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Edward Coles Jul 2014
The snowman slicks his hair
and sits on the piano bench.
He never comes to press the keys
for fear of the warmth
in a major chord.

The snowman lets his whiskey stand
in ice upon his windowsill.
He never comes to press his lips
for fear these poisons
will reduce him to elements.

The snowman browses works of art,
photographs of beautiful women.
He never comes to try his luck
for fear that rejection
will leave him cold,
and preserve his distance.
c
Victoria Kiely Jan 2014
It was midday in London on an afternoon of early spring. The streets were flooded with equal parts rainwater and people as everybody rushed through their busy lives. People easily forgot to look up, and often failed to notice the change in scenery as the bus sped along.
He occupied two seats on a lonely street car travelling down Aberdeen. One seat held him tightly to the window that was to his left, the other was taken by his various possessions. With him, he carried his black, customary briefcase, his dripping umbrella that tied just below the halfway point, and the large tan trunk he had collected from the antique shop. They sat stacked on top of one another with the trunk serving as a base for the structure. Each time the street car emitted the gentle thud that accompanied the many bumps from the *** holes, he felt tense as he readied himself to catch the old umbrella.
His hair hung down to the side, dripping slowly from the rain into his eyes, and progressively further down his face. Hands shaking, lips blue, he looked down at his shoes. The holes were visible but unnoticeable. Slicks of water formed as he pressed his feet further down off of the seat. He had known for months now that these shoes were about finished, but he couldn’t seem to find the money to replace them. He had been late to pay the rent to his small apartment for the past three months.
“I just need another month,” he would begin. “Just another month, I swear. I have interviews with a few guys this week, they seem promising.” But there were truly very few interviews at all; in fact, he had found himself without work or word for months now.  Still he insisted that he would be able to find something, anything, to satisfy the rent for the coming month.
He had been a stock broker all his life. He had worked for companies varying in legality and prestige, all of which he had done well in. Throughout his twenties and thirties, he had maintained these jobs with fewer problems than he had had in any other area of his life. Until the stock market crash, he had been successful in all aspects. After the crash, however, nobody trusted stocks or stock brokers. He had found himself without business within days.
Although he had grown to loath the occupation over time because of all of the lying, the indecency and the equivocation, he loathed his financial state more with each passing day. He was used to fine linen, tall ceilings and silver spoons. None of that had followed him to his new lifestyle. He could hardly afford the food that required the spoon now, anyway.
He looked out the window to the greying day littered with clouds. People milled about, blocking the rain with their arms. The street car came to a halt beside an old cinema.
A woman and her child emerged from the black awning that draped over the entrance of the theater. She held a newspaper over her daughters’ head, taking care to cover her so as not to get her wet. The mother laughed visibly and crossed in front of the street car holding her daughters hand. They boarded.
“How much for one ride each?” She asked the driver with a kind, simple voice that reminded the man of his mother.
“It’s three dollars for your ride, and I’ll let her on for free since it’s raining” The driver replied.
She looked down and smiled. “Thank you very much.”
She trailed her daughter along and sat a few rows ahead of him. She sat her daughter down first next to the window, and then continued to slid in next to her, taking the aisle seat. She pointed out the window and whispered something inaudible to her daughter – she giggled lightly. She continued, her smile growing, her daughters face mirroring her own. Finally, they each erupted in laughter. He had not heard one word they had said.
It was true that they seemed, in every sense, underprivileged, but it was just as clear that they were not poor. Neither felt sorry for themselves, neither seemed to care that they too had holes in their shoes, or that they hadn’t had the money for an umbrella. They laughed and smiled as though they were the ones who had had the fine linen, tall ceilings, or silver spoons.
At first glance, he had felt sorry for them – their ripped and wet clothing, their makeshift umbrella. It seemed now though, that the longer he looked at them, the more he seemed to realize the sad truth. It was he who had been poor his whole life, not the lowly people he once watched walking down the street through his office window, the type who sat in front of him on this very train.
He had never been married, as he was too busy with his work and ambitions. He had never known the joy of a child. He had missed so many opportunities to find the happiness that he saw in the woman before him. He also knew that he had never wondered about any of those people’s stories. He had never cared to.
His stop came and went, and still he watched the woman and her child. The woman sang nursery rhymes to the girl, squealing with joy and amazement, as the street car carried on. Finally, the woman pushed the button to signal the driver to stop. She stood and collected the few things she had brought with her, including a coat and the newspaper she had used previously. She took her daughters hand and exited the doors that hesitated, then shut tightly behind her.
Again the pavement began to pass beside him as he looked out the window. His eyes stirred, then focused on something resembling paper that had fallen to the ground recently; the edges were hardly damp on the soaked floor.
He slid into the seat kin to him, bent over, and picked up the slip of paper. He unfolded it and found it to be a picture of the woman and her child from moments before.
In the picture, the woman is sitting in a field with tall blades of grass that look as though they had not been cut for years. The light is dim, the sun is rising. Her teeth are showing in a brilliant smile, her face young and carefree. Her daughter, who must not have been more than two in this picture, sits in her lap, laughing at something that can’t be seen in the photograph. The mother is pointing to it, and the daughters eyes follow. In many ways, it looked like the scene he had just witnessed.
On the back of the photo in long, curled writing, he read her handwriting: “It is always darkest before dawn”.  With those six words, he knew that he had wasted much of his life in dedication to tangible riches, when the real treasures were those that you could not necessarily count or produce. By way of strangers in a lonely street car, one poor man had discovered value in things that do not hold worth.
Your curls are Gulf Coast weather,
rarely cloudless and sunny, each
frustrating loop a messy
ice-cream scoop cascade.
They look like a love affair,
as ***-centered as your star sign,
too-friendly, sunday-sensuous,
meandering into ***** knots.
Every sweet-floral-fruity
custard you toss them in
is as well deserved as the
satin on your lashes and the
salve that slicks your
orbicular body.
April 2019
somedumbbitch Jun 13
He stirs, slowly...
watching the spoon,
break the fog,
settling over his morning cup...
opalescent eyes,
scanning the sleepy blue,
of daytime horizons.

Porcelain fingers, shift
into hard, ceramic claws;
first smoothing up,
snuggly cotton pantlegs,
and then running them down,
forcing his navied thighs, to separate.
The fork, in the road,
as I crawl in, between them,
headlights, and a glossy smile,
on full beam.

He jerks, with surprise
at the unexpected motion,
lips, arrested in a subtle purse--
a pinched pink,
pouted gently, outwards

to blow away the steam
gathering, around tense fingers.
I mimic the tension,
with my own, slaking lips.

Hands shift,
to cup him,
and slide, upwards.
Suddenly, he needs two,
to grip the mug.

My tongue, slicks out,
wetly,
to follow his ascent,
as he stands, upright;
neapolitan soldier,
with the suede skin.  

The heat,
gathers,
in my palms
flushing his thighs,
and it circulates, warmly
against flickering flesh;
mouth, moving limberly
to drink him,
under the table.

My feral eyes,
fix his drunken ones,
as we both take each other,
in.

"I hope you saved some cream, for me?
Good morning, honey."
☕🍶

https://allpoetry.com/Kate-the-Shrew

I cross-post from this account! It's my only other account, no other. If it doesn't include hyphens, it's Ryan. See me for proof

I'm also u/cutthroatqueen on Reddit, formerly u/Mermaidinshade. Come see me and learn what I'm about!
Raymond Johnson Jun 2014
i exist somewhere between the kick drum and the snare

i am the blood thundering in our veins

i am the rhythm that gives us life

i am the 375 nanometers of ultraviolet light shining down on you

i am the space between the notes and the silence before the drop

i am oscillation, reverberation, undulation of bassline

i am rattling ribcage from excess decibels

i am titinnitus waiting to strike.

3,4-methylenedioxy-N-methylamphetamine,  Lysergic acid diethylamide,  tetrahydrocannabinol, ethanol, benzoylmethylecgonine; choose your poison so that you may enjoy me better

i am the sweat that slicks our skin and keeps us cool

i am the longing look that leaps from eye to eye

i am mellifluous melody, motivator of movement, master of mind.

i am the sea of strangers you find yourself lost in, minimally clad bodies moving in ways you didn't know were possible.

i am the fire-poi spinner, the LED hula-hooper, the melbourne-shuffling madman, the obnoxious bro, the ancient hippie, the obviously underage girl, the idiot overdosing in the corner, and the person wearing more pony beads than clothes.

i am the rave.
Elemenohp Aug 2015
Twisting, turning, tides o churning
Diving down, to drown the burning
Fires flying, dreams of dying
Yearning and still learning.

Chase the oil slicks,
Douse the blackness.
Flee the river styx,
Let go of false desires.

Set the past, ablaze with matches.
Destroy this hatred, in its masses.
Follow footsteps, frightened faces,
And find fate hides, in many places.
Mark Goodwin Feb 2012
soft larch needles    I sniff wish     thin dangling larch twigs hold
raindrops    christ & pagan wrapped to tinsel    autumn light
has projected Borrowdale’s matter    a work crafts growth    I

peer    at a twig’s knuckles    a needle’s green edge   a tiny globe
dissolving landscape    Borrowdale is a    mass    of details full
a vastness of minuscule    high    resolution beauty    immense

numbers of bits    of leaf-frames pebbles daddylongleg claws
for an instant I spread    let    a moment explode    as I climb
through woods by crags    every detail of me    follicle bone-cell

grease    shatters or slicks    amongst     Borrowdale’s infinite
tiny details    one    of my gasps stretches wetly with the beck
others entwine with white fibres of gills    unravelling    gravity

the calcium atoms of my teeth    jumble     along drystone walls
moss green-gleaming    my meal     of Herdwick meat    passes
through my gut whilst Borrowdale’s    details    digest my soul
from 'Back of A Vast', by Mark Goodwin, published by Shearsman Books
A W Bullen Aug 2016
Evening cleats The Bay,

As cavalcades of passive argon, sulphur on
the ogham slicks,
to treacle ways toward the seeding
cooling of the hours,...

The sleights of crimson, fringe
the bruising cower of the West, to
brightly die behind the leathered hill.

From a wrist of tallowed amethyst,
a Tiercel purls a last ellipse, and in
his sinking helix ships, the Sommes
of curdled estuaries, to brood
the closing Mill....
Kagey Sage Jun 2014
Desensitized by the sands of time
I'm abhorred you're a cultural cog
Bobbing on the surface
you find eating gulls disgusting
but don't bat an eye at nauseous oil slicks

I wish I could set it all ablaze
so we'd pick our destinies more carefully
Or more care freely

You see me as a motley mesh
Flesh covered by cloths from mismatched fads
Yet, you're a pretentious simian that's forgot our past
Just a gussied up grazer, disavowing discomfort
scoffing at any endeavor that isn't grass flavored

The chimers on the lawn are all robed outcasts
bellowing to the fodder eating fodder
the posh set the stalks to be mowed over
But for the justice of all the inside out bulls
leaving their wallets on the ground
the entrail fashion never catches on
Waverly Nov 2011
She always laid out her paints
right before bed.

The oils nustled up against her thighs.
Some of them,
cradled in tiny white baths of containers,
lay in the open space
of her folded legs.

"Just in case, something hits me in a dream, I want to wake up and run and be ready at the right moment."

The carpet is rough
and stained with the shrapnel of dry paint
that *****
your soles
when you walk through
the living
room
to the
pale kitchen,
while she gurgles and
pops
in her sleep.

All the time,
the paint gets on the floor,
she paints in thrusts.

"You're going to have to pay for this mess, you know,
I'm not paying to have this carpet cleaned,
it's not my ****."

Condescension and guilt
spread through your lips
numbing you
in a fog of arrogance,
that you perceive
as good-natured caution,
while she hurts the canvas
thrusting harder.

She
paints
clowns.

Tall, fat clowns,
with long tentacle fingers,
bellies
out to                             here,
and tiny people
curling in black oily slicks at the corners
under the pressure of the clowns.

"Why the **** do you always paint clowns?"

"Why can't you just let me be?
you don't know anything about art."

The bed
is tiny.

***
is soft,
methodical
and
pre-emptive.

"I'm tired of stepping on your paint at night,
I'm tired of my feet
looking like a rainbow."

One night,
you come home smelling
like grease and fried chicken.

Your button-down
with the slippery gold name-tag
is dabbed
in the chest by leaves of oil
and
shadowed in the armpits
by
strokes of sweat.

Your manager kept talking about:
"You need to improve
your checkout efficiency,
you've been lagging lately."

Dropping the heavy black
flak jacket
with it's flare of orange lining
on the floor,

You see her,

with her arsenal of paints
arrayed at her criss-crossed
limbs
like the implements
of
a war.

She looks up
at you,
black circles
under her eyes,
an easel
holding up
a canvas of almost minsicule drippings of fabric.

"Oh,
I see you're still there,
great."

You walk to the kitchen
and open the fridge,
there's a half-gallon
of 2% left.

An apple
slowly crumpling into itself.

And a bottle
with a swig of orange juice left in it.

***** always leaves a swig.

You take the bottle up to your mouth and swallow down a trickle that you can feel in your bones.

"Don't drink from the bottle."
she says
with a nodded head.

"I can do what I want,
I bought it."

She looks up.

The clowns
she says:
"Are the type of people
that gain power,
the ones ruling the world,
the ones who become *******."

You laugh like an idiot
"People like me."

"No, you're not a clown,
you're one of the tiny ones."

"*******."

You want to wash yourself
of the stink.

Drain it all down into the gutter,
let the stink
sit there.

So you take a shower,
while she stares at the white cartridges
of paint,
and a conflict brewing.
Kind of a rough draft for a short story idea. Usually a story starts out as just a stream-of-consciousness poem for me. So, here it is.
Wanderer May 2016
Deep sighs at day break*
Our heated surface no match for the inferno inside
Raging for the ache of your dark touch
Sweat slicks already lubricated flesh
I curve into the muscled wall of your chest
Closer
I need it
I need you
Appalachia shadows criss cross fogged windows
Penetrating stories written along their dewed edges
I writhe beneath your whispers of
"Come for me"
Body bowed, tight like violin strings
Played by expert, elegant fingers
Shudder. Surrender
The seat of my soul flooding with pleasure, with release
Request granted
Gabriel Jul 2021
It’s a June-hot part of May
and I’m in a swimming pool,
head underwater,
and the whole world is filtered
through chlorine.
I try to open my eyes
without them stinging
but the burn slicks my eyelids
back, like a doll I had as a child
when my stubby fingers would push
sight into those glassy eyes.

At the bottom of the water
my back hits cool tile,
and I only know which way is up
when I exhale some of the precious air
and watch the bubbles blink
out of existence at the surface.
I wonder if I, too, will become
something intangible once I
reach the land again, but I cannot stay
down here forever.

I know about drowning.
I have read many poems about people
who wave death in like an old friend
and maybe it wouldn’t be so bad.
Perhaps we all end up
in a swimming pool, one way
or another. I’m just at the bottom of mine,
seeing in my mid-twenties in a haze
of unconscious sleep.
If there’s something that’s going to jolt
me out of summer adolescence
then it may as well be CPR,
but for now, I can sink,
like I am not the dead body,
but the boulder weighing it down.
From a portfolio I wrote in third year of university, titled 'Insomnia'.
Andrew Dunham Jun 2015
MKE
I can’t say we’re the same but I too have lost large parts of me to greener pastures
Your dark bricks turn to dust and paint the snow a red maroon
“The stories they’d tell”
Says everyone sad to see them crumble but not sad enough to do anything about it
“Someone should do something”
Someone, but not they
Milwaukee I too am a lot like you, if you only knew
How far I slid sickly over the Kinnickinnic oil slicks
Past fallen trees and draining pipes
Until being caught by a shopping cart
Left on the muddy banks by some poor poor impoverished soul
Who also didn’t really care enough to return it to the Pick & Save
From which it was taken
I’ve sure seen better days and I too have come a long way
Like I got on to Fond Du Lac Avenue and kept walking
Until I reached
Well...
Fond Du Lac
Like I ascended Kilbourn Park with a pick-axe
Defeated the yeti on top and shoved your blue flag
Through his heart, cracking it open like a Pabst or Schlitz can
and dropped a quarter in a homeless guy’s jar
And he told me I was just like you
I can too burn bright like the foundries in the valley
Or roar like railcars and rattle the south side
Or be courageous like the captain
Sailing to Muskegon
Over choppy freshwater treachery
I can shutter in peace like your factories when I fall asleep
And never wake back up
I can drive all my loved ones away
Just like you have
For the past five decades
I’m exactly like you
Because I too
Wait for a sunnier day
Oscar Prince Apr 2015
A year out a year away I yearn for freedom far away
Far away far beyond to the place where cars go bomb
I would have joined the boys at the bar
But instead I’m off to join Hezbollah

When I arrived I jumped the cue
The bulletproof Jeep was waiting for me to
The rifles round the waist the men at the door
I had funny feeling telling me I had gone to far
Did I really just leave home to come this place
To join Hezbollah and their CIA mates?

Its all happening so fast I said after my first fast
What’s with the black robes and the cotton face masks?
Can I not just watch do I have to do?
Who are these mercenaries we have here to?
I hope you got my message amongst the blah de blah
In the letter I sent you from Hezbollah

I was lost but now I’m found mum, Iv been shown around
On the back of an armour plated Volkswagen I was driven around
I saw the desert slums, the graveyard pits
But the road was greasy from oil slicks
I was told iv grown up I was that I’m a star
I think I might stay here for a while with Hezbollah

It was goats knee that was fed to my face
Three days before I was to leave this place
Because I was chosen and I’m a star
White upper-class turned Hezbollah
Chosen amongst many to do what few will do if any

It was an open invitation on a Facebook group conversation

So to this night I say goodnight, till tomorrow and the good fight
I will not die in vain my pain shall be relieved with fame
I’l see you soon my ma and pa thanks to my savour Hezbollah
Olivia Kent May 2015
There are two of involved in this battle.
One of us just making war.
Two of us made love in summer.
Both of us just lived for spring.
Walking hand in hand together on beaches.
Beside streams.
Sadly it seems.
That the river's polluted.
The sea it froze.
The beach was covered in oil slicks and washed up dead birds.
Separately at differing places at different times, we stroll on the seashore.
We pick over the bones of those who are lost.
A figurative exercise.
Working out why we are at war.
Why we ever were.
Together in the first place.
Two lost souls walking through dark passages.
Seeking and finding.
Hunting as predators.
Wanting to eat love.
Swallow it.
So hungry.
Ate too many.
Far too many.
Breathing space.
Broken hearts.
Fractured faces.
Time repairs.
Wait and see.
Whatever will be will be.
(c)Livvi MMXV
Written for a friend who seems to be chasing love...young and confused x
Terry Collett Jan 2014
Sonya likes
Paris streets
dark cafés

black coffees
cigarettes
those French ones

she likes nights
with wet streets
like oil slicks

those artists
selling cheap
second hand

Picassos
or such like
but mostly

she likes ***
between sheets
in back street

hotel rooms
with windows
with shutters

listening
to a cheap
transistor

radio
some French dame
singing of

a lost love
as she feels
Benedict

kiss each inch
of her flesh
his warm lips

and wet tongue
slide along
her soft groove

the outline
shadowy
of his ****

rise and fall
as they ride
the wild waves

of hot ***
between sheets
Sonya loves

Paris streets.
Lily Pandera Aug 2011
I swim.
Warm water.
Warm day.
I think of you.
I lift my head up
and my hair slicks back.
I smile widely
as a monarch crosses my path.

I think of you
when I look at the
trees.
See the shadows
and the sun
and the shrubbery underneath.
So beautiful,
for no one.
I hardly noticed
but now I see.
Highlighting and
contrasting
colors.
Shapes.
Smells?
It's all here. So I dry
and catch a picture
when show and tell
appears.

I think of you
when I untie my top...
I wonder if neighbors can see?
Still alone,
I don't stop.
Imagine you entreating me.
I laugh
I smile
and even when I get mad
or sad for a while
why is it
I keep thinking
of you?
Somehow,
of my senses,
your touch
flows through.
Anytime I'm without you
I feel the longing
for your hands.
And to tell you things
that excite me
because I want you
to understand.
I learn more; I want to share.
I hear something great; I want you
to care.
But what I want now
is just for you to be here.
rebeccalouise Nov 2012
it was the kind of heat
that slicks your skin
and dampens your clothing,
matting it to your body

but i kept on walking

each step was another day closer

15
14
13
12

the edge was getting closer

11
10

unbearably hot
but somehow comforting,
like a blanket
it engulfed me
and it started to feel okay
to be exposed

9
8
7

i could hear the waves
getting louder
as they crashed onto the rocks
spewing foam up the sides of the cliff

6
5
4

the baby carriage was getting harder to push,
as i had loaded it with more
at each step

3
2

my mothers tears,
some naivety,
thoughts of looking back,
fear,
anxiety,
questions

1

things that i didn't need anymore
swelled in the buggy
and the day was here
to let them go

the drop was steep
and unrelenting

0

with a swift push,
i covered my eyes
and listened to it fall
as i rose
into the sky
higher
and higher
and higher

goodbye
to everything holding me back
my destination,
new and uncharted,
was all that was on my mind

and as i looked out
over the Pacific Ocean
the fear of saying goodbye
became nothing
but a shipwreck in my past,
a reminder that
it is so much easier to say hello
and welcome each new experience
with reckless abandon
Mitchell Mar 2012
Pasts of myself
Reflecting off the bookshelf
A naked truth of original sin
That every time I look
I can't help but laugh

In time there was a truth
And in present there is only this
A hope to see you again
A breathe where there is no
Exhale or inhale
Only the breathe you were made
To believe was real

Sitting atop my bookshelf
Sits the faces I cannot recognize
In dreams they come back to me
So I know I will never be free
Each birthday the shadow of celebration
Makes my heart tear when names mentioned
All forgotten
Where once I was near walking

And dreams are
The oil that slicks the road
The ribbit inside the toad
The unmentionable code
A crazy pattern not sewn
Sick tired suffering nodes
Realizing that no one ever really knows

There the faces float

Each eye a time long past
And though moments pass fast

With struggle the warmth wanes
Bringing a pain that dances profane

Pain doth not mean an untimely death
For these faces do not bring life's theft

Start anew from a new bookshelf
Touch a heart that has not yet been felt
Hallie Bear Aug 2012
Syrup simple. Sad and slow.
Sweet run juice, slips down
the rotted core.
Mirroring the sweeping tears
Salt slicks your face.
Black with overripeness.
Sugar shot through.
Quick slaloms of sea wash
High cut cheekbones.
They cave with the decay of sorrow.
What once was taught and full
Now is sunk and sallow
Sweet turns bitter.
The sad in your soul
Rots you like a peach.
feel free to pick apart :)
Bus Poet Stop Apr 2015
eye am out on a rainy weekend day, feeling  the compulsion to escape the imprisonment of one's living quarters reflecting off of the rain puddles slicks on black city streets, that shine bright like an addiction's craving. For   Single people in a city that values personal beauty and anonymity simultaneous means entering the outside world of a drizzling, more like misting, gloom and be outside dressed as if going to,  and indeed, perhaps some were actually going,  to the gym though for most, off for a Starbucks moment of community.

all dressed to code.  The code says all black, hooded yoga clothes, exercise uniforms of various sort, special string chain mini-pocketbooks  to hold phone of just in case, always all black always, all  of no color, except, by code, by some global understanding of a legislated law, somewhere on the body must be a splash of pink or a luminescent pastel.  

Usually it's the sneakers, but not necessarily. Some pinks streaks were observed in the drawstrings that pulled the hoodies tight around the face or just the laces of the black sneakers...there are rules in the world that must be obeyed though they are never legislated or indeed, never spoken...this is one...the coda of black and pink splash.
somedumbbitch Apr 22
Desynchronized glances,
evaporate
into long, ravenous gazes.

Each of us is a mirrored pool,
a reflecting pond,
that the other could swan-dive, into,
facefirst, and drown in.

We drip hotly
and melt, for each other,
like simmering rivers
of molten candle wax.
I twist around you
like a curl, of oiled hemp.
Your fingers tense, grip,
and peel back the skin, of
cotton thigh highs
as your face elongates,
and your mouth, moves...

languorous tongue,
trailblazing downwards
from the mons veneris,
to worship, devoutly,
at my sacred shrine, below.
The slippery wetness,
of exposed thigh
slicks, and grazes,
your stubbled cheeks
tenderly perfuming
the tensed column,
of your working throat,
with my feminine scent.

We interlock, tongue and groove.

Your tongue tip flicks the nub,
back and forth,
like an ignition switch,
as the engine hums, to life.

You stoke my fires,
with every lingual stroke.
You blow my torch,
into a fervid flame
that spreads heat throughout
the inner chamber,
and you warm your face
in its baking, radiant glow.

I bite down, delirious with ecstasy,
into the skin, of my own tensing arms;
wrists bound, in python restraints, overhead:
resisting the force, of the virulent scream
forcibly spreading, throughout pink lungs.

Yes...oh, God, yes.

I churn, from the hips, down
raining, into your expectant face,
mouth pealed, helplessly, for the scream...
and the sunlight breaks overhead
as I smile brightly, and collapse, around you.

...Oh...puddin'...have mercy, on me.

Now...

we separate,
and interchange places, smoothly.

Your hands, dig, into the voluminous depths
of loosely bound, twin comet tails.
You wrap their trailing, cherry cola ends,
around tight, clenched knuckle fists,
as my lips, purr, against ever-expanding skin.

Don't you dare...let go,
of these handlebars, baby,
as I rev up, hard,
hit a wet patch, and SLIDE.

....Hold on tight, to me, and RIDE.
Vrooom, vrooom! <3

https://allpoetry.com/Kate-the-Shrew

I cross-post from this account! It's my only other account, no other. If it doesn't include hyphens, it's Ryan. See me for proof

I'm also u/cutthroatqueen on Reddit, formerly u/Mermaidinshade. Come see me and learn what I'm about!
Raven Apr 2015
he is poisonous like cyanide
his voice is like an angels
mixed with the devils
so beautiful and pristine
the way he strums the guitar
like a music machine
pulled me under the sound of his song
letting me drown in between piano keys
he slicks back his hair, with those perfect hands
then plays a rock and roll tune once again

— The End —