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Sukanya Basu Jul 2013
That very 9 minutes
Proved that i shouldn't have been alive
As the clock ticked on the dashboard,
My impulse became weaker
Pools of tears formed at the base of my eyes...
Every second reminded me of
The deeds i had done in the past,
'LOVE' was the cruelest among all..
My parents were disgusted in me
More disgusted in the presence of me
Then why wasn't baby foetus throw out
and fed to the dogs?
Why did baby foetus climb up in mom's belly?
Innocent. it didn't know whether it was evil or good.
It wanted a home and  food.
It wanted a mom to be proud of
A dad, brave & strong
A sister who she would love
All life long.

But now as baby foetus grows
Dad grows no happy
Mom cry beneath the pillow
Others grow angry.
Is baby foetus a monster?
Not the same kinds of species?
Baby foetus brought a cat
Who didn't have a mom&dad;
She wanted to care of it
And dad feeling nothing for baby foetus
Not even for the kitten
Threw it out kicking it bad.
Baby foetus can do no good deeds
It wants only love
From which it stomach fills
Now baby foetus grabs a knife
With hands shaking bad
It puts it in her belly
Feeling more than glad

As the clock ticks,
Blood drains away from body
Baby foetus dosen't scream,cry or
shout"help somebody"
Baby foetus knows tears have no value
So it is blood which it has to purgate
Baby foetus looks at the ceiling
As her eyesight began to daze
She smiles & remember her kindergarten teacher
She closes her eyes and whisper"i really miss her"
And then she smirks of her proud memory
"declaring that she would score big"
But tears fall from her eyes
As she got nothing but a big kick
Baby foetus knows that she
cannot fulfill daddy's dream
Baby foetus has no power
to fight or to scream....
Baby foetus knows that she should die soon.....
She smiles as light fall on her face from the moon...
Baby foetus suddenly remembers
A story she had read.....
Hansel,gretel&the; witch
that they met
Mommy,daddy of hansel,gretel
keeps them away....
But as gold pour in
They allow them to stay
Baby foetus knows that she couldn't
do any any valuable deeds
But baby foetus is a baby
is the greatest thing
In mind they have to keep......
As eight minutes passed
Baby foetus felt uneasy
so she fell on the floor
Being tired and lazy
But what baby foetus didn't forget
was valuable very much
Mom,dad and sis photo on her
chest that she had clutched...
5,4,3,2,1...........
Touch it: it won't shrink like an eyeball,
This egg-shaped bailiwick, clear as a tear.
Here's yesterday, last year ---
Palm-spear and lily distinct as flora in the vast
Windless threadwork of a tapestry.

Flick the glass with your fingernail:
It will ping like a Chinese chime in the slightest air stir
Though nobody in there looks up or bothers to answer.
The inhabitants are light as cork,
Every one of them permanently busy.

At their feet, the sea waves bow in single file.
Never trespassing in bad temper:
Stalling in midair,
Short-reined, pawing like paradeground horses.
Overhead, the clouds sit tasseled and fancy

As Victorian cushions. This family
Of valentine faces might please a collector:
They ring true, like good china.

Elsewhere the landscape is more frank.
The light falls without letup, blindingly.

A woman is dragging her shadow in a circle
About a bald hospital saucer.
It resembles the moon, or a sheet of blank paper
And appears to have suffered a sort of private blitzkrieg.
She lives quietly

With no attachments, like a foetus in a bottle,
The obsolete house, the sea, flattened to a picture
She has one too many dimensions to enter.
Grief and anger, exorcised,
Leave her alone now.

The future is a grey seagull
Tattling in its cat-voice of departure.
Age and terror, like nurses, attend her,
And a drowned man, complaining of the great cold,
Crawls up out of the sea.
Priyadarshini Jul 2020
shameless
They ruined my honour under their feet,
They hunted a girl passing through that street
Empty roads remind me the day I was all alone on that rainy day .
Walking through the wet road
I got the signature of "shameless" on my notebook.
When I found a foetus inside me
I was a hot topic in the society
I find myself all alone on the road full of people
There sharp eyes sees my body figure.
I wish I had died in the hospital.
Now I am dead writing this with a great regret
It was not a suicide
I was murdered by the society not once,not twice,not thrice, a little in every bite
I just found a way I could free myself
So, I killed the foetus
Now at least the so call society would say a girl choose to die because she was *****
I know this society would not drop a tear on the name of me but the one gave me birth must be searching for me!❤❤
The Triumph of Wit Over Suffering

Head alone shows you in the prodigious act
Of digesting what centuries alone digest:
The mammoth, lumbering statuary of sorrow,
Indissoluble enough to riddle the guts
Of a whale with holes and holes, and bleed him white
Into salt seas.  Hercules had a simple time,
Rinsing those stables:  a baby's tears would do it.
But who'd volunteer to gulp the Laocoon,
The Dying Gaul and those innumerable pietas
Festering on the dim walls of Europe's chapels,
Museums and sepulchers?  You.
                               You
Who borrowed feathers for your feet, not lead,
Not nails, and a mirror to keep the snaky head
In safe perspective, could outface the gorgon-grimace
Of human agony:  a look to numb
Limbs:  not a basilisk-blink, nor a double whammy,
But all the accumulated last grunts, groans,
Cries and heroic couplets concluding the million
Enacted tragedies on these blood-soaked boards,
And every private twinge a hissing asp
To petrify your eyes, and every village
Catastrophe a writhing length of cobra,
And the decline of empires the thick coil of a vast
Anacnoda.
          Imagine:  the world
****** to a foetus head, ravined, seamed
With suffering from conception upwards, and there
You have it in hand.  Grit in the eye or a sore
Thumb can make anyone wince, but the whole globe
Expressive of grief turns gods, like kings, to rocks.
Those rocks, cleft and worn, themselves then grow
Ponderous and extend despair on earth's
Dark face.
           So might rigor mortis come to stiffen
All creation, were it not for a bigger belly
Still than swallows joy.
                         You enter now,
Armed with feathers to tickle as well as fly,
And a fun-house mirror that turns the tragic muse
To the beheaded head of a sullen doll, one braid,
A bedraggled snake, hanging limp as the absurd mouth
Hangs in its lugubious pout.  Where are
The classic limbs of stubborn Antigone?
The red, royal robes of Phedre?  The tear-dazzled
Sorrows of Malfi's gentle duchess?
                                   Gone
In the deep convulsion gripping your face, muscles
And sinews bunched, victorious, as the cosmic
Laugh does away with the unstitching, plaguey wounds
Of an eternal sufferer.
                         To you
Perseus, the palm, and may you poise
And repoise until time stop, the celestial balance
Which weighs our madness with our sanity.
Poppy Perry May 2015
Today is Menstrual Hygiene Day
But I don't feel very clean
Because you can wash the outside
But even in 2015
Even in these realms of gender equality
And liberty on how to be sanitary
There's no solution for
internal Hygiene
And my blood that's not blood
This muddy flood more than ******
Is somehow still obscene

Today is Menstrual Hygiene Day
Today is a day I am 'on'
The switch is flicked
Blood engaged
And desirability gone
A secret leak, girls so meek
Whisper requests to friends
For dry bleached cotton to stuff and to mend
A recurring trend of defence and anxious bends
To stop the sprawling reddish brownish stain
Of the unexplained fertile woman shame

Today is Menstrual Hygiene Day
Girls in this world are dying and sick
This day promotes an unfortunate fix
Of our wealthy model that still prefers *****
That shows ***** on screens but never female produce
That allows 'I have a cold' but not 'I'm losing some ******'  
'feminine hygeine' aisles,
not 'period supplies' or 'Menstruals'
Disguised packets essential,
to store myself in,
Yet I've never glimpsed the contents of a sanitary bin,

It's Menstrual Hygeine Day
I hygienically ******* today
So I don't understand why this man
Will feel me on his chin and hands
But when the calendar strikes four
It doesn't do it anymore
I'm on and your off
I'm on and turning on stops  
Between my legs this mess
These dregs of last month make me less
Than my best or even a success
At being a woman despite my *******
And my fully functioning, leaking flesh
The appeal is repealed when you feel some real feels
And I continue to walk without showing pain  
To avoid any questions I cannot sustain

Today is Menstrual Hygiene Day
I take my pills for my mahogany strain
I didnt realise from my first stain
What was normal for bloodshed and symptoms and pain,
My packets talk in grams and the doctors in millilitres
My bedsheets spoke volumes and mattress screamed deeper
My knickers whispered ****** and my thighs of a foetus
Stressed and grievous
I don't live in Nepal, I'm lucky for my resources
And the understanding nature of modern social forces
You haven't  degradated or segrated this hateful female fate starting
But I'm far from delighted with the slight common sense parting
When I've seen these secret unfair truths
As normal until there's something compare to
Why do we teach shame and silence
For another simple act of natural violence?
Why will you handle dirt and dead meat,
But not a person alive and craving your heat
And I am sick of my flowers  and unclean until the even
Of my life and one quarter of my natural season

Today is Menstrual Hygiene Day
But I don't feel very clean
Because I've washed and washed the outside
But there's blood all down the seams
Ellen Joyce Jun 2013
My memory beats in rhythm with my heart.
Spilling out snapshot flashes of life like a flick book's muffled cries.
Controversial plastic shell, elastic strap, stick insect mattel covetted for months
until Santa dropped it down the chimney,
almost as fast as she sprogged and regained her figure
- the original scrummy yummy mummy set to spread low self esteem.

My daddy said anyone can crank out a kid like she did,
as my mother ground her teeth to protest on behalf of her traumatised frame.
Strange, I almost became one of the lost - before I grew cells and self,
another fragile foetus swinging on a noose
from gallows where once a ****** failed to stayed closed.
Little life curled tight self soothing sings al na tivke iredem bim'nucha

My memory beats in rhythm with my heart
as I lie beneath my shroud of sadness filled with down shrinking from the light of day
I want to tell you that I love you,
that my heart brays, beats, bleets, breaks, aches for you.
My soul, spirit, self thrice chorus al na tivke iredem bim'nucha
as waters flow from deep to deep
where danger dances and solace is sought
from beyond the fruitless orchards and willows weeping
branches reaching out for you.

My memory beats in rhythm with my heart
surrounded by madonna, ***** and all betwixt
spheres of life protruding, pronounced, announcing themselves;
in streets where bundles, terrors, cherubs, banting, brat and bairn alike
shriek, scream, squeal, shout, squalk, squabble, sing
in a cacophony that makes my heart weep and ache in longing
to sing to self in solitude al na tivke iredem bim'nucha.

My memory beats in rhythm with my heart
pulsating thoughts, dreams, hopes of you through the whole of me.
Brought to my knees I seek wisdom, guidence, strength to let you go.
The river is waiting for you, you who I hold tight in my caul
trying to trust, seeking strength to hakshev le'ivshat haga'lim
holding the thought of you,
the love of you,
the hope of you
tight in my arms crooning my lullaby of lament
al na tivke iredem bim'nucha
Translations
When I wrote this poem to express the letting go of the babies much loved but never to be I thought of a song actually from the Prince of Egypt, a song I first heard in Hebrew, so I looked it up.
al na tivke iredem bim'nucha
hush now be still love my baby dont cry
hakshev le'ivshat haga'lim
sleep while you're rocked by the stream
Donall Dempsey Oct 2015
AS GAEILGE
( In Irish )

Dún do shúile
(Close your eyes)                

Codail go lá...mo ghrá séimh.
(Sleep until day...my gentle love) .

Codail go sámh go sámh.
(Sleep peacefully...peacefully) .

Éirdeoidh an ghealach seo...
...is rachaidh an ghrian seo faoi

(This moon will rise...
...this sun will set)                

aire 'gus grá
i gconaí
(care and love always)                

gach oíche 's gach lá
gach lá 's gach oíche.
(every night every day
every day ever night) .

Mo phlúirín!
Mo stóirín!
Mo mhuirnín!
(My little flower!
My little treasure!
My little darling!)                

Ach anois...
(But now...)                

codail go sámh go séimh
(sleep peacefully...gently)                

go fáinne an lae
(until the break of day)                

le mise
ar do taobh.
(with me
by your side) .

Losing our baby
late into the night

holding this    little thing
that only attempted to be human

unable to let go

I clasped the foetus
tightly in my hand

& buried it in the dawn
of our local park

under a recently planted
red rose bush.

In my grief
flower & baby
became one

and night after night I climbed
over high railings & even higher stars

to talk to her in the dark      in Irish.

Or sing: My Love is like a Red Red Rose.

Or cry...or...cry.

Almost got arrested one night
by an Irish cop
drawn to the sound
of Irish emerging from darkness.

Guess he let me go because -  it wouldn’t look good
on a charge sheet:

“The defendant was talking
& crying to...a flower.”

- in Irish.

Eist...eist
(listen...listen)      

duinne eagin ag caoineadh
(someone is crying)      

in a dorchasan
(in his darkness) .

Fill...fill...a run o!

Fill a run o is  na imigh uaim.

Fill orm a chuisle a stor

agus chifeadh tu an gloire... ma fhillean tu!
This is a very important poem for me and not just any poem
due to the nature of what it deals it. It took me 10 years to get around to writing it and this is about the 4th version that struggles to be even able to grasp it. It is not the easiest of poems to recite but then...

I enclose the poem itself and the bit in the Times article that deals with me.

Most times people don't know what to do with it and are generally embarrassed by what it talks about or how I faced up to it.

For me it is like gathering my baby back from the dark and making her real again and giving her a place in this world.

It is a lament and lullaby at the one and the same time and also of course a statement of love.

People who have lost babies come up to me and it is a relief for them to be able to talk about children who have vanished from this world but not from their world.

THE TIMES - LONDON: SAT 31.04.07
Article on Performance orientated poetry:

'Donall is 51, with wild hair and an infectious laugh, working as a special needs teacher in Tottenham. He started performing to recover from severe paralysis that made talking painful and difficult.

He reads a poem that recalls the death of his unborn child.
'Early in my wife's pregnancy, in the middle of the night, we lost the baby, it happened at home and there was blood everywhere. My wife said: 'Don't flush my baby away! ” I didn't know what to do so I buried the foetus beneath a rose bush in our local park.
You just can't be prepared for something like that, holding something in your hand that you never thought you'd be holding. The poem was my solution to the impossible situation I was in.
There had to be somewhere where I could lay down the pain.
There are people out there grateful to have this grief articulated for them, for helping them to understand, or just be aware. It is healing for them and for me.'

The poem is beautifully lyrical, written in a blend of Irish and English.
mannley collins Sep 2014
Life in Duality and Non-Duality

Birth is the first gate.
Death is the second gate.
Between these two gates lies the path of life
travelled by all sentient beings.
All are born.
All will die.
Between death and rebirth lies the unameable state
where the next life is chosen, determined by the individual Isnesses
stockpile of accumulated Karmas,
Good and Bad.
All human beings,due to their accumulated Karmas,
both Good and Bad,
must pass through this unameable state
and be reborn into their next life.
All beings accumulated Karmas,Good and Bad,
are assessed in that state and that assessment determines the next life they are  reborn into.
There are NO exceptions to this process ever.
Karmas,Good and Bad,are accumulated in each life.
Karmas ,Good and Bad,are the result of the morality
of each individuals actions.
Karma is of three types.
Good Karma which ties each individual
to the Wheel of Incarnated life,death and rebirth.
Bad Karma which ties each individual
to the Wheel of Incarnated life,death and rebirth.
Neutral Karma is the only way that each individual
to can free themselves from
the Wheel of Incarnated life,death and rebirth.
Both Good and Bad Karmas tie each and every human being
to the endless cycle of birth,life,death and rebirth as a human being.
Only Neutral Karma can free each individual from
the endless cycle of birth,life ,death and rebirth as a human being.
Neutral Karma is only realisable through the practise
of the Six Fundamental Yogas.
Neutral Karma is the only way to erase both Good and Bad Karmas.
The practise of the Six Fundamental Yogas increases the BrainBloodVolume to the level of that of  Foetus in the Womb,which causes the Mind and Conditioned Identity
to dissolve,temporarily or permanently.
Those individuals,female and male equally,
whose practises of the Six Fundamental Yogas cause
the Mind and Conditioned Identity to dissolve temporarily or permanently will enter into union with the Isness of the Universe
as an equal,temporarily or permanently.
Those individual human beings who  pass their lives accumulating Good and Bad Karmas are unable to escape from the endless cycle of birth,life,death and rebirth.
For the overwhelming majority of human beings who refuse to generate Neutral Karma,by practising the Six Fundamental Yogas,life can only be lived, in the state of
Mind created Duality and  Non-Duality.
They are unable to enter into the state of union with the Isness of the Universe as an equal.
The permanent feature of such a life lived in either Duality or Non-Duality is the ceaseless deep suffering of being separated from the Isness of the Universe as an equal.
For those very few human beings who,through the practise of the Six Fundamental Yogas,have dissolved Mind and Conditioned Identity,permanently,life is lived in union with
the Isness of the Universe as an equal.
Life is lived in the state of Experiential Knowingness
which is called Separate and Merged.
They live out their last lives in this realm in union with Isness of the Universe as an equal.

www.thefournobletruthsrevised.co.uk

.
+27736613276 The Abortion Pill: Medical Abortion with Mifepristone and Misoprostol What is the Medical Abortion?

Medical abortion is a procedure that uses various medications to end a pregnancy. A medical abortion is started either in a doctors office or at home with visits to your health care provider.

Medical abortion doesn't require anaesthesia or surgery, but it should be done early in pregnancy. Unlike a surgical procedure, a medical abortion usually is done without entering the ******.

During the procedure Medical abortion can be done using the following medications:

Oral mifepristone and oral misoprostol. This is the most common type of medical abortion, likely due to the ease of oral rather than vaginal dosing. These medications must be taken within seven weeks of the first day of your last period. Mifepristone (mif-uh-PRIS-tone) — also known as RU-486 — blocks the action of the hormone progesterone, causing the lining of the ****** to thin and preventing the embryo from staying implanted and growing.

Misoprostol (my-so-PROS-tol) causes the ****** to contract and expel the embryo through the ******. If you choose this type of medical abortion, you must visit your health care provider twice to take the medications and then afterward to make sure the abortion is complete.

Methotrexate injection and vaginal misoprostol. This type of medical abortion must be done within seven weeks of the first day of your last period. Methotrexate is given as a shot by your health care provider and the misoprostol is later used at home. You must visit your health care provider within a week of getting a methotrexate shot for an ultrasound to confirm if the abortion is complete. If the pregnancy continues, another dose of misoprostol will be given.

Vaginal misoprostol alone. This method may be used over a broader range of gestational ages, but requires scheduling multiple doses of the medication. Vaginal misoprostol alone can be effective in promoting the completion of a miscarriage — a spontaneous abortion where the embryo has died.

The medications used in a medical abortion cause vaginal bleeding and abdominal cramping. They may also cause: Nausea, Vomiting, Fever, Chills, Diarrhea, Headache.

You may be given medications to manage pain during and after the medical abortion. You may also be given antibiotics. Your health care provider will explain how much pain and bleeding to expect, depending on the number of weeks of your pregnancy. You might not be able to go about your normal daily routine during this time, but it's unlikely you'll need bed rest. Make sure you have plenty of absorbent sanitary pads.

If you have a medical abortion in a health care provider's office or clinic, you'll have a pelvic exam before you're given additional doses of misoprostol to see if the foetus has been expelled. The frequency and strength of your uterine contractions also will be monitored. While the most discomfort may last one to two hours, spotting before and bleeding after could last two weeks.

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Paul Butters Mar 2011
I see a pattern Everywhere:
Circles and globes (three dimensional circles);
Shiny rings of fire.
Countless manifestations of this same shape.

Star-spangled galaxies wheeling through the sky:
That half-globe dome.
Earth, in circular orbit (more or less) around the Sun,
Escorted by the Moon.

Days give way to seasons,
Repeating every year.
Groundhog Days becoming
Groundhog Creations
Perhaps.

The list seems endless:
Hopkins’ dapples,
Planets, craters, cyclones, anti-cyclones, sea currents,
*****, apples, oranges, nuts, potatoes,
Teardrops, heads, faces, eyes, mouths,
Holes!

Coins, bin lids, and plates;
Sunflowers, daisies, pansies,
Rings of mushrooms,
Circling birds of prey,
A cat curled in a circle,
Like a foetus.

Life as we know it
Is a circle
And a cycle too.
Birth, Death, Blossom, Wilt.
Reincarnation?
Renewal?
Clock-faced Time itself.

Eternity might be a circle,
Infinity the same.
Maybe even God,
Some way.

Perhaps we still are building God,
For Him or Her to travel back through time
Like Doctor Who
To Create The Big Bang,
And form this expanding Universe,
Thus taking us full circle.

Or maybe the Universe will fold back in upon itself,
Producing yet one more Big Bang,
In an endless cycle,
Of Big Bangs,
Amongst this ever circling
Multiverse.

Paul Butters

© PB, 14th February, 2011 at 14.00, in Humberside.
© PB, 14th February, 2011 at 14.00, in Humberside.
As if he had been poured
in tar, he lies
on a pillow of turf
and seems to weep

the black river of himself.
The grain of his wrists
is like bog oak,
the ball of his heel

like a basalt egg.
His instep has shrunk
cold as a swan’s foot
or a wet swamp root.

His hips are the ridge
and purse of a mussel,
his spine an eel arrested
under a glisten of mud.

The head lifts,
the chin is a visor
raised above the vent
of his slashed throat

that has tanned and toughened.
The cured wound
opens inwards to a dark
elderberry place.

Who will say ‘corpse’
to his vivid cast?
Who will say ‘body’
to his opaque repose?

And his rusted hair,
a mat unlikely
as a foetus’s.
I first saw his twisted face

in a photograph,
a head and shoulder
out of the peat,
bruised like a forceps baby,

but now he lies
perfected in my memory,
down to the red horn
of his nails,

hung in the scales
with beauty and atrocity:
with the Dying Gaul
too strictly compassed

on his shield,
with the actual weight
of each hooded victim,
slashed and dumped.
When Mr. Apollinax visited the United States
His laughter tinkled among the teacups.
I thought of Fragilion, that shy figure among the birch-trees,
And of Priapus in the shrubbery
Gaping at the lady in the swing.
In the palace of Mrs. Phlaccus, at Professor Channing-Cheetah’s
He laughed like an irresponsible foetus.
His laughter was submarine and profound
Like the old man of the sea’s
Hidden under coral islands
Where worried bodies of drowned men drift down in the green silence,
Dropping from fingers of surf.
I looked for the head of Mr. Apollinax rolling under a chair

Or grinning over a screen
With seaweed in its hair.
I heard the beat of centaur’s hoofs over the hard turf
As his dry and passionate talk devoured the afternoon.
“He is a charming man”—”But after all what did he mean?”—
“His pointed ears…. He must be unbalanced,”—
“There was something he said that I might have challenged.”
Of dowager Mrs. Phlaccus, and Professor and Mrs. Cheetah
I remember a slice of lemon, and a bitten macaroon.
Sia Jane Jan 2014
I am a thousand different things
I'm people, objects, nature, animal
I'm woman, man, girl, boy, child
toddler, baby, foetus

I'm all you could dream of (not) wanting
I'm all you wish you were (not)
I'm (your) anger, sadness, fear, regret
I'm (your) happiness, joy, hope, love

When I write, I'm a character
fiction, autobiographical, biographical
I'm lived, burned, broken, insane
I'm madness, virginal, loose, free
closeted, bi-curious, let's wait it out and see

I'm intrigue, a passer by,
I'm the observer, the observed,
voyeurism, peeping tom, negative film
Moss, McQueen, Klein

I'm art, symbolism, post-modernism,
I'm poetry; written and spoken
I'm the woman you read of; her
I'm the girl who made you cry
I'm full to the brim of (your) inspiration

I open doors to the past, then slam the door
in your bright doe eyes
I close doors to my future, and sneak back
through cracks in the floor,
just to get back

I laugh in your face, and burn holes
in skin at your absence
I kick dirt in my eye, then cry wolf
blinded,
I'm the severest of contradictions,
I say yes at no, no to yes,
I decide on impulse, and cry on cue

Beauty, romance, love, lust
poetry,
all the questions I am made of
I answer in the written word
mute,

You only know me,
(if of course you dare)
by reading my rhymes,
(non judgmental stance)
and loving me regardless,
(don't expect perfection)

If you're going down
the same road
start today,
face your demons,
be the contradiction.

© Sia Jane

--

"So unimpressed but so in awe
Such a saint but such a *****
So self aware so full of ****
So indecisive so adamant

So rock and roll, so corporate suit
So **** ugly, so **** cute
So well-trained, so animal
So need your love, so ******* all"


Robbie Williams - *Come Undone
René Mutumé Jan 2014
Why’d you get locked up then lad?
Oh. I’m locked up?
I know you. You won’t escape lad
Escape from where?

(Jackie Wilson at her majesties pleasure 1884, West Denton, Newcastle)

The sweat rolled off Dominic’s nose.

Its ‘movement’

movement

movement

Uniting.

Meditation takes a person out
from themselves
so far out, without any need
for any additional charge, toll, or need, that when you come back,
even if it’s within
the same body,
you feel

and the glow comes back
on-coming traffic smiles, dead less grace
the worst, and 7am

chess
without a game.
a drool.
an intricacy within
mirage.
hope in the sorry soft gas explosions
and death was heavy enough to fly and give
But not in the normal way
one second, and even joy spills
and the cabbies have begun to scream and break down at each other
even though it’s not a full moon
too many people squashed on a tight balcony
drinking us all away
too many hands
not dancing
it all away


Slugs emigrate across concrete when the soil is wet.
When you wonder why they’ve left.
Its pouring
and you think you recognise a name scrawled in the wet trail.

Single, intimate, observations.

And reasons for the evening to be near.
It will be worth it! – I’LL SEE YOU! –
And now we are allowed to be glorious without price.
And now it’s sad as hell.
And the trees know that.
But the squirrels never do.
And now those words don’t matter.
And now we are allowed.
And now we go.

And the laminate floor
has the weight of a cross.
And the thing is,
you know

(It’s all softly bombed)
Not in a horrific
or knowable
way.

But in God’s good loving
loving
loving
******* for ya.

We’re finally rubbed out.

Crucifying.
And uncrucifying.

Eyes are useless here.

Blackness first.
THEN that soft
‘soft’

dripping.

easy blackness.

Meditating, sat middle
the pentagram of a small flat.
blue white board marker, on ‘easy wipe’ wood flooring.

And if I wake, I can wipe all the lines out.

SO, it went the same.
blue colour of cityscape coming-black light flashing always
across the distance from balcony
a beautiful stillness.
Waves first. Sea. The complete sea. Swimming.
ego. Ego swimming. Ego going down. Hello! And ha!
And no more jokes.
And isolation.
And no more months.
But there were gushes.
Gushes of experiences in, and outside, with individual breathes
and the proximity of love, coming closer
like a germinating hand
guiding you down
into the oceans private concert

Not too close to the expensive parts, or the bad parts,
or anywhere too pristine.
Christ, that’d be
a joke. It’d be funny
and then the surgeon would come and operate
on you;
lifting you out whilst you’re asleep

And it would go like this:

Cancer: Hey! What’s going on?!
Get off! I’ve paid my
rent and don’t wet the bed
anymore,

Surgeon: Don’t care.
Come here...
Oh for **** sake you’re making my day long.
I don’t get paid
for this.
Cancer: Oh yes you do handsome.
Surgeon: Oh yeah!

rest on the long side of your bed.
‘What’d you do at the weekend?’
Where’d you go?

...

banter broke down into spider web
substance
before fading completely, as thoughts begin
to disappear and fly down
into heavier states
from outside you saw a man still dressed
in formal office attire
tie hanging undone around a white shirt, shoes kicked off
beside strange markings on a polished floor. From in,
the understandings
are quite different
fly gently, like a loved one retiring from life
as the single light bulb watches from your ceiling
tensing one last second time in hesitation
then blowing you out with a blink.  

looked into the well where life is buried
and reached down
arms lengthened like dusty pieces of ham down a hole
touching the foetus as it crawls back up,
and up through the highway lines of his veins,
like a rabbit hunts wolves,
like the peach reacts to your bite.

We smoked and ate apple pie as the autumn tattooed
We snapped small pieces off
then ate the mites.

And then when the well filled we made our arms lassoes;
that churned the grain,
turning the quietness into storm,
and back to parts of spring.

You hesitate, touching the ape
like a clown who’s just tossed his life into the air, and juggles it,
like dead poems and hot boiling yeast.
you looked further into the well and found the figments of the ‘Narwhal’
the sea creature with a prominent horn
that shoots from its head-

Early sea farers
used to think the horned mammal was a type of
magical being
it birthed the idea of unicorns
you let the water well mix and join
as we drink coffee today, and the night is less silent
than that of star of apples and gloom
each tarantula that scatters in the red stars of sand is welcome;
and the honey man and honey woman flicker,
through numberless bank checks and bills as knocks arrive
knock after knock after knock
into long vibrational hum

All that remains
is the bursting punch
near the bottom
of oceanic well

As it tightens your grip into the follicle hibernating bears
that speak eloquent words whilst we eat;
the deep groan of munching hands
in the well helps our arms
pull up the glowing carcass as it turns back
into us within our hands, it speaks easily and slow, telling each
servant surrounding
the hole that they should:

‘Dance casually, dance inside my red eyes’.

Some take advantage of melody, as a trust that funds satellites of globe,
as if no one ever dreamed or broke the yoke of more pleasurable things;
one of your arms
is like the way that a crab crawls past over my nose and into our future home

another asks that you aren’t so violent in February
and that the month is a counting mouth that multiplies zero
beside the arms reaching for a pyramidic beauty
under the ***** shell; aborting its children like blood in the snow,
without humanistic style, more in tune with time
than the army of water lifting your throat up,
spits- that poke at us with antlers, undeterred, no legged, mating in the sand

After a while, otherness takes over, and will comes.
And emotion is long shattered,
easing out,
playing skin game and dissipating need, where all will and human comes back
it takes a while.

And our gender has nothing to do with just lust
We are the almost completely blind, as the cliché remembers
Gender is
the lack of gender and the freedom of paradigm
whilst hands are upon love,
And more night(s) turn within us.
dream like bright black stars.

Weekends. Week. Work. Corporations dancing like butterflies on fire. Gone.
Gone
Gone
Gorgeous

nothingness
apart from its face and voice
speaking

“Heyy, how’s it going?”
Projection
No
“Yes... Lover,
Yes yes yes!”
“No.”
skull now linked to the lips of a home
“Correct, correct, correct...” The intangible
darkness, over and over

a rushing
and uncontrollable
heaviness of fire.

foxes in back alleys salute
the black sky with a mongrel scream
and all the animals of the world are linked for a split minutiae,
recognising and respecting the breach;

“You’re hurting... mmmmuh-” Dominic tried to say
in the onslaught.

Converging planes that came from the lips of the spirit crowning his mind.

“You’re not Juuu, Juh Juah Juh.”

He tried to say for the next few hours, as the sun spread down
on the city
and felt a deep
empathy for another one
of its children
attempting to free
itself.

“No.”

how right you are...” The spirit said
as Dominic’s head slumped from exertion.

“You see...” The spirit said seeping into his bones
and killing him;
paramedics zip
the bag
over his face.

“You see...” The voice says again
knocking the lights off
and flinging you
by your throat

Each one letting you
go

landscape sick in multiple elements of confused colour,
parts of buildings, art: growing up in the horizon, new structures
made by thoughts, old flowers inside limbs,
smoking.

“What...” The spirit
said.

sigh at the strange place,
without looking around.
blossoms of mind and traffic
circulated
characters
on a schizophrenic island

two flies ****** invisibly
and grow from the unseen smallness of their passion
and become an instant world
in the Red Mountains.

“What’s up?” Dominic say gloomily,
laugh a little.

“You’re meant to be screaming...
And yes...
Yet another ******* month
without hitting
target.” The nightmare says,

No incorporeal speech
no anger
anymore.

She might have been about twenty five,
dressed in a shade of grey
change
that covered her genitalia
and ******* from ankle up to neck

get used to it all.
raise your chin to the sky and try to blink away from the constant lick
of the beast growing
from yourself, or lover, or day

And grow the chimera
throughout numberless
stages
like a beautiful clay
that cant decide

Finally the meer-hawk looked like a Dickensian peasant
with an intricate smile, dressed all in jail rags
stinking of sweat, *****, and time.
And then we change
again

And her black hair scooped down
into the blackening sand
where the grains accepted her slim weight
through out itself

She was tired and fed up of the back-world today
She left her contract looking around upstairs
and accepted the hit
on her targets

A transference of types in the quaking room.
A quick drop of laughter flys
into the lil bear or a lot; and a snap and a lot of hunger
for us all...

The master of the basement was mostly machine.

The front of his face that we run towards
is a centred and hovering engine
at the far end of the shadow
room
and the stench
from its thought.

a farce and enough
to turn you away
from a really good
steak.

no walls

no matter

a car mouth approaches naked.

dead cats know this, as they lay purring still, licking their paws still,
misery knows,forgetting, and the coldness of the street gave birth

to numberless seedy neon lights
flickering away from the wall less walls
once more

and you know, we
all
have a prayer
that comes
out
here was
mine:

might as well let you know
whilst we’re at it
that this one comes
out, in some accent~~
but is how it’s meant to go

“...as if to prae
inside the rain
as if to move
the moon with small hands
ah cross the yard
and lucky sky

I live in that playce me lass
with ya quiet weiyht
upon me own
of ya li’l voice
that taeks it away

Ya-renuf ta bring
al me Gods back
an pin ‘em te tha walls

Enough ta mayke
al’ me angels breathe
heavy
for even an ounce
of ya grace

Ave begged at tha hands
of jesus Christ
for that tayste
of yeh
me sweet bonny lass
an ya the only lass
‘ahve evva met
that mayde us feel
like ah cuhd heal
without bein less

An I’m lookin at ya now
with al me luv
an ah divent need
ney where to ruhn
as am ah freed dog

and in ya charms

An ‘av ney-where left to luk
but I’ll kip alreet the neet pet
cos ya by me side

an in me arms.”

But now it is rather late my friend, and
we all know how long old accents last,
mine, I cherish, I will say it when cursing
and gone
when lit among friends and when
impressing
new jobs, that I shall leave, such is
my
way
and
i may
see you
again.
Alexander K Opicho
(Eldoret, Kenya; aopicho@yahoo.com)


My name is Joseph
Am a Jewish bachelor
Or call me a male spinster
Am a poor penniless carpenter
Am pushing forth and back my plane
And waving my old claw hammer
Hitting the nail on the head
And chopping of its ears by my adze
In the entirety of Israel and Hebrew world
My beautiful Hebrew fiancée is Mary
No she is already my wife , Mary wife of my youth
She is pregnant minus my nuptiality
Minus my conjugal enfranchisement
And the man who fertilized her
Was witnessed and flunkeyed by Gabriel
The airy voice in the amorphous whirlwind
Without form and shape but erotically crazy
How sad; I am a victim of the spiritual powers that be
My jealousy of humanity will be condemned blasphemous
Kindly come and feel with me, please feel for me
How do you see? For someone else
To have *** and *** with your newlywed wife
Or your beautiful *****
Or your lovable concubineous fiancée
Until he makes her pregnant with male foetus
Then he commands you to marry her
Because you are only a humble wood work
He commands you to accept fornication
As immaculate *** that yield holy pregnancy
Holy conception but nothing bad or foul,
What if that male foetus comes out a son
Who resembles foreigners from beyond the mountain?
But not me, his head having shape of a hook
I am annoyed with this heaven chauvinist religion
This horrible anti-human relationship
From which I will be degraded and come out ignobled
And the one who impregnated my wife
Will be exulted and ennobled to the throne of glory
His son and himself they will be made an exalted religion
But I will die desperate as a carpentering lout
A worthless Jewish oat, reeking a foul stench
O Death! Come take me away from this humiliated life
I don’t want to see this Jewish Mary with her bulging belly
Her beauty and sexuality has made me a village pumpkin
She is in no way a ******
in Your blessed heart
I slumber
a lotus seed
curled up tendrils
drowsy little foetus
nurtured and coaxed
to open and expand my
budding petals


On the lake of
black mirrors
I emerge so shy
at first
watch over me
Lord
guide me to let
only light and love
in
one day I pray to be
a garland at Your
Lotus Feet
Zainab Attari Apr 2014
A foetus home, like a cocoon,
For nine months is in a womb.
And soon it travels in the outer world,
A cranky and tender little baby girl!

‘The child gave birth to a mother!’
Uttered a nurse besides the doctor!
Hearing her baby’s cry,
The mother falls at ease and sighs!

She cuddles her child gently,
And the child falls asleep gradually.
Being overwhelmed she begins to weep,
As she watches her little angel sleep!

She is astound by natures grace,
How her flesh and blood she can embrace!
She praises the Lord for this miraculous day!
She thanks the almighty in each way.

-Zainab Attari
Leah Perry May 2016
I look down at my feet,
toes adorned with chipped nail varnish,
a pitiful plaster clinging to the sole,
and I grimace at the
purple marks, reddening blisters,
cicatrices of stories long forgotten.
The ***** of my feet are thin and worn,
my heels rubbed raw from
shoes I have loved and shoes I have detested,
faded scars from childhood accidents.
I have aged hating my feet,
the discoloured skin, dotted with odious callouses,
my throbbing, wrinkled soles.

They have grown with me,
from tiny clumps unrecognisable as a foetus,
to wide, long size 7s.
My toes are misshapen, twisting this way and that,
freckled with sun kisses from foreign countries.
They’ve been battered and bruised
repeatedly,
victims of my hurtling abuse and mortal neglect.
I have punished them
with verruca socks and freezing ointments,
pin ******, small shoes, razor blades, nail clippers and
not once
have I nurtured them, soaked them with praise.

These feet have walked me up mountains,
aided me in athletic championships,
withstood six inch heels on weekends,
ran me through marathons,
enduring my never-ending physical torment and though
they may buckle,
with weeping blisters and aching pains,
dry skin, broken bones and sprained ankles,
they will recover,
rebuilding the scabrous skin.
Regardless of how unstable my life may become in later years,
whether I am stranded on a deserted island,
or walking the ***** streets of the city, no room to call my own,
my feet will always,
undoubtedly, lead me to safety.
And when I am old
and withered, an exhausted heap of human life,
with my last dying breath,
I will thank my durable, reliable feet.
RA Jan 2014
I'm sitting on the edge
of my bed, trembling and
     flash [I'm huddled in the
                kitchen corner, she's
                advancing on me, blocking
                every way of escape]
wishing I could be ok again, wishing
I wasn't damaged beyond
     flash [I'm on the
                stairs, crouched over so
                she can't reach my
                stomach because I'm already
                crying hard enough to almost
                be throwing up, gagging
                around screams]
any kind of repair that I
can foresee, praying that
     flash [I'm curled on my bed like
                a foetus, I ran away until
                there was no further
                to run and still
                she followed me. Hit
                my back, it hurts
                the least there]
the terror will pass, and I
won't have to remember
     flash [I'm thinking desperately
                around the thumps of
                knuckles on flesh and the screams
                I can't contain that next time I
                will hit back I won't
                be frozen in place, wishing
                bitterly I wasn't shamelessly
                lying to myself]
this.*
     *flash
[I can't breathe.]
December 14, 2014
   panic attack.
Three months old in my mother’s womb
Whispers I heard outside,
A man persuading mum
To destroy me
Because he doubted I was his.
I heard mum cried,
And felt her tears
Falling to her bulging belly,
My bed room,
A thunderous sound
That struck my universe
Almost tearing it apart.


The man talking to another man,
A professional killer of my kind,
I heard about the price of my life,
To destroy me
Worth only ‘$300’.
Mum’s heart beat faster,
Bringing blood like a mighty rushing wave
To my weak, gentle nerves and veins
Almost rapturing them apart.

Mum whispered
I heard while she cried,
“You are a gift and blessing to me,
My child, my beloved one.”
I will keep you,” She promised.
I tried to comfort mum but couldn't.
I conjured up ominous images
Of my shattered body,
My flesh, blood and bone;
It was too painful to bear.
So I stamped my feet
On my bed,
Her stomach bulged,
And I felt mum embraced me,
With her gentle hands.

From the smallest corner of her heart
Next to her bulging belly,
My bed room,
I heard mama interceded with God
For the forgiveness of the sins
And comfort of thousand women
Who aborted their pregnancies
Due to ****, pregnant while breast feeding,
Incestuous affairs, teenage pregnancies
Or on medical conditions
For the physical and emotional pains
They endured and guilt that may have lingered still.

In her bulging stomach,
My bed room, my home,
I waited for my eviction,
Every day.
Then one day, after a long wait,
It rained cats and dogs
With muds of blood
In my bedroom.
I tried to cling to the roof of my bed room,
But was swept away by the natural disaster
Through the channel of life
Into my mother's gentle arms.
If Foetus were able to have senses, they would have memories of their development and the day of birth.
Martina Oct 2020
Today I had an abortion.
I held the foetus in my hands, still hot, covered in blood, so tiny, yet so recognisable in its incomplete finishedness.
I was at a loss, it hit me slowly at first, then all at once, I started to cry.

It wasn't unexpected, I've been having this weird feeling lately, as if I knew that I wasn't going to see it live.
I felt like that from the start, to be honest, my stupid paranoid head couldn't avoid the thought, but why worry? Everything was going fine.

I don't know what caused it, if you ripped it out, if my body rejected it, or if it just wasn't the right time; maybe all these things together, in the end it takes two.

And so there I was, looking at this unborn being, staring back at me with your eyes, finally ending the dying life we put on it from the first moment.
The organs and the limbs all at the right place: I could see what they could have been, if they hadn't been so weak. It looked like that undeveloped Polaroid I took of you that still lies at the bottom of the drawer: I know what it is, but no one else can see it.

I didn't know what to do. I didn't want to let it go, I couldn't throw the remains away, not yet.
I put them in a shoebox, under my bed. I'll have a beer, sleep on it, tomorrow I'll see.
I have to get used to the emptiness first, I have to untangle myself from around your fingers, get some paracetamol for this ******* headache.
We are a people living in shells and moving
Crablike; reticent, awkward, deeply suspicious;
Watching the world from a corner of half-closed eyelids,
Afraid lest someone show that he hates or loves us,
Afraid lest someone weep in the railway train.

We are coiled and clenched like a foetus clad in armour.
We hold our hearts for fear they fly like eagles.
We grasp our tongues for fear they cry like trumpets.
We listen to our own footsteps. We look both ways
Before we cross the silent empty road.

We are a people easily made uneasy,
Especially wary of praise, of passion, of scarlet
Cloaks, of gesturing hands, of the smiling stranger
In the alien hat who talks to all or the other
In the unfamiliar coat who talks to none.

We are afraid of too-cold thought or too-hot
Blood, of the opening of long-shut shafts or cupboards,
Of light in caves, of X-rays, probes, unclothing
Of emotion, intolerable revelation
Of lust in the light, of love in the palm of the hand.

We are afraid of, one day on a sunny morning,
Meeting ourselves or another without the usual
Outer sheath, the comfortable conversation,
And saying all, all, all we did not mean to,
All, all, all we did not know we meant.

— The End —