Like a psychotic docent in the wilderness,
I will not speak in perfect Ciceronian cadences.
I draw my voice from a much deeper cistern,
Preferring the jittery synaptic archive,
So sublimely unfiltered, random and profane.
And though I am sequestered now,
Confined within the walls of a gated, golf-coursed,
Over-55 lunatic asylum (for Active Seniors I am told),
I remain oddly puerile,
Remarkably refreshed and unfettered.  
My institutionalization self-imposed,
Purposed for my own serenity, and also the safety of others.
Yet I abide, surprisingly emancipated and frisky.
I may not have found the peace I seek,
But the quiet has mercifully come at last.

The nexus of inner and outer space is context for my story.
I was born either in Brooklyn, New York or Shungopavi, Arizona,
More of intervention divine than census data.
Shungopavi: a designated place for tribal statistical purposes.
Shungopavi: an ovine abbatoir and shaman’s cloister.
The Hopi: my mother’s people, a state of mind and grace,
Deftly landlocked, so cunningly circumscribed,
By both interior and outer Navajo boundaries.
The Navajo: a coyote trickster people; a nation of sheep thieves,
Hornswoggled and landlocked themselves,
Subsumed within three of the so-called Four Corners:
A 3/4ths compromise and covenant,
Pickled in firewater, swaddled in fine print,
A veritable swindle concocted back when the USA
Had Manifest Destiny & mayhem on its mind.

The United States: once a pubescent synthesis of blood and thunder,
A bold caboodle of trooper spit and polish, unwashed brawlers, Scouts and      
Pathfinders, mountain men, numb-nut ne'er-do-wells,
Buffalo Bills & big-balled individualists, infected, insane with greed.
According to the Gospel of His Holiness Saint Zinn,
A People’s’ History of the United States: essentially state-sponsored terrorism,
A LAND RUSH grabocracy, orchestrated, blessed and anointed,
By a succession of Potomac sharks, Great White Fascist Fathers,
Far-Away-on-the Bay, the Bay we call The Chesapeake.
All demented national patriarchs craving lebensraum for God and country.
The USA: a 50-state Leviathan today, a nation jury-rigged,
Out of railroad ties, steel rails and baling wire,
Forged by a litany of lies, rapaciousness and ******,
And jaw-torn chunks of terra firma,
Bites both large and small out of our well-****** Native American ***.

Or culo, as in va’a fare in culo (literally "go do it in the ***")
Which Italian Americans pronounce as fongool.
The language center of my brain,
My sub-cortical Broca’s region,
So fraught with such semantic misfires,
And autonomic linguistic seizures,
Compel acknowledgement of a father’s contribution,
To both the gene pool and the genocide.
Columbus Day:  a conspicuously absent holiday out here in Indian Country.
No festivals or Fifth Avenue parades.
No excuse for ethnic hoopla. No guinea feast. No cannoli. No tarantella.
No excuse to not get drunk and not **** your sister-in-law.
Emphatically a day for prayer and contemplation,
A day of infamy like Pearl Harbor and 9/11,
October 12, 1492: not a discovery; an invasion.

Growing up in Brooklyn, things were always different for me,
Different in some sort of redskin/****/****--
Choose Your Favorite Ethnic Slur-sort of way.
The American Way: dehumanization for fun and profit.
Melting *** anonymity and denial of complicity with evil.
But this is no time to bring up America’s sordid past,
Or, a personal pet peeve: Indian Sovereignty.
For Uncle Sam and his minions, an ever-widening, conveniently flexible concept,
Not a commandment or law,
Not really a treaty or a compact,
Or even a business deal.  Let’s get real:
It was not even much in the way of a guideline.
Just some kind of an advisory, a bulletin or newsletter,
Could it merely have been a free-floating suggestion?
Yes, that’s it exactly: a suggestion.

Over and under halcyon American skies,
Over and around those majestic purple mountain peaks,
Those trapped in poetic amber waves of wheat and oats,
Corn and barley, wheat shredded and puffed,
Corn flaked and milled, Wheat Chex and Wheaties, oats that are little Os;
Kix and Trix, Fiber One, and Kashi-Go-Lean, Lucky Charms and matso *****,
Kreplach and kishka,
Polenta and risotto.
Our cantaloupe and squash patch,
Our fruited prairie plain, our delicate ecological Eden,
In balance and harmony with nature, as Chief Joseph of the Nez Perce instructs:
“These white devils are not going to,
Stop ****** and killing, cheating and eating us,
Until they have the whole ******* enchilada.
I’m talking about ‘from sea to shining sea.’”

“I fight no more forever,” Babaloo.
So I must steer this clunky keelboat of discovery,
Back to the main channel of my sad and starry demented river.
My warpath is personal but not historical.
It is my brain’s own convoluted cognitive process I cannot saavy.
Whatever biochemical or—as I suspect more each day—
Whatever bio-mechanical protocols govern my identity,
My weltanschauung: my world-view, as sprechen by proto-Nazis;
Putz philosophers of the 17th, 18th & 19th century.
The German intelligentsia: what a cavalcade of maniacal *******!
Why is this Jew unsurprised these Zarathustra-fueled Übermenschen . . .
Be it the Kaiser--Caesar in Deutsch--Bismarck, ******, or,
Even that Euro-*****,  Angela Merkel . . . Why am I not surprised these Huns,
Get global grab-*** on the sauerbraten cabeza every few generations?
To be, or not to be the ***** bullgoose loony: GOTT.

Biomechanical protocols govern my identity and are implanted while I sleep.
My brain--my weak and weary CPU--is replenished, my discs defragmented.
A suite of magnetic and optical white rooms, cleansed free of contaminants,
Gun mounts & lifeboat stations manned and ready,
Standing at attention and saluting British snap-style,
Snap-to and heel click, ramrod straight and cheerful: “Ready for duty, Sir.”
My mind is ravenous, lusting for something, anything to process.
Any memory or image, lyric or construct,
Be they short-term dailies or deeply imprinted.
Fixations archived one and all in deep storage time and space.
Memories, some subconscious, most vaporous;
Others--the scary ones—eidetic: frighteningly detailed and extraordinarily vivid.
Precise cognitive transcripts; recollected so richly rife and fresh.
Visual, auditory, tactile, gustatory, and olfactory reloads:
Queued up and increasingly re-experienced.

The bio-data of six decades: it’s all there.
People, countless, places and things cataloged.
Every event, joy and trauma enveloped from within or,
Accessed externally from biomechanical storage devices.
The random access memory of a lifetime,
Read and recollected from cerebral repositories and vaults,
All the while the entire greedy process overseen,
Over-driven by that all-subservient British bat-man,
Rummaging through the data in batches small and large,
Internal and external drives working in seamless syncopation,
Self-referential, at times paradoxical or infinitely looped.
“Cogito ergo sum."
Descartes stripped it down to the basics but there’s more to the story:
Thinking about thinking.
A curse and minefield for the cerebral:  metacognition.

No, it is not the fact that thought exists,
Or even the thoughts themselves.
But the information technology of thought that baffles me,
As adaptive and profound as any evolution posited by Darwin,
Beyond the wetware in my skull, an entirely new operating system.
My mental and cultural landscape are becoming one.
Machines are connecting the two.
It’s what I am and what I am becoming.
Once more for emphasis:
It is the information technology of who I am.
It is the operating system of my mental and cultural landscape.
It is the machinery connecting the two.
This is the central point of this narrative:
Metacognition--your superego’s yenta Cassandra,
Screaming, screaming in your psychic ear, your good ear:

“LISTEN:  The machines are taking over, taking you over.
Your identity and train of thought are repeatedly hijacked,
Switched off the main line onto spurs and tangents,
Only marginally connected or not at all.
(Incoming TEXT from my editor: “Lighten Up, Giuseppi!”)
Reminding me again that most in my audience,
Rarely get past the comic page. All righty then: think Calvin & Hobbes.
John Calvin, a precocious and adventurous six-year old boy,
Subject to flights of 16th Century French theological fancy.
Thomas Hobbes, a sardonic anthropomorphic tiger from 17th Century England,
Mumbling about life being “solitary, poor, nasty, brutish and short.”
Taken together--their antics and shenanigans--their relationship to each other,
Remind us of our dual nature; explore for us broad issues like public education;
The economy, environmentalism & the Global ****** Thermometer;
Not to mention the numerous flaws of opinion polls.



And again my editor TEXTS me, reminds me again: “LIGHTEN UP!”
Consoling me:  “Even Shakespeare had to play to the groundlings.”
The groundlings, AKA: The Rabble.
Yes. Even the ******* Bard, even Willie the Shake,
Had to contend with a decidedly lowbrow copse of carrion.
Oh yes, the groundlings, a carrion herd, a flying flock of carrion seagulls,
Carrion crow, carrion-feeders one and all,
And let’s throw Sheryl Crow into the mix while we’re at it:
“Hit it! This ain't no disco. And it ain't no country club either, this is L.A.”  

                  Send "All I Wanna Do" Ringtone to your Cell              

Once more, I digress.
The Rabble:  an amorphous, gelatinous Jabba the Hutt of commonality.
The Rabble: drunk, debauched & lawless.
Too *****-delicious to stop Bill & Hilary from thinking about tomorrow;
Too Paul McCartney My Love Does it Good to think twice.

The Roman Saturnalia: a weeklong **** fest.
The Saturnalia: originally a pagan kink-fest in honor of the deity Saturn.
Dovetailing nicely with the advent of the Christian era,
With a project started by Il Capo di Tutti Capi,
One of the early popes, co-opting the Roman calendar between 17 and 25 December,
Putting the finishing touches on the Jesus myth.
For Brooklyn Hopi-***-Jew baby boomers like me,
Saturnalia manifested itself as Disco Fever,
Unpleasant years of electrolysis, scrunched ***** in tight polyester
For Roman plebeians, for the great unwashed citizenry of Rome,
Saturnalia was just a great big Italian wedding:
A true family blowout and once-in-a-lifetime ego-trip for Dad,
The father of the bride, Vito Corleone, Don for A Day:
“Some think the world is made for fun and frolic,
And so do I! Funicula, Funiculi!”

America: love it or leave it; my country right or wrong.
Sure, we were citizens of Rome,
But any Joe Josephus spending the night under a Tiber bridge,
Or sleeping off a three day drunk some afternoon,
Up in the Coliseum bleachers, the cheap seats, out beyond the monuments,
The original three monuments in the old stadium,
Standing out in fair territory out in center field,
Those three stone slabs honoring Gehrig, Huggins, and Babe.
Yes, in the house that Ruth built--Home of the Bronx Bombers--***?
Any Joe Josephus knows:  Roman citizenship doesn’t do too much for you,
Except get you paxed, taxed & drafted into the Legion.
For us the Roman lifestyle was HIND-*** humble.
We plebeians drew our grandeur by association with Empire.
Very few Romans and certainly only those of the patrician class lived high,
High on the hog, enjoying a worldly extravaganza, like—whom do we both know?

Okay, let’s say Laurence Olivier as Crassus in Spartacus.
Come on, you saw Spartacus fifteen ******* times.
Remember Crassus?
Crassus: that ***** twisted **** trying to get his freak on with,
Tony Curtis in a sunken marble tub?
We plebes led lives of quiet *****-scratching desperation,
A bunch of would-be legionnaires, diseased half the time,
Paid in salt tablets or baccala, salted codfish soaked yellow in olive oil.
Stiffs we used to call them on New Year’s Eve in Brooklyn.
Let’s face it: we were hyenas eating someone else’s ****,
Stage-door jackals, Juvenal-come-late-lies, a mob of moronic mook boneheads
Bought off with bread & circuses and Reality TV.
Each night, dished up a wide variety of lowbrow Elizabethan-era entertainments.  
We contemplate an evening on the town, downtown—
(cue Petula Clark/Send "Downtown" Ringtone to your Cell)

On any given London night, to wit:  mummers, jugglers, bear & bull baiters.
How about dog & **** fighters, quoits & skittles, alehouses & brothels?
In short, somewhere, anywhere else,
Anywhere other than down along the Thames,
At Bankside in Southwark, down in the Globe Theater mosh pit,
Slugging it out with the groundlings whose only interest,
In the performance is the choreography of swordplay and stale ****** puns.
Meanwhile, Hugh Fennyman--probably a fellow Jew,
An English Renaissance Bugsy Siegel or Mickey Cohen—
Meanwhile Fennyman, the local mob boss is getting his ya-yas,
Roasting the feet of my text-messaging editor, Philip Henslowe.
Poor and pathetic Henslowe, works on commission, always scrounging,
But a true patron of my craft, a gentleman of infinite jest and patience,
Spiritual subsistence, and every now and then a good meal at some,
Sawdust joint with oyster shells, and a Prufrockian silk purse of T.S. Eliot gold.

Poor, pathetic Henslowe, trussed up by Fennyman,
His editorial feet in what looks like a Japanese hibachi.
Henslowe’s feet to the fire--feet to the fire—get it?
A catchy phrase whose derivation conjures up,
A grotesque yet vivid image of torture,
An exquisite insight into how such phrases ingress the idiom,
Not to mention a scene once witnessed at a secret Romanian CIA prison,
I’d been ordered to Bucharest not long after 9/11,
Handling the rendition and torture of Habib Ghazzawy,

An entirely innocent falafel maker from Steinway Street, Astoria, Queens.
Shock the Monkey: it’s what we do. GOTO:
Peter Gabriel - Shock the Monkey/
(HQ music video) - YouTube//
www.youtube.com/
Poor, pathetic, ******-on Henslowe.


Fennyman :  (his avarice is whet by something Philly screams out about a new script)  "A play takes time. Find actors; Rehearsals. Let's say open in three weeks. That's--what--five hundred groundlings at tuppence each, in addition four hundred groundlings tuppence each, in addition four hundred backsides at three pence--a penny extra for a cushion, call it two hundred cushions, say two performances for safety how much is that Mr. Frees?"
Jacobean Tweet, John (1580-1684) Webster:  “I saw him kissing her bubbies.”

It’s Geoffrey Rush, channeling Henslowe again,
My editor, a singed smoking madman now,
Feet in an ice bucket, instructing me once more:
“Lighten things up, you know . . .
Comedy, love and a bit with a dog.”
I digress again and return to Hopi Land, back to my shaman-monastic abattoir,
That Zen Center in downtown Shungopavi.
At the Tribal Enrolment Office I make my case for a Certificate of Indian Blood,
Called a CIB by the Natives and the U.S. Bureau of Indian Affairs.
The BIA:  representing gold & uranium miners, cattle and sheep ranchers,
Sodbusters & homesteaders; railroaders and dam builders since 1824.
Just in time for Andrew Jackson, another false friend of Native America,
Just before Old Hickory, one of many Democratic Party hypocrites and scoundrels,
Gives the FONGOOL, up the CULO go ahead.
Hey Andy, I’ve got your Jacksonian democracy: Hanging!
The Bureau of Indian Affairs (BIA) mission is to:   "… enhance the quality of life, to promote economic opportunity, and to carry out the responsibility to protect and improve the trust assets of American Indians, Indian tribes, and Alaska Natives. What’s that in the fine print?  Uncle Sammy holds “the trust assets of American Indians.”

Here’s a ******* tip, Geronimo: if he trusted you,
It would ALL belong to you.
To you and The People.
But it’s all fork-tongued white *******.
If true, Indian sovereignty would cease to be a sick one-liner,
Cease to be a blunt force punch line, more of,
King Leopold’s 19th Century stand-up comedy schtick,
Leo Presents: The **** of the Congo.
La Belgique mission civilisatrice—
That’s what French speakers called Uncle Leo’s imperial public policy,
Bringing the gift of civilization to central Africa.
Like Manifest Destiny in America, it had a nice colonial ring to it.
“Our manifest destiny [is] to overspread the continent,
Allotted by Providence for the free development,
Of our yearly multiplying millions.”  John L. O'Sullivan, 1845

Our civilizing mission or manifest destiny:
Either/or, a catchy turn of phrase;
Not unlike another ironic euphemism and semantic subterfuge:
The Pacification of the West; Pacification?
Hardly: decidedly not too peaceful for Cochise & Tonto.
Meanwhile, Madonna is cash rich but disrespected Evita poor,
To wit: A ****** on the Rocks (throwing in a byte or 2 of Da Vinci Code).
Meanwhile, Miss Ciccone denied her golden totem *****.
They snubbed that little guinea ****, didn’t they?
Snubbed her, robbed her rotten.
Evita, her magnum opus, right up there with . . .
Her SNL Wayne’s World skit:
“Get a load of the unit on that guy.”
Or, that infamous MTV Music Video Awards stunt,
That classic ***** Lip-Lock with Britney Spears.

How could I not see that Oscar snubola as prime evidence?
It was just another stunning case of American anti-Italian racial animus.
Anyone familiar with Noam Chomsky would see it,
Must view it in the same context as the Sacco & Vanzetti case,
Or, that arbitrary lynching of 9 Italian-Americans in New Orleans in 1891,
To cite just two instances of anti-Italian judicial reach & mob violence,
Much like what happened to my cousin Dominic,
Gang-***** by the Harlem Globetrotters, in their locker room during halftime,
While he working for Abe Saperstein back in 1952.
Dom was doing advance for Abe, supporting creation of The Washington Generals:
A permanent stable of hoop dream patsies and foils,
Named for the ever freewheeling, glad-handing, backslapping,
Supreme Commander Allied Expeditionary Force (SCAEF), himself,
Namely General Dwight D. Eisenhower, the man they liked,
And called IKE: quite possibly a crypto Jew from Abilene.

Of course, Harry Truman was my first Great White Fascist Father,
Back in 1946, when I first opened my eyes, hung up there,
High above, looking down from the adobe wall.
Surveying the entire circular kiva,
I had the best seat in the house.
Don’t let it be said my Spider Grandmother or Hopi Corn Mother,
Did not want me looking around at things,
Discovering what made me special.
Didn’t divine intervention play a significant part of my creation?
Knowing Mamma Mia and Nonna were Deities,
Gave me an edge later on the streets of Brooklyn.
The Cradleboard: was there ever a more divinely inspired gift to human curiosity? The Cradleboard: a perfect vantage point, an infant’s early grasp,
Of life harmonious, suspended between Mother Earth and Father Sky.
Simply put: the Hopi should be running our ******* public schools.

But it was IKE with whom I first associated,
Associated with the concept 1600 Pennsylvania Avenue.
I liked IKE. Who didn’t?
What was not to like?
He won the ******* war, didn’t he?
And he wasn’t one of those crazy **** John Birchers,
Way out there, on the far right lunatic Republican fringe,
Was he? (It seems odd and nearly impossible to believe in 2013,
That there was once a time in our Boomer lives,
When the extreme right wing of the Republican Party
Was viewed by the FBI as an actual threat to American democracy.)
Understand: it was at a time when The FBI,
Had little ideological baggage,
But a great appetite for secrets,
The insuppressible Jay Edgar doing his thang.

IKE: of whom we grew so, oh-so Fifties fond.
Good old reliable, Nathan Shaking IKE:
He’d been fixed, hadn’t he? Had had the psychic snip.
Snipped as a West Point cadet & parade ground martinet.
Which made IKE a good man to have in a pinch,
Especially when crucial policy direction was way above his pay grade.
Cousin Dom was Saperstein’s bagman, bribing out the opposition,
Which came mainly from religious and patriotic organizations,
Viewing the bogus white sports franchise as obscene.
The Washington Generals, Saperstein’s new team would have but one opponent,
And one sole mission: to serve as the **** of endless jokes and sight gags for—
Negroes.  To play the chronic fools of--
Negroes.  To be chronically humiliated and insulted by—
Negroes.  To run up and down the boards all night, being outran by—
Negroes.  Not to mention having to wear baggy silk shorts.



Meadowlark Lemon:  “Yeah, Charlie, we ***** that grease-ball Dominic; we shagged his guinea mouth and culo rotten.”  

(interviewed in his Scottsdale, AZ winter residence in 2003 by former ESPN commentator Charlie Steiner, Malverne High School, Class of ’67.)
                                                        
  ­                                                                 ­                 
IKE, briefed on the issue by higher-ups, quickly got behind the idea.
The Harlem Globetrotters were to exist, and continue to exist,
Are sustained financially by Illuminati sponsors,
For one reason and one reason only:
To serve elite interests that the ***** be kept down and subservient,
That the minstrel show be perpetuated,
A policy surviving the elaborate window dressing of the civil rights movement, Affirmative action, and our first Uncle Tom president.
Case in point:  Charles Barkley, Dennis Rodman & Metta World Peace Artest.
Cha-cha-cha changing again:  I am Robert Allen Zimmermann,
A whiny, skinny Jew, ****** and rolling in from Minnesota,
Arrested, obviously a vagrant, caught strolling around his tony Jersey enclave,
Having moved on up the list, the A-list, a special invitation-only,
Yom Kippur Passover Seder:  Next Year in Jerusalem, Babaloo!

I take ownership of all my autonomic and conditioned reflexes;
Each personal neural arc and pathway,
All shenanigans & shellackings,
Or blunt force cognitive traumas.
It’s all percolating nicely now, thank you,
In kitchen counter earthen crockery:
Random access memory: a slow-cook crockpot,
Bubbling through my psychic sieve.
My memories seem only remotely familiar,
Distant and vague, at times unreal:
An alien hybrid databank accessed accidently on purpose;
Flaky science sustains and monitors my nervous system.
And leads us to an overwhelming question:
Is it true that John Dillinger’s ******* is in the Smithsonian Museum?
Enquiring minds want to know, Kemosabe!

“Any last words, *******?” TWEETS Adam Smith.
Postmortem cyber-graffiti, an epitaph carved in space;
Last words, so singular and simple,
Across the universal great divide,
Frisbee-d, like a Pleistocene Kubrick bone,
Tossed randomly into space,
Morphing into a gyroscopic space station.
Mr. Smith, a calypso capitalist, and me,
Me, the Poet Laureate of the United States and Adam;
Who, I didn’t know from Adam.
But we tripped the light fantastic,
We boogied the Protestant Work Ethic,
To the tune of that old Scotch-Presbyterian favorite,
Variations of a 5-point Calvinist theme: Total Depravity; Election; Particular Redemption; Irresistible Grace; & Perseverance of the Saints.

Mr. Smith, the author of An Inquiry into the Nature
& Causes of the Wealth of Nations (1776),
One of the best-known, intellectual rationales for:
Free trade, capitalism, and libertarianism,
The latter term a euphemism for Social Darwinism.
Prior to 1764, Calvinists in France were called Huguenots,
A persecuted religious majority . . . is that possible?
A persecuted majority of Edict of Nantes repute.
Adam Smith, likely of French Huguenot Jewish ancestry himself,
Reminds me that it is my principal plus interest giving me my daily gluten.
And don’t think the irony escapes me now,
A realization that it has taken me nearly all my life to see again,
What I once saw so vividly as a child, way back when.
Before I put away childish things, including the following sentiment:
“All I need is the air that I breathe.”

  Send "The Air That I Breathe" Ringtone to your Cell  

The Hippies were right, of course.
The Hollies had it all figured out.
With the answer, as usual, right there in the lyrics.
But you were lucky if you were listening.
There was a time before I embraced,
The other “legendary” economists:
The inexorable Marx,
The savage society of Veblen,
The heresies we know so well of Keynes.
I was a child.
And when I was a child, I spake as a child—
Grazie mille, King James—
I understood as a child; I thought as a child.
But when I became a man I jumped on the bus with the band,
Hopped on the irresistible bandwagon of Adam Smith.

Smith:  “Any last words, *******?”
Okay, you were right: man is rationally self-interested.
Grazie tanto, Scotch Enlightenment,
An intellectual movement driven by,
An alliance of Calvinists and Illuminati,
Freemasons and Johnny Walker Black.
Talk about an irresistible bandwagon:
Smith, the gloomy Malthus, and David Ricardo,
Another Jew boy born in London, England,
Third of 17 children of a Sephardic family of Portuguese origin,
Who had recently relocated from the Dutch Republic.
******* Jews!
Like everything shrewd, sane and practical in this world,
WE also invented the concept:  FOLLOW THE MONEY.

The lyrics: if you were really listening, you’d get it:
Respiration keeps one sufficiently busy,
Just breathing free can be a full-time job,
Especially when--borrowing a phrase from British cricketers—,
One contemplates the sorry state of the wicket.
Now that I am gainfully superannuated,
Pensioned off the employment radar screen.
Oft I go there into the wild ebon yonder,
Wandering the brain cloud at will.
My journey indulges curiosity, creativity and deceit.
I free range the sticky wicket,
I have no particular place to go.
Snagging some random fact or factoid,
A stop & go rural postal route,
Jumping on and off the brain cloud.

Just sampling really,
But every now and then, gorging myself,
At some information super smorgasbord,
At a Good Samaritan Rest Stop,
I ponder my own frazzled neurology,
When I was a child—
Before I learned the grim economic facts of life and Judaism,
Before I learned Hebrew,
Before my laissez-faire Bar Mitzvah lessons,
Under the rabbinical tutelage of Rebbe Kahane--
I knew what every clever child knows about life:
The surfing itself is the destination.
Accessing RAM--random access memory—
On a strictly need to know basis.
RAM:  a pretty good name for consciousness these days.

If I were an Asimov or Sir Arthur (Sri Lankabhimanya) Clarke,
I’d get freaky now, riffing on Terminators, Time Travel and Cyborgs.
But this is truth not science fiction.
Nevertheless, someone had better,
Come up with another name for cyborg.
Some other name for a critter,
Composed of both biological and artificial parts?
Parts-is-parts--be they electronic, mechanical or robotic.
But after a lifetime of science fiction media,
After a steady media diet, rife with dystopian technology nightmares,
Is anyone likely to admit to being a cyborg?
Since I always give credit where credit is due,
I acknowledge that cyborg was a term coined in 1960,
By Manfred Clynes & Nathan S. Kline and,
Used to identify a self-regulating human-machine system in outer space.

Five years later D. S. Halacy's: Cyborg: Evolution of the Superman,
Featured an introduction, which spoke of:  “… a new frontier, that was not,
Merely space, but more profoundly, the relationship between inner space,
And outer space; a bridge, i.e., between mind and matter.”
So, by definition, a cyborg defined is an organism with,
Technology-enhanced abilities: an antenna array,
Replacing what was once sentient and human.
My glands, once in control of metabolism and emotions,
Have been replaced by several servomechanisms.
I am biomechanical and gluttonous.
Soaking up and breathing out the atmosphere,
My Baby Boom experience of six decades,
Homogenized and homespun, feedback looped,
Endlessly networked through predigested mass media,
Culture as demographically targeted content.

This must have something to do with my own metamorphosis.
I think of Gregor Samsa, a Kafkaesque character if there ever was one.
And though we share common traits,
My evolutionary progress surpasses and transcends his.
Samsa--Phylum and Class--was, after all, an insect.
Nonetheless, I remain a changeling.
Have I not seen many stages of growth?
Each a painful metamorphic cycle,
From exquisite first egg,
Through caterpillar’s appetite & squirm.
To phlegmatic bliss and pupa quietude,
I unfold my wings in a rush of Van Gogh palette,
Color, texture, movement and grace, lift off, flapping in flight.
My eyes have witnessed wondrous transformations,
My experience, nouveau riche and distinctly self-referential;
For the most part unspecific & longitudinally pedestrian.

Yes, something has happened to me along the way.
I am no longer certain of my identity as a human being.
Time and technology has altered my basic wiring diagram.
I suspect the sophisticated gadgets and tools,
I’ve been using to shape & make sense of my environment,
Have reared up and turned around on me.
My tools have reshaped my brain & central nervous system.
Remaking me as something simultaneously more and less human.
The electronic toys and tools I once so lovingly embraced,
Have turned unpredictable and rabid,
Their bite penetrating my skin and septic now, a cluster of implanted sensors,
Content: currency made increasingly more valuable as time passes,
Served up by and serving the interests of a pervasively predatory 1%.
And the rest of us: the so-called 99%?
No longer human; simply put by both Howards--Beale & Zinn--

Humanoid.

Everybody lacks ... something ...
That's a ... Fact ... !!!  
  
So ...
Let me ask you this ... ?
What do ... You Lack ... ?
  
Do you lack ...  
" Common Sense "  
or .... Confidence ... ???
  
or ...  
Do you lack what it takes ... ?
to forsake what you gain ...
from living ... just for money ...
like these ... Corporate Heads ... !!!
  
Well money ...
" Certainly " .... Pays .... !!!
  
But ....
Does not ... " Allay " ...
Unhappy Days ... !!! ...
  
Ask those ... who take ...
"Every Piece" ... of the cake ... !!!
  
If they say ... Their Cash ... !!!
Removes ... Their Pain ...
They're being ... Fake ... !!!
  
Question .... ?
what they say ... ?
  
If they lost their ...
... " Loved Ones ' ...
  
Could their cash ... Replace ... ?
" Loved Ones " ... who'd placed ...
Smiles on ... Their face ... !!! ? !!! ...
  
The answer is ... NO ... !!!
and this ... They Know ... !!!
  
So ...
Do you lack ...  
" Other things " ... ?
that ... make you think ...  
  
" What is The Point !!?!! "
of ... Making Noise ...  
about the way ...
we live ... today ...
  
Well ...  
that's okay ...
it's been ... that way ...
since the ... early days ...
of ... " Shackled Slaves ! " ...
  
Many lack ... the ability ...
to face ... " The Truth " ... !!!
  
Do those ... last words ...
Apply ... to you ... !!?!! ...
  
Well ...  
If they ... DO ... ?!?
  
You're lacking in food ...
You should ... Consume ... !!!
  
These days ...  
I Lack ... " Patience " ...
with those who are ...
..... " Blatant " .....
  
" Ignorant Fools !!! " ...
  
Those I find ...
with ... " Narrow Minds " ...
who choose to ... move ...
in the land ... of the blind ... !!!
  
Those now inclined ...
to ... Ignoring Signs ... ?!?
that .... " Indicate " ....
  
.......... " New " ...........  
" Troubled Times " ... !!! ...
for ... "Our" ...
" Human Kind " ... !!!
  
But ... if we pressed ...  
  
"CLICK" ...........  

Rewind ...  
  
I'm sure we'd find ...
Many Things ... " Replicated " ...
Like ...... " Old Pastimes " ......  
  
Do you lack ...  ?
The Ability ...
to want to ... " Backtrack " ... ?
  
Can I ask you ...  
" Freely " ... ?
  
Why are you ... like that ... ???
  
Afraid of what you'll see ... ??!??
or ... what you'll ... FIND ...
that'll ... EXPOSE ... Lies ...
"Cleverly" ... disGuiSed ...
to keep ... The Truth ...
  
hidden ......
  
..... From .....  
" Enquiring Minds ? " ...
  
  
This seems to be ...
... " Planned " ... !?!
  
to ... Ensure Most ...
..... " Lack " .....  
  
" The Ability " .....
  
to deal with ... FACTS ...  
  
Like .....
Why are women ...
Soooo hard ... to understand ... ???
  
In the very beginning ....
They're ... HARD to ATTRACT ... !!!!!
  
If ....  
You're a man ...
who ... HOLDS ... Your Stance ...
THAT ... You give a **** ...
" About " ... Their Needs ...  
  
while those who ... Lack ...
such ..... " Courtesies " .....  
seem to get ... ***** ...
  
Like .... " Next one please !!! "
  
Girls who ... LACK ...
any ... Common Sense ...
are those ... I don't want ...
inside ..... My Bed ..... !!!!!!!!!!
  
But ....
Hell Yes ... Yeah ...
  
I'll pass through theirs' ... !!!!!
  
Now ....
Hear me out girls ...  
Don't take ... Offence ... !!!!!
  
But ....
Too Many ... of you ...
Pick The  ....
  
"Wrong ****** Men ?!?"  
  
Again and Again .....
Your Case ... CLEARLY ...
Has .... " No Defence " ... !!!!!
  
These days ...
There's a .... LACK ....
of ... " Good ol' ... FUN ... !!!
  
Especially with ...
A ... " Good Woman ! " ...
  
..... " Relationships " .....
seem to end ... So Quick ... !!!
  
Before ... " Love's Able " ...
to get a .... " GRIP !!! " ....
and have a chance to ...
  
........ " Sit " .........
  
at the ... Dinner Table ...
That's ... " REALITY " ...
and is ... " No Fable ! " ...
  
Like .... Cain and Abel ...
  
Things are ... CLEARLY ...
Quite .... " Unstable " .... !!!!!
  
Like ... reception through ...
Those ... " Dodgy Cables ! ' ...
  
No ... MTV ...
or ... Sky TV ...
  
But ...  
Here's the link ...
So take ... THIS IN ... !!!
  
There's now a ... LACK ...
of ..... " RELIABILITY " .....
in how .... People ....
Now Seem ... to be ... !!!!!
  
"I'll call you tonight !"
  
"Cool, that's just fine,
I should be home,
by, half past nine,
don't let me down,
I don't like to be clowned !!!"
  
"Trust me man,
I will ring you !!!"
  
" Haven't heard from  
..... THAT FOOL .....
for a whole week now ...
if he calls me with ...
A Poor excuse ...
My mouth is gonna,
leave him ... Schooled ...
and make him ... frown ...
with the words ... I Choose ... !!! "
  
I just can't stand ....
when people .... LACK ....
  
..... " Reliability " ..... !!!!!!!!!!!
  
or ... is it ... Just Me ... ?!?
  
Asking ... TOO MUCH ... !!!
to hope that .... Some ....
  
"Good Ones" ... are left ... !!!
who are .... " Reliable " ....
from ... Start to End ... !!!
  
and deal in ...  
" Honesty " ...

as well as ...
" Respect " ...
  
People ... You TRULY ..
can call ... Your Friends ... !!!!!
  
Well ....
One thing ... I Don't Lack ... !
is a will to ... " Express " ...
through poetry .... sent ....
to my .... Notepad .... !!! ....
  
So ... now it's time ...
to end ... This Rhyme ...  
  
About ....  
Some Things ....
  
That ... WE ALL ...  
...... " Lack " ...... !!!!!
  
But ....
If you think ....
  
You DON"T ... Lack Anything ... ???  
  
Let me just say this ....
  
You are ... DREAMING ... !!!!!!!!!
  
EVERYONE ...  
Lacks something ....
  
That's just ... FACT ... !!!!!!!
  
So .....
Be HONEST ... with yourself ...
  
What Do ... You ... ?
  
........ Lack ........ ???

I saw my world again through your eyes
As I would see it again through your children's eyes.
Through your eyes it was foreign.
Plain hedge hawthorns were peculiar aliens,
A mystery of peculiar lore and doings.
Anything wild, on legs, in your eyes
Emerged at a point of exclamation
As if it had appeared to dinner guests
In the middle of the table. Common mallards
Were artefacts of some unearthliness,
Their wooings were a hypnagogic film
Unreeled by the river. Impossible
To comprehend the comfort of their feet
In the freezing water. You were a camera
Recording reflections you could not fathom.
I made my world perform its utmost for you.
You took it all in with an incredulous joy
Like a mother handed her new baby
By the midwife. Your frenzy made me giddy.
It woke up my dumb, ecstatic boyhood
Of fifteen years before. My masterpiece
Came that black night on the Grantchester road.
I ****** the throaty thin woe of a rabbit
Out of my wetted knuckle, by a copse
Where a tawny owl was enquiring.
Suddenly it swooped up, splaying its pinions
Into my face, taking me for a post.

Hi, below I copy a humorous hiabun, which I shared as an exercise to mentor enquiring and inspired poets to learn, so they might adopt and try different techniques and then give critique together with awesome comments... Yes, I used the words ***, ****** and **** for context the rest was left to an individual imagination as in good poetry!

It included reflective commentary encompasses innocent classification terminology used in the critique, reading, examining, appreciating, understanding and writing of poetry for example: POETIC DEVICES (enjambement, duality, keriji, images, collocation, semantic, oxymoron, repetition, listing etc.), STORY (personification, characterisation, subject, context, voice etc.), IMAGERY (synaesthesia), STRUCTURE ( lineation, breaks, syntactic etc.), SOUNDS (syllables, rhyme, alliteration, pace, musicality, phrasing, beat, assonance, onomatopoeia, mouthed rhythms, patterned) and WORDS (preposition, determiner, verbs, adverbs, lexical, nouns, adjectives) used by poets, critics and academics...

And here it is :

****** tongue-in-cheek haibun - a reflective commentary on writing a popular tanka

Eye lashes flicker
a shared urgent interest
parting - dancing smile


My first inspiration was ***, passionate life squeezing screaming ***, the thumping wall musicality of ***, exhaustingly inventive sweaty and wet.

I wanted to make it a senryu but for duality the female characterisation demanded two more lines each extending to seven syllables.  

Arousing images captured her moaning splashing loneliness in unusual collocation.

I was first excited by the placement of a hovering extended enjambement to give life to my final line, whilst also considering the satisfaction in using noisy mouthed rhythms.  

I believe I easily hid the wet aroused context with a watery semantic field, that suggested she would choke and drown.

So in my last line I had ‘pleasures’ as a cutting keriji to make clear the dominating ****** context, having previously used a preposition and determiner to maintain duality!


Exhausted shivers
in windowed naked currents
unfolding sinking
then surfing vital wavelets
drowning screams - pleasures wet bite

We don’t really understand

How atoms behave;

Or infinity;

Or how winds carry the seasons -

Like ‘Olde April ‘ with it’s 'showers sweet' !

Yes, I’ve felt them...



The clean stinging scent of rain

Scratching at the earth,

Pelting aromatic plants,

Condensing the smells of seas, winds, continents;

Infusing the sum of all these aromas in its perfumery,

Marketing it: April, again.



And Eliot said,

There be April,

'The cruellest month'.

Oh my (!)

Appealing April, with its sunny flavours,

Cascades of cats & dogs,

And dead-eye jack,

Firing frosts that just might spend the tender herb.



It was snowing in April,

And Easter was early, that year

When I took Schrödinger’s cat walking

On a leash, And April was still new,

And capable of shocking...



Now any month - could bring pitiless ruin.

The year annually

Out of step with migratory designs,

Throwing epithets out of its greenstick pram,

Its months in disarray ,

No-one knows what’s going on...





The drunkard earth sups up it’s own tears,

Reeling in its spin,

Until,

Saturated,

It can drink no more,

And every dip fills,

Every meadow spills,

Banks overflowing,

Its resolve drowning,

Questions washing

Up like a tide of interrogative curiosity.



OK – so I am really hiding in my acres...

At least I can tell - it’s April !



Enquiring lily-of-the-valley,

Puts up green periscopes.

Peering through the sodden grass,

The remnants of last year’s soggy leaves,

Cosset primrose & ramsons.

Daffodils are past their best, but soldier on

Like hungover squaddies,

Snowdrops have fat capsules where white drops shone,

Hellebores have been up since the crack of time -

Good movers - they could dance all spring!

Dingles are glinting green with native bluebell leaves,

And their mophead mates have muscled in the garden,

Quiet violets lounge on the field’s chaise long,

Coy, understated,

How British!

Oxlips and cowslips join the brave primroses

Who have been on the razzle for weeks.

White & purple lilac in green cassocks,

Will soon burst out

Like kiss-o-grams.

Boughs hung with clematis,

Still tiny shoots like birds on wires.



I am giving a prize for the first celandine on my patch;

Each little celandine - Rannunculus ficaria - is

A miniature sun uttering: Oi! You up there, old currant bun!

Here’s the template for a perfect summer sky !

When the child of morning, rosy-fingered Dawn, appeared,
Telemachus bound on his sandals and took a strong spear that suited
his hands, for he wanted to go into the city. “Old friend,” said he to
the swineherd, “I will now go to the town and show myself to my
mother, for she will never leave off grieving till she has seen me. As
for this unfortunate stranger, take him to the town and let him beg
there of any one who will give him a drink and a piece of bread. I
have trouble enough of my own, and cannot be burdened with other
people. If this makes him angry so much the worse for him, but I
like to say what I mean.”
  Then Ulysses said, “Sir, I do not want to stay here; a beggar can
always do better in town than country, for any one who likes can
give him something. I am too old to care about remaining here at the
beck and call of a master. Therefore let this man do as you have
just told him, and take me to the town as soon as I have had a warm by
the fire, and the day has got a little heat in it. My clothes are
wretchedly thin, and this frosty morning I shall be perished with
cold, for you say the city is some way off.”
  On this Telemachus strode off through the yards, brooding his
revenge upon the When he reached home he stood his spear against a
bearing-post of the cloister, crossed the stone floor of the
cloister itself, and went inside.
  Nurse Euryclea saw him long before any one else did. She was putting
the fleeces on to the seats, and she burst out crying as she ran up to
him; all the other maids came up too, and covered his head and
shoulders with their kisses. Penelope came out of her room looking
like Diana or Venus, and wept as she flung her arms about her son. She
kissed his forehead and both his beautiful eyes, “Light of my eyes,”
she cried as she spoke fondly to him, “so you are come home again; I
made sure I was never going to see you any more. To think of your
having gone off to Pylos without saying anything about it or obtaining
my consent. But come, tell me what you saw.”
  “Do not scold me, mother,’ answered Telemachus, “nor vex me,
seeing what a narrow escape I have had, but wash your face, change
your dress, go upstairs with your maids, and promise full and
sufficient hecatombs to all the gods if Jove will only grant us our
revenge upon the suitors. I must now go to the place of assembly to
invite a stranger who has come back with me from Pylos. I sent him
on with my crew, and told Piraeus to take him home and look after
him till I could come for him myself.”
  She heeded her son’s words, washed her face, changed her dress,
and vowed full and sufficient hecatombs to all the gods if they
would only vouchsafe her revenge upon the suitors.
  Telemachus went through, and out of, the cloisters spear in hand-
not alone, for his two fleet dogs went with him. Minerva endowed him
with a presence of such divine comeliness that all marvelled at him as
he went by, and the suitors gathered round him with fair words in
their mouths and malice in their hearts; but he avoided them, and went
to sit with Mentor, Antiphus, and Halitherses, old friends of his
father’s house, and they made him tell them all that had happened to
him. Then Piraeus came up with Theoclymenus, whom he had escorted
through the town to the place of assembly, whereon Telemachus at
once joined them. Piraeus was first to speak: “Telemachus,” said he,
“I wish you would send some of your women to my house to take awa
the presents Menelaus gave you.”
  “We do not know, Piraeus,” answered Telemachus, “what may happen. If
the suitors **** me in my own house and divide my property among them,
I would rather you had the presents than that any of those people
should get hold of them. If on the other hand I manage to **** them, I
shall be much obliged if you will kindly bring me my presents.”
  With these words he took Theoclymenus to his own house. When they
got there they laid their cloaks on the benches and seats, went into
the baths, and washed themselves. When the maids had washed and
anointed them, and had given them cloaks and shirts, they took their
seats at table. A maid servant then brought them water in a
beautiful golden ewer, and poured it into a silver basin for them to
wash their hands; and she drew a clean table beside them. An upper
servant brought them bread and offered them many good things of what
there was in the house. Opposite them sat Penelope, reclining on a
couch by one of the bearing-posts of the cloister, and spinning.
Then they laid their hands on the good things that were before them,
and as soon as they had had enough to eat and drink Penelope said:
  “Telemachus, I shall go upstairs and lie down on that sad couch,
which I have not ceased to water with my tears, from the day Ulysses
set out for Troy with the sons of Atreus. You failed, however, to make
it clear to me before the suitors came back to the house, whether or
no you had been able to hear anything about the return of your
father.”
  “I will tell you then truth,” replied her son. “We went to Pylos and
saw Nestor, who took me to his house and treated me as hospitably as
though I were a son of his own who had just returned after a long
absence; so also did his sons; but he said he had not heard a word
from any human being about Ulysses, whether he was alive or dead. He
sent me, therefore, with a chariot and horses to Menelaus. There I saw
Helen, for whose sake so many, both Argives and Trojans, were in
heaven’s wisdom doomed to suffer. Menelaus asked me what it was that
had brought me to Lacedaemon, and I told him the whole truth,
whereon he said, ‘So, then, these cowards would usurp a brave man’s
bed? A hind might as well lay her new-born young in the lair of a
lion, and then go off to feed in the forest or in some grassy dell.
The lion, when he comes back to his lair, will make short work with
the pair of them, and so will Ulysses with these suitors. By father
Jove, Minerva, and Apollo, if Ulysses is still the man that he was
when he wrestled with Philomeleides in ******, and threw him so
heavily that all the Greeks cheered him—if he is still such, and were
to come near these suitors, they would have a short shrift and a sorry
wedding. As regards your question, however, I will not prevaricate nor
deceive you, but what the old man of the sea told me, so much will I
tell you in full. He said he could see Ulysses on an island
sorrowing bitterly in the house of the nymph Calypso, who was
keeping him prisoner, and he could not reach his home, for he had no
ships nor sailors to take him over the sea.’ This was what Menelaus
told me, and when I had heard his story I came away; the gods then
gave me a fair wind and soon brought me safe home again.”
  With these words he moved the heart of Penelope. Then Theoclymenus
said to her:
  “Madam, wife of Ulysses, Telemachus does not understand these
things; listen therefore to me, for I can divine them surely, and will
hide nothing from you. May Jove the king of heaven be my witness,
and the rites of hospitality, with that hearth of Ulysses to which I
now come, that Ulysses himself is even now in Ithaca, and, either
going about the country or staying in one place, is enquiring into all
these evil deeds and preparing a day of reckoning for the suitors. I
saw an omen when I was on the ship which meant this, and I told
Telemachus about it.”
  “May it be even so,” answered Penelope; “if your words come true,
you shall have such gifts and such good will from me that all who
see you shall congratulate you.”
  Thus did they converse. Meanwhile the suitors were throwing discs,
or aiming with spears at a mark on the levelled ground in front of the
house, and behaving with all their old insolence. But when it was
now time for dinner, and the flock of sheep and goats had come into
the town from all the country round, with their shepherds as usual,
then Medon, who was their favourite servant, and who waited upon
them at table, said, “Now then, my young masters, you have had
enough sport, so come inside that we may get dinner ready. Dinner is
not a bad thing, at dinner time.”
  They left their sports as he told them, and when they were within
the house, they laid their cloaks on the benches and seats inside, and
then sacrificed some sheep, goats, pigs, and a heifer, all of them fat
and well grown. Thus they made ready for their meal. In the meantime
Ulysses and the swineherd were about starting for the town, and the
swineherd said, “Stranger, I suppose you still want to go to town
to-day, as my master said you were to do; for my own part I should
have liked you to stay here as a station hand, but I must do as my
master tells me, or he will scold me later on, and a scolding from
one’s master is a very serious thing. Let us then be off, for it is
now broad day; it will be night again directly and then you will
find it colder.”
  “I know, and understand you,” replied Ulysses; “you need say no
more. Let us be going, but if you have a stick ready cut, let me
have it to walk with, for you say the road is a very rough one.”
  As he spoke he threw his shabby old tattered wallet over his
shoulders, by the cord from which it hung, and Eumaeus gave him a
stick to his liking. The two then started, leaving the station in
charge of the dogs and herdsmen who remained behind; the swineherd led
the way and his master followed after, looking like some broken-down
old ***** as he leaned upon his staff, and his clothes were all in
rags. When they had got over the rough steep ground and were nearing
the city, they reached the fountain from which the citizens drew their
water. This had been made by Ithacus, Neritus, and Polyctor. There was
a grove of water-loving poplars planted in a circle all round it,
and the clear cold water came down to it from a rock high up, while
above the fountain there was an altar to the nymphs, at which all
wayfarers used to sacrifice. Here Melanthius son of Dolius overtook
them as he was driving down some goats, the best in his flock, for the
suitors’ dinner, and there were two shepherds with him. When he saw
Eumaeus and Ulysses he reviled them with outrageous and unseemly
language, which made Ulysses very angry.
  “There you go,” cried he, “and a precious pair you are. See how
heaven brings birds of the same feather to one another. Where, pray,
master swineherd, are you taking this poor miserable object? It
would make any one sick to see such a creature at table. A fellow like
this never won a prize for anything in his life, but will go about
rubbing his shoulders against every man’s door post, and begging,
not for swords and cauldrons like a man, but only for a few scraps not
worth begging for. If you would give him to me for a hand on my
station, he might do to clean out the folds, or bring a bit of sweet
feed to the kids, and he could fatten his thighs as much as he pleased
on whey; but he has taken to bad ways and will not go about any kind
of work; he will do nothing but beg victuals all the town over, to
feed his insatiable belly. I say, therefore and it shall surely be—if
he goes near Ulysses’ house he will get his head broken by the
stools they will fling at him, till they turn him out.”
  On this, as he passed, he gave Ulysses a kick on the hip out of pure
wantonness, but Ulysses stood firm, and did not budge from the path.
For a moment he doubted whether or no to fly at Melanthius and ****
him with his staff, or fling him to the ground and beat his brains
out; he resolved, however, to endure it and keep himself in check, but
the swineherd looked straight at Melanthius and rebuked him, lifting
up his hands and praying to heaven as he did so.
  “Fountain nymphs,” he cried, “children of Jove, if ever Ulysses
burned you thigh bones covered with fat whether of lambs or kids,
grant my prayer that heaven may send him home. He would soon put an
end to the swaggering threats with which such men as you go about
insulting people-gadding all over the town while your flocks are going
to ruin through bad shepherding.”
  Then Melanthius the goatherd answered, “You ill-conditioned cur,
what are you talking about? Some day or other I will put you on
board ship and take you to a foreign country, where I can sell you and
pocket the money you will fetch. I wish I were as sure that Apollo
would strike Telemachus dead this very day, or that the suitors
would **** him, as I am that Ulysses will never come home again.”
  With this he left them to come on at their leisure, while he went
quickly forward and soon reached the house of his master. When he
got there he went in and took his seat among the suitors opposite
Eurymachus, who liked him better than any of the others. The
servants brought him a portion of meat, and an upper woman servant set
bread before him that he might eat. Presently Ulysses and the
swineherd came up to the house and stood by it, amid a sound of music,
for Phemius was just beginning to sing to the suitors. Then Ulysses
took hold of the swineherd’s hand, and said:
  “Eumaeus, this house of Ulysses is a very fine place. No matter
how far you go you will find few like it. One building keeps following
on after another. The outer court has a wall with battlements all
round it; the doors are double folding, and of good workmanship; it
would be a hard matter to take it by force of arms. I perceive, too,
that there are many people banqueting within it, for there is a
smell of roast meat, and I hear a sound of music, which the gods
have made to go along with feasting.”
  Then Eumaeus said, “You have perceived aright, as indeed you
generally do; but let us think what will be our best course. Will
you go inside first and join the suitors, leaving me here behind
you, or will you wait here and let me go in first? But do not wait
long, or some one may you loitering about outside, and throw something
at you. Consider this matter I pray you.”
  And Ulysses answered, “I understand and heed. Go in first and
leave me here where I am. I am quite used to being beaten and having
things thrown at me. I have been so much buffeted about in war and
by sea that I am case-hardened, and this too may go with the rest. But
a man cannot hide away the cravings of a hungry belly; this is an
enemy which gives much trouble to all men; it is because of this
that ships are fitted out to sail the seas, and to make war upon other
people.”
  As they were thus talking, a dog that had been lying asleep raised
his head and pricked up his ears. This was Argos, whom Ulysses had
bred before setting out for Troy, but he had never had any work out of
him. In the old days he used to be taken out by the young men when
they went hunting wild goats, or deer, or hares, but now that his
master was gone he was lying neglected on the heaps of mule and cow
dung that lay in front of the stable doors till the men should come
and draw it away to manure the great close; and he was full of
fleas. As soon as he saw Ulysses standing there, he dropped his ears
and wagged his tail, but he could not get close up to his master. When
Ulysses saw the dog on the other side of the yard, dashed a tear
from his eyes without Eumaeus seeing it, and said:
  “Eumaeus, what a noble hound that is over yonder on the manure heap:
his build is splendid; is he as fine a fellow as he looks, or is he
only one of those dogs that come begging about a table, and are kept
merely for show?”
  “This hound,” answered Eumaeus, “belonged to him who has died in a
far country. If he were what he was when Ulysses left for Troy, he
would soon show you what he could do. There was not a wild beast in
the forest that could get away from him when he was once on its
tracks. But now he has fallen on evil times, for his master is dead
and gone, and the women take no care of him. Servants never do their
work when their master’s hand is no longer over them, for Jove takes
half the goodness out of a man when he makes a slave of him.”
  As he spoke he went inside the buildings to the cloister where the
suitors were, but Argos died as soon as he had recognized his master.
  Telemachus saw

I

Now that we're almost settled in our house
I'll name the friends that cannot sup with us
Beside a fire of turf in th' ancient tower,
And having talked to some late hour
Climb up the narrow winding stair to bed:
Discoverers of forgotten truth
Or mere companions of my youth,
All, all are in my thoughts to-night being dead.

                  II

Always we'd have the new friend meet the old
And we are hurt if either friend seem cold,
And there is salt to lengthen out the smart
In the affections of our heart,
And quatrels are blown up upon that head;
But not a friend that I would bring
This night can set us quarrelling,
For all that come into my mind are dead.

                  III

Lionel Johnson comes the first to mind,
That loved his learning better than mankind.
Though courteous to the worst; much falling he
Brooded upon sanctity
Till all his Greek and Latin learning seemed
A long blast upon the horn that brought
A little nearer to his thought
A measureless consummation that he dreamed.

                  IV

And that enquiring man John Synge comes next,
That dying chose the living world for text
And never could have rested in the tomb
But that, long travelling, he had come
Towards nightfall upon certain set apart
In a most desolate stony place,
Towards nightfall upon a race
passionate and simple like his heart.

                  V

And then I think of old George Pollexfen,
In muscular youth well known to Mayo men
For horsemanship at meets or at racecourses,
That could have shown how pure-bred horses
And solid men, for all their passion, live
But as the outrageous stars incline
By opposition, square and trine;
Having grown sluggish and contemplative.

                  VI

They were my close companions many a year.
A portion of my mind and life, as it were,
And now their breathless faces seem to look
Out of some old picture-book;
I am accustomed to their lack of breath,
But not that my dear friend's dear son,
Our Sidney and our perfect man,
Could share in that discourtesy of death

                  VII

For all things the delighted eye now sees
Were loved by him:  the old storm-broken trees
That cast their shadows upon road and bridge;
The tower set on the stream's edge;
The ford where drinking cattle make a stir
Nightly, and startled by that sound
The water-hen must change her ground;
He might have been your heartiest welcomer.

                  VIII

When with the Galway foxhounds he would ride
From Castle Taylor to the Roxborough side
Or Esserkelly plain, few kept his pace;
At Mooneen he had leaped a place
So perilous that half the astonished meet
Had shut their eyes; and where was it
He rode a race without a bit?
And yet his mind outran the horses' feet.

                  IX

We dreamed that a great painter had been born
To cold Clare rock and Galway rock and thorn,
To that stern colour and that delicate line
That are our secret discipline
Wherein the gazing heart doubles her might.
Soldier, scholar, horseman, he,
And yet he had the intensity
To have published all to be a world's delight.

                  X

What other could so well have counselled us
In all lovely intricacies of a house
As he that practised or that understood
All work in metal or in wood,
In moulded plaster or in carven stone?
Soldier, scholar, horseman, he,
And all he did done perfectly
As though he had but that one trade alone.

                  XI

Some burn dam *******, others may consume
The entire combustible world in one small room
As though dried straw, and if we turn about
The bare chimney is gone black out
Because the work had finished in that flare.
Soldier, scholar, horseman, he,
As 'twere all life's epitome.
What made us dream that he could comb grey hair?

                  XII

I had thought, seeing how bitter is that wind
That shakes the shutter, to have brought to mind
All those that manhood tried, or childhood loved
Or boyish intellect approved,
With some appropriatc commentaty on each;
Until imagination brought
A fitter welcome; but a thought
Of that late death took all my heart for speech.

This tough front,
This altogether unlikeable first impression,
This mean, crude obnoxious scumbag,
This despicable misogynist,
This cynical misanthropic madman,
“Wassup wit dat?”
Enquiring fans of poetry want to know.
Simply stated, 'tis my oldest modus operandi,
Self-protective, learned street behavior;
My don’t-****-with–me first line of defense.
Surely some form of survival mechanism;
Meant in the narrow psychological sense.
Evidence of mental health or illness,
My cloaking device and shield,
Gift from Jove, my goombah father.
Dad: a powerful force in any child’s universe—
Be the patriarch dead, absent, retired on the job,
Out of the picture, just plain missing--or insane,
The latter, something you may not
Want to know about your gene pool.

So I’m really just a *****.
Forgive the expression, Germaine Greer.
A pussycat and big old teddy bear,
Mr. Sensitivity:
Wiping a warm washcloth between your legs.
Across puffed & pouted lips, gently.
After shooting a load of *** into you.
Or on your face: Spumante!

No, strike that last part.
Let’s start again.
I am a kind soul, a precious man.
The sort who likes animals;
Puppies, especially, and kittens too.
Savoring sunsets and flowers,
I serve you sweet gelato & Asti.
Sometimes I’ll spumante you with original love poetry.
My Muse: your gorgeous body delights me,
Your brilliant mind & noble spirit inspires.
Each night of the week I surprise you,
Prepare for you an exquisite home-cooked gourmet meal.
Served with your favorite Pinot Noir,
Brought to your elegant, candlelit dining room table,
By yours truly, wearing only a scarlet bow tie
And black silk jockstrap.
(Starting to get into this, Maureen Dowd?)
Later I’ll run you a relaxing bath,
So you’ll have something to do,
While I wash the dishes, scrub the pots,
Do a load of whites, clean your bidet,
And Swiffer®  (www.swiffer.com) the entire house.

By then, you are ready for your nightly spa treatment,
A 15-minute, deep tissue massage,
Followed by a hot oil treatment.
Next up is 30 nonstop delirious minutes,
Me, going down on you, without
Seeking any ****** gratification for myself.
In the morning I’ll make macadamia nut pancakes,
Your favorite, and brew you a fabulous cup of coffee,
From freshly ground beans, very rare beans
Salvaged from Karen Blixen’s last crop, before the fire
Completely destroyed her plantation in Kenya.
"I had a farm in Africa, Babaloo!

You can go shopping from dawn to dusk
With Ruth Madoff, while I go out & lose my soul,
Selling Dominican Republic timeshares all day and all night . . .  
(Cue West Indies Calypso: “All Day, All Night, Mary Ann!”)
Calypso-Harry Belafonte Songs, Reviews, Credits,
Awards www.allmusic.com/album/calypso. 1956.)
I’ll still find the time to open up for you
A line of credit at your favorite nail salon.
I’ll pay for weekly bikini waxes, hair and Botox treatments,
And the odd cosmetic surgery you may require.
I’ll pay your cell phone bill; I’ll pay off your college loans.
I’ll send money to your extended family in the Ukraine.
Yeah, that’s the kind of guy I am.
Your life with me will be every woman’s dream.

And, if you believe that,
You soulless Ukrainian ****,
Then monkeys will fly out of my Wayne’s World ****,
You stupid capital C for ****-*******,
Capital B for *****.
THIS JUST IN:
“Arms and the Woman,”
An article in Time Magazine, conveys a statistic:
Some 20 million women in the U.S. own guns.
As the NRA instructs:
Guns don’t **** people.
Women with Glocks **** people.

im a week clean
mostly because
of the two lives
that i have to keep going
two kittens
a boy named cheshire
and a girl named dorathy (or dot)
their gently enquiring eyes
checking to make sure
the tears have finally stopped
tracking down my face
their life as they
know theyve done
something naughty
as they sprint around my room
how they fall asleep
heads  resting on my chest
because they need me
theyre keeping me going
more than people realise

Who on earth would stack books like sticks?

Who would sit turning white-paper-pages
With blackened fingertips?

You should know that awaiting fire is nothing of a joke
Have you not heard of witches
on fiery trial, spitting curses
That just tightened the rope

And did you know
That the pages
Of every history book ever written
Once went up
In ancient whispers of smoke?

Every manuscript
Chronicling man’s unscripted
Fighting progression
It was
reduced to ash?

So we wrote it all again…
The Romans, messy, careless
And surely barbarians
We’ll adopt them as our
Ancient parents
Invaders of course,
Progressions must not
Be stifled by sentiment or remorse
The druids and their hoods
They left them among the leaves
In the woods
Before that
Well
No one can prove us wrong
We’ll say that humans
Hunted similar races
That were
Uglier but strong
Defeat, even eating them
Of course
That which stands before you
In physical form
Surely it cannot be wrong
Our history,
As far as we know
Is a tale of endless glory,
Since they tell of victory
In every song

So we’d made a start
The scholars are desperate
To start memorising the dates
Of all the events
That we are still
Required to create
Keep the candles burning
This could go on rather late

The bridges of London
We’ll say were built by English men
And when some malevolent
Invaders burnt them down
We built them up again
We’re resolute by nature
Bordered on two sides
Our land it does not shrink
We have intimidation in our eyes

Well we have all these haunted castles
Shakespeare used them in his plays
Let’s say we were conquered
By Normans
Hand-fought battles went on for days

We should be modest and believable
So let’s say they conquered us, so what?
If our past shapes our future let’s show
The things we are and what we’re not

We’re are a thing that empires covet
Some have tried many times
Our ships with crews that never sleep
Their cannonball
trajectory does not fall
They fly in a straight line

A book that chronicled a fire great
Reducing our capital to a raven’s nest
Sadly it was lost, Pepys wrote so well,
So we’ve told Dickens to try his best

We recreate from memories of books
The pictures help as well
Medieval times were all heads on sticks
It resembled what we’ll call hell

Heaven, that’s where the noble live
Those that were so gallant and brave
falling in their tons on the battlefield
Winged skeletons rising from their remains

The bible, as you know, survived the fire
It continues to teach us and guide
Reminds us of the elasticity of time
And encourages a most conscientious mind

We made adjustments, here and there,
Lazarus rising for example, readers in mind
We couldn’t let that tragic scene end
Without him delivering his warning on time

We think of the greater good you see
For the good of you, and the good of me

The plague, bubonic, spreading like fire
Is a fiction covering something dark and twisted
I can’t begin to describe how as the death toll rose
Our king fled for Belgium as the demons persisted

The history of London is actually unknown!
Well you would moan, but what did you think?
The Thames is a man-made canal they froze themselves
when ice skate sales were on the brink

And bodies that fall in, still alive or dead
They scoop them up, make wigs and cut textiles
The ones still breathing are given the job of
Gathering the bones of the executed neatly arranging them in piles

Jack the Ripper, Member of Parliament I should say
Was in charge of cleaning up east London crime
His method was questionable, objections from
Speakers in parliament, but murders in a year went from 38 to 9

Henry, yes he was large, rotund, had his fun with women,
But each of his wives was ensnared by courtiers in cloaks
They were promised recompense, rewards that never materialised
When they killed him, each time, they picked a lookalike from the village folk

And I’m no historian, but why assume
That soldiers marched all the way from Rome
To what was of little value,
Cold, wet, a far cry from home

No evidence of course,
They just put themselves about
And there’s a good chance,
The Vikings came, you could see bridges,
Burning in their eyes, they arm-wrestled
Journeying on longboats of considerable size

King Charles II had an imagination alright,
Kept the wine flowing alright,
Enquiring minds and lips
Were busied gulping it all down
And kissing women who span madly around
Their cheeks
The colour of rose hips...

Who are these men that hold books under their arm
In such a way as a woman clutches a purse?

They arrive in endless streams conversing in their
Small groups, absent mindedly
Opening and closing books that are in
Different languages,

My turn to take five, look after this place,
I’ll be just out back, chewing my wife’s sandwiches.

I eavesdrop a little, a vice of mine,
Hear them talking about their jobs
On the factory line
Men and machines, men as machines
Or machines made by men, machines
That dream in factory nights,
Locked away and out of sight,
Quietest place you’ll find

But they’re restless,
I’ve seen the machines sigh
I’ve seen the steam that shoots out
As the whistle blows calling time,
They are restless machines and

—The whistle blows and
The machines are wandering home after
Getting blind drunk,
Dreaming…

In a few hours they will be woken
By a jangling set of keys that
Starts them up an hour or two early
So that they are fully operational
When the hungover workers arrive
Beating their chests and
Stretching their lever-pulling arms,
The machines grind their gears in protest,
Become confrontational,
Grinding the axe for a while now,
They’re all worked up, high pressure,
And yet no one takes notice
The steam flowing as promised
The men are ready in wait
A little release of steam
Machine’s are functioning well today


Factories like these run themselves
With their routine set in stone,
you can whine and moan and they will,
Mostly to their wives on the phone
During their allotted break,
You can come back early, but never late,

Echoing a cuckoo-clock world
Of perpetual motion, the machines
Dream of a life outside, they have heard
So much about irons and their boards,
And baths with plugs on a chain,
Manhole covers, oven doors and drains,

The machines do what they were made to do,
Workers too, this job chose them
For their durability, stocky build, the confusion and
absence of revolution in their eyes,
Life’s lustre hides in Friday’s pies,
Yawning men find it in the coffee
*** as it boils on Monday morning,
On Tuesday it will taste like soil again,

And on rare occasions, you’ll see it
When the sun comes through the
Highest window, and eventually,
On the right day, the right time,
it reflects and refracts,
The whole factory is scattered
With light artefacts, as if glass was
Raining down from the sky,
They take five, in celebration of
Their planet’s undiminished charms,
And though a bit longer to enjoy them
Wouldn’t do any harm
They are ordered to resume order
Belts and levers and rivets and arms
Must pull, a few more hours of life
Set to whistles and alarms

Creak! *There’s another dodgy floorboard!
How quaint, we’ve gone back in time,
I can’t reach the books...
*Shall we walk past the pond
On our way to the tailors?
A fine suit, perhaps we’ll
Also need a coat and a pair of shoes

Every now and again I like to sit down,
On a park bench, pew, or a bar in town.
With a cup of tea, let my worries untie,
And give a moment for each passer by.

I drift from out of the fore to the scenery,
An extra within the biopics of humanity.
Each person has a vivid and complex life,
Someone they love: family, husband or wife.

Within each person is an epic untold,
Each a vessel of the tales they hold.
Some are of loss, some are of love,
Wandering nomadically from up above.

And in each of these stories I play a role,
Sitting on my perch, warding off the cold.
I am but a tiny part of their life's narrative,
At most a stranger they exchange a glance with.

And I wonder, how ignorant am I?
To let each one of them to pass me by,
Without stopping them and enquiring,
What each of them is most desiring?

They are all chaotically unique,
Each one of them a kind of freak.
All a bizarre consequence of nature,
Chemistry, and their family's nurture.

Wide eyed as this realisation becomes clearer,
I'm sitting here and out of focus in your theatre.
In the wings for my cue, not yet a factor,
To step on and become your lead actor.

From fields of sunshine
To dark and dusty basements
I followed you to the edge of the atlas
Yet I do it no more
Our paths will remain apart
As we've seen the edge
And you still choose to return
Enquiring why I do not
As you'll always have my back
Alas,
I know your secret
I saw the blade tucked
Away in your fist
You've got my back
Only to hoist your blade into it

Questions to be answered
Words understood
But do they make sense?
If not,
Explanations necessary
then the buts
may stop

She made a show of hesitating on the threshold,
Leaning against the doorframe.

She regarded him with a small, false, enquiring smile,
He said nothing, merely looked at her.

And still she advanced, still smiling,
The expanse of skin about her collarbone was mottled.

And there were hairline cracks in her make-up around her eyes,
Stop at the window, consider the view.

The sun shines on a glitter of green,
And summer strides up the hillside.

He watched her where she stood with her back to him and her arms folded,
As if she were holding another, slightly self clasped tightly to her.

He noticed her poor bare feet with their stringy tendrils,
Once the world had seemed to him, a rich, coloured place.

Now all he saw was the poverty of things,
And the ghost of a love past.

tree once was i
tall straight and true.
growing reaching
grasping for the blue patch of sky.

felled by men, all called Jack.
taken, stripped, naked
and beaten till no bark left on
my back.
slashed at torn shredded,
beaten to a pulp.
no way back,
to fresh air and blue sky.

flattened to skin's width,
stretched, rolled and dryed.
thirst, a memory of blue and
pearled sky.
blank without leaf or seed
barren and denied.

tattooed with wisdom deep
and scribblings inane.
cut into pages, windows
for enquiring brains.
words, that penned by
poets speak of forests
mighty,
of oaks and acorns,
growing.
places of intimate knowings.

tattooed, on my flesh,
stolen, rearranged.
reminiscent of recalling,
times of grace and falling.
book now i be.
but,
rather,
tree standing tall
and growing.

NO EXPECTATIONS

tiers & tiers
tiers upon tiers
of tears

like a great wedding cake
of grief

a Miss Havisham for real

cobwebbed expectations
setting one's self on fire
in a blaze of loss

by Marylebone Station she
sat down & wept
a policeman enquiring if "...Miss is alright?"

she gathers her
self together in a compact mirror
"Yes, I'm...fine. . .fine?"

but inside her
self is a. Dickens
of a tale to tell

Bi-curious seems like such a horrible term don't you think
I can't really put my finger on it
That's probably because I'm not allowed to touch what's not mine
But nobody said anythng about looking
And that's what I'm doing
I'm looking
Or searching
Or you could even say that I'm enquiring
Yes I am curious
But I'm not Bi-curiousi don't know if that distinction is as important as I make it out to be
I could say it in simple terms
I like boys and girls
Or I could say it in a label
I am bisexual
I have however come to one final conclusion
And that's that I'm not bi-curious
Or bisexual
I just see the beauty in all humans
And I want to indulge in said beauty
( Even though indulge might be the wrong word.............

NEVER TO BE TOLD

Oh joy!
Not one two

gentlemen magpies

conversing on
my crazy paving.

Two Fred Astaires in tails
awaiting their Ginger Rogers'

or merely waiters
enquiring

"Would Sir like to savour
the moment?"

Their white so....white.

Their black so...black
yet not-so...black.

Their viridian sheen
treasure for the eyes.

I teach my little girl
to rhyme them.

One for. . .
Two for. . .

as another
joins them.

"3 for a girl!""
I tell her.

"That's you!"
"That's me?"

All day she
chants and plays:

"I'm a magpie I'm
a magpie!"

Years later
when she has grown

far far
beyond this moment

( transformed into
a Punk Goth Princess )

she asks me why
I used to call her my magpie.

"Ah..." I say
kissing her spikey hair.

"Secret. . .
. . .never to be told."

It's been a while,
Since i drunk so much.
These days, my drug is just the smile,
I lay down, it's my new crutch.

I miss the days, that were softly red,
I miss the feeling of wanting dead.
My life is sore, but not so much more.

I wish, I wish I knew where to go.
Just sit in my calm place now, meadow.
It was all a lie, I told myself.
Instead, I put it on a higher shelf.

Do these feelings last?
Or do they simply pass.
I'm asking, not enquiring
something something requiring,
some strength and love,
is not enough, especially from above.

Was I always destined,
To be your friend or be your foe?
I do wish to answer, however, although....
I dont know, what to think no more.
I feel empty not just sore.


I feel like I've lost myself,
I ask for help I asked for help I ask for...
No more than the ordinary person.
Why can't I write how I used to?
Why can't I write only in pain.
Why can't I write when I'm feeling sane.
What is this curse?
What is this verse,
could it be any worse?
I feel so numb,
Down to my thumb.
I feel like I've lost my brain.

I feel so alone,
Yet I feel not alone.
I feel like I've lost again.

My back's not as bad as it was back before my back went
it seems to have come back.

Pain's never bearable, but the back pain's quite bearable and I'm bearing up very well,
thanks for enquiring, for wiring me your messages of goodwill.

On the clapometer, the thermometer registers red and so I'm still in my bed, but my back's feeling good
if I could
I'd give it a round of applause,
but any sudden movement and my back
might go where it went before.


Backs are
funny things really,
ideally
they should last a lifetime,
sometimes they don't,
I can't complain and no
need to explain why mine won't.

.............to sit down and reflect
on how we lived our life the past
years, months, weeks, days, hours...
it's not the only time to recall
the wrong decisions we made,  
the people who got affected, and
how we recompense(d) them...

Lent is not the only time to be kind,
to be giving to others...we go deeper
than thinking good...being good, and
doing good.......love must shine in
our actions and words, naturally,
it must radiate from within us
all the seasons in our lifetime...

older folks always told us children then:
"be patient...find time to read, try to
understand the Passion of the One
crowned with thorns...it could lessen
the stubbornness in you...or, change
some of your stubborn views..."

until now, i ask myself: if i had been there,
would i have stopped?
would i have helped Him in His sufferance?
this leads me to my own daily crosses...
the lightest, the easiest problems worry me,
without analysis...i quickly pray for solutions...
...i whine......even in silence, i complain...

most people have flown out of the country,
some are on their way to blue beaches
to play games on the sandy shores...
some stay home, watch movies on netflix...
me?..i am alone...but not really alone,
pondering by the garden....with two white
puppies nibbling on my toes and slippers,
naughty, exploring nonstop...ruining my oxygen
and money plants...messing the veranda floor,
i almost rang their former owner.....but,
their enquiring eyes did melt my heart...

these puppies, somehow, brought light
to my blurry mind....taught me to just
accept what is in front of me,
without asking questions....
i do believe...reflections
come off and on...anytime,
...lent is not the only time....
::::::::::::::::::::::::::::::::::::::
:::::::::::::::::­:::::::::::::::::::::
((Maundy Thursday reflections))

::::::::::::::::::::::::::::::::::::::::::::::::::­::::::::
     HAPPY EASTER, EVERYONE!!!   PEACE TO ALL.
::::::::::::::::::::::::::::::::::::::::::::::::::::::::::

­
Sally

© Rosalia Rosario A. Bayan
April 18, 2019

Baby, its you vs. them.

They only see
The things that don't fit in
That don't make sense
To their enquiring

They don't get
There is so much more
Than corporate and company
And a good credit score

They invest in you
**** that,
You're not an asset
They wait to see
What will you return
Company car?
Clinical depression?

Written on your walls
You quote to yourself
"Money can't buy happiness"

Written on their walls
The days penciled in
Numbers like a prison sentence

They throw you their doubts
All the reasons you'll fail
They tell you're stupid
For believing in yourself

They tell you to find some
Purpose, some meaning
They tell you to do this
From the list they have aproven  

**** that
*******
**** that ****
They keep making you do

**** that ****
**** all your doubts
**** your hypocrisy
Of praying to God
Praying that
Life won't knock you down too hard

Maybe you're right
Maybe I'm wrong
You're naive too though
If you believe
That this little construction
Is all that you need
That if you look just like
Act just like
Pretend just like
The rest

God won't pick up on your
Unhappiness

If you smile just right
Eat just right
Get paid just right
Then who will know you
You can't sleep at night.

Surely not me, I sleep just fine.

Scratch,
and it's quid pro..
but we all know
that fleas do as they please.

Lucid and clued in and
yet I'm glued to the screen
which gives birth to the babies
and life to the scream

****
I really should pick up a book
to
remember what words look like when
they're written.

so I did,
Bill Bryson's
(Notes from a small island)

Somewhere out there an enquiring
mind
is asking questions

don't allow your mind to stagnate
take it off the leash before it's too late
and you end up
glued to the screen.

NEVER TO BE TOLD

Oh joy!
Not one but two

gentlemen magpies

conversing on
my crazy paving.

Two Fred Astaires in tails
awaiting their Ginger Rogers'

or merely waiters
enquiring

"Would Sir like to savour
the moment?"

Their white so....white.

Their black so...black
yet not-so...black.

Their viridian sheen
treasure for the eyes.

I teach my little girl
to rhyme them.

One for. . .
Two for. . .

as another
joins them.

"3 for a girl!""
I tell her.

"That's you!"
"That's me?"

All day she
chants and plays:

"I'm a magpie I'm
a magpie!"

Years later
when she has grown

far far
beyond this moment

( transformed into
a Punk Goth Princess )

she asks me why
I used to call her my magpie.

"Ah..." I say
kissing her spikey hair.

"Secret. . .
. . .never to be told."

WORLD IS SUDDENER THAN WE FANCY IT

The world presents itself
outside the staff room door

as if it were a frightened child
told to report to the head.

It is a picture postcard scene.

There is more snow
than anyone could know
...what to do with.

Mistletoe &  holly frolic
...an obligatory robin bobs along.

Teachers...broke...smoke
...joke on their break

clasp strong steaming cups of tea
in their fingerless mittens
(more for comfort and warmth) .

Someone shrieks: “Oh! For god’s sake...give us a break! ”

Someone else has to “go to the loo or...” – they’ll burst!

We are not as the pupils imagine us as.

The heating’s gone again.

We watch each other’s breath
chatting...talking
you know
with any luck they’ll close
us and send us and the kids home!

Everyone silently prays: “Oh...please! ”

There is a knock on the door
that nobody pays attention to
...until they have to.

Outside...
in the amazing Dickensian Christmas scene
a little girl
dressed only in a vest and nothing else
shivers and taps once again.

Dazed – we let her in
hear our amazed voices
enquiring: “My God...where have you been...what are you doing? ”

Someone removes their jacket...puts it around her...she is lost in it.

She shivers still and tells us
she wants her big brother
(the only protection she knows) .

He is only one year older than her
...just started big school.

A shocked middle class voice asks:

“But where’s your Mummy? ”

The little girl...belligerent
and at war with the world

informs us that Mummy
was busy...******* a man

And put her outside in the snow
until the man had gone.

Outside snow continues to fall
oblivious to what any of us... think.

We present ourselves to this child
like the frightened adults we are.

Behind her brown eyes
there is more world
than we can even guess at.

How many more years will it be
before Mummy throws her in
...for an extra fiver.

In the room the men come and go.

Next year I will
attempt to teach her Maths
(how things are divided into Fractions)

And she will smile and say:
“Sir...are you having a laugh or what? ”

She won’t want to know.

Now...the snow settles
...covers everything.

The world is so
...pretty.

.
                 Foster-Child

               I can remember
            when I was a wee
           lad, wondering, but
           not enquiring, why
            houses were tied
                 to the poles.

              Years later it was
             requested of me to
            answer my unasked
              question when we
               visited the Millau
              Viaduct in France.


For.
Norman Foster.

^  ^  ^  ^  ^  ^  ^

Just a whisper of remembrance,
A brief touch on my shoulder,
And there you are!
Smiling, enquiring
Listening, reacting,
I shall let you go now
To be with them,
Your family,
Who love you so.
Your blood is their communion
What joy, what warmth,
You gave them and give them still.
How fortunate are they and we
To hear your whisper,
To feel your touch,
To love and be loved.