"grecian" poems
I saw the morning dew betwixt thine thighs
as I removed my source of Grecian power,
as if King Midas dared to touch the skies,
upon thy body fell a golden shower.
Thy body's temples, two church bells had rung
upon thy chest, a row of pearls bestowed.
The sun had set, thy set with wary hung
I thought, "How black a night, and blue a lode!"
I said, "What light through yonder ****** breaks?
It is the yeast!" And now my belly's yellow.
My pole gives cause to storms and earthy quakes,
but 'tis not massive, I am no Othello.
And when that final moment came to pass,
like Christ I came a-riding on an ***
Mar 22, 2015
Mar 22, 2015 at 3:54 PM UTC
Oh, come to me in dreams, my love!
I will not ask a dearer bliss;
Come with the starry beams, my love,
And press mine eyelids with thy kiss.
’Twas thus, as ancient fables tell,
Love visited a Grecian maid,
Till she disturbed the sacred spell,
And woke to find her hopes betrayed.
But gentle sleep shall veil my sight,
And Psyche’s lamp shall darkling be,
When, in the visions of the night,
Thou dost renew thy vows to me.
Then come to me in dreams, my love,
I will not ask a dearer bliss;
Come with the starry beams, my love,
And press mine eyelids with thy kiss.
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ᗩIᑎᕼᗩᖇᗩ
~ ⚪♫⚪ ~
Out of the Palace, into the Queen's
Garden. *'One that could rival King
Paul's Luciuscemian Gardens,'* she
thinks as she walks under the high
cream arches and Grecian columns
with ivy vines coiling around them.
She stands on the white marble
steps. *'Truly, this is the Queen
Mother's finest work yet...'*
~ ⚪♫⚪ ~
The young Queen Lyn spares no
expense in expanding her library,
filling it with leather-bound books
and scrolls, new and old. She spares
no expense when it comes to her
love for herbal teas, near and far...
But her mother?
~ ⚪♫⚪ ~
The Queen Mother is known for
her keen eye, fast wits, bladed
tongue and for her love for fashion,
gardening and a frugal nature.
*'Like frugal mother, like bookish
daughter!'* Ainhara can not help
but to chuckle.
~ ⚪♫⚪ ~
She watches as the gardeners trim
the mint-green grass, beech hedges
and shrubby. But what Ainhara
marvels most are the flowers.
Pots of lavender and roses,
rosemary and mint are placed
around carefully, by the white
lilies, orange lilies, yellow lilies,
flushing lilies.
~ ⚪♫⚪ ~
She notices that green lilies and
blue lilies; the gifts from Queen Yidna;
plants native to her Puhan Kingdom,
are in full bloom. They remind her of the
colours of the Seas that she, Esshi and Lyn
had sailed when they visited Queen Yidna.
*'Puhan has the calmest seas of the brightest
colours,'* She recalls how her Queen was
happy and relaxed then...
Sep 14, 2018
Sep 14, 2018 at 11:33 AM UTC
My dear Icarus,
Have you brought tales of gold for me?
You-- the master of self,
The one who held his own thread and shears.
Don't share of how hard you beat your wings
But how the air beat against your brow.
Don't echo your father's faded cries
But sing the songs of the Aegean sea--
Sing them only for me!
My sweet Icarus,
Is the world as grand as the travelers say?
Are crumbling maps and hand-spun tales nothing to compare?
I've read of Sicily, where your father rests his mourning head.
I've traced its rivers as they curved against my torn papyrus.
Sicily, the land of Aetna.
Oh, to watch the land shake at the beckoning of her call
(Oh, to fly free of these labyrinth walls)!
My darling Icarus,
Tell me-- is life better above the blanket of Grecian blue?
Is it better than what the Fates designed?
Is it better than what I hold today
(please, let it be more than today)?
My beloved Icarus,
Will you give me your wings--
The mingling of feather, wax, and dreams.
Will you give me your wings and
Your will to yearn higher and higher
So that I too can reach the city of gold.
Apr 1, 2017
Apr 1, 2017 at 10:30 PM UTC
Through portico of my elegant house you stalk
With your wild furies, disturbing garlands of fruit
And the fabulous lutes and peacocks, rending the net
Of all decorum which holds the whirlwind back.
Now, rich order of walls is fallen; rooks croak
Above the appalling ruin; in bleak light
Of your stormy eye, magic takes flight
Like a daunted witch, quitting castle when real days break.
Fractured pillars frame prospects of rock;
While you stand heroic in coat and tie, I sit
Composed in Grecian tunic and psyche-knot,
Rooted to your black look, the play turned tragic:
Which such blight wrought on our bankrupt estate,
What ceremony of words can patch the havoc?
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So I turned 32 today.
Penniless birthday,
almost.
Howling rains
woke me up
and I fell back asleep.
And the cat respected my
birthday.
Did not claw my lips like
my usual feline alarm.
The birthday flowers
in the morning
were vivid.
My mother bought them,
deep red and
deep yellow.
I requested
for birthday lunch
my mother’s
home-cooked burgers
and fries sprinkled with
iodized salt.
And I filled myself up
with them hot and crispy
fries
and didn’t care if they
stayed inside my guts
until 2014.
I never really liked cake.
Opted for a dozen original glazed.
Heavenly donuts.
Two of them tumbled down
the escalators.
The first birthday flaw.
Like a bleep in the
grand scheme of
birthday things.
I brought them to a Greek
restaurant.
My mom and dad
and two sisters.
Not really hungry.
Just hungry
for a different taste.
The salad had candied
walnuts among the greens
and the reds.
Progressive Greece.
Then a classic lamb dish.
Classic Greece.
And the waiters
in stuffy white
bellowed a birthday
greeting, dropping the “h”
from my name.
Belted out a non-Grecian
birthday song.
No Grecian dance.
But they gave me
an ice cream treat.
Lighted a solitary
blue candle, which
balanced on the semi-liquid
hills of vanilla, caramel and
walnuts.
The small ice cream hills
illuminated by
the dancing
birthday light.
Oct 21, 2013
Oct 21, 2013 at 3:40 AM UTC
*Morpheus has never been kind to me
His somniferous ways leave me wanting
Grasping at the cusp of a reality
As evanescent as the morning mist
That greets this reluctant gaze.
He exists to these sheathed
Bourbon eyes
Within the veiled carapace
Of the only form I've ever wanted more
Than necessity and air.
His torment lies
In false reunions, in joining and parting lips
In forest eyes that linger behind in my thoughts
Like the echo of a cannon
Long after it's wrought its own havoc.
Yes, that twisted Lothario
That Grecian sandman
Exists to overcharge the soul with
Hope so poisonous
Bodies and minds are wracked with it
Inspired by it
Haunted on into the waking world
Where he waits on the periphery
Eyes narrowed in the light
Of the waking world that renders him useless.
Sep 14, 2015
Sep 14, 2015 at 9:37 AM UTC
so, with israel being re-established...
why do we, us,hit
europeans... even need to bother
establishing authority,
utilißing the new testament?
i quiete like the old testament
logic of:
oculus per oculus
(eye for an eye)...
because the saxon concept of
justice: i rather see...
the implosion of
blackstone's formulation...
the 10:1 imploding to the 1:10
ratio of...
a shawshank redemption...
there is... redemption...
since! there's no justice within
the post scriptum of
the hillsborough disaster...
watching people walk, the lunatic walk,
20 years later?
disorientated by the court
of justice?
re-dem-ption...
the whole aspect of: innocent until proven
guilty is horrid!
this... saxon vernacular of
that branch of philosophy that's
bogus...
namely... within origins
of the forbidden fruit...
i.e. and you know?!
really?!
no... but i'll **** to make
a standing pivot of a pawn
on a chess-board.
savvy?
who, among the europeans...
actually needs such artifacts
as new testament texts, credo,
orthodoxy, sign of the cross
greek exports?
the state of israel has
been re-established...
i don't want anything to do
with this judeo-grecian banality...
you can have you little affair over
n
e w
s...
don't worry... i'll make sure that i'm
watching... people tell a lie...
yeah: hum hum bubbly hum-hum...
am i, or are there any arizona
inbreds?
who, the hell, needs, the news testament,
within the confines of history,
dispossessing europe of it,
of an established jewish state?
one book among many...
hence the scent of a yawn...
when entering a library...
i'll do one gesture, and one gesture
alone... inclined to a replica...
ecce libra!
i wash my hands from
having any investment in it.
**** the greeks can have it...
they can keep it, cherish it,
but they better not spaghetti the old testament
with their... "ingenious" plot...
not when the nag hammadi library
emerged...
no... not now... not ever...
i detest this greek book of overt
symbolism...
their pristine alphabet,
their diacritical application,
with the pseudo-romans toying with: deaf...
or blind... whichever it is...
sandpaper... instead of a kangaroo pouch...
of inflated... soft... flesh?
i'll rip your heart out
and feed it to my neighbour's dog,
beside a bowl of water.
Jul 24, 2018
Jul 24, 2018 at 8:32 PM UTC
I saw the morning dew betwixt thine thighs
As I removed my source of Grecian power
As if King Midas dared to touch the skies
Upon thy body fell a golden shower
Thy body's temples, two church bells had rung
Upon thy chest, a row of pearls bestowed
The sun had set, thy set with wary hung
I thought, "How black a night and blue a lode"
I said, "What light through yonder ****** breaks?
It is the yeast"
And now my belly's yellow
My pole gives cause to storms and earthy quakes
But 'tis not massive, I am no Othello
And when that final moment came to pass
Like Christ I came-a riding on an ***
Feb 4, 2014
Feb 4, 2014 at 2:19 PM UTC
I Am Waiting
I am waiting for my case to come up
and I am waiting
for a rebirth of wonder
and I am waiting for someone
to really discover America
and wail
and I am waiting
for the discovery
of a new symbolic western frontier
and I am waiting
for the American Eagle
to really spread its wings
and straighten up and fly right
and I am waiting
for the Age of Anxiety
to drop dead
and I am waiting
for the war to be fought
which will make the world safe
for anarchy
and I am waiting
for the final withering away
of all governments
and I am perpetually awaiting
a rebirth of wonder
I am waiting for the Second Coming
and I am waiting
for a religious revival
to sweep thru the state of Arizona
and I am waiting
for the Grapes of Wrath to be stored
and I am waiting
for them to prove
that God is really American
and I am waiting
to see God on television
piped onto church altars
if only they can find
the right channel
to tune in on
and I am waiting
for the Last Supper to be served again
with a strange new appetizer
and I am perpetually awaiting
a rebirth of wonder
I am waiting for my number to be called
and I am waiting
for the Salvation Army to take over
and I am waiting
for the meek to be blessed
and inherit the earth
without taxes
and I am waiting
for forests and animals
to reclaim the earth as theirs
and I am waiting
for a way to be devised
to destroy all nationalisms
without killing anybody
and I am waiting
for linnets and planets to fall like rain
and I am waiting for lovers and weepers
to lie down together again
in a new rebirth of wonder
I am waiting for the Great Divide to be crossed
and I am anxiously waiting
for the secret of eternal life to be discovered
by an obscure general practitioner
and I am waiting
for the storms of life
to be over
and I am waiting
to set sail for happiness
and I am waiting
for a reconstructed Mayflower
to reach America
with its picture story and tv rights
sold in advance to the natives
and I am waiting
for the lost music to sound again
in the Lost Continent
in a new rebirth of wonder
I am waiting for the day
that maketh all things clear
and I am awaiting retribution
for what America did
to Tom Sawyer
and I am waiting
for Alice in Wonderland
to retransmit to me
her total dream of innocence
and I am waiting
for Childe Roland to come
to the final darkest tower
and I am waiting
for Aphrodite
to grow live arms
at a final disarmament conference
in a new rebirth of wonder
I am waiting
to get some intimations
of immortality
by recollecting my early childhood
and I am waiting
for the green mornings to come again
youth’s dumb green fields come back again
and I am waiting
for some strains of unpremeditated art
to shake my typewriter
and I am waiting to write
the great indelible poem
and I am waiting
for the last long careless rapture
and I am perpetually waiting
for the fleeing lovers on the Grecian Urn
to catch each other up at last
and embrace
and I am awaiting
perpetually and forever
a renaissance of wonder
May 9, 2015
May 9, 2015 at 12:55 PM UTC
we both had two different painting styles. he was into calligraphy, the bold and gentle strokes of black ink on white paper; i was into watercolor, the translucent colors slowly spreading to a gradient on a Canson. we were two painters with brush styles of stark contrasts.
three objects. a flower arrangement, an antique vase and grecian sculpture. we were asked to pick the most eye-catching one out of the three, paint it in our of style of representation. and so we began.
him: what will you be painting?
me: i can't tell, you might judge me for it.
him: alright, but promise me you'll show it to me once you're done.
me: okay. same to you too, then.
hours passed, and while i often discreetly glimpsed at him, he caught my eye sometimes and would make funny faces or just softly smiled at me. i could not deny that my hands were shaking as i dunked my brushes into the watercolor jar and continued to finish my painting.
him: i'm finally done. this is a masterpiece.
me: i believe it's the same for me too.
him: should we count down as we turn our boards to each other?
me: nothing better than a surprise of what's the most beautiful thing out of all the objects before us.
we flipped our boards to each other's viewpoint, and we were both shocked to be looking at ourselves, a painting of ourselves, one done by the other. he painted me in black and white, a figure-ground influenced painting, strong in lines, simplicity in its finest state, rendering me bare and raw. i painted him in pale colors, a positive reflection of him lighting up life, and soft shadings to give depth to the meaning of his existence.
after knowing this and scrutinizing our works, his cheeks turned pink as the pink on my palette, while i covered my eyes with my hair as dark as his ink. we burst out laughing and blushing at the fact that the most beautiful object before our eyes was each other.
sometimes, i wonder if he's my muse, the art or the artist. and i felt like a watercolor jar at that exact moment, as if brushes soaked with different colors were being dipped into me all at once, the tint, hue and vibrancy bleeding into the clear liquid, getting murky. it was like those colors are my emotions, and with every emotion mixing, my thoughts get murky. i guess this is how it feels to be in love with all forms of art at once.
Apr 15, 2016
Apr 15, 2016 at 12:58 PM UTC
Look not in my eyes, for fear
They mirror true the sight I see,
And there you find your face too clear
And love it and be lost like me.
One the long nights through must lie
Spent in star-defeated sighs,
But why should you as well as I
Perish? gaze not in my eyes.
A Grecian lad, as I hear tell,
One that many loved in vain,
Looked into a forest well
And never looked away again.
There, when the turf in springtime flowers,
With downward eye and gazes sad,
Stands amid the glancing showers
A jonquil, not a Grecian lad.
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we walk with faces to the sky
the goddesses on earth
our words from a breathless heartsigh
we appear with old grecian beauty
and not such modern masks
it comes in hand with our ancient virtues
true to our everlasting tasks
hera; dark curls and flaming passion
striking down all who cross her
thin and wary is she
artemis; earthy flesh and midnight coils
gentle to the wild and bow-weilding
athletic and kind is she
demeter; flaxen tresses and tenderness
protecting her wards
mothering and calm is she
athena; thick legs and honey hair
raising blood-soaked war flags
wise and fearless am i
Oct 10, 2016
Oct 10, 2016 at 10:35 PM UTC
this is for the Dreamers, Lovers, and Surgeons
for the Hopeless Stargazer who immortalized his Subject with one hundred and eight sets of fourteen lines in iambic pentameter
for ***** tight clad teenage boys who envied frisky fleas, struggling to make holy ungodly passions with cheap arguments and metaphysical pick up lines
for Disillusioned City Dwellers, who, wandering lonely as clouds, stopped to quietly reflect upon wind-beaten moss-covered crags, and heard God’s whisper thunder from petals and blades of grass
this is for the Dreamers, Lovers, and Surgeons
for Bespectacled Slave Drivers who submersed idle minds in anthologies, forcing them to **** neon yellow on dreams deferred and rivers; slicing and dicing Grecian urns with red ball point pens; bruising and battering, in blue ball point, roads not taken; scalding supermarkets in California with pyroclastic flows of graphite
for those pushing to tear apart lines and letters, reconstructing ,deconstructing, agonizing, imaginizing, bullshitting, and brooding on to crisp white sheets in times new roman twelve point font
for the Monsters and Lollipops that exist in the millimeters between a skull and a brain
this is for the Dreamers, Lovers, and Surgeons slumbering beneath Restless Leaves Under the Moon
Nov 29, 2012
Nov 29, 2012 at 10:39 AM UTC
✿⊰✲⊱✿
The hallway has teal arches with
high grecian columns, each with
gilded gold grapes and vines
entwined, kissed by the light of the
several crystal chandeliers.
With enormous paintings on the
pale blue walls - several key
moments captured and framed,
and age in no way diminished it's
strokes and vibrancy.
✿⊰✲⊱✿
I remember many times where
I had visited Paul and I
walked around his home,
telling me of his ancestors
achievements with a smile or a
frown on his face. "We can all
learn things from the past," he said
sadly. "And there's always things
done that we are not proud of. I
only want Luciuscemi to thrive."
"With you as King, I have no doubt
it will." I said with a smile and Paul
felt a little better.
✿⊰✲⊱✿
My feet continue to follow the
red carpet to the ball room as me
and my ladies pass many Luciuscemian
guards, all standing tall, lined up yet
all so courteous and friendly; dressed
in yellow military outfits, with red
shoulder capes. When I come upon the
end hall to the entrance of the ballroom,
I cannot help but gasp. Alive with so many
people in so many colours.
✿⊰✲⊱✿
I could see the dining hall in the far back;
lines of tables covered in coloured silks
and with many dishes: sweet, sour and
savoury, meats and vegetables, grilled fish,
glazed ham, veggie rolls and many
fine imported wines, fresh teas and
many more. Large ice sculptures of lions
and suns stand vigilant as the servants serve,
people laugh, eat and talk. Some walked out
to the balcony, some watch others dance;
long and short, this ballroom is an orchestra
for my soul.
Aug 25, 2018
Aug 25, 2018 at 6:11 PM UTC
My spirit is too weak; mortality
Weighs heavily on me like unwilling sleep,
And each imagined pinnacle and steep
Of godlike hardship tells me I must die
Like a sick eagle looking at the sky.
Yet 'tis a gentle luxury to weep,
That I have not the cloudy winds to keep
Fresh for the opening of the morning's eye.
Such dim-conceived glories of the brain
Bring round the heart an indescribable feud;
So do these wonders a most dizzy pain,
That mingles Grecian grandeur with the rude
Wasting of old Time—with a billowy main,
A sun, a shadow of a magnitude.
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Thou still unravish'd bride of quietness,
Thou foster-child of silence and slow time,
Sylvan historian, who canst thus express
A flowery tale more sweetly than our rhyme:
What leaf-fring'd legend haunts about thy shape
Of deities or mortals, or of both,
In Tempe or the dales of Arcady?
What men or gods are these? What maidens loth?
What mad pursuit? What struggle to escape?
What pipes and timbrels? What wild ecstasy?
Heard melodies are sweet, but those unheard
Are sweeter; therefore, ye soft pipes, play on;
Not to the sensual ear, but, more endear'd,
Pipe to the spirit ditties of no tone:
Fair youth, beneath the trees, thou canst not leave
Thy song, nor ever can those trees be bare;
Bold Lover, never, never canst thou kiss,
Though winning near the goal yet, do not grieve;
She cannot fade, though thou hast not thy bliss,
For ever wilt thou love, and she be fair!
Ah, happy, happy boughs! that cannot shed
Your leaves, nor ever bid the Spring adieu;
And, happy melodist, unwearied,
For ever piping songs for ever new;
More happy love! more happy, happy love!
For ever warm and still to be enjoy'd,
For ever panting, and for ever young;
All breathing human passion far above,
That leaves a heart high-sorrowful and cloy'd,
A burning forehead, and a parching tongue.
Who are these coming to the sacrifice?
To what green altar, O mysterious priest,
Lead'st thou that heifer lowing at the skies,
And all her silken flanks with garlands drest?
What little town by river or sea shore,
Or mountain-built with peaceful citadel,
Is emptied of this folk, this pious morn?
And, little town, thy streets for evermore
Will silent be; and not a soul to tell
Why thou art desolate, can e'er return.
O Attic shape! Fair attitude! with brede
Of marble men and maidens overwrought,
With forest branches and the trodden ****
Thou, silent form, dost tease us out of thought
As doth eternity: Cold Pastoral!
When old age shall this generation waste,
Thou shalt remain, in midst of other woe
Than ours, a friend to man, to whom thou say'st,
"Beauty is truth, truth beauty,--that is all
Ye know on earth, and all ye need to know."
3k
A is for Austerity
To pay back the Bank
For the Collateral
On your defaulted Debt
That exploded Exponentially
Like the financial Fiasco
Of the Grecian Governments
Indebted to Hitler's Homeland
Return to Investors
The rent on your Job
Capital is their Kingdom
The laborers are Landless
Misers enslaved to Misery
The N
Feb 18, 2015
Feb 18, 2015 at 1:35 AM UTC
The night was passing, and the Grecian host
By no means sought to issue forth unseen.
But when indeed the day with her white steeds
Held all the earth, resplendent to behold,
First from the Greeks the loud-resounding din
Of song triumphant came; and shrill at once
Echo responded from the island rock.
Then upon all barbarians terror fell,
Thus disappointed; for not as for flight
The Hellenes sang the holy pæan then,
But setting forth to battle valiantly.
The bugle with its note inflamed them all;
And straightway with the dip of plashing oars
They smote the deep sea water at command,
And quickly all were plainly to be seen.
Their right wing first in orderly array
Led on, and second all the armament
Followed them forth; and meanwhile there was heard
A mighty shout: "Come, O ye sons of Greeks,
Make free your country, make your children free,
Your wives, and fanes of your ancestral gods,
And your sires' tombs! For all we now contend!"
And from our side the rush of Persian speech
Replied. No longer might the crisis wait.
At once ship smote on ship with brazen beak;
A vessel of the Greeks began the attack,
Crushing the stem of a Phoenician ship.
Each on a different vessel turned its prow.
At first the current of the Persian host
Withstood; but when within the strait the throng
Of ships was gathered, and they could not aid
Each other, but by their own brazen bows
Were struck, they shattered all our naval host.
The Grecian vessels not unskillfully
Were smiting round about; the hulls of ships
Were overset; the sea was hid from sight,
Covered with wreckage and the death of men;
The reefs and headlands were with corpses filled,
And in disordered flight each ship was rowed,
As many as were of the Persian host.
But they, like tunnies or some shoal of fish,
With broken oars and fragments of the wrecks
Struck us and clove us; and at once a cry
Of lamentation filled the briny sea,
Till the black darkness' eye did rescue us.
The number of our griefs, not though ten days
I talked together, could I fully tell;
But this know well, that never in one day
Perished so great a multitude of men.
2.6k
Look not in my eyes, for fear
They mirror true the sight I see,
And there you find your face too clear
And love it and be lost like me.
One the long nights through must lie
Spent in star-defeated sighs,
But why should you as well as I
Perish? gaze not in my eyes.
A Grecian lad, as I hear tell,
One that many loved in vain,
Looked into a forest well
And never looked away again.
There, when the turf in springtime flowers,
With downward eye and gazes sad,
Stands amid the glancing showers
A jonquil, not a Grecian lad.
2.4k
~
*in limbo, paralyzed by inaction
and unsure of how to move forward
moodier and more menacing than ever before
a delicate state of mind is explored
all about seeing the beauty
in the darkness of futility
digging wells and all to happy
to throw us all down there
as images painted on an ancient vase, exploring
what it means to be frozen
in a moment of time for all eternity*
~
Apr 1, 2021
Apr 1, 2021 at 4:08 PM UTC
That is no country for old men. The young
In one another's arms, birds in the trees -
Those dying generations - at their song,
The salmon-falls, the mackerel-crowded seas,
Fish, flesh, or fowl, commend all summer long
Whatever is begotten, born, and dies.
Caught in that sensual music all neglect
Monuments of unageing intellect.
An aged man is but a paltry thing,
A tattered coat upon a stick, unless
Soul clap its hands and sing, and louder sing
For every tatter in its mortal dress,
Nor is there singing school but studying
Monuments of its own magnificence;
And therefore I have sailed the seas and come
To the holy city of Byzantium.
O sages standing in God's holy fire
As in the gold mosaic of a wall,
Come from the holy fire, perne in a gyre,
And be the singing-masters of my soul.
Consume my heart away; sick with desire
And fastened to a dying animal
It knows not what it is; and gather me
Into the artifice of eternity.
Once out of nature I shall never take
My ****** form from any natural thing,
But such a form as Grecian goldsmiths make
Of hammered gold and gold enamelling
To keep a drowsy Emperor awake;
Or set upon a golden bough to sing
To lords and ladies of Byzantium
Of what is past, or passing, or to come.
2.2k
(To Ellen Terry)
As one who poring on a Grecian urn
Scans the fair shapes some Attic hand hath made,
God with slim goddess, goodly man with maid,
And for their beauty’s sake is loth to turn
And face the obvious day, must I not yearn
For many a secret moon of indolent bliss,
When in midmost shrine of Artemis
I see thee standing, antique-limbed, and stern?
And yet—methinks I’d rather see thee play
That serpent of old Nile, whose witchery
Made Emperors drunken,—come, great Egypt, shake
Our stage with all thy mimic pageants! Nay,
I am grown sick of unreal passions, make
The world thine Actium, me thine Anthony!
2.1k
Such a classic mortal blunder to lay
my spine as it erodes, graceless, inelegant
on Galatea’s cold, ivory arms;
such delicate carvings can never be human, look human,
feel human under my lonesome bones.
I long to see you flinch and break
into fine, liquid, rain of dust blinding me,
covering the walls of this room
in a blameless shade of white: a new asylum ward
for my kind of insanity,
you say.
It envelopes like light around my awe
and my forlorn limbs,
tangled with Galatea’s unmoving ones.
I look for comfort within brittle carcasses
scraped of everything they could ever give.
The quiet persists eerily.
But here, Pygmalion’s gifts remain untainted:
the apex of auger shells, the beak of a songbird
the blunted ceriths, the rusty chisels
all impaling my spinal bones.
Yet the sculptor’s kisses, long erased,
the careful carvings, long defaced,
long reduced into a Grecian ruin.
I bury my body on your arms yet they find no rest
against the ghostly pleas of mammalian tusks.
How many for your fingers?
How many for your hair?
Tell me, Galatea, were you carved to bear the weight of
all the sea salt I swallowed as I drowned?
Soften under my meandering thoughts; I long
to see you flinch and break — like all the dead elephants —
any reminder that you yield pliantly to the voice
of the love goddess, that you were once turned human.
Break now, your solid arms, under my own collapse
over the sea foam caught on fire.
I am no longer bending and weeping to pick myself up.
Here it all goes down and ends:
my bones,
and yours,
burning,
snapping.
Nothing —
nothing less glorious will last after us.
— Fray Narte
Dec 5, 2022
Dec 5, 2022 at 10:05 PM UTC
__|small gee for god; big bee for byron|__
Strikes a chord with you, does it?
This shambling poverty of thought,
Insta-rated and underwhelming;
Thank god for Byron.
__|keats versus shelley|__
Sparing no injury to his phthisicky frame,
Keats lies atop a make-believe of cherry trees
Searching among the clouds
For wealth, health and a Grecian urn,
While Shelley does Venice
And blows himself a hookah.
__|o poesy! for thee I grasp my pen|__
Panning the wayward sky for inspiration,
A hope, a word, a beginning;
A versification so ecstatic as to transfix the senses and pierce the heart,
A lightning phrase capable of uprooting all commonality,
As outrageous a miracle in the minds of men as crucified immortality.
__|requiem|__
Unlike the wilting rose which has no higher calling
Than to bloom and die upon the stem,
And having relinquished its last perfumed petal
Retreat from memory again,
I fear that I shall linger,
Tethered to this eternal moment
By shudd’ring will and breath combined,
A brighter shade of myself than what of me I have left behind.
Apr 16, 2021
Apr 16, 2021 at 4:21 PM UTC