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"enactment" poems
my story will wander far and wide (as I myself do in my later life) in strange lands and strange tongues though strangeness never surprises me; and through centuries many will hear my story and watch an enactment, on stage or in other visual ways, and perhaps many will dismiss the story many might find it banal and strange a tale from a savage and mythic past and perhaps some will stand on grounds of purity and wonder that the story of Oedipus should even be remembered; and perhaps physicians of the mind might even analyze the symbolism - but surely, surely all who hear it will feel a discomfort an itch, an echo a nagging question or two: *why? what does Oedipus mean? why is this remembered?*
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Oct 18, 2010
Oct 18, 2010 at 2:38 AM UTC
Oedipus the wanderer
What brief utterance this, the color of time That gives more meaning than language can hold To force a confrontation between unresolvable contradictions Such as make malleable a gracious hospitality to ****** And sound trumpets of unwarranted discord That lie and lament the reputation and experience of damage Hold forth the envious clouds of displacement To provide for the vicious energies of hate Those oppressive weights of past problems That enactment of intense and exhausting experience Which embalms the tears of fresh bleeding Without impediment dictates the human existence Where the mistress of aggressive thought finds Extremity of dire mishap a strenuous protest Leads to well meaning certainty of illusion And asks, art thou so in love with masks that you Would transform thyself and as such Bind a loyalty of angers to thy touch
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Aug 21, 2012
Aug 21, 2012 at 4:21 PM UTC
United Nations and Syria (compiled in the tradition of William Shakespeare )
Georgiana Seymour,             Duchess of Somerset crowned _'Queen of Beauty'_ at the 1839 Eglinton Tournament,    the first known                         beauty pageant; W European festivals dating to the medieval era provide the most direct lineage for beauty pageants. For example, English May Day celebrations always involved the selection of a May Queen. In the United States, the May Day tradition of selecting a woman to serve as a symbol of bounty and community ideals continued, as young beautiful women participated in public celebrations; such as the beauty pageant held during the Eglinton Tournament of 1839, organized by Archibald Montgomerie,           13th Earl of Eglinton, as part of a re-enactment of a medieval joust that was held in Scotland;                                the pageant was won by Georgiana Seymour,                                   Duchess of Somerset, wife of Edward Seymour,                             12th Duke of Somerset, and sister of Caroline Norton;                 Georgiana proclaimed _"Queen of Beauty"_; Entrepreneur Phineas Taylor Barnum staged the first modern American pageant in 1854,           his beauty contest closed down after public protest; However beauty contests became popular in the 1880s;     In 1888 the title of _'beauty queen'_ was awarded to an 18-year-old Creole contestant at a pageant in Spa, Belgium. All participants had to supply a photograph & a short description of themselves to be eligible to enter; a final selection of 21 judged by a formal panel. Such events were not regarded as respectable; But beauty contests came to be considered more respectable with the first modern _"Miss America"_            contest held in 1921; Still the oldest pageant in operation,   the Miss America pageant was organized in 1921 by a local businessman as a means to entice tourists to Atlantic City, New Jersey; The pageant hosted the winners of local             newspaper beauty contests in the _Inter-City Beauty Contest_ & was attended     by over one hundred thousand people; _Sixteen-year-old Margaret Gorman of Washington, D.C. was crowned Miss America 1921, having won both the popularity and beauty contests, and was awarded $100_
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Sep 1, 2018
Sep 1, 2018 at 10:04 AM UTC
Queens of Beauty
Georgiana Seymour,             Duchess of Somerset crowned _'Queen of Beauty'_ at the 1839 Eglinton Tournament,    the first known                         beauty pageant; W European festivals dating to the medieval era provide the most direct lineage for beauty pageants. For example, English May Day celebrations always involved the selection of a May Queen. In the United States, the May Day tradition of selecting a woman to serve as a symbol of bounty and community ideals continued, as young beautiful women participated in public celebrations; such as the beauty pageant held during the Eglinton Tournament of 1839, organized by Archibald Montgomerie,           13th Earl of Eglinton, as part of a re-enactment of a medieval joust that was held in Scotland;                                the pageant was won by Georgiana Seymour,                                   Duchess of Somerset, wife of Edward Seymour,                             12th Duke of Somerset, and sister of Caroline Norton;                 Georgiana proclaimed _"Queen of Beauty"_; Entrepreneur Phineas Taylor Barnum staged the first modern American pageant in 1854,           his beauty contest closed down after public protest; However beauty contests became popular in the 1880s;     In 1888 the title of _'beauty queen'_ was awarded to an 18-year-old Creole contestant at a pageant in Spa, Belgium. All participants had to supply a photograph & a short description of themselves to be eligible to enter; a final selection of 21 judged by a formal panel. Such events were not regarded as respectable; But beauty contests came to be considered more respectable with the first modern _"Miss America"_            contest held in 1921; Still the oldest pageant in operation,   the Miss America pageant was organized in 1921 by a local businessman as a means to entice tourists to Atlantic City, New Jersey; The pageant hosted the winners of local             newspaper beauty contests in the _Inter-City Beauty Contest_ & was attended     by over one hundred thousand people; _Sixteen-year-old Margaret Gorman of Washington, D.C. was crowned Miss America 1921, having won both the popularity and beauty contests, and was awarded $100_
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49
It's been a long while but I've no trace of time. I'm covered in brown mud, piled over with rusty red and orange leaves. I lay at the foot of what now, is an old friend. It's not easy to get much sunshine the large Oak's roots are what both isolate and keep my company. I'd been loved a long while but that story is an old life lived a memory that became a fantasy time stretched until it's bonds broke. They tried to recover me, for a short while for something that mirrored commitment at such a young and impressionable age. They hunted in and out of trunks of the large Oak's home never to find where I lay. Embedded in October's leaves. Yet, distance didn't make the heart grow fonder. I'd been lost and long forgotten at the brink of dusk, at the ring of a more warming love. They came back, once or twice, to test the shaded wood, the darkened dirt. They came back until leaves covered me eye-high. If they were still yelling for the track of my presence I could no longer hear them. Even if they were still scouring built-down woods, I could no longer see them allow them to catch my eye. Even if they still loved me I could no longer feel them covered by cracked dirt, and crumpled leaves. The roots had become my lover now grown to hug my rounded hips my heaping dirt-covered smile. The wind doesn't play with me much only to allow a sweeping kiss of leaves, or to pick the dirt coat from my back and donate to a better cause the warming of a seed that tiny Christmas Rose. I quit listening long after I quit looking, looking for the boys that had once loved me. Only then did he come sticky handed, dressed in metal, and armed to save a princess. Engrossed in his enactment, poking swords at my Oak demanding emptied branches release his Rapunzel, I saw him catch glimpse of my rounded edges. I didn't notice until I looked up into those adventurous eyes. He knelt, gigantic in young age, he plucked me easily from my big Oak roots. He wiped dirt from my body slowly and softly like I was new-found treasure Like I was the gold every child hunts for in their own back yard. He ran his rough thumbs on my edges never lifting his eyes from his fingers on that short walk home. He rinsed me clean under warmed water, wondered about my stories then dusk came. I was tucked warm under his protection under that imaginative mind, and the boy made me his own.
0
Oct 30, 2012
Oct 30, 2012 at 7:52 PM UTC
Only to the Lonely
It's been a long while but I've no trace of time. I'm covered in brown mud, piled over with rusty red and orange leaves. I lay at the foot of what now, is an old friend. It's not easy to get much sunshine the large Oak's roots are what both isolate and keep my company. I'd been loved a long while but that story is an old life lived a memory that became a fantasy time stretched until it's bonds broke. They tried to recover me, for a short while for something that mirrored commitment at such a young and impressionable age. They hunted in and out of trunks of the large Oak's home never to find where I lay. Embedded in October's leaves. Yet, distance didn't make the heart grow fonder. I'd been lost and long forgotten at the brink of dusk, at the ring of a more warming love. They came back, once or twice, to test the shaded wood, the darkened dirt. They came back until leaves covered me eye-high. If they were still yelling for the track of my presence I could no longer hear them. Even if they were still scouring built-down woods, I could no longer see them allow them to catch my eye. Even if they still loved me I could no longer feel them covered by cracked dirt, and crumpled leaves. The roots had become my lover now grown to hug my rounded hips my heaping dirt-covered smile. The wind doesn't play with me much only to allow a sweeping kiss of leaves, or to pick the dirt coat from my back and donate to a better cause the warming of a seed that tiny Christmas Rose. I quit listening long after I quit looking, looking for the boys that had once loved me. Only then did he come sticky handed, dressed in metal, and armed to save a princess. Engrossed in his enactment, poking swords at my Oak demanding emptied branches release his Rapunzel, I saw him catch glimpse of my rounded edges. I didn't notice until I looked up into those adventurous eyes. He knelt, gigantic in young age, he plucked me easily from my big Oak roots. He wiped dirt from my body slowly and softly like I was new-found treasure Like I was the gold every child hunts for in their own back yard. He ran his rough thumbs on my edges never lifting his eyes from his fingers on that short walk home. He rinsed me clean under warmed water, wondered about my stories then dusk came. I was tucked warm under his protection under that imaginative mind, and the boy made me his own.
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171
Post-truth. Post-satire. Monsters celebrated as saviours. Wide-open, screaming ****** committed during every ad break. A dynamic new plan to power the national grid using snake oil. Hosts of remote-controlled, cybernetic angels raining down weapons-grade holy fire. Eternal peace declared between Eurasia and Eastasia. The trenches full up with poetic corpses. *** doll mouths breaking bad news to the bereaved. The orgiastic scarification of our own democracies. Blood sacrifices to the Black Friday Gods. The enactment of nursery rhyme into law. The Disneyfication of the human heart. Love only as legislated. Hate as currency and everyone a broker. Strange, reptile creatures ballroom dancing through the sludge-filled annals of imminent history. Endless war between Eastasia and Eurasia. A thousand candles lit in memory to all the moths that burnt to death.
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Nov 28, 2016
Nov 28, 2016 at 1:37 PM UTC
November Epistle
what is this love for I have beheld it cast in metamorphosis a love that makes transformations on the mind permissible transformations improvisations of the self in ****** intensity which emphasises the drama of sometimes, dark, violent and repressive potentials vicious energies of hate and ambition that propel the enactment of intense and exhausting experience of vigorous vertiginous chaos indomitable in its desires what is this love is it a registered predicament made memorable by vivid language that would butcher in ritual gratuitous memories and testify to an urgency of unwisely relinquished emotion what is this love does it flourish in flawed and unreasonable understandings accumulated upon the mind in vicarious thrill of sympathy where traits are highly exaggerated and eagerly anticipates the oppressive weight of the past that functions upon a common collapse of distinctions or does it manufacture artificial precepts pretending in attractive collaboration to associate fiction rather than fact what is this love is it that by treaty or inheritance with loving ferocity would embalm all tears and hide all those collaborations in flared conflagrations of the heart and yes create a turmoil in the mind hotter than a thousand summers and vividly stamp upon a twisted body a moral viciousness of fathomless malice that wouldst close its ears to the admonitions of conscious and thus through an improbable incantatory verbal rite touch the hidden order of all things in disassembling nature what is this love if only it was known
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Aug 17, 2013
Aug 17, 2013 at 5:26 PM UTC
What is this love?
what is this love for I have beheld it cast in metamorphosis a love that makes transformations on the mind permissible transformations improvisations of the self in ****** intensity which emphasises the drama of sometimes, dark, violent and repressive potentials vicious energies of hate and ambition that propel the enactment of intense and exhausting experience of vigorous vertiginous chaos indomitable in its desires what is this love is it a registered predicament made memorable by vivid language that would butcher in ritual gratuitous memories and testify to an urgency of unwisely relinquished emotion what is this love does it flourish in flawed and unreasonable understandings accumulated upon the mind in vicarious thrill of sympathy where traits are highly exaggerated and eagerly anticipates the oppressive weight of the past that functions upon a common collapse of distinctions or does it manufacture artificial precepts pretending in attractive collaboration to associate fiction rather than fact what is this love is it that by treaty or inheritance with loving ferocity would embalm all tears and hide all those collaborations in flared conflagrations of the heart and yes create a turmoil in the mind hotter than a thousand summers and vividly stamp upon a twisted body a moral viciousness of fathomless malice that wouldst close its ears to the admonitions of conscious and thus through an improbable incantatory verbal rite touch the hidden order of all things in disassembling nature what is this love if only it was known
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52
Despite the daylight It was going to be a torment of fright Footsteps that stomp the streets A past from the underworld neighborhood in their retreat Every footstep in wanting to be heard The moans with the multitude in being a herd Every pounding heart is the coming stomp of footsteps The neighborhood questioned often in their why, but heard stories that seemed a lie An old man would sit and tell the tail The neighborhood listened to every detail Stomping footsteps an enactment of the trail Former citizens who previously lived in the neighborhood They were part of “Spirits Concealed”, a consultation group in casting out spirits But a curse was transformed and it ended the neighborhood in defeat The curse has caused deceased stomping footsteps in being unrest Who will live will be anybody’s guest? Now the spirit footsteps must roam the streets Looking for new souls to live in as an eternity feat The footsteps are determined to get revenge Endless mark of no trail and the spirits soul that won’t fail It’s let the games begin The walking until when Taking refuge on new citizens to the neighborhood But they will be living on if they could Followed by even if they would It’s the footsteps that continue to preserver The moans are the diehards of the fear The walking footsteps not wanting anyone to come near Death in the footsteps search, and the soul being what they want.
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Oct 21, 2014
Oct 21, 2014 at 4:26 PM UTC
THE STREETS HAVE FOOTSTEPS
Such vicious energies of hate That propels an enactment Of intense and exhausting experience Where vigorous rhetoric of contending factions Show inability to shape a moment into coherent form Providing only chaos
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Aug 28, 2013
Aug 28, 2013 at 10:53 AM UTC
Belfast Riots
Her legs hang low, just above the night's whispering tide, illuminated only by dawn's dim light. Polar limbs and the nonlinear confide. She does not hide. No, not on this night. Her outstretched arms question the supposed limitless oblivion. For foot by mile, lightyear by revolution, she has seen everything: Loves enactment upon re-enactment, The crying of the lost and lonely infant, the rodent's of the night that creep and crawl along a city's cobblestone streets, and she has seen two worlds fall asleep time and time again. The moon has already heard forever yet each night she listens to a different tune. The moon is forever. The light and the wise coccoon.
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Nov 17, 2011
Nov 17, 2011 at 8:47 AM UTC
The Moon
my brother is the safe environment I’ve created for the history of my lord.  political awareness, I mean, I mean, is a darkness.  my eyeglasses tell me you’ve been to see a train station.  do animals wait?  several impatient years later, two blindfolded mouth-breathers walk cheek to cheek in an Ohio fog that combs forward worms the length of a screen name on craigslist.  I am nearly pronouncing krokodil until my tongue disappears so I can pronounce it correctly for my mother’s not frostbit ear.  as for the two, they are mistaken by the disembodied poetics of local policing as the trophy nose of an odd-for-these-parts moose.  any re-enactment is my father the victim of a spirited birth.
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Dec 7, 2013
Dec 7, 2013 at 11:20 PM UTC
messianic allure
Life must be carried on with contentment We must develop an enough sentiment All our ideas we must try to implement Doing the best not for just compliment Efforts to succeed we must augment Waste not time in useless argument Go for wise and shrewd agreement And ever work for World's betterment We must perform well our assignment Sending kindness as our consignment Work hard for our fine goals' attainment By accepting arriving disappointment We must make our rules" enactment Acting always with real commitment We must obey God's Government mvvenkataraman
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Mar 10, 2013
Mar 10, 2013 at 10:46 AM UTC
For No Resentment, Instead Enjoyment
the problem is that we still care about the effects. We still plan, we still schedule what we are about to do. What we MUST do, right? We want to be always ready, to always have plan B close-by, because we don't really like any kind of surprises. But you know what? We lose everything by sitting and calculating, organizing the things as we want to, and they will fly by and... We wake up, then, with tons of list in your hands that you were expecting to tick. And time passes, because it does not forgive, and you end up realising how you can lose any essence, sense and purpose.
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Aug 1, 2018
Aug 1, 2018 at 4:12 PM UTC
re-enactment
Are you scared Johnny Reb? Yeah I guess I am too With each re-enactment The grey and the blues Get under my skin 'til it's just me and you In our animal colors All black and bad news Are you scared Johnny Reb? 'cause I've heard hunting men Is just one hard **** then again and again It is joy past the point of all drugs and all zen Let the next re-enactment We enact again Have the slightest addition Of two powdered men I've come to consider you More than a friend So honestly Johnny Between us too men Let the end of our war Be decided again
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Aug 10, 2012
Aug 10, 2012 at 3:43 AM UTC
Civil War
I read some poems badly and in bad light, here: https://www.youtube.com/watch?v=QR3w2eHYE5Q from 12.9.13 messianic allure my brother is the safe environment I’ve created for the history of my lord. political awareness, I mean, I mean, is a darkness. my eyeglasses tell me you’ve been to see a train station. do animals wait? several impatient years later, two blindfolded mouth-breathers walk cheek to cheek in an Ohio fog that combs forward worms the length of a screen name on craigslist. I am nearly pronouncing krokodil until my tongue disappears so I can pronounce it correctly for my mother’s not frostbit ear. as for the two, they are mistaken by the disembodied poetics of local policing as the trophy nose of an odd-for-these-parts moose. any re-enactment is my father the victim of a spirited birth.
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Apr 24, 2014
Apr 24, 2014 at 4:10 PM UTC
(self, reading, poems) as in: camera ugly and also, this poem - messianic allure - from 12.9.13
Why don't I meet those students? I can be a teacher I am a teacher not teaching English in a community college or NYC for that matter yet a teacher and I have Freudian asymmetries I mean I am hung up on women on old world literature on promiscuity , racial mixing tense ****** moments. I am also quite frank to myself, to my sensibilities my self centered world. I do have students who seem to be interested in chitchats outside class those evening walks grabbing coffee somewhere learning a thing or two about life, men. I mean, their chief complain they have dated boys missing pseudo-intellectuals & everyday enactment of 'Oedipus Complex' in reverse. I see compelling eyes, provocative bodies, keen to learn, waste and start from scratch yet I don't meet those girls who would rip apart my three year old marriage keep me pseudo-happy for the time have *** in claustrophobic venues in unknown hours of the day make me quit jobs, sanity and pragmatism marginalize me to despair and defacement to inevitably break up with me so that I can write a book or two about it Random House may be interested and I would have to turn forty, without a single care in this whole, wide world
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Mar 25, 2012
Mar 25, 2012 at 6:05 PM UTC
Unnamed
A tremble begins to settle on seething skin She is a maker of parasitical kin It does not consume like a dancing fire But it amplifies with a vision of curdling desire Just like a mother, it grows like a molding seed A miracle of the asexual spirit in a world of greed Abrupt in nature, beloved by its own flesh and blood It left an intangible mark inscribed on her soul in disguise of a hunch A precautionary tale serves a special prevention of the ugly occurrence What a marvelous delight it becomes when it reverts as a guide, full of opulence But not in a sense of monetary value, rather a calculated demise How does one understand a raw creation of wrath? What will she become after venturing the thorny path? Does an inquiry halts her progress in activating fury? Is there an object of her ire that requires a narrative of her mutiny? Why does the poison never spread like death in a rush? Can she possibly raise an army to march with an uncontrollable urge of violence? When will she endure the thinning of her lips to match the peace of a deafening silence? Is there a warning to keep herself intact for the coming apocalyptic days? Will it save the dormant history of her being through enactment of saving face? The question remains unanswered, but the fulfillment of the instrumental vengeance shall prevail The inappropriate conception is almost complete to its term A note emerges from an acidic confinement for the preparation of a womanly stern This clump of a girl is not a shameful creation for the sake of tragedy If anything, the child's fulfilling rage will cleanse her ancestors as a token of remedy There is no reminder of a continuing paternity names on her birth No need for prophetic visions as she strikes down the Earth An abundant offerings on her behalf shall never satisfy her As the melting iron starts to sizzle the plumper skin, the blinding nostalgia of rage tastes better She has no patience for warnings to initiate an appropriate plan The hour of her sustainable war has begun
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Jan 3, 2024
Jan 3, 2024 at 11:59 AM UTC
Beware, Ragemakers
A tremble begins to settle on seething skin She is a maker of parasitical kin It does not consume like a dancing fire But it amplifies with a vision of curdling desire Just like a mother, it grows like a molding seed A miracle of the asexual spirit in a world of greed Abrupt in nature, beloved by its own flesh and blood It left an intangible mark inscribed on her soul in disguise of a hunch A precautionary tale serves a special prevention of the ugly occurrence What a marvelous delight it becomes when it reverts as a guide, full of opulence But not in a sense of monetary value, rather a calculated demise How does one understand a raw creation of wrath? What will she become after venturing the thorny path? Does an inquiry halts her progress in activating fury? Is there an object of her ire that requires a narrative of her mutiny? Why does the poison never spread like death in a rush? Can she possibly raise an army to march with an uncontrollable urge of violence? When will she endure the thinning of her lips to match the peace of a deafening silence? Is there a warning to keep herself intact for the coming apocalyptic days? Will it save the dormant history of her being through enactment of saving face? The question remains unanswered, but the fulfillment of the instrumental vengeance shall prevail The inappropriate conception is almost complete to its term A note emerges from an acidic confinement for the preparation of a womanly stern This clump of a girl is not a shameful creation for the sake of tragedy If anything, the child's fulfilling rage will cleanse her ancestors as a token of remedy There is no reminder of a continuing paternity names on her birth No need for prophetic visions as she strikes down the Earth An abundant offerings on her behalf shall never satisfy her As the melting iron starts to sizzle the plumper skin, the blinding nostalgia of rage tastes better She has no patience for warnings to initiate an appropriate plan The hour of her sustainable war has begun
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31
i have given hearing to deaf ferocious monsters with well meaning incompetence i have disturbed the reality and illusion of human identity where i am enmeshed in insoluble confusions of difficulties where i find strange images touching on the grotesque and ask what is myself what are the guarantees of my identity by what right is a name possessed by what means is my individuality secured these questions in my mind have a curiously derivative quality that pretend to govern themselves where they collaborate in their own oppression and make assumptions upon ethical behaviour and social institutions which represent fictions rather than fact function in a world of collapsing distinctions of artificial precepts where these now hearing monsters with vicious energies of hate and ambition that propel the enactment of intense exhausting experience of a mind spiraling vertiginously toward an inner chaos that proclaims I am myself alone without moral constraints yet register vast predicaments with the memorability of vivid language but with an individual rapaciousness that creates an amalgam of narratives with the oppressive weight of the past designed to induce this evaluative vertigo with such ferocity to produce a turmoil of demons monsters of evil, whose viciousness is vividly stamped upon their bodies that declares their fathomless malice sending my mind into a cruelly disassembling nature where i have given hearing to deaf ferocious monsters
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Jul 13, 2014
Jul 13, 2014 at 9:43 AM UTC
deaf ferocious monsters
Italian love songs                               Canzoni d'amore italiane fires the need, touch touch caress.         alla necessità, tocco tocco carezza my hand engulfs her little finger,               la mia mano avvolge il suo mignolo sliding down from her knuckle,                 scivolando giù dalla sua nocca, to the glassine hard smooth of                 alla glassina dura liscia di a petite fingernail, contradicting,             un'unghia minuta, contraddittoria, confirming the sensational opposition     confermando l'opposizione sensazionale the forefinger performs a solo,                 l'indice esegue un assolo, exciting the ear’s topography,                   eccitante la topografia dell'orecchio, the sexuality of hill, vale, spaces,             la sessualità di collina, valle, spazi, curvatures extending an invitation,           curvature che estendono un invito, the neck, plane of the neck, take             prendere il collo, piano del collo I’m no longer of surety possessing,         *Non ** più la garanzia di possedere,* is it my finger or my tongue, is it               è il mio dito o la mia lingua, vero? that my finger became my tongue,         che il mio dito è diventato la mia lingu, all senses at attention, blurred,               tutti i sensi all'attenzione, sfocato, the love song enactment, touch               recitazione della canzone d'amore, tocco                        <> the confusion of love is its clarity, the master and the slave becoming one la confusione dell'amore è la sua chiarezza, il padrone e lo schiavo diventano uno
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Oct 19, 2019
Oct 19, 2019 at 8:43 AM UTC
Italian love songs Canzoni d'amore italiane
Italian love songs                               Canzoni d'amore italiane fires the need, touch touch caress.         alla necessità, tocco tocco carezza my hand engulfs her little finger,               la mia mano avvolge il suo mignolo sliding down from her knuckle,                 scivolando giù dalla sua nocca, to the glassine hard smooth of                 alla glassina dura liscia di a petite fingernail, contradicting,             un'unghia minuta, contraddittoria, confirming the sensational opposition     confermando l'opposizione sensazionale the forefinger performs a solo,                 l'indice esegue un assolo, exciting the ear’s topography,                   eccitante la topografia dell'orecchio, the sexuality of hill, vale, spaces,             la sessualità di collina, valle, spazi, curvatures extending an invitation,           curvature che estendono un invito, the neck, plane of the neck, take             prendere il collo, piano del collo I’m no longer of surety possessing,         *Non ** più la garanzia di possedere,* is it my finger or my tongue, is it               è il mio dito o la mia lingua, vero? that my finger became my tongue,         che il mio dito è diventato la mia lingu, all senses at attention, blurred,               tutti i sensi all'attenzione, sfocato, the love song enactment, touch               recitazione della canzone d'amore, tocco                        <> the confusion of love is its clarity, the master and the slave becoming one la confusione dell'amore è la sua chiarezza, il padrone e lo schiavo diventano uno
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38
(a tale of goodbye) I know this is not the end but, it feels like it. Patiently I wait until we perform our last scene together. Possess by the passions of two star-crossed lovers, our enactment brought silence over the room. Anxiety flushes over me as we take our final bow and the curtain closes. Secretly my heart hopes for a standing ovation, even an encore. I yearn for one last moment to spend with you in our short story. Sorrow engulfs my entire being. My body starts rejecting the thought of losing you. As I look into your eyes, I reflect back on how beautiful we were together. I question... Can we add another scene? Why does it have to end? ~Butterfly εїз  2011©
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Mar 4, 2014
Mar 4, 2014 at 1:07 PM UTC
Before The Curtain Closes~
one. two. three. four. i am still breathing. tonight and every night, your fingers in my hair as you **** me. hard. almost to the point where i wish for no mercy. one. two. three. four. five. six. it's at the point where i no longer question it, though i am often surprised by the popular opinion, for the internet is a bad place to be when i have questions. i have been told i should be choking, i should not enjoy this, there should be no enactment of agency to be found within this moment. one. two. three. four. five. six. seven. eight. nine. ten. and each time i do this i do not want to apologize, not for the gasp that escapes my lips as you bite me, the grip of your fingers around my wrists, the whole of your weight against me as you pin me to the bed, or even the frantic motion in which i move to kiss you. for there is no point in questioning the logic of how my lungs and body breathe together in this natural state of being.
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Nov 20, 2013
Nov 20, 2013 at 1:08 PM UTC
breathing
*don't harangue my life with care for pity at woman's idiocy, not having adopted Caesarian birth as universally adequate and prospering her, to instil this barbaric guilt in me wondering why women, of all mammals had no natural anaesthetic produced when giving birth... **** your little guilt-trip argument! Caesarian or no argument!* to be robbed of a glorious death, and be given an inglorious birth, esp. when women were given an ease with a Caesarian birth diplomacy... what's there to retain for man? ardency in labour? old age? i too was robbed of what Caesar described as the ideal death: the sudden one... am i to wait for my sickbed... if i only chanced the thrill of life within one sunset and sought no night to encompass my life as worthy compensation of nothing. a life lived to the bell-tone of a replaced uvula, no care for charity asserted... in that one momentary exception of all life prior, to have lived it, and hence entombed, readied for the element acquiring me to further its signature... as sustainable... i'd rather die a painful death that live a comfortable life: pain is eased with its short-lived establishing awareness when the glory prior is "prolonged" ascribed to the fates akin to Achilles... and indeed pain is merely pain with its prolonging on the sickbed... counter heroism, so defeatist; how many times am i to be robbed? to thus experience such shallows of thieves with cheap constantly expedient thievery? i've had enough to concede to a juggle of fates and fortunes! one smooth stroke of the ace rather than the many axe-hackings of the neck of ****** Mary. bothersome agitations via pride, honour and braveness, only if they do not happen, and should they, they'd be undertaken, but to no quest of celebratory non-enactment, i.e.: farting rather than ******** prior: to be given a wave of the standard acupuncture of infantry: as guarantee of mythology; and a nobleman on his horse without a stirrup prior to the *** intervention.
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May 25, 2016
May 25, 2016 at 10:14 PM UTC
if my life was only worth one haiku
*don't harangue my life with care for pity at woman's idiocy, not having adopted Caesarian birth as universally adequate and prospering her, to instil this barbaric guilt in me wondering why women, of all mammals had no natural anaesthetic produced when giving birth... **** your little guilt-trip argument! Caesarian or no argument!* to be robbed of a glorious death, and be given an inglorious birth, esp. when women were given an ease with a Caesarian birth diplomacy... what's there to retain for man? ardency in labour? old age? i too was robbed of what Caesar described as the ideal death: the sudden one... am i to wait for my sickbed... if i only chanced the thrill of life within one sunset and sought no night to encompass my life as worthy compensation of nothing. a life lived to the bell-tone of a replaced uvula, no care for charity asserted... in that one momentary exception of all life prior, to have lived it, and hence entombed, readied for the element acquiring me to further its signature... as sustainable... i'd rather die a painful death that live a comfortable life: pain is eased with its short-lived establishing awareness when the glory prior is "prolonged" ascribed to the fates akin to Achilles... and indeed pain is merely pain with its prolonging on the sickbed... counter heroism, so defeatist; how many times am i to be robbed? to thus experience such shallows of thieves with cheap constantly expedient thievery? i've had enough to concede to a juggle of fates and fortunes! one smooth stroke of the ace rather than the many axe-hackings of the neck of ****** Mary. bothersome agitations via pride, honour and braveness, only if they do not happen, and should they, they'd be undertaken, but to no quest of celebratory non-enactment, i.e.: farting rather than ******** prior: to be given a wave of the standard acupuncture of infantry: as guarantee of mythology; and a nobleman on his horse without a stirrup prior to the *** intervention.
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The light has already cast itself into the dark corners of this shameful story: a man who was despised and fell towards death, only for his presence to remain. Is it such a hard lesson to learn that it is over, and two millennia past? And yet we mortify ourselves with holy guilt when we could enjoy these spring days bursting with the budding leaf, the floating blossom. Is there really a need for this re-enactment of selfishness and death?  Are we such poor dumb souls that we observe a Friday to remind us how it was? There is a presence in our midst: the Eternal Christ who lives among us, an incarnate being continually blessing us with love.
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Apr 18, 2014
Apr 18, 2014 at 4:44 AM UTC
Good Friday
The discomfort Of my comfort zone Far outweighs The discomfort Of The unknown To live Alive Surpasses The enactment of A living death
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Dec 10, 2016
Dec 10, 2016 at 6:17 PM UTC
Living Discomfort
Between tree line and snow line, the alpine plants survive. Cold and desiccation are enemies, but there is no surrender. Clonal propagation is adequate: *** is often dispensed with. Between fame and indifference, the quiet people settle. Ice is melted by family life. Coupling does occur: but surreptitiously. Between the eccentric and the outrageous, my love lives. No-one is ever oblivious to her presence. An immediate outflow of passion is always an option. Time to go upstairs, dearest one. Time for a re-enactment of the big bang. Time to roar. My! Where did you learn to do that, Cynthia?
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May 11, 2014
May 11, 2014 at 8:08 AM UTC
No half-measures
You lie on this bed with no sheets, only ghosts you touch your lips in movement, you deliver words of an author unashamed of his own limitations. You seek to erase what has been: out of context – unimportant, inside this body -- crucial. Without hesitation, you let your words slip and your crimes spill and you still haven't left this bed. The third re-enactment is a joke; the lines you rehearse haven’t been yours in so long.
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Mar 28, 2017
Mar 28, 2017 at 5:18 PM UTC
re-enacment