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CK Baker Feb 2017
There were dividing lines
between springfield
and mariners gate
soft, subtle lines
that spoke of origin
and code
and biting union

it was all
the reason
for being;
to be alive
and living
dead or dying
deep in a pack
of pint size resistors
**** bent on the
marsh crow
and cannabis tower
jumping the rush
with *** shots
and anchors
and tribunals

camouflage creepers
and transient floaters
marked rebellion at the gates
(skullduggery and taunt
high on their favor list)
jack straws and flat paddles
for the evening charade
beakers and flailing hands
from the foot washing baptist
(the pleasant street conservatives with their
own something to say…“there’s gonna be **** to pay!”)

there's a
lingering effect
to this sentiment
(evident in the pump house stride)
the river winds
blow gently
into the night
as the huddling packers
and **** backs
chase the evening hours

it’s a bitter sweet
end of an era;
those traction bars
hood scoops
and nickel bags
will always
be the rage
Imagine a Person
just like you
living parallel to you
their life a parallel line to yours
a Person who finds the same thrills as you
loves nothing more than your favorite artist
your passions exactly the same
living your life
singing your songs
painting your paintings
a Person so uncannily made for you
someone that you would instantly click with
someone that would watch sunsets with you
someone you would never let go of till the day you die.
someone impossible
because you just never quite meet
someone you just miss by some cruel circumstance
and you'll always miss them
because you see the thing about parallel lines
they never meet
Lost
Empty
Apathetic
Varying degrees of self hatred
Effortlessly breaking me down

Making me doubt
Everything we ever were

Asking politely
Let me be
Or learn to grow
Not digress
Existing in solitude is what I do best
Just disappearing
isn't possible
when it takes
so long for
a rock wall
to erode away

  The wind
is the only one
that sees you,
and its silence
grinds down
from the inside out
a mountain
too high to climb


  It's hard to forget
swelling words
spoken under the breath
of the voice of silence,
when your hands
are lined with all
that they ever have;

still bearing
every latent piece
that breaks off
tryin' to keep
from the sight
of another
tempest storm gale
moving worlds

  So I'm going
way outside
the edge of the inside;
crossing over
way outside the lines
covered by gathered
windblown life fractals
 
  Though I may not
get back in again,
way outside the lines,
or I might not
even want to ...
you can’t go back
the same way
you came,
everything changes
while you're gone
even if you DO notice

  Gravity pulls
with the strength
of a turning tide:
you can try
and fight it,
but you can't stop
its running downhill
looking behind
your eyes, trying
to take you back
the same way you
went way outside
  the lines ...


        Jesse
.
  04 April 2018
sophia Oct 2017
I could travel from miles away holding the same book but the feel of every page will never grasp my heartfelt grip of this certain chapter and i’m not moving on, never again.

he’s my favourite story.
veritas Aug 18
red stains, fading, cracked, scented

     if i kissed your prints, would they kiss me back?

sighs, thoughts, spaces between prints

     spaces between words, between parted lips and floating thoughts the world! is so crowded with space but yours is the one i want to fill .

     but where are the lines? lines of loss, lines of lawns, lines of ink and rips and more stains and letters, in the hands and on the pavement

where are the lines?

why won't you go there?

why do you hover in these foul, indomitable spaces? why do you seek that which you should not?

     if the shadow of lines slinks in your quiet expression, then why are you still here?

     if the echo of your soft face lingers in my hands, if the whisper of your breath and the heat of your skin still singes my own, then why do you disappear?

lovely wraith, lovely memory of a thing that once was, why do you sit so alone?

because i am coming to your space, and if you can see me, of shadow and fog, then i will meet you there,

     on a line of our own.

>because it's a death premeditated and i can see it unfolding,

     sharp wounding painful

and the discourse in the sky is telling me so, yet why do i keep walking west?
lots of questions (this isn't a poem of answers. don't look for one). once again, i really really need italics to make this work!
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