I

In the depths of the Greyhound Terminal
sitting dumbly on a baggage truck looking at the sky
        waiting for the Los Angeles Express to depart
worrying about eternity over the Post Office roof in
        the night-time red downtown heaven
staring through my eyeglasses I realized shuddering
        these thoughts were not eternity, nor the poverty
        of our lives, irritable baggage clerks,
nor the millions of weeping relatives surrounding the
        buses waving goodbye,
nor other millions of the poor rushing around from
        city to city to see their loved ones,
nor an indian dead with fright talking to a huge cop
        by the Coke machine,
nor this trembling old lady with a cane taking the last
        trip of her life,
nor the red-capped cynical porter collecting his quar-
        ters and smiling over the smashed baggage,
nor me looking around at the horrible dream,
nor mustached ***** Operating Clerk named *****,
        dealing out with his marvelous long hand the
        fate of thousands of express packages,
nor fairy Sam in the basement limping from leaden
        trunk to trunk,
nor Joe at the counter with his nervous breakdown
        smiling cowardly at the customers,
nor the grayish-green whale's stomach interior loft
        where we keep the baggage in hideous racks,
hundreds of suitcases full of tragedy rocking back and
        forth waiting to be opened,
nor the baggage that's lost, nor damaged handles,
        nameplates vanished, busted wires & broken
        ropes, whole trunks exploding on the concrete
        floor,
nor seabags emptied into the night in the final
        warehouse.

                II

Yet ***** reminded me of Angel, unloading a bus,
dressed in blue overalls black face official Angel's work-
        man cap,
pushing with his belly a huge tin horse piled high with
        black baggage,
looking up as he passed the yellow light bulb of the loft
and holding high on his arm an iron shepherd's crook.

                III

It was the racks, I realized, sitting myself on top of
        them now as is my wont at lunchtime to rest
        my tired foot,
it was the racks, great wooden shelves and stanchions
        posts and beams assembled floor to roof jumbled
        with baggage,
--the Japanese white metal postwar trunk gaudily
        flowered & headed for Fort Bragg,
one Mexican green paper package in purple rope
        adorned with names for Nogales,
hundreds of radiators all at once for Eureka,
crates of Hawaiian underwear,
rolls of posters scattered over the Peninsula, nuts to
        Sacramento,
one human eye for Napa,
an aluminum box of human blood for Stockton
and a little red package of teeth for Calistoga-
it was the racks and these on the racks I saw naked
        in electric light the night before I quit,
the racks were created to hang our possessions, to keep
        us together, a temporary shift in space,
God's only way of building the rickety structure of
        Time,
to hold the bags to send on the roads, to carry our
        luggage from place to place
looking for a bus to ride us back home to Eternity
        where the heart was left and farewell tears
        began.

                IV

A swarm of baggage sitting by the counter as the trans-
        continental bus pulls in.
The clock registering 12:15 A.M., May 9, 1956, the
        second hand moving forward, red.
Getting ready to load my last bus.-Farewell, Walnut
        Creek Richmond Vallejo Portland Pacific
        Highway
Fleet-footed Quicksilver, God of transience.
One last package sits lone at midnight sticking up out
        of the Coast rack high as the dusty fluorescent
        light.
        
The wage they pay us is too low to live on. Tragedy
        reduced to numbers.
This for the poor shepherds. I am a communist.
Farewell ye Greyhound where I suffered so much,
        hurt my knee and scraped my hand and built
        my pectoral muscles big as a ******.

                             May 9, 1956

Of ***** roasting pans and racks and island fog!

if you love me, then you know poems wright themselves when standing, driving, bus riding, love-making and especially when
doing manly battle, ******* ***** dishwashing midst island fog

a passing remark goes noticed and summoned to a
Friday night feast, roasted fowl, wild rice with golden raisins and mushrooms, English spring peas, was it a Montrachet?

for dessert the washing up is obligation mine, a traditional desertion,
separation of church and state, her cooking a church  in which I worship, she states eloquently:
“Unto Caesaria , Render Her the cleanup”

this is hand to hand combat, no dishwasher mechanical
can scrub like the human hand, and with body english,
water hot, but no gloves employed for this is ***** man’s work,
not for sissies, cleaning roasting pans and roasting racks
that are at least twenty years burnt and crusted with a blackened
finish, residue of other lovers and dinners P.N. (pre-nat)

array three kinds of sponges and some human & metallic *****,
no one asking which came first,
the scrubbing away of life feasting residues,
or the poem writing that comes with pre & postscript sleepiness

when I say the dark stains and the grease buildup are
flavor enhancers, am beknighted with starry stares of
“how stupid do you think I am?” and sadly return to the
Battle of Agincourt, the one the American lost….


but they do source poems that flavor life

2020

[A] is for
An
Archer with
An
Arrow through his
Adams
Apple, very
Applicable, to the
Ample
Amounts of
Amiable
Attitude,
Adorning his heart, in
After
Action
Attributes, that impart, the
Admiration, of
*******, in this
Acting out of
Arrogance bit. he is,
Astute, in his
Allure, and
Aloof, in the
Air, of
Aspiration, in which, he was
Alienated in the
Agony, of
Asking
Assassins, the
Aforementioned. lights, camera,
Action. recipe of the
Ancient
Admirals of
Avian
Aliens, that
Attacked, with the
Arms and fists, of
Arachnids, now
Aching to be
Activated in sudden
Allegiance to the
Answers, of the truth.
Accumulating wealth for
Anarchy's of
Abating
Angels in
Atrophied,
Alchemical
Academies of the ever
After life .. . of silence.
****** strengthens in these
Accolades of violence, in
Alliance to
Appliances
Appearing in the
Arson of
Apathy, happily, to
Anguish in the
Amputation of my
Abdomen, if it meant i'm a real
American, even, when, only
Ash, remains.
Acclimating in its remains
Attained, the
Articles of my pain, in
Affluent shame, next time ..
Aim... oak
[A]?

[B] is for the
Bah of
Black sheep, and
Big
Bit¢hes, fat cats,
Bombarded in the
Blasted,
Bastion of
Blackened
Benevolent
Blokes,
Berating the
Blasphemous,
Be-seech, of
Brains, to feel
Bad, about the
Blotching of
Binary codes, erroding, the
Blanked out
Books, of
Belittled
Bureaucrats,
Bowling
Back the
Bank rolls of
Betterment, from the
Back of the
Blackened
Bus, as i'm
Busting guts, in the
Bubbling
Butts, of *****
Benched, but
Beautiful, in the
Battle, in the
Bane, of existence.
Baffled, in the strain of
Belligerence, in
Beating the
Beaming
Butchery into
Billy's
Broken
Brains, in
Bouts, of
Battering
Bobby's for
Bags of
*******
Before, affording to
Build
Bombs, is just
Beyond
Breaking
Beer
Bottles on the
*******
Benefactors of
Boulder
Bashing with the
Beaks, of
Birds, with no
Bees. just a
Being, trying to
[B]


[C] is for the
*****
Courting the
Choreography, in
Computerized
Curtains,
Circumventing the
Cultured,
Contrivance of
Chromatic
Cellars,
Calibrating, to the
Contours of
Calamities,
Celebrating the
Cyclical,
Cylinders of
Cyphered
Calenders,
Correcting the
Calculations, of
Crooks
Coughing, in
Courageous
Coffins of
Canadians,
Collecting
Cobble stones, from
Catacombs, in the lands of the
Conquered,
Capturing the
Claps of thieves, sneaky
Cats, of greed. its
Comedy. oh
Comely, to my
Cling of
Cleanliness, and for your self
[C]

[D] is for the
Dip *****, as they
Delve
Deeper in the
Deliverance, of
Deviant
Deities,
Dying to
Demand
Dinner
Delivered in the throws of
Death,
Deceiving
Defiance of
Darkened
Dreams,
Demeaning that which
Deems the
Dormant of the
Dominant, to be
Demons of
Deviled
Devilry,
Dooming us for
Destruction.
Deploy the,
Damsels in
Duress.
Defiled and
Distressed,
Detestable and
Dead. in the thump of
Drums,
Dumbing down the
Debts of,
Dire regrets.
Dissect the
Daisies of,
Disillusion, in the current
Days,
Diluting night into
Dawn,
Disconnecting the
Dots of the
Dichotomy, and arming me, in the
Diabolatry, of,
Demonology, as i watch me
Dwindle away, the
[D]

[E] is for
Everything in nothing,
Eating the
Euphoric
Enigmas of
Enlightened
Elitists,
Exceeding in the
Extravagant
Essence of
Esoteric
Euphemisms,
Escaping the
Elegance of the
Elements in the
Eccentricity of
Eclectic
Ecstasy,
Exhaling, the
Exostential blessings, of inner
Entities, and renouncing the
Enemies of my
Ease,
Easily to appease
Extraterestrial
Empires,
Extracting the lost
Embers of
Enlightenment, in
Excited delight, but to later
Entice, the fight, and
Escape, like a thief into the night of
Everywhere,
Entering the
Exits of
Elevators leading no where, to
Elevate, this useless place,
Encased in malware in the
Errant
Errors of
Every man,
Enslaved, of flesh and
Entrails,
Enveloping the core of
Everything, that matters,
Enduring, the chatter, of
Evermore,
Ever present in
Everybody
Ever made to take
[E]

Funk the
Ferocity of
Foolish
Fandangos, with
Fanged
Fanatics,
Fooled in the
Fiasco of
Fumbled
Fantasies,
Falling through the
Farms of
Freely
Found
Fans,
Flying in the
Fame of
Fortune.
Fornicating on the
Fallen
Fears of
Fat
Fish getting their
Fillet of
Fills.
Feel me in the
Frills

Granted with
Generosity.
Giblets of
Gratitude and
Greed,
Greeting the
Goop and
Gobbled
Gore,
Gleaned from the
Glamour of
Ghouls in
Gillie suits,
Getting what they
Got
Going, in the
Gratuitous
Gallows of a
Game
Gaffed by
Giants.

Hello to the
Horizon of
Hellish
Hilarity, in
Hope of
Happy, to
Heave from
Heifers, to
Help the
Hemp
Harshened
Hobos in
Heightened
Horror, to
Honor the
Habitats of
Hapless
Habituals,
Herbalising the work
Horse, named
Have Not, in the
Haughtily
Hardened
Houses of
Happenstance.

Ignore the
Ignorant
Idiots, too
Illiterate to
Indicate the
Indicative
Instances of
Idiom in the
Irrelevant
Inaccuracy of
I,
In the
Intellect of
Idle
Individuals,
Irritated with the
Irate
Illusion of
Idols
Illustrated upon the
Iris,
In the
Illumination of
I.

******* the
Jobless
Jokers, and
Jimmy the
Jerkins from their
Jammie's, in
Justified,
Jousting off the
Jumps, in
Jokes, and
Jukes of
Just
Jailers,
Jesting for
Jammed
Jury's to
****
Judgment from the
Jitter
Juiced
Jeans of
Jesus.

**** the
Keep of
Khaki-ed
Kool aid men,
Kept in the
Kilometers of
Kits,
Kin-less
Kinetics,
Knifing the
Knights of
Kneeling
Kinsmanship,
Keeling over the
Keys of
Kaine, with the
Karmic
Karate
Kick of a
Kangaroo.

Love the
Levity, in the
Luxurious
Laments of
Loveliness,
Lovingly
Levitating in
Level,
Lucidly.
Living in
Laps, of
Lapses,
Looping, but
Lacking the
Loom of the
Latches
Locked with
Leeches of the
Lonely
Lit
Leering of
Lightly
Limbs, that
Lash at the
Lessers in
Loot of
Lost letters,
Lest we
Learned in the
Lessons of
Liars.

Marooned in
Maniacal
Masterpieces,
Masqueraded as
Malignant
Memorization's of
Motionless
Mantras, but
Merrily
Masking
Mikha'el the
Mundane, who is
Musically
Mused of
Monsters,
Mangling the
Monitor, but
Maybe just a
Moniker of
Marauders.

Never to
Navigate the
Nautical
Nether of
Never
Nears.
Not to
Nit pic the
Naivety of
Nicety.
Notions
Neither take
Note
Nor
Name the
Noise of
Nats in the
Nights of
Neanderthals
Napping in the
Nets of
Ninjas

Ominous in the
Obvious
Omnipotence of
Oblivious
Obligatory
Opulence,
Of
Other
Oddly
Orchards
Of
Offices,
Ordaining
Orifices in
Offers of
Ordinary
Ordinances in
Option-less
Optics,
Optionally an
On-call Oracle, in
Optimal,
Overture.

Perusing the
Pestilent
Pedestals of
Personal,
Parameters,
Pursuing the
Petty
Plumes of
Piety with the
Patience of a
Pharaoh,
******* on the
People with the
Penal
Pianos of
Port-less
Portals, in the
Paperless
Points in the
Palpal
Pats of
Pettiness.
Poor, but
Prideful.

Quick to
Qualify the
Quitter for a
Quick
Quill in
Queer
Quivering of
Quickened
Questioning,
Queried in the
Quakiest of
Quandaries.
Quarantined to a
Quadrant, of
Quagmires.
Questing the
Quizzing of
Quotable
Quartets.

Relax in the
Relapse of
Realizations, and
React with
Racks of
Rolling
Rock to
Rate the
Rep of the
Rain-less.
Roar in
Rapturous
Rendering of the
Random
Readiness in the
Ravenous,
Rallying, of the
Retinal
Refracting of
Reality.
Realigning, the
Righteous
Rearing of the
Realm, and
Retrying.

Steer the
Serenity in
Sustainability, and
Slither through the
Seams of
Slumbered
Scenes.
Secrete the
Solo
Sobriety of
Sapped
Sassys,
Salivating upon a
Slew of
Stupidity,
Steadily
Supplied in
Stream,
Suitably
Slain in the
Steam of
Sanity.
Sadly, i
Still
Seem,
Salvagable.

Topple
The
Titans in
Tightened
Terror.
Torn
Territories
Turn
Turbulent in
The
Teething of
Totality.
The
Telemetry of
Time,
Tortured of
Torrent
Theories,
Told in
Turrets of
Transpiring
Terribleness, from
Tumultuous
Tikes unto
Teens,
Trading
Toys for
Tea.
Thrice
Thrusted upon by the
Tyranny of
Tanks.

Unanimous is the
Ugliness in the
Undertones of
Undreamed
Ulteriors
Undergoing the
Unclean in the
***** of
Utterly
Upset
Users,
Uplifting the
Unfitting
Ushers in
Underwear-less,
Ulcers,
Undergoing the
Ultra of
Uberness.

Venial in
Vindictive
Viciousness of
Vindicated
Venom,
Venomously
Vilifying the
Vials of
Villainy in the
Veins of
Vampires,
Validity of
Valuable
Violence, is
Valiant in the
Vaporous
Vacationing of
Vagrant
Vices.

Why
Whelp in the
Weather
When you can
Wave to the
Whirling
Wisps,
Whipping Where the
Whimsical Were
Way back in the
Wellness of
Whip its,
Wrangling my
World,
With
Waterless
Worms, as
War shouts are
Wasted in the
Wackiest
Walks of
Waking
Wonder.

Xenophobic
Xenogogue, of
Xenomorphic
Xeons, turn
Xyphoid, in the
Xenomenia of my
X, my
Xenolalia of
X, to
***. im lost in the
Xenobiotic zen of
Xerces, on a
Xebec to the
X on the map.
Xenogenesis, in the
Xesturgy of my
Xyston
Xd

Yelling
Yearned from
Yelping.
Yard
Yachts
Yielding, to the
Yodel of
Yeah
Yeahs, to the
Yapping of
******
Yuppie
Yoga
Yanks, over
Yonder.
Yucking it up with the
Yawn of a
Yocal.

Zapped from a
Zone i
Zoomed with
Zeal in the
Zig and
Zag of my
Zapping
Zimming
Zest, upon a
Zombie-less
Zeplin.
Zealot,
Zionist, or
Zoologists,
Zeros or ones, just
Zip your
Zip locked. and
Zzzzz
Zzzz
Zzz
Zz
Z
Zero

AWAKENING

Sleep and slumber, dreams of wonder... weaving,
morning’s vacuum broke the spell
Pitted pillow, note of parting... leaving,
“from your friend, a fond farewell”
Sunrise throbbing, twilight aching... grieving,
daydreams, flashbacks, nightmares knell
Pale phantasms, visions sneaking... thieving,
plot to fill the empty shell

12 DELIRIA

1st Delirium: COLLAPSES

Fractured sky bolts, billows bursting... rumbling,
heavens tighten, turn the vise
Horsemen saddle shafts of lightning... tumbling,
jagged highways must suffice
Ruptured skyways, hailstones crackling... crumbling,
naked pearls of paradise
Toxic tongues of laughter stinging... stumbling,
ocean buckets choked with ice
Droplets drumming, thunder muzzled... mumbling,
washed out whispers pay the price
Smothered blazes, cinders smoking... humbling,
ashes shaped in sacrifice

2nd Delirium: DESCENTS

Asphalt alleys, ashen faces... frowning,
blowing bubbles, chewing gum
Drinking ale from tavern tankards... downing,
moonlit beads of painted ***
Stony stars and sea misshapen... drowning,
humble rivers’ rhythms hum
Apparitions aspirating... clowning,
diamonds dying , minstrels strum
Incandescent candles conquered... crowning,
vacant vapours, cold and numb

3rd Delirium: FATES

Tempest turmoil, tapered turrets... holding,
dungeons, dragons, chains and racks
Wheels of fortune, Tarot temptress... molding,
Hangmen, Towers, One Eyed Jacks
Sand dune castles, cryptic candles... folding,
warping walls of liquid wax
Idols colder, combed and coddled... scolding,
hide in fissures, peek through cracks

4th Delirium: LOST SOULS

Sunken cities, pilgrims peering... gawking,
squinting eyeballs, blazing sun
Janus facing, shepherds chasing... stalking,
friends embrace before they shun
Tearooms steaming, tumult teeming... talking,
lovers listen, poets pun
Broken stones unanchored, quaking... rocking,
slipping, falling, one by one
Beaten pathways, footsteps marking... mocking,
wedged in webs which spiders spun
Circus shelters, big tops tumbling... locking,
people pacing, soon they’re none
Numbered exits, zeros numbing... knocking,
midnight daylight’s days undone
Moon blood shackles, shivers shaming... shocking,
starlight striders streaking, stun
Hushed but harried hermits waiting... walking,
restless rainbows on the run
Pixies, elves, and echoes bouncing... balking,
fading fast when dawn’s begun
Bantum butterflies are flitting... flocking
sometimes conquered, overrun
Hocus pokus, seers focus... squawking,
voodoo wavered, witchcraft won

5th Delirium: INTROSPECTION

Sundown furnace, fires fading... coughing,
dusky dew drops drain the air
Empty chalice, sipped in silence... quaffing,
thirsting shadows unaware
Looking glass and lattice scorning... scoffing,
local loser gapes and stares
Faces covered, dancing naked... doffing,
peering inside, hope despairs

6th Delirium: THE VOID

Tales of taboos, mystic mythos... missing,
windows shuttered, bolted door
Kindled candles, tongues and anvils... hissing,
heavy hammers, echoes roar
Dark deceivers, raven charmers... kissing,
draging demons from the shore
Hopeless hollows filled with doubters... dissing
standing empty - nevermore

7th Delirium: SEARCHING

Martyred monks haunt runic ruins ... waiting,
banging broken bells below
Vaulted hallways, voided voices... grating,
churning Chinese chimes aglow
Granite graveyards, spectres spooking... skating,
blackened bushes, roses grow
****** dwarfs seek mutant migrants... mating,
packing parcels, ice and snow

8th Delirium: NIGHTTIME

Throbbing drumheads, fingers blazing... steaming,
coins of copper, beggars plea
Rusty residues of resin... streaming,
opal amber filigree
Orphan shades in shallow shadows... teeming,
steeping twigs in twilight tea
Cloister doorsteps, Prophets gaming... scheming,
tracing tracks of destiny
Blacksmiths blanching, horseshoes glowing... gleaming,
partially sheathed in black debris
Phantoms feigning, nightmares scathing... screaming,
dusty dreamers drifting free

9th Delerium: EMPTYNESS

Water wheels in wastelands... turning,
drowning relics in the slum
Rumpled rags of fashioned burlap... burning,
lit by bandits blind and dumb
Pastured prisons, ponies bridled ... yearning,
forest fairies under thumb
Sounds inside of cauldrons coughing... churning,
blaring bugles, tattooed drum

10th Delirium: ALIENATION

Rain unravelling, wistfully weeping... falling,
treacle trickling, fickle sky
Mushrooms sprinkled, visions sprouting... sprawling,
seagulls drowning, dolphins die
Rabble gasping, spirits broken... crawling,
lonely lonesome swallows cry
Babbling brooks and breakers ebbing... bawling
puppies paddle, puppets sigh
People passing ripple past me... calling,
rainbow colours, collars high
Chaos seething, lepers looting... stalling,
stealing stallions on the sly
Pencils pausing, scholars scrambling... scrawling,
scratching scribbles, asking why

11th Delirium: JETSAM

Silver sails sway pallid pirates... prowling,
Jolly Rogers, wind and sound
Parrots perching, tattered feathers... fouling,
tethered talons, tied and bound
Shipwrecked foghorns, trumpets stranded... howling,
spiral springs of time unwound
Magic moonlight, shimmers shaking... scowling,
burnt out matchsticks washed aground
Prairie wolfs, coyotes calling... yowling,
witching hours, midnight hounds
Tightrope walkers, grizzlies grunting... growling,
seeking islands, lost and found

12th Delirium: RELIEF

Slumber shattered, vapours captive... haunting,
chained in mirrors, breaking free
Scarlet skylines, daylight dawning... daunting,
rivers rushing to the sea
Silence softens, sandmen whisper... wanting,
piercing rafters, turning keys
Shadows shudder, notions fluster... flaunting,
moonbeam bullets meant for me
Mind in migraine, meadows trembling... taunting,
sparrows speak in harmony

REAWAKENING

Pitter patter, teardrops paling... pearling,
salting scarves in secret drawers
Mist amongst us, smoke rings rising... curling,
climbing from the ocean floors
See-saw circles, senses swerving... swirling,
swept away with silver oars
Courtyard jesters, sceptres twisting... twirling,
push the past to foreign shores
Passing pangs of passions heaving... hurling,
burning bridges, closing doors
Roses wither, icons waning... whirling,
time decays and time restores

Road trips with old cars
With ski racks and kayaks
Park and open the sunroof
And we can fall asleep
Gazing up at the stars,
Or at eachother, whichever
Who's up for a long escape?

Oh won't you butter my squash?

Clean my seeds
Like the sins of my past

The baked passion inside
The oven racks
Racks
Racks

Stack the inner radiance
And peal me

The smooth orange paste
Will feel really zesty

Stay here on my cutting board
Send knives of kisses

Be merciless inside the sink
Blinking boiling stink

And watch as I eat your intestines

Fat people have no heads.
They end at the shoulders,
they are clipped off at the neck.
Never talk to fat people.
You may talk to an expert,
to a dietitian or a doctor
but never to a real live fat person
because fat people have no heads.

Use the word Epidemic
at least once, especially
if children are involved.
Children are always involved,
so use the word Epidemic
at least once. Fat children
still have heads, usually;
only fat adults must be
d e c a p i t a t e d.

Because he still has his head
you may talk to a fat child,
especially if you offer him
a box of chicken nuggets.
Entice him to say Alarming Things
with a box of chicken nuggets.

After the word Epidemic
segue from concerned anchorwoman
to stock footage of fat headless girl
browsing the racks at J.C. Penny’s.
Segue to fat headless mom
walking with her fat headless son
on a sidewalk populated by
fat headless pedestrians.
Voice-over Alarming Things
about fat headless people
not getting enough exercise
and segue to fat headless man
stuffing his fingers into a box
of McDonald’s french fries.
Fat people eat only McDonald’s
french fries and we will be right
back with more on this story
after a word from our sponsors.

Cue McDonald’s theme song.
Pretty people Golden Arches
laughing with their heads
as they eat McDonald’s french fries
with their heads
and never gain a pound.

“Even the streets leading up to its outer barriers were roamed by gorilla-faced guards in black uniforms, armed with jointed truncheons.”
                                                    ­ George Orwell, 1984* (published in 1949)

Which brings us, of course, to the subject of torture since 1949.
Come with me to the Casbah, Babaloo.
We begin in the 1950s with the French in North Africa,
****** baguettes in Algeria,
Couilles frits, anyone?
Electrodes wired to Mustapha’s *****.
And "Bigeard's Shrimps,” as the bodies were called,
Dumped over the Mediterranean from aircraft,
All things considered a je ne sais quoi,
Though Camus and Sartre gave it a whack.

Then the 1960s: the CIA dabbling in mind-control and LSD.
Later, a Phoenix Program,
Very secretive, sympathies with the Cong required,
Various elders selected,
The village disinfected,
**, **, ** and a bowl of Pho.

Apartheid anyone?
Thirty years of South African terror & torture.
Torment in the townships,
Shaka Zulu gold and diamonds,
De Beers in Swaziland swing.

1971: riots at Attica,
Prisoners abused and tortured,
Rockefeller’s overcrowded slammer,
An upstate New York katzenjammer,
Nelson’s finger on the trigger,
39 dead and counting,
But who’s counting?

The CIA, back in the news in 1973,
Torture chambers under Chilean soccer stadiums,
And the Khmer Rouge:
Those Wacky Cambodians with skull racks.  
And let us not forget the British,
With centuries of colonial experience behind them,
Occupy six counties in Northern Ireland.
Finally codify the imperial process,
The Five Techniques:
Sounds like a Motown group,
Satin smooth colored boys,
But more method than music:
(1) Wall-standing,
(2) Hooding,
(3) Subjection to noise,
(4) Sleep deprivation,
(5) No food and drink.

And there’s a bunch of horrible ****,
We still don’t know about the Argentine ***** War,
And other Mai Lai-like,
****-fest massacres in Vietnam.

How about torture since 1984?
Abu Ghraib and Guantanamo,
Come quickly,
(www.prematureejaculatorsanonymous.com)
To mind,
As do US-sponsored rendition facilities,
Spread throughout the NATO alliance.
And closer to home, it’s never a dull moment in the 5 Boroughs:
Brooklyn, Queens, Staten Island, The Bronx and Manhattan.
Take your pick from Giuliani’s Greatest Hits,
Rudy Kazootie’s campaign of law and order,
Not necessarily in that order.
More awful than lawful,
A bathroom plunger rammed up,
The Haitian voodoo ****** of Abner Louima,
While he be handcuffed at a Brooklyn station house.
Or, the NYPD partying like it was 1999.
When in fact, it was1999,
And a curious death it was for Amadou Diallo,
Would-be American citizen from The Republic of Guinea,
(No connection to Italy or Italians),
Abner & Amadou: a pair of cautionary tales,
Either/or reflecting standard procedure for the Po-Po,
Time and time again from coast to coast.
Either/or: poor Abner, no Haitian Papa Doc.
Poor Amadou, on his way home from night school,
When police squeeze off 41 rounds,
Most of them in his direction,
Hitting him 19 times.
Just the facts, ma’am:
Diallo had reached into his jacket.
A trigger-happy police officer yells “Gun.”
A jungle warfare quartet springs into action:
Shenzi, Banzai, Ed & Zazu,
Four equally trigger-happy colleagues,
Empty their weapons.
No gun was found on Diallo,
Only the wallet he tried to pull out,
Containing his Green Card,
4 U.S. dollar bills;
And a laminated,
Credit card-sized copy of the U.S. Bill of Rights.
(I just didn’t know when to quit, did I?
The wallet was there with Green Card and the bucks,
But I made up the part about the Bill of Rights,
Trying to add poetry to tragedy, as usual.)

I don’t have to say much about Rodney King (RIP).
You watched it on TV a hundred times,
And a picture’s worth a thousand words.
Or ten thousand or a million, I suppose.
“Can’t we all just get along?” asked Rodney Glen King.

Last but not least there’s Kelly Thomas (RIP),
Another incidence of police insanity,
It was July of 2011 in Fullerton, California.
Thomas, a 37-year-old homeless man,
Schizophrenic, but unarmed,
Beaten to death at a bus depot,
During an altercation with six Fullerton police officers.
Read more: http://www.dailymail.co.uk/news/article-2019225/Kelly-Thomas-Poli­­ce-beat-taser-gentle-mentally-ill-homeless-man­-death.html#ixzz1e­3­4QnHtr

Mervyn Lazarus | Attorney | (www.mervlazarus.com) Police Brutality, Excessive Force and Jail Injury cases | California . . . Albuquerque

Jackie Chiles perfect attorney -YouTube, (www.youtube.com/watch?v=jpcEietIoxk) Nov 17, 2010 - 13 min - Uploaded by Kroeger22 All the scenes with Jackie Chiles from Seinfeld."Chiles is a parody of famed attorney Johnnie Cochran; both ... www.seinfeld.com

Perhaps the greatest torture of all,
Is that which artists subject us to.
Let us examine the case of Roberto Bolaño:
Roberto Bolaño, the great Chilean writer,
Tells a fabulous World War II story,
About a Spaniard--an Andalusian--
Fighting for the Germans against the Russians.
Captured by the Russians,
He is tortured for information.
The Spaniard speaks no Russian,
He knows only four words of German.
The Russian interrogators strap him into a chair,
Attach electrodes to his *****,
Attach pincers to his tongue.
The pain makes his eyes water.
He said--or rather shouts--the word coño.
It is Spanish for ****.
The pincers in his mouth,
Distort the expletive,
Which in his howling voice comes out as KUNST.
The Russian who knows German looks at him in puzzlement.
The Andalusian was yelling KUNST,
Yelling KUNST and crying in pain.
KUNST in German means art,
And that was what the bilingual Russian heard, KUNST.
“This ******* must be an artist or something.”
The torturers remove the pincers,
Along with a little piece of tongue,
And wait, momentarily hypnotized by the revelation:
The word ART had soothed the savage beasts.
So soothed, the savage beasts take a breather,
Waiting for some kind of signal.
Meanwhile, the Andalusian bleeds from the mouth,
Swallows his blood liberally mixed with saliva, and chokes.
The word coño,
Transformed into the word *KUNST,
Had saved his life.
It was dusk when he came out of the building.
Light stabbed at his eyes like midday sun.

So, it’s a fact that I love,
Truly love the simple blunt Anglo-Saxon expletive ****,
****: I pray that while I am being tortured some day,
I have the dignity to scream the word out loud.
And if I am screaming **** at the very end,
When my nervous system finally fails,
When I **** my pants,
When my pulmonic heart and lungs collapse,
Is that so bad?
Is that so wrong?

Do you realize that 1984 came--
Came and went, without any significant cultural hoopla?
The networks ignored it.
As did the cable pundits.
No significant comparative analysis between,
Orwell’s book 1984 and the year 1984,
Was broadcast electronically or publicized in print.
Steve Jobs got it, but as usual no one else did.
Mr. Jobs (RIP) did his best,
To mainstream its profound cultural relevance,
But ultimately failed,
Despite the $1.5 million he paid one of the networks,
To air a one minute nation-wide commercial,
During the 3rd Quarter,
Of Super Bowl XVIII,
January 22, 1984.
Despite Ridley Scott’s astonishing spell-binder,
His 60-second spot for The Macintosh 128K--
Still considered a watershed event,
And an advertising industry masterpiece,
…YouTube it and watch it.  (www.youtube.com/watch?v=Z8ji0B98IMo).
See the hammer throwing athlete chick,
See her fling the sledge,
That huge sledgehammer,
Smash into Big Brother’s flat screen face.
Despite Jobs’ global presence,
Despite Steverino’s unfettered microphone access,
Whenever he felt an oraculation coming on,
Despite everything,
He was unable to move the powers that be,
To either hype the book or the prophecy come true.

So, what’s my point? I have two.
First, in April 1984 the estate of George Orwell,
And the television rights holder to the novel 1984,
Considered the edgy Jobs/Scott commercial to be,
A flagrant copyright infringement,
Sending a cease-and-desist letter to Apple Inc.
And the advertising agency that produced the spot: Chiat/Day Inc.
The commercial was never televised as a commercial after that.  
Score: Lawyers 1, Artists 0.

My second point is that in November 2011,
The U.S. government argued before the U. S. Supreme Court,
That it wants to continue utilizing GPS tracking of individuals,
Without first seeking a warrant.
In response, Justice Stephen Breyer (one of the sane ones),
Questioned what this means for a democratic society.
Referencing Nineteen Eighty-Four, Justice Breyer asked:
"If you win this case, then there is nothing,
To prevent the police or the government from monitoring 24/7,
The public movement of every citizen of the United States.
So if you win, you suddenly produce what sounds like 1984 . . .”*

My third point,
(Yeah, I know I said two, but *******.)
My third point is that I’m just so ******* angry,
All the time, late and soon like Wordsworth,
(Was anyone more aptly named?)
I am angry about so many different things,
And every day that goes by I relate more and more,
To the thousands of Americans that occupied,
Zuccotti Park and Oakland,
And countless other venues,
Out into the streets.
Across the country.
Around the world.  
I am humbled by their courage and perseverance.
Yet, I am afraid for them.
I am made paranoid by the scope and power,
Of the government,
Of the ruling class that controls it,
And the technology they allow us to embrace,
Technology’s sinister potential,
Now that more and more knowledge and information,
Has been digitized,
Existing only in cyberspace.                                                      ­                                                 
What frightens most is the realization,
That anyone with a word processor,
And access to the database could rewrite,
Any historical or legal document,
To fit the needs of a current agenda.
The scary part is—
Repeating myself for emphasis—
That anyone with a word processor
And access to the database could rewrite,
Any historical or legal document,
To fit the needs of a current agenda.

Does anyone out there give a ****?
Does anyone out there share my nightmare?
Do it to Julia.
Do it to Julia.

[Verse 1: Drake]
Versace, Versace, Medusa head on me like I'm 'Luminati
This is a gated community, please get the ******* the property
Rap must be changing cause I'm at the top and ain't no one on top of me
****** be wanting a verse for a verse, but man that's not a swap to me
Drowning in compliments, pool in the backyard that look like Metropolis
I think I'm sellin' a million first week, man I guess I'm a optimist
Born in Toronto but sometimes I feel like Atlanta adopted us
What the **** is you talkin' 'bout? Saw this **** comin' like I had binoculars
Boy, Versace, Versace, we stay at the mansion when we in Miami
The pillows' Versace, the sheets are Versace, I just won a Grammy
I've been so quiet, I got the world like "What the **** is he planning?"
Just make sure that you got a back up plan cause that **** might come in handy
Started a label, the album is comin' September, just wait on it
This year I'm eating your food and my table got so many plates on it
Hundred inch TV at my house, I sit back like "**** I look great on it"
I do not **** with your new ****, my *****, don't ask for my take on it
Speakin' in lingo, man this for my ***** that trap out the bando
This for my ****** that call up Fernando to move a piano
**** all your feelin's cause business is business, its strictly financial
I'm always the first one to get it, man that's how you lead by example
Versace, Versace, Versace, Versace, Versace, Versace
Word to New York cause the Dyckman and Heights girls are callin' me "Papi"
I'm all on the low, take a famous girl out where there's no paparazzi
I'm tryna give Halle Berry a baby and no one can stop me

[Verse 2: Meek Mill]
Versace, Versace
Its killers, real ****** that's all in my posse (shooters!)
I'm getting so rich that they making up rumors that I'm illuminati (rich!)
Just me and my ****** we killin' these *******, go body for body (murders!)
These suckers be hating, they praying to God that I don't cop a Bugatti
Hold up, drop the top on the rari
Pull in the club and I'm stopping the party
Hold up, got ******* on *******
They poppin' on molly's I'm prolly at Follies with PeeWee and Tip
Of course i went with Lou
I did everything that I said I would do
I really won't tell you that I'm better than you
But we're not on the same level as you
Cause the G55 got a hell of a view
Regular ****** make regular moves
With ya regular ***** and ya regular crew
And you ***** still smokin on regular too? Like word?!
What a shame, my *****
Louboutin blood like Game, my *****
Get left tryna aim, my *****
Like Saddam Hussein, my *****
I'm whippin' this brand new machine
100 bands in my jeans
Call yo ***** Barry Sanders
She done ran through the team
I got hoes out the D
They playing on the team
Do anything for me
I mix that xan with the lean
Hold up, let me get it back
Versace, Versace
I'm gettin' this money, I'm stackin' my broccoli (racks!)
I'm running my city
You might gotta pay me if you land on my property (tax!)
I bought the boardwalk and I parked on the ave
****, my life's like monopoly
You caught a new case and you got outta jail
Boy, you look like a cop to me
(Get out of jail free card?)

[Verse 3: Tyga]
Aughh! Versace, Versace, I brought that **** back, all these ****** they copy
Medusa head on me I'm at the hotel, Versace Palazzo
I rented the yacht for a week, but I bought the convertible Lambo
Six mill for the mansion
I see haters coming I need some more ammo
These ****** gay that's Elmo
So much green I turned camo
Some hoover ****** on flannels
Light light you up no candle
Grip on that handle Yosemite Sam ya, that ***** bang like a banjo
Told my arms dealer no need for a box, I don't read the instructions, I throw out the manual (WOO!)
Versace, Versace, my brother king Trell he in a Ferrari
I don't look the same, my camera the same, I made too much money (WOO!)
Paul Pierce is my neighbor, I told him he should of went to the Clippers
I got some crazy ideas for Versace, get them and tell'em my number
Versace, auggh Picasso, Basquiat I'm cocky
23, 15 mill I'm just getting started
Pop water my water
I walk around on my wallet
I don't **** with Saddam but, that's gold all in my toilet
Statues of Horus, and the annubis is polished
I don't got to, rap about, coke for you to enjoy it
I'm bout' to join the money team, just holla' to Floyd about it
Versace, Versace, I'm taking my money to the Cayman islands (WOO!) Versace Auggh!!

[Outro: Quavo]
Versace, Versace, Versace, Versace
Versace, Versace, Versace, Versace
Versace, Versace Versace, Versace Versace
Versace, Versace Versace, Versace Versace

'Tell me I'm not in a dream. Or one of my trances.' She uttered the two sentences between gasps and seem-to-be quickening pulses. In midair, the tension between them kept growing intensely, trying desperately to meet its peak every second, before finally disappearing into the sightless distance above it. 'You're not,' the man said, his voice distant even when his face was only a few inches from hers, and cupped his free hands around her chin to calm her pale face. Her cheeks were warm in his palms, as if being burnt by hundreds of heaps of dying, yet ravenous flames. She closed her eyes, recording the touch of his perfect skin that seemed able to charm her endlessly since the first time she had fixed her gaze on his shimmering features. The angelic voice which accompanied it woke her a few seconds later. 'And even if you are,' he traced his soothing fingers along the reddening skin of her cheeks, 'I'll bring you back to life. Which is here.' He emphasised the last two words with a smile, a heartbreaking, infuriating smile - because of its astounding beauty, before tenderly touching his cherrylike lips to hers, making her start to tremble uncontrollably in deep confusion. She was, again, in the middle of these steep rocks without any aid to support her unstable weight, meanwhile the air over their heads began to twirl in circles, the weather around them getting pink and turning red in five seconds' time. She was lost. In someone else's magical world, with a rendition of one of The Beatles' hit singles from the 1900s or 1950s - she could not exactly recall which period of years it came from - playing smoothly in the CD player in the languid atmosphere of the living room behind them.
After a moment of enjoyment the kiss brought them he pulled back, before slamming his left hand into the tiny depth of his shirt pocket and taking a silver locket out of it. He threw a confident smile at her, and in one blink of his eye, the room fell dark. Petrified yet washed out by the sudden darkness among them, the girl let out a heart-rending shriek, which was followed by her heaving her body onto him, making his head hit the floorboards and the long necklace break in half. In seconds, blood-red light began to shuffle out of the center of the torn necklace, mingling with the air outside its shell and sending the woman into gradually-coming unconsciousness. She could now only see shadows, muttering and brimming all over the weather around her, and had not the strength to stand up apart from lying helplessly on the feathered carpet beneath. Before her, she saw how he started to rise and reveal his claws, and fangs, and bright red eyes above her. He laughed mercilessly. Instantly, she covered her sweating face with her hands - which now felt too shaky and she hated it, she loathed it very much - and brought out a despondent, lamented sound of cry. Her evil lover, at the same time, continued to soak up as much energy as possible from the change of circumstance.
'Again, I successfully, harmlessly tricked you,' he whispered this to her right ear. Around them, the horrendous wind potter faster and faster meanwhile their invincibly powered circles got bigger. 'You should thank me for that.'
'Th... Thank you for what?' She abruptly gathered her courage to confront him. If this meant that the end of my life was approaching, I would be ready, she thought silently.
'For letting me bound my ways into your life again, Em,' his angelic voice replied, and before she realised what was coming next, she wailed with all of her might when she laid her eyes on his real monstrous, vampiric face before her.
'I am indeed sorry to say that you - a clever and sanguine girl like you - was granted the chance to relish your life only momentarily,' he cleared his throat. 'You have always known that you could not outrun us at the end..., and so have your family.'
'No,' she mumbled, and drifted her gaze to his face - his now burning face. 'NO!'
'No,' he mockingly repeated her words, 'or YES, my dear?'
'Don't call me using that 'D' word, beast,' she put her best effort to yell at the top of her lungs, ''cos I am not your dear, and prefer death to becoming one of you!'
With those last few words, she scrambled to her feet, and stood up in just two swift movements. In her both hands, which he did not know were protected by the two stashes of garlic and one wooden cross in her dress pockets, were two shiny swords with special blades carved onto their two edges which were designated to **** vampires. Get rid of them. And their malicious world of beasts.
She stepped forward, and new powers began to regenerate inside her - despite the cries she felt start to roll into her heart, upon knowing that her beloved Joe had died. Joe had been deceased now. He was lifeless, and no longer able to help her here. She should never have ditched him. It dawned on her now, when everything was already too late to fix up. But she knew that she should never give up. Javier and his vampire family might have tasted every single drop of her other family members - and the rest of Ludirus town's residents - including her Joe, before she idiotically kicked him out for this pathetic, heartless beast who wore a disguise to displace him. She stretch the first sword - the one in her right hand - out to him. He took a step back, his eyes remained focused on her.
'You won't hurt me,' he pretended to be in pain, and in one and a half seconds, he transformed into the figure of the innocuous, blue-eyed prince once more.
'I won't be deceived by your looks, pig,' spat her, meanwhile her brain rummaged through a thousand ways to stick the two swords into his chest. That was, in fact, the only way to **** him. To drain his evil life out of him.
'You were, once,' he laughed, the sound of his devious laughter echoed in the very room, and later left it in such dread and wariness.
'Not anymore,' she bravely took a step forward and, without any further doubt, without caring about her being imprisoned for the rest of her life before getting her blood dried by the fangs of Javier's two older brothers, she stabbed the swords into his chest with all the energy she had left. And the effects sprayed out by the action were beyond any of her expectations. Thousands of blood droplets poured out of his body and onto the floor beneath her, flooding the entire living room and finally the streets outside the building until no litter, little scraps of food, and wheels of vehicles were seen anywhere in sight. Surprisingly, these endless streams of blood did not cause any floods, and rapidly soaked through every single layer of soil the earth had on its surface. The blood that had been consumed out of the poor people of Ludirus, the rural village in South Ireland, famous for its cruel killing rampage for several thousand years, where a group of aristocratic vampire ruled the lives of humans and their own species. But now, there would be no more of them. No more of their horrible treatments. No more of their sneaking-up-on-humans tricks they secretly did at night - to savour human blood, which was lawfully removed from the protecting-human law renewed every year. It was all a lie. Yeah, a lie. A lie that allowed Javier's family to approach Lucinda's family members to be victims in their lifelong killing spree. But now, there would be no more vampires, thought Lucinda as she kissed her holy cross and sets of garlic affectionately. There would be no more blood sacrificed to fend for those beasts' hunger, even though it meant for her to live alone. Live on her own, as she no longer had anyone around her to turn to. To soak up her tears when she was scared away by the bunch of vampire kids on the way home from school. To calm her with her melodious chords at the piano. Mother. To serve her the best spaghetti in the world as a reward for her outstanding grades at school. Sister Sheila. To rub her back and put her to bed at night - at the age of sixteen! Father. Luce's tears just would not stop while she kept counting her memories, as every single shadows of her deceased beloved came back to her. And finally, the sight of her Joe lying his tired head on her lap, and reading out loud to her his newest poem he composed at the office for her. All were gone. Dissolved into the ravenous sea of blood in the guts of those psychotic, simpering, abusive monsters.
But she was satisfied. She felt, somehow, proud of her heroic, or at least, brave actions. She had taken control of her fear, and that was one of the most important characteristics a woman should have to succeed in this cruel world, her father had once said. Now she could prove to them all that she was a newly reborn person, and was no longer the old Lucinda. Lucinda Hale who had always been the 'tail' of her sister while they were six and four, and the little, spoilt daughter of Jim and Aileen Hale who could not hold a plate properly in every banquet their family was invited to. Luce knew that she was now completely a stranger to her family. She squinted her eyes shut, trying to imagine how nice it would be to show off her new self to her late family if only they were all alive with healthy pink cheeks now. In her own peace and this momentary solitude, she found herself sinking onto the floating warmth of blood, but strangely, she did not fall. She did not plunge into the limitless red colour underneath, and remained flowing above it while her tears started to crawl out of her eyes. She did not know, and did not want to know how long this remained until she eventually felt the rough surface of the bearskin carpet again. She woke up with a dizzy head and quickly threw a hasty look around her living room. The prince, beastly Javier had vanished. Oh, there are his remnants, she thought and unconsciously, chuckled quietly to herself when she came to take hold of several white, lifeless bones laid in front of her. Then suddenly she understood what had just happened. The legend in that book she had borrowed from the library transported the knowledge back into her mind. All the members of Javier's family had been crushed now. They were dead. Her sacred tears, which came to mix with the blood flood, became the cure for all the people who had been ****** by the vicious vampires in town. They were now freed, and reawarded, although still mortal, but yet a very rare, elusive, privileged chance to be alive once again and start their lives all over again. They must not be far from her now, thought her. Without any further wait, she raced out of the room, and wormed her way onto the street.
And here they were. The streets of Ludirus were no longer deserted. Traditional markets with a thousand-metre long series of antiques roamed them, occupying every single tiny space provided to place racks containing jewels, valuables, and gold pots. There were also shelves of books about cookery, traditional healing potions, sports, literature, and anything else someone ever wanted to buy. And then she spotted a book with a bright yellow cover, entitled 'Love Poems: From 1900 to the Present, by Joe Grogan.' Her breath seemed to stop at that time and suddenly, before she even got the opportunity to touch the cover of the copy in front of her, two warm arms wrapped her waists and turned her body around to face the owner. Once again, she was at a terrible loss for words. 'Joe,' she mumbled.
'I am,' the writer nodded solemnly. And just like the evil Prince Javier had done before, he pulled out a beautiful silver box and opened it. Inside, two rings shined beautifully before their eyes, radiating a smile as bright as the one seen on others' faces among them. A smile that celebrated the comeback of their long-lost independence. Before she knew it, Joe knelt before her, and presented the ring upwards onto her.
'What would you like to do first, Madam? Marry me, or buy my book?' He grinned and held both her hands. Before she could answer him, he inserted her left ring finger into the perfectly made ring, and helped her right hand fasten his own ring onto his finger. She lifted him up and wrapped her hands around his neck.
'Do you have time for both, Sir?' She rubbed his smooth cheeks and kiss them before looking deeply into his hazel eyes.
'Absolutely,' he answered firmly, and scooped her whole weight into his arms and spinned her around. Luce could no longer say anything when a sudden wave of happiness washed all over her, and became even at a more unfathomable loss of words when she caught the sight of her beloved father, mother, and her sister, all alive, start approaching to deliver their congratulations. Here we are, she thought with a satisfied feeling. We were, are, and will always be meant to be together.

It’s tightening
Why do we say it’s our heart
That ****’s a lie
It’s the chest I know best
Idiocracy in my democracy
Because the demons get a vote
Why can’t an angels angels measure up to its halo
They simply say “no”
Pesos a day old
So they are worth zero
So he, the hero
That brings the dollar back
Stacks on stacks
Racks on racks on racks
But these are just facts
And still the heart hurts
Just ******* you
It’s a chest ache
As I write and you read
Heading my warning while
The stew is still stirring
I wait on the top of this hill
To see if “us” swallows the pill
It’s just **** or be killed
Chill

[Intro: Honey *******]
You ******* ******* stink
Go take a ******* shower
Schwag. Asian *******

[Verse 1: Honey *******]
******, I ain't got time for a stupid broad
Cause bro I'm 'bout to beat a ***** and probably lose my job
****, I'm a bubble
Listen, *****. I tell you cool it off
Cause acting smart'll get you deaded
*****, I rule the spot
Now, homie, I ain't ******* down to catch a charge, bro
Now her body found the same place she had parked, bro. (Whoops! [x3])
I forgot my ******* ride for me
Cause these ******* that drive for me
Are these ******* flying for free
I gain mine. There's a difference. You remember that
Cause I'm always hungry for the **** that I ain't never had
This here is baby food and be all like, "*****, **** a snack! "
See ****** who said I'm crap is asking me to hit 'em back
*****, **** that!

[Hook x2: Honey *******]
Now, I ain't got time for *******
If I ain't getting mine, then that's *******
Why you all up in my face with this *******?
Ew. *****, you smell like *******

[Verse 2: Honey *******]
Oh, here I go. There they go in this here game again
Now these ******* praying they gon' never hear my name again
But look, I'm a stay around even although they acting like I can't
I don't sleep at all cause it'll always be my time again
That means I work hard, homie. I don't play around, dawg
Better cut this ******* or your face'll meet the ground, dawg
But after all, it's for the haters and the groupies, though
Find me at the studio
The smart ***** with a stupid flow
**** delivery. Got fans who in the dance
Now my enemies got plans
They just searching for a chance
**** friends cause I'm married to the music
*****, cause I gained the world and die before I lose it
So cool it

[Hook x2: Honey *******]
Now, I ain't got time for *******
If I ain't getting mine, then that's *******
Why you all up in my face with this *******?
Ew. *****, you smell like *******

[Verse 3: Tyga]
***** back, back. Why your *** so flat?
Tell your best friend I want that
I don't pretend, *****, and I don't act
Why you all up in my chat?
Telling people that you know him
If I lend you all on my back
Criss-cross, you wiggedy-wack! (Aghh!)
Duplicating my racks
Introduce you to my life
Yeah, my gold heavy metal
You can't rock out on my level
Yeah, yeah. That's a red Ferarri
And I'm dancing with the devil
***** testing me, you get answers
**** a ***** quick fast, like cancer. (Aghh!)
(Well, well) Make a ***** rubbin money on my **** till it swell, swell
And ya money, money shorter than a elf, elf
And I keep cool J's like LL
(Hell yeah) I don; t wanna start nuttin' *****, lemme finish
All in a ***** net ***** mouth like a dentist
(Dennis) Rodman. Come on, come on
*****, is you with it, with it?
Cause I ain't

[Hook x2: Honey *******]
Now, I ain't got time for *******
If I ain't getting mine, then that's *******
Why you all up in my face with this *******?
Ew. *****, you smell like *******

And Ulysses answered, “King Alcinous, it is a good thing to hear a
bard with such a divine voice as this man has. There is nothing better
or more delightful than when a whole people make merry together,
with the guests sitting orderly to listen, while the table is loaded
with bread and meats, and the cup-bearer draws wine and fills his
cup for every man. This is indeed as fair a sight as a man can see.
Now, however, since you are inclined to ask the story of my sorrows,
and rekindle my own sad memories in respect of them, I do not know how
to begin, nor yet how to continue and conclude my tale, for the hand
of heaven has been laid heavily upon me.
  “Firstly, then, I will tell you my name that you too may know it,
and one day, if I outlive this time of sorrow, may become my there
guests though I live so far away from all of you. I am Ulysses son
of Laertes, reknowned among mankind for all manner of subtlety, so
that my fame ascends to heaven. I live in Ithaca, where there is a
high mountain called Neritum, covered with forests; and not far from
it there is a group of islands very near to one another—Dulichium,
Same, and the wooded island of Zacynthus. It lies squat on the
horizon, all highest up in the sea towards the sunset, while the
others lie away from it towards dawn. It is a rugged island, but it
breeds brave men, and my eyes know none that they better love to
look upon. The goddess Calypso kept me with her in her cave, and
wanted me to marry her, as did also the cunning Aeaean goddess
Circe; but they could neither of them persuade me, for there is
nothing dearer to a man than his own country and his parents, and
however splendid a home he may have in a foreign country, if it be far
from father or mother, he does not care about it. Now, however, I will
tell you of the many hazardous adventures which by Jove’s will I met
with on my return from Troy.
  “When I had set sail thence the wind took me first to Ismarus, which
is the city of the Cicons. There I sacked the town and put the
people to the sword. We took their wives and also much *****, which we
divided equitably amongst us, so that none might have reason to
complain. I then said that we had better make off at once, but my
men very foolishly would not obey me, so they stayed there drinking
much wine and killing great numbers of sheep and oxen on the sea
shore. Meanwhile the Cicons cried out for help to other Cicons who
lived inland. These were more in number, and stronger, and they were
more skilled in the art of war, for they could fight, either from
chariots or on foot as the occasion served; in the morning, therefore,
they came as thick as leaves and bloom in summer, and the hand of
heaven was against us, so that we were hard pressed. They set the
battle in array near the ships, and the hosts aimed their
bronze-shod spears at one another. So long as the day waxed and it was
still morning, we held our own against them, though they were more
in number than we; but as the sun went down, towards the time when men
loose their oxen, the Cicons got the better of us, and we lost half
a dozen men from every ship we had; so we got away with those that
were left.
  “Thence we sailed onward with sorrow in our hearts, but glad to have
escaped death though we had lost our comrades, nor did we leave till
we had thrice invoked each one of the poor fellows who had perished by
the hands of the Cicons. Then Jove raised the North wind against us
till it blew a hurricane, so that land and sky were hidden in thick
clouds, and night sprang forth out of the heavens. We let the ships
run before the gale, but the force of the wind tore our sails to
tatters, so we took them down for fear of shipwreck, and rowed our
hardest towards the land. There we lay two days and two nights
suffering much alike from toil and distress of mind, but on the
morning of the third day we again raised our masts, set sail, and took
our places, letting the wind and steersmen direct our ship. I should
have got home at that time unharmed had not the North wind and the
currents been against me as I was doubling Cape Malea, and set me
off my course hard by the island of Cythera.
  “I was driven thence by foul winds for a space of nine days upon the
sea, but on the tenth day we reached the land of the Lotus-eater,
who live on a food that comes from a kind of flower. Here we landed to
take in fresh water, and our crews got their mid-day meal on the shore
near the ships. When they had eaten and drunk I sent two of my company
to see what manner of men the people of the place might be, and they
had a third man under them. They started at once, and went about among
the Lotus-eaters, who did them no hurt, but gave them to eat of the
lotus, which was so delicious that those who ate of it left off caring
about home, and did not even want to go back and say what had happened
to them, but were for staying and munching lotus with the
Lotus-eater without thinking further of their return; nevertheless,
though they wept bitterly I forced them back to the ships and made
them fast under the benches. Then I told the rest to go on board at
once, lest any of them should taste of the lotus and leave off wanting
to get home, so they took their places and smote the grey sea with
their oars.
  “We sailed hence, always in much distress, till we came to the
land of the lawless and inhuman Cyclopes. Now the Cyclopes neither
plant nor plough, but trust in providence, and live on such wheat,
barley, and grapes as grow wild without any kind of tillage, and their
wild grapes yield them wine as the sun and the rain may grow them.
They have no laws nor assemblies of the people, but live in caves on
the tops of high mountains; each is lord and master in his family, and
they take no account of their neighbours.
  “Now off their harbour there lies a wooded and fertile island not
quite close to the land of the Cyclopes, but still not far. It is
overrun with wild goats, that breed there in great numbers and are
never disturbed by foot of man; for sportsmen—who as a rule will
suffer so much hardship in forest or among mountain precipices—do not
go there, nor yet again is it ever ploughed or fed down, but it lies a
wilderness untilled and unsown from year to year, and has no living
thing upon it but only goats. For the Cyclopes have no ships, nor
yet shipwrights who could make ships for them; they cannot therefore
go from city to city, or sail over the sea to one another’s country as
people who have ships can do; if they had had these they would have
colonized the island, for it is a very good one, and would yield
everything in due season. There are meadows that in some places come
right down to the sea shore, well watered and full of luscious
grass; grapes would do there excellently; there is level land for
ploughing, and it would always yield heavily at harvest time, for
the soil is deep. There is a good harbour where no cables are
wanted, nor yet anchors, nor need a ship be moored, but all one has to
do is to beach one’s vessel and stay there till the wind becomes
fair for putting out to sea again. At the head of the harbour there is
a spring of clear water coming out of a cave, and there are poplars
growing all round it.
  “Here we entered, but so dark was the night that some god must
have brought us in, for there was nothing whatever to be seen. A thick
mist hung all round our ships; the moon was hidden behind a mass of
clouds so that no one could have seen the island if he had looked
for it, nor were there any breakers to tell us we were close in
shore before we found ourselves upon the land itself; when, however,
we had beached the ships, we took down the sails, went ashore and
camped upon the beach till daybreak.
  “When the child of morning, rosy-fingered Dawn, appeared, we admired
the island and wandered all over it, while the nymphs Jove’s daughters
roused the wild goats that we might get some meat for our dinner. On
this we fetched our spears and bows and arrows from the ships, and
dividing ourselves into three bands began to shoot the goats. Heaven
sent us excellent sport; I had twelve ships with me, and each ship got
nine goats, while my own ship had ten; thus through the livelong day
to the going down of the sun we ate and drank our fill,—and we had
plenty of wine left, for each one of us had taken many jars full
when we sacked the city of the Cicons, and this had not yet run out.
While we were feasting we kept turning our eyes towards the land of
the Cyclopes, which was hard by, and saw the smoke of their stubble
fires. We could almost fancy we heard their voices and the bleating of
their sheep and goats, but when the sun went down and it came on dark,
we camped down upon the beach, and next morning I called a council.
  “‘Stay here, my brave fellows,’ said I, ‘all the rest of you,
while I go with my ship and exploit these people myself: I want to see
if they are uncivilized savages, or a hospitable and humane race.’
  “I went on board, bidding my men to do so also and loose the
hawsers; so they took their places and smote the grey sea with their
oars. When we got to the land, which was not far, there, on the face
of a cliff near the sea, we saw a great cave overhung with laurels. It
was a station for a great many sheep and goats, and outside there
was a large yard, with a high wall round it made of stones built
into the ground and of trees both pine and oak. This was the abode
of a huge monster who was then away from home shepherding his
flocks. He would have nothing to do with other people, but led the
life of an outlaw. He was a horrid creature, not like a human being at
all, but resembling rather some crag that stands out boldly against
the sky on the top of a high mountain.
  “I told my men to draw the ship ashore, and stay where they were,
all but the twelve best among them, who were to go along with
myself. I also took a goatskin of sweet black wine which had been
given me by Maron, Apollo son of Euanthes, who was priest of Apollo
the patron god of Ismarus, and lived within the wooded precincts of
the temple. When we were sacking the city we respected him, and spared
his life, as also his wife and child; so he made me some presents of
great value—seven talents of fine gold, and a bowl of silver, with
twelve jars of sweet wine, unblended, and of the most exquisite
flavour. Not a man nor maid in the house knew about it, but only
himself, his wife, and one housekeeper: when he drank it he mixed
twenty parts of water to one of wine, and yet the fragrance from the
mixing-bowl was so exquisite that it was impossible to refrain from
drinking. I filled a large skin with this wine, and took a wallet full
of provisions with me, for my mind misgave me that I might have to
deal with some savage who would be of great strength, and would
respect neither right nor law.
  “We soon reached his cave, but he was out shepherding, so we went
inside and took stock of all that we could see. His cheese-racks
were loaded with cheeses, and he had more lambs and kids than his pens
could hold. They were kept in separate flocks; first there were the
hoggets, then the oldest of the younger lambs and lastly the very
young ones all kept apart from one another; as for his dairy, all
the vessels, bowls, and milk pails into which he milked, were swimming
with whey. When they saw all this, my men begged me to let them
first steal some cheeses, and make off with them to the ship; they
would then return, drive down the lambs and kids, put them on board
and sail away with them. It would have been indeed better if we had
done so but I would not listen to them, for I wanted to see the
owner himself, in the hope that he might give me a present. When,
however, we saw him my poor men found him ill to deal with.
  “We lit a fire, offered some of the cheeses in sacrifice, ate others
of them, and then sat waiting till the Cyclops should come in with his
sheep. When he came, he brought in with him a huge load of dry
firewood to light the fire for his supper, and this he flung with such
a noise on to the floor of his cave that we hid ourselves for fear
at the far end of the cavern. Meanwhile he drove all the ewes
inside, as well as the she-goats that he was going to milk, leaving
the males, both rams and he-goats, outside in the yards. Then he
rolled a huge stone to the mouth of the cave—so huge that two and
twenty strong four-wheeled waggons would not be enough to draw it from
its place against the doorway. When he had so done he sat down and
milked his ewes and goats, all in due course, and then let each of
them have her own young. He curdled half the milk and set it aside
in wicker strainers, but the other half he poured into bowls that he
might drink it for his supper. When he had got through with all his
work, he lit the fire, and then caught sight of us, whereon he said:
  “‘Strangers, who are you? Where do sail from? Are you traders, or do
you sail the as rovers, with your hands against every man, and every
man’s hand against you?’
  “We were frightened out of our senses by his loud voice and
monstrous form, but I managed to say, ‘We are Achaeans on our way home
from Troy, but by the will of Jove, and stress of weather, we have
been driven far out of our course. We are the people of Agamemnon, son
of Atreus, who has won infinite renown throughout the whole world,
by sacking so great a city and killing so many people. We therefore
humbly pray you to show us some hospitality, and otherwise make us
such presents as visitors may reasonably expect. May your excellency
fear the wrath of heaven, for we are your suppliants, and Jove takes
all respectable travellers under his protection, for he is the avenger
of all suppliants and foreigners in distress.’
  “To this he gave me but a pitiless answer, ‘Stranger,’ said he, ‘you
are a fool, or else you know nothing of this country. Talk to me,
indeed, about fearing the gods or shunning their anger? We Cyclopes do
not care about Jove or any of your blessed gods, for we are ever so
much stronger than they. I shall not spare either yourself or your
companions out of any regard for Jove, unless I am in the humour for
doing so. And now tell me where you made your ship fast when you
came on shore. Was it round the point, or is she lying straight off
the land?’
  “He said this to draw me out, but I was too cunning to be caught
in that way, so I answered with a lie; ‘Neptune,’ said I, ’sent my
ship on to the rocks at the far end of your country, and wrecked it.
We were driven on to them from the open sea, but I and those who are
with me escaped the jaws of death.’
  “The cruel wretch vouchsafed me not one word of answer, but with a
sudden clutch he gripped up two of my men at once and dashed them down
upon the ground as though they had been puppies. Their brains were
shed upon the ground, and the earth was wet with their blood. Then
he tore them limb from limb and supped upon them. He gobbled them up
like a lion in the wilderness, flesh, bones, marrow, and entrails,
without leaving anything uneaten. As for us, we wept and lifted up our
hands to heaven on seeing such a horrid sight, for we did not know
what else to do; but when the Cyclops had filled his huge paunch,
and had washed down his meal of human flesh with a drink of neat milk,
he stretched himself full length upon the ground among his sheep,
and went to sleep. I was at first inclined to seize my sword, draw it,
and drive it into his vitals, but I reflected that if I did we
should all certainly be lost, for we should never be able to shift the
stone which the monster had put in front of the door. So we stayed
sobbing and sighing where we were till morning came.
  “When the child of morning, rosy-fingered Dawn, appeared, he again
lit his fire, milked his goats and ewes, all quite rightly, and then
let each have her own young one; as soon as he had got through with
all his work, he clutched up two more of my men, and began eating them
for his morning’s meal. Presently, with the utmost ease, he rolled the
stone away from the door and drove out his sheep, but he at once put
it back again—as easily as though he were merely clapping the lid
on to a

God is watching from beneath a department store window display:
Six floors lined head to toe with glass sheets and metal dividers,
Holding up the paper town- a city hall
Of half off summer sales.
The translucent sheets encompass the cold air conditioned empty space
That seeps in between the wheels of rolling racks, and pushes up
Against the impenetrable windows
That reflect the ash tray gray office buildings,
Looming in the backdrop
Square cubicles full of 9-5 daydreams
And lukewarm non-fat lates,
The iridescent shimmer of the dark exterior
Casts a shadow over the entire block,
Dancing in the reflection
Of a little Asian girl three floors up
Running in between the clothing racks-
Pitter pattering above the ceiling of a five star
Macy's restaurant
Packed with narrow tables and people
Alone and comfortable:
A spectacle to anyone across the street
Brave enough to look up.
Is this what the world has become?
Row after row of sorry complacency:
30% off signs and colorful adds
Drop into a diner waiting room;
The black-clad waiter paces back
And forth, oblivious that his every movement
Is being observed by someone perched on a ***** step of union square.
Safety comes in numbers,
And we forget ourselves
To the dull drone of elevator music
And neon ceiling lights projecting onto
Our downcast eyes.
Slouched against a fashionably bare
White metal chair, at a white table with white walls,
Echo the same vibrato of an asylum.
Arms bent over your head,
Brown rumpled shirt and blue jeans,
Who is watching who?
You look out of the window, just the way
The elderly man in the green vest does,
Two stories up,
The same ***** square glares back at you,
As a few teenage boys take a picture
Of the very architecture you are having
Your overpriced conversation and lunch of some sort of past.
The observer is also the observed,
And nothing goes unnoticed
Except the spectacle, itself.
Hand in hand, we carry our insecurities to the mall
And let them wander off on their own
As long as they're back by 3pm
And haven't done anything drastic
That would betray us.
Comfortability and conformity dance across the sleek walls of the Cheesecake Factory
As a homeless man drags his feet across the littered floor below,
Angrily sighing as stops and darts his eyes
Quickly scanning the moving forms within the indifferent architecture,
Before he abruptly picks up pace
And carries on.
The best view in the city:
A roof top full of anxious visitors
Who only look out over the top,
Afraid to look down and see themselves
In the reflection of the face
Of a blurred and changing crowd,
Hurrying away from now
Avoiding eye contact and fiddling with their jackets.

I.
Fair Isabel, poor simple Isabel!
Lorenzo, a young palmer in Love's eye!
They could not in the self-same mansion dwell
Without some stir of heart, some malady;
They could not sit at meals but feel how well
It soothed each to be the other by;
They could not, sure, beneath the same roof sleep
But to each other dream, and nightly weep.

II.
With every morn their love grew tenderer,
With every eve deeper and tenderer still;
He might not in house, field, or garden stir,
But her full shape would all his seeing fill;
And his continual voice was pleasanter
To her, than noise of trees or hidden rill;
Her lute-string gave an echo of his name,
She spoilt her half-done broidery with the same.

III.
He knew whose gentle hand was at the latch,
Before the door had given her to his eyes;
And from her chamber-window he would catch
Her beauty farther than the falcon spies;
And constant as her vespers would he watch,
Because her face was turn'd to the same skies;
And with sick longing all the night outwear,
To hear her morning-step upon the stair.

IV.
A whole long month of May in this sad plight
Made their cheeks paler by the break of June:
"To morrow will I bow to my delight,
"To-morrow will I ask my lady's boon."--
"O may I never see another night,
"Lorenzo, if thy lips breathe not love's tune."--
So spake they to their pillows; but, alas,
Honeyless days and days did he let pass;

V.
Until sweet Isabella's untouch'd cheek
Fell sick within the rose's just domain,
Fell thin as a young mother's, who doth seek
By every lull to cool her infant's pain:
"How ill she is," said he, "I may not speak,
"And yet I will, and tell my love all plain:
"If looks speak love-laws, I will drink her tears,
"And at the least 'twill startle off her cares."

VI.
So said he one fair morning, and all day
His heart beat awfully against his side;
And to his heart he inwardly did pray
For power to speak; but still the ruddy tide
Stifled his voice, and puls'd resolve away--
Fever'd his high conceit of such a bride,
Yet brought him to the meekness of a child:
Alas! when passion is both meek and wild!

VII.
So once more he had wak'd and anguished
A dreary night of love and misery,
If Isabel's quick eye had not been wed
To every symbol on his forehead high;
She saw it waxing very pale and dead,
And straight all flush'd; so, lisped tenderly,
"Lorenzo!"--here she ceas'd her timid quest,
But in her tone and look he read the rest.

VIII.
"O Isabella, I can half perceive
"That I may speak my grief into thine ear;
"If thou didst ever any thing believe,
"Believe how I love thee, believe how near
"My soul is to its doom: I would not grieve
"Thy hand by unwelcome pressing, would not fear
"Thine eyes by gazing; but I cannot live
"Another night, and not my passion shrive.

IX.
"Love! thou art leading me from wintry cold,
"Lady! thou leadest me to summer clime,
"And I must taste the blossoms that unfold
"In its ripe warmth this gracious morning time."
So said, his erewhile timid lips grew bold,
And poesied with hers in dewy rhyme:
Great bliss was with them, and great happiness
Grew, like a ***** flower in June's caress.

X.
Parting they seem'd to tread upon the air,
Twin roses by the zephyr blown apart
Only to meet again more close, and share
The inward fragrance of each other's heart.
She, to her chamber gone, a ditty fair
Sang, of delicious love and honey'd dart;
He with light steps went up a western hill,
And bade the sun farewell, and joy'd his fill.

XI.
All close they met again, before the dusk
Had taken from the stars its pleasant veil,
All close they met, all eves, before the dusk
Had taken from the stars its pleasant veil,
Close in a bower of hyacinth and musk,
Unknown of any, free from whispering tale.
Ah! better had it been for ever so,
Than idle ears should pleasure in their woe.

XII.
Were they unhappy then?--It cannot be--
Too many tears for lovers have been shed,
Too many sighs give we to them in fee,
Too much of pity after they are dead,
Too many doleful stories do we see,
Whose matter in bright gold were best be read;
Except in such a page where Theseus' spouse
Over the pathless waves towards him bows.

XIII.
But, for the general award of love,
The little sweet doth **** much bitterness;
Though Dido silent is in under-grove,
And Isabella's was a great distress,
Though young Lorenzo in warm Indian clove
Was not embalm'd, this truth is not the less--
Even bees, the little almsmen of spring-bowers,
Know there is richest juice in poison-flowers.

XIV.
With her two brothers this fair lady dwelt,
Enriched from ancestral merchandize,
And for them many a weary hand did swelt
In torched mines and noisy factories,
And many once proud-quiver'd ***** did melt
In blood from stinging whip;--with hollow eyes
Many all day in dazzling river stood,
To take the rich-ored driftings of the flood.

XV.
For them the Ceylon diver held his breath,
And went all naked to the hungry shark;
For them his ears gush'd blood; for them in death
The seal on the cold ice with piteous bark
Lay full of darts; for them alone did seethe
A thousand men in troubles wide and dark:
Half-ignorant, they turn'd an easy wheel,
That set sharp racks at work, to pinch and peel.

XVI.
Why were they proud? Because their marble founts
Gush'd with more pride than do a wretch's tears?--
Why were they proud? Because fair orange-mounts
Were of more soft ascent than lazar stairs?--
Why were they proud? Because red-lin'd accounts
Were richer than the songs of Grecian years?--
Why were they proud? again we ask aloud,
Why in the name of Glory were they proud?

XVII.
Yet were these Florentines as self-retired
In hungry pride and gainful cowardice,
As two close Hebrews in that land inspired,
Paled in and vineyarded from beggar-spies,
The hawks of ship-mast forests--the untired
And pannier'd mules for ducats and old lies--
Quick cat's-paws on the generous stray-away,--
Great wits in Spanish, Tuscan, and Malay.

XVIII.
How was it these same ledger-men could spy
Fair Isabella in her downy nest?
How could they find out in Lorenzo's eye
A straying from his toil? Hot Egypt's pest
Into their vision covetous and sly!
How could these money-bags see east and west?--
Yet so they did--and every dealer fair
Must see behind, as doth the hunted hare.

XIX.
O eloquent and famed Boccaccio!
Of thee we now should ask forgiving boon,
And of thy spicy myrtles as they blow,
And of thy roses amorous of the moon,
And of thy lilies, that do paler grow
Now they can no more hear thy ghittern's tune,
For venturing syllables that ill beseem
The quiet glooms of such a piteous theme.

**.
Grant thou a pardon here, and then the tale
Shall move on soberly, as it is meet;
There is no other crime, no mad assail
To make old prose in modern rhyme more sweet:
But it is done--succeed the verse or fail--
To honour thee, and thy gone spirit greet;
To stead thee as a verse in English tongue,
An echo of thee in the north-wind sung.

XXI.
These brethren having found by many signs
What love Lorenzo for their sister had,
And how she lov'd him too, each unconfines
His bitter thoughts to other, well nigh mad
That he, the servant of their trade designs,
Should in their sister's love be blithe and glad,
When 'twas their plan to coax her by degrees
To some high noble and his olive-trees.

XXII.
And many a jealous conference had they,
And many times they bit their lips alone,
Before they fix'd upon a surest way
To make the youngster for his crime atone;
And at the last, these men of cruel clay
Cut Mercy with a sharp knife to the bone;
For they resolved in some forest dim
To **** Lorenzo, and there bury him.

XXIII.
So on a pleasant morning, as he leant
Into the sun-rise, o'er the balustrade
Of the garden-terrace, towards him they bent
Their footing through the dews; and to him said,
"You seem there in the quiet of content,
"Lorenzo, and we are most loth to invade
"Calm speculation; but if you are wise,
"Bestride your steed while cold is in the skies.

XXIV.
"To-day we purpose, ay, this hour we mount
"To spur three leagues towards the Apennine;
"Come down, we pray thee, ere the hot sun count
"His dewy rosary on the eglantine."
Lorenzo, courteously as he was wont,
Bow'd a fair greeting to these serpents' whine;
And went in haste, to get in readiness,
With belt, and spur, and bracing huntsman's dress.

XXV.
And as he to the court-yard pass'd along,
Each third step did he pause, and listen'd oft
If he could hear his lady's matin-song,
Or the light whisper of her footstep soft;
And as he thus over his passion hung,
He heard a laugh full musical aloft;
When, looking up, he saw her features bright
Smile through an in-door lattice, all delight.

XXVI.
"Love, Isabel!" said he, "I was in pain
"Lest I should miss to bid thee a good morrow:
"Ah! what if I should lose thee, when so fain
"I am to stifle all the heavy sorrow
"Of a poor three hours' absence? but we'll gain
"Out of the amorous dark what day doth borrow.
"Good bye! I'll soon be back."--"Good bye!" said she:--
And as he went she chanted merrily.

XXVII.
So the two brothers and their ******'d man
Rode past fair Florence, to where Arno's stream
Gurgles through straiten'd banks, and still doth fan
Itself with dancing bulrush, and the bream
Keeps head against the freshets. Sick and wan
The brothers' faces in the ford did seem,
Lorenzo's flush with love.--They pass'd the water
Into a forest quiet for the slaughter.

XXVIII.
There was Lorenzo slain and buried in,
There in that forest did his great love cease;
Ah! when a soul doth thus its freedom win,
It aches in loneliness--is ill at peace
As the break-covert blood-hounds of such sin:
They dipp'd their swords in the water, and did tease
Their horses homeward, with convulsed spur,
Each richer by his being a murderer.

XXIX.
They told their sister how, with sudden speed,
Lorenzo had ta'en ship for foreign lands,
Because of some great urgency and need
In their affairs, requiring trusty hands.
Poor Girl! put on thy stifling widow's ****,
And 'scape at once from Hope's accursed bands;
To-day thou wilt not see him, nor to-morrow,
And the next day will be a day of sorrow.

***.
She weeps alone for pleasures not to be;
Sorely she wept until the night came on,
And then, instead of love, O misery!
She brooded o'er the luxury alone:
His image in the dusk she seem'd to see,
And to the silence made a gentle moan,
Spreading her perfect arms upon the air,
And on her couch low murmuring, "Where? O where?"

XXXI.
But Selfishness, Love's cousin, held not long
Its fiery vigil in her single breast;
She fretted for the golden hour, and hung
Upon the time with feverish unrest--
Not long--for soon into her heart a throng
Of higher occupants, a richer zest,
Came tragic; passion not to be subdued,
And sorrow for her love in travels rude.

XXXII.
In the mid days of autumn, on their eves
The breath of Winter comes from far away,
And the sick west continually bereaves
Of some gold tinge, and plays a roundelay
Of death among the bushes and the leaves,
To make all bare before he dares to stray
From his north cavern. So sweet Isabel
By gradual decay from beauty fell,

XXXIII.
Because Lorenzo came not. Oftentimes
She ask'd her brothers, with an eye all pale,
Striving to be itself, what dungeon climes
Could keep him off so long? They spake a tale
Time after time, to quiet her. Their crimes
Came on them, like a smoke from Hinnom's vale;
And every night in dreams they groan'd aloud,
To see their sister in her snowy shroud.

XXXIV.
And she had died in drowsy ignorance,
But for a thing more deadly dark than all;
It came like a fierce potion, drunk by chance,
Which saves a sick man from the feather'd pall
For some few gasping moments; like a lance,
Waking an Indian from his cloudy hall
With cruel pierce, and bringing him again
Sense of the gnawing fire at heart and brain.

XXXV.
It was a vision.--In the drowsy gloom,
The dull of midnight, at her couch's foot
Lorenzo stood, and wept: the forest tomb
Had marr'd his glossy hair which once could shoot
Lustre into the sun, and put cold doom
Upon his lips, and taken the soft lute
From his lorn voice, and past his loamed ears
Had made a miry channel for his tears.

XXXVI.
Strange sound it was, when the pale shadow spake;
For there was striving, in its piteous tongue,
To speak as when on earth it was awake,
And Isabella on its music hung:
Languor there was in it, and tremulous shake,
As in a palsied Druid's harp unstrung;
And through it moan'd a ghostly under-song,
Like hoarse night-gusts sepulchral briars among.

XXXVII.
Its eyes, though wild, were still all dewy bright
With love, and kept all phantom fear aloof
From the poor girl by magic of their light,
The while it did unthread the horrid woof
Of the late darken'd time,--the murderous spite
Of pride and avarice,--the dark pine roof
In the forest,--and the sodden turfed dell,
Where, without any word, from stabs he fell.

XXXVIII.
Saying moreover, "Isabel, my sweet!
"Red whortle-berries droop above my head,
"And a large flint-stone weighs upon my feet;
"Around me beeches and high chestnuts shed
"Their leaves and prickly nuts; a sheep-fold bleat
"Comes from beyond the river to my bed:
"Go, shed one tear upon my heather-bloom,
"And it shall comfort me within the tomb.

XXXIX.
"I am a shadow now, alas! alas!
"Upon the skirts of human-nature dwelling
"Alone: I chant alone the holy mass,
"While little sounds of life are round me knelling,
"And glossy bees at noon do fieldward pass,
"And many a chapel bell the hour is telling,
"Paining me through: those sounds grow strange to me,
"And thou art distant in Humanity.

XL.
"I know what was, I feel full well what is,
"And I should rage, if spirits could go mad;
"Though I forget the taste of earthly bliss,
"That paleness warms my grave, as though I had
"A Seraph chosen from the bright abyss
"To be my spouse: thy paleness makes me glad;
"Thy beauty grows upon me, and I feel
"A greater love through all my essence steal."

XLI.
The Spirit mourn'd "Adieu!"--dissolv'd, and left
The atom darkness in a slow turmoil;
As when of healthful midnight sleep bereft,
Thinking on rugged hours and fruitless toil,
We put our eyes into a pillowy cleft,
And see the spangly gloom froth up and boil:
It made sad Isabella's eyelids ache,
And in the dawn she started up awake;

XLII.
"Ha! ha!" said she, "I knew not this hard life,
"I thought the worst was simple misery;
"I thought some Fate with pleasure or with strife
"Portion'd us--happy days, or else to die;
"But there is crime--a brother's ****** knife!
"Sweet Spirit, thou hast school'd my infancy:
"I'll visit thee for this, and kiss thine eyes,
"And greet thee morn and even in the skies."

XLIII.
When the full morning came, she had devised
How she might secret to the forest hie;
How she might find the clay, so dearly prized,
And sing to it one latest lullaby;
How her short absence might be unsurmised,
While she the inmost of the dream would try.
Resolv'd, she took with her an aged nurse,
And went into that dismal forest-hearse.

XLIV.
See, as they creep along the river side,
How she doth whisper to that aged Dame,
And, after looking round the champaign wide,
Shows her a knife.--"What feverous hectic flame
"Burns in thee, child?--What good can thee betide,
"That thou should'st smile again?"--The evening came,
And they had found Lorenzo's earthy bed;
The flint was there, the berries at his head.

XLV.
Who hath not loiter'd in a green church-yard,
And let his spirit, like a demon-mole,
Work through the clayey soil and gravel hard,
To see skull, coffin'd bones, and funeral stole;
Pitying each form that hungry Death hath marr'd,
And filling it once more with human soul?
Ah! this is holiday to what was felt
When Isabella by Lorenzo knelt.

XLVI.
She gaz'd into the fresh-thrown mould, as though
One glance did fully all its secrets tell;
Clearly she saw, as other eyes would know
Pale limbs at bottom of a crystal well;
Upon the murderous spot she seem'd to grow,
Like to a native lily of the dell:
Then with her knife, all sudden, she began
To dig more fervently than misers can.

XLVII.
Soon she turn'd up a soiled glove, whereon
Her silk had play'd in purple phantasies,
She kiss'd it with a lip more chill than stone,
And put it in her *****, where it dries
And freezes utterly unto the bone
Those dainties made to still an infant's cries:
Then 'gan she work again; nor stay'd her care,
But to throw back at times her vei

collector of iron and all things metal
carried without slightest lament
by
beautiful brown-and-white nag with overflowing mane
clip-clops up and down
every road there is
and even beyond



1.
little doubt exists
of fine ingenuity
of said collector
who wastes no moment nor chance
to scour every luck’s platform
with sharp intuition and assiduous eyes
          an old stove with absent racks
          a precious copper geyser gutted with no fittings
          pine-planks discarded due to skew-cuts
          aluminium pipes abandoned with twisted ends
          old screws with rusty whorls from an recently bucket-kicked geezer’s garage
          parts of a car . . . an ****** gearbox and ancient exhausts
heaps of junk and piles of crap clang on cart
a veritable dump in some eyes but those of
the cool collector who takes all the sweepings in gracious stride
cast-off penalties and chaffs of society’s unwanted

2.
once a week on Saturdays
these wares are parked near the parking lot
for all to approach
to see
a fine spread of legend and lore
     bric-à-brac and books to browse
so many things of interest
     magazines and manuals with miscellany-topics under the sun
     hipflasks of silver and clear-cut carafes
     unused greeting-cards with dressed-up paper-dolls
     rare literature well-thumbed with care
and things you’d sure chuck out
mechanical entrails and shiny things
yet
quite a spectacle to behold
costing a joke but for you
a fraction of today's ha'penny

3.
nobody knows why the quiet collector takes the time of day
to re-inforce that fixture-presence
a kindly soul with half-smile always flirting round the lips
and greets with old-century warmth o'er book-edge, markedly a poem-spine
walking closer to peep curiosity around
relaxed eyes let one be
          no compulsive sales-talk
          no eager-****** hopping
just sitting back in deep hiker’s green fold-up chair
easy posture and half-drooped eyes with soft drink close at hand

4.
the collector really watches all who pass
     who go by on their daily trails with rituals oft unchanged
     who fuss ever-plaintive over facetious deets like school-tasks
as they return their books long overdue while whistling smasher-hit tunes (never to be heard)
     who rush to catch an ever-noisy taxi with their own raucous guards
     who help heaving housewives cursing under breath climb on board
as their groceries groan and nearly drop from overladen plastic bags
     who ignore for now with studious intent the hobos on the pavement there
     who beg lost coins for empty-belly from the tattered purses in bosoms
while others cry out impatient at peripheral nuisances
     who act as indiscreet ‘car-guards’ ostensibly guarding cars, even with folk in it

yes, he watches
and observes with keen eyes yet never obvious
even those who saunter by
with pondering glance and walking stick
even as years have graciously touched their brow
he sees them *tut-tut the ******* on the wall
like stray-dogs in a pound

5.
once in an often while
this collector who loves a rediscovered hypothesis
to explore the myriad facets of humanity
does an odd turn now and then
when walking to the toilet at the local library
which has parked itself adjacent to this lot
drops a twenty-buck note near the side
and soon joyful sees the utter surprise
when tired high-school kids with sullen backpacks
do a double-take
espy their luck . . . whoo-hoo, look!
their gloomy cloaks of learning plain melts
they take off sure-footed and lighter of heart
and repair to the fish-and-chips shop
they share their vinegary ***** in a finger-licking circle
and amity strong-cemented in a cool memory
that they’d recall with fondness many years later
at their 20th school-reunion
and as grand-dads visiting a dying pal

pangs of hunger satisfied
and
not only by them


next time
that note will be dropped in the park nearby
where effete winos sleep their lives away
     who ken much and give not a care
     a kind long not recognised
educated derelicts debate on war-merits and erstwhile musicians play melodic arpeggios
sitting in the gentle arbour-shade of mutual acceptance
with chess-mad players
working out strategy in rapt blade-moves
which belie and scorn the forgotten titles to their name
along with Ph.D to boot

6.
when night-time hails - all grows still again
and settles, though just for a nibble of time
it’s pack-up time
the listening collector hears the owl-hoot’s call
and knows the time has come to rest a bit
     for when the morrow dawns
     all neatly packaged in a brand-new gift called day
it’s back on the road again
to observe once more
with trusted nag in tow
clip-clop . . . clip-CLOP

7.
and the collector is the one
the housewives invite with alacrity to Xmas-lunch
the taxi-drivers offer gifts of goodwill
the school-kids give their chips and last treats
the vagrants seek out to share a ciggie and sympa-chat
the grown men visit for esoteric slim-tomes and philosophical advice
the shopkeepers welcome reassuring presence of

yes, this quiet collector
is the inadvertent guest
to shores of the lonely
the too-busy and life-ridden folk
who seek a sweet smile
just once in a while
in a world
where compassion is not justified by its deep-touches of poverty





no fruitless labour
in one who sees little detriment
but senses the full value of
every item’s moment in vanilla-time
while trying always
to catch
the finest one can be


supreme harvest, indeed
yes :)
love . . . love . . . love . . .





S T, 1 September

It is rare that, outside Japan, you hear anything positive about the lot of women in the Japanese workplace. Well-meaning rankings and anecdotal articles frequently do little more than reinforce tired stereotypes. Still, change is afoot and there are many voices in the Japanese corporate world that have a nuanced story to tell—even some who dare to assert that there might be something that Japanese working women have to teach the world.

One important factor preventing progress in how women are viewed in the Japanese workplace is the ongoing prevalence of highly gendered uniforms. This is true both in the literal sense and in what is implied—from strictly structured dress codes that govern post-graduation job hunts right through to the president’s chair. These remain highly gendered for both men and women, a visual reminder of the very different roles played by the “salarymen” and “office ladies” of years gone by, but a stumbling block now, considering how much has changed.

Representative of this change is fashion brand Kay Me, from entrepreneur Junko Kemi. Not just an oddity in the Japanese fashion world, Kemi is an unassuming revolutionary who has dispensed with the establishment path to the racks by forgoing trade shows and industry-only runways. Instead, she builds on her own experience in the Japanese corporate world to fashion the clothes she would wear to the office. In the process, she has managed to chalk up a Ginza flagship store, key retail positions at Japan’s top department stores—including Odakyu in Shinjuku, Mitsukoshi in Nihombashi, Breeze Breeze Umeda in Osaka, and Isetan at Haneda International Airport — and even a presence in London. She’s accomplished this in just over five years — less time than it takes the average brand that plays by the fashion industry’s rules to get their first round of scattered stockists.

Kemi sat down with The Journal to talk about why she moved from marketing to fashion, how she sees women in the workplace, and what she aims to achieve with her designs.

Japanese fashion is a notoriously saturated field. With no background in fashion, why did you choose to enter it?

My background is in marketing and consulting, but I was always aware that, at the root of all market analysis, is the Japanese phrase ishokuju, meaning the necessities of life: food, clothing, and shelter. When you look at Tokyo, there may be a lot of fashion, but that is the way it should be. It is as important and necessary as food and shelter. After the Lehman shock and the March 11 earthquake, this idea of necessity came to have greater meaning for me. I wanted to make something that was really required by people in their lives.

Of course, my background in marketing helped, and I knew that the bigger companies would be scared to compete with me if I chose a niche that wasn’t a proven quantity yet. That niche was professional women; women with the drive to go beyond what society expects of them and who want to express themselves on their own terms in the workplace. There is also part of me that likes to be the rebel, and to a certain extent I just wanted to prove people wrong when they said the market was oversaturated.

One of the most important Japanese fashion designers of our time, Yohji Yamamoto, famously started his eponymous brand in rejection of Japanese “office lady” attire and how working women, as a whole, dressed. Is this a shared source of inspiration?

Perhaps. Although, ironically, given that Yohji Yamamoto mainly uses black, I feel that women’s clothes are too dark! Fundamentally, I feel that historically it made sense that for women to enter the male-dominated workplace they first started dressing like men; but that can’t be where it ends. Far more interesting is for women to be unapologetically feminine and be accepted for it. Women should not have to cast off their own culture to enter the workplace, nor deny their own nature between 9:00 and 5:00. Why shouldn’t there be flowers in an office? In that sense, I am the opposite of Yohji Yamamoto — he wanted his clothes to protect women from men, but I don’t think women need protecting.

My real inspiration is surprisingly conventional. My grandmother ran a kimono shop, so I am always attracted to traditional themes in my work. The Japanese motifs I use, in particular, have been key to reaching people abroad. It is not necessarily targeted like “Cool Japan,” just a lucky coincidence. For Japanese customers, they are a way of building elements of kimono into their working wardrobe instead of wearing full kimono, which is hard in daily life—never mind the workplace.

As an entrepreneur, what do you look for in your employees? Do you actively create a female-friendly work environment?

I have been all around the world meeting entrepreneurs — especially in the UK and East Asian countries — and I am frequently the only Japanese person, and nearly always the only Japanese female entrepreneur. Therefore, similarly minded people with an international mindset are my key assets. With that comes an ability to communicate in English, and the confidence that your ideas will resonate not only in your own country but globally. That is rarer than you think, and a big issue over the course of a career is that only high-ranking members of Japanese companies ever go abroad on business. That locks women out of having experience abroad and stops them thinking more globally.

In terms of workplace, I would like a 50-50 split in my workforce; but right now we are still at the early stage of growing, so it has been vital that everyone understands the shared goal. As I am dressing working women, I have far more women than men working for me for now; unfortunate, but it will change. Also, I insist on flexible working hours for my staff with children. It creates some small issues with timing group meetings, but it is easy to work through and worth it for the talent they bring.

What could institutions like the Japanese government and universities do to change the status quo?

Universities are taking the lead in thinking globally, but that is only half the battle — they need to create more competition among students — female in particular — so they have confidence to go abroad. That needs to be the spark that starts a movement.

As for the government, there are lots of programs out there to support companies like mine, but to be honest we just don’t have the time to apply for them — they require so much documentation. So far, the programs feel like lip service from an older generation who doesn’t understand mine; time will change that.

In the meantime, I am focused on thinking globally. We haven’t targeted the inbound phenomenon as such because they are not necessarily our customers. Instead, I am focused on online expansion and taking my brand to Europe, and hopefully to America via New York in the near future. Of course, I want quick expansion; but ultimately we have been quality- and service-driven in Japan, so we can’t forget that as we look abroad.Read more at:http://www.marieaustralia.com/bridesmaid-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses

While Walmart and Best Buy attract Black Friday shoppers nationwide, Fayetteville’s local businesses offer unique deals throughout the week on boutique clothing, gift-worthy items, outdoor accessories and Razorback apparel.

Southern Trend

Sale rack prices will range $5-15, and customers whose total reaches $50 or more will receive a free tote bag. Southern Trend clothing company offers Razorback apparel for men and women and other casual clothing that depicts Southern living. Their headquarters and closest retail location is at 614 W. Sycamore St.

The Mustache Goods & Wears

Saturday following Thanksgiving, The Mustache Goods & Wears will participate in Small Business Day with special deals throughout the store. The Mustache sells gift and novelty items and clothing, striving “to carry products you don’t normally find in Northwest Arkansas,” according to their website. The store is located on the Downtown Square at 15 S. Block Ave.

Lauren James

All regularly-priced items will be 25 percent off, and planners will be given to customers with a purchase of $65 or more. The Lauren James brand includes fashionable dresses, a line of women’s collegiate clothing, and other clothing and accessories with a Southern flare. One of three corporate locations in the country, the Fayetteville Lauren James shop is located just off campus at 623 W. Dickson St.

Houndstooth Clothing Company

Now until Thanksgiving day, all long sleeve and short sleeve tops are buy two, get one free with Black Friday deals to follow. The brand includes Razorback apparel and other casual clothing with outdoorsy designs. Houndstooth Clothing Company began in Fayetteville and now sells merchandise online and in stores across the state. The closest location to campus is just off the Downtown Square at 29 N. Block Ave.

Pack Rat Outdoor Center

Pack Rat Outdoor Center will sell featured Black Friday merchandise from The North Face brand. Saturday, Nov. 26, shoppers may enjoy food and drink at Customer Appreciation Day. Pack Rat sells clothing and accessories fit for an active and outdoor lifestyle, with products such as hammocks and hiking boots sold at their 209 West Sunbridge store.

Riffraff

All merchandise, except nine specially marked-down items, will be priced 30 percent off the original price tag during Black Friday, 8 a.m. until 1 p.m. Just off the Downtown Square at 19 S. Block Ave., Riffraff boutique sells women’s clothes fit for everyday life to holiday parties, as well as gift and novelty items.

Campus Bookstore

The Campus Bookstore sells new and used textbooks, school supplies, Razorback gear and clothing. The store is located just outside of campus at 624 W. Dickson St.

Alumni Hall

Alumni Hall, located at 3417 N. College Ave., sells various brands of Razorback apparel as well as Razorback accessories and gifts.

Maude

Established in 2007 in Fayetteville, the racks of Maude boutique feature women’s clothing from sweaters to skirts with shoes and accessories also for sale. Maude in Fayetteville is located at 706 N. College Ave.

Savoir-Faire

A boutique local to Fayetteville at 1 E. Center St., Savoir-Faire offers casual and dressy clothing and accessories, including holiday fashions sold online and in-store.

Gatsby’s Boutique

Boasting a ‘20s fashion influence, Gatsby’s Boutique sells clothes and accessories at their shop located at 609 W. Dickson St.Read more at:http://www.marieaustralia.com/formal-dresses-sydney | www.marieaustralia.com/one-shoulder-formal-dresses

Thus did the Trojans watch. But Panic, comrade of blood-stained
Rout, had taken fast hold of the Achaeans and their princes were all
of them in despair. As when the two winds that blow from Thrace—the
north and the northwest—spring up of a sudden and rouse the fury of
the main—in a moment the dark waves uprear their heads and scatter
their sea-wrack in all directions—even thus troubled were the
hearts of the Achaeans.
  The son of Atreus in dismay bade the heralds call the people to a
council man by man, but not to cry the matter aloud; he made haste
also himself to call them, and they sat sorry at heart in their
assembly. Agamemnon shed tears as it were a running stream or cataract
on the side of some sheer cliff; and thus, with many a heavy sigh he
spoke to the Achaeans. “My friends,” said he, “princes and councillors
Of the Argives, the hand of heaven has been laid heavily upon me.
Cruel Jove gave me his solemn promise that I should sack the city of
Troy before returning, but he has played me false, and is now
bidding me go ingloriously back to Argos with the loss of much people.
Such is the will of Jove, who has laid many a proud city in the dust
as he will yet lay others, for his power is above all. Now, therefore,
let us all do as I say and sail back to our own country, for we
shall not take Troy.”
  Thus he spoke, and the sons of the Achaeans for a long while sat
sorrowful there, but they all held their peace, till at last Diomed of
the loud battle-cry made answer saying, “Son of Atreus, I will chide
your folly, as is my right in council. Be not then aggrieved that I
should do so. In the first place you attacked me before all the
Danaans and said that I was a coward and no soldier. The Argives young
and old know that you did so. But the son of scheming Saturn endowed
you by halves only. He gave you honour as the chief ruler over us, but
valour, which is the highest both right and might he did not give you.
Sir, think you that the sons of the Achaeans are indeed as unwarlike
and cowardly as you say they are? If your own mind is set upon going
home—go—the way is open to you; the many ships that followed you
from Mycene stand ranged upon the seashore; but the rest of us stay
here till we have sacked Troy. Nay though these too should turn
homeward with their ships, Sthenelus and myself will still fight on
till we reach the goal of Ilius, for for heaven was with us when we
came.”
  The sons of the Achaeans shouted applause at the words of Diomed,
and presently Nestor rose to speak. “Son of Tydeus,” said he, “in
war your prowess is beyond question, and in council you excel all
who are of your own years; no one of the Achaeans can make light of
what you say nor gainsay it, but you have not yet come to the end of
the whole matter. You are still young—you might be the youngest of my
own children—still you have spoken wisely and have counselled the
chief of the Achaeans not without discretion; nevertheless I am
older than you and I will tell you every” thing; therefore let no man,
not even King Agamemnon, disregard my saying, for he that foments
civil discord is a clanless, hearthless outlaw.
  “Now, however, let us obey the behests of night and get our suppers,
but let the sentinels every man of them camp by the trench that is
without the wall. I am giving these instructions to the young men;
when they have been attended to, do you, son of Atreus, give your
orders, for you are the most royal among us all. Prepare a feast for
your councillors; it is right and reasonable that you should do so;
there is abundance of wine in your tents, which the ships of the
Achaeans bring from Thrace daily. You have everything at your disposal
wherewith to entertain guests, and you have many subjects. When many
are got together, you can be guided by him whose counsel is wisest-
and sorely do we need shrewd and prudent counsel, for the foe has
lit his watchfires hard by our ships. Who can be other than
dismayed? This night will either be the ruin of our host, or save it.”
  Thus did he speak, and they did even as he had said. The sentinels
went out in their armour under command of Nestor’s son Thrasymedes,
a captain of the host, and of the bold warriors Ascalaphus and
Ialmenus: there were also Meriones, Aphareus and Deipyrus, and the son
of Creion, noble Lycomedes. There were seven captains of the
sentinels, and with each there went a hundred youths armed with long
spears: they took their places midway between the trench and the wall,
and when they had done so they lit their fires and got every man his
supper.
  The son of Atreus then bade many councillors of the Achaeans to
his quarters prepared a great feast in their honour. They laid their
hands on the good things that were before them, and as soon as they
had enough to eat and drink, old Nestor, whose counsel was ever
truest, was the first to lay his mind before them. He, therefore, with
all sincerity and goodwill addressed them thus.
  “With yourself, most noble son of Atreus, king of men, Agamemnon,
will I both begin my speech and end it, for you are king over much
people. Jove, moreover, has vouchsafed you to wield the sceptre and to
uphold righteousness, that you may take thought for your people
under you; therefore it behooves you above all others both to speak
and to give ear, and to out the counsel of another who shall have been
minded to speak wisely. All turns on you and on your commands,
therefore I will say what I think will be best. No man will be of a
truer mind than that which has been mine from the hour when you,
sir, angered Achilles by taking the girl Briseis from his tent against
my judgment. I urged you not to do so, but you yielded to your own
pride, and dishonoured a hero whom heaven itself had honoured—for you
still hold the prize that had been awarded to him. Now, however, let
us think how we may appease him, both with presents and fair
speeches that may conciliate him.”
  And King Agamemnon answered, “Sir, you have reproved my folly
justly. I was wrong. I own it. One whom heaven befriends is in himself
a host, and Jove has shown that he befriends this man by destroying
much people of the Achaeans. I was blinded with passion and yielded to
my worser mind; therefore I will make amends, and will give him
great gifts by way of atonement. I will tell them in the presence of
you all. I will give him seven tripods that have never yet been on the
fire, and ten talents of gold. I will give him twenty iron cauldrons
and twelve strong horses that have won races and carried off prizes.
Rich, indeed, both in land and gold is he that has as many prizes as
my horses have won me. I will give him seven excellent workwomen,
Lesbians, whom I chose for myself when he took ******—all of
surpassing beauty. I will give him these, and with them her whom I
erewhile took from him, the daughter of Briseus; and I swear a great
oath that I never went up into her couch, nor have been with her after
the manner of men and women.
  “All these things will I give him now down, and if hereafter the
gods vouchsafe me to sack the city of Priam, let him come when we
Achaeans are dividing the spoil, and load his ship with gold and
bronze to his liking; furthermore let him take twenty Trojan women,
the loveliest after Helen herself. Then, when we reach Achaean
Argos, wealthiest of all lands, he shall be my son-in-law and I will
show him like honour with my own dear son Orestes, who is being
nurtured in all abundance. I have three daughters, Chrysothemis,
Laodice, and lphianassa, let him take the one of his choice, freely
and without gifts of wooing, to the house of Peleus; I will add such
dower to boot as no man ever yet gave his daughter, and will give
him seven well established cities, Cardamyle, Enope, and Hire, where
there is grass; holy Pherae and the rich meadows of Anthea; Aepea
also, and the vine-clad slopes of Pedasus, all near the sea, and on
the borders of sandy Pylos. The men that dwell there are rich in
cattle and sheep; they will honour him with gifts as though he were
a god, and be obedient to his comfortable ordinances. All this will
I do if he will now forgo his anger. Let him then yieldit is only
Hades who is utterly ruthless and unyielding—and hence he is of all
gods the one most hateful to mankind. Moreover I am older and more
royal than himself. Therefore, let him now obey me.”
  Then Nestor answered, “Most noble son of Atreus, king of men,
Agamemnon. The gifts you offer are no small ones, let us then send
chosen messengers, who may go to the tent of Achilles son of Peleus
without delay. Let those go whom I shall name. Let Phoenix, dear to
Jove, lead the way; let Ajax and Ulysses follow, and let the heralds
Odius and Eurybates go with them. Now bring water for our hands, and
bid all keep silence while we pray to Jove the son of Saturn, if so be
that he may have mercy upon us.”
  Thus did he speak, and his saying pleased them well. Men-servants
poured water over the hands of the guests, while pages filled the
mixing-bowls with wine and water, and handed it round after giving
every man his drink-offering; then, when they had made their
offerings, and had drunk each as much as he was minded, the envoys set
out from the tent of Agamemnon son of Atreus; and Nestor, looking
first to one and then to another, but most especially at Ulysses,
was instant with them that they should prevail with the noble son of
Peleus.
  They went their way by the shore of the sounding sea, and prayed
earnestly to earth-encircling Neptune that the high spirit of the
son of Aeacus might incline favourably towards them. When they reached
the ships and tents of the Myrmidons, they found Achilles playing on a
lyre, fair, of cunning workmanship, and its cross-bar was of silver.
It was part of the spoils which he had taken when he sacked the city
of Eetion, and he was now diverting himself with it and singing the
feats of heroes. He was alone with Patroclus, who sat opposite to
him and said nothing, waiting till he should cease singing. Ulysses
and Ajax now came in—Ulysses leading the way -and stood before him.
Achilles sprang from his seat with the lyre still in his hand, and
Patroclus, when he saw the strangers, rose also. Achilles then greeted
them saying, “All hail and welcome—you must come upon some great
matter, you, who for all my anger are still dearest to me of the
Achaeans.”
  With this he led them forward, and bade them sit on seats covered
with purple rugs; then he said to Patroclus who was close by him, “Son
of Menoetius, set a larger bowl upon the table, mix less water with
the wine, and give every man his cup, for these are very dear friends,
who are now under my roof.”
  Patroclus did as his comrade bade him; he set the chopping-block
in front of the fire, and on it he laid the **** of a sheep, the
**** also of a goat, and the chine of a fat hog. Automedon held the
meat while Achilles chopped it; he then sliced the pieces and put them
on spits while the son of Menoetius made the fire burn high. When
the flame had died down, he spread the embers, laid the spits on top
of them, lifting them up and setting them upon the spit-racks; and
he sprinkled them with salt. When the meat was roasted, he set it on
platters, and handed bread round the table in fair baskets, while
Achilles dealt them their portions. Then Achilles took his seat facing
Ulysses against the opposite wall, and bade his comrade Patroclus
offer sacrifice to the gods; so he cast the offerings into the fire,
and they laid their hands upon the good things that were before
them. As soon as they had had enough to eat and drink, Ajax made a
sign to Phoenix, and when he saw this, Ulysses filled his cup with
wine and pledged Achilles.
  “Hail,” said he, “Achilles, we have had no scant of good cheer,
neither in the tent of Agamemnon, nor yet here; there has been
plenty to eat and drink, but our thought turns upon no such matter.
Sir, we are in the face of great disaster, and without your help
know not whether we shall save our fleet or lose it. The Trojans and
their allies have camped hard by our ships and by the wall; they
have lit watchfires throughout their host and deem that nothing can
now prevent them from falling on our fleet. Jove, moreover, has sent
his lightnings on their right; Hector, in all his glory, rages like
a maniac; confident that Jove is with him he fears neither god nor
man, but is gone raving mad, and prays for the approach of day. He
vows that he will hew the high sterns of our ships in pieces, set fire
to their hulls, and make havoc of the Achaeans while they are dazed
and smothered in smoke; I much fear that heaven will make good his
boasting, and it will prove our lot to perish at Troy far from our
home in Argos. Up, then, and late though it be, save the sons of the
Achaeans who faint before the fury of the Trojans. You will repent
bitterly hereafter if you do not, for when the harm is done there will
be no curing it; consider ere it be too late, and save the Danaans
from destruction.
  “My good friend, when your father Peleus sent you from Phthia to
Agamemnon, did he not charge you saying, ‘Son, Minerva and Juno will
make you strong if they choose, but check your high temper, for the
better part is in goodwill. Eschew vain quarrelling, and the
Achaeans old and young will respect you more for doing so.’ These were
his words, but you have forgotten them. Even now, however, be
appeased, and put away your anger from you. Agamemnon will make you
great amends if you will forgive him; listen, and I will tell you what
he has said in his tent that he will give you. He will give you
seven tripods that have never yet been on the fire, and ten talents of
gold; twenty iron cauldrons, and twelve strong horses that have won
races and carried off prizes. Rich indeed both in land and gold is
he who has as many prizes as these horses have won for Agamemnon.
Moreover he will give you seven excellent workwomen, Lesbians, whom he
chose for himself, when you took ******—all of surpassing beauty.
He will give you these, and with them her whom he erewhile took from
you, the daughter of Briseus, and he will swear a great oath, he has
never gone up into her couch nor been with her after the manner of men
and women. All these things will he give you now down, and if
hereafter the gods vouchsafe him to sack the city of Priam, you can
come when we Achaeans are dividing the spoil, and load your ship
with gold and bronze to your liking. You can take twenty Trojan women,
the loveliest after Helen herself. Then, when we reach Achaean
Argos, wealthiest of all lands, you shall be his son-in-law, and he
will show you like honour with his own dear son Orestes, who is
being nurtured in all abundance. Agamemnon has three daughters,
Chrysothemis, Laodice, and Iphianassa; you may take the one of your
choice, freely and without gifts of wooing, to the house of Peleus; he
will add such dower to boot as no man ever yet gave his daughter,
and will give you seven well-established cities, Cardamyle, Enope, and
Hire where there is grass; holy Pheras and the rich meadows of Anthea;
Aepea also, and the vine-clad slopes of Pedasus, all near the sea, and
on the borders of sandy Pylos. The men that dwell there are rich in
cattle and sheep; they will honour you with gifts as though were a
god, and be obedient to your comfortable ordinances. All this will
he do if you will now forgo your anger. Moreover, though you hate both
him and his gifts with all your heart, yet pity the rest of the
Achaeans who are being harassed in all their host; they will honour
you as a god, and you will earn great glory at their hands. You
might even **** Hector; he will come within your reach, for he is
infatuated, and declares that not a Danaan whom the ships have brought
can hold his own against him.”
  Achilles answered, “Ulysses, noble son of Laertes, I should give you
formal notice plainly and in all fixity of purpose that there be no
more of this cajoling, from whatsoever quarter it may come. Him do I
hate even as the gates of hell who says one thing while he hides
another in his heart; therefore I will say what I mean. I will be
appeased neither by Agamemnon son of Atreus

So many years,
These hands, now old,
Have worked at the table,
kneading and rolling dough,
Testing texture,
Adding raisins,
Walnuts,
Sugar,
Sprinkling cinnamon.

Warming the oven,
Waiting for the dough
To rise,
Sliding trays onto hot racks,
Marking time....

She sits on her walker's chair
Looks up into the camera
"Oh, don't take my picture!"
But how can we not?
Adding these images
To the memories,
To the moment.

The scent of baking bread,
Cinnamon,
Raisins,
Fills the room,
With 40 years' remembering...
Time stops,
Time reverses.

The ones who stopped in...
Dad,
Brother,
Sister,
Gram,
Hired Men,
Grandchildren,
Neighbors passing by...
Some now long gone...
After all, they were
Only stopping in...

"To grab a bite"
On their way to the barn,
On their way by the farm,
On their way to fields,
On their way to the phone,
On their way to town...,
But really to stop
For cinnamon, raisins, walnuts
Twisted into fresh, hot bread,
And a cool glass of milk.

And death shall have no dominion.
Dead mean naked they shall be one
With the man in the wind and the west moon;
When their bones are picked clean and the clean bones gone,
They shall have stars at elbow and foot;
Though they go mad they shall be sane,
Though they sink through the sea they shall rise again;
Though lovers be lost love shall not;
And death shall have no dominion.

And death shall have no dominion.
Under the windings of the sea
They lying long shall not die windily;
Twisting on racks when sinews give way,
Strapped to a wheel, yet they shall not break;
Faith in their hands shall snap in two,
And the unicorn evils run them through;
Split all ends up they shan't crack;
And death shall have no dominion.

And death shall have no dominion.
No more may gulls cry at their ears
Or waves break loud on the seashores;
Where blew a flower may a flower no more
Lift its head to the blows of the rain;
Through they be mad and dead as nails,
Heads of the characters hammer through daisies;
Break in the sun till the sun breaks down,
And death shall have no dominion.

There's a big deal made these days
About ****** harassment at work
And quite rightly so
Who needs a heavy breathing half-wit
Slobbering over them at work?
Or anywhere else
If it comes to that

But I remember a time
Oh what a time
When I started work in the sixties
As a bobbin boy in the mills
And when mill girls
Were wild wild women
And we were their targets
We became swift of wit and feet
Very quickly

And I remember clearly when
Dear old "Make 'em 'ave it Phil" Doris
Grabbed Dougie Hibbert on his own
Hiding in the bobbin racks
She put his **** in a milk bottle
Then horned him up so he couldn't
Get the **** thing off
Then shouted everyone
To come and see

                               By Phil Roberts

That tapestry,
Red, Black, Gold
A Celtic Circle--
silently bearing witness
to the proceedings
of that smoky room:

The aquariums--one with
the large eel who seemed
to barely fit the tank
that took up half the wall;
and the smaller, vibrantly
colored fish in the
aquarium with the eggshell
colored coral.

The remixed music played
at a comfortable volume,
by the DJ we knew
so well, together;
as many times
it hardly seemed like
he was working at all,
as he just sat down and
talked to us, for hours.

Looking through
those over-sized books of
old advertisements,
and explanations of
historical artwork;
discussing the contents
with strangers,
who became friends
in the process.

Smoke billowed, enveloping
the atmosphere and filling it
with the smell of many spice
racks, pleasantly rolled in a
shell of a soft breeze
flowing from the oscillating fan.

The smell of joy,
of a relaxed sense of mutual
understanding; that it was okay
not to say a word, because the
atmosphere did the talking
for us.

We just enjoyed sitting
on those red pleather couches
that your **** sank back into,
not allowing my feet to touch
the floor; so they often just
dangled, legs swinging
to the tempo of the music.

As I took a hit
of the hookah,
I manipulated the smoke
into O's, puckering
my lips, trying not
to laugh as you
gazed at me in a
shy sense of wonder.

That face always made you
want to kiss me.

They said that I could be whatever my heart desired
But I don't know what I want; All I know is that I'm tired
The world's too big for someone like me
The world's too small to fit people comfortably
The cities are jam-packed and all of the bodies
Are writhing and bending like awkward pilates
But the abs don't develop, the friendship's avoided
The only way to the top is to blood dope and 'roid it
There's no one that smiles as I climb on the train
And true, my own smile I made plans to retain
But maybe that's it! We've got a vicious rotation
Of these serious faces, a shy person's vocation
"Put up the wall!" cries the brain in a fright
The same little voice that grabs the wall switch at night
So let's bring them all out of the hand-painted shell
That covers them up and locks them in so well
But back to the start, I don't know what I'll be
And it's so hard to think with these people around me
They crowd up the alleys, the houses, the street
And it's funny, two strangers with same routes don't meet
We wrap ourselves up with the survival of the day
And we become more robotic as our humanity slips away
We entertain the thought that we're cognitively higher
And we've been doing that since Prometheus stole the fire
We've got all our gadgets ideas and tools
And we set codes of standards and morality rules
Sure maybe we're self-governing and make our own laws
But how does this make us above those with paws?
Are we wholly smarter by gift of this tech?
Because it seems to me that the world is a wreck
We took over the planet with ignorant spreading
Closer and closer the moment we've been dreading
Is nearing the Earth through the vast population
We're nearing the point where we'll need a space station
To hold all the people, too eager to quit it
To keep it in your pants, think before you hit it
To keep our races intact, to ensure man's survival
We're our very best customer and salesman and rival
"Help yourself and I'll be right along"
Is the tired old phrase, the motivation song
And some things you can change and fix with a thought
But the number of things that need more? Quite a lot
You can't save a nation just by a mental notion
There's no telepathic messenger who will fly across the ocean
On the wings and dreams of the oldest dragon
Whilst carrying the remedy in a silver flagon
There's no Wish Police who will answer your calls
And pull down their Fix-it Guns from the racks in the halls
So to move a nation, you might think it funny
But the thing that speaks to all is valid currency: money
To make all the changes you wished up in there
You've got to pull out the cash and flip back your hair
Make a statement that sure, you've no clue what you're doing
But you're willing to try, and while politicians sit stewing
Over who voted how and which bill not to pass
"The elephant says yea; Let's legalize grass!"
None of that matters if you get full support
And when you work for the world, who takes you to court?
So I guess the whole point, the big picture theme
Is that changing the world will take more than a meme
It involves more than **** and ******* and wines
It's more than those selfies and twerking and vines
It's more than that petty stuff you find so amusing
The internet was information, but you all are abusing
You muddle up facts with your silly fan fiction
U and I are ovr because you've bastardized the diction
The syntax is wrong, there are so many errors
These are but one of the grammatical terrors
That plague the nation, plague the world
The torch is passed and the baton twirled
The next generation knows no better
Than to follow our actions to the letter
What can they change when we've taken it all
And compacted it down to six summer weeks small
The information they're using is paraphrased
And the original sources have been erased
To make more room in the data banks
For storing the info on nukes and rebel tanks
Let's all converse and stop these risk stunts
Grab the bat from the player; "Take a risk, not a bunt!"
Change to the world has got to be swift and loud
Stop mumbling ideas when you can shout at the clouds
Let loose the brain you've kept locked away
And shout at the world; let them hear you today
What will I be? Well, I've got to make dough
To make waves in the world and change it, you know
I'll do what I can, within moral reason
To gain leverage on everything and it might become treason
To fix the whole world using ideas and cash
But I'd much rather my back feel the sting of the lash
Than condemn my mind to the essential lobotomy
My only medical surrender will be to phlebotomy
So take out my blood and my money too
If the world's gonna change, I've got to learn to trust you
That will be our base, our motto and creed
To strive for the change fueled by trust, not by greed

Ye distant spires, ye antique towers,
That crown the watery glade,
Where grateful Science still adores
Her Henry’s holy shade;
And ye, that from the stately brow
Of Windsor’s heights th’ expanse below
Of grove, of lawn, of mead survey,
Whose turf, whose shade, whose flowers among
Wanders the hoary Thames along
His silver-winding way.

Ah happy hills, ah pleasing shade,
Ah fields beloved in vain,
Where once my careless childhood strayed,
A stranger yet to pain!
I feel the gales, that from ye blow,
A momentary bliss bestow,
As waving fresh their gladsome wing
My weary soul they seem to soothe,
And, redolent of joy and youth,
To breathe a second spring.

Say, Father Thames, for thou hast seen
Full many a sprightly race
Disporting on thy margent green
The paths of pleasure trace,
Who foremost now delight to cleave
With pliant arm thy glassy wave?
The captive linnet which enthral?
What idle progeny succeed
To chase the rolling circle’s speed,
Or urge the flying ball?

While some on earnest business bent
Their murm’ring labours ply
‘Gainst graver hours, that bring constraint
To sweeten liberty:
Some bold adventurers disdain
The limits of their little reign,
And unknown regions dare descry:
Still as they run they look behind,
They hear a voice in every wind,
And ****** a fearful joy.

Gay hope is theirs by fancy fed,
Less pleasing when possest;
The tear forgot as soon as shed,
The sunshine of the breast:
Theirs buxom health of rosy hue,
Wild wit, invention ever-new,
And lively cheer of vigour born;
The thoughtless day, the easy night,
The spirits pure, the slumbers light,
That fly th’ approach of morn.

Alas! regardless of their doom
The little victims play!
No sense have they of ills to come,
Nor care beyond today:
Yet see how all around ’em wait
The Ministers of human fate,
And black Misfortune’s baleful train!
Ah, show them where in ambush stand,
To seize their prey, the murd’rous band!
Ah, tell them they are men!

These shall the fury Passions tear,
The vultures of the mind,
Disdainful Anger, pallid Fear,
And Shame that skulks behind;
Or pining Love shall waste their youth,
Or Jealousy with rankling tooth,
That inly gnaws the secret heart,
And Envy wan, and faded Care,
Grim-visaged comfortless Despair,
And Sorrow’s piercing dart.

Ambition this shall tempt to rise,
Then whirl the wretch from high,
To bitter Scorn a sacrifice,
And grinning Infamy.
The stings of Falsehood those shall try,
And hard Unkindness’ altered eye,
That mocks the tear it forced to flow;
And keen Remorse with blood defiled,
And moody Madness laughing wild
Amid severest woe.

Lo, in the vale of years beneath
A grisly troop are seen,
The painful family of Death,
More hideous than their Queen:
This racks the joints, this fires the veins,
That every labouring sinew strains,
Those in the deeper vitals rage:
Lo, Poverty, to fill the band,
That numbs the soul with icy hand,
And slow-consuming Age.

To each his suff’rings: all are men,
Condemned alike to groan;
The tender for another’s pain,
Th’ unfeeling for his own.
Yet ah! why should they know their fate?
Since sorrow never comes too late,
And happiness too swiftly flies.
Thought would destroy their paradise.
No more;—where ignorance is bliss,
’Tis folly to be wise.

Awake, Æolian lyre, awake,
And give to rapture all thy trembling strings.
From Helicon’s harmonious springs
A thousand rills their mazy progress take:
The laughing flowers that round them blow
Drink life and fragrance as they flow.
Now the rich stream of Music winds along,
Deep, majestic, smooth, and strong,
Thro’ verdant vales, and Ceres’ golden reign;
Now rolling down the steep amain,
Headlong, impetuous, see it pour;
The rocks and nodding groves re-bellow to the roar.

Oh! Sov’reign of the willing soul,
Parent of sweet and solemn-breathing airs,
Enchanting shell! the sullen Cares
And frantic Passions hear thy soft control.
On Thracia’s hills the Lord of War
Has curbed the fury of his car,
And dropt his thirsty lance at thy command.
Perching on the sceptred hand
Of Jove, thy magic lulls the feathered king
With ruffled plumes and flagging wing:
Quenched in dark clouds of slumber lie
The terror of his beak, and lightnings of his eye.

Thee the voice, the dance, obey,
Tempered to thy warbled lay.
O’er Idalia’s velvet-green
The rosy-crowned Loves are seen
On Cytherea’s day,
With antic Sport, and blue-eyed Pleasures,
Frisking light in frolic measures;
Now pursuing, now retreating,
Now in circling troops they meet:
To brisk notes in cadence beating
Glance their many-twinkling feet.
Slow melting strains their Queen’s approach declare:
Where’er she turns the Graces homage pay.
With arms sublime that float upon the air
In gliding state she wins her easy way:
O’er her warm cheek and rising ***** move
The bloom of young Desire and purple light of Love.

Man’s feeble race what ills await!
Labour, and Penury, the racks of Pain,
Disease, and Sorrow’s weeping train,
And Death, sad refuge from the storms of Fate!
The fond complaint, my song, disprove,
And justify the laws of Jove.
Say, has he giv’n in vain the heav’nly Muse?
Night and all her sickly dews,
Her sceptres wan, and birds of boding cry,
He gives to range the dreary sky;
Till down the eastern cliffs afar
Hyperion’s march they spy, and glitt’ring shafts of war.

In climes beyond the solar road,
Where shaggy forms o’er ice-built mountains roam,
The Muse has broke the twilight gloom
To cheer the shivering Native’s dull abode.
And oft, beneath the od’rous shade
Of Chili’s boundless forests laid,
She deigns to hear the savage youth repeat,
In loose numbers wildly sweet,
Their feather-cinctured chiefs, and dusky loves.
Her track, where’er the Goddess roves,
Glory pursue, and gen’rous Shame,
Th’ unconquerable Mind, and Freedom’s holy flame.

Woods, that wave o’er Delphi’s steep,
Isles, that crown th’ Ægean deep,
Fields that cool Ilissus laves,
Or where Mæander’s amber waves
In lingering lab’rinths creep,
How do your tuneful echoes languish,
Mute, but to the voice of anguish!
Where each old poetic mountain
Inspiration breathed around;
Ev’ry shade and hallowed fountain
Murmured deep a solemn sound:
Till the sad Nine, in Greece’s evil hour,
Left their Parnassus for the Latian plains.
Alike they scorn the pomp of tyrant Power,
And coward Vice, that revels in her chains.
When Latium had her lofty spirit lost,
They sought, Oh Albion! next thy sea-encircled coast.

Far from the sun and summer-gale,
In thy green lap was Nature’s Darling laid,
What time, where lucid Avon strayed,
To him the mighty mother did unveil
Her awful face: the dauntless child
Stretched forth his little arms, and smiled.
“This pencil take (she said), whose colours clear
Richly paint the vernal year:
Thine too these golden keys, immortal Boy!
This can unlock the gates of Joy;
Of Horror that, and thrilling Fears,
Or ope the sacred source of sympathetic Tears.”

Nor second he, that rode sublime
Upon the seraph-wings of Ecstasy,
The secrets of th’ Abyss to spy.
He passed the flaming bounds of place and time:
The living Throne, the sapphire-blaze,
Where Angels tremble while they gaze,
He saw; but, blasted with excess of light,
Closed his eyes in endless night.
Behold where Dryden’s less presumptuous car
Wide o’er the fields of glory bear
Two coursers of ethereal race,
With necks in thunder clothed, and long-resounding pace.

Hark, his hands the lyre explore!
Bright-eyed Fancy, hovering o’er,
Scatters from her pictured urn
Thoughts that breathe, and words that burn.
But ah! ’tis heard no more—
Oh! Lyre divine, what daring Spirit
Wakes thee now? Though he inherit
Nor the pride, nor ample pinion,
That the Theban eagle bear,
Sailing with supreme dominion
Through the azure deep of air:
Yet oft before his infant eyes would run
Such forms as glitter in the Muse’s ray,
With orient hues, unborrowed of the Sun:
Yet shall he mount, and keep his distant way
Beyond the limits of a ****** fate,
Beneath the Good how far—but far above the Great.

1937

bushido invasion
memory still vivid in the Chinese
of a slaughter
prisoners
chopped and lobbed into the river
display their heads
let the next line kiss the remains
but the time is ticking
and the water is only pink
prisoners
mowed down
with bullets
and laughter
they can turn and swim
Japanese aim is good
not one makes it to the other side
the pink
is a deep red flood
becoming a dam
with the bodies of
children
ladies
gentlemen

why did those murdered forget
the purple mountain legend
when it burns
the city falls
why did they not flee faster

the policy issued
plunder
burn
******
do not let that little boy
take revenge
5 years old
they severed him

Japanese leaders saw a chance
to remove any pity
in the solider
they ripped out
humanity
inserted
brutality

training exercise
hoist your bayonet
plunge forward
twist
extract
plunge
twist
extract
men with bound wrists
considered subhuman
butchered
plunge
twist
spit

routine puts soldiers at a disadvantage
fire is added
fields are swamped with oil
and laced with people
patrolled edges
keep the cries alive
the only release
death

movement is needed
tanks must pass
chatting soldiers hang out the sides
wheels roll over the bodies
filling the ditches
carcasses
and
wounded
if there is not enough
they found the closest Chinese
and added it to the pile

competition
2 leaders
in a fight to show superiority
uptake a challenge
to win is 100
swords are withdrawn
ignore its' eyes
the race
a beheading
lost count
up the stakes
150

only the beginning
for the women

a hunt commences
females do not leave the house
there is not one in the streets
rounded up
army trucks
bringing in loads
******* like animals
chained to racks
*****
commonly gang-*****
bleeding to death
aged under 8
over 80
a pregnant women
***** to death
her fetus cut out
and destroyed
encouragement
from higher ups

and the advice given
pikankan is acceptable
every warrior should
do not let them talk
**** the pigs
when they are done being women

more than 20,000
maybe less than 80,000
defiled
in the carnage

journalist support
with authentic recounts

but with time
confused hospitalization
of the soldiers
who puked every meal
and gagged from inside out
as the horrors ate them

the only relief
an international safety zone
perhaps 20 Westerners
to help a mere 300,000
only half
at intervals
Japanese crossed the fence
for the women hunt
for Chinese soldiers
recognized by calloused hands

irony
******* on a Westerner arm
a symbol
as he aided
survivors of the massacre
and the Nazis in Nanking
aghast
leaked information
on the horrors
and
****** ordered silence

a single surgeon
a lucky boy with only one bayonet puncture
another
missing eyes
missing ears
half a nose from
100 tied together
set on fire

Japanese photography
of bonding moments
as they watched
a house packed tight
panicked people on roofs
to escape flames
jumping

6-8 weeks later

more refined brutality
enforced prostitution
and intake of *****
****** cigarettes for children

the West
in ignorance
watched the German rise
forgot responsibility
to humanity
in the Asian wars

no apology
denial
unfair hatred
of later innocent Japanese generations
mention of Hiroshima
amuses some Chinese
doesn't bother others
it's not everyone
that's still too many

lacking sympathy
the road to brutality
lingers

Soft shapes touch a child's finger,
Memories of their sweetness linger--
Helping grandma roll the dough
In her kitchen long ago.

I like the shape your cookies take
When they spread out as they bake,
Like the changing shapes of crowds,
Melting snow or summer clouds.

Oven-hot and placed on racks,
Lined up , lying on their backs,
Coming from a single batch,
But none of them a perfect match.

Toll house cookies, soft, convex,
Each perfection, like the next:
Chocolate chips their surface grace--
Freckles on a child's face.

Pecan ball aren't perfect spheres,
But they're gentle little dears:
Bottoms flat, sides dented slightly,
With white sugar sprinkled lightly.

Sugar cookies cold days cheer,
Shaped like angles and reindeer
Glazed with frosting sweet and white,
Decked with sprinkles all delight.  

Santa's Whiskers, coconut rolled,
Long fat logs of sugared dough,
Cut in portions smooth and round,
Pecan bits, cherries abound.  

Molasses crinkles' faces lined
Like old men's--the friendly kind--
With lines like back roads on a map,
Dunked in milk before a nap.

Oatmeal cookies, shapes amorphous
Juicy raisins budge enormous,
Semi-blobs, their texture rough,
Sometimes packed with nuts and stuff.

So many cookies through our life,
Since we became husband and wife,
In their sweet aroma and taste
Years rushed by like cars in a race.

Looking at their shapes diverse
Reminds me of our love at first:
We weren't sure just where we'd go
And all we had was cookie dough.

I talk about my struggles with her Sister
While she bounces lemonade in a jug The old fashion-way
And serves me some in a champagne Glass
She hangs her clothes on department Store racks
With Picasso leaning on a wall
She doesn't have a phone
And neither does her boyfriend  
They never met on one
But she uses one to call me on a Friday Night when I'm
Alone

We drive downtown to Wazee's with Two punk rockers
They order a pitcher of beer
And tell us they'll be back in a few - A few is a long concept to them

We pay the tab
And walk up 15th street to Colfax to Grant
Where she decides to see her boyfriend
She says she'll buy a ball so we can Shoot some hoop
Jazz on Jeanie, Jazz on!

Don't doubt mute cause you kronor it's Roth

Code is back and uh t tÿ he's ready to slam


Yea... What madly           You can't fight me,, und you can't tough me

I should do ill **** me







I'll send tat mess die to Yao mother, pang pang Ching young



Woe rhyming so how you bites you r bubble dust

Behind my apartment complex
is a small creek
dry most of the year and filled
with trash
it gurgles this time of year with
brown foamy water
the wash of industrial civilization
at first the smell is foul, but now
is merely murky and there is no
smell and a pleasing sound of water

I look for signs of coziness around me
and I notice steam rising from the laundry
room that is visible in the cold
like a chimney puffing comfy smoke
into the rainy air

And I think of you and I'm afraid
I thought of you in Walmart
My life--this is the real thing
there are no romantic castles, only
a wet shopping cart in a crowded exploitive store
As I passed by the packaged vegetables
and stared at the racks and racks of ugly clothes
I thought, I am in control

The fear wells up inside of me
fear of HIM.  That him who squashed me
who took over my mind
I think of all the books I read, as people pass
by with very important shopping to do and
a homeless man makes a decision about which milk to buy
and he smells horrible, like decay and wetness
and people resent him and I wish
there were no homeless people
I wish there was more caring and less brutality in our world.

The key is not to care about HIM until you know who he is
The key is to keep your distanced mind in judgement
And I must remember this key because I swear
no one will ever hurt me that much again.

I am a hidden creek, a pristine one, because I would
never hurt the natural world as we have
He cannot see it, or any other he, until
I know exactly who he is.

Customers have torn open the Christmas
chocolates. Shoving it in mouths,
shopping bags, children’s eyes.
Quiet. We are shopping. as. a. family.
Smoke accordions out of Santa’s mailbox. The sprinkler system
hisses stale air. Custodians ride by on their metal cart laughing,
sanitation chemicals flickering out of buckets.
The 80 year-old piano player is hammering out Schoenberg.
Customers shove lamps into their shopping bags, shove children
into them.
Turn on the light Jimmy.
The ninth floor is barricaded off by old woman. They
have turned the clearance divans on their sides
and are throwing toasters. Down in the basement,
the security staff have locked themselves into 2’ by 2’
cells. Fetally-positioned, their panting echoes off stone walls. Static
sizzles on the array of sixteen camera screens. Customers
have begin to bow in the reinforced door next to the two-way mirror.
A fat man is leaning against it. He has been dead
for over an hour. Restaurant staff are tearing
down the great tree. Ornaments funnel down pop-crashing
upwards from the floor. Three pound ceramic dinnerware crashes
into the walnut bar The customers are putting mattresses in their bags,
they are putting the offices in their bags. Human resources
are backed into the employee orientation computer lab. Customers
have poured Starbucks on the circuit-breakers. The lights are dimming,
Escalators are jamming. Children scream
I want to see Santa.
Santa is dead. Employees calmly walk over  his protruding
belly. The velvet and fat feels good on tired
feet. An inhuman voice garbles
The store will be closing.
Families grab onto shelves, racks, other
families. Employees pick up the registers and slam
them on granite counters. Coins explode out like bells. The rotating
doors are not spinning. They are stuck, crunching on limbs.