Submit your work, meet writers and drop the ads. Become a member
Francie Lynch Aug 2019
We first sexed in a tumbling, fumbling manner;
The time had come, it seemed to us,
To consummate our ****** lust.

The Valley was shakin' to The Rocks,
A popular Irish band;
We'd had our fill,
I sparked the engine,
And parked my bike on Techumseh Hill.

The summit was dew damp;
We spread wide our pants,
Not knowing who should go for whom,
So we relented to the crescent moon;
I acquiesced to the shooting stars
When my eyes

Diverse moons have filled my nights,
Long since the grassy knoll,
Brad Lambert Oct 2013
(I)

Whose coat is this? Sure as hell isn't my coat. I ain't got no coat with this parka ****, it's *******. I ain't no furry flamin' ******. I ain't no ****** chochy Molly-May-Ze-**** chokin' down chickens and nasalin' a'sniffin' snortin' nasty-*** choch; that ain't me. That ain't me. Look at this coat– I'm like an Eskimo *****. I'm like a butch-**** bull-**** crotch-lappin' a'swimmin' laps in that guy's swimmin' pool. Who's that guy? Who owns that guy? 'Ey, anyone here the owner of this guy– guy ain't got no owner? Whose coat is this? It's nice, real nice. Bet she said, "Does it come from France? Where do I buy one?" I want to buy one, I think I need to buy **** more. I sure as hell need to buy one of these. "And I need one these too and one of them too and I need a petticoat and a tipper-tapper and a whimpratic garfielder and one of them new bartlemores, I need more of them bartlemores. I need more, more, more, more, more, more..." That ain't enough. ****'s from France. ****'s from Paris, that's romantic. You think I'm romantic? I eat hearts for dinner, I chew down nails like nuts for my midnight snack. I smoke cigarettes and spit on concrete slabs, you think that's ****? I'll show you ****. I'll show you Paris, New York City, Rome, romance you in Rome. I'll get real ******' Roman. I'll take you to the desert and make love to you. That's how a free man does a woman, and I'm a real free man. Who's ownin' this guy? It ain't you, it ain't me. I don't own you, you don't own me. I'm a free man:

I said,
"Fire and wood, fire and wood, fire and wood. It is late, it is late, it is far, far too late."

I set
fire to wood, fire to wood; feel that fire fired fresh from that firewood.

I dug the pit,
he gathered the wood,
she started the fire.

She really does make that fire start.

O' how she makes that fire burn,
O' how the wood's wrapped in white hots,
O' how they smoke their smokestacked pipes,
O' tobacco teeming teenagers, tormented by and through youth,
O' adolescence, trending topics, and forget-me-not flowers,
O' old age, Floridan coffins, and coughing  cancers,
O' writers in the mountains writing to be,
O' painters and **** bodies in studies by the sea,
O' thinkers in their mindset, mindsetting the table for dinner,
O' tables set to bursting,
O' wallets so thick,
O' community,
O' society, our social games,
O' hope,
O' peace,
O' that I may be at peace,
O' that I may be content and pray only for peace,
O' how about them true believers,
O' how about that love at first sight,
O' sandstone. My sandstone. That guy sittin' on sandstone.

That's my guy. That's my guy. I own this ****.

Is a man breathing on a mirror the sum of his breaths?
Breaths foggin' a'mistin' my view,
my view of a body and that face,
you're a body.
You're a workin' day's bell,
you're my chill in an Icelandic draft,
you're my spare in a Middle Eastern draft,
you're my pawn in chest-to-chest chess.

You've got this. You've got this. You own this ****.

And it is ****, too. I'd be set, real ******' set, with someone like you. I'll make you a woman, check this parka ****. Coat's mine. I'm a classy igloo runner, runnin' a'ragin' a'czebelskiin' meriteratin', I'll be reiteratin' your points. Check the time, it's late! It's late! ***** was in the grassy knoll turnin' trap tunes on her turntable. Would you listen to that? She sounds late to me, does she sound late to you? I like the music; I like the music. What happened to Woodstock? Where's my watergate, Nixon? Where's my generation, Ginsberg? Where's the meaning? This music's too loud! We're so profound! O' profundity!

Tell me something I didn't know, I'm craving' the new.
Give me the new while I spit on the old,
while I spit on this fine art finely art'd by and for fine artists–
******' fine artists. ******* fine artists.

(You can realize radical-realist realism but you can't be real with me?)

O' fine art!
What fine art!
Which fine artists are dead?



(II)

Looks like they're dead.

Looks like them ******* choked out all them ghettos, choked out all them rednecks, chokin' a'stranglin' by-God-oh-God straddlin' the breeders. I sure did like them babes– babes with their laughin' a'lackin' o' cynicism. They don't know the word "****."

I sure am forgetful–
I forgot that smoke doesn't dissipate,
I forgot how to smell autumn leaves,
I forgot to check the heart against the fingertips,
I forgot why my fingertips went numb,
I forgot to cue in the meaning when the sentence was complete,
I forget to complete my sentences,
I forget who you were wanting when you said, "I want you."

I got as much depth as an in-depth discussion, high hats and electropercussion have got me going. I'm goin' downtown, uptown bourgeois tricked me out, johns and yellow Hummers laid me down and cussed me out. That's not a discussion. That's not my scent scenting my towel, this breath reeks of wintry air– my fingertips went numb.

"I want you."

"Oh would you look at that moon?
Take a look at that moon.
Look at that moon with the ******' mountains.
I love that moon.
That's my moon."

I love darin' a'dusty dareelin' derailin' your dreams, whose dreams are these? They ain't my dreams– ain't no dream derailin' a'nileerad radiatiatin' some hint of joy or Jamison Scotch Liqueur. Drink that ****. That's my ****, I own that ****.
I'm sittin' on this stoop like I own this ****, like this **** owns me; I owed me. I don't own me, you owe me:

Pay up man, feet off the stoop.
Pay up man, be real with me.
Pay up man, you ever thought of a man as a man?
Pay up man, give it in.
Pay up man, give in.
Pay up man, I need you to do me a solid. Do me solid from crown-to-toe, we're toe-to-toe let's do-si-do bro-to-** I'm ready go, **, jo, ko, lo, get low… Now I'm ramblin'. You say, "Ramble in to the stoop and tell me a story."

What's a stoop– who's a stoop? That **** ain't stoop– you ain't stoop. You're stupid. You're a joke, check out the joke. Hey ladies, you seen this joke– joke ain't been seen by them ladies? I'm a joke. We ain't laughin' with you, they're laughin' at you.

O' hilarity!
Such hilarity!
What hilarious histories have passed?



(III)*

"I said I loved him once. I only loved him once."
(
And how long once has been...)

I sure did like them hand-holdins,
them star-gazin' moments,
them moon phasin' nighttime nuances,
them fingertip feelin' a'findin',
them sessions o'meshin' limber legs unto steadfast *****,
heads cocked like guns toward the sky,
beyond the horizon
but well
below the belt.

Them star-gazing moments seeing stars seemin' small, I love how they gleam- gleamin' a'glarin' comparin' shine to shine, shimmerin' a glimmer shone stumblin' her way home from the bar. She's drunk. She's brilliant, brilliance of whit and wantin' a'wanderlustin' gypsy nomads- that ***** gyp'd me, no mad man would take a cerebral slam to the face lest them moving pictures are involved. Read a ******' book, it'll last longer. Kiss me on the collar bones, clavicles shone shining with slick saliva pining for my affections. You're clammerin' to feel me, clammin' up (Just feel me.) I want to run my hands through long hair and peg the nausea nervosa to the wall. The writing's on the wall:

The sun bent over so the moon could rise, chanting,
"Goodbye and good riddance,
I never wanted to shine down
on them seas o' tranquilities anyhow."*

O' what a day. What a day.

And the wind ruffles leaves and it ruffles feathers on birds eating worms in brown soil.

What a day. What a day.

And the men under the bridge gather in traitorous conversation of governments overthrown and border dissolution and poetry with meters bent out of tune.

What a day. What a day.

And the billboards are dry for all the consumers to consume, use, and review.

What a day. What a day.

And hearts break messiest when you're not looking.

What a day. What a day.

And the ego and the id and the redwood trees are talking. They're sitting **** in the marshes, bathing in the bogwater while fondling foreign fine wines and whisperin' a'veerin' conversations towards topics kept well out of hand, out of the game, nontobe racin' in races, rampant radical racists betting bets on bent, bald Bolshevik racists wagging Marxist manifestos in the bourgeois' faces, yes. Make it be. Nontobe sanity as the captain creases his pleats, pleasin' her creases and the dewdrops of sweat trailing down the small of her back– down the ridge of her spine forming solitary springs of saline saltwater in the small of her back. Aye-aye, guy's pleasin' a'makin' choices a'steerin'– government's a'veerin' a hard left into the ice.

'Berg! 'Berg!
Danger in the icy 'berg!
None too soon a 'berg!
Bound to bump a 'berg!
O' inevitably unnerving 'berg!
Authoritative 'berg!
Totalitarian 'berg!
Surveillance of *** and the sexes 'berg!
O' fatalist fetishist 'berg!
Benevolent big brother 'berg!
Homosocial socialization 'berg!
Romanticized Roman 'berg!
O' virginal mother 'berg!
City on a hill on a 'berg!
Subtly socialist 'berg!
Nongovernmental 'berg!
O' illustrious libertine 'berg!
Freedom of the people 'berg!
Water privatization 'berg!
Alcohol idolization 'berg!
O' corrupt and courageous 'berg!
Church and a stately 'berg!
Pray to your ceiling fan 'berg!
Biblically borne 'berg!
O' godly and gorgeous 'berg!
Ferocious freedom fighters launching lackluster demonstrations far too post-demonstration feeling liberty and love, la vie en rouge, revolving revolutionist ranting on revolution tangible as
an ice cold 'berg.

'Berg! 'Berg!
O' the 'berg, the ****** iceberg–
You'll be the death of me.
It is full winter now:  the trees are bare,
Save where the cattle huddle from the cold
Beneath the pine, for it doth never wear
The autumn’s gaudy livery whose gold
Her jealous brother pilfers, but is true
To the green doublet; bitter is the wind, as though it blew

From Saturn’s cave; a few thin wisps of hay
Lie on the sharp black hedges, where the wain
Dragged the sweet pillage of a summer’s day
From the low meadows up the narrow lane;
Upon the half-thawed snow the bleating sheep
Press close against the hurdles, and the shivering house-dogs creep

From the shut stable to the frozen stream
And back again disconsolate, and miss
The bawling shepherds and the noisy team;
And overhead in circling listlessness
The cawing rooks whirl round the frosted stack,
Or crowd the dripping boughs; and in the fen the ice-pools crack

Where the gaunt bittern stalks among the reeds
And ***** his wings, and stretches back his neck,
And hoots to see the moon; across the meads
Limps the poor frightened hare, a little speck;
And a stray seamew with its fretful cry
Flits like a sudden drift of snow against the dull grey sky.

Full winter:  and the ***** goodman brings
His load of ******* from the chilly byre,
And stamps his feet upon the hearth, and flings
The sappy billets on the waning fire,
And laughs to see the sudden lightening scare
His children at their play, and yet,—the spring is in the air;

Already the slim crocus stirs the snow,
And soon yon blanched fields will bloom again
With nodding cowslips for some lad to mow,
For with the first warm kisses of the rain
The winter’s icy sorrow breaks to tears,
And the brown thrushes mate, and with bright eyes the rabbit peers

From the dark warren where the fir-cones lie,
And treads one snowdrop under foot, and runs
Over the mossy knoll, and blackbirds fly
Across our path at evening, and the suns
Stay longer with us; ah! how good to see
Grass-girdled spring in all her joy of laughing greenery

Dance through the hedges till the early rose,
(That sweet repentance of the thorny briar!)
Burst from its sheathed emerald and disclose
The little quivering disk of golden fire
Which the bees know so well, for with it come
Pale boy’s-love, sops-in-wine, and daffadillies all in bloom.

Then up and down the field the sower goes,
While close behind the laughing younker scares
With shrilly whoop the black and thievish crows,
And then the chestnut-tree its glory wears,
And on the grass the creamy blossom falls
In odorous excess, and faint half-whispered madrigals

Steal from the bluebells’ nodding carillons
Each breezy morn, and then white jessamine,
That star of its own heaven, snap-dragons
With lolling crimson tongues, and eglantine
In dusty velvets clad usurp the bed
And woodland empery, and when the lingering rose hath shed

Red leaf by leaf its folded panoply,
And pansies closed their purple-lidded eyes,
Chrysanthemums from gilded argosy
Unload their gaudy scentless merchandise,
And violets getting overbold withdraw
From their shy nooks, and scarlet berries dot the leafless haw.

O happy field! and O thrice happy tree!
Soon will your queen in daisy-flowered smock
And crown of flower-de-luce trip down the lea,
Soon will the lazy shepherds drive their flock
Back to the pasture by the pool, and soon
Through the green leaves will float the hum of murmuring bees at noon.

Soon will the glade be bright with bellamour,
The flower which wantons love, and those sweet nuns
Vale-lilies in their snowy vestiture
Will tell their beaded pearls, and carnations
With mitred dusky leaves will scent the wind,
And straggling traveller’s-joy each hedge with yellow stars will bind.

Dear bride of Nature and most bounteous spring,
That canst give increase to the sweet-breath’d kine,
And to the kid its little horns, and bring
The soft and silky blossoms to the vine,
Where is that old nepenthe which of yore
Man got from poppy root and glossy-berried mandragore!

There was a time when any common bird
Could make me sing in unison, a time
When all the strings of boyish life were stirred
To quick response or more melodious rhyme
By every forest idyll;—do I change?
Or rather doth some evil thing through thy fair pleasaunce range?

Nay, nay, thou art the same:  ’tis I who seek
To vex with sighs thy simple solitude,
And because fruitless tears bedew my cheek
Would have thee weep with me in brotherhood;
Fool! shall each wronged and restless spirit dare
To taint such wine with the salt poison of own despair!

Thou art the same:  ’tis I whose wretched soul
Takes discontent to be its paramour,
And gives its kingdom to the rude control
Of what should be its servitor,—for sure
Wisdom is somewhere, though the stormy sea
Contain it not, and the huge deep answer ‘’Tis not in me.’

To burn with one clear flame, to stand *****
In natural honour, not to bend the knee
In profitless prostrations whose effect
Is by itself condemned, what alchemy
Can teach me this? what herb Medea brewed
Will bring the unexultant peace of essence not subdued?

The minor chord which ends the harmony,
And for its answering brother waits in vain
Sobbing for incompleted melody,
Dies a swan’s death; but I the heir of pain,
A silent Memnon with blank lidless eyes,
Wait for the light and music of those suns which never rise.

The quenched-out torch, the lonely cypress-gloom,
The little dust stored in the narrow urn,
The gentle XAIPE of the Attic tomb,—
Were not these better far than to return
To my old fitful restless malady,
Or spend my days within the voiceless cave of misery?

Nay! for perchance that poppy-crowned god
Is like the watcher by a sick man’s bed
Who talks of sleep but gives it not; his rod
Hath lost its virtue, and, when all is said,
Death is too rude, too obvious a key
To solve one single secret in a life’s philosophy.

And Love! that noble madness, whose august
And inextinguishable might can slay
The soul with honeyed drugs,—alas! I must
From such sweet ruin play the runaway,
Although too constant memory never can
Forget the arched splendour of those brows Olympian

Which for a little season made my youth
So soft a swoon of exquisite indolence
That all the chiding of more prudent Truth
Seemed the thin voice of jealousy,—O hence
Thou huntress deadlier than Artemis!
Go seek some other quarry! for of thy too perilous bliss.

My lips have drunk enough,—no more, no more,—
Though Love himself should turn his gilded prow
Back to the troubled waters of this shore
Where I am wrecked and stranded, even now
The chariot wheels of passion sweep too near,
Hence!  Hence!  I pass unto a life more barren, more austere.

More barren—ay, those arms will never lean
Down through the trellised vines and draw my soul
In sweet reluctance through the tangled green;
Some other head must wear that aureole,
For I am hers who loves not any man
Whose white and stainless ***** bears the sign Gorgonian.

Let Venus go and chuck her dainty page,
And kiss his mouth, and toss his curly hair,
With net and spear and hunting equipage
Let young Adonis to his tryst repair,
But me her fond and subtle-fashioned spell
Delights no more, though I could win her dearest citadel.

Ay, though I were that laughing shepherd boy
Who from Mount Ida saw the little cloud
Pass over Tenedos and lofty Troy
And knew the coming of the Queen, and bowed
In wonder at her feet, not for the sake
Of a new Helen would I bid her hand the apple take.

Then rise supreme Athena argent-limbed!
And, if my lips be musicless, inspire
At least my life:  was not thy glory hymned
By One who gave to thee his sword and lyre
Like AEschylos at well-fought Marathon,
And died to show that Milton’s England still could bear a son!

And yet I cannot tread the Portico
And live without desire, fear and pain,
Or nurture that wise calm which long ago
The grave Athenian master taught to men,
Self-poised, self-centred, and self-comforted,
To watch the world’s vain phantasies go by with unbowed head.

Alas! that serene brow, those eloquent lips,
Those eyes that mirrored all eternity,
Rest in their own Colonos, an eclipse
Hath come on Wisdom, and Mnemosyne
Is childless; in the night which she had made
For lofty secure flight Athena’s owl itself hath strayed.

Nor much with Science do I care to climb,
Although by strange and subtle witchery
She drew the moon from heaven:  the Muse Time
Unrolls her gorgeous-coloured tapestry
To no less eager eyes; often indeed
In the great epic of Polymnia’s scroll I love to read

How Asia sent her myriad hosts to war
Against a little town, and panoplied
In gilded mail with jewelled scimitar,
White-shielded, purple-crested, rode the Mede
Between the waving poplars and the sea
Which men call Artemisium, till he saw Thermopylae

Its steep ravine spanned by a narrow wall,
And on the nearer side a little brood
Of careless lions holding festival!
And stood amazed at such hardihood,
And pitched his tent upon the reedy shore,
And stayed two days to wonder, and then crept at midnight o’er

Some unfrequented height, and coming down
The autumn forests treacherously slew
What Sparta held most dear and was the crown
Of far Eurotas, and passed on, nor knew
How God had staked an evil net for him
In the small bay at Salamis,—and yet, the page grows dim,

Its cadenced Greek delights me not, I feel
With such a goodly time too out of tune
To love it much:  for like the Dial’s wheel
That from its blinded darkness strikes the noon
Yet never sees the sun, so do my eyes
Restlessly follow that which from my cheated vision flies.

O for one grand unselfish simple life
To teach us what is Wisdom! speak ye hills
Of lone Helvellyn, for this note of strife
Shunned your untroubled crags and crystal rills,
Where is that Spirit which living blamelessly
Yet dared to kiss the smitten mouth of his own century!

Speak ye Rydalian laurels! where is he
Whose gentle head ye sheltered, that pure soul
Whose gracious days of uncrowned majesty
Through lowliest conduct touched the lofty goal
Where love and duty mingle!  Him at least
The most high Laws were glad of, he had sat at Wisdom’s feast;

But we are Learning’s changelings, know by rote
The clarion watchword of each Grecian school
And follow none, the flawless sword which smote
The pagan Hydra is an effete tool
Which we ourselves have blunted, what man now
Shall scale the august ancient heights and to old Reverence bow?

One such indeed I saw, but, Ichabod!
Gone is that last dear son of Italy,
Who being man died for the sake of God,
And whose unrisen bones sleep peacefully,
O guard him, guard him well, my Giotto’s tower,
Thou marble lily of the lily town! let not the lour

Of the rude tempest vex his slumber, or
The Arno with its tawny troubled gold
O’er-leap its marge, no mightier conqueror
Clomb the high Capitol in the days of old
When Rome was indeed Rome, for Liberty
Walked like a bride beside him, at which sight pale Mystery

Fled shrieking to her farthest sombrest cell
With an old man who grabbled rusty keys,
Fled shuddering, for that immemorial knell
With which oblivion buries dynasties
Swept like a wounded eagle on the blast,
As to the holy heart of Rome the great triumvir passed.

He knew the holiest heart and heights of Rome,
He drave the base wolf from the lion’s lair,
And now lies dead by that empyreal dome
Which overtops Valdarno hung in air
By Brunelleschi—O Melpomene
Breathe through thy melancholy pipe thy sweetest threnody!

Breathe through the tragic stops such melodies
That Joy’s self may grow jealous, and the Nine
Forget awhile their discreet emperies,
Mourning for him who on Rome’s lordliest shrine
Lit for men’s lives the light of Marathon,
And bare to sun-forgotten fields the fire of the sun!

O guard him, guard him well, my Giotto’s tower!
Let some young Florentine each eventide
Bring coronals of that enchanted flower
Which the dim woods of Vallombrosa hide,
And deck the marble tomb wherein he lies
Whose soul is as some mighty orb unseen of mortal eyes;

Some mighty orb whose cycled wanderings,
Being tempest-driven to the farthest rim
Where Chaos meets Creation and the wings
Of the eternal chanting Cherubim
Are pavilioned on Nothing, passed away
Into a moonless void,—and yet, though he is dust and clay,

He is not dead, the immemorial Fates
Forbid it, and the closing shears refrain.
Lift up your heads ye everlasting gates!
Ye argent clarions, sound a loftier strain
For the vile thing he hated lurks within
Its sombre house, alone with God and memories of sin.

Still what avails it that she sought her cave
That murderous mother of red harlotries?
At Munich on the marble architrave
The Grecian boys die smiling, but the seas
Which wash AEgina fret in loneliness
Not mirroring their beauty; so our lives grow colourless

For lack of our ideals, if one star
Flame torch-like in the heavens the unjust
Swift daylight kills it, and no trump of war
Can wake to passionate voice the silent dust
Which was Mazzini once! rich Niobe
For all her stony sorrows hath her sons; but Italy,

What Easter Day shall make her children rise,
Who were not Gods yet suffered? what sure feet
Shall find their grave-clothes folded? what clear eyes
Shall see them ******?  O it were meet
To roll the stone from off the sepulchre
And kiss the bleeding roses of their wounds, in love of her,

Our Italy! our mother visible!
Most blessed among nations and most sad,
For whose dear sake the young Calabrian fell
That day at Aspromonte and was glad
That in an age when God was bought and sold
One man could die for Liberty! but we, burnt out and cold,

See Honour smitten on the cheek and gyves
Bind the sweet feet of Mercy:  Poverty
Creeps through our sunless lanes and with sharp knives
Cuts the warm throats of children stealthily,
And no word said:- O we are wretched men
Unworthy of our great inheritance! where is the pen

Of austere Milton? where the mighty sword
Which slew its master righteously? the years
Have lost their ancient leader, and no word
Breaks from the voiceless tripod on our ears:
While as a ruined mother in some spasm
Bears a base child and loathes it, so our best enthusiasm

Genders unlawful children, Anarchy
Freedom’s own Judas, the vile prodigal
Licence who steals the gold of Liberty
And yet has nothing, Ignorance the real
One Fraticide since Cain, Envy the asp
That stings itself to anguish, Avarice whose palsied grasp

Is in its extent stiffened, moneyed Greed
For whose dull appetite men waste away
Amid the whirr of wheels and are the seed
Of things which slay their sower, these each day
Sees rife in England, and the gentle feet
Of Beauty tread no more the stones of each unlovely street.

What even Cromwell spared is desecrated
By **** and worm, left to the stormy play
Of wind and beating snow, or renovated
By more destructful hands:  Time’s worst decay
Will wreathe its ruins with some loveliness,
But these new Vandals can but make a rain-proof barrenness.

Where is that Art which bade the Angels sing
Through Lincoln’s lofty choir, till the air
Seems from such marble harmonies to ring
With sweeter song than common lips can dare
To draw from actual reed? ah! where is now
The cunning hand which made the flowering hawthorn branches bow

For Southwell’s arch, and carved the House of One
Who loved the lilies of the field with all
Our dearest English flowers? the same sun
Rises for us:  the seasons natural
Weave the same tapestry of green and grey:
The unchanged hills are with us:  but that Spirit hath passed away.

And yet perchance it may be better so,
For Tyranny is an incestuous Queen,
****** her brother is her bedfellow,
And the Plague chambers with her:  in obscene
And ****** paths her treacherous feet are set;
Better the empty desert and a soul inviolate!

For gentle brotherhood, the harmony
Of living in the healthful air, the swift
Clean beauty of strong limbs when men are free
And women chaste, these are the things which lift
Our souls up more than even Agnolo’s
Gaunt blinded Sibyl poring o’er the scroll of human woes,

Or Titian’s little maiden on the stair
White as her own sweet lily and as tall,
Or Mona Lisa smiling through her hair,—
Ah! somehow life is bigger after all
Than any painted angel, could we see
The God that is within us!  The old Greek serenity

Which curbs the passion of that
1332

Pink—small—and punctual—
Aromatic—low—
Covert—in April—
Candid—in May—
Dear to the Moss—
Known to the Knoll—
Next to the Robin
In every human Soul—
Bold little Beauty
Bedecked with thee
Nature forswears
Antiquity—
ryn Jan 2015
.
   Curious minds,
      splashing under
       moonlight
       With
      outstretched kisses
     pulsating yellow,
     Over the awestruck
      magical
       rainbow,
         Feverishly tracking each
         supernova
      on sight.


   Resting the moment
    on a
     cresting knoll,
    With
   an audience of several
   time-worn
     rocks.
      Whilst the
        whistling sirens
        in the winds do call...
          Wasting away
        the ticks of
     worldly
      clocks.


        Evading with class,
       all
       heart's turbulence,
        Craters of sadness
          congeal
           in thin air,
             Glamorous amnesia
             falls
          with cadence,
         Eyes wide shut,
         susurrating
          a
           lost prayer.


             Lifeless gazes
               yield
               only
             abrasive tears.
             As erratum
              catches up
                with its
                 gaping maw.
              Hurling
            its anguish
             in
             rips and shears,
              Bleeding out
                of
               singing wounds
             so raw.

             But...
              time carries confident,
                its stock of
                   soothing balm.
                   Latent doses
                 hidden
                within
                 invisible vials.
                  Welcoming vision
                    with its
                    sunlit palms,
                   Staving the longing
                    for the
                    fear of trials.


                      Now hushed
                         remain the remorseful
                        battle trenches,
                        Deprived of their own
                          victims
                           ­ save gaping wounds,
                            Only
                        ­     faint faith
                                commanding
                ­                   corroded limp
                                   forces,
                                 Stirring
                                light away
                               from
                                all
                        ­         agony
                                    and
                   ­                doom.



                              Moonskittles
           ­                 *ryn
.
This has been an amazing experience!!! Big thanks to Moonskittles for the opportunity to share a page with her captivating style of poetry!!!
.
Mandi Feb 2019
A Fight For Sanctuary
- by Amanda L. Winand

She wears a sleek white gown, the color of purity. Standing on top of a grassy knoll there is nothing but picturesque beauty as far as the eye can see. But the girl doesn't seem to notice. Tears fall from her face in silent streams and she wraps her bare arms around herself as though she is trying to keep from falling apart. A sudden gust of wind causes her hair to whip about forcefully; she can hardly stand against the strength of it. Without warning she is swept from her feet, abruptly taken from the grassy knoll and all that she knew and loved. Despair.

She falls back into darkness, her hand stretched out to the small patch of light still visible from her grassy knoll that grows ever distant and out of reach. Another ambient light begins to grow brighter from beneath her. But this light is sinister; she feels the devastating heat on her back before ever seeing the flames. She is helpless as she falls toward the lake fire waiting to devour her. The flames reach out like hungry fingers seeking to taste her fragile skin. She falls straight into them. Anguish.

As suddenly as she fell into the fire she all at once comes crashing through it to the other side. Dark water lurked beneath the flames waiting to swallow her for itself. She falls through the surface with the weight of a thousand bricks, a weight that is both crushing and suffocating and more than she could possibly bear. She is drowning, sinking deeper and deeper into the depths of darkness. Hopeless.

She realizes she isn't falling so much as being pulled down violently, far beyond anyone's reach. Once she reaches a dark, empty abyss whatever invisible hands had clutched hold of her have let go. She is floating in this new, empty place. There is nothing. There is no one. Darkness and emptiness become all that she knows. It makes it's way inside her until she feels nothing else, until she forgets what it was like to have ever felt anything else. Defeated.

Just as she accepts her new reality a small distant light comes across her vision. She gets closer until she can see the small grassy knoll she once called home. To return to this place she knows she has to escape the darkness and the emptiness that grievously hold her back. She fights a long exhausting battle against them, earning herself more than a few scars that will never fully heal, but in the end she is victorious. Finally free she returns to her sanctuary to once again experience the joy of the grass beneath her bare feet and the gentle warmth of sunlight caressing her skin. Peace.

Some time passes. The feeling of joyfulness gradually begins to fade and is once again replaced by an inexplicable sadness. That sadness begins to grow into overwhelming sorrow. Tears pool in the hallows of her eyes and fall from her delicate face. She knows what is coming but she is helpless to stop it. The wind begins to grow with the swelling storm inside her. She tries once again to stand against it's force but she isn't strong enough alone. All at once she is pushed from her sanctuary, falling backwards once again into the darkness and all that awaits her there. Depression.
I know it's not really a poem but I hope it's allowed. Just something I had to get out.
JA Doetsch Mar 2012
Joel's mole dug a hole
in a grassy knoll....
the mole hit a pole
and started to roll....
he hit a troll
and they smoked the whole bowl
of mind control.  

The troll asked for a toll,
but the mole was on parole.  
Joel's mole has no soul.
This was not written by me...it was written for me on my 20th birthday by my classmates (and professor) during class.   I claimed that "Joel" was not a good rhyming word, and thus this was born.
John F McCullagh Nov 2011
I am older now
than you were then.
That day still lives
in memory

Did you hear the rifle's
echoing sound
as you passed me
in your Limousine?

The next,
like a Zapruder film,
plays out
in my unsettled dreams.

I saw a spray of pink
and blood.
I heard shouts
and a woman
scream.

Panic filled
my childish heart
I saw fear in
my Father's face.

I am older now
than you were then
that day
the world changed.
Some may object and say "You weren't there." But I was there. We were all there.
Richard Riddle Oct 2013
In late 1888, a Wells Fargo stage
Was relieved of its freight-
A strongbox, taken from its hold,
held thousands of dollars in coins of gold.

The brigands had a master plan,
To bury that box,
sit, and wait-
Then dig it up at a later date.

They found a spot on rock-hard ground-
Where it would lie, safe and sound,
So they sank it in a three foot hole-
to hide that box with coins of gold.

But what they didn’t realize,
that in the distance, sat a pair of eyes-
That had watched the whole event unfold-
and watched, as they buried that chest with gold.

Late that night, under a pale, lantern light-
a shovel's blade split those rocks-
and the hole was relieved-
of that strongbox.

William Nelson Riddle, owned that property-
And he lived with a basic philosophy-
“Since it was found, on my ground-
I guess it belongs to me.”

“Nelson” died in ’28, at age of 85-
He never said what happened to,
Or if, that chest survived-
And the "Legend of Riddle’s Gold"came alive.

As time passed, the story grew-
each year, a bit more grand-
That Nelson took that strongbox-
And hid it  elsewhere on his land

Greed is one of the “seven sins”-
"Everybody loses, and nobody wins"-
But the “want” for gold is a mighty strong thirst-
So his kin set out for a “family search.”

At morning’s dawn, the kinfolk came-
To search for gold, fortune, and fame-
They came with shovels, spades, and hoes-
And some “TNT”, so the story goes.

With disregard for propriety,
they descended upon the property-
Without a map, without a plan-
They spread out to search his land.  

Now, the rabbits and the coyotes,
and the gophers(one or two)-
Gathered on a little knoll,
To have a better view.

They knew what was going to happen-
It was just a matter of time-
When the dew had disappeared,
And the morning sun had reached it’s prime



They dug a hole here, and dug over there-
The morning sun was getting hot-
and everywhere they looked –
Was for naught.

Now, it isn't very clear
as who said what, to who-
But it must have been insult'n-
to start that ballyhoo.

There was push'n and shove'n
and calling names galore!
Yell'n and cuss'n
using words you ain't heard before!

And that was just the men-folk-
the women got in it too-
screaming heard, from north to south-
Those words should never come from a ladies mouth.

Fists being swung, shovels slung!
dust was kicked up in a ball-
nothing could be more entertaining-
than watching a family free-for-all!

Then suddenly, it came to a stop !
as quick as it began-
They gathered up all their gear-
and departed Nelson's land.

This is where the story ends-
all I know is what I'm told,
From my daddy, for he'd been sitting,
atop that little knoll.



Epilogue
(This is how I would like to have it end)

Somewhere in the "high above"-
at a table, two people sat-
One, wearing suit and tie-
and Nelson, with his beard and hat.

"Nelson, a lot of folks have you to thank,
for bringing that strongbox to the bank-
you saved a lot of folks their homes and farms."

Nelson, from his chair, arose-
standing *****, and proud-
Stroked his beard, then tweaked his nose,
smiled, and faded into the clouds.
(thanks folks for your patience)

Copyright September 16-2013 Richard Riddle





True story- sort of. Originally written in three parts.The holdup actually did occur, and witnessed by William Nelson Riddle.  Years later, believing he had hidden the strongbox elsewhere, relatives converged on the property to conduct a "massive" search. A story on this saga appeared in the San Diego Union newspaper on May 7, 1939. William Nelson Riddle is my great-grandfather and resided in Crowley, Johnson County, Tx. This piece was originally written in three parts.
Don't worry, girl
I'm not going to cheat
You will be my morning sunrise
You will make my air pressure rise
You'll alleviate the worst weight that strains my soul
You'll be the grass to a knoll
You pierced me like paint from a paintball pistol
Don't you worry about a thing
You can be my favorite thing
Since Sour Patch Kids and Baseball
ryn Aug 2014
Sanctuary is here; hiding in plain sight
Bedimmed beings step into the light
Stumble upon you may; hear us you might
All is welcome; no guard dogs that bite

Step inside, matters not armed or unarmed
Come as you are; steady or alarmed
Sip and drink from our collective fountains
Rest your eyes on our self painted mountains

Come on close and meet us all
Under shady trees or beyond the knoll
Some of us don masks or hide behind names
Some come naked but we're all one and the same

See our lives, spun from heavy layered bales
Woven intricate telling fantastic tales
Weavings we let fly, to catch each other's fables and stories
We admire them for what they are and the seed each carries

Be aware... Should you not understand
We may bear similar signatures but wear different brands
We, the people, trade in euphemisms
Broken sentences and long forgotten idioms

We are weavers, dreamers and scribes
Pouring here the outside world we imbibe
We are unguarded hearts speaking in metaphoric tongues
We provide safe haven for bruised souls with punctured lungs

So welcome traveler, shed your load
You might like it here in our coveted abode
Revel in the monochromatic sights you see
Where freedom of thought is revered in this here Sanctuary...
Sean Jan 2012
I stroke your skin like a leaf
and hold it up to the light,
allowing fingertips

           to go slow from root to tip.
           to sew the lining where two unlike materials meet.
           to code this friction into tactile intuition...

And yet--

                                                      I am afraid.

With this and all acts of temptress divination.

                                                I, I...am afraid.

I want to read our intersection.

I want
            to see               in your life-line.
                        myself.


First, I will find the highways of your pulse-

watch as they
                           give way to country roads.

Dissecting life-ways into bi-ways

where I can go slow from

root                         to                             tip.

                                rise
Feel the land
                                                       and fall.

from grass
to hallowed knoll-

Throw me dirt and blow out your windows.
                           
Take me slow
                                        down the side roads.

Next, I consult
the creases of your open fist.

Gone are the fine blue lines
                                                         -the tomographic
Heat, and its rhizomatic
                                              beat.

Instead, you hold me in this underpass

[the clamminess and opposite-land of passion and speed]
                                          where
                             [shadows cling and relationships keep].

You hold my hand.

To leave, and blast!
                                                 - to stay, I will need a map.

Hide me here long enough to find beauty
in the fine etched lines
that paint the walls in broad swoops of graffiti:
those cryptic tag-lines that advertise your witty, poetic celebrity.

from finger to wrist

                   arc
             the      to the thumb

the pulse that could run
on and on.

[our] distant reflection
                            -a mirage in the rising sun.
where

the earth line cuts off the air line

to fuse the heart-              and the head
                                                            ­                    -line.
He was a Grecian lad, who coming home
With pulpy figs and wine from Sicily
Stood at his galley’s prow, and let the foam
Blow through his crisp brown curls unconsciously,
And holding wave and wind in boy’s despite
Peered from his dripping seat across the wet and stormy night.

Till with the dawn he saw a burnished spear
Like a thin thread of gold against the sky,
And hoisted sail, and strained the creaking gear,
And bade the pilot head her lustily
Against the nor’west gale, and all day long
Held on his way, and marked the rowers’ time with measured song.

And when the faint Corinthian hills were red
Dropped anchor in a little sandy bay,
And with fresh boughs of olive crowned his head,
And brushed from cheek and throat the hoary spray,
And washed his limbs with oil, and from the hold
Brought out his linen tunic and his sandals brazen-soled,

And a rich robe stained with the fishers’ juice
Which of some swarthy trader he had bought
Upon the sunny quay at Syracuse,
And was with Tyrian broideries inwrought,
And by the questioning merchants made his way
Up through the soft and silver woods, and when the labouring day

Had spun its tangled web of crimson cloud,
Clomb the high hill, and with swift silent feet
Crept to the fane unnoticed by the crowd
Of busy priests, and from some dark retreat
Watched the young swains his frolic playmates bring
The firstling of their little flock, and the shy shepherd fling

The crackling salt upon the flame, or hang
His studded crook against the temple wall
To Her who keeps away the ravenous fang
Of the base wolf from homestead and from stall;
And then the clear-voiced maidens ‘gan to sing,
And to the altar each man brought some goodly offering,

A beechen cup brimming with milky foam,
A fair cloth wrought with cunning imagery
Of hounds in chase, a waxen honey-comb
Dripping with oozy gold which scarce the bee
Had ceased from building, a black skin of oil
Meet for the wrestlers, a great boar the fierce and white-tusked
spoil

Stolen from Artemis that jealous maid
To please Athena, and the dappled hide
Of a tall stag who in some mountain glade
Had met the shaft; and then the herald cried,
And from the pillared precinct one by one
Went the glad Greeks well pleased that they their simple vows had
done.

And the old priest put out the waning fires
Save that one lamp whose restless ruby glowed
For ever in the cell, and the shrill lyres
Came fainter on the wind, as down the road
In joyous dance these country folk did pass,
And with stout hands the warder closed the gates of polished brass.

Long time he lay and hardly dared to breathe,
And heard the cadenced drip of spilt-out wine,
And the rose-petals falling from the wreath
As the night breezes wandered through the shrine,
And seemed to be in some entranced swoon
Till through the open roof above the full and brimming moon

Flooded with sheeny waves the marble floor,
When from his nook up leapt the venturous lad,
And flinging wide the cedar-carven door
Beheld an awful image saffron-clad
And armed for battle! the gaunt Griffin glared
From the huge helm, and the long lance of wreck and ruin flared

Like a red rod of flame, stony and steeled
The Gorgon’s head its leaden eyeballs rolled,
And writhed its snaky horrors through the shield,
And gaped aghast with bloodless lips and cold
In passion impotent, while with blind gaze
The blinking owl between the feet hooted in shrill amaze.

The lonely fisher as he trimmed his lamp
Far out at sea off Sunium, or cast
The net for tunnies, heard a brazen *****
Of horses smite the waves, and a wild blast
Divide the folded curtains of the night,
And knelt upon the little ****, and prayed in holy fright.

And guilty lovers in their venery
Forgat a little while their stolen sweets,
Deeming they heard dread Dian’s bitter cry;
And the grim watchmen on their lofty seats
Ran to their shields in haste precipitate,
Or strained black-bearded throats across the dusky parapet.

For round the temple rolled the clang of arms,
And the twelve Gods leapt up in marble fear,
And the air quaked with dissonant alarums
Till huge Poseidon shook his mighty spear,
And on the frieze the prancing horses neighed,
And the low tread of hurrying feet rang from the cavalcade.

Ready for death with parted lips he stood,
And well content at such a price to see
That calm wide brow, that terrible maidenhood,
The marvel of that pitiless chastity,
Ah! well content indeed, for never wight
Since Troy’s young shepherd prince had seen so wonderful a sight.

Ready for death he stood, but lo! the air
Grew silent, and the horses ceased to neigh,
And off his brow he tossed the clustering hair,
And from his limbs he throw the cloak away;
For whom would not such love make desperate?
And nigher came, and touched her throat, and with hands violate

Undid the cuirass, and the crocus gown,
And bared the ******* of polished ivory,
Till from the waist the peplos falling down
Left visible the secret mystery
Which to no lover will Athena show,
The grand cool flanks, the crescent thighs, the bossy hills of
snow.

Those who have never known a lover’s sin
Let them not read my ditty, it will be
To their dull ears so musicless and thin
That they will have no joy of it, but ye
To whose wan cheeks now creeps the lingering smile,
Ye who have learned who Eros is,—O listen yet awhile.

A little space he let his greedy eyes
Rest on the burnished image, till mere sight
Half swooned for surfeit of such luxuries,
And then his lips in hungering delight
Fed on her lips, and round the towered neck
He flung his arms, nor cared at all his passion’s will to check.

Never I ween did lover hold such tryst,
For all night long he murmured honeyed word,
And saw her sweet unravished limbs, and kissed
Her pale and argent body undisturbed,
And paddled with the polished throat, and pressed
His hot and beating heart upon her chill and icy breast.

It was as if Numidian javelins
Pierced through and through his wild and whirling brain,
And his nerves thrilled like throbbing violins
In exquisite pulsation, and the pain
Was such sweet anguish that he never drew
His lips from hers till overhead the lark of warning flew.

They who have never seen the daylight peer
Into a darkened room, and drawn the curtain,
And with dull eyes and wearied from some dear
And worshipped body risen, they for certain
Will never know of what I try to sing,
How long the last kiss was, how fond and late his lingering.

The moon was girdled with a crystal rim,
The sign which shipmen say is ominous
Of wrath in heaven, the wan stars were dim,
And the low lightening east was tremulous
With the faint fluttering wings of flying dawn,
Ere from the silent sombre shrine his lover had withdrawn.

Down the steep rock with hurried feet and fast
Clomb the brave lad, and reached the cave of Pan,
And heard the goat-foot snoring as he passed,
And leapt upon a grassy knoll and ran
Like a young fawn unto an olive wood
Which in a shady valley by the well-built city stood;

And sought a little stream, which well he knew,
For oftentimes with boyish careless shout
The green and crested grebe he would pursue,
Or snare in woven net the silver trout,
And down amid the startled reeds he lay
Panting in breathless sweet affright, and waited for the day.

On the green bank he lay, and let one hand
Dip in the cool dark eddies listlessly,
And soon the breath of morning came and fanned
His hot flushed cheeks, or lifted wantonly
The tangled curls from off his forehead, while
He on the running water gazed with strange and secret smile.

And soon the shepherd in rough woollen cloak
With his long crook undid the wattled cotes,
And from the stack a thin blue wreath of smoke
Curled through the air across the ripening oats,
And on the hill the yellow house-dog bayed
As through the crisp and rustling fern the heavy cattle strayed.

And when the light-foot mower went afield
Across the meadows laced with threaded dew,
And the sheep bleated on the misty weald,
And from its nest the waking corncrake flew,
Some woodmen saw him lying by the stream
And marvelled much that any lad so beautiful could seem,

Nor deemed him born of mortals, and one said,
‘It is young Hylas, that false runaway
Who with a Naiad now would make his bed
Forgetting Herakles,’ but others, ‘Nay,
It is Narcissus, his own paramour,
Those are the fond and crimson lips no woman can allure.’

And when they nearer came a third one cried,
‘It is young Dionysos who has hid
His spear and fawnskin by the river side
Weary of hunting with the Bassarid,
And wise indeed were we away to fly:
They live not long who on the gods immortal come to spy.’

So turned they back, and feared to look behind,
And told the timid swain how they had seen
Amid the reeds some woodland god reclined,
And no man dared to cross the open green,
And on that day no olive-tree was slain,
Nor rushes cut, but all deserted was the fair domain,

Save when the neat-herd’s lad, his empty pail
Well slung upon his back, with leap and bound
Raced on the other side, and stopped to hail,
Hoping that he some comrade new had found,
And gat no answer, and then half afraid
Passed on his simple way, or down the still and silent glade

A little girl ran laughing from the farm,
Not thinking of love’s secret mysteries,
And when she saw the white and gleaming arm
And all his manlihood, with longing eyes
Whose passion mocked her sweet virginity
Watched him awhile, and then stole back sadly and wearily.

Far off he heard the city’s hum and noise,
And now and then the shriller laughter where
The passionate purity of brown-limbed boys
Wrestled or raced in the clear healthful air,
And now and then a little tinkling bell
As the shorn wether led the sheep down to the mossy well.

Through the grey willows danced the fretful gnat,
The grasshopper chirped idly from the tree,
In sleek and oily coat the water-rat
Breasting the little ripples manfully
Made for the wild-duck’s nest, from bough to bough
Hopped the shy finch, and the huge tortoise crept across the
slough.

On the faint wind floated the silky seeds
As the bright scythe swept through the waving grass,
The ouzel-**** splashed circles in the reeds
And flecked with silver whorls the forest’s glass,
Which scarce had caught again its imagery
Ere from its bed the dusky tench leapt at the dragon-fly.

But little care had he for any thing
Though up and down the beech the squirrel played,
And from the copse the linnet ‘gan to sing
To its brown mate its sweetest serenade;
Ah! little care indeed, for he had seen
The ******* of Pallas and the naked wonder of the Queen.

But when the herdsman called his straggling goats
With whistling pipe across the rocky road,
And the shard-beetle with its trumpet-notes
Boomed through the darkening woods, and seemed to bode
Of coming storm, and the belated crane
Passed homeward like a shadow, and the dull big drops of rain

Fell on the pattering fig-leaves, up he rose,
And from the gloomy forest went his way
Past sombre homestead and wet orchard-close,
And came at last unto a little quay,
And called his mates aboard, and took his seat
On the high ****, and pushed from land, and loosed the dripping
sheet,

And steered across the bay, and when nine suns
Passed down the long and laddered way of gold,
And nine pale moons had breathed their orisons
To the chaste stars their confessors, or told
Their dearest secret to the downy moth
That will not fly at noonday, through the foam and surging froth

Came a great owl with yellow sulphurous eyes
And lit upon the ship, whose timbers creaked
As though the lading of three argosies
Were in the hold, and flapped its wings and shrieked,
And darkness straightway stole across the deep,
Sheathed was Orion’s sword, dread Mars himself fled down the steep,

And the moon hid behind a tawny mask
Of drifting cloud, and from the ocean’s marge
Rose the red plume, the huge and horned casque,
The seven-cubit spear, the brazen targe!
And clad in bright and burnished panoply
Athena strode across the stretch of sick and shivering sea!

To the dull sailors’ sight her loosened looks
Seemed like the jagged storm-rack, and her feet
Only the spume that floats on hidden rocks,
And, marking how the rising waters beat
Against the rolling ship, the pilot cried
To the young helmsman at the stern to luff to windward side

But he, the overbold adulterer,
A dear profaner of great mysteries,
An ardent amorous idolater,
When he beheld those grand relentless eyes
Laughed loud for joy, and crying out ‘I come’
Leapt from the lofty **** into the chill and churning foam.

Then fell from the high heaven one bright star,
One dancer left the circling galaxy,
And back to Athens on her clattering car
In all the pride of venged divinity
Pale Pallas swept with shrill and steely clank,
And a few gurgling bubbles rose where her boy lover sank.

And the mast shuddered as the gaunt owl flew
With mocking hoots after the wrathful Queen,
And the old pilot bade the trembling crew
Hoist the big sail, and told how he had seen
Close to the stern a dim and giant form,
And like a dipping swallow the stout ship dashed through the storm.

And no man dared to speak of Charmides
Deeming that he some evil thing had wrought,
And when they reached the strait Symplegades
They beached their galley on the shore, and sought
The toll-gate of the city hastily,
And in the market showed their brown and pictured pottery.
Andrew Hanson Jan 2015
At Ellis Lake, an overcast Sunday afternoon.

A lake divided into two, oddly shaped bowls in the middle of the city, surrounded by a constant stream of birds, wind, and traffic.

A spotless white swan cleaning herself on a grassy knoll, ferretting out whatever filth lurked deep within her feathers, then smoothly sweeping her sideways bent head across her back, as if to remember the long forgotten affectionate touch of an absent lover.

A gaggle of four grey geese combing the lawn for food, waddling in unison side-by-side.

A line of five mallards barreling down the hill into the water.

A multilateral crescent of black and white pigeons receiving harsh dictation from a trio of angry snow geese strutting before them.

A red-faced duck slowly approaching in the quiet expectation of food, then the arrogant acceptance of the lack thereof.
The grassiest of knolls
The most wooded of hills
Knows all our deeds
All our spills
Yet it continues it's love
It's warmest of all embrace
It forgives us our ills
As we accept it's grace

Pray keep, then, friend
A loving grace towards thee
who shows you the love
you forgot to receive

Forget not the knoll
On which all life proceeds
Do not slaughter the land
That gave you it's peace
Marshal Gebbie May 2012
Turquoise in the morning light
The treetops are alive
With the myriad of birdsong
As the swirling mists arrive
And the shaft of brilliant sunshine
Penetrates the greenish gloom
To illuminate the craggy ridge
In a honeyed, golden bloom.

The rabbits head for burrows
Retreating from the night,
A flock of teal, in unison,
Explosively take flight,
There’s a freshness in the morning air
A tingle to the skin
And the twinkle in the blue eyes
Lets a secret smile begin.

Autumn in the country glade
The russets and the gold,
The song of early crickets
In the leafy knoll takes hold,
There’s a brilliance in the crispness
In the piles of windblown leaves
And the healthy crunch of underfoot
Invokes a sense of ease.

The peacefulness is calming
The solace in the sound
Of the distant song of blackbird
In the tall oaks that surround
And the velvet feel of morning
Thrills the mind to warmly hum
To the glory of occasion
In the warmth of Autumn sun.

Marshalg
Beneath the reds and golds of Autumn leafage.
14 May 2012


© 2012 Marshal Gebbie
Fah Aug 2015
Forensics couldn't figure out what happened to our bodies because they never looked closely enough into their own eyes.

When we walked out across those wild flower grass plains,
moving
our bare feet meandering , twirling, toes earthy, past the goddess river, bowing our eyes and laying sweet blessings of hopeful poetry at her edges with the mountains ahead of us going on and on and on.

Our heartbeats sinking into the smell of summers afternoons.
We
two beings
stand and watch as the water shows us the way across
her gentle back cool and singing.

We keep on laughing to the forests edge and settle by the Elder Trees to pray for the way ahead and the way already gone, we pray to the sentinel trees for their gracious beauty and we leave a small offering of a song.  

We
two beings

I'm all over Hummingbird
She's all over Dragonfly

Listen to the forest for the sign we can move on,

We
two beings

listen with our eyes and our hearts, ears and noses.
We wait, long moments sensing,
attuning ourselves to the rich forest song.
Later, we see the flash of Owl sister and know it is time to move along

in silence, we listen as we walk and let the sounds we hear guide us.

She's all over Wolf Teacher
I'm all over Lynx Secret Keeper

We're both keeping time alive with our actions.

Way in deep, where the floor is soft decomposition-in-motion and the sky is hardly seen, little tickling breezes stir us, we walk along in silence, side by side, always listening

until our feet meet the edge of a clearing and we whisper our offering:
the story of who we are, why we are here, how beautiful this place is and how it came to be that,

I'm all over Calendula
She's all over Nettle.

Here the sun lays upon us once more and we sit , facing each other

We breathe ourselves into mediation.
We breathe ourselves into silence.
We look at each other
past our skins and through to the light emanating from our DNA

and we start to hum.

We hum our spirit song and begin to unravel so slowly the ways of this world,

we begin to unravel so gently the bags we carry under our eyes
over our knees

we begin to unravel so softly the song of our hearts.

Flowing through us a motion so suspending we seem to no longer be singing, but the sounds somehow pour out of us
our bodies start to sway, no judgment, our bodies start to relax, no suffering

perhaps her toe taps and my ear wiggles
perhaps it's her nose jiggling
perhaps it's my elbow nodding.

We two beings
pray to each other sweet words of beauty
sweet words of honesty

we let those bodies dance
up on our feet
twirling and leaping around the green grass, wildflower clearing
until we feel a twang of connection,

like curious little deer we follow that cord in our chests , pulling us towards each other.

She's on the other side of the clearing and as we make small steps , I feel the boundaries of her person. Her energetic walls , I feel her enter into mine. And we stop, acknowledge the space we are entering and ask for permission to move on. We move on

layer by layer, always stopping to acknowledge, stopping to ask permission until we stand 4 inches between us, breathing.

By now we are no longer thinking, we only sense.
She moves her hand close to my wrist,  I meet her the rest of the way.

All collapses in on itself and opens back up again at our meeting.
She rides her hand up my arm to hold my face so gently.

I bring my other hand to her wrist and she meets me half way. I ride my hand up her arm to hold her face so gently.

I bring my hand to her waist and she leans in softly, she leans in softly.

She brings her hand to my waist and I lean in softly, I lean in slowly.

We move like this, unwrapping each other of clothes, breathing ourselves in meditation, going as slowly, gently as we possibly can.

When we are in our natural way, we wait a moment to take in the beauty, we **** our heads and as our words no longer matter we both know we hear a sounding stream.

We beings
perplexed and amused, find ourselves next to a small rocky stream, somewhere else in the forest. Dappled light finds it's way onto us , the trees and the water. Everything is orange and brown, mossy green with occasional pinks and purples.

She smiles and I smile , we make a motion of gratitude to our Great Water Mother and ask to wash.
When a small fish appears and jumps glistening
we move to scoop up running water in hands, pouring it over each others crowns. Again and again we scoop and we pour, we wash our walking sweat and clear ourselves.

Soon, the stream starts to fade and we are now on flat topped knoll, looking out over shallow banks of a wide flowing river.

The knoll is about the size of a large bed , wintergreen rustles beneath our feet.

We sit together and she brings her face close to mine, I bring my face close to hers and we look into each others eyes until we see.

I bring my lips close to her cheek, she brings her cheek close to my lips. And so we find ourselves tasting each other.
Slowly,
gently,
softly her lips come to my ears and her tongue moves on my lobe. My mouth to her nape and my breath is coming slow. We take as much time as we possibly can.

The Sun has not moved from the afternoon position. We are no longer in a place where time is quite the same.

Soon, I lay on the ground and she comes down beside me. Our dancing hands and tongues never in a rush, at a pace like the tide with movements, repetitive definitive and measured. Washing over our earthen valleys and hills, dipping low to our canyons, serenading our ravines. But never quite touching those extra sacred pleasure places.
She lays on her back and I sit beside her.

I kiss her chest and give thanks to her skin, her blood to milk trees and the crystal caves that lay within. I kiss her belly button and thank her mother for carrying her all this way. Her father for holding her. I move down to her womb and she makes a space for me between her legs, I lay there with my head on her belly listening.

I hear the beating blood and gurgling belly, breath staying slow, I hold her hips. and kiss her womb from the outside. I kiss her womb from the outside. I find I am at the edge of a small curly forest, I pray gently with a song at the borderline and kiss her there too. She tenses just a little and a pause, look to her eyes and see she does not want me further.

I slip out from her legs and lay down by her side.
The wide river is moving and the wintergreen is serenading us with her smell as our bodies movements bruise the small leaves. The sun has moved a little further across the sky, shadows are pulling longer now.

She puts her head to my chest and listens to the heart just below skin , bone and muscle.
She hears my breath and is riding up and down with my diaphragm movements. She slows me down until we are both inside the space between heartbeats. Encompassed in those melodies. We breathe again and see each others eyes. She kisses my heart from the outside and caresses my chest. I open my legs offering her space between them. She moves, lingering, one hand first on my face then on my heart, then on my solar plexus. Then her body is softly laying on mine, her head on my stomach. Listening. She laughs a little because the spaces inside of her don't exist inside of me, she says my secret caves are up in my heart, she heard them. She smiles and sighs a little, resting at the edges of my forest.
We beings
lay here, like this for a long time. Until the Sun is way low.
But we don't move. We just keep right on laying. Our eyes closing.

The wintergreen gives way to a bed of Jasmine vines way up in a tree. When we awake we look at each other and recognize our spirits.
She climbs onto the limb of a tree and sees  way across the forest, to more forest and more forest, to mountains and more mountains.
She begins to transform, her body rippling, scales made of light, emerging from her back, her eyes glistening, her dreams swirling around her, fruits ripe for the picking, some still maturing , her legs start to dance as they form one long tail, four legs with claws follow not long after. She is glowing a vibrant green touched with sparks of grey. A Naga flies out from the trees and is off. Into the night to do what she does.

I lay on the Jasmine, inhale sweet sweet scents and dream my own dreams where I'm an Owl , all my feathers pale pink and deep navy blue. I leap up through the canopy and sweep down into the forest to do what I do.  

Our spirits meet sometime before the Great Grandpa Sun is born again, to greet him with a song, to keep on exploring these earth bodies, to keep on singing to the forests, to keep on smelling and eating and drinking and washing, finding others to play with, to keep on thanking and laughing and moving time along with our movements.

The forensics sent into the forest to look for us didn't find diddlysquat because they hadn't looked deep enough into their own eyes.
releasing this now, letting it become some ingredient someplace else, whatever I was holding out or on to,.
It's been a while since I wrote a story.
Neither beings in this poem are anyone in particular, but it is powered by these past months And doors closing.
HRTsOnFyR Aug 2015
Here the waves rise high and fall on the icy
seas and white caps chew the driftwood logs of
hemlock and toss them wildly upon sandy beaches.
The steep mountains rise straight from the sea
floor as the December sun shines through the dark
clouds that hang heavy with snow near the top peaks.
Blue icebergs drift slowly down the narrow channel.
This volcanic island is one of many that are scattered
along the coast of Southeastern Alaska.
On the South end of the island is another
tiny island and on it stands an old lighthouse,
a shambles. It has a curving staircase and an
old broken lamp that used to beckon to ships at
sea. Wild grasses and goosetongue cover the ground
and close by Sitka blacktail feed and gray gulls
circle. There is a mountain stream nearby and
in the fall the salmon spawn at its mouth. The
black bear and grizzly scoop them up with great
sweeps of their paws, their sharp claws gaffing
the silver bodies.
Walking North along the deer trail from the
South end of the island are remnants of the Treadwell
Mine. It was the largest gold mine in the world.
In the early 1900's the tunnel they were digging
underneath Gastineau Channel caved in and the sea
claimed her gold. The foundry still stands a rusty
red.
The dining halls are vacant, broken white
dishes are strewn inside. The tennis court that
was built for the employees is overgrown with hops
that have climbed over the high fence and grown
up between cracks in the cement floor. The flume
still carries water rushing in it half-hidden in
the rain-forest which is slowly reclaiming the
land. The beach here by the ocean is fine white
sand, full of mica, gold and pieces of white dishes.
Potsherds for future archeologists, washed clean,
smooth and round by the circular waves of this
deep, dark green water.
Down past the old gold mine is Cahill's house,
yellow and once magnificent. They managed the mine. The long staircase is boarded up and so
are the large windows. The gardens are wild, irises
bud in the spring at the end of the lawn, and in
the summer a huge rose path, full of dark crimson
blooms frames the edge of the sea; strawberries
grow nearby dark pink and succulent. Red raspberries
grow further down the path in a tangle of profusion;
close by is a pale pink rose path, full of those
small wild roses that smell fragrant. An iron-
barred swing stands tall on the edge of the beach.
I swing there and at high tide I can jump in the
ocean from high up in the air. There is an old
tetter-totter too. And, it is like finding the
emperor's palace abandoned.
There is a knoll behind the old house called
Grassy Hill. It is covered with a blanket of hard
crisp snow. In the spring it is covered with sweet
white clover and soft grasses. It is easy to find
four leaf clovers there, walking below the hill
toward the beach is a dell. It is a small clearing
in between the raspberry patch and tall cottonwood
trees. It is a good place for a picnic. It is
a short walk again to the beach and off to the
right is a small pond, Grassy Pond. It is frozen
solid and I skate on it. In the summer I swim
here because it is warmer than the ocean. In the
spring I wade out, stand very still and catch baby
flounders and bullheads with my hands; I am fast
and quick and have good eyes. Flounders are bottom
fish that look like sand.
Walking North again over a rise I come to
a field filled with snow; in the spring it is a
blaze of magenta fireweed. Often I will sit in
it surrounded by bright petals and sketch the mountains
beyond. Nearby are salmonberry bushes which have
cerise blossoms in early spring; by the end of
summer, golden-orange berries hang on their green
branches. The bears love to eat them and so do
I. But the wild strawberries are my first love,
then the tangy raspberries. I don't like the high-
bush cranberries, huckleberries, currants or the
sour gooseberries that grow in my mother's garden
and the blueberries are only good for pies, jams
and jellies. I like the little ligonberries that
grow close to the earth in the meadow, but they
are hard to find.
Looking across this island I see Mt. Jumbo,
the mountain that towers above the thick Tongass forest of pine, hemlock and spruce. It was a volcano
and is rugged and snow-covered. I hike up the
trail leading to the base of the mountain. The
trail starts out behind a patch of blueberry bushes
and winds lazily upwards crossing a stream where
I can stop and fish for trout and eat lunch; on
top is a meadow. Spring is my favorite season
here. The yellow water lilies bud on top of large
muskeg holes. The dark pink blueberry bushes form
a ring around the meadow with their delicate pink
blossoms. The purple and yellow violets are in
bloom and bright yellow skunk cabbage abounds, the
devil's club are turning green again and fields
of beige Alaskan cotton fan the air, slender stalks
that grow in the wet marshy places. Here and there
a wild columbine blooms. It is here in these meadows
that I find the lime-green bull pine, whose limbs
grow up instead of down. Walking along the trail
beside the meadow I soon come to an old wooden
cabin. It is owned by the mine and consists of
two rooms, a medium-sized kitchen with an eating
area and wood table and a large bedroom with four
World War II army cots and a cream colored dresser.
Nobody lives here anymore, but hikers, deer hunters,
and an occasional bear use the place. Next door
to the cabin is the well house which feeds the
flume. The flume flows from here down the mountain
side to the old mine and power plant. An old man
still takes care of the power plant. He lives
in a big dark green house with his family and the
power plant is all blue-gray metal. I can stand
outside and listen to the whirl of the generators.
I like to walk in the forest on top of the old
flume and listen to the sound of the water rushing
past under my bare feet.
In the winter the meadow is different: all
silent, still and snow-covered. The trees are
heavy with weighty branches and icicles dangle
off their limbs, long, elegant, shining. All the
birds are gone but the little brown snowbirds and
the white ptarmigan. The meadow is a field of
white and I can ski softly down towards the sea.
The trout stream is frozen and the waterfall quiet,
an ice palace behind crystal caves. The hard smooth-
ness of the ice feels good to my touch, this frozen
water, this winter.
Down below at the edge of the sea is yet another
type of ice. Salt water is treacherous; it doesn'tfreeze solid, it is unreliable and will break under
my weight. Here are the beached icebergs that
the high tide has left. Blue white treasures,
gigantic crystals tossed adrift by glaciers. Glisten-
ing, wet, gleaming in the winter sun, some still
half-buried in the sea, drifting slowly out again.
And it is noisy here, the gray gulls call to each
other, circling overhead. The ravens and crows
are walking, squawking along the beach. The Taku
wind is blowing down the channel, swirling, chill,
singing in my ear. Far out across the channel
humpback whales slap their tails against the water.
On the beach kelp whips are caught in wet clumps
of seaweed as the winter tide rises higher and
higher. The smell of salty spray permeates everything
and the dark clouds roll in from behind the steep
mountains.
Suddenly it snows. Soft, furry, thick flakes,
in front of me, behind, to the sides, holding me
in a blizzard of whiteness, light: snow.
This is a piece my grandmother had published in the 70's and I was lucky enough to find it. She passed on a few years ago and I miss her with all of my heart. She was my rock and my foundation, my counselor, mentor and best friend. I can still hear the windchimes that gently twinkled on her front porch, and smell the scent of the earth on my hands as I helped her **** the rose garden. I am glad that she is finally free of the pain that entombed her crippled body for nearly half of her life, but I wish I could hear her voice one last time. So thank God she was a writer, because when I read her poems and stories, I can!  She wasn't a perfect woman, but she was the strongest, smartest, most courageous woman I have ever known.
Tilly Nov 2013
coloured flames and fireflies dance mischievously around our heads

to the tiny trumpetsong of bees Joyous songs of love lulling all in revery yet silent to

mere mortals as We only hear the hush of whispered sighs stood beneath the dappled canopy of  

ancient fair oak spread As sweet twilight greets us again swathing our Ianthe in milky moonlight

as she rests upon a dew jewelled knoll still dreaming of fae Unaware of the cold (or the warmth

you hold in your heart for her) She smiles as you cover her shoulders with a elven~made

blanket of gossamer wisp whilst estivating toads blink wide in the coolness of hidden
mossy beds                         Gently,
sweep the                 droplet
                         of Au            from her eye, Deva,
  as we cough etheric      dust from our lungs,
sparkles    floating
in the paper-
            lantern light              
scattering across
the midnight sky,
illuminating fates,
as those fire-flies hearts
twinkle like falling stars unseen
When the veil thins, and jack o'lanterns protect,listen
to the wise ones with Samhain blessings.
Happy Autumn x
From the knoll rolled the meadow blue brown and green
The silence of the Spring sky shielded the distant din
Winds blew in a dusty peace bought mind a soft solace
First star on the meridian chimed in the evening’s grace.

Atop the knoll came the call for once to break the race
Hear the hushed whispers of dreams long suppressed
Stand there hugged by those moments’ forgetfulness
No need survives for going back there exist no address.

The chance in that trance wove a blithesome spell
It’s here that you belong for you is made this dale
Drink in this heavenly whim hidden nectar of the mind
Unshackle from the chains of an illusion left behind.

The sky was soon illumined by the monstrous city light
Faded the meridian’s first star stillborn was mournful night
Atop the knoll dawned darkness the meadow was a distant blur
It was time to retrace downhill to forever nurse a scar.
Something inspires the only cow of late
To make no more of a wall than an open gate,
And think no more of wall-builders than fools.
Her face is flecked with pomace and she drools
A cider syrup. Having tasted fruit,
She scorns a pasture withering to the root.
She runs from tree to tree where lie and sweeten.
The windfalls spiked with stubble and worm-eaten.
She leaves them bitten when she has to fly.
She bellows on a knoll against the sky.
Her udder shrivels and the milk goes dry.
ALL things uncomely and broken, all things worn out
and old,
The cry of a child by the roadway, the creak of a lum-
bering cart,
The heavy steps of the ploughman, splashing the
wintry mould,
Are wronging your image that blossoms a rose in the
deeps of my heart.
The wrong of unshapely things is a wrong too great
to be told;
I hunger to build them anew and sit on a green knoll
apart,
With the earth and the sky and the water, re-made, like
a casket of gold
For my dreams of your image that blossoms a rose in
the deeps of my heart.
Jim Sularz Jul 2012
© 2009 (Jim Sularz)

Quiet mounds of yellowed tailings and dead weeds whisper low.
And proud rusting relics telling tales of striking gold.
The rush from East, from North and South, by wagon, train or foot.
Days not all that long ago, in tall ships made of wood.

“A gold rush struck in’49, all quite by accident.
A burning fever that cut men to bone, in a sea of dingy tents.
Day and night, they toiled and tolled, many headed home without a cent.
But some packed out bags of glistening gold, and made a stop at "Buzzard’s Breath."

"The town’s mud logged street, deep with horse manure, bubbled like a shallow grave.
With a Sheriff’s office, a livery stable, and a church for souls to save.
And a fancy house, on a grassy knoll – sign read, “Madam Lil la ****.”
With soft, curvaceous ladies who mined for hearts – and gold of a different sort.

Didn’t take long before easy gold, was extremely hard to find.
And burly miners, tough as steel, moved in to hard rock mine.
With bloodied knuckles, dented hats, they blasted at a furious pace.
To find the gold, called the Mother Lode, yellow blood coursing through their veins!

The mine they worked was called “Long Shot”, the men thought that name a curse.
But the miners hankered for the handle, "Buzzard’s Breath”, and the mine’s name was reversed.
As luck would say, they held a royal flush, when they hit that horse-wide vein.
Of the purest gold, yet to be found, this side of the Pearly Gates.

Eyes wide as saucers, they were all in awe, everyone was filthy rich.
The miners should have all retired and should have cashed in all their chips.
But a man’s hard to figure, when his blood is yellow, and he’s stricken with a gold fever.
“Eureka! Boys, *** the dynamite and a whole lot more mining timbers!”

They mined that vein to the bowels of the Earth, and the heat increased by day.
"Buzzard’s Breath" became the hottest place, to Hell – the shortest way.
And then one day, the men never came back. – Hell must have jumped that claim.
Of the purest gold, yet to be found – that’s where the Devil mines today!”

Quiet mounds of yellowed tailings and dead weeds whisper low.
And proud rusting relics telling tales of striking gold.
The rush from East, from North and South, died a slow and quiet death.
Along with days of tall wooden ships, and the ghosts of Buzzard’s Breath.
Where I live in Colorado, there are still old rusting mining relics all along the mountain roads.   What tale could these relics tell about the Gold Rush days during the mid to late 1800's?   The "Ghosts of Buzzard's Breath" is one of those tales.   By the way  -  "Buzzard's Breath" is a real town in Wyoming (no kidding).      Jim Sularz
Stranger, if thou hast learned a truth which needs
No school of long experience, that the world
Is full of guilt and misery, and hast seen
Enough of all its sorrows, crimes, and cares,
To tire thee of it, enter this wild wood
And view the haunts of Nature. The calm shade
Shall bring a kindred calm, and the sweet breeze
That makes the green leaves dance, shall waft a balm
To thy sick heart. Thou wilt find nothing here
Of all that pained thee in the haunts of men
And made thee loathe thy life. The primal curse
Fell, it is true, upon the unsinning earth,
But not in vengeance. God hath yoked to guilt
Her pale tormentor, misery. Hence, these shades
Are still the abodes of gladness; the thick roof
Of green and stirring branches is alive
And musical with birds, that sing and sport
In wantonness of spirit; while below
The squirrel, with raised paws and form *****,
Chirps merrily. Throngs of insects in the shade
Try their thin wings and dance in the warm beam
That waked them into life. Even the green trees
Partake the deep contentment; as they bend
To the soft winds, the sun from the blue sky
Looks in and sheds a blessing on the scene.
Scarce less the cleft-born wild-flower seems to enjoy
Existence, than the winged plunderer
That ***** its sweets. The massy rocks themselves,
And the old and ponderous trunks of prostrate trees
That lead from knoll to knoll a causey rude
Or bridge the sunken brook, and their dark roots,
With all their earth upon them, twisting high,
Breathe fixed tranquillity. The rivulet
Sends forth glad sounds, and tripping o'er its bed
Of pebbly sands, or leaping down the rocks,
Seems, with continuous laughter, to rejoice
In its own being. Softly tread the marge,
Lest from her midway perch thou scare the wren
That dips her bill in water. The cool wind,
That stirs the stream in play, shall come to thee,
Like one that loves thee nor will let thee pass
Ungreeted, and shall give its light embrace.
As he walked through a forest he knew so long ago,
He sees a withered oak.
A proud thing.
A proud memory.
A proud day.
A proud history.

And yet all he feels now is the darkness of the shadow it casts.
He sees the leaves the rain soaks.
He has no song to sing.
He has nothing to be.
He has gone no way.
He has her in his dreams.

The rain continued as his clothes get wet, smiling at the memory of their first kiss.
It was like this...thing.
He can’t say it another way.
It was something to see.
It was something to light their day.
It was something meant to be.

He sighed and sat down under the far reach of the branches and watched the drops float down slowly; watching them made him happy, and yet they made him sad. They reminded him of the way the were happy, then sad. He laughed at his deep, philosophical banter. Is this not like our love, my dear?, he thought. One moment you’re soaked to the bone and trying nothing more than to run away when all you’d want more is to rush and play in the mud with eachother like children? Hm...and when the cloud are done weeping and they’re once again light with joy, what becomes of us? We simply dry our selves and go on with our full lives again....
Although...if it were meant to be...we'd simply fly and run in the field and let the sun have its way on our skin, no matter how sweltering it makes us feel.

And with that his thoughts were clear as he sat in that knoll.
Under and on that withered oak.
Its leaves laughing with the memories.
Laughing at the two of them.
Sighing at the sight of them.
Praying for the child of them.

And with that rain, each drop gave life to the leaves.
That grand oak.
Withered under its memories
Laughing at its own roots.
Barely a look under mans boots.
And yet, still strong enough to give its support.

———————_————————__

She walked up to that tree they used to love.
And found him lying there.
His skin still so fair.
But pale in comparison of what it used to be.
So she played there with him. Laughing with the tears of the sky. At what they used to be. Then in each other’s arms, they die.

The sun shines, and a shadow under them begins to bloom, letting the sun do what it pleases on their skin. There will be no joy for them this time though; they ran their last the day before.
Part 1
Edward Alan Feb 2014
I walk along a path
I do not know
But falter left nor right,
And, welcoming the light
Of birches, still and white
As sleeping snow,

A raven, coat that shimmers
Soft as coal,
Beside me flutters square
And, drawn like to a snare,
Alights upon the air
As on a knoll.

A ripened chestnut, trapped
Within his maw
And hard as ancient ice,
Is tightened by the vise
And shatters at the slicing
Of his jaw

To crumble into dust,
Which quick cascades
And settles, as it slows,
To carefully compose
The shape of raven toes
Where he parades.

The raven flies ahead
And, with a stamp,
His talons take a grip
Atop a wooden tip
Of birches, dead and stripped
To form a ramp.

I stumble after, fixed
Through field of black
As in a telescope,
And, clawing at the *****,
I climb it with a hope
To touch his back

And ****** a hand ahead
Just as he slumps,
Both limp but stiff, to lie
Upon his side and die.
I meet his cloudy eye
Upon the stump,

Then lift my head to find
A willow sprig,
A tendril hanging free
For me to grip. Indeed,
I climb the strip of tree,
The little twig,

And swivel in the air,
As if by choice.
I hear a humming, low,
Resounding from below—
The raven’s eyes, aglow
With Odin’s voice.

Like lightbulbs flicker, dim
with yellow light,
They sharpen with the tones
That bellow from his bones—
This god and poet moans
His heavy spite:

He damns me to the lifetime
of a bird.
My sin, I do not know
But bear the bitter woe
And close my eyes to focus
On this word:

Saṃsāra. So I feel my
Senses spill
Upon the ground
And flood out all around
And swallow every sound
Till all is still.
For Ragnarok. A dream I actually had.
By night we linger'd on the lawn,
For underfoot the herb was dry;
And genial warmth; and o'er the sky
The silvery haze of summer drawn;

And calm that let the tapers burn
Unwavering: not a cricket chirr'd:
The brook alone far-off was heard,
And on the board the fluttering urn:

And bats went round in fragrant skies,
And wheel'd or lit the filmy shapes
That haunt the dusk, with ermine capes
And woolly ******* and beaded eyes;

While now we sang old songs that peal'd
From knoll to knoll, where, couch'd at ease,
The white kine glimmer'd, and the trees
Laid their dark arms about the field.

But when those others, one by one,
Withdrew themselves from me and night,
And in the house light after light
Went out, and I was all alone,

A hunger seized my heart; I read
Of that glad year which once had been,
In those fall'n leaves which kept their green,
The noble letters of the dead:

And strangely on the silence broke
The silent-speaking words, and strange
Was love's dumb cry defying change
To test his worth; and strangely spoke

The faith, the vigour, bold to dwell
On doubts that drive the coward back,
And keen thro' wordy snares to track
Suggestion to her inmost cell.

So word by word, and line by line,
The dead man touch'd me from the past,
And all at once it seem'd at last
The living soul was flash'd on mine,

And mine in this was wound, and whirl'd
About empyreal heights of thought,
And came on that which is, and caught
The deep pulsations of the world,

aeonian music measuring out
The steps of Time--the shocks of Chance--
The blows of Death. At length my trance
Was cancell'd, stricken thro' with doubt.

Vague words! but ah, how hard to frame
In matter-moulded forms of speech,
Thro' memory that which I became:

Till now the doubtful dusk reveal'd
The knolls once more where, couch'd at ease,
The white kine glimmer'd, and the trees
Laid their dark arms about the field:

And ****'d from out the distant gloom
A breeze began to tremble o'er
The large leaves of the sycamore,
And fluctuate all the still perfume,

And gathering freshlier overhead,
Rock'd the full-foliaged elms, and swung
The heavy-folded rose, and flung
The lilies to and fro, and said

"The dawn, the dawn," and died away;
And East and West, without a breath,
Mixt their dim lights, like life and death,
To broaden into boundless day.
Paul Butters Feb 2015
When Rome fell down,
Don Newton with his flashing blade
Took over.

He marched the corridors of Table Tennis power
For more than fifty years.
And graced a multitude of committees with his
Presence.

As Mister NALGO, Don constructed
A glorious empire
Of countless teams
At many a venue:
Down Pasture Street,
In Weelsby, Yarra, Knoll,
Electric Club,
Saint James...
To name a few.

Amassing titles and cups
From every division
Of the Grimsby League:
A roll of honour too long to recall,
Now stretching to the horizon.

No fancy sponge, reversed rubber,
Or long-pimples for our Don.
Give him a plain old Barna bat,
Devoid of sponge, short-pimples out,
To give that ball a mighty clout.

The simple things in life
Were all he wished:
A pint of mild,
Or game of chess,
Would always go down well.

This table tennis granddad knows the score,
And takes his leisure now,
Contented as
The sun goes down.

Paul Butters
Dedicated to my old friend Don, who passed away in the early hours of 9\2\2015. Actually composed when he retired from serious involvement with table tennis in 2009. Have slightly amended it tonight, hopefully for the better.
Rob Apr 2014
A man-made cave of brutal grey
Damp and dark on sunlit day
Void of what it used to be
Yet a thousand souls I seem to see
Oppressed I felt I must escape
So through narrow door my way I make
A few steps more on grassy knoll
To sit, and breathe, and take control
I stare across the open fields
Wide and flat, and Poplar healed
I want to write
Yet words won’t come
For in this place all words are done
Upon this knoll, one long past day
Were penned the words of John McCrae
So instead I ponder field’s banks
Fresh turned earth in neat trim ranks
And watch the flowers bob their heads
With diaphanous petals
Of deep blood red.

RD © 2014
Today, my wife and youngest daughter are on a school trip visiting Ypres.  About five years ago I made the same trip with our eldest daughter. Amongst many places we visited was the Essex Farm Dressing Station and I admit that quite soon I found it’s atmosphere oppressive and so sat outside about 20 feet away on the grass bank of field, where Poppies were growing in newly ploughed earth. I tried to write something then, to imagine, but no words came. So I took a photograph of the closest poppy instead and it was only when I was walking back to the coach that I saw the inscription that explained how John McCrae, Canadian Army surgeon, had just failed to save his friend in the dressing station and came outside to sit awhile, where he wrote “In Flanders Fields”  (3rd May 1915). And I knew all the words had already been used for this place.
Third Eye Candy Dec 2018
a regime of stars pollinate the impossible
as i linger underneath the yawning medallion of Nightsky
and tarry in the lanes of luminous, gawking at the Quiet.
South of Afternoon.
i plunge into my garrulous despair like an Olympian.
leaving ripples in the peace with shallow valleys
and iridescent peaks.
my swayback is the ***** of a grassy knoll of iron will
sleeping on the job
wide awake.
Mike Hauser Nov 2013
a grassy knoll
shots rang out
left a world in fear
with a world in doubt

we watched Camelot
suddenly pass away
on the harsh streets of Dallas
50 years ago today

as the 60's arrived
newly on the scene
hello nightmare
goodbye american dream

on that fateful day
it all fell apart
shot a hole in our soul
left a hole in our heart

when on that grassy knoll
shots rang out
which left a world in fear
to a world in doubt
John F McCullagh Dec 2011
We started out with Armistead
from the shelter of the trees.
A jackrabbit raced past to the rear,
no dumb bunny was he

The heat rose up to meet us
As we started up the rise-
The prospect of the copse of trees
Before us was the prize.

The flower of Virginia here
displayed upon Parade
We must have looked magnificent
Just before the cannonade

They piled on Double Cannister
and tore holes in our line
We staggered from the weight of shot
that fearful hissing whine..

Then enfilading fire came
From the Yanks behind stone walls
Just then post fences six feet high
briefly caused our charge to stall

Brave **** Gannett was unhorsed
Upon this very spot
Kemper, wounded mortally,
Was retrieved from shell and shot


We made it past the final fence
And up the grassy knoll
Defiant in the cannons mouth
"Turn those guns!" I'm told.

But at that very Moment
General Armistead was downed
The attack lost its momentum
Our wave crested on high ground..


The blue bellies yelled Fredericksburg
As the Crimson tide retraced
Half in Anger, Half in relief
that the challenge had been faced.


The hill before the copse of trees
Pocked with our dead and dying
While the remnants of Picketts men
Towards Longstreets line were filing


Matthew Brady took my photograph
before I was led away
My face a study in defiance
A true man of the gray.
Gettysburg, the third day. This is from the Confederate point of view.
534

We see—Comparatively—
The Thing so towering high
We could not grasp its segment
Unaided—Yesterday—

This Morning’s finer Verdict—
Makes scarcely worth the toil—
A furrow—Our Cordillera—
Our Apennine—a Knoll—

Perhaps ’tis kindly—done us—
The Anguish—and the loss—
The wrenching—for His Firmament
The Thing belonged to us—

To spare these Striding Spirits
Some Morning of Chagrin—
The waking in a Gnat’s—embrace—
Our Giants—further on—

— The End —