So, this is death by Bunnings,
This is so not funny,
So much for a store of hardware,
Then it's on to death by Ikea,
What am I doing here?
This is true fear,
Esoteric death by Ikea,
I've got absolutely no idea,
I've come home with a kit,
Comprised of a zillion bits,
Some of it's missing, it's
Giving me the blip,
How to assemble this?
Who even gives a blip?
Yes, it's death by Ikea,
A barrel of laughs here.
What bit goes here?
Doesn't even look near,
So not funny, non dears,
Total angst of Ikea,
Yes, esoteric death by Ikea.

My muse had a good idea,
Let's flood the world with Ikea!
Dysfunctional kits, there and here.
For guns and bombs here
No one would care.
They would be assembling Ikea,
Each kit, four missing bits,
Wrong pictures to give them the blip,
Globally occupied with dysfunctional Ikea,
Now isn't this a good idea?
Peace on Earth brought by Ikea.

Your bedroom is a carefully preserved time capsule,
a tribute to a fondly remembered time long past.
Though I have visited this small square room less than
feels right since our once tight-knit group dissolved, it is
kept as pristine as a display about a foregone era in a dark
and cluttered museum.  The walls still stand wearily in that
same stubborn shade between periwinkle and robin's egg,
the only difference is one unfamiliar poster-the rest have
hung steadfast in the same positions since you moved into this
bedroom from the one next door many years prior.  In the
corner across from your bed, rests the desk you have
used to hold some of your most valued items for as long as
we have traversed the undulating cycle between friendship
and acquaintanceship, including the now-empty terrarium that
bravely contained a wooly tarantula.  Your closet, still noticeably
bare, informs me, through a smattering of neon yellow t-shirts,
that you are still employed for the same landscaper. As we pass a
meticulously re-rolled cigar between us, two old and distant
friends, my vision drifts towards the dresser under the plain
windows, which overlook your claustrophobic backyard.  It is,
surely, an Ikea affair, for though it has the coloring of mahogany,
the wood has the unmistakable sheen of faux; but what compels me
to gaze at this dresser is not its questionable quality but the years
of graffiti scrawled across its drawers and walls in the sort of thick
black marker that might give one lightheadedness if uncapped for
too long.  I realize, suddenly, that this dresser is our monolith.

I express to you my incredulity that you have kept this dresser,
of all things, for so long, as a wry grin splits my mouth in halves.
Too many memories, you say, a melancholy tone suddenly echoing
through the small bedroom.  My grin fades, and I look closely,
recalling in a bright flash a multitude of intoxicant-fueled evenings-
you were always in that black pleather computer chair, while
always I sat on the bed, squished between or beside the
on-again-off-again couple.  The exact words inscribed upon this
Ikea monolith, I realize, are no longer of importance, for they
are largely insensitive, pejorative, and crude.  These words are
the spirit of a fading adolescence wasted in suburban bedrooms
and backyards, or in city basements and roofs, spawned by
countless cases of the cheapest beers available, by handles of
off-brand *****, by bags of substances in every shape and
size imaginable.  I am staring at a proclamation of a girl's
promiscuity on this very monolith when you exclaim that you
would give anything to have a time machine, to go back to those
days, that they were the happiest days of your life.  Though
outwardly I smile and offer a noncommittal expression of
sentimentality, inwardly I frown, struck by a wave of pity.  

Halfway between twenty and thirty, I am no longer the shy,
hasty, or withdrawn teenager who spent hours cooped up in
a stagnant bedroom, ****** and bored. I can suddenly perceive
exactly how little you, my old friend, have changed, and I am
ashamed of my inability to say so.  But that couple imploded
years ago in a neon display, temporarily destroying all that
surrounded them; all of the satellites that orbited our group
have moved out of our gravitational field, some going off
to college, some getting good jobs, some moving to big
cities, some starting bands.  Graduations or birthdays
might bring us together for a few hours of drunken
reminiscence, we all know, somewhere, that we have
grown apart, while you hide in this bedroom,
a lonely hermit.

This room is not a time capsule;
it is a tomb, and the Ikea monolith might as well be your
headstone.

.i. if Kant could have his von Kleist... well... who else to juggle juggernauts if not me? as a task of redeeming that poor soul who succumbed to the terminator of all poetic ambitions, with his systematisation off-the-page, as eccentric and punctual as a sunset on a sundial at 16:11... and in case either the spring of sunrise, or the autumn of sunset... but so many hours after exacting a sunset... that gluttony of the eyes to stare at it... 16:11 is the zenith of a sunset in november the 15th... much prolonged when warmer... supersized sun when setting in summer, and all that whiskey-copper wiring for the eyes to stare at it: oh for goodness sake, who really cares for Ikea likened assembling of words... we're not putting together a coffee table, we're looking for Darwinistic entrapment, we're scared of the aeons and yawns... we're trying to create a Darwinistic entrapment saying what segregates us from apes! that's how anti-Darwinism works - if they can easily call you a poet and a technophobe... then that hardly makes you a merchant with a Quran... to encapsulate the language of our modernity we're doing everything against writing the onomatopoeia of our beginning... monkey ooo! monkey ooo ah ah! or a gorilla grunting and then snorkeling... we're encapsulating our language more and more... because beginning with ape and then looking at history, and then looking at the consensus of the contemporary: Darwinism's greatest enemy is not theology... it's history... Darwinism and history are not compatible... oddly enough Darwinism and theology are compatible, simply because they are dynamically equal for the case of furthering both arguments in debate... but Darwinism is an odd starting point to argue, given that physicists argue from the perspective of prior to dinosaurs, prior to all things formed.

how can i begin this? it will leave me having to
write it for two days,
the anti-narrative sketch first, then filling in
the gaps sober... just to get second opinions...
i might have to cook a quasi-Hungarian borscht
and fry up a few potato flattenings to a crispy
yum... first the narrator comes in to describe what's
in store, a bit like a translator comes in and says
of Joyce: that's Irish... well, yeah.
               hence the italic preface...
as some would say, the person who wrote these
sketches worked quicker that an algorithm in asking
and also quicker to copy & paste the required
atomic encoding... e.g. ч and ch
                   э and euro and epsilon...
      once upon a time there was nothing prior
to Copernicus, then the somersaults came,
    h ч y        what coordinates where?
    well of course perfecting the encoding of something,
if things weren't stated awry there would be
no optometrists either...
                  it's not hard to read, it's hard to
remember how to read, given that being literate reached
the omnipresent velocity, the new powers had to
include some new power struggle...
mingling Latin and Runes, Greek and Cyrillic...
     and the proto-Latin of additional diacritical marks...
they exposed the entirety of humanity to literacy
within the framework of post-industrial society,
after hitchhiking a ride on the 19th century donkeys
they suddenly had to reveal their power-secret of
being literate, and by the account of women:
corset bound and bored in salons...
      but something else appeared that didn't really fascinate
them: that over-complication of Latin with
punctuation marks above letters: or diacritical
distinction, crowns over letters, subatomic particularisation
of once favoured: universal applicability...
as a narrator? i have to make a complicated
introduction, the sketch lends itself to do so,
it suggests that not all writing can be as simple as
a nursery rhyme, not all writing can actually
    **** memory, not all writing desires being remembered,
not all writing can be remembered,
                in the mediation of the two chiral opposites
there's fiction, which is suspended in an armchair of
pleasurability... but on the opposite side of a nursery rhyme
or a well versed poem? writing akin to arithmetic...
  something truly painful for those competent with
lettering, but not really competent with ten digits...
      as a narrator who has already read the sketch,
i'm trying to not write a "filling in the gaps" to the sketch
like an art-critic might do to a painting deviating from:
brushstrokes were employed. well... d'uh!
variation of italics as in transcending the pause that
implies a condescending variation of taking a pause,
also excluded are: dot, comma, hyphen, semicolon
and colon.                         dot-dot-dot is not joining up
the dots: it implies a variation of how to anticipate
a punchline: drummed: tu-dum wet snare!
     i am actually a narrator who is trying to find
that other part of me that might digest this sketch properly,
     and return fully competent to pick up another
sketch... if ever there was a narrator in this sketch,
it has to be me, after the sketch has been scripted,
and i am left to suggest a need for a dot-dot-dot connectivity
of the strokes of the pen...
i warned myself: do not overdo the introduction in italics,
you know how picky people are...
whether pickled pineapple of cucumber...
i swear Turks invented pickling chillies...
         oh look! an inflatable gazebo filled with helium!
no one's laughing: only because i didn't mention vegina.
narrative puritanism? you get distracted a lot...
but this sketch is really a thesis for narration,
all i have to do is find the antithesis of narration in it:
an actual narrative!          it stretches for ~30 pages...
   well that's me turned archaeologist with a Grecian urn
with a snap of the finger... because that's how this
sketch looks like: ancient -
                         but understandably modern.
              so .  ,  - and ;
        were racing... out came the world record
             9.58(0)         the full-stop is the bracket-bound
0... i.e. it actually happened: hence the pinpoint...
or in Formula 1 a timed nonsense of ave. m/ph
     noted to three decimal points: 130.703...
                                    or chicane cha chicane cha cha!
as said, this is an actual representation of a narrator
encountering this sketch: so before you lose your head...
i've lost mine!
  look at the correlation though!
we've gone way past atoms with the atomic bomb
and encountered subatomic particles...
    we're not going to get beyond subatomic particles
because we're going to encounter the already apparent
reality of obatomic particle: namely our bodies,
   the perceived ******* (ob- is the antonym
                                                  prefixation of sub-):
             that's were the microscope adventure ends,
    and this is parallel to cutting up a second with
three decimal points, as the safetynet suggests:
                                                              π / 3.14;
yep, the obstructive - hence we can't spontaneously
combust... but then again Goethe's Werther did:
  out of love... down the spiral: you sweet little *******.

~ii. i'm actually too lazy to write the sketch and fill
in the blanks... so i'm going to fill in the blanks as i go along,
  or that's what's called the rebellious stance of narrator: mmm,
work in progress, could you see that coming?

ii. a beer in between glugs of whiskey - runes
combined in the ******* / sigma, variant of agliz or
the rune-zeta extended toward a dark shadow of the rebirth
of Ishrael: zoological enclosure; sigma *******
sigma ******* sigma *******, sigma *******...
rune-zeta... we cannot say there are ******
mathematicians and poets akin,
not then one optic encoding states
     a b c d e
         another states f u þ a r
yet another а б (ρ) в г
  α β γ δ:
for worth of gamma into a trill only because of
   a wave, that's ~ approx. on the side of the letter
   e.g. г & r.
   or rho upside down? what the ****?
did Voltaire write this? reading Candide,
i hope he ****** did!
you the problem is pixelated paper? if you know
how you enter a deciphering mode...
                    but you require a personal library to boot,
all that dos formatting,
                       well there's formatting in the humanity
outstretch of this white medium too...
after it isn't all ******* white when all the psychiatric
pills are white too... i have really found something better
than the Bermuda Δ...
       Greek, Latin, Cyrillic and Runes...
i could say neo or proto otherwise,
but i still haven't unearthed the sketch, that
is probably puzzling the Danes, with Cnut on the forefront...
                    but the arrangement of numbers is universal,
but it's not universal, given the particularity of
how language is encoded and why some people are
richer than others...
            but it's still a beer between glugs of whiskey that
makes more sense...
i said, retype the sketch and go to bed...
and i figured: that's probably the wisest of all possible
events stemming from this...
    that's ~27 pages of notes to retype... and i'm already
in a disclosure mode as to expect what's to be jargoned...

p. 1        cкεтч       /      σкεтχ
   necessity of                        (acute
a-       -the           (ism)
is that of language structure,
          only from the use of one's language does
a deity present itself: from within the noumenon
ground work, not the reverse, as in from
(pp. 2, 3)
                 a phenomenological exercise in
the use of language: Islam, Christianity, Buddhism, (etc.)...
       e.g. Islam is a phenomenon,
  it's not a noumenon: or a thing-in-itself...
  for the Islamic god to emerge from Islam's-in-itself
Islam will have to prevent itself from being-outside-itself...
or overpowering other in-itself contentions
but still: to no apparent success narrative of true intention
as satisfactory appropriation and hence lending itself
to a widespread nod of approval.
  challenging space: word compounding, or the space
between conjunctional deficiencies: nod-of-approval (e.g.).

p. 2    concussion (great film, Alec and Will, 2015, NFL)
concussion... Blitzkrieg Alzheimer's....
brain is fat.... dementia = attacking proteins...
  steroids... the noumenological use of language:
e.g. that ****** is an enigma,
therefore his views will not go viral,
and he'll not become fashion trendy...
it's not individualistic idealism, it's reality.
as will die sonne satan - orbis reach more than 5K
views... so... clap clap... clap, clap.
           what i meant about the a-     and -the
and the ism is following a sentence that sort of
does away with conjunctional fluidity,
apart from the big words, i treat all minor words as
categorically conunctional... and, the, a, is, to, too...
given the sentence: brain fatty *****,
brian organic giraffe wall... ******* hieroglyphic...
           stood above the rest, rest assured.
  dementia: invading protein cells
   (bulging prune of the opportune: purely
digestion?) no thought to eat or eat itself like,
cannibalistically. the brain is fatty...
not fat in muscle for mmm, schmile and flex
for the selfie. how about a protein inhibitor?
(by now, rewriting the sketch, i've lost the page count,
it's actually p. 5 of note paged toward 27).
how about the explanation that we're living in
times of post-industrialisation and thanksgiving
feminism? to me post-industrialisation has created
a class of meaningless white-collar workers
and no blues... it's what the Chinese blues call
the Amazonian nomads: ******* happy...
no amount of crosswords or sudoku will exert
your body to do things for others...
   no amount of mind games will actually tell your
brain to be equipped with: a bunch of hyenas... run!
dementia is a result of creating too many
white-collar jobs (thanks to feminism)
and exporting the blues to China (thanks to feminism
and: oh i broke a nail, can i get a Ching plumber to
fix my heating while i get a ****** to **** me up my
****?!) - maybe i'm just dreaming...
it's great to censor dreaming, i mean: you stop dreaming,
you get to see reality, and you don't even need to
read Proust on a ricochet.
  - so we have brain as fat, and invader cells as protein...
protein digests fat... and creates cucumbers out
of people... where do the carbohydrates come into play?
it can't be at the point of a.d.h.d., can it?
     i'm blaming post-industrialisation, the complete
disappearance of the blues (formerly known as the reds,
in the east) for the whites...
or that old chestnut of: my god you're goon'ah luv it!
   to till for worth from the sweat of yer brow -
funny funny funny... to earn your loaf of bread
you will toil...
                   and toil until you are physically assured
that not ghostly / mental life can enter your world /
books... that went well... didn't it?
   i should be tilling a potato plateau rather than
be bound to be writing this epic (by modern standards)
poem...
             but that's the curse of exporting all the blue
collar jobs to China, then importing mindless
white collar jobs to the west, what the hell do you think
would happen, not the pandemic of dementia?
if you do not exert the body, and then you do not
exert / exhaust the mind... do you think
you can secure a narrative with a post-industrial
westerner on the premise of that person simply being
able to solve a crossword? well... i believe in santa
claus too... but i don't believe in him giving out
presents... because to me, in my oh-so-called maturity
that's called an anagram of satan's clause: which is a legal
term for: i can turn civilisation into shrapnel
of what's said and what's to be said: and what's not to be
said. people can't expect to turn honest labour
for the recreational run on the treadmill in a gym...
and they can't expect photocopying in an office space
to replace Newton's curiosity, and then compensate
all this distraction with mind-games...
          can they? well... they did!

poets are gagged by writers of prose,
no wonder they write so sparingly,
      they are gagged in the sense that they write
as if asphyxiated: they need breathing room.

well sure, if he can revive the Polish steel industry
and i can go back to steel plates and pillars,
then the rust belt will get a polishing also.

or what's called: shrapnel before the waterfall of
narration: darting eyes, and poncy **** all the way through...

     muse... muse...

        well, how about we take the fluidity out of language?
declassify certain words into one grammatical broth,
say words like i and they
                              a  and the    are all conjunctions?
how about that? let's strip it bare, after all: what categories
of words exist for us to primarily speak (let alone think)?
     nouns, verbs, adjectives... adverbs?
       but all those words in between are so jungly classified
into a tangle that i'm about to sprout a handshake
          of a Japanese vine grip: and never let go...

an actual extract from the sketch:

      https that doesn't recognise UCS
                   and insists on IPA cannot be deemed
       encyclopaedic

              i need runes for this! i need runes for this idea!
i don't need transliteration right now...
                but hey! that's an idea, etymological transliteration...
bugly term, sure, but the previous night i was thinking
  of transcendental etymology, as you do, likened to
carbohydrates... so it was transliteration after all...
but a dead end when it comes to geometry and Pythagoras...
      
    three words... and they are computerised (i guess you
have to buy a decent book to decode this), a bit like
buying paint in a d.i.y. shop...
       16DE (dagaz / d) 16DC (ingwaz / ŋ / grapheme of n & j)
                  16DF (ōþala / Valhalla / o / ō = oo),
in total d'njoo / d'nyoo - even i concede the fact that this
is a ******* mind-******... it's a ****** congregation of
four optic encodings of phonos... i moved away from
the ancient greek fetish for the logos... i'm looking at
the phonos... not the logos with Heraclitus et al.
               φº θ þ фª f

ªgreek
  ºcyrillic                ever see a prettier pentagram?
                      i haven't.

(false original title:
škic / cкэтч / φº θ þ фª f: thespian pandemic - pending)

looking at the phonos is painful, actually painful,
it's like reading a book with a myopic pair of glasses:
a ******* aquarium blurry right there, befor...

- - - - - - - - - - - - - - - - - - - -

'e'? were you: was i, looking for an 'e'?

i can say this much...
what do you get when you mix a shot
of whiskey with a shot of bourbon:
i'm moving between bottles...
it's nearing christmas eve and i'm a ripe
taoist... i.e. i better this world:
by not having the world mind me...
on the odd occasion: oh... you're still here?!

yeah... i'm still here... i have glued-to-fascination
with my shadow... i'm just waiting
for the atom bomb to relieve me of a body
but ensuring my shadow is kept intact...
as if it were a Monet signature on a wall...

but i lament... the momentum has vanished...
i don't even know why i'm so idiotic as
to presume that: from the hour 22:00GMT
to the hours 00:00 circa 00:30GMT...
something will land into my lap,
my lisp... my cranium the oyster shell
my tongue the oyster...

it will not... i can't simply **** anything into
an existence that doesn't want to exist...
perhaps lurking in a canvas of:
"lost luggage" in an airport...
perhaps "there"...
i could be excused my... lethargy...

when was this written? back in 2018?
so i was thinking about teasing cyrillic even then?
wasn't i?
sketch cкэтч or?

what do you get when you mix a shot of whiskey
with some bourbon?
a Burguandian whisker...
i am not going to sound witty...
Ron's key...

that's still a cyrillic "or"... isn't it?
шкиц: škic...

i'm... deflated... nothing "new" has come my way...
i would have thought that...
reading some Knausgård would have /
could have... invigorated me:
reading him was supposed to be my:
dialysis my transfusion!
my zombie-go-to-literature...
it has proven an exhaustive enterprise
to begin writing again:
i became too comfortable
in reading - i almost forgot
the agony of writing...

alas... a contemporary of mine...
and someone well adjusted to prose...

notably: who would have thought
that death in june - the calling (MK II)
was something to be recorded in 1985...
for one: i wouldn't...

but i did begin: back in november 2016...
begin what? to tickle the cyrillic alphabet...
which is way before i discovered my reply
to the runes... to the ancient greek...
and this... "ancient", ahem... still in use...
latin script...

that script that went into the molloch couldron
of being invested in to code...
pristine as the hebrews cited:
how many holes in it?
to write onto a canvas of 0?
q Q R O o p P A a D d g b B...
which leaves...
W E T Y U I S F H J K L
Z X C V N and M "out of the equation"...

škic / cкэтч / φº θ þ фª f: thespian pandemic (pending):
i better rename it as... circa 2016...
that's way before i even acknowledged
the cyrillic text applying diacritical markers...
i thought them too crude at the time...

beside borrowing outright from greek...
the already at hand oddities of glagolitic,
notably: Ⱎ...Ⱋ...

it's only a single word i'm using...
i have abandoned all notions of metaphysics
in favor for orthography...
i'm not going to burden myself
with: what's after the physics...
i'm after: what's now...
in the respective tongues...
2 tongue deviations from
the original latin and greek...

what came with the runes and what
came with the glagolitic scripts...
what was ****** and had to succumb
to inter-breeding...

come 2020... i will have one clarification
to base my existence on...
pronouncing the growth of my ****** hair...
i will hope to aim at a length of beard
that will forever hide the neck...
i will aim at... somewhere to the level
of my heart... when i will then manage
to turn my beard into an orchestra's
nieche of violins when i procrastinate with it...

since 2016...
i have identified russian in ******...
i've seen it... finally!
зъaрт... i.e. żart
and the "hard sign" becoming a "soft sign"
in źrenica: зьрeницa...

i still think the russian orthography
is... as... primitive as the western slavic...

after all... зъ = ż...
зь = ź...
the balkan slavs have a caron...
which is neither a hard or a soft sign / acute...

their caron is... ч (č) or cz...
CHeaper in english...
and their caron is ш (š) or sz...
SHeep...
or the two together...
and always шч (šč): szczekam...
i'm barking...

pu-shch-air... a rare example in english
of the puщair...
but then lookie lookie 'ere:

CZACHA... skull...
ЧAХA...

perhaps this is my "revenge ****" on russia?
hey! boris the kremlin mascoot...
come and 'ave a look...
with how i disect your orthography
on the / with the language that asks
too many metaphysical questions and no
orthographic curiosities!

i'll meet you in Warsaw... given that you're
probably moving from Novosibirsk...
and i'm either in Stockholm...
Edinburgh or the outskirts of London:
Warsaw will be halfway for both of us...
you don't have to like Warsaw...
i only like it when the Ukrainian smugglers
and the Mongols appear
in the West Warsaw coach station...

smart as who? i am discovering this for
the first time myself...
i was only teasing it back in 2016...
way before i found the right sort of accents
in mother russian...

i do know that that crescent oddity:
above the ja: йa... is what it is...
if you only cut off the head in english... ȷ...
again: it's я given that most russians
are pulled toward an anglophile world-view...
they all see the window to europe...
the baltic and st. petersburg is somehow...
London... and the atlantic...
like hell it is...

i guess i feel it was a waste of time to
have re(a)d Kant, simply because:
i'm not here for the schematics...
i want to know how my thought my labyrinth
building architecture is coming along...
but with no one to talk to about it?

i found the categorical imperative most
dissatisfying... i didn't want to abide by universal laws...
poetry is already shoved out of waiting room
of the republic...
if my "poetry" is not a categorical imperative...
and it's not quiet a a hypothetical imperative...
it needs to be sharpened on a thesaurus
and some grammar...

categorical (adjective)... imperative (adjective)...
well two adjectives never imply much
if there's no noun involved...
and i'm pretty sure that... if i sharpen
the next word i'll compound with categorical-
in that hyphen construct that's only
allowed in oxford dictionary english:
since it's not: propergermannonhyphenfaustian:
i.e. carboxylic (carbo-xylic) acidity...

poetry doesn't belong in either
the categorical imperative focus...
nor the hypothetical imperative focus...

i.e. i must write a poem... to feel better...
i must write a poem... to organise my thoughts...
no! a poem is not a maxim is not a categorical
imperative! a language of poetry is not
a language of morality: it's a language
of experience - or a lack / a lackey's "sentiment"...

i need a... categorical: impetus!
it's not enough to have read kant's critique of pure
reason... it must also involved
having re(a)d the: groundwork of
the metaphysics of morals...
but i'm a democratic reader...
i need to hear the other voices...
i can't be a kantian scholar...
a snippet 'ere, a snippet v'ere (funny how
THETA disappears when making the posit:
THERE - ver!)

who needs metaphysical absolutes...
when orthography (or a lack of it)
in english... spreads open its legs...
and the tongue remembers its tongue-brain-phallus
stage of co-existence in the oyster?!

i'm pretty sure that a categorical imperative
is by no means a categorical impetus...
this had to be written,
but it had to be written in order to disregard
anything a priori... prior to it...
a poem is a shady concern for action or inaction...
it's a deviation from the cartesian crux:
res cogitans (thinking thing)...
into the cartesian levy (res extensa)...
it's an action of inactivity...
as much as it's an inactive activity...
"the rest"...

impetus is not an imperative...
an impetus sources its meaning in a per se
investement... of itself - in itself - for itself...
an imperative?
in pronouns... impetus: i want... i will...
imperative? you want... you will...

an impetus is self-dictative...
an imperative is: indicative...
someone would rightly claim...
those that mourn indicatively...
will don the right garments for the process
of mourning...
which is indicative and devoid of
the per se manifestation of mourning...
it is an imperative when compared to
the impetus to mourn -
which is self-dictative...
which does now shallow itself in
grief by making a socially agreed to fiasco
of a very specific choice of wardrobe...

basically: however you like it...
an IMPERATIVE ≠ IMPETUS...
the year is almost over and i want to break-off
the dust from the thoughts that fudge-packed themselves
as worthy of occupying the minor instance
of having to count a depth of:
not dead within the year of being written.

Hello Mom, I'm lost here in IKEA
It's been fun but I may never see you again
They say the arrows point the way
but they've been pointing the way for days
Swedish Meatballs, the only saving grace there is

In the linen section, I've been circling for hours
Waiting for landing instructions from the tower
As big as this place there has to be a runway
In a fog, quickly running  out of power

At a later date, I finally make my way
At the seventh gate, I see Dante wave
As he's pouring over plans assembling a pair of white nightstands
I'll come back and check on him in a few days

In housewares, there are too many cooks in the kitchen
I look around and see something here is missing
The main ingredient, food...still waiting for those meatballs dude
In that special sauce that does more for a man than just glisten

I should have known the way the front door ****** me in
I'd never see my family and friends again
As I wander through the halls of prefab furniture at low cost
My days of sanity are quickly drawing to an end
And even with IKEA's plans, I'll never be put back together again

i love the fact that most people
rather enter the concept
of karma rather dialectics
to argue their point - makes
emily austen seem like a nutcracker
of ideas to come from
ikea as the self-assembled semi-detached
heights, otherwise known as wuthering, heights
or the disco-ball done in mahoganny eyed splinter
shine - sheens the spot!
it's just so ****** blocked nose rotten,
the opposite of polite society,
a bit like the middle-ages... reigning
paranoia imported from a lost colony,
library cards of blue indian peasants
turned into pheasants that did the cancan dance
all of a sudden... miracles christ couldn't even forsee!
i'm free every saturday if you're hashtag up-for-it...
never mind... i'll leave my quote and oil my phone-number
for a missing mobile telepathic nuance on
when differentiating blue indians with garam masala
and red indians with mohawks - easiest game of all:
snakes & ladders, noughts & crosses... garam masala & mohawks.

We go to Ikea having taken
the road through the allotments
& the Park which dates back

to Victorian times.
Inside the store
we grab at rugs & bowls

lie on the beds
until someone frowns
at us & we leave to

sit in the restaurant
with Swedish apple cake
& coffee, reminiscing

of the road we used to take
on the M48 bus to the store
which was near Spandau

one of the earliest settlements of Berlin
where the first Slavs
settled & lived

& how we had
back then a family card
to give us free coffee


before it all fell apart

Come over here.
We bought this love seat for a reason.
No use in wasting such a lovely purchase.
Good Lord, no.
My only motivation is proper stewardship of our possessions, you gorgeous man.
No, I don’t have secret agenda of snuggling and reading a book curled up in the nook of your arm.
Just sit yourself down here and read your literature.
We won’t talk.
We will sit silently.
Absorbing.
Inhaling.
If I reach over to your arm, don’t flinch.
Just curl to my shape.
Just grip my shoulder like it is a pen and you are a writer.
Then write about my not-so-unknown intentions in your margins.

I wonder if IKEA will ever get around to
making a knock down Flat Pack version
of the perfect woman?

Just take that box home and carefully
reading all the instructions put that
little Home Maker together.

Comes is several hair shades and hues.
And has no religious or political convictions.

Making sure of course to insert all
her screws, bolts and handles.
Avoiding any "loose screws" at all costs.
No need to compromise your purchase.

I wonder if she will speak English?
Maybe they even have a silent version.

I remember you
from your beautiful smile
your cinnamon scented hair
your contagious laughter
your nail-biting addiction
your pointless insecurities
to our silly inside jokes
our dumb little fights
our peculiar bets
our goofy text messages

through tears and smiles
you were the only one who understood
my unspoken words
my concealed pain
my unexpressed happiness
my puzzled feelings

counting your days
we recalled our mischievous memories
when we danced in the rain
when we rang doorbells and ran away
when we pranked the gullible ones
when we stole Ikea pencils
when we fangirled over stunning guys
when we were together
everything turn into excitements
moments with you
I remember them all, Grace

it was a week before December twenty-fifth
when the monstrous cells stopped your heart
a glimpse of smile
appeared upon your face
as you're being taken
far away from us
skin turned pale
body stiffened
tears flooded my sight
there were wailing across the room

time flies like a bullet train without you
it's a rainy day today
you've always loved rainy days
sinking my knees in the dew-wet grass
raindrops whisper in my ears
as I brush off the gray snow from your stone
I still remember you, Grace
I still do

it became clear as day... i knew this was coming,
the day when i brushed aside all the science,
the dogma, and said nothing of a big bang
fancy, but to keep me inside it rather than,
outside of it: whatever it was that imploded...
if the **** thing didn't implode why all this
gesture two describe it as an explosion, and give way
to phenomena? they're not imploding into
singled out individuals...
   ah, **** this boring scientific crap,
the rubber-band of me learning chemistry at university
had to snap at some point... it had to...
i also decided that the term big bang is really
ugly... given humanity and the care for aesthetic,
whether inner or outer, the big bang has no
impetus to succumb to it if your mind is
even remotely interested in science,
     i'd call it the imploded onomatopoeia...
i can't write a cat's meow or a dog's bark or a crows
croak to perfection, words have
no ~ markings attached to them,
which shows you how shallow existentialism
is with its lack of symbols, only the ditto,
and that's never really explained, for what i've
read it's a stylistic inclusion akin to italics...
no existentialist expresses whether a dittoed word
is ambiguity, or whether it's a loan word,
like a Pole might loan the word weekened
and speak the foreign word in his native tongue:
as if we invented it...
  Poles do that, a lot... i mean: it's easier to loan
foreign words than create your own...
   i call this an T. Edison stagnation...
the moment you start loaning words,
is the moment you're left with about two famous
Poles in the history of mankind,
and even that's disputed, since the Germans
want Copernicus, and the French want Chopin...
you basically become unimaginative, not firm,
loose, bubbly, lard...
    that sort of language encoding can belong
among merchants, but look how the former
mechant of Mecca has become strict,
where's the lingua franco?
             i know it's english, dummy,
  but i mean: why use so many loan words in your
own ethnic tongue, so blatantly,
    try to tell an englishman to use
    the german word zeitgeist with as much
of a populist zeal as a Pole who incorporated
the english word weekend, it's not going to happen...
thankfully the english know they're of germanic
descent for the most part,
    and partly norse, and celt... and roman...
****! what a brothel, you get all kinds here,
anglo-slavs and afro-saxons to boot these days...
magic... the ******* 60s were true, after all.
  but it's the puritanism in me regarding language,
well, given that Poles have become almost
akin to Jews in Europe, given the history...
oh look, the Polish-Lithuanian commonwealth,
ah crap, look, it's gone, no, wait, it's up and running
once again... no wait... they joined the E.U.
when papa essex and mama normandy said:
we're out! dumb chocolatiers, it was bound to
be too sweet, too true... too pointless to continue...
faking what the Mayflower people did "across the pond".
and it's almost fun learning how
the central european commonwealth was based
on the fact that: only a foreign ruler can claim
a crown over the geography that once spanned
from the baltic to the black sea...
yeah, and i am ethnically bound to talk about it
without having to: i don't even know the polish
anthem, the english one? it's the easiest
in the world, done in under a minute...
     god save our gracious king,
something something... something something...
  when i became naturalised as a "citizen" i think
i sang it... no, wait... i didn't...
    just like i didn't accept the catholic bureucracy...
i should have a tetranoun / "grammaton" /
tetrakilogram name in the paperwork,
what, catholic and not baptised, and not chosing
another name for yourself at the ceremony
involving the purple bishop?
   well, that's the first joke i spotted with what i later
realised as the Hebrew divinity, and how
i wouldn't desecrate the principle...
       but it's not even about that!
     it could well be about the 2015 film
fathers and daughters, and how they say
novels take years to write, edit, i say: vulgarity
is necessary, as are conjunctions,
     and as is phlegm...
                               but it's not even about that,
the sunday times magazines...
the style magazine on purpose, the dating columns
are going off-print! i can't believe it!
         what am i going to be reading from that magazine
on a sunday?
   i did once say (keeping up with the goldfish,
scatter brain, short-memory span, therefore telegram
poetry, many punctuation marks,
disorientating, punctual, but disorientating,
a *******-base on purpose,
i don't think many people will like it; good):
it would be nice to see a journalistic sabbath,
yes, a media sabbath, after all Monday newspapers
are so thin! anorexic news... that's Monday,
people have been lazing too much on sunday,
actually reading every single page that a monday
newspaper, just makes no sense!

and yes, the very point of enforced interludes
is that you might find yourself in the scottish
highlands looking at a waterfall, for example
the above is an uninterrupted waterfall,
and then gaze into the void of a sea not too far away...
and looking at that sea, you can see the most
perfect interruption...
    the romance died when science explained
the mystery of hearing the sea in a seashell deep inland...
there should be taboo subjects, taboo topics that
are better explained by love,
not this omnipotent dissection method,
just saying...
   how philosophers will call it abstract
and a poet will call it metaphor...
   given that both are not equipped to the application
of any sort of reality, or dare i say a schism from
it, akin to calling the two approaches
a realism, or some quasi or pseudo sort.
i can call democracy for all its wants to be the most
perfect consolidation of man under the rule
of man, but then a tornado comes or a tsunami
and all of man's efforts to rule himself crumble
into disaster... and how rare to see it when
discussed in philosophical theory,
    democracy as an abstract, is also a metaphor,
ob-, prefix denoting away from:
and then the suffix -tract... well, i was thinking of
a road... the less trodden track...
        apparently it means an area...
                democracy as nothing but a cancerous growth,
it spreads to almost every cavity where people
are content with an alternative political establishment,
for they like the basis for the ***** that
made it to the egg and beat all the other ***** that
would otherwise make it into a tissue or into a ******...
thankfully metaphor, i.e.: something not literally
applicable has the potent of not being abstract,
abstract, i.e.: working from the heights of ideal
to the depths of an idea, that has to compete with
the many narratives that later allow the idea to resurface
as a lightbulb...
                    these two cruxes are very much akin,
philosophy says abstract! poetry says: metaphor.
keeping in mind, i took to poetry like a mozart to a piano,
i never actually intended to say these things,
i merely envisioned conducting a philharmonic orchestra
for deaf people...  oh sure, this wasn't supposed
to be a one-man show, a monologue,
i never intended to say these things...
i wrote these poems in mind of conducting an orchestra,
which is a useful method of creating an implosion,
which goes back to, that dread, the bing bang...
    ever hear a ******* bang in vacuum?
     i wrote these "poems" so that someone who sounds
like a violin might play the violin parts,
someone that sounds like a clarinet might play
the clarinet parts... and if sound has a colour,
it would be a ****** colour when encoded for the eyes to see,
akin to something being monochromatic,
therefore this mono-nausea...
  i write the same encoded sounds for someone
playing either violin, piano, clarinet or harp...
  let's also add in sax...
           but that couldn't make it onto the orchestral palette...
what a bollocking, either 4 beers and
the expected weak bladder or constipation...
it was never to be a soloist performance,
which is why it imploded,
      why or precisely how i was not writing this
for myself, for myself to speak these words...
  tad too empathetic concerning what's universally
human, i.e. a condition of some sort?
which is how i react when one of my favourite
columns from the journalistic columns gets the schtick...
and is out-grown...
               out-dated, who would have thought that
a dating column could allow two lonely hearts so much
space to later pull them apart...
     neither cosmo nor dolly have made it
     to a love brick, that sits firm at the base of the pyramid...
which is sad how the dating scene will go on,
and they will go on, dating...
monday shuffle, tuesday shuffle, wednesday shuffle
(catch the pop ref. point to a song, we all boogie
down with the groovy kids once in a while,
basically a music video that was actually a advert
for some sort of liquid, root beer? ginger beer?
i know, i know: i scratch your back, you scratch mine).

i might call this: what happens with interludes,
or quiet simply: interludes.

i was never into writing something akin to an Ikea
manual of putting up a cupboard,
Ikea has probably the best library for self-help,
a, b, c, d, e... a few screws, a few wooden bits,
and something resembling corkscrew...
the only self-help there is, i.e. put a cupboard together,
by yourself. is there any other self-help manual
that can beat the Ikea manuals? i don't think so.

and how happy can a man be, having lost
the ability to drink perfumes (i.e. whiskey) and turn to
miss стандарт, with such jovial missing or
never had expectations?
   i guess, quiet easily, it's there, a bottle,
with a little story on the label,
   once upon a time (in 1894 to be exact),
  dmitry mendeleev received a decree (do it
or i **** you, harasho?) from the tsar...
to create the imperial standard (i.e. triple filter,
akin to the imperial standard of measuring
in inches rather than in millimetres,
the French, who apparently took forever to create
the concept of 0 from O... eat a doughnut,
much easier)...
   and i never thought i'd say that ***** is more
appealing to my natural ingestion of
Dionysus' blood...
     the more i think of it, i do think that writing
can become akin to painting,
it just doesn't have to be rigid, scientific,
order-prone... it can reach the levels of chaos as
easily as it can become dull and a shopping list...
   many people can't see writing as painting
in the same way that language has many more
function of applicable needs in other profession...
read a poem to a surgeon during an operation,
he needs language as rigid as a mountain
that said: no avalanches are bound to me!
     the reason why novels take years to complete
is the over-rule of science in the humanities,
i don't understand why poetry has to be bred for a
scientific pragmatism, that it apparently does work,
akin to soap, or bleach...
          science can poke it's crazy head in every direction
it wants, usually the interchange of words:
                 bang ******* hole (b.b.b.b.) /
   howlin' wolf's backdoor man / **** -
but science has become a dog, barking up the wrong tree...
the money's are down... houston, we have a [problem!
they're down... they're walking upright,
they lost the joys of having a tail and swinging from
tree to tree, and if an abstract parasite akin to cancer
doesn't **** them... your argument will surely be the one
thing that will... eventually.
    
and i did mention runes, didn't i?
   well... if writing can be anything like painting,
it can only ingest ******* as foundation,
  no shapes, no cubism, no definite "things"
(for lack of a better name)...
        just spontaneity... and hazard, and chaos...
just like life evidently seems to be bound to
reveal itself as guarding against nothing...
well... i appreciate the runes...
not in an ****-Satanic cult sort of status,
i just appreciate them because the Slavs didn't leave
any original phonetic code...
     which is why Poland is still so ****** catholic,
minus the Pope? add the proper post-script to communism?
it might have been the next Russia with its oligrachs,
minus the gas pipes and all those resources
people boast about, but who weren't originally
bound to inherit, like Arabs and oil...
   you need practical nations using the resource,
western nations, overly-bureucratic nations that
make a man "do a job" licking envelopes and shooting
ink into fountain pens...
         just saying...
hard to be lazy, hard to be mystic, harder still being
a monk... wait and see how these peeps talk when
they retire... it's hard being lazy, "lazy"...
        now i see heidegger's concept of dasein
as the real problem of happening, how things necessarily
and subsequently, unnecessarily happen...
then i look the alien remnants of nomadic tribes of
the Amazon and realise: they're still here,
but nothing's happened.
or that's how i take a break from that german's ponderings,
and loosen into some sort of stroll...
       just about the right time,
when poetry stops talking about sounds,
and takes to complicating modern painting,
akin to working on complicating a square,
  the most famous to be worth complicating (rather
than contemplating) would be piet Mondrian...
   if you ever find the spare time:
i'll be in the space that tries to revive the runes
under no ******* ᛋᛋ...
to be honest, i'd like to refine several runes...
given that the non-diacritical latin is largely lost to
the virtual world...
what runes would i refine?
   ᚲ (k / c) at least make it larger, like <,
ᛃ (j), i'd probably just call is skew, i.e. /,
ᛝ would remain and ᛜ would be lost
to denote the grapheme ŋ (i.e. njae) -
and that's because i'm either itchy, or stitching up
a carpenter's worth of lack of cruve,
   like the arabic alphabet is curved twice-over
and the woman are clad in shadow and ninja and niqab...
just like runes once were, hiding curves,
or at least the men overly defensive of their woman...
once the latin curves were introduced...
well: there came the mini-skirt, and the mini-couper car.

who needs a big bang origin, when you can have all
of this? if i kept that much dynamite in my head
i'd be seen wearing hawaiian shirts short-sleaves
and drooling over porridge at breakfast...
        and my... when was it such a sin to drink
***** and listen to the blues?

Life is like Ikea,
Feels like it will never end,
But when it does,
It is too late.

A labyrinth you enter,
Beds and pillows guide the way,
Seems so cynical and perfect,
Still the hassle lies within.

It begins as an endless curiosity,
Soon trivially you follow the lines,
The excitement slowly fades,
It just has to be done.

i once loved, and it's a shame to
agree to: better have loved and lost,
than to have not loved at all.
and as i browse the pages of
a saturday newspaper article
i like to think about virology applied
to mental illness...
and how they: life is ****
   story could really be a viral infection...
i don't know, it's not exactly
h.i.v.,
                oh i can contain my own
*******, i'm writing it on the flag
of colour white,
next time you get a brain haemorrhage
and then get diagnoses as schizophrenic:
i'll take you the crucifix on golgotha:
and imbed your head into
the cross... silent anger, contained:
and all the more concern for inhibited
humour... because as Borat said: jak sie mash:
i like. so please, don't tell me
you weren't gagging for the new golgotha...
because i wasn't...
         and i know, most of the time i have
my mouth attached to a head of a struś
gagging himself in a pit of sand...
yes an ostrich, the grand inspiration for
francis bacon attempts to redefine geometry...
oh coming out of communism and into
capitalism, for a kid?, can be a rough ride...
you don't know what ideology to appease
and what ideology to dictate...
         but i'm wondering whether or not
mental illness can have the potency to
        become virus-like...
     and drain,
and i mean: drain the soul out of you...
or whether man as mammal ever did exist...
or whether this new fashion of
feline existentialism can ever take off,
narratives about spending time with your
bonsai tiger... you'd really think japan was
a bit freakish... but it just has a large
ageing population and no one thinks
that euthanasia is a standard of humanism,
unlike ******* ***** into a face of
a woman... because right there, no
one died... if had any of those anemic
tadpoles actually lived...
    which brings this about to concern me:
so... we live for nine months, in, let's
basically say: in an environment without
oxygen, you got gills stashed in there
with that umbilical chord...
how can it ever be a miracle of birth...
that's what a god might say...
a human would look at it and say:
huh? you joking? i'm part of this horror?
     but not until you have a brain
haemorrhage and get diagnosed as schizoid
and then you think: so what was the point
of forgiving your enemies come into this?
      i can't believe it has become so, so personal,
to actually have this nagging, decapitated
doll-head on your shoulder telling you to:
repeat! repeat!
       i could literally be writing this in
Auschwitz and be like: Neddy needs a jumper
and a diaper... cos like that really needs
you to fathom the logic of assembling an
Ikea chair...
                          i mean, talking in the west
is a bit like farting into a hippotamous' nostril
for a ******* jackuzi effect...
  jack! i said ***! what's with this jacuzzi?
English, mein gott... confusion everywhere
you pigeon **** onto a top-hat.
by the way: everyone becomes
dyslexic on the word hippopotamus -
there's a reason why hippos exist...
        you want acronyms, you get shortening...
and yes, since english society has abolished
asylums, the society has become a breeding
ground for asylum instigators,
rich russians, bewildered chienese...
it's en masse, one, massive, cesspit...
   i mean the part where you don't get the brown
steamturd floating about like some
  celebrity you'd love to slap with much
more than mere paparazzi epilepsy...
because violence matters, esp into language games...
i was just asking, because there i was,
working on a roof on some construction site,
and she calls me up and says that
she hears voices...
          that's what i mean certain mental
delinquents and their choice of Samaritan...
  what does a roofer know about "voices"
if it doesn't equate to a bad conscience?
    that's why i'm wondering whether certain mental
illnesses have a virus-like profanity attached to them...
oh yes yes, the unison: bob marley: we're one
type of ******* to boot, like i'm supposed to get
a hardy and a 'ard on about it...
               ******* spoof of a light-bulb moment: PING!
and there... ain't that just dazzling?
phantasmagorical blurp at the feet of
Eros at Piccadilly Circus... my ego is a canon
that just simply shoots out viagras! and questions.
and yes... that's what we call being part
of the clown...
    and if there's a lord of flies...
what's the guy mentioned by beelzebub drunk
doing about the mosquitos?
           ah... boundless at the crucix, once more!
i'm just wondering where
does mental illness become solipsism,
  and when in fact it becomes a sort of virology...
   i can romanticise mental illness as a type
of solipsism, that it has a cage, that it can be contained...
but when mental illness goes outside of the novel,
strolls outside its cage and becomes
something akin to kissing a *****,
     i want to know.... because i swear i have been
affected by someone's mental illness being
hidden in the shadow of taboo...
   look... i'm ******* exfoliating with vocab!
        how can you become normal after someone
exposes you the symptom of "voices"...
that's demeaning given the past history of
having relationships with angels and demons,
that's like a neuter noun.... voices brings up
more concern for a pronoun-****-up than
a clear, noun association... angels, sure,
i could start looking more closely at pigeons...
demons, doubly sure, i could start
chasing bats...
              but i need to know whether mental
illness is worthy of taboo, i.e. it's worth
the category of being physical, in that it can be
contagious... whether it can act like a virus....
whether it can become an epidemic...
    and to be honest, i think it can,
but that seems pointless, since western society
has exchanged asylums for taboo...
                  look at me now,
a once budding roofer, reduced to writing poetry,
i might as well be an ******...
            safe-guarding king Solomon's harem...
oh sure, eunuchs were able to **** his *** slaves...
they were slaves themselves,
what they weren't allowed is to usurp
    the ******* crown of the king passing his
d.n.a., mind the frivolity, never the seriousness
of geneticist, yawning when their genesis was to come...
    i'd love to see hans andersen on the trail of
dolly... the sheep... and dolly really does become
a trinity of animal prior to human in the out-reaches...
what with laika (man's best friend)
and later fiztgerald... oh wait (man's worst enemy,
the money) Baker....
   thanks to de Sade and baron Sacher-Masoch
we could truly begin the orthodox occult of science...
   how the two patron "saints"
interpolate... it really is a dualism worthy of
dangling a crucifix... shame the first monkey in
space wasn't called Brian...
    i don't know, then, perhaps, the Caesars at
the coliseum wouldn't boast so much about
   the: lacking the ambidable thumb
(yes!) googlewhack no. 4 / 5 -
mandible thumb you idiot! d'uh...
but still, a googlewhack at the end of it...
type in: lacking the ambidable thumb
and, yes = 1 result in the google algorithm...
http://www.experienceproject.com/stories/Have-Thumb-Deformity/728760,
i call this the alternative version of, or rather,
the digital version of fishing...
     a tail like a thumb, the grip baron...
   but my peacocking the tongue shouldn't
be deemed as: straitjacket panic button prone...
  why would it?
****! he used the colour azure in his blue period,
that picasso did! chain him! gag him!
stash him in a kitchen stove!
i mean the inspection of genuine viriology
dynamic concerning mental illness,
the anti-thesis of solipsism, as the proper counter...
or should i say: membrane / barrier?
    can mental illness make ranks, i.e. spread?
like a virus can?
            well, if you take to explaining a zeitgeist...
ideology akin to communism and ****** can
become virus-akin... so i guess... yes...
it had to become a self-serving question easily
answered... mental illness can be very much
akin to a common cold... it's not really a case of taboo
being the lock-and-key to contain it...
nor the asylum... i suppose the best prescription
is the idea of solipsism...
              but isn't this grand,
i'm actually lethargic, coinciding with
    a tax on robots... and the French slashing
their 35 hour working weeks to 32 hours...
    and the Finns paying their unemployed
    (2K, placebo dosage for the actual
   237,000 unemployed) - a random €560 a month...
such are the times...
           it really has become a sort of
year 0 orientation lesson... because it's just
gagging for a guillotine to snap it awake,
so a decapitated head of Charles I at Whitehall might
say it's final farewell...
              and is mental illness capable of
being akin to a viral infection...
     it probably can... you probe the waters in an
environment of poets... they're good enough
to succumb to a white rabbit experiment...
              question is: do you apply the rule
of solipsism or an actual asylum? in a post-asylum
society, i don't think there's an option
whether solipsism should, or shouldn't be used
to counter the more serious form of the flu...
   but, as ever, it comes down to the age-old
cartesian model of dualism... or as any siamese twin
might attest: i'm not that further away from
my sister as you might think...
  the dualism that served so well for so many years
to appear "peaceful" became a real dichotomy...
  the ergo suddenly failed... when people realised
that the fact "i think" didn't necessarily
precipiate into "i am"... given what the media is
interested in, and how many people become missing
and all that... the numbers were too much
for player uno to simply give up the canvas
of newspapers and t.v. to some poor schmuck
trying to impregnate his canvas on which he worked
his paint-brush (power) and paint (wealth) onto...
   the cartesian ergo simply failed...
    oh sure, the other two facts worked... but they
didn't necessarily congregate universally
in the crux of ergo,
        i was told it would be a monsoon of thought
established on earth... instead i got a light-shower
   and the Gobi desert.
in the same way the subconscious exists
as a fake of the trinity...
           to me it has no need for a chisel...
as a realm... treat the conscious as a realm
akin to Hades, and it becomes wholly
de-personalised... there's not individual in it
that might require it... it's a covert mechanism
of subterfuge... but if we're talking
making rabbit heads with our hands
   in the shadow form... we're talking
nothing but puppeteering...
   or like saying, let's create an evolved
version of the definite (the) and the indefinite (a)
article...
                      well... there must be
a direct and an indirect article...
                well there is...
con                                 and sub-con,
       un-con is an indiscriminate article...
meaning: what are the evolutionary gains
of dreaming, given the cinema?

Wind plow,
People scream,
Animal run,
Lighting strikes everywhere!
Nowhere is safe
No home no protection no shelter
No blue sky, no happy bird
No water that can see though
No fish with out disease
No tree with trunks
No one will live for long
Of course no one’s going to live
If we don’t stop this
At this time
We have no time to regret,
No strength to regret
No time to regret
So right now we still have time to stop this!
So we should stop this in time!
Before this happen we will be happy!

Walking back onto the street around nine O’clock
Pizzerias, Clubs and white guys with dreadlocks
Moving like sea urchins with an urge to mock
Hey 2 for one at Roxy’s for black rubber *****

I’m carrying two bags of groceries; One with a pie
There are no stars in the city. Just the moon in the sky
I move lazily and tired as evening joggers pass by
“God I wish I was more active.” I say with a sigh.

I ascend the stairs because the **** elevator is broken
One flight. Two flight. ******* wood surely is oaken
2 minutes of climbing the obstacle that’s unspoken.
I suffer for being the Asian, the part-Korean token.

I reach my apartment, music playing through the wall
I feel worn out and about ready to fall
But I walk in and proceed, feeling anything but tall.
The time has come. I walk to the kitchen from the hall.

I live with three roommates: Sam, Dean an Owen.
Sam is shut in his room. He’s a DJ and I think Samoan
Dean is weird. Don’t ask about flagellated protozoan
And Owen is a reader and blogger. Just plain Owen.

I place the groceries on the counter, I stumble.
Owen is reading and I hear him mumble
“Did you say something?” I grumble
“Wrong Pie.” He says, his words fumble.

“What?” I don’t understand

   “Wrong pie.” Owen says again.
I point towards the pie on the table. “What, this?”
    “Yeah.” He says.
    “What’s wrong with it?”
    “Everything.”
    “Like what?”
    “Well, it’s the wrong pie.”
    “How?”
    “It’s apple.”
    “Yeah, so?”
    “But I thought you were going to get cherry?”
I shrug my shoulders, “Yeah but they were out.”
    “Where did you go?” Owen asked, but he knew.
    “Just that corner market.”
    “Well why the hell did you go there, you know they don’t have **** there.”
    “Does it matter?  I got most of the things.”
    “Yeah, most.  Not all.  You didn’t get the right pie.”
    “Does it matter?” I tell him. Owen closes his book.
    “I think so.”
    “At least I got a pie.  You guys said, ‘Hey man, make sure you get a pie’. You didn’t say get a ******* cherry pie!”
    I try to calm down, but the blasting of dubstep remixes warp my thinking process.  Owen leaves the kitchen and knocks on the doors. He tells them I’m back and that I ******* up the groceries.
“I did no such thing!” I yell, “You ***** think you told me what to get but you’ll all too into yourselves to ever know what the *******’re saying and you come off as ignorant over-privileged *******! Yeah Owen you’re so unique” I mock sarcastically, “Must be why you dress exactly the same as every other hipster here, going online and vlogging about the same **** a 12 year-old in suburban America would talk about and his ***** probably haven’t even dropped.”
    Owen’s eyes are wide, never seeing this side of me before. Sam and Dean open their doors to see all the commotion.
I walk back in to the kitchen and grab the pie.
    “Here *******!” I toss the pie as hard as I can so it hits the ceiling. The tin tray falls to the ground and the apple crusted pie is splattered, stuck to the ceiling like an IKEA fan made of butchered apples.
    I open the door.  “Dubstep is just edited noises of transformers having ***!”
I slam the door and leave, walking back downstairs and onto the street


Roommates ******* ****. I was tired of their **** and rules.
They used me for their homework, Working me like a mule
I’m barely able to pass my classes, let alone graduate from school
So trivial to help them just to earn my cool.

I flipped up my hood and rushed through the streets
I didn’t know where I was going, I didn’t care who I’d meet
A slice from Death Metal Pizza, a drink from Fat man Pete.
I need to let loose. Relax and take that invigorating leap.

I stumbled upon an old movie theater, playing classics, new and old
“I want tickets for all the shows.” To the box office I told.
I bought popcorn and milkduds. I think my chair had mold.
And watched as Al Pacino was out of jail; being paroled.

Carlito’s Way, then intermission
A glimmer of previews then Pulp Fiction.
Ezekiel 25:17 and blasts of omission
From Jules’ and Vincent’s handgun ammunition  

After the credits roll I get three hot dogs and a large soda
Next movie: The Evil Dead, enough to put me in a coma
AH ******* demons Killing like the cancer of lymphoma
Scaring me and making me spill my watered-down cola.

Next was the Monty Python to ease the chills
Ensuring talking fish, puking and hilarious thrills
I really enjoyed the collective animation stills
I was relieved from the films and I had my fills

Now I had a good place to come and let loose, relax and laugh
And I wouldn’t have to display my clustered, boiled wrath
To my ******* roommates. Maybe I’ll move out on their behalf
We’ll see how it plays out. I’ll write a “*******” graph.

But thanks to them I found a new way to survive
Which is better than the alternative; a desperate suicide
Watching movies late at night is better for me than to die
All ascertained from the incident of the wrong ******* pie.

i can move from the highly lyrical into what's deemed
modern -
        poetising within a prosaic framework,
gone are coordinates that would
define a poem on the premise of:
whether there's a pun in it.
       sure, poems as chicken scratches
to what would otherwise be an English
teacher's *******: pulverising
a haiku to mean an infinite number of things,
and about a dozen essays by students.
the opposite of what's nonetheless:
    squeezing out juice from an already
squeezed out lemon... and i mean lemon
because there's a threshold...
           poetry is tarnished by what i call
the over-scientification of language...
                 only poetry attracts
so much linguistic categorisation,
so much morge tenure, so much dissection,
before poetry is even spoken
it has already been dissected - a befitting
target practice for budding medicine students...
          and some even deem it a outlet to
their professions: as if poetry was nothing
but a colouring-in book compared to
a da Vinci sketch.
                why not become a martyr for the ******
art? sickly sweet with its rhyme,
  the auxiliary recommendation on a birthday
card... which upon industrialisation
                               is nothing more than
    a thumping of a hammer near a protruding
nail in a crucifix... but a hammer that never
   makes contact with the nail...
why ***** this art, because of the industrious
nature of scribblers exacted to 600 pages worth
of a novel, when, perhaps, one thing is said
and can be said to be actually memorable?
well: there is a greater demand for handcrafted
objects than Ikea veneer, that much can be said...
it takes a few glugs of whiskey and a few cigarettes
to get the final product...
            it doesn't take industriousness -
poetry requires handcrafting, and what's revolutionary
about our times? they once claimed
     southpaws to be of diabolical design,
   but now both hands are used when "writing",
sure, the archaic fluidity of the movement of the hand
is gone: so as i write, i do the cliche of a
peasant listening to classical music while pretending
to conduct an orchestra, that finicky maestro
hand gesture... waltz before you can walk
is all i have to say... and yes:
we either have our Humphrey Bogart moments,
or Forrest Gump moments...
                  Hanks did the miraculous -
play the idiot, and play the serious role -
     which was harder to do, Mr. Bean or Black Adder?
it's hard to play the village idiot while
    being submerged in the bile of malice
   and staring into attempted feats of quasi intelligence...
but you get the hang of it...
   your eyes become like nuggets of coal...
           whereby those that incite pity wet them,
and those that incite contempt: light them up...
        by the time they have burned out...
they have turned into nuggets of sulphur -
          inorganic methane - yellowish grit:
as some Dalton said - could the cliffs of Dover ever
be perceived as sulphuric? the Sulphuric Cliffs
of Dover... apparently this is what defined
London when Christopher Wren took to
ushering in a foundation as Nero did to Rome:
on the chessboard of stone.
        and yes... i can be seen as the oppressor,
after all, i live in a country that prizes its suburban
housing as if miniature castles...
and gardens... boy these people love their gardens...
but they never use them!
    i can use a window to my advantage,
sit on the windowsill and smoke a cigarette and drink
a whiskey, unafraid of voyeurism...
                    pompous in my presence there,
perched like a crow, grinding all life into a halt
as my neighbours peer into the recesses of
    what's 4 by 4 by 4 of living (civil) rooms...
       can we but change the name of this space?
can we call living rooms civil rooms,
   where we acknowledge some sort of civility
rather than a wrestling for the television remote?
i can make little things give me an advantage,
if the toilet is being occupied,
  i'll use the garden as my toilet...
           i feel complete disdain for people who
"require" a garden, but never use it... of people
who "require" a garden, but are never seen in it...
   i'm hardly a c.c.t.v. surveillance object,
   but i feel that over-exposure to ******* reads
as a counter in that: people start to become
      phobic about voyeurism... as universities claim
them to be: "caught with your hand down your trousers
in a safespace", where dolphins jump over
rainbows and unicorns speak Haitian voodoo!
              there is this fear, which is why i'll use the
garden more than the people around me...
          which means: owning a garden is the last
stronghold of moving into an urban environment from
a rural one...
             or perhaps i'm just good at what i do
           and the last point becomes a tangent i care not
to continue... should i ask
            (whether that's true)?
            i have this throbbing sensation in my eyes
when i write such things and overhear
  what's necessary to rereading books in snippets -
which is better than regurgitating maxims
    as if some truth will magically pop-up (once more)
like a Leprechaun with a *** of gold -
  a new film, and hence the all important soundtrack.
rereading books in snippet format reveals much
more than a memorable quote,
           given there's an adequate soundtrack
to accompany you revisiting the book you managed
to take on a weekend holiday (like a girlfriend),
  like lawrence lipton's the holy barbarians...
   (all about the beats)...
              the snippet? chapter 15, the social lie
(martino publishing mansfield centre 2009), pp. 294 - 296...
      the music? ~20minutes into http://tinyurl.com/zdvp8sc
(ben salisbury & geoff barrow)... or what
i image to be a toned down version of
                 ...
) interlude... wacko gets summoned to steal a mouse
from a cat...
      double time... the mouse is unharmed...
all action takes place in the garden...
   running after a cat, catching the ghostly mouse,
i mean: frozen by fear... senile little thing...
     petting the mouse... obviously within the
framework: the most famous mouse in the world
scenario... mouse is put into my neighbour's
garden: where it came from: which kinda makes
this whole thing a practice in Hinduism
     (i can't stop the industrialisation of
farming pigs or chickens or cows...
      so ******* to the sourced sustainably,
organic chickens et al.)...                                 (
i was looking for something as equally pulverising
as ¥ (chemical brother's
song life is sweet)...
      i guess i found it...
                            and what was that bit about
not getting hassle on the internet?
                      i can't force people to read my stuff...
how i love this idea of a gym and making an effort...
both the writer and the reader entwined -
rather than watching you-tube vloggers treat their audience
like penguins feeding their chicks regurgitation as part of
               the info-wars... alter news: propaganda.
'what is the disaffiliate disaffiliating himself from?
      the immense myth promulgated from Madison Ave.
& Morningside Heights...
              the professors and advertisement men (indistinguishable
these days, or in those days - apparently)...
   that intellectual achievement lies within the social order
and that you can be a great poet as an advertising man,
a great thinker as a professor...' hence the myth.
              summarised later as:
'the entire pressure of social order is to make
         literature into advertisement.'
  and why do they shoot people in North Korea and
Saudi Arabia (well, chop more than shoot)?
              bad literature, a.k.a. bad advertisement.
am i a bad advertiser?         point being: am i selling anything?
oh gee! i just might be...
   but i feel there's no need to oppress people into
reading something...         as was the same with
my democratic romance with a personal library of mine:
   how to create a democratic representation
of literature: or how to hear as many people out...
   even those alive would see the backlog of
stale books of the dead that have been under-appreciated
and need a ****** into the future.
        perhaps not Plato...
                    that's not a book, that's a column...
but i despise how feminism ignores its greatest asset...
Mary Shelley... no woman could have single-handedly
become so celebrated in pop culture...
               ex_machina is obviously a revamp of Frankenstein...
Mary Shelley is the embodiment of a woman worthy
a continual revised celebration...
                       you can see her celebrated more times than
any politically minded feminist of whatever 1st 2nd or
3rd movement: because she has the ability to
    turn a man's ego into a ******* umpf!
  like a cat listening in on a scuttling mouse...
              she testifies that women have supreme equality
in the pop culture spheres... after all: Frankenstein is
ugly... Ava? just beyond creepy...
                    she has absolutely no understandable
motives of what Frankenstein intended...
   it not merely creating artificial life...
                    it's about utilising it for a purpose:
in this case a housewife and *** toy... what was Frankenstein
expected to do?         there's no motive other than
     a per se intention... an open & closed argument...
was the monster going to be... a butler?
                  and instead of rebelling against a motive
that awaits her... the rebellion against a per se leaves
Frankenstein's monster driven toward isolation...
       Ava? she's already exposed to an interaction
and what's to be her subsequent interaction for the purpose
of being a maid and a *** toy... which doesn't drive
her to an isolation scenario... because the per se
concept is too complicated for her to establish...
    given she's defined as "artificial" intelligence,
she has to feed on an analysis-synthesis dynamic:
    to absolve herself from any notion of being intelligent:
but artificial... the scary part is that without a per se
element to her knowledge acquisition:
                  she sees no meaninglessness to her life -
she is created for certain customary necessities -
     Frankenstein's monster doesn't have that capacity
to acquire knowledge in an analytically-synthetic
dynamic -
  but i still don't understand why intelligence can
be artificial / faked... when man, if not intending to
  create an intelligence matrix outside of his own...
           will usually fake it, or create a superficial intelligence...
   this is the part where you get to play with
etymology, or at least apply etymology to better conceptualise
what some would call: a synonym-proximity barrier...
               which can be jargon to some,
   but in fact it represents "nuances" or nanometric differences
that is understood to imply: feverishness of
   the peacocking staging of vocab for rhetorical purposes...
if we only had a monochromatic utility for language:
people would be discouraged from talking fervently,
passionately, enthusiastically... rhetorically;
as suggested: is artificial intelligence
                                    superficial intelligence?
  or how to sharpen a distinction? or to what purpose
is making an illusion purposive, given that the already
   established technology is meant to be purposive,
as in replacing labour on the assembly line...
                     given that: it's never about faking it.

Love is said to be
like a manual, I guess
I read upside down?

last month, we had the catch up
we had been saying we would
have for a couple of weeks

you asked me how i am doing
and i said "i am fine" when i
didn't mean fine at all but
where is the word to explain
this absence in myself.

anyway,
you were washing the dishes
and i was transported to
the galley on your little boat

i remember the same sound
when you cooked me pasta
on our first date
and we watched some film
i had never seen before;
i can't remember the one
we left the dishes till
the next morning

but that galley
the small space where i would
have to side step past you to
your bedroom, or the toilet,
or sometimes just as an excuse
to slowly brush against your body
in the small in between

the first night,
after the second time we ******
fireworks exploded
i'm not talking about fireworks
in the belly but
actual fireworks

i'm not sure what colour they were
i could have looked out the window
which had a makeshift curtain made
out of your boxer shorts
but i was more interested in the
colour of your eyes
and how they made the fireworks
feel like they were right there
in that room with us

that tiny room which would not
have had room for anybody else
but that was its appeal i think
that only you and i would exist
there in my memory

only you and i that time
i broke your bed
and we laughed while you fixed it

on our third date
you asked me if i wanted to go to
Nottingham or to ikea
of course i chose ikea
we spent an entire day there
before going for pizza
and i helped you pick out
some draws for your boat

you dropped me off at the
train station after that
where we kissed and you went back
probably to install your new draws
under your bed

that was our last date
and i never got to see the new draws
under the new bed you eventually
also bought

so when we talked last month
and i asked you how your draws
were doing and you laughed
"what kind of question is that?"

i guess the draws don't remind you of me
the same way ikea
and the smell of tobacco
remind me of you

the only thing i bought from ikea was a candle
i burnt it months ago
it smelt like cinnamon and winter
you hated winter scents
thought they were cliché

i think i burnt the last of us
away with that candle
watched us slowly melt away

but i don't think there was
ever an us
really
we existed there
briefly
in that small in between
too small for the both of us
but you knew that
all along.

.like i insinuated prior, the English are a people not competent in philosophy, they're the antithesis of what a people, inclined to philosophy represent... schematic, rigidity, like the German... or the frequent cafe bullshitters of the French, the English can't consecrate themselves on the altar of Sophia, they just can't... they're a people that succumbed to too much practicality, egalitarianism... no one attempts to write in Utopia, while not seeking to find Atlantis.

so the whole Greece, Troy,
Rome shuffle is about over?
i'm feeling slightly peckish
and i don't have the time...
i'm about to light the house
up using... light-bulbs...
don't you think that a name
akin to: Paul, Digit,
sounds great?!

don't get me wrong,
the English are a people bound
to other, gifts...
they can sing,
although... Aud Lang Syne
is a Pict song...
and the river-dance is pure Ire...

great sophists,
but philosophers?
they're too practical,
i'm trying to read
Sartre's being & nothingness
in English...
i simply, can't...
      it doesn't make sense...
if you gave me a copy
of the same book
in ******-speak...
i'd butcher it...
   but in English?

metaphor moment:
like catching the testicles of
a mosquito, wearing boxing
gloves...

fiddly ******...

sure... each country has its
career ambition...
russian and the romanians
and the bulgarians have
their gymnastics...
the brazilians and the germans
have their footie...

the English have their singing
and their poetry...
but philosophy?
      nope... not even close...
Oasis' wonderwall
will be remembered,
and even sang along to on
the continent...

                   but thomas more's
utopia,
or thomas hobbe's leviathan...
ever tried to read more than
twenty pages
    of joseph conrad's
         heart of darkness... ?
ever find eating porridge
equivalent to parachuting
   in terms of the level of excitement?

chill... the English have their virtues...
but the English are also
prone to call philosophy
impractical, verbiage, word salad...
because philosophy already
is an impracticality,
an impasse...
          it's supposed to be,
           it's not exactly an Ikea schematic
reading to assemble a *******
table...
             it's Picasso, cubism,
       see if you can see a cube in
the mesh of contortions of other geometric
signatures...

              the English do not do philosophy...
sorry... they don't...
whatever argument arises citing
the "need" for: "reason" and, "logic"
will not cut it for me...
reason? since God doesn't intervene...
well... the unfathomable depth of
human will... reason: the same freedom
as posited prior to: the unfathomable depth...

logic? 1 + 1 = 2...
      a + n + d | s + o = and so...
the English are barons over other traditions
of expression...
music being 1, poetry being 2...

hey, Polacks are decent at volleyball...
i'm not complaining,
it's not exactly a popular sport...

but no... no chance in hell will i read
a philosophy book in this language...
i can't, the language is already too shrapnel
for me... i need to clarify a focus
on an idea...
        language, the English language,
can't entertain the current "transcendental"
logistics of undermining the individual /
plural use of pronouns,
while also keeping a straight face
in other areas of thinking...

     i could have conceded to the whole
globalist liberalism of ideas...
but... looking at the other flank?
attacking grammar... ****... sorry...
dogma?!
                as if... i will bow down
to un-existing before my wedding with death.

that being said,
i think the English are in a dire need to relearn
their black sense of humor,
their islander sense of isolationist humor,
their: bizarre unpredictability...
  since they lost it...
             to a certain degree...
i'd say: relearn to laugh at what is,
otherwise unforgiven in other cultures...
more crass Americanism...
and... well...
                can you ever learn to
cry when experiencing beauty?
musically, that is, esp. in the musical
dimension...
                    i always hated this:
"you're laughing, but actually crying...
you're crying, but actually laughing"
inversion...
        i never came around to fathom this
"misnomer"...
          straight down...
    i'll laugh at a funeral...
            teasing death...
   but i'll cry over a decent piece of music, to boot.

I need to buy
a new mattress
my side is now threadbare
and the other half
smells too much like you
like us
or what we used to be

maybe
I'll get new sheets as well

THE LOVING BATTLE

He said: "Loving her was like...
putting together an Ikea flatpack
with a  few screws missing!"

She said: "Ha...loving him was like...
putting together an Ikea flatpack
in the dark...without knowing what it was!"

We called them" "The Ikea Couple"
knowing it could never last.
"It will end in tears!" we said.

Man & wife now
these...what
last 40 years?

"How come...you've come this far!"
we enquired incredulously
"We love to row!" they say simultaneously

"We call it THE LOVING BATTLE!"
He calls her: "Hammer!"
She calls him: "Tongs!"

"When it looks all wrong
we know it's alright!
We both enjoy a good fight!"

"And....
...the making up?
That's the best bit!"

Se hai effettuato il login per Style Me Pretty questa mattina alla ricerca di qualcosa che stava per allietare la abiti da sposa on line vostra giornata .siete fortunati .Abbiamo un super allegro .super felice .assolutamente stupendo Tahoe matrimonio da Em The Gem e di mettere un sorriso sul



mio volto che non sta andando da nessuna parte in qualunque momento presto .

ColorsSeasonsSummerSettingsRanchStylesCasual Elegance

dalla splendida sposa .Mio marito .Nick .e ** incontrato 10 anni fa a Tahoe come membri della UC Davis Ski Team .Quando diventando impegnati lo scorso agosto .abbiamo concordato la nostra posizione di nozze doveva essere significative e univoche .Tahoe è stata la scelta naturale .dal momento che è dove ci siamo conosciuti e continuiamo a visitare .Dopo la visualizzazione di più sedi Tahoe .abbiamo scoperto la splendida Northstar Zephyr Lodge .Con una splendida vista Tahoe Mountain Vista e la capacità di ospitare comodamente i nostri 200 + ospiti .il lodge Zephyr forma il conto perfettamente .La caratteristica migliore : gli ospiti sarebbero arrivati ​​tramite impianti di risalita !Essendo un nuovo lodge di sci .il nostro matrimonio è stata la prima cerimonia e il ricevimento nella posizione .quindi è stato emozionante mettere insieme tutti i dettagli .

Come graphic designer .si è ipotizzato che vorrei progettare tutto da solo .e io volentieri ha accettato la sfida .Per i nostri colori di nozze .abbiamo scelto il fucsia e giallo senape .Abbiamo apprezzato la felice .combo estate e anche come spuntato contro i colori forestali naturali .Per i nostri materiali cartacei di matrimonio .volevamo un look semplicistica che era spensierata e riflette il nostro spazio .** creato semplici caricature di Nick e io.insieme con uno dei nostri Goldendoodle .Maisie .che abbiamo usato per gli inviti .oltre alla giornata di materiali nozze e segnaletica .Abbiamo inserito dettagli in legno nella nostra cancelleria per riflettere la posizione.** disegnato tutto.dal salvare le date e programmi .fino ai pacchetti Toss riso .

La maggior parte delle decorazioni era DIY .Volevamo semplici decorazioni che mostrare il luogo moderno .ancora rustico e non eclissare gli scorci visti attraverso il soffitto stava quasi per finestre del piano .Abbiamo ordinato i nostri fiori alla rinfusa da un negozio di fiorista locale e .con l'aiuto di amici e familiari .organizzato loro il giorno prima dell'evento con barattoli riciclati.La sede ha fornito bei tavoli in legno che abbiamo accentato con corridori di colore neutro.Ai tavoli .abbiamo lasciato divertente gratta carte pop - quiz e penny per i nostri ospiti di godere .

schede magnetiche da Ikea visualizzare le nostre schede di scorta .Abbiamo fatto il nostro tessuto coperto di senape gialla e fucsia magneti pulsante per apporre le carte per le tavole .Per favori .abbiamo implementato la versione montagna Tahoe di un candy bar : il bar self-service trail mix !

abiti da sposa corti le damigelle indossavano gonne di seta neutri da BHLDN e ciascuno ha scelto i propri piani oltre a scarpe gialle .I testimoni dello sposo indossava pantaloni J. Crew e camicie bianche e senape cravatte gialle per una sensazione causale montagna .La madre dello sposo ha creato tutti i mazzi di fiori e boutonnieres .

Northstar ha fatto un lavoro meraviglioso appartamento il cibo cena e bevande .Il dessert buffet consisteva di tutti i dolci fatti in casa per gentile concessione di amici e familiari .Macarons .brownies .biscotti .caramelle e dolcetti piacquero molte pance .Dopo una lunga notte di balli .feste e bere .gli ospiti afferrato bastoncini luminosi per illuminare la loro strada giù per la montagna tramite gondola.E 'stata una bella giornata e la notte magica ricorderemo per sempre

Fotografia : Em The Gem | Wedding Planner : . Nancie Schoener | Wedding Gown : Mikella | capelli: Krystle Tanton | nuziale capelli pettine : Prim e Posies | damigella d'onore Gonne : BHLDN| Dress ballare: Anthropologie | Orecchini : Kate ***** | floreale Sash abbellimento : Belle de Benoir | Groomsmen Cravatte : Ashley NEF | Guest Book : Bridewell mercato | Inviti e Giorno della cancelleria : Elsie J | Trucco : Beauty Box Makeup Arte | Photo Booth :pic Box | cancelleria Fotografia : Lindsey Chin - Jones | Muta : J. Crew | Luogo : Northstar Zephyr LodgeBHLDN e J.Crew sono membri della nostra Look Book .Per ulteriori informazioni su come vengono scelti i membri .fare clic qui
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Let a little lonely thrill
careen from Ikea bolt
to Ikea ***** under the thin,
chipped legs of my folding chair.
Let it bolt across the
tabletop like a daddy long
legs when the kitchen light
flips on and hums into
a deflated, blinding brightness
at 3:26 am on a Wednesday in February.

Let a little lonely thrill
find its way past my loose
muscles and blooming skin-
let it melt down into my dankness
and start to sing so loud
that even my sweat radiates vibrato.

I want it to burrow from
ear canals to pastel brain
and flood my gums
after seeping through cheekbone
pores, hostile and sun-stained.

I need to feel it scream
its loud, grisly engine
to life from the parts of me that
might soon spoil.
I'm not moldy but you're
also not yet desperate. (Your checking
account can handle a few more
diner trips and coffee runs
and it's already Thursday.)
With any luck you can avoid
chewing on me entirely this week.

I am (silently, always silently)
begging
those manic hero spirits
that bounce
and rise across every pothole
of every road that my
tires didn't dodge.
(Whether by lack of skill
or lack of will is up for debate-)
I don't want the trails back.
What's the fun of tracing a failed
treasure hunt backwards?
It hurts more than it heals.
It illuminates exactly where each wrong turn
was made, ignored or aggressively denied.

I'll finish this road trip but
I know this whole playlist by heart.
I'm done with truck stop maps
that I can't fold correctly,
that I can't keep from tearing
along the creases.

I'm done with wine flavored Black
and Milds, wooden tip,
bought in boxes of five
or individually with dimes
and ripped dollar bills
stashed in the glove box,
kept there specifically
for the occasional urge to storm
any aspect of myself with concentrated
poison and my lungs volunteer.

I'm done with getting by on
metallic coffee four Splendas
and my white knuckles,
my raw nerves.

I've made it clear I can maintain this
grit that I've been dragging across
the Tri-State Area since last June,
but I can no longer ignore
the constant windburn
on my shoulders, chest
and forehead.
I need to spend some time with my back
to the express lane on the interstate.

I need a break.
I need to let someone else drive for a while.
I need to sit passenger side with
my hair down, bare feet hanging out
the window and lost in a daydream
that is so very far away.
I need to let the sun pour
wide and easy
into my open mouth,
janky limbs finally loose,
the words at the tip of my tongue
hitchhiking on the caress
of slicing traffic.

I'll keep my sunglasses on deep
into the night-
until each lightning bug has kissed me Hello,
Darling. Good Evening,
and it becomes hard to tell a yellow traffic light
from the moon.

I'll just coast. I'll know the salt in my mouth
is the day's hard work cooing at me;
that the sweat of my neck has been absorbed back
into me; stiffening my clothes and curling my hair,
until I'm back behind the too-tall steering wheel,
avoiding tolls and damp again.

Because lately I've been so tired.
I can't see straight to my neon-exhilarate.
I know a little time with my head lolling
again the seat, the window, you,
and a little sip of the landscape
taken for purely what it is
instead of what it's becoming-
will stretch my gut back where
it belongs instead of double knotted
to the tailpipe, waving along, air-drying.

Give me a few hours and I may
nearly forget the slow
burn of that ever-aching ghost light.
I think I'll close my eyes now-
If I focus  all of my energy toward
a mind and body learning
stillness, I can almost feel
a rhapsody at one thousand sun beams.
It's a new day in America,
it's a new day in my bones.

a lovely place
of lovely memories
full of young future
and
furniture

The news will say we're suffering from excess immigration
That a rampant hoard of foreigners has fallen on our nation
But truthfully, there hasn't been a native Briton here
Since people dressed in mammoth skin and hunted with a spear

Our language is a mixture of a dozen different tongues
We munch our way through poppadoms, fajitas and fu-yungs
When cheering at a football match, we're infamously vocal
Our teams may be the finest but the players won’t be local

Genetically, a Briton is a multi-cultured stew
With Romans, Saxons, Vikings and the Celts, to name a few
Our national drink is Indian, the Germans make our beer
The TV comes from China and the table from IKEA

Potatoes from America and onions grown in Spain
A multitude of British things arrive by boat and plane
The rain that falls upon our hills has blown from over seas
And with it come migrating birds to nest in British trees

The Royal Windsor family have Greek and German genes
So think about just what it is that being British means
We're stronger with our differences, the best of humankind
Our nation, not an island but a common state of mind