a bite.

I am falling through
the stratosphere
at the speed of night.

Let me go,
rock & roll,
I hear the night time sing.

Smokey bars
and steel guitars
rock Saturn's neon ring.

So sadistic comes the night
in red stiletto heels.
Many fallen angels
knows just how this feels.

I am falling through
the stratosphere
at the speed of night.








.

.the crows' persistent croak undermines all attempts at man's adventure into universal fame, or one that might distinguish man's composition, from earth, as intended for adam, to air, as intended for odin, to water as intended for poseidon, to fire as intended for the tetragrammaton.

it fails, most of the time,
poetry is scarce,
too much fondness of the abstract,
hence residues of
distracted verse, whimsical,
overburdened pronoun usage -
such likes - complex punctuation
to replace diacritical marks in
france or germany or norway,
poetry doesn't have the impetus,
just doesn't have the impetus to
package fudge, package fudge paragraphs
of fiction, poetry isn't anything
unless it's anti-fiction,
there's no point idealising
how you would fit into a glass stiletto
when it doesn't allow a fitting: cindarella was first
two jealous sisters got their heel
and big toe cut off, you want to encode
that as .pdf or .jpeg?
technophobes ***-standing:
is that enough for a start-up religious cult?!
i'm just wishy washy wondering,
all bets on it taking off - congregation of
en masse suicide seems a fanciful expression,
mind you, i have no excuse.
where there's a middle there ain't no finger,
no message evaluation and furthered to
an execution, the middle has an eroteme:
not exactly erotically thematic, just
a hunch off huh...
so... poetry... it's scarce, tumble **** practice
of a lost joke...
poetry exhibits itself sometimes in tight-tangle prose
of a knausgård - fancy wording a mile apart
would make traffic accidents aplenty,
and it happens... ramble ramble ramble (worded),
then some poetic ecstasy like an unguided tour
of a gallery making you kneel in anti-catholic
gesticulation of a painting by francis bacon...
shouldn't happen, but it did...
so while prose writers are like things infused
with packaged designation of the right
digestion and right diet content of carbohydrates,
poets are like: what sustenance from air?
we ramble sometimes, **** naked i presume,
but we do, and when we do, we draft novels
for other people, we're not into nation building
or writing novels... we're the anorexia of prose...
and that's grand... because it means
that our readers have to be self-involved,
not ready to grasp the rooting of prose diction...
more fused to the open airs
of writings' scarcity...
we need strong readers not numbers...
we need people who are self-involved,
who would spit and kick a copper statue of
the poet represented in a public square with
people of the spoken tongue the real tourists
wondering: who's that?

that aside...
          i went to sleep thinking about chess...
into bed at around 1am
woke up at around 9am...
past two nights? interludes of
perhaps 2 / 3 hours...
    cutting on the alcohol is one thing...
keeping a tally?
proof: co-op sells 1liter labelled bottles
of scotch,
but as it turns out, according to my braille tally?
it's: ⠷⠷ (500ml) + ⠷⠷ (500ml) + ⠷ (250ml)...
they label it as a liter...
but it's actually 1.25liters...
three days later: you get the full picture:
-esque akin to 'and on the third day he rose
again, according to the scriptures...'

good luck to the men and their vanity
projects...
   i will never become as famous as
the man who "invented" stumbled upon
fermentation to produce beer / wine...
distillation to produce whiskey / *****...
dom perignon and albert hofmann
are known now... give it a few centuries later...
****! gone!
       but to overshadow the universal
stability of a woodland pigeon cooing,
a crow croaking, a fox laughing?
   my words are here: yet these examples
retain the future unchanged...
by void, crook, vogue or folly...

so i went to sleep thinking about chess...
there's the king: the point
of the game...
              to topple the king...
get ol' charlie firsty on the chopper...
distract charlie zee 'eck'und
with pseudo-harems and handel...
and fireworks on the thames...
little learning tool offshoot of louis XIV...
the king is just an elevated pawn...
it seems the king only controls the pawns
given his own movement rules...
the queen though?
   she's the bishop and the rook combined,
as she's also the king and pawn, combined...
the knight is the only odd piece
on the whole board...
   why? didn't queens feast their eyes
upon knights of old, at tournaments...
chivalry: the dropped oopsie handerchief moment
when the king wasn't looking?
the knight piece is the only outsider piece
on the board... hence it's ontological
grasshopper routine of jumping
outside the line of pawns and then
jumping back into line...
the king is a king in name only:
it would appear...
  while the most powerful piece on the board
is the queen: since if the king merely
control the pawns:
   at a battlefield a king command pawns
(soldiers)...
  in the background...
the queen will command...
   the bishops, the knights,
   the rooks (houses, castles) -
she's not on the battlefield with with pawns...
and soon knights become judges
and lawyers - merge with the bishops...
i never like playing chess -
but i liked thinking about chess...
  from the perspective of: the queen is
the most powerful piece on the board...

you could even rewrite chess by expanding
the board... so it would look like so:

1. denotes pawn         9. denotes king

2. denotes bishop        6. denotes queen
3. denotes knight        4. denotes rook.


1 1 1 1 1 1 1 1
         9 3               (battlefield formation)
      2 4 4 2             (behind the scenes formation)
        3 6    

but the board would have to be expanded from
64 to say... 100 squares... per board...
it's still chess... but with a twist...
it's what real life would look like...
one knight would be faithful to the king
and stand behind his army on the battlefield...
the other knight would be *******
the queen in secret surrounded
by castles and the clergy / the judicial system...
well: so many people have become so good
at the game of chess...
   kasparov vs. deep blue...
         so smart: and yet no imagination.

besides... i had more important things to do
today than remember what i fell asleep with...

1. making the perfect sausage rolls...
the most pristine invention of the english
and how the french fumed when their puff
pastry was "degraded"...
never use meat from sausages...
always minced pork...
and instead of adding carrots...
celery... and who would have thought
that fennel seeds are the secret ingredient...

2. watching india get their *******'
whipped and their ***** put into
a meat grinder by the new zealand side
at the cricket world cup...
**** me the last 5 overs!

3. lamenting the state of cinema...
the pursuit of "being" via distraction
with the end goal of fulfilling "happiness"...
so much for "being" and so much for "happiness"...
take two prime examples...
it only took 8 years to spare all the details
that seperate them...
1958's the inn of the sixth happiness
starring ingrid bergman...
those movies! mmm hmm!
i would gladly take away all the current
heavy editing and metallurgy scaled
CGI for a classical western panoramic view...
no dialogue... just an expansive camera
distance where the characters are dwarfed
by the grander scheme of things:
even if it's just a valley or a field...
cinema dropped the paranoramic
   interlude, resorting for the clausto-****
of heavy editing with multiple cameras
switching backwards and forwards
like watching a game of tennis...
    actually: both genres degraded themselves
dropping the panoramic view at times...
less in sport, more in cinema...
but this is 1958... the 1950s! the glory days of cinema...
fast-forward to 1966... and the film:
ALFIE...
       what's the difference between a lothario
and a ****? a self-employed ******...
or some other weird combition of 'not-a-joke'...
wait a minute... why are the women
so ******* dumb come the mid-1960s in cinema...
while back in 1958: they were so admirable?!
ingrid bergman learned mandarin,
she was ambitious, she was stubborn...
she was bossy...
  come the 1960s we're talking about
    beings without either soul or will
simply orientated at being dumpster *** toys...
i don't even know where the men
did that to them...
           the women in 1950s cinema
gained respected... they were commanding...
or at least decisive in giving
the least expected virtue: generosity
and on top - a sense of fairness -
                             a merit pyramid...
1960s cinema women, "women" are nothing
more than sloppy teenagers...
these women are not women...
1960s cinema doesn't depict women...
it's starting to depict one direction:
  pissy-pants teen girls...
               ******* at the sight of harvey styles
sighing and ****...
        plus... back in the day:
cinema used to be... engaging...
ben-hur? how long? 5 hours?
  gone with the wind? how long? 7 hours?!
cinema like opera: 15 minute interludes,
toilet breaks before the next part went on...
now? a quckie 1.5 hours long CGI ***** fest
of minimal dialogue and the heavy editing
juxtapositions of "angles"...
       people don't watch modern cinema
because it's engaging...
they watch it... because it's... distracting...
pretty bright lights! ooh! aah!
i love the fact that i'm being snarky
           and sarcastic... what else can you be?!
   i don't even think is missed that much
when it comes to the sub-culture of drugs...
psychadellic or otherwise...
i ****** well missed on a decent amount
of cinema...
   and when that happens...
       look at me...
                            what's that phrase...
a bitter old man... aged 33...
bitter doesn't even cut it...
              it's not even a bitterness...
it's an elevated sense of nostalgia...
   for me nostalgia is something i was present
at when it started going to ****...
late 1990s... cartoon network, early internet...
etc.,
              1990s date night movie quality
requiring adults to employ babysitters...
i was there...
1950s cinema? yeah: i wish i was nostalgic
about that... but i wasn't there...
hence the technical observations...
and how, objectively: movies were...
oh god so much better.

To soak up the dirt is to soak up the stories.
My story is grime pushed into the cracks in the concrete
From all the crusty hobos and sweat-sheened showgirls.
My story is glitter from all the strippers and their grinning patrons, and
*****, spilled liquor, and ***** from those who have sought a cure.
I am nourished by pain, and also rubber from the wheels of souped-up sports cars
Driven by men with chasmic souls. The oil from a billion french fries
Palliates the sting of alcohol upon my fractured, ***** skin.
The filth of the cigarettes and of the **** smoke,
Dank in the air, and heavy, slathers on another coat.
I see all things and I hear all things and I know all things.

I can see up your skirt right now, you precious little object,
As you flee the casino like a gull from a shark’s open jaws.
Your nightmare is right behind you, and he’s starving.
His humanity has been chewed up by the worms of his rancor,
And all that remains is an animal with hot blood on his brain.
In the alleyway I hear the pop and crack as stiletto gives way to concrete
And bone gives way to undue stress. His smile is unhinged as
Stifled screams and muffled gunshot atomize in the black air.

A decade later, the mops of sad janitors cut through like razors,
Making clean spots more unsightly than the ocean of grunge.
Surreptitious blood spatters, long since scrubbed
Still glint under blacklight.  The chalk outlines have absorbed
Into my unholy black skin, and though I was drunk on your blood,
I still remember cradling you as you died.

i find that the only time it's permissible to think
is at acute times, when something turns
heroism awry -
  we live in times when toiling in a field of
potatoes would be considered a heroism -
     because something has soured our attempts
at heroism...
    and i can't stress enough how modernity  
has nibbled at ancient feats of heroism
                       with such a bravado and inactivity,
    yes: tautology is the curse awaiting us all...
       what is revelatory about ontology?
some would say that oncology says much more
concerning man with a doubly impeding
temporality than ontology could ever fashion
a man with prescription: dogmatism -
    for one can only ask: can philosophy ever
contain a medical property?
can philosophy be medicine? i ask because i dare
not believe that writing per se is universally adequate
in being prescribed -
                      well... biology compared to medicine
is a feeble argument, its blunder was attracting
a theological posit for an argument to be practised
because: it found itself feeble before medicine.
the "thinkers" of biology attacked theology
after realising biology (a specified conglomerate
of words with the vector indicating a
                  depersonalisation of a biography) -
but both biology and theology are entrenched
with their respective vocabulary caging -
   no one would win the debate...
                     it became a comparative scenario of
first world war trench-warfare on the Belgian plateau...
    this was an attack on medicine...
    or what's useful given that biology can be rather
useless... i've never seen such desperation
               of a field of interest: that didn't simultaneously
argue from the perspective of jealousy...
         biology cannot replace theology -
   but that's beside the point... philosophy is more
akin to medicine than any -logy compound specifying
limits... auto-suggestive of the convenience that
says: man is born stupid, he dies stupid, and he "thinks"
   he knows everything that's happening in-between.
and no... i would never write a populist celebration
of war or Achilles... had i not engaged with an actual
conflict, i'd write nothing of this sort...
           and there is a crisis in heroism these days,
   hardly a reason to equate thinking as a heroic act...
  but compared with modern heroism,
namely what's defined by losing weight and gaining
protruding muscular patterns...
     what's nothing more than paying the gas bill
or simply: bringing home the bacon...
                 thinking has become a heroic act in a way,
eased to such a conclusion with
        stalinist obstruction of thought in the first place...
we call it political correctness and to be heroic
these days means: transcending what is but zoological
humanism...         because the counterpart of heroism
in the purely physical realm is but running a marathon,
rather than walking one...
       attracting bothersome flies of charity,
                 gluttony's reversal...
             what sort of heroics are these? what's to be
celebrated by such feats... if it all culminates into
nothing but a pat-on-the-back and not a statue?
            and by god... don't you think that people
who still rummage in language and can't see trilling
the R as unfashionable require a diacritical distinction
to be added to the letter? but of course, German
can sound soft too... but given the English hollowed-out
the R and lost the trill, or that the French hark the ******
letter... i'm thinking of how to represent the trill
   of the R... as the rolling and ravaging roulettes
                 embedded in the comparison of enacted
damage, with the stiletto shoe doing more damage than
an elephant's stomp.

... he points his toes
like a swan stretching its neck :
smooth shaved calves in fish-nets
to slip into stiletto heels,
        performance art of a deceptive nymph

... grace on fine-point tips : his gift - gentille lace
Stage lighting and mace
impersonation or personification of feminine beauty
leporine lithely limned
delicate dancer
       it is almost as if floating across water
       he mimicked once more before
some inner mother's nature took over

façade of savored tastes - savoir faire
voila! a star in it's place ...

... It is her face when the night creates a cape
borne with Van Gogh plumes sufficed with self
she paints upon his face : starry nights
sun-flowers, irises covering the welts...
comparably museum worthy, imitation flames
yet like any other canvas
          beneath it could lie disappointment and mistake
          drafts of inspiration, cover-ups of cynicism
          another creature - some creation unlike him
what was before / behind soft curtains / kept behind his in-betweens unseen (*****) stage hands spot light polishing knobs “my name is Job…”
but what if ...
... the truth and what presently others see
Diva or DILF
     to believe or not convincingly
could be / only amateurs who attempt:
moments unfeeling under layers & layers
of blush / trial and errors / sharp contempt
Sunken cheeks of graveyard sheep
Lip syncing nubile twinks insomniacs
Dry shave stubble style…

      would you wipe away Mona Lisa's
      smile so devilish with wicked secret
just to uncover blemished a masterpiece:
an ugly Danish duckling underneath ?

To  prove his swan-lake / a gent

... to evolve from broken eggshells
become a song sung timely
hummed & remembered well
(hells bells and *****)
Drag queens’
priceless history / murals' on passing face
No broken naughts
While performing down his lace
      define yourself, she affirms her mirrors...
The harsh flight of life from the embers,
      happiness pursuant to tender
Fully free with goddess grace,

it is the power of creativity / the spirit's ability
to overcome adversity
the art of divinity - that is
what he is practicing  
                                 This trumpeter
                                 swan in stiletto heels...

You find yourself in a strange street somewhere, a busy street of a big town or city
There's people going around about their business
They pass you by paying you no heed
You'd think you'd feel lost, an outsider here
But no! You don't,
You've been here before
And what's more you seem to know your way around
And there's this wonderful excitement inside of you
This delicious expectation of something
You know there's great delights to be had here.

You seem to know exactly where to go
You turn off the street into another and walk a short way
Then there's another street with some shops
And there's this one particular shop
Outside it's not much to look at
Even inside there doesn't seem to be much going on
There's other people there but you're not interested... you're not even curious
It's like you're on autopilot
You walk right up to the counter
And the lady comes over
And you whisper "I'd like to go in the back please"
It's just like a Speakeasy
She tells you to wait, to take a seat for a second, then she disappears
A few moments later a door opens over at the side
The lady is standing there, she beckons you to come over
You go and suddenly there's this long hallway/corridor
You go down it and there at the end
It's the Salon !

You can ask for whatever you want in the Salon, whatever you desire
And it's all... it's all totally free
Suddenly you find yourself in a room
There's a beautiful lady there
She's naked and she's smiling right at you
Then you realize that you too are naked
She comes up to you and caresses you, she's so soft and gentle
You can feel her touch, feel her body pressing against yours, and then she kisses you
Her tongue in your mouth
It's like licking an ice cream...an ice cream cone
She's so...so sweet
You can really feel her like she's something... something totally real.

(I remember when I was younger I used get these nightmares all the time
There was one and it was like this claw around your throat suffocating you
You'd have to really fight it, make an almighty effort to wake up, to escape it
It was something real, a force you had to fight, you could really feel it
The feeling in the Salon, it was similar but it was like the opposite of that
Instead of being something threatening it was something wonderfully pleasurable and thrilling).

She's so amazing, so soft and so gentle
You start to get aroused, it's like a lovely energy running through you
Like a wonderful slithering snake, so pleasurable
You feel like laughing at the joy of it all,
Normally now you'd come to a ****** and that'd be it over
But this time, no! this time I suddenly stop her, and I start to talk to her (I find I can talk to her)
"You know", I say, "you're so beautiful, so gentle and soft and kind
You're too good for the likes of me, I don't deserve you
Where I come from, I haven't met many really nice girls, not like you
It's always been like a battle, the Girls I've known,
They run you down, rip holes in you
Talking loud, trying to shock you and embarass you, control you
Have one eye on you, the other on their gang behind you
Their in no way genuine
You're nothing but a plaything to them
And y'know... it's all I've ever really known
I've never met any...any soulmate
And what's really sad is now I find myself gravitating towards those kinds of women...
I mean the cruel heartless ones
Why...why is that?

Me! I'm like that song "I don't know what Love is (I want you to show me)"
I don't know what real Love is, I haven't the faintest clue, the faintest idea
Hell! I don't even know what a girl, a woman is
I never had a sister and when you don't have a sister
It's the media, the world that tells you what a girl, a woman is
Their just pretty faces and nice *****, lovely legs and shapely bottoms
Then I look at her and I ask
"You don't have another more strict, more harsh severe kind of Lady
Some demanding imperious black leather clad (or rubber clad) *****
Maybe some superior cold aloof glacial goddess type,
Or what about a beautiful black booted stiletto heeled nice blonde **** girl, beautifully cold and merciless ?"
With this she gives me a knowing smile
"I know just what you're looking for" she says
Then she brings me to a room and tells me to wait there
She smiles when she's leaving me and there's so much in that smile she gives me
It tells me I'm in for an amazing time.
When she's gone I think to myself
"Well, this is a first, this never happened before
Now I'm gonna meet some awesome formidable lady, some terrible haughty domineering Queen
Y'know she might even talk to me, I might learn something
She might tell me why things are the way they are.

Anyway I'm waiting there pacing excitedly up and down the room
I can hardly contain myself
I can hear voices in the next room
Suddenly then, right out of the blue, suddenly this Bell goes off, yea! this bell starts ringing
What's that! I think to myself, Is there a fire! Are we being raided !!! What's going on ?
So I look out the door and there's this girl talking to another girl down the hall, their smiling and laughing together
They seem oblivious to any bell that's ringing
What the hell, I think, what's going on, that's really annoying
What's... what's that Bell ?
Eventually my eyelids, they start to flicker
Until finally they open up altogether
I find myself lying in my bed and my alarm clock on the bedside table... my alarm clock it's ringing
"Feckin', feckin' alarm clock!" I think to myself,
"Now that's what I call... that's what I call Bad timing".

Drunkards crawl through pools of *****
bruises and mascara smother stripper's eyes,
beneath stale air and drunken haze
ulterior motives and false perceptions are easily disguised

stained beauty slowly curdles
teenage morals gradually decompose, as
****** frustration ignites, burning beneath disco lights
lust blooming like sordid petals of a rose

boys eye girls bra-less and raving
vying for a flash of flesh or ******,
anticipations defy logical explanations
as juvenile love starts to tickle

alcohol brews caustic feelings
lacklustre defences and warped attractions,
some look for relationships and lifetime lovers
whilst others seek mere distractions

escaping the reality of a life
gouging its gnarled nails upon our skin,
the fact that staying weak is easier
tempting us to give in to deviled sin

for what's the point in staying strong,
only to be dragged along upon the floor?

What's the point in living,
when you just don't know what you're living for?

Stiletto heels and a push-up bra,
Hair piled high, bleached and toned and all…
That’s the way you used to shuffle around,
But you ain’t been much since your man went to town.

Who’s that a’ worrin’ bout them wrinkles and lines?
Is that the same broad who fell for all his lines?
Well, since he left you all you do is frown.
No, you ain’t done much since your man went to town.

You could’a picked a man who would’a cherished you
Once upon a time when love was fresh and new,
But you picked the one who was known all around.
Now,  you ain’t known much since your man went to town.

(Interlude)

You could’a picked a man who would’a cherished you
Once upon a time when love was fresh and new,
But you picked the one who was known all around.
Now, you ain’t been much since your man went to town.

What’cha gotta to do to make it right
Is take your piece out of your purse, it’s a Saturday night.
What’cha gotta do is shoot him down,
‘Cause you cry too much since your man went to town.

(I'm still tweaking the arrangement. It should have an upbeat Little Richard or Ray Charles rock-n-roll mid-upbeat tempo with possibly hand claps on the downbeat like a spiritual chorus... since most early rock and r&b; musicians got their starts in small black southern Baptist churches. Let me know what you think. If it *****, tell me.

Who says you can't arm twist yourself into doing practically anything? Victoria Beckham — stylish mum, fashion empire czarina and social diva — took that notion a **** few notches higher as she posted a picture of herself on a sofa on a photo sharing site, leg extended high above her head at 90 degrees. The picture went viral immediately with a huge buzz around her impressive flexibility. She captioned the photo, 'It's amazing what you can do in culottes...those ballet classes are paying off!' (sic) It's not the first time she has showed off her moves. Last year in Singapore too, she kicked her stiletto-clad feet into a high pose as she relaxed on a sofa.

These celebs are advocating it, too...

Posh Spice aka Victoria isn't the only one. British actress Kelly Brook showed of her flexi *** on her sitcom show. Actresses like Reese Witherspoon and Jennifer Aniston have also taken up exercise regimens that stretch their bodies to the limit. Angelina Jolie's workouts are said to include the stability ball leg, squats and kickboxing, known build flexibility and balance. Jessica Biel is a firm follower of her five days a week cardio with strength training and pilates classes that have been credited with getting her such a lean ***. And Megan Fox ensures she is flexible, too.

Advantages of being stretchy

Being flexible and stretching out is not the realm of just gymnasts, athletes or swimmers. Anyone can and should be like that, for it's not just before starting a workout that one faces tight hamstrings and a sore back and neck. These are issues that plague those with sedentary jobs as well. Thus, flexibility can help in gym training and dealing with the stressors of everyday life. It also helps the body to heal. Increased flexibility also leads to improved posture. Once the earlier tightness goes away you start to sit right and walk better, too.

How Much?Stretching muscles twice a week is enough to build overall flexibility.

For anyone

A common myth is that being flexible will only work with younger people. It is actually for anyone of any age

Exercises to help you get there

Chest dumbbells: Lie flat on a bench, holding dumbbells in either hand. Now lift the dumbbells overhead together and slowly bring them back. This stretches the pectorals.

Abs stretch: Sit on the ground with the ankles facing each other and the knees flexed. Now put pressure on the knees and press them to make them touch the ground. Hold this for 20 seconds and repeat.

Shoulders delt: Hold the elbow of one arm with the other hand and pull the elbow across the chest. Hold and repeat for the other hand.

Curling cat: Kneel down on all fours and curl the back upwards in the same position. Hold this and start again. This increases flexibility of the back.

Hamstring stretch: Place your leg on any raised area in front you, like a stool or chair. Now, extend it straight without bending the knees and bend the torso to touch the toes. Hold for 15 seconds and repeat.Read more at:www.marieaustralia.com/formal-dresses-brisbane | www.marieaustralia.com/formal-dresses-melbourne

A stark shaded light swings
From the office ceiling
Making cartoon shadows chase
Crazily around the walls
She stands on one leg
Quite easily and bizarrely
And types with her other foot
Tapping the lettered keys
With the stiletto heel of her shoe
And hanging in the juggling rays of light
There is a trilby hat with teeth and no eyes
Wearing a raincoat indoors
Ectoplasmic cigarette smoke coils
A trilling piano
Tickles around a neon light
Somewhere
Out there

The stiletto becomes a cigarette holder
Daintily dribbling ash
****** trumpet notes insinuate
Sliding brass around the walls
Overlaying the chasing shadows
Teeth do a flash-bulb grin
The top comes off a bottle
And two glasses are splashed into
Negotiations are pursued
A flirting of commerce
Flash!
That grin again
A service has been purchased
Glasses *****
The light still swings
A jazz singer sings
Pouring sweetness over the neon light
Somewhere
Out there

Outside the moon scowls in silver
A pistol writes an anonymous threat
And with inappropriate optimism
The chorus presents
A monstrous garish dance routine
Bang!
And screams off-stage
The dance becomes the soft-shoe scatter
Hands slide inside double-breasted jackets
The cops howlingly arrive!
Car doors slam, bam!
But all players have dispersed
The night is seamless again
And a lazy jazz band plays
Behind the neon light
Somewhere
Out there

                     By Phil Roberts

Venice was a place for sudden ******
a stiletto plunged in velvet
vengeance tied in a knot of silk
piracy on any dark canal
robbery under quiet bridges.

Water laps the crumbling walls
salt hunger creeps up
seeps between stones
worms its way through cedar
settles in the sagging shelves
where old books bound in leather
edged in gold, embossed with crests
are best left well alone.

In these libraries of the lagoon
chapters and paragraphs
sentences and phrases fragment
nouns lay down with their verbs
creating images from metaphors
startling and sublime, but hidden
kept in these word-chambers
they slide away in time.

Each passing month, each day
restless and uneasy
festering in this state of decay
Venice is still
the place of death.


© M.L.Emmett

I conquered every feeiing that ever felt real to me and
knelt at the feet of statues looking for deliverance,

Blood on her wings but an angel flies in and sings to me,
I cling to the tin foil

In the tack room
satin and a whisper of whips.


I unclip from the apron and try to get a game on
But the statues refuse to okay my play.

and she walks like she's sinking
on the brink or is it me thinking it's her thinking it's me?

Montmartre
next stop Kama Sutra
all aboard
tickets please,
fasten your seat belt

It wasn't that at all
It just
felt like it.


But when you start to feel and cease to kneel it all becomes incredible,
I'm a thousand lira nearer to Pisa,
she's a lot closer to me.

As I slide between the sheets
my mind becomes attuned
to the sounds of floorboards
and shutters creaking
The stillness speaks
humming a dark lullaby
of the tune imitating
grinding teeth
Shapes grow in the clothes
Like a chorus of evil eyes
waiting for me to sleep
The fear feeds the ghosts
whom suffered the terror
Ive felt before
My anxiety lifts a moment
when the familiar click of stilettos
saunters past my door
but gravity drops out
in the pit of my soul
the wearer is in the mist
leading leaded steps behind them
and I pray to god
that if hold my breath
long enough
it will quickly put me under
before I make sense
of the cries to come.

Stiletto heels and a push-up bra,
Hair piled high, bleached and toned and all…
That’s the way you used to shuffle around,
But you ain’t been much since your man went to town.

Who’s that a’ worrin’ bout them wrinkles and lines?
Is that the same broad who fell for all his lines?
Well, since he left you all you do is frown.
No, you ain’t done much since your man went to town.

You could’a picked a man who would’a cherished you
Once upon a time when love was fresh and new,
But you picked the one who was known all around.
Now,  you ain’t known much since your man went to town.

(Interlude)

You could’a picked a man who would’a cherished you
Once upon a time when love was fresh and new,
But you picked the one who was known all around.
Now, you ain’t been much since your man went to town.

Whatcha gonna do when the rage runs high,
When the last tear falls cause the well has dried?
Whatcha gonna do when the sun goes down,
Cause you ain't slept much since your man went to town.

What’cha gotta to do to make it right
Is take your piece out of your purse, it’s a Saturday night.
What’cha gotta do is shoot him down,
‘Cause you cry too much since your man went to town.