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Raymond Walker Apr 2012
From the alleys and streets, from the door steps and heaths, from the meadows and farmlands,
A mist rises, and forms, from the rivers and rills, valleys and hills, from the fields and fissures
It swirls and turns in the night air, forming and fragmenting, failing and fermenting, till it yields.
A figure, blessed and bare, in the late night air, steps into the moonlight, baleful and brazen in its
Nakedness and knowledge, the pall of the shining moon, drips, Grey and silver from his eyes
Youth drips from his thighs, vigour from his lips and fingertips, crimson is his mouth  and *****.
Lions race across his skin as clouds scud across the moon, feral and wild this child of the moon.
Wild and *****, his face shadowed with growth, excited with his youth and desire. On fire.
Panicked by distaste, his own waste and needs, brewed in a mighty beer of disgust, a sire
Of demons, with packaged might, swooping and rearing, devilish and dervish, spiralled, a pyre.
For the noonday sun, wishing hope on everyone yet giving them night and darkness and doom.
Holds my hand and holds it tightly, grapples with me daily and nightly, even in my own room
Where hope takes hold as quick as fear or death or charity, spilling, humors, ethers, exhume
Nothing but a buried evil that has come to see the light. A paltry being, exhumed, of the night











Whilst over all the night comes creeping
Then I go out a’ stealing,
O’er tombstones and moss, where the dead lie sleeping,
Passing the fungi , sarcophagi, and the smell of weeping
Be it from crypt or hall or farmhouse steading.
collecting the shades of the bodies they’re shedding

Through sunlight’s bright blast
Or twilight’s last gleaming
They will be a sowing
And I’ll be a reaping
Through the strongest gale
Or mornings glittering hail
They will be a sowing
And I’ll be a reaping.

Whilst the morn sunlight, over hills comes creeping,
There in the shadows, I’ll be steeling,
Darkening daffodils, turning bluebells black and foxglove steeping
Poison filled and passing the narcissi, and the tears of the leaving.
It may be birth or anniversary or wedding.
I’ll be collecting the souls they are shedding.

Through all the breaths that you will still be breathing
And all those breaths that have passed
And all those breaths still to come you are dreaming
One day you shall take your last.
And that’s where I’ll be stealing








Through sunlight’s bright blast
Or twilight’s last gleaming
They will be a sowing
And I’ll be a reaping
Through the strongest gale
Or mornings glittering hail
They will be a sowing
And I’ll be a reaping.













A ****** of crows blackens the noonday sky,
Called from their nests and eyries
And so many ships have gone by, black masted and steering
Into the wind, Sails tattered and the keel close to shearing
I stand on the nest and watch you weeping
Till the bodies fall into the deepening sea and there lie sleeping
And that’s where I’ll be stealing.

I smiled and laughed
Till the black mast
Fell below the sea
I whimpered and moaned
With those overthrown
Till they lay with me

And I took my place once more at the forefront of man’s destiny.








I crept and waddled and watched and bustled my way to the front of the crew.
I stood behind some and fell behind few; I had come here to see.
I pushed and shoved and elbowed my way to the front, shuffled over and tried to find my pew
I sat with my heart in my mouth, beating doubly in my chest and wondered were the culprit I?

It seemed I had sat in the stalls or in the balcony, way out in front
But it seems I had not sat at all just fell into the orchestras’ well.
But I remembered that I had sat, adjusted my clothes, my underwear, my hat.
As a man should do, are we not gentlemen and so I took tea and sat.








Paying court; To the girl with the blue eyes and the thin lipped smile, the girl that knew.
As most girls do, the thoughts of men, or think that they do. And I so I tried to find her,  
But it seems I had known a Girl with no thought of love, no turtle dove, cuddled
Close, no heavenly host, called to her, but she loved as love must befuddled
Drew her breath deeply but not freely, Took air, perspiring, muddled
Thoughts spinning in her head, amazed, this pale eyed temptress, The girl that knew.
As most girls do, emotions that drift, or think they do. And so found herself alone,
And weeping, a girl that did not know that they could love found that they could.
She murmured words of love and shook sand from her pelt, howled to the moon.
She stood tall on her haunches, praying , baying, to the moon goddess, one of hers.
Baleful eyes pale and moonstruck, seemed star struck with love  a mother with her curs.






Not the focus of her attention, her pale imitation, a pale shape creeps from the crepuscular woods
He slinks into the shadows of the night paying court to this matron, with his smell warmth and lust
She stalls and smells the night air
Little of care, for all stalks the night air
She sidles and smells the night air
Nothing there, In the dark and silent dream that is the night air.
She bridles and hush’s as the night drips onto her
She has cares; for children that whisper in their sleep on the night air.
Bovine, equine, feline and canine and warm fur
A sleep comes upon them all, a pale imitation of life, and a pale shadow creeps into the light.
And smothers the light of day languishing in his power and majesty sending chills unto the living
He waits in the darkness and shadows.














A child mutters unknown words and the time has come to die
Utters words of fortune and Questions your reasons why.

My dear, my love, child, why do you cry?

I shook myself awake
From my bed of dreams
And warmth
I pulled the duvet over
Took to my feet and felt
The chill

And so I stood, took my bow,  and then knew everything, everything about what I was witnessing,
She looked at him and he looked at she, both knew nothing of how its going to be.
I walked downwards, right down the stairs And I saw everything even the killing thing
He slapped her face and she bloodied drew the knife for all of us to see.
A joyous muse, my heart sang,  witnessing the killing, witnessing the killing and I knew everything.
He looked up at her, she down at him, she was so lucky that she had set him free.
I watched with glee for all I could see, to jail the police said as I sat, as I sat listening.

I heard your excuse I hear your plea, please madam judge don’t let that happen to me
She stood in the dock and sat on the chair,  and told everything, the things I’d been witnessing,
Told how she had murdered he, in a fit of rage it was not her fault she should be set free.
Not the judge, not the jury, but I knew everything and shed knowledge of my fury.

I remember the blade, I remember the fury. I now have to thank the jury.
A just verdict, a wrong righted,  a sacred trust bighted.  And just penury.


















These children are mine sayeth the lady
Though the money I earn is a little shady
I look after them through the day
And at night none can say.
Little darlings,
Wont come to no harm, I keep them apart,
Little darlings, are always in my heart.
Sleeping and dreaming and held apart,
They’re just kids and held in my heart.  

Through sunlight’s bright blast
Or twilights last gleaming
They will be a sowing
And I’ll be a reaping
Through the strongest gale
Or mornings glittering hail
They will be a sowing
And I’ll be a reaping.



I have heard your thoughts ideas and whims
I have heard your excuses , you hacked off a limb,
Because he was bad, she was a devil, and I have never heard so much drivel.
She was a monster, he was a slave, you never thought of the love that they gave.
I saw you had it hard and it must have been so bad
It was trouble, never ever had you been so sad
She was a *****, with an eternal itch, a witch that was not worth forgiving.
She was a dragon, he was a monster,  it was no longer a life worth living
She pulled me down, he dragged me down into a cesspit of hope.
And off they loped into the night.















'
Publicly he seemed alright, not the ***** that he really was. She was so cool en vogue, en vie,
She pulled the love from this heart like a harvester, reaping all that he could sow, all that she was due.
She meditates on her  betrayal and justifies it to herself and thinks so few, so very soulless few
Would not, and she is more, so very much more and then lifts the knife and delivers his due.
In the early hue of evenings last breath, he drew his and she smiled, just his due.






Sorry tales; I know
Tales no one should know
Tales that diffidently show
The differences, the shocks
All the stops and blocks
That love mocks
In its immortal way
Tarnished and bloodied
It soldiers on, unhurried.









I looked for the heartbroken, the tarnished, the burned; and found them all
For there were so many. Loves that went good and bad; those that hurt  and those that fall
I looked for the unforgiving and hopeless and found them all, some happy in their own way,
The traitors of love I looked also for and found hopeless and alone, shriven but hearty in their own way.
I looked to the martyrs of love, those that have loved deeply and have lost,  for many do







And I was one that did. I knew love as pure as a mountain stream,
Unsullied, clean and precious, but no love is as true as the perfect love
No thing is just as wondrous and perfect as it may  perfectly seem,
Chaste, virginal, and all just yours, lest it be a gift from angels above.

And I loped off into the night
Full of sweat and blood,
Flushed with heaven above
And hell below
Both knew my hollow soul











And through sunlight’s bright blast trampling daemons I came, shamed and hollow
Risen from this earth, cursed to death, in twilights last gleaming, brazen but sullied
The seeds of doom are sown  by such as I  and they were sown deep and fertilised with blood
And reaped by those that know,  reaped by hands that touch, lips that kiss and know,
hunger and want, lust and lie, eyes that darken and hooded, draw lust from liars,
Build from truth funeral pyres,  and fires for the ****** and yet I remain and sullied
Smirk with each passing glance or circumstance at the great and good, the unwashed
The hooded and deep, the shallow and callow, the wanton and unwanted, the sane
And simple, the masterful and master less, musical and malleable, the strange and straight.

These I trampled under heel with little feeling or thought
The form I took was human, the place I came from; dread
I looked and watched and took note, I spoke and listened
Pay’ed heed,  Culpable and crazed, yet my form remained,
this spectre.
Dying now.
Paid heed.
A rather long poem and the first I have added being a new member. I hope you like it.
Through frost-thick weather
This witch sidles, fingers crooked, as if
Caught in a hazardous medium that might
Merely by its continuing
Attach her to heaven.

At eye's envious corner
Crow's-feet copy veining on a stained leaf;
Cold squint steals sky's color; while bruit
Of bells calls holy ones, her tongue
Backtalks at the raven

Claeving furred air
Over her skull's midden; no knife
Rivals her whetted look, divining what conceit
Waylays simple girls, church-going,
And what heart's oven

Craves most to cook batter
Rich in strayings with every amorous oaf,
Ready, for a trinket,
To squander owl-hours on bracken bedding,
Flesh unshriven.

Against ****** prayer
This sorceress sets mirrors enough
To distract beauty's thought;
Lovesick at first fond song,
Each vain girl's driven

To believe beyond heart's flare
No fire is, nor in any book proof
Sun hoists soul up after lids fall shut;
So she wills all to the black king.
The worst sloven

Vies with best queen over
Right to blaze as satan's wife;
Housed in earth, those million brides shriek out.
Some burn short, some long,
Staked in pride's coven.
Seán Mac Falls Aug 2013
In braze, silent breeze of dreams incantations,
Shiva arms sway in the forest dark, mushroom,
Cloud, lord with fungi, mosses whose clinging
Shades of branches, braids deep, forking stories
Of old, brooding cauldron Druids, sidles Eastern
Spindrift words of Sanskrit spake, told in veined
Sacred hands unfound, celestial spines, moulded
Green, in the windy monkish statutes of the fallen
And single handed claps of the missionary leaves.
The hazel's unusual branch formations make it a delight to ponder, and was often used for inspiration in art, as well as poetry.

The bards, ovates and druids of the Celtic day would intently observe its crazy curly-Q branches. Doing this would lead them into other worlds of delightful fantasy. Much the same way our modern imaginations can be captured by a good movie, the creative Celts were artistically motivated by the seemingly random and wild contortions of the hazel.

A more commonly known fact is that the hazel is considered a container of ancient knowledge. Ingestion of the hazel nuts is proposed to induce visions, heightened awareness and lead to epiphanies. Indeed, the legend of Fionn Mac Cumhail tells of his gaining the wisdom of the universe by simply coming in contact with the essence of the hazel nut.
D Conors Sep 2010
Crisp, the fallen leaves now pile,
the times are changing, Autumn-style,
breezes rake the tippy-tops of trees,
bare branches rattle like skeleton keys.
Subtle September has come once again,
tipping its hat to the Summer's end,
makes clear and crisp the evening air,
the harvest season now sidles near,
grass and weeds will wither dry,
scythes and sickles swing low and high,
gourds of pumpkins soon will burst in patches,
fat apples drop down cider-press hatches,
so soon those sugary coats of frost shall rise,
and sharp, chilly winds will sting teary eyes,
fruit pies will bake, brown nuts will roast,
glasses of wine shall arise in toasts,
to the approach of yet another Fall,
before the stark-white of Winter blankets all.
D. Conors
11 September 2010
Seán Mac Falls Jan 2014
.
In braze, silent breeze of dreams incantations,
Shiva arms sway in the forest dark, mushroom,
Cloud, lord with fungi, mosses whose clinging
Shades of branches, braids deep, forking stories
Of old, brooding cauldron Druids, sidles Eastern
Spindrift words of Sanskrit spake, told in veined
Sacred hands unfound, celestial spines, moulded
Green, in the windy monkish statutes of the fallen
And single handed claps of the missionary leaves.
The hazel's unusual branch formations make it a delight to ponder, and was often used for inspiration in art, as well as poetry.

The bards, ovates and druids of the Celtic day would intently observe its crazy curly-Q branches. Doing this would lead them into other worlds of delightful fantasy. Much the same way our modern imaginations can be captured by a good movie, the creative Celts were artistically motivated by the seemingly random and wild contortions of the hazel.

A more commonly known fact is that the hazel is considered a container of ancient knowledge. Ingestion of the hazel nuts is proposed to induce visions, heightened awareness and lead to epiphanies. Indeed, the legend of Fionn Mac Cumhail tells of his gaining the wisdom of the universe by simply coming in contact with the essence of the hazel nut.
Meagan Moore Mar 2014
Film developer cacophonies, and journalistic hoarding
My friends wanted to record our last year –
Accurately – not succinctly
Abstractly – and yet, directly, bluntly
Vividly – in photography, quote notebooks, Dictaphone diatribes

That’s hilarious – scribble it down.
Can you repeat your brilliance?
If you could paraphrase that – well…what would you say?
Take another one. She wasn’t smiling.

I don’t want to smile.

My friend sidles up beside me – beaming grin
Sticking her fingers into my mouth
Pulling opposite and up
And her fingers tasted like
The musty pages of books without pictures.
kk Jul 2018
imagine a calloused doubt.
cracked, chipped, clicking
like warped wooden floorboards.
soft from overuse
but still overrides willpower
in one palpitating breath.
grimy yet illusive
like your teeth after a day’s work,
collecting gunk that sidles up
to calcium companions,
crunching down on things
that become
so bland in the end.
doubt is offbeat,
monstrous footsteps hidden deep
off beaten paths,
its thudding is clammy and hurried,
aligned to the discordant jazz of
your alarmed body.
it tastes like
coppery heartbeats,
rising bile,
salt and mucus in the back of your throat.
it is a truly uncomfortable thing.
it stacks sweetly like buttercream pancakes
but crumbles you
with such a sour taste on your tongue.
imagine an agony that loves you.
i write about anxiety too much
At times, the greyness sidles in
snuggles up to me and
I begin
to see in shades of black and white.
It all adds up to being right, but feels as if
I don't belong.

At times, times ten it sidles in again
stronger and more disconcerting
hurting me,
I see that greyness and in all fairness
it sees me as
a willing victim.
I
Ribb at the Tomb of Baile and Aillinn
BECAUSE you have found me in the pitch-dark night
With open book you ask me what I do.
Mark and digest my tale, carry it afar
To those that never saw this tonsured head
Nor heard this voice that ninety years have cracked.
Of Baile and Aillinn you need not speak,
All know their tale, all know what leaf and twig,
What juncture of the apple and the yew,
Surmount their bones; but speak what none ha've
heard.
The miracle that gave them such a death
Transfigured to pure substance what had once
Been bone and sinew; when such bodies join
There is no touching here, nor touching there,
Nor straining joy, but whole is joined to whole;
For the ******* of angels is a light
Where for its moment both seem lost, consumed.
Here in the pitch-dark atmosphere above
The trembling of the apple and the yew,
Here on the anniversary of their death,
The anniversary of their first embrace,
Those lovers, purified by tragedy,
Hurry into each other's arms; these eyes,
By water, herb and solitary prayer
Made aquiline, are open to that light.
Though somewhat broken by the leaves, that light
Lies in a circle on the grass; therein
I turn the pages of my holy book.
II
Ribb denounces Patrick
An abstract Greek absurdity has crazed the man --
Recall that masculine Trinity.  Man, woman, child (a
daughter or a son),
That's how all natural or supernatural stories run.
Natural and supernatural with the self-same ring are
wed.
As man, as beast, as an ephemeral fly begets, Godhead
begets Godhead,
For things below are copies, the Great Smaragdine
Tablet said.
Yet all must copy copies, all increase their kind;
When the conflagration of their passion sinks, damped
by the body or the mind,
That juggling nature mounts, her coil in their em-
braces twined.
The mirror-scaled serpent is multiplicity,
But all that run in couples, on earth, in flood or air,
share God that is but three,
And could beget or bear themselves could they but
love as He.
III
Ribb in Ecstasy
What matter that you understood no word!
Doubtless I spoke or sang what I had heard
In broken sentences.  My soul had found
All happiness in its own cause or ground.
Godhead on Godhead in ****** spasm begot
Godhead.  Some shadow fell.  My soul forgot
Those amorous cries that out of quiet come
And must the common round of day resume.
IV
There
There all the barrel-hoops are knit,
There all the serpent-tails are bit,
There all the gyres converge in one,
There all the planets drop in the Sun.
V
Ribb considers Christian Love insufficient
Why should I seek for love or study it?
It is of God and passes human wit.
I study hatred with great diligence,
For that's a passion in my own control,
A sort of besom that can clear the soul
Of everything that is not mind or sense.
Why do I hate man, woman Or event?
That is a light my jealous soul has sent.
From terror and deception freed it can
Discover impurities, can show at last
How soul may walk when all such things are past,
How soul could walk before such things began.
Then my delivered soul herself shall learn
A darker knowledge and in hatred turn
From every thought of God mankind has had.
Thought is a garment and the soul's a bride
That cannot in that trash and tinsel hide:
Hatred of God may bring the soul to God.
At stroke of midnight soul cannot endure
A ****** or mental furniture.
What can she take until her Master give!
Where can she look until He make the show!
What can she know until He bid her know!
How can she live till in her blood He live!
VI
He and She
As the moon sidles up
Must she sidle up,
As trips the scared moon
Away must she trip:
"His light had struck me blind
Dared I stop'.
She sings as the moon sings:
"I am I, am I;
The greater grows my light
The further that I fly'.
All creation shivers
With that sweet cry
VII
What Magic Drum?
He holds him from desire, all but stops his breathing
lest
primordial Motherhood forsake his limbs, the child no
longer rest,
Drinking joy as it were milk upon his breast.
Through light-obliterating garden foliage what magic
drum?
Down limb and breast or down that glimmering belly
move his mouth and sinewy tongue.
What from the forest came? What beast has licked its
young?
VIII
Whence had they come?
Eternity is passion, girl or boy
Cry at the onset of their ****** joy
"For ever and for ever'; then awake
Ignorant what Dramatis personae spake;
A passion-driven exultant man sings out
Sentences that he has never thought;
The Flagellant lashes those submissive *****
Ignorant what that dramatist enjoins,
What master made the lash.  Whence had they come,
The hand and lash that beat down frigid Rome?
What sacred drama through her body heaved
When world-transforming Charlemagne was con-
ceived?
IX
The Four Ages of Man
He with body waged a fight,
But body won; it walks upright.
Then he struggled with the heart;
Innocence and peace depart.
Then he struggled with the mind;
His proud heart he left behind.
Now his wars on God begin;
At stroke of midnight God shall win.
X
Conjunctions
If Jupiter and Saturn meet,
What a cop of mummy wheat!
The sword's a cross; thereon He died:
On breast of Mars the goddess sighed.
XI
A Needle's Eye
All the stream that's roaring by
Came out of a needle's eye;
Things unborn, things that are gone,
From needle's eye still goad it on.
XII
Meru
Civilisation is hooped together, brought
Under a mle, under the semblance of peace
By manifold illusion; but man's life is thought,
And he, despite his terror, cannot cease
Ravening through century after century,
Ravening, raging, and uprooting that he may come
Into the desolation of reality:
Egypt and Greece, good-bye, and good-bye, Rome!
Hermits upon Mount Meru or Everest,
Caverned in night under the drifted snow,
Or where that snow and winter's dreadful blast
Beat down upon their naked bodies, know
That day brings round the night, that before dawn
His glory and his monuments are gone.
Ben Jones Jul 2013
There’s a door that leads into the hallway
Of the house that lives under the trees
Whose trunks are beleaguered with knobbles
Like a twisted collection of knees
The handle looks faintly organic
Any moment it might come alive
The paint is like vertical shadows
And the number is seventy-five

The foot of the stairs is before you
And the door sidles shut to your rear
The carpet is damp and disfigured
And the walls are uncomfortably near
The windows are coated with algae
So the light is all mottled and rank
The varnish and the paper are peeling
And curtains hang mouldy and lank

There’s a hole in the wall with an angle
And a view of the kitchen within
There’s a nest in the bowl on the table
There are rats living out of the bin
Disjointed lugubrious echoes
Of a whisper without any voice
The spoons haven't stirred in a decade
So the cups haven't had any choice

It’s then you should really be leaving
But you've taken your time and the bait
For a sound of a footstep behind you
And a voice saying simply "too late"
There’s a breath on the bone of your collar
It’s as cold as a final decree
There’s death to be found in that kitchen
And a death that came looking for me
Seán Mac Falls Aug 2014
In braze, silent breeze of dreams incantations,
Shiva arms sway in the forest dark, mushroom,
Cloud, lord with fungi, mosses whose clinging
Shades of branches, braids deep, forking stories
Of old, brooding cauldron Druids, sidles Eastern
Spindrift words of Sanskrit spake, told in veined
Sacred hands unfound, celestial spines, moulded
Green, in the windy monkish statutes of the fallen
And single handed claps of the missionary leaves.
The hazel's unusual branch formations make it a delight to ponder, and was often used for inspiration in art, as well as poetry.

The bards, ovates and druids of the Celtic day would intently observe its crazy curly-Q branches. Doing this would lead them into other worlds of delightful fantasy. Much the same way our modern imaginations can be captured by a good movie, the creative Celts were artistically motivated by the seemingly random and wild contortions of the hazel.

A more commonly known fact is that the hazel is considered a container of ancient knowledge. Ingestion of the hazel nuts is proposed to induce visions, heightened awareness and lead to epiphanies. Indeed, the legend of Fionn Mac Cumhail tells of his gaining the wisdom of the universe by simply coming in contact with the essence of the hazel nut.
SøułSurvivør Dec 2015
skin
tight suit • lush
but lean • soot lashed
    \/\/    eyes of acid green
               amber flesh
       of porcelain
jet black hair
a raven's wing        
turned up nose      
pouting lips •      
you pour a glass
        you take a sip
               purest poison
                   in her flask •••
                         all you have to
                    do is ask • she
           sidles up • her
arts are black •
sparks fly as she      
shreds your back              
she's a mamma •                
she's a pet • but              
she's a snake, so
  don't forget •••
             she'll make you
                 shiver • make you
              shake • then waits
       for the bite to take
once the woman's
sunk a fang • you    
won't remember
          where you began
                         everything
                              becomes a
                     blur • then
           your soul
is truly hers
as the flames    
go higher              
and higher                
she slithers        
round your
         funeral pyre
      you're so
protective    
and so proud          
but your sheets                
become your                      
shroud •                  
they find    
          you lying
               in your
       bed
mamba
bites          
and    
   you
   are
      D
    E
A
D
SoulSurvivor
(C) 4/12/2014

An old poem from a former site.
I needed to do some concrete to take
my mind off of things
D Conors Aug 2010
Although the actual authenticity of this poem's authorship is questionable, Jack The Ripper was credited with sending various taunts in verse to the police during his killing spree. The following poem is especially creative and chilling...very akin to the style and sound of The Ripper's literary exchange with the authorities.
______

(Transcription)

Eight little ******, with no hope of heaven,
Gladstone may save one, then there'll be seven.
Seven little ****** beggin for a shilling,
One stays in Henage Court, then there's a killing.
Six little ******, glad to be alive,
One sidles up to Jack, then there are five.
Four and ***** rhyme aright,
So do three and me,
I'll set the town alight
Ere there are two.
Two little ******, shivering with fright,
Seek a cosy doorway in the middle of the night.
Jack's knife flashes, then there's but one,
And the last one's the ripest for Jack's idea of fun.

__

The letters of Jack The Ripper set to poetic formation. EPILOGUE. "for Jack's idea of fun."

__


With appreciation to Casebook: Jack The Ripper, the largest public repository of Ripper-related information.
http://www.casebook.org/ripper
letters/
D. Conors
09 August 2010
Seán Mac Falls Sep 2015
In braze, silent breeze of dreams incantations,
Shiva arms sway in the forest dark, mushroom,,
Cloud, lord with fungi, mosses whose clinging
Shades of branches, braids deep, forking stories
Of old, brooding cauldron Druids, sidles Eastern
Spindrift words of Sanskrit spake, told in veined
Sacred hands unfound, celestial spines, moulded
Green, in the windy monkish statutes of the fallen
And single handed claps of the missionary leaves.
The hazel's unusual branch formations make it a delight to ponder, and was often used for inspiration in art, as well as poetry.

The bards, ovates and druids of the Celtic day would intently observe its crazy curly-Q branches. Doing this would lead them into other worlds of delightful fantasy. Much the same way our modern imaginations can be captured by a good movie, the creative Celts were artistically motivated by the seemingly random and wild contortions of the hazel.

A more commonly known fact is that the hazel is considered a container of ancient knowledge. Ingestion of the hazel nuts is proposed to induce visions, heightened awareness and lead to epiphanies. Indeed, the legend of Fionn Mac Cumhail tells of his gaining the wisdom of the universe by simply coming in contact with the essence of the hazel nut.
.
Seán Mac Falls Dec 2014
In braze, silent breeze of dreams incantations,
Shiva arms sway in the forest dark, mushroom,,
Cloud, lord with fungi, mosses whose clinging
Shades of branches, braids deep, forking stories
Of old, brooding cauldron Druids, sidles Eastern
Spindrift words of Sanskrit spake, told in veined
Sacred hands unfound, celestial spines, moulded
Green, in the windy monkish statutes of the fallen
And single handed claps of the missionary leaves.
The hazel's unusual branch formations make it a delight to ponder, and was often used for inspiration in art, as well as poetry.

The bards, ovates and druids of the Celtic day would intently observe its crazy curly-Q branches. Doing this would lead them into other worlds of delightful fantasy. Much the same way our modern imaginations can be captured by a good movie, the creative Celts were artistically motivated by the seemingly random and wild contortions of the hazel.

A more commonly known fact is that the hazel is considered a container of ancient knowledge. Ingestion of the hazel nuts is proposed to induce visions, heightened awareness and lead to epiphanies. Indeed, the legend of Fionn Mac Cumhail tells of his gaining the wisdom of the universe by simply coming in contact with the essence of the hazel nut.
Debra A Baugh Feb 2013
every time I think of him; body percolates
to self-******* soaking fingers as they
linger in bedewed moisture as if, his fingers
unlocks intimacy

and...

no more thoughts as he sidles beside me
easing one finger at a time in curve of
femininity, teasing bud tenderly; coaxing
mouth to open


I throb...

trembling lips abrades skin as heat erupts
upon his mouth and his eyes entrance as
masculinity gently bemingles in escalating
heat; its fragrant beads, he licks

slowly...

lured into peaked hunger; unspoken words
intoxicate spilling inner sweetness, drizzling
upon invading fingers aroused in affinity

once...twice...orgasmically drenched
Mike Hopkins Nov 2011
the men in their shiny arsed suits
gather close to the door
inhale the incense, the mothball aroma of their neighbour’s Sunday best
endure the droning of the priest,
who denounces the idleness of men
the sinfulness of women
they feel ferocious thirsts building
their minds have wandered  
to the pub where the publican is pulling pints of porter
letting them stand, almost full, on the bar
foaming, settling, forming voluptuous heads
waiting for the appreciative lips, mouths, tongues of the restless church bound men.
one breaks ranks, sidles out the door
the others look sheepishly at each other and sidle, dribble
across the road to slake their thirsts
knowing that they have, barely, done their duty for the week
they can, with an almost clear conscience
drown their sins in the landlord’s best beer.
©Mike Hopkins
Blog: mistakenforarealpoet.wordpress.com
Marshal Gebbie Feb 2010
******* Bandit time is lost
A gone forever shroud,
Elusive as an errant fog
That’s slipped into a cloud.
Elusive as a crystal shard
Mixed secretly with sand,
You know the shard’s apparent
When It lacerates your hand.


Time lacerates your senses
Like sand between the toes,
It’s there and then it vanishes
Like vapored mist it flows.
Insidiously sneaky
In the way it sidles up
And gallops past like mercury,
Frustration's heady cup.


Were there ways to vanquish time
To pause it in limbo,
I would celebrate with agelessness
And a glass of fine merlot.
I would savour every nuance
And roll it on my tongue
For the taste of piquant victory
Is a toast to battle won.


Marshalg
@ the Gate
Mangere Bridge
19th January 2009
You shower, shave, and dress up nice
A night out on the town
The boys and you are heading out
Some beer you all will down

HAIR DONE, ON TO MAKE-UP NEXT
DO I LOOK GOOD IN THIS?
I DON'T WANT TO LOOK TOO EASY
IN CASE SOMEONE WANTS A KISS

The bar stools all sit vacant
As the boys arrive at nine
The band is getting started
The beer is cold, that's fine

WE GOT A TABLE IN THE CORNER
WE CAN WATCH THE GUYS AND SEE
IF THERE'S ANYBODY HERE TONIGHT
THAT REALLY INTERESTS ME

You catch the eye of a young girl
Sitting with her group of friends
You bet the boys a beer or two
On how the night will end

YOU SMILE AT THE BROWN EYED MAN
HE LEAVES THE BAR TO COME ACROSS
FROM WHERE YOU SIT HE LOOKS OK
TONIGHT WON'T BE A LOSS

Sitting with four girls  is strange
Trying to separate the herd
Three get up to dance although
You can't hear a single word

HE TAKES THE TIME TO TALK TO ME
I LIKE THE WAY HE THINKS
HE EVEN ASKED THE OTHER GIRLS
AND THEN HE ORDERED DRINKS

The game goes on between these two
As the night comes to an end
He sidles up to his buddies and
He talks of his new friend

PLANS ARE MADE TO MEET AGAIN
HE'S TOO SHY TO MAKE A PASS
HE'S NOT THE KIND TO KISS ME OFF
THIS ONE HAS GOT SOME CLASS

Weeks go by, with many dates
Both with friends and you alone
At some point the relationship
Takes on a different tone

I'VE BEEN HURT ON SOME OCCASIONS
BUT, WITH HIM, I FEEL A CHANGE
I THINK I MAY JUST LOVE HIM
WHEN HE'S NEAR I FEEL REAL STRANGE

She listens to my stories and
Laughs when jokes are bad
She makes me feel so special
It's a feeling I've not had

WHEN DID THE HEART TAKE OVER?
When did the "Me" become a "We"?
When was the "M" inverted?
I think a couple we will be

This tale goes on each evening
In restaurants and in cars
The night has no expectations
And in the end you're counting stars

At some point you will notice
As your friends move to the back
That true love comes without notice
As being single fades to black.....
There's something brutally honest about
A dog in heat ******* your leg.
I'd like to explore this theme with you,
But I can't right now.
I just got home from my
Nightly walk inside the gates
Of my over-55 lunatic asylum,
And I gotta get this down on paper,
VERBATIM.

I'm wearing sandals tonight, unlike
This morning's power walk in Skechers.
I'm strolling around the turn
At the corner of Don January & Lee Trevino,
And look clearly into a curtain-less,
Shade-free living room. BAM!
Poleaxed, gobsmacked, am I.
She's sitting in a Barcalounger,
Spotlighted by a pole lamp.
Naked, her legs spread &
******* herself.
Stunned dead in my tracks, am I.
By this time she's standing in her
Open doorway, calling to me:
"Hello Dere!"
She is a silver-haired sireen,
A granny Marty Allen.
"Take me," she demands.
Sometimes I'm a little slow on the uptake,
But there was no mistaking that invitation.
"Wait right here," I say.
"I want to go home, shower &
Brush my teeth."
"No , you idiot," she answers.
"Take me now."
"I want to be ravished by a brute,
***** by a savage,
A mountain man from Boulder."

I assume she means Boulder, Colorado.

Now, I can't promise that this is a
Daily occurrence at Del Webb Alegria,
"For Active Adults"
But it happened to me.

Walking home I see a crowd.
Some neighbors admiring the
Asian couple's landscaping prowess.
For weeks they've been pulling off a
Green grass to drought-tolerant
Xeriscape switcheroo.
"Bravo!" I yell. "Nicely done!"
Finally, I am home.
Exhausted, I flop down in
My over-stuffed leather armchair.
Pen in hand. Notebook open.
From across the room,
My dog sidles over
A glazed look in his eyes.
Sir Anthony sidles into
the little space left in
my memory as the rather
gaunt and sallow History Man
who so horrified us
when so shallow but
costumed and padded
with gross belly and
straining belt commands
this stage as Falstaff
misleader of Hal, liar
personified, but Life-
lover as dimpled as
Dionysus - eat, drink,
make merry one and all
for tomorrow we die.

(c) C J Heyworth
I have "lived with" Falstaff since approx 1960 when we studied a Shakespear play at school for the first time.
Yesterday evening I attended our local Odeon Cinema to watch a LIVE STREAMING performance of Henry IV (i) from the Shakespeare Memorial Theatre at Stratford-upon-Avon with Sir Antony Sher playing Falstaff so well  that really for the first time I understand how the character has come to be so loved.
Rockie Jun 2015
I was told
To tell the truth
But only if
It doesn't hurt people

A little girl
Sidles up to her Mamma
Mama, why shan't I not lie,
When it makes you so cry?


A Mamma is questioned
By a young un' with a little more sense
Than grown ups could ever wish to achieve

A beautiful woman replies,
To her small child with a smile and sheds a tear
Because her baby girl
Speaks with no fear
Of her already questioning conscience

Oh, baby.
I love you.
But please,
Carry on being you,
Because you have an entire lifetime,
To make
boys cry.
Do you understand, baby girl?


*Yes, Mama.
Speak the truth-
Make boys cry a salty tear,
And feel no remorse.
j carroll Mar 2014
walking along the trash and ice filled streets of the upper west side every head is turning to look at him with his hand in my pocket like it's a crime for a portrait to be framed with driftwood like fat thighs and wobbling jaws.

sometimes i convince myself that i am projecting my attraction to his spider legs in skinny jeans and lilting accent whispering rainforests and crocodile beaches onto every girl we encounter but then--

we're in the bronx strolling through the frozen zoo a girl chattering on her phone goes dumb momentarily in the middle of a story as her eyes rake his Tam-Lin nose and James Potter hair and i can tell he's trying not to laugh when he glances sideways at me smirking and squeezed a love handle.

it's fashion week and models are strolling through central park with mannequin joints rattling in the cold and painted lips smiling and lashes batting and some boys with frosted tips watch his back jeans pockets with canary-caught satisfaction.

in east harlem at a dive with pitchers of **** as centerpieces, a swedish barmaid asks him for his number and serves me a skunked shandy.

the lady cop forgot to write my ticket after she checked his ID "so australia, huh?" as she sidles up to the dangling license plate and shattered headlights

in line for a coffee in my hometown two giggling teenagers have a carrying conversation "they fit together though, in a weird way like bert and ernie"

i love you, but walking with you is like wearing a sign reading "great personality, i guess" though you couldn't read it because the message is distended, stretched over x-acto scarred rolls and flopping flesh, gibbous ******* and bulging armpits

every eyebrow quirk and coy smile reminds me how absurd it is that you draw me close and tell me i smell like fire and my face is like a doll's and my hips serve practical purposes and my eyes are big as a sailor soldier and you lift me when we dance to tv themes and whine like a puppy when i forget to kiss you on my way out the door resonating inexplicable affection

walking alone through airport terminals not a single glance is wasted on me as i kiss you through baggage check so i take the final opportunity for invisibility with makeup smearing gusto and mourn how much braver i am when i am with you.
semi clean thought stream
Slick with sweat your silhouette framed in cigarette smoke
I feel intense jealousy like a bayonet run through me
Just moments ago we were a duet,
until a crescendo made us still
Watching you take a drag, hair ruffled and stubble on your cheeks
Makes my heart skip, this image, this place and time are mine.

You turn and look at the crumpled sheets,
note our clothes in a heap
You stand and stare at me
Emotionless.
Passion has waned.
Reality is returned.

“Do you love me?” I ask
A hiss of, what impatience, annoyance? Sidles my way
Statue still you stand and glare
“I thought this was just an affair” a glib retort
“It is” my reply is spry on my dry lips

You move cat like to the bed and as you lower your head
Positioning for a kiss
I hear the question from him
“Do you love me?”
And with a practiced grin I lie.
© JLB
27/12/2017
04:10 GMT
David Ehrgott Jan 2016
moistly smile sidles
keenly, coldly glumly fist
quailing, jabbering
There is a wardrobe by my bedroom door and the Devil sidles up through the floor to hide inside.
I know he's spied on me
I also know he could be she
but he or she has stole my soul while watching me through the keyhole.
As far as I can tell
I am here
my soul's in hell.
The Devil be it he or she does his or her work very well
and at each tolling of the bell
another spell is cast on me.
Mark Addison May 2016
Life’s ostensibly dead weight pulls downward, maddeningly consistent in its campaign to fell him.
Its moribund song is maniacally hummed by he who seems to mourn with his limbs as he walks,
Soul skulking petulantly as suicide-bees formicate wildly beneath his scalp;
He dreams of his post-mortem feast.

Gazing intently at his doodle-strewn bedside wall,
Cringing as he reads those scribbled aphorisms he had erased the day before,
He wonders if the bees were ever really there in the first place.

He writes, ‘Ire-inducing idleness. Vapid, vacuous days;
He is man’s antithesis, ****** from sentiment.
His is the syphilitic brain of one filled with disdain
For all those who threaten his thinly-veiled comfort,
The thespian of truth, he’d play the faux jumper.’


The elevator comes to a halt.
Exiting, he sees someone has left the door open for him.
Climbing cautiously to the roof, he is met with an angry gust upon stepping outside.
The solemn timbre of T. Yorke resounds as he drunkenly stumbles across the pebble-laden surface,
And as he sidles along the ledge he realizes that nothing is infinite.
Please let me know if this sort of hybrid style is frowned upon on this website.
Alan Brown Apr 2016
I face the wall solemnly,
Hoping to hinder the
Perpetual stream of humdrum afternoons.
Sunlight sidles through curtain cracks,
Only to be shredded by the dark,
Gloom-encrusted walls.

I am confined to my dreary room,
Deprived of liveliness,
Bound to insipid repetition.  
Time moves ever so quickly,
Yet my life is standing still.
Deadlocked in stalemate.

Though my senses function adequately,
My heart beats factitiously.  
How ironic it is to be alive,
But not to be living.

I yearn to possess merriment,
Yet I sit idly alone
As a component of a drab,
Recurring cycle.
In the farthest corner of the western sky, golden rays glide down the horizon line and slip into the ground: hiding their splendor till the morrow shall bring their rebirth. The depths of the night seep into the heavens, dousing the expanse with stardust and blinking lights. Shadows lurk under every tree and creep their way into the atmosphere. But to the east, a new night is just beginning. At the base of the mountain range, a subtle candle glow starts to rise from behind the centinal stones and intensifies their monumental silhouettes. As Earth continues her drowsy journey around her axis, the Moon sidles out of his hiding spot and peeks above the horizon.
Somehow, he is different tonight. Rather than launching himself high into the expanse and bathing the terrain with silvery shafts; he stays along the boundary between ground and sky. His sunken frame is wrinkled and pock marked; with the shades of musty old parchment emanating from his surface. He is an ancient manuscript: the literature of a thousand poets and songwrites. Time itself is scribed into his pages and endless mysteries are buried within those yellowed folds. His weary bones tire of holding up the vast sky night after night, giving away his light and energy to all around him. So, just for tonight, he abandons his post, creeping down towards Earth to catch a glimpse of her ever-young radiant beauty and diversity. As he comes in toward her, growing larger to her sight, her textured surface looks close enough to touch. His raspy breath on her delicate skin. His heart aches to drink of her glistening waters and be renewed.
But as he leans in for a drink of her life: he is struck with a startling awareness. Corruption and deceit have manifested themselves within her miles. Pain and blood and cries ring out through the night; swallowing up what peace should have been there with the desperation of their pleas. Children and forests of creatures sink to their graves unseen as the mighty ones among them submit to the will of their greed. The Earth, with her intoxicating scent of ten thousand flowers and fruits and churning waterfalls of hair cascading down her mountainous shoulders, turns her savannah golden eyes toward her dear old friend. His affectionate gaze is filled with heartbreak as she pulls from her own dwindling stores of energy and ever so briefly gives him a frosty caress to lighten his load. The crisp air fills his lungs and the tingle of snowflakes lingers on his cheek as he brushes a tear from her sun kissed nose and climbs back to his place in the sky, once again shining silver and strong.
And if you look up into the sky tonight, you will see, there he remains; constantly making his journey round and round his love, sheltering her from the outside. Shedding his shafts of teary moonlight at the suffering she so patiently endures.
jeffrey robin Jan 2016
.


In the mildly drunken euphoria


Hey !

Cowboy standing at the bar


Talking of Liberty






Oh yeah

We are rebels

Against the USA

oh yeah

We are the Patriots

The Christians

Against the Beast




In the mildly drunken euphoria

As she sidles up to me

••


Talking of good vs  evil

And the war for peace




( Ammon Bundy gonna save us now )

:::

//

Walking home

Of my ole hoss I dream

//

By the high school parking lot

And the sounds of ***

And the scent of ****

""

Dreamin of my rifle

And my right to pack my heat

••


In the mildly drunken euphoria


Of feeling I'm the Man

me and my babe together

Yeah

We taking a holy stand

Going to the promised land

Going to the promised land


.
betterdays Jul 2014
the sun sidles off,
to it's next assignation
and the cool, nibbles
through my clothes.

still, i sit on the back deck,
waiting in wonder,
for a silver stiched sky.

right now....all shades of blue,
shimmer in the glow of the
sun's fond adieu...

this is, the time i love the best.
the betweening of sunset and twilight, mere moments
of turning ...
and then, into the break of night,
as the shadows deepen
and the scurrying things, come on myriad tiny feet.

the stars relax into their
rhythmic, beauty
the moon benign, looks upon
us all, in silence..

and behind me, the lights
flicker on...in my warm
and cosy life....

goodnight, to you,
little things,
that make your way
in the cold, dark...

                        goodnight.
She sidles up to me,
unbridled lust can be
no more exciting than this.
I tried to tell the sea what I was thinking.
It simply unfurled its blue vowels at me,
a slippery blush at my feet.
   So I asked again; a similar response,
cauldron of murmurs into nothing.

Close by, a dog followed its owner,
a lady, lobbing a tennis ball,
the animal a black exclamation.
It panted excitement at me,
pink ribbon tongue sloshing about
like the sea when it sidles
back to where it came.

I asked, once more; there was no reply.
A glossy breath,
in and out, like all of us.
Written: December 2018.
Explanation: A poem written in my own time. Feedback welcome. A link to my Facebook writing page can be found on my HP home page.
I asked the woman where she came from,
She didn’t utter a word,
But stood outside on the landing where
She wouldn’t be seen, or heard.
She glided into the bedroom then
And dropped her gown on the floor,
Then climbed up onto the four poster
A thing I couldn’t ignore.

The name embroidered upon the gown
Was one, a Lucie La Corte,
It lay there crumpled upon the ground,
A thing of beauty, I thought,
But far more beautiful, there she lay
Within the reach of my hand,
With silken skin that had reeked of sin
Inviting love on demand.

I caught the scent of wisteria
The fragrance rose from her breast,
I felt close to hysteria,
Like I was put to the test,
I lay and stared at her shapely form
And thought, how could I resist,
But then I noticed the branding mark
An ugly Fleur de lis.

It sat high on her shoulder there
To tell what she had done,
Some grim crime from another time
And an execution…
I heard her sigh as she raised one thigh
Then I saw her eyes had teared,
Her teardrops fell, and she broke the spell
For then she had disappeared.

If ever you’re visiting Paris
And those evil streets, and mean,
Beware, the hotel you stay is not
Called ‘Madame La Guillotine’,
Or you may lie in a poster bed
As I did, god help the thought,
And watch as the visitor sidles in
The one, a Lucie La Corte.

David Lewis Paget
KD Miller Jan 2018
1/17/2018

"the going into winter and never coming out."
-frank o'hara

the lights of nassau
***** and white
like raw pearl

shining down on my shoes
and
i, moldering and wicked,

sitting on bank steps.
you held your hand out for me
but i stood up by myself

this is how it happened
simply put, and no
metaphor.

you say to sit and talk
i know where talking is
red gravel i kick up like i had

before
and all i see in the cold and the dark:
your pupils, your hands

held out again
i would be dumb to take them
a month ago, dying for a lack of you

and now i try to catch time by its tail
but i can't
for time isn't an animal

it could have fooled me,
by the way it slinks and sidles
in the dark of the woods.

sitting in Anacostia,
on the phone with you,
dead roach on sidewalk

so long ago
back to reality:
you ask me if it's alright

and i say yes
i let anything happen to me
and everything happens to me.

i can not hold on to it
time is in the air
but what i can try to do is remember it.

*II*
my life is lived in the past
a life not worth living
a life not respected

there is nothing
i can do about this
i think, as i walk to my car.

— The End —