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"settee" poems
I knocked the black door knocker on Janice's nan's door and her nan answered and said o hello Benedict Janice can't come out she let the canary out and we had a hell of a job getting it back in the cage again so I'm keeping her in I was going to tan her backside but I thought keeping her in was more of a punishment on a day like this o right I said looking at Nan's eyes and her greying hair and unsmiling face but you can come in and see her for a few minutes shame that you have to be without her though so she walked back up the passage and into the sitting room where Janice was sitting on a settee looking disgruntled it's Benedict come to see you he is only staying for a few minutes so don't think you can go out because you can't Janice nodded and looked tearful and her nan walked off into the kitchen I didn't mean to let the bird out I just opened the cage door to get it to stand on my finger but it flew out and it to ages to catch it again and Nan was so angry that she was on the border of giving a smacking but then she thought keeping me in was more of a punishment so here I am on a lovely warm day sorry about that I said where are you going? she asked I was going to Jail Park on the swings and slide I said I see she said looking at me sadly what have you got in the bag? I opened the bag it's that Robin Hood book I bought it in that junk shop on the New Kent Road she held it and opened it up and looked at the words and pictures maybe next time I can be your Maid Marian to your Robin Hood she said yes I said looking at the canary in its cage that'd be good.
0
Mar 10, 2015
Mar 10, 2015 at 3:16 AM UTC
NOT TO GO OUT 1956
I knocked the black door knocker on Janice's nan's door and her nan answered and said o hello Benedict Janice can't come out she let the canary out and we had a hell of a job getting it back in the cage again so I'm keeping her in I was going to tan her backside but I thought keeping her in was more of a punishment on a day like this o right I said looking at Nan's eyes and her greying hair and unsmiling face but you can come in and see her for a few minutes shame that you have to be without her though so she walked back up the passage and into the sitting room where Janice was sitting on a settee looking disgruntled it's Benedict come to see you he is only staying for a few minutes so don't think you can go out because you can't Janice nodded and looked tearful and her nan walked off into the kitchen I didn't mean to let the bird out I just opened the cage door to get it to stand on my finger but it flew out and it to ages to catch it again and Nan was so angry that she was on the border of giving a smacking but then she thought keeping me in was more of a punishment so here I am on a lovely warm day sorry about that I said where are you going? she asked I was going to Jail Park on the swings and slide I said I see she said looking at me sadly what have you got in the bag? I opened the bag it's that Robin Hood book I bought it in that junk shop on the New Kent Road she held it and opened it up and looked at the words and pictures maybe next time I can be your Maid Marian to your Robin Hood she said yes I said looking at the canary in its cage that'd be good.
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100
Strange nights, starry eyes a little something to keep me going no I don't lack in surprise or modesty and yet if honesty was a commodity I'd surely be rich and living it up or dead in a ditch for never giving it up and you just don't quit pry away the drink from my hands and take a sip never seen anyone bite anything the way that you bite on your lip I don't know what you're looking for but you won't find it in me a compliment, a shred of decency a night of thrills and secrecy a shoulder to cry on or just something to ride on no, you won't find it in me Got no money, no worries don't sell drugs never felt the need not a pick me up or shake you down nothing changes when I'm around no I don't want you and you don't want me Living life like a grazed knee the pain is always there it stings something always has to rub up on me so if another stained garment is what you want to be then, darling pick away at my layers I can never seem to heal but I go on like nothing hurts me and it could be worse you could be just another verse in my poetry and the night isn't over yet but you've just about heard enough I bet I don't know what you're looking for but you won't find it in me a friend for the night, a happy ending a story to tell your girls, a heart for mending someone to rely on or just something to ride on no, you won't find it in me Got no money, no worries don't sell drugs never felt the need not a pick me up or shake you down nothing changes when I'm around no I don't want you and you don't want me Still relentless in your advances but I can't take any chances I'm susceptible to heartbreak why do you think I'm sat here drinking alone? unlike you I haven't looked down at a phone I've no one to call, I've nowhere to be if you're wanting a simpleton that's not me I'm not offering late night comfort calls I don't even own a settee are you my therapist now? too many questions are detrimental to trust and I think you've just about heard enough I don't know what you're looking for but you won't find it in me won't pick you up, won't shake you down won't show you a good time and stick around I'm not your wings to fly on or just something to ride on no, you won't find it in me
0
Dec 3, 2016
Dec 3, 2016 at 11:27 AM UTC
You Won't Find it in Me
Strange nights, starry eyes a little something to keep me going no I don't lack in surprise or modesty and yet if honesty was a commodity I'd surely be rich and living it up or dead in a ditch for never giving it up and you just don't quit pry away the drink from my hands and take a sip never seen anyone bite anything the way that you bite on your lip I don't know what you're looking for but you won't find it in me a compliment, a shred of decency a night of thrills and secrecy a shoulder to cry on or just something to ride on no, you won't find it in me Got no money, no worries don't sell drugs never felt the need not a pick me up or shake you down nothing changes when I'm around no I don't want you and you don't want me Living life like a grazed knee the pain is always there it stings something always has to rub up on me so if another stained garment is what you want to be then, darling pick away at my layers I can never seem to heal but I go on like nothing hurts me and it could be worse you could be just another verse in my poetry and the night isn't over yet but you've just about heard enough I bet I don't know what you're looking for but you won't find it in me a friend for the night, a happy ending a story to tell your girls, a heart for mending someone to rely on or just something to ride on no, you won't find it in me Got no money, no worries don't sell drugs never felt the need not a pick me up or shake you down nothing changes when I'm around no I don't want you and you don't want me Still relentless in your advances but I can't take any chances I'm susceptible to heartbreak why do you think I'm sat here drinking alone? unlike you I haven't looked down at a phone I've no one to call, I've nowhere to be if you're wanting a simpleton that's not me I'm not offering late night comfort calls I don't even own a settee are you my therapist now? too many questions are detrimental to trust and I think you've just about heard enough I don't know what you're looking for but you won't find it in me won't pick you up, won't shake you down won't show you a good time and stick around I'm not your wings to fly on or just something to ride on no, you won't find it in me
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74
Nima showed me her aunt's apartment in London. Posh place, up market. She had her own key to get in, and once we entered, she closed the door behind us and leaned against it like one having found the Promised Land. So what do you think? She asked. Lovely place. Does she live here alone? No, she has a daughter; moody ***** has her own crowd, sort of in-lot. We wandered around, room to room and stood at last in the kitchen. Coffee? Tea? She asked. Tea, please, two sugars, little milk, I replied. Take a seat in the lounge, I'll bring it through. I went in the lounge; posh place, a settee of white soft material, chairs brown, aged, but antique and fragile looking. There were paintings on the walls, water colours, rural, country scenes, horses, fox hunts, red coated hunters, hedges, trees. There was a large table, armchairs, lovely carpet, and a lampshade in one corner. Nima came in carrying a tray with two cups in saucers, spoons, sugar bowl, jug of milk. She put it down on a small coffee table by the settee. She sat down next to me and kissed my cheek. At last,she said, just us, alone, no nosey parkers, no nurses or medical quacks to interfere or spoil our fun or lives. I sat gazing around the room. You been here before? Of course, as a child I often came and stayed if my parents were too busy with their careers or away on the matters medical. I smelt her perfume, sensed her thigh touch mine, soft, moving against mine. Why were you sectioned? I asked, looking at her. Drugs and a sudden mental breakdown and attempts on my life by me, she said. I see, I said, studying her closer, each aspect of her features. Forget that, she said, lets drink up our drinks and get to bed and have *** Whose bed? The spare, not Aunt's, she said, smiling. Is it a single or double bed? Double with silk sheets, so watch out you don't slip out of bed while having it away. We drank our drinks quickly, then she showed me the bath and the toilet and the bedroom. What if your aunt returns? She's in Ireland with her moody daughter, won't be back until Monday week, Nima said. First a bath together, then hot ***** *** in bed, she said.
0
Nov 29, 2015
Nov 29, 2015 at 2:21 AM UTC
HOT AND ***** 1967.
Nima showed me her aunt's apartment in London. Posh place, up market. She had her own key to get in, and once we entered, she closed the door behind us and leaned against it like one having found the Promised Land. So what do you think? She asked. Lovely place. Does she live here alone? No, she has a daughter; moody ***** has her own crowd, sort of in-lot. We wandered around, room to room and stood at last in the kitchen. Coffee? Tea? She asked. Tea, please, two sugars, little milk, I replied. Take a seat in the lounge, I'll bring it through. I went in the lounge; posh place, a settee of white soft material, chairs brown, aged, but antique and fragile looking. There were paintings on the walls, water colours, rural, country scenes, horses, fox hunts, red coated hunters, hedges, trees. There was a large table, armchairs, lovely carpet, and a lampshade in one corner. Nima came in carrying a tray with two cups in saucers, spoons, sugar bowl, jug of milk. She put it down on a small coffee table by the settee. She sat down next to me and kissed my cheek. At last,she said, just us, alone, no nosey parkers, no nurses or medical quacks to interfere or spoil our fun or lives. I sat gazing around the room. You been here before? Of course, as a child I often came and stayed if my parents were too busy with their careers or away on the matters medical. I smelt her perfume, sensed her thigh touch mine, soft, moving against mine. Why were you sectioned? I asked, looking at her. Drugs and a sudden mental breakdown and attempts on my life by me, she said. I see, I said, studying her closer, each aspect of her features. Forget that, she said, lets drink up our drinks and get to bed and have *** Whose bed? The spare, not Aunt's, she said, smiling. Is it a single or double bed? Double with silk sheets, so watch out you don't slip out of bed while having it away. We drank our drinks quickly, then she showed me the bath and the toilet and the bedroom. What if your aunt returns? She's in Ireland with her moody daughter, won't be back until Monday week, Nima said. First a bath together, then hot ***** *** in bed, she said.
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87
Teenagers write poems about sadness And I diagnose Drain false narcissistic depth I choose to diagnose Girls that moan about darkness I can try emphasize At a therapeutic distance Walls rather a leather settee Cry me your conjured problems The attention that you desperately need Hug into my False intellectual façade You want your name in lights Rose-colored perception Of a overused typecast Your sadness poetic and bottomless Caught in the flight Spotlight That you cannot bear Insipid perpetuity Whining and moaning and whining Life in hard and it is not fair I’ve seen it all before But should I sit Put myself high on a pedestal Satisfied with my own scholarly ruse What I lack in qualifications I make up in apathy You wear a different coat You messy attention grabbing Poetically distraught Attracted to the next sparkly thing That will make you more interesting You magpie, you lemming, you I will hold your hand if you hold mine
0
Jun 3, 2014
Jun 3, 2014 at 8:11 PM UTC
How to be a Cocky ******* Part I
Does she notice the four sugars, You sneak into your tea? What’s she like, this girl? The girl who isn’t me? She hasn’t even realised, The weird dent on your knee. Who even is this girl? The girl who isn’t me. It’s been more than a fortnight, Since you made me leave my key. Did you give it to the girl? The girl who isn’t me? She’s thinner, smart and cooler. No one can disagree. But can you learn to love, A girl who isn’t me? Your clothes are where you left them, in piles on the settee. That girl calls it a ‘sofa’. The girl who isn’t me. **** this, I’m getting wasted. One shot turns into three. I’m tempted to drunk text her. The girl who should be me. It’s not like I’ve been stalking Your profiles frantically. I just can’t believe you’re seeing A girl who isn’t me. Does she put up with your mood swings? When you’re loathing your degree? How can you stand to be with? A girl who isn’t me? Just answer this one question: What do you really see? In that wretched girl you’re dating? That girl who isn’t me? I must be going crazy. Who still writes poetry? I bet your girlfriend hates it. The girl who isn’t me. I’m keeping your new console, And your comfy blue hoodie. That’s what you get for kissing A girl who isn’t me. Maybe I’m just jealous? I think it’s clear to see. You clearly love your girl, Your girl who isn’t me. You told me all your secrets, Under that big oak tree. Can you trust this girl? This girl who isn’t me. You can’t, that’s why you grab her. Silence her every plea. You laugh and call her stupid. That’s what you did to me. I must have dodged a bullet. I know I’ve been set free. I hope she breaks your heart. The girl who isn’t me. I cannot be the girl, The girl I used to be. I guess that’s why you’re now with A girl who isn’t me. I see this as a blessing, It surely has to be. You’re now stuck with a girl, A girl who isn’t me. Your days, my friend, are numbered. You listening to me? ‘Cause I still know your secrets. And they’re not safe with me. The cuts, the bumps and bruises, I claimed I could not see. Does your girl have them too? The girl who isn’t me? I’ll do my best to save her. She’s too naïve to see, that you can’t control your temper, with a girl who isn’t me. I wear these scars like war paint, For all the world to see. They show how hard I fought, For that girl and for me. I did my best to save her. I tried to help her flee. But you damaged, hurt and ruined the girl who’s now like me. The creaking of your window. How cold your house must be? You’ll always have to live with, the girl who once was me. I hope this poem haunts you. I’ll never say sorry. That girl you called a weakling? That girl just isn’t me.
0
Jun 4, 2016
Jun 4, 2016 at 6:10 AM UTC
The Girl Who Isn't Me
Does she notice the four sugars, You sneak into your tea? What’s she like, this girl? The girl who isn’t me? She hasn’t even realised, The weird dent on your knee. Who even is this girl? The girl who isn’t me. It’s been more than a fortnight, Since you made me leave my key. Did you give it to the girl? The girl who isn’t me? She’s thinner, smart and cooler. No one can disagree. But can you learn to love, A girl who isn’t me? Your clothes are where you left them, in piles on the settee. That girl calls it a ‘sofa’. The girl who isn’t me. **** this, I’m getting wasted. One shot turns into three. I’m tempted to drunk text her. The girl who should be me. It’s not like I’ve been stalking Your profiles frantically. I just can’t believe you’re seeing A girl who isn’t me. Does she put up with your mood swings? When you’re loathing your degree? How can you stand to be with? A girl who isn’t me? Just answer this one question: What do you really see? In that wretched girl you’re dating? That girl who isn’t me? I must be going crazy. Who still writes poetry? I bet your girlfriend hates it. The girl who isn’t me. I’m keeping your new console, And your comfy blue hoodie. That’s what you get for kissing A girl who isn’t me. Maybe I’m just jealous? I think it’s clear to see. You clearly love your girl, Your girl who isn’t me. You told me all your secrets, Under that big oak tree. Can you trust this girl? This girl who isn’t me. You can’t, that’s why you grab her. Silence her every plea. You laugh and call her stupid. That’s what you did to me. I must have dodged a bullet. I know I’ve been set free. I hope she breaks your heart. The girl who isn’t me. I cannot be the girl, The girl I used to be. I guess that’s why you’re now with A girl who isn’t me. I see this as a blessing, It surely has to be. You’re now stuck with a girl, A girl who isn’t me. Your days, my friend, are numbered. You listening to me? ‘Cause I still know your secrets. And they’re not safe with me. The cuts, the bumps and bruises, I claimed I could not see. Does your girl have them too? The girl who isn’t me? I’ll do my best to save her. She’s too naïve to see, that you can’t control your temper, with a girl who isn’t me. I wear these scars like war paint, For all the world to see. They show how hard I fought, For that girl and for me. I did my best to save her. I tried to help her flee. But you damaged, hurt and ruined the girl who’s now like me. The creaking of your window. How cold your house must be? You’ll always have to live with, the girl who once was me. I hope this poem haunts you. I’ll never say sorry. That girl you called a weakling? That girl just isn’t me.
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96
It happened tonight I dare not clap Haggis the cat slept on my lap watching a film on the settee Denise was sitting next to me he strolled along looked at my pants though "oh well, I'll take a chance." A stroke and a pat I doff you my cap Haggis the cat slept on my lap
0
Feb 6, 2011
Feb 6, 2011 at 4:17 PM UTC
Haggis the Cat Slept on My Lap
"Daddy" "Daddy" "Watch me" "Watch me" As she jumps hands on the settee She jumps higher each time, I want to be a cricket, I want to **Hop, Skip, Jump** Bounce up and down But they jump well, but not high enough "Daddy" "Daddy" "Watch me" "Watch me" I'm a bunny, Bounce, bounce, bounce I bounce higher this time, But the whiskers make me sneeze And I really don't like carrots, "Daddy" "Daddy" "Watch me" "Watch me" I'm a kangaroo Boing, Boing, Boing Look at me go look at me Fly through the air, and land Once again on the ground, "Daddy" "Daddy" "Watch me" "Watch me" I loved being a Kangaroo but it was too hot, I want, I wish, I bounce In to space, the biggest jumper in The know universe I want to be an astronaut I want to jump from Earth To the Moon, I want to hop along asteroids Like I was playing hop scotch "Floating endlessly" One jump, two jumps Look at me float, look at me daddy I jumped on the moon, "Little lady" "My little jumping bean" "You must learn much" "Do good at school" Then you can use your amazing bouncing talent. Use it to jump from here to there, But my little princess your only five, So much time to Bounce, Skip, Jump Upon everything you see, the moon Can wait till you grow up, "My utterly amazing little jumping bean"
0
Mar 28, 2015
Mar 28, 2015 at 5:11 PM UTC
My Little Jumping Bean
Love isn't all about sunshine, lollipops and rainbows it's about hard work and mayhem and psychological blows It's about betrayal and jealousy infidelity and boredom it's about looking the wrong way and getting slapped by the doorman It's about leaving the seat up and many sleepless nights it's about slamming the doors and making up after many countless fights It's about verbally vomiting sweet nothings with warm and fuzzy glee it's about finding pairs of ***** socks hiding behind the settee It's about holding hands and snogging while everybody stares it's about embarrassing storytelling and pretending not to care It's about realising that you need someone no matter if they cause you bedlam you just know it's because you love them warts and all and you just can't live without them.
0
Oct 17, 2010
Oct 17, 2010 at 7:13 AM UTC
What it's all about
I had an Indian Fakir come To stay, from Uttar Pradesh, I was doing a friend a favour, I don’t, as a rule, have guests, I couldn’t make out a single word He said, and so my friend Provided a written commentary To guide me, in the end. It seems he was naming my furniture It’s something that they do, In places that are incongruous Like the depths of Kalamazoo, And he wanted to give them English names So he asked my friend’s advice, In case I couldn’t pronounce them, Well, at least the thought was nice. My armchair became Albert And my settee Gunga Din, I suppose he thought it would be okay As it was from Kipling. The tallboy was called Gerald And the wardrobe, simply Joe, The polished table Cheryl And the kitchen one was Flo. I’m glad that he wrote them down because I can’t remember names, Just that the bed was Susan And the kitchen sink was James, Some of them were portentous like Ignatius, for the desk, While each of the kitchen chairs was given A name that ends with -este. Celeste, Impreste, Doneste and Geste And then of course, Ingeste, I couldn’t remember which was which, My friend was not impressed. We bade farewell to the Fakir And the Wardrobe flapped its doors, And rumbled out a ‘Goodbye my friend’ From between its mighty jaws. Then voices rose in a chorus from Each part of my tidy home, The names had given them each a voice, It was rowdier than Rome, The voices were accusatory Trying to lay some guilt, And Susan said of the Wardrobe, Joe, ‘He’s looking up my quilt!’ ‘How could I help it,’ Joe replied, ‘I’m at the foot of the bed, You’re flashing me with your silken sheets, It’s doing in my head!’ While Albert grumbled in voice so deep, ‘Do I have to be a chair? Each time you plonk on my tender seat I’m gasping out for air!’ Then the kitchen chairs were out of place And James was choked with suds, The carpet, name of Emily Was sick of traipsing mud. It seemed that the polished table top Was scratched, and she was mad, The desk disliked my keyboard so To each, I answered ‘Sad!’ ‘You’re going to have to get along I won’t put up with this, Until that Fakir came along This house was perfect bliss.’ I did away with their English names, Replaced them with Chinese, But they couldn’t speak a word of it So I brought them to their knees! And peace returned to Grissom Place Just as I thought it would, I made it plain to Wardrobe Joe ‘You’re just a lump of wood.’ While Susan smooths her quilt right down And tucks her sheets right in, And James just blubs, he’s full of suds As I nap on Gunga Din! David Lewis Paget
0
Jan 17, 2015
Jan 17, 2015 at 7:40 PM UTC
The Bed & the Wardrobe
I had an Indian Fakir come To stay, from Uttar Pradesh, I was doing a friend a favour, I don’t, as a rule, have guests, I couldn’t make out a single word He said, and so my friend Provided a written commentary To guide me, in the end. It seems he was naming my furniture It’s something that they do, In places that are incongruous Like the depths of Kalamazoo, And he wanted to give them English names So he asked my friend’s advice, In case I couldn’t pronounce them, Well, at least the thought was nice. My armchair became Albert And my settee Gunga Din, I suppose he thought it would be okay As it was from Kipling. The tallboy was called Gerald And the wardrobe, simply Joe, The polished table Cheryl And the kitchen one was Flo. I’m glad that he wrote them down because I can’t remember names, Just that the bed was Susan And the kitchen sink was James, Some of them were portentous like Ignatius, for the desk, While each of the kitchen chairs was given A name that ends with -este. Celeste, Impreste, Doneste and Geste And then of course, Ingeste, I couldn’t remember which was which, My friend was not impressed. We bade farewell to the Fakir And the Wardrobe flapped its doors, And rumbled out a ‘Goodbye my friend’ From between its mighty jaws. Then voices rose in a chorus from Each part of my tidy home, The names had given them each a voice, It was rowdier than Rome, The voices were accusatory Trying to lay some guilt, And Susan said of the Wardrobe, Joe, ‘He’s looking up my quilt!’ ‘How could I help it,’ Joe replied, ‘I’m at the foot of the bed, You’re flashing me with your silken sheets, It’s doing in my head!’ While Albert grumbled in voice so deep, ‘Do I have to be a chair? Each time you plonk on my tender seat I’m gasping out for air!’ Then the kitchen chairs were out of place And James was choked with suds, The carpet, name of Emily Was sick of traipsing mud. It seemed that the polished table top Was scratched, and she was mad, The desk disliked my keyboard so To each, I answered ‘Sad!’ ‘You’re going to have to get along I won’t put up with this, Until that Fakir came along This house was perfect bliss.’ I did away with their English names, Replaced them with Chinese, But they couldn’t speak a word of it So I brought them to their knees! And peace returned to Grissom Place Just as I thought it would, I made it plain to Wardrobe Joe ‘You’re just a lump of wood.’ While Susan smooths her quilt right down And tucks her sheets right in, And James just blubs, he’s full of suds As I nap on Gunga Din! David Lewis Paget
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81
I Among ten thousand trees, the transformation begins with the blink of a snowbird. II Snowbirds live. Snowbirds die. Wing tips span the seam between egg and bone. III I baked my snowbird in a pie; the oven wanted something beautiful to eat. IV A nest is a clever home. At night, house windows shine like yellow puzzles for the snowbird to solve. V I steal the notes of the snowbird’s song, shackle myself to the silence that blooms between the notes. VI Abandoned women in thrift store robes, abandoned houses warmed by bedroom fires— the snowbird understands. VII The mouth of a snowbird is small but mellifluous. VIII Children with dusty fingers color sidewalks with chalk. Snowbirds alight there and dip their wings into an apocalyptic sun. IX When the snowbird departs, the branches of the juniper languish like bitter crescents of lime, ice cubes melting in a glass of gin. X To decipher snowy syntax, etch lines on a sheet of ice; get on all fours and trace snowbird tracks in snow. XI Rain is turning to sleet. The snowbird is awake. XII She crosses her legs on the velvet settee, exhaling cigarette smoke in rings across the room. The ashtray is a crystal grave of severed snowbird beaks. XIII It was winter all afternoon. Across the city, chimneys are spilling snow into the sky. A snowbird shivers in the fireplace. I close my eyes and gather kindling.
0
Jan 18, 2017
Jan 18, 2017 at 9:17 AM UTC
Thirteen Ways of Looking at a Snowbird
You park your lard *** **** on the skin of a cow and call it your new leather settee, strap your feet into hide worked boots and stride across the Earth, all at the height of fabulous fashion. Slap another slab of flesh on the barbecue and call it steak (rare please) right next to the rack of ribs sizzling, another brimming mooing cattle truck pulls into the abattoir, and they say all the farts,of all the cattle, we keep eating, is destroying the climate all by themselves, but you wont find that information on the menu in a fast food shop serving burgers by the millions, or the main discussion at a barbecue, because lets face it, the meat in front of your nose has done all its farting, and its far too late to help save the World by some form of self-denial.
0
May 22, 2016
May 22, 2016 at 2:11 PM UTC
serving burgers by the millions
Auntie's friend gave me a cheese sandwich I sat on an old settee with it her daughter Elsie sat at the other end of the settee as far from me as she could get nibbling at a sandwich why are you sitting so far way from Benny? her mum said don't want to sit next to him Elsie said you'll sit near Benny and like it her mum said Elsie shifted nearer to me with a ******* lemons sort of face and nibbled her sandwich not looking at me her mum walked back to the kitchen where she was talking to my aunt what sort of sandwich have you got? I asked bread she said coldly but what is in it? I said corned beef she said do you like corned beef? I said why do you talk to me you're worse than Billy the bird she said I like talking to you I said I don't like you talking to me she said I ate my sandwich in silence for a few moments what year were you born? I said after swallowing a bit of sandwich 1946 she said that is why I am 5 I nodded and looked at her I was born in 1947 in London I said that is why you are 4 she said she nibbled more sandwich Mum said kids from London got fleas she said a few minutes after I haven't I said you smell of dog she said just then Elise’s mum came in and slapped Elise’s leg with her hand don't be horrible to Benny I heard you I nibbled my sandwich say sorry her mum said angrily Elsie looked at her shoes and mumbled a sorry her mum walked back to the kitchen Elsie rubbed her leg with her small hand and looked at the sandwich in her other hand didn't mean it Elsie said her leg getting red.
0
Aug 14, 2016
Aug 14, 2016 at 2:47 AM UTC
ELSIE'S WORDS 1951.
Auntie's friend gave me a cheese sandwich I sat on an old settee with it her daughter Elsie sat at the other end of the settee as far from me as she could get nibbling at a sandwich why are you sitting so far way from Benny? her mum said don't want to sit next to him Elsie said you'll sit near Benny and like it her mum said Elsie shifted nearer to me with a ******* lemons sort of face and nibbled her sandwich not looking at me her mum walked back to the kitchen where she was talking to my aunt what sort of sandwich have you got? I asked bread she said coldly but what is in it? I said corned beef she said do you like corned beef? I said why do you talk to me you're worse than Billy the bird she said I like talking to you I said I don't like you talking to me she said I ate my sandwich in silence for a few moments what year were you born? I said after swallowing a bit of sandwich 1946 she said that is why I am 5 I nodded and looked at her I was born in 1947 in London I said that is why you are 4 she said she nibbled more sandwich Mum said kids from London got fleas she said a few minutes after I haven't I said you smell of dog she said just then Elise’s mum came in and slapped Elise’s leg with her hand don't be horrible to Benny I heard you I nibbled my sandwich say sorry her mum said angrily Elsie looked at her shoes and mumbled a sorry her mum walked back to the kitchen Elsie rubbed her leg with her small hand and looked at the sandwich in her other hand didn't mean it Elsie said her leg getting red.
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103
Rain, rain go away  I,ve had enough of You today, you met your friends near The river bank and thought it would be Fun to come up and give me a wave.    As you fell and friends did follow, you Invited yourselves in through my door.    As more did follow, a house party of Wetness invited, once dry objects now Soaked, ruined by the unclean that pushed Their way though my letter box. Not even knocking to ask to come into My home, drenching my settee and my phone.    Rain, rain has come to stay, ruined my Things now being thrown away.    I don,t mind a drip a sprinkle or down Pour, but I don't think you again should Come knocking at my door.
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May 5, 2015
May 5, 2015 at 5:08 PM UTC
Rain, Rain Go Away...
After boring nature study lessons with Miss Ashdown and on the walk home from school Janice said the man along the balcony of the flats where I live with my Gran blackened his wife's eyes and locked her out of their flat and she was crying and shouting to be let in and this was 4 o'clock in the morning and Gran went out there and tried to get the man to let his wife in but he wouldn't and someone phoned the police but they said it was a domestic   and that she'd have to sort it out herself and so Gran let her stay at our place for the rest of the night and so she slept on our settee not that she slept much she was crying for a long while after here Janice paused by the newspaper shop and went in with you to buy some sweets with money she had over from her birthday and you had enough from your pocket money to get some bubblegum then walked on so what happened next? you asked she went back to her flat this morning and knocked on the door of her flat and he let her in by which time he had calmed down and was all over her like chickenpox as Gran said what an **** you said not what Gran would say but yes he is awful and it's not the first time either and her eyes were really bruised this morning if I thought it'd do any good you said I'd go round there and blow him away with my toy 6 shooter Janice looked at you that wouldn't help she said no I guess not you said but at least it'd show him we don't like his sort in town we don't Janice said once he dragged her along the balcony by her hair and Gran chased him with her broomstick and he rushed indoors leaving his wife on the balcony in a heap I could always fire an arrow at him as he entered the flats from the balcony you said no don't it wouldn't do any good Janice said patiently you went down the subway together and along and your words echoed along the walls especially the words he's a ******* having that gross sound as it bounced off the walls like bullets from a gun and Janice said hush not so loud but you liked it you liked playing to the crowd.
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Dec 8, 2013
Dec 8, 2013 at 1:49 AM UTC
PLAYING TO THE CROWD.
After boring nature study lessons with Miss Ashdown and on the walk home from school Janice said the man along the balcony of the flats where I live with my Gran blackened his wife's eyes and locked her out of their flat and she was crying and shouting to be let in and this was 4 o'clock in the morning and Gran went out there and tried to get the man to let his wife in but he wouldn't and someone phoned the police but they said it was a domestic   and that she'd have to sort it out herself and so Gran let her stay at our place for the rest of the night and so she slept on our settee not that she slept much she was crying for a long while after here Janice paused by the newspaper shop and went in with you to buy some sweets with money she had over from her birthday and you had enough from your pocket money to get some bubblegum then walked on so what happened next? you asked she went back to her flat this morning and knocked on the door of her flat and he let her in by which time he had calmed down and was all over her like chickenpox as Gran said what an **** you said not what Gran would say but yes he is awful and it's not the first time either and her eyes were really bruised this morning if I thought it'd do any good you said I'd go round there and blow him away with my toy 6 shooter Janice looked at you that wouldn't help she said no I guess not you said but at least it'd show him we don't like his sort in town we don't Janice said once he dragged her along the balcony by her hair and Gran chased him with her broomstick and he rushed indoors leaving his wife on the balcony in a heap I could always fire an arrow at him as he entered the flats from the balcony you said no don't it wouldn't do any good Janice said patiently you went down the subway together and along and your words echoed along the walls especially the words he's a ******* having that gross sound as it bounced off the walls like bullets from a gun and Janice said hush not so loud but you liked it you liked playing to the crowd.
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120
Sometimes I stick out from my friends a bit - I think. It’s the French in me. Americans have this excité-ment about things - that’s, well, exhausting. Sometimes, when friends are jumping about, they practically plead for my engagement. I think I have a genetic, French reticence, an observer gene. True, I have my moments of bitter COVID lock-down angst but I'm doing better than some friends. Maybe because the French live slowly - life is just moments - once a moment has passed, it’s gone. I wait, in my secret gardens, like a cat on a settee, sipping small pleasures. The poet in me refuses to zone out - there are poems in the stillness.
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Nov 15, 2020
Nov 15, 2020 at 7:38 AM UTC
frenchy
Where is it? The unspoken inertia's setting in. Searched high and low. Under the cushions. Beneath the settee. On the bus. In the car. In my bed. Must be in my head. My stamina has gone down the drain. Such a pain. I found my answer finally. Deep in a can of fizzy drink. Loaded with sugar. Hell what a ****** All those calories they buzzed me up. And then increased my waistline! (C) LIVVI
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Mar 8, 2015
Mar 8, 2015 at 5:20 PM UTC
ENERGY
Living within this crumpling skin leathering to the elements all self delusions crease and crumble becoming one with the old leather settee. They say you are part of the furniture long before your funeral sinking in the folds, morphing into a couch potato.
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Apr 11, 2016
Apr 11, 2016 at 8:18 AM UTC
morphing into a couch potato
All shrubbery around is shaken by the wind As smoking grey clouds threaten rain. But I sit snugly in my lounge Idly contemplating a chicken-breast tea. The long heatwave is over For now. Atlantic air has swept the mugginess Aside. Thermometers have settled down While cooler moisture sooths our very souls. This lounge of mine presents a landscape too: Of settee, armchairs and table Along with dining chairs and TV: Mountains over carpet savannas. But the kitchen calls me from next door So no matter how lazy I feel I really have to eat now. This interlude must end So very soon. Paul Butters © PB 29/7/2018.
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Jul 29, 2018
Jul 29, 2018 at 12:45 PM UTC
Sunday Teatime
The house settled slowly into a deep deep sleep The floor board could be heard yawning The wind brushed the window he's coming it whispered Hush said the bed with a sock hanging from it's nose the children are asleep The cat lay sleeping on the settee and let out a one eyed peep as dust fell from the chimney The dog in the armchair sat up ears touching the celling as he saw the footprints of Santa’s soot-black feet. Now the smell of Christmas wafts through the house The children’s noses twitched And let out big Christmas yell Quick, SANTA’S BEEN All the house was awoken to the sounds of great joy and the happiness The smiles on the faces this day light up the world and we wish it could be Christmas every day
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Dec 24, 2017
Dec 24, 2017 at 6:20 AM UTC
Christmas Eve, not a sound could be heard
There's a boy at the door for you Elaine's mother said talking to Elaine at the door of her room what boy? Elaine asked he said his name was John her mother said looking unhappy her voice strained he's here? Elaine asked I’ve just said he is her mother said Elaine frowned how did he know where I lived? how do I know her mother said where is he? Elaine asked by the front door now get along and see him and then tell me what is going on her mother said Elaine went down stars to the front door and there he was the boy John standing by the door how did you know where I lived? she asked him leaning by the door unsure what to do or say more than that I asked someone in the village and they said here I got the bus here from my village he added O I see she said looking at his eyes hazel and bright well invite him in Elaine don't need to stand on the doorstep the mother said ok Elaine said and invited John in and they walked into the living room where he was invited to sit on the brown settee   I’m Elaine's mother and you are John?   yes,I'm John he said we go to school together he added on the bus he put in after a few seconds silence I see the mother said she sat in an armchair opposite him and Elaine sat on the settee beside John Elaine's not mentioned you before the mother said eyeing the boy seriously O I see he said looking at Elaine never thought to say Elaine said looking at her slippers are you friends at school? the mother said yes he said we are Elaine looked at her mother hoping he wouldn't mention the kiss he'd given her we share an interest in birds and butterflies he said gazing at the mother birds and butterflies? the mother said yes I bring my book to school and we exchange what we've seen he said O I see the mother said unsure of the boy but thinking he seemed all right can I get you a drink of tea? the mother asked he looked at Elaine then at the mother yes that would be lovely he said one sugar if I may he added the mother nodded and smiled and went out to the kitchen leaving the two alone why did you come here? Elaine asked looking at the boy I wanted to see you he said and I didn't want to wait until Monday he added O I see she said feeling uncertain feeling unsure what she should say or do you don't mind do you? I didn't think I came on impulse I don't usually but I couldn't get you out of my mind he said really? she said a smile lingering on her lips but not breaking out yes he said ever since you got off the bus on Friday I’ve been like this and he leaned forward and planted a gentle kiss.
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Jun 25, 2015
Jun 25, 2015 at 4:05 PM UTC
THE DAY JOHN CAME.
There's a boy at the door for you Elaine's mother said talking to Elaine at the door of her room what boy? Elaine asked he said his name was John her mother said looking unhappy her voice strained he's here? Elaine asked I’ve just said he is her mother said Elaine frowned how did he know where I lived? how do I know her mother said where is he? Elaine asked by the front door now get along and see him and then tell me what is going on her mother said Elaine went down stars to the front door and there he was the boy John standing by the door how did you know where I lived? she asked him leaning by the door unsure what to do or say more than that I asked someone in the village and they said here I got the bus here from my village he added O I see she said looking at his eyes hazel and bright well invite him in Elaine don't need to stand on the doorstep the mother said ok Elaine said and invited John in and they walked into the living room where he was invited to sit on the brown settee   I’m Elaine's mother and you are John?   yes,I'm John he said we go to school together he added on the bus he put in after a few seconds silence I see the mother said she sat in an armchair opposite him and Elaine sat on the settee beside John Elaine's not mentioned you before the mother said eyeing the boy seriously O I see he said looking at Elaine never thought to say Elaine said looking at her slippers are you friends at school? the mother said yes he said we are Elaine looked at her mother hoping he wouldn't mention the kiss he'd given her we share an interest in birds and butterflies he said gazing at the mother birds and butterflies? the mother said yes I bring my book to school and we exchange what we've seen he said O I see the mother said unsure of the boy but thinking he seemed all right can I get you a drink of tea? the mother asked he looked at Elaine then at the mother yes that would be lovely he said one sugar if I may he added the mother nodded and smiled and went out to the kitchen leaving the two alone why did you come here? Elaine asked looking at the boy I wanted to see you he said and I didn't want to wait until Monday he added O I see she said feeling uncertain feeling unsure what she should say or do you don't mind do you? I didn't think I came on impulse I don't usually but I couldn't get you out of my mind he said really? she said a smile lingering on her lips but not breaking out yes he said ever since you got off the bus on Friday I’ve been like this and he leaned forward and planted a gentle kiss.
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writing stuff, not physically, curled up in the big settee. opened the window behind me, talked to pretoria, prettily. not hard work, packing stuff, to go, unless big and unwieldy. midsummer yesterday, it was not difficult to see it through, warm and sunny. dreaming of war tired me. yellow star houses. sbm.
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Jun 22, 2014
Jun 22, 2014 at 1:10 AM UTC
. it is not hard really .
Home – This warm familiar place An ****** of every day to me Where cooking smells and laughter dwell The cat curled up on grey settee. Noisy kids run in the hall Sun beams hang in shafts of light But dust motes in suspended drift Reflect that something isn’t right. Agitation twists her thought He said he would…but didn’t then Which led to heated, wounding words That killed the mood and distanced them. Home, where no one lies and cheats, No one says those hurtful things Unravelling the textured trust Dispersing peaceful tranquilings. No one storms into the night With slamming doors and loud abuse, Wracking sobs at kitchen sink Unravelling to no good use. Fearful, wide eyed, silent kids Crept away to sanctuary To furthest bedroom down the hall Where silence helped the peace to be. Home – that warm familiar place That ****** of everything to me, Where once, that ghost of happiness Would dissipate from us to flee. M.
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Mar 18, 2016
Mar 18, 2016 at 9:13 PM UTC
The Unravelling
The boy John had gone he'd been there for about an hour sitting on the settee then briefly -with her mother's permission- out in the garden where they looked for birds and butterflies Elaine had seen him off from the front garden gate -her mother peering through net curtains- and watched until he disappeared around a bend did you know he was coming? her mother asked no I had no idea Elaine replied looking at the empty place on the settee where he'd sat he does know you're 14 I suppose? he's in my class at school he's 14 too Elaine said sensing the place where he'd sat beside her and the kiss on the lips so sudden so gentle yet Mum had been in the kitchen what if she had seen? he might have asked first her mother said not just turn up on the doorstep I didn't know Elaine said then licked her lips where his lips had been can I trust you? her mother asked trust me to do what? Elaine said do nothing her mother said do nothing? Elaine said looking unsure what her mother meant do things with him her mother said do things? Elaine repeated what things? her mother frowned and said nothing just nothing Elaine nonplus nodded her head her mother smiled now what was I doing? she said o yes the washing and went off to the wash room and left Elaine frowning at her mother's departing figure do nothing? Elaine muttered to herself and patted the space where the boy John had sat then touched her lips and that was that.
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Jun 26, 2015
Jun 26, 2015 at 2:33 AM UTC
AFTER JOHN HAD GONE.
Helen walked down the steps of St Jude’s school her mum was waiting for her with the big pram you were by the school gates are you coming back with us? Helen said ok you said and so you and Helen and her mum walked along St George’s Road her mother talking about the shopping she’d done and what she’d bought Helen walking alongside you thinking of Cogan and him saying he was going to smash your face but he didn’t of course he was all mouth but even if you had to fight him you had to be careful of his glasses never hit someone with glasses your mother used to say but if you had to you would of course can you come to tea? Helen asked you looked at her mum pushing the pram if it’s all right with your mum you said it’s fine her mother said as long as you don’t expect caviar and she laughed and you wondered what caviar was but smiled anyway and once you got to Helen’s house you said will my mum know where I am? yes I told her you’d come with us for tea this morning Helen’s mum said that’s good isn’t it Helen said and she took you into the sitting room and you sat on the big brown settee and she sat beside you and told you about the boy in her class who said she looked like a toad with glasses I don’t do I? she said not at all you said you’re pretty you added beginning to blush do I? she said yes you said and she kissed your cheek and you patted her on the back and she went off to the kitchen where her mum was getting tea and you heard her say Benedict said I was pretty that’s nice her mother said now ask Benedict if he wants bread and jam or bread and dripping and you saw Helen’s old doll Battered Betty on an armchair by the fireplace staring at you with that smile on its face.
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Jun 15, 2013
Jun 15, 2013 at 4:03 AM UTC
SMILES ALL ROUND.
Helen walked down the steps of St Jude’s school her mum was waiting for her with the big pram you were by the school gates are you coming back with us? Helen said ok you said and so you and Helen and her mum walked along St George’s Road her mother talking about the shopping she’d done and what she’d bought Helen walking alongside you thinking of Cogan and him saying he was going to smash your face but he didn’t of course he was all mouth but even if you had to fight him you had to be careful of his glasses never hit someone with glasses your mother used to say but if you had to you would of course can you come to tea? Helen asked you looked at her mum pushing the pram if it’s all right with your mum you said it’s fine her mother said as long as you don’t expect caviar and she laughed and you wondered what caviar was but smiled anyway and once you got to Helen’s house you said will my mum know where I am? yes I told her you’d come with us for tea this morning Helen’s mum said that’s good isn’t it Helen said and she took you into the sitting room and you sat on the big brown settee and she sat beside you and told you about the boy in her class who said she looked like a toad with glasses I don’t do I? she said not at all you said you’re pretty you added beginning to blush do I? she said yes you said and she kissed your cheek and you patted her on the back and she went off to the kitchen where her mum was getting tea and you heard her say Benedict said I was pretty that’s nice her mother said now ask Benedict if he wants bread and jam or bread and dripping and you saw Helen’s old doll Battered Betty on an armchair by the fireplace staring at you with that smile on its face.
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102
She was a pretty little mess, One two many drinks, A silly teenage fool, One that doesn't think. They all called her a ***** She wore a very short black dress They said: ***** little **** She thought: "but am I pretty yet?" She danced against the wall Until she caught an eye She stumbled to the settee Sat down on someones knee They didn't talk for long, No, they didn't speak at all; Only breaths and gasps and whispers The sound of a mistake Of course, she had planned this all And hoped that he might call She blamed it on the drink She said she didn't think This happened many times, Each night a new regret And every morning she wondered "Am I pretty yet?"
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Feb 24, 2015
Feb 24, 2015 at 5:56 PM UTC
Am I pretty yet