Today I decided to go to my crib.
I then invited my homies to bid
that Lamar is goin to bring his kid.
So while I'll be chillin here popin some lids,
I noticed none of my homies have come to my crib,
not even Lamar and his kid.

So I tried actin all cool,
until I saw a small red pool.
I soon found myself a fool
by following that pool.

I found two brothers who were smothered in red.
One was dead,
and conceived a decapitated head.
It was Lamar who was stained red.

The otha brotha seemed to be a kid.
I said, "Why would you do somethin like this."
He said, "you will never find the otha bodies I hid."
I soon found my homies did make it to my crib,
Every single one of them were hung by the head.
They were all there except for Lamar's kid.

I

I'm trying t' find my ID.
I think I'm missing it.
This thing,
This bright, shining light,
It's hiding in my blindsight.
I'm swimming in mist,
Trying t' find ... "I"

First I'm living
In my crib;
Clinging wrists.

Flitting my crib,
I'm Shy
Crying, whiny twit, missing bitty,
With stinky kids, kicking kitty.

I'm missing my crib.

I'm piling thinking bricks with big kids.
Slimy, smirking ***** hiss 'n' spit.
I'm sitting still in ill-fitting shirts,
shirking sight.
Hiding might blind ****** kids crying, "It's billy!!! Skinny ****!!" 'n' smiling in fits.
"Try finding kind kids x"
Finding "whys" in rising minds.
My mind grinds.
I'm kicking tins, spilling drinks.
Sitting in IT,
Sir chillingly insists "it isn't "fly" spilling drinks! "Shy" brings skills. "Why" brings ills."
I'm still shy.

This crib's tiny.
Tiny minds, blind by bling.
Fit chicks with *******,
Thick ****** thinking with *****.
I flit this Brit ****.
Brisk flight,
I find "I"
Simply shimmying "ir(o)n lik(e) li(o)n in zi(o)n".

In Brit, I'm still shilling it,
Finding thrill in it,
Hiding 'til it lifts.
I'm brisk fixing it,
I'm hiding in drinks,
Finishing in clink.
Trying things,
High by night,
Slinking by, finding light.
Thinking "this is it!! I'm in!"
Tricky light. Light trick. Sight trick.
Lying in my mind
It's still ****.

Is it?

His birth...
This child is my kid!
This brill kid!
I'M in this kid!
Big grin :D

First kid is big kid,
Mid kid is silly kid,
Quickly hitch my Miss.
Third kid. This kid, this girl is my girl.
Brill kids!

I bring my bling by flipping kids thinking bricks;
Fixing bits in thinking ink;
I'm finding it stinks.
Kids drink slick skills.
My mind chills with mind filling drills.
Kids grinding, crying spills -
"Sir, it's **** innit?
With missing mining, missing mills,
Im plying skills by filing bills."

I'm plying skills with mind pills.

Mrs "I" is criticising my id
Im minding my Ps n Qs
Biting my lip
Fists tight, shifting slightly
Slinking nightly
This is ****
Hit slight hitch
Hit BIG hitch
"'kin *****!"
I finish with my Mrs

Kids split 'twixt cribs.
Kids trips fix splits.
Kiss lips ***,
"Night night x"
"Light?"
Click light.
Right, "night!"

I'm hiding my ills in girls.
IT pimps, swiping right.
Primp ****.
Minging swill.
Fit chick.
Swift flirt.
Flirt, kiss, flirt, kiss.
Big ****.
Tight slit.
Milky spit.
Wiping ****.
Hiding ***** sight in mind,
I find it sticks.

I drift

Stick tight
Fighting my plight
Grin
"It's 'right"

Missing my crib
My ID
I'm finding my mind
Sticking with it
Fighting silly flirting ****
Try finding inspiring sights
My kids
My crib
My Inking
My Writing
My mind
My eye

I'm kind

I'm "I"

by John Greenleaf Whittier  (1807 – 1892)

“As the Spirits of Darkness be stronger in the dark, so Good Spirits which be Angels of Light are augmented not only by the Divine Light of the Sun, but also by our common Wood fire: and as the celestial Fire drives away dark spirits, so also this our Fire of Wood doth the same.”

        COR. AGRIPPA,
           Occult Philosophy, Book I. chap. v.

“Announced by all the trumpets of the sky,
Arrives the snow; and, driving o’er the fields,
Seems nowhere to alight; the whited air
Hides hills and woods, the river and the heaven,
And veils the farm-house at the garden’s end.
The sled and traveller stopped, the courier’s feet
Delayed, all friends shut out, the housemates sit
Around the radiant fireplace, enclosed
In a tumultuous privacy of storm.”

                                       EMERSON

The sun that brief December day
Rose cheerless over hills of gray,
And, darkly circled, gave at noon
A sadder light than waning moon.
Slow tracing down the thickening sky
Its mute and ominous prophecy,
A portent seeming less than threat,
It sank from sight before it set.
A chill no coat, however stout,
Of homespun stuff could quite shut out,
A hard, dull bitterness of cold,
That checked, mid-vein, the circling race
Of life-blood in the sharpened face,
The coming of the snow-storm told.
The wind blew east; we heard the roar
Of Ocean on his wintry shore,
And felt the strong pulse throbbing there
Beat with low rhythm our inland air.

Meanwhile we did our nightly chores, —
Brought in the wood from out of doors,
Littered the stalls, and from the mows
Raked down the herd’s-grass for the cows;
Heard the horse whinnying for his corn;
And, sharply clashing horn on horn,
Impatient down the stanchion rows
The cattle shake their walnut bows;
While, peering from his early perch
Upon the scaffold’s pole of birch,
The **** his crested helmet bent
And down his querulous challenge sent.

Unwarmed by any sunset light
The gray day darkened into night,
A night made hoary with the swarm
And whirl-dance of the blinding storm,
As zigzag, wavering to and fro,
Crossed and recrossed the wingàd snow:
And ere the early bedtime came
The white drift piled the window-frame,
And through the glass the clothes-line posts
Looked in like tall and sheeted ghosts.

So all night long the storm roared on:
The morning broke without a sun;
In tiny spherule traced with lines
Of Nature’s geometric signs,
And, when the second morning shone,
We looked upon a world unknown,
On nothing we could call our own.
Around the glistening wonder bent
The blue walls of the firmament,
No cloud above, no earth below, —
A universe of sky and snow!
The old familiar sights of ours
Took marvellous shapes; strange domes and towers
Rose up where sty or corn-crib stood,
Or garden-wall, or belt of wood;
A smooth white mound the brush-pile showed,
A fenceless drift what once was road;
The bridle-post an old man sat
With loose-flung coat and high cocked hat;
The well-curb had a Chinese roof;
And even the long sweep, high aloof,
In its slant spendor, seemed to tell
Of Pisa’s leaning miracle.

A prompt, decisive man, no breath
Our father wasted: “Boys, a path!”
Well pleased, (for when did farmer boy
Count such a summons less than joy?)
Our buskins on our feet we drew;
With mittened hands, and caps drawn low,
To guard our necks and ears from snow,
We cut the solid whiteness through.
And, where the drift was deepest, made
A tunnel walled and overlaid
With dazzling crystal: we had read
Of rare Aladdin’s wondrous cave,
And to our own his name we gave,
With many a wish the luck were ours
To test his lamp’s supernal powers.
We reached the barn with merry din,
And roused the prisoned brutes within.
The old horse ****** his long head out,
And grave with wonder gazed about;
The **** his ***** greeting said,
And forth his speckled harem led;
The oxen lashed their tails, and hooked,
And mild reproach of hunger looked;
The hornëd patriarch of the sheep,
Like Egypt’s Amun roused from sleep,
Shook his sage head with gesture mute,
And emphasized with stamp of foot.

All day the gusty north-wind bore
The loosening drift its breath before;
Low circling round its southern zone,
The sun through dazzling snow-mist shone.
No church-bell lent its Christian tone
To the savage air, no social smoke
Curled over woods of snow-hung oak.
A solitude made more intense
By dreary-voicëd elements,
The shrieking of the mindless wind,
The moaning tree-boughs swaying blind,
And on the glass the unmeaning beat
Of ghostly finger-tips of sleet.
Beyond the circle of our hearth
No welcome sound of toil or mirth
Unbound the spell, and testified
Of human life and thought outside.
We minded that the sharpest ear
The buried brooklet could not hear,
The music of whose liquid lip
Had been to us companionship,
And, in our lonely life, had grown
To have an almost human tone.

As night drew on, and, from the crest
Of wooded knolls that ridged the west,
The sun, a snow-blown traveller, sank
From sight beneath the smothering bank,
We piled, with care, our nightly stack
Of wood against the chimney-back, —
The oaken log, green, huge, and thick,
And on its top the stout back-stick;
The knotty forestick laid apart,
And filled between with curious art

The ragged brush; then, hovering near,
We watched the first red blaze appear,
Heard the sharp crackle, caught the gleam
On whitewashed wall and sagging beam,
Until the old, rude-furnished room
Burst, flower-like, into rosy bloom;
While radiant with a mimic flame
Outside the sparkling drift became,
And through the bare-boughed lilac-tree
Our own warm hearth seemed blazing free.
The crane and pendent trammels showed,
The Turks’ heads on the andirons glowed;
While childish fancy, prompt to tell
The meaning of the miracle,
Whispered the old rhyme: “Under the tree,
When fire outdoors burns merrily,
There the witches are making tea.”

The moon above the eastern wood
Shone at its full; the hill-range stood
Transfigured in the silver flood,
Its blown snows flashing cold and keen,
Dead white, save where some sharp ravine
Took shadow, or the sombre green
Of hemlocks turned to pitchy black
Against the whiteness at their back.
For such a world and such a night
Most fitting that unwarming light,
Which only seemed where’er it fell
To make the coldness visible.

Shut in from all the world without,
We sat the clean-winged hearth about,
Content to let the north-wind roar
In baffled rage at pane and door,
While the red logs before us beat
The frost-line back with tropic heat;
And ever, when a louder blast
Shook beam and rafter as it passed,
The merrier up its roaring draught
The great throat of the chimney laughed;
The house-dog on his paws outspread
Laid to the fire his drowsy head,
The cat’s dark silhouette on the wall
A couchant tiger’s seemed to fall;
And, for the winter fireside meet,
Between the andirons’ straddling feet,
The mug of cider simmered slow,
The apples sputtered in a row,
And, close at hand, the basket stood
With nuts from brown October’s wood.

What matter how the night behaved?
What matter how the north-wind raved?
Blow high, blow low, not all its snow
Could quench our hearth-fire’s ruddy glow.
O Time and Change! — with hair as gray
As was my sire’s that winter day,
How strange it seems, with so much gone
Of life and love, to still live on!
Ah, brother! only I and thou
Are left of all that circle now, —
The dear home faces whereupon
That fitful firelight paled and shone.
Henceforward, listen as we will,
The voices of that hearth are still;
Look where we may, the wide earth o’er,
Those lighted faces smile no more.

We tread the paths their feet have worn,
We sit beneath their orchard trees,
We hear, like them, the hum of bees
And rustle of the bladed corn;
We turn the pages that they read,
Their written words we linger o’er,
But in the sun they cast no shade,
No voice is heard, no sign is made,
No step is on the conscious floor!
Yet Love will dream, and Faith will trust,
(Since He who knows our need is just,)
That somehow, somewhere, meet we must.
Alas for him who never sees
The stars shine through his cypress-trees!
Who, hopeless, lays his dead away,
Nor looks to see the breaking day
Across the mournful marbles play!
Who hath not learned, in hours of faith,
The truth to flesh and sense unknown,
That Life is ever lord of Death,
And Love can never lose its own!

We sped the time with stories old,
Wrought puzzles out, and riddles told,
Or stammered from our school-book lore
“The Chief of Gambia’s golden shore.”
How often since, when all the land
Was clay in Slavery’s shaping hand,
As if a far-blown trumpet stirred
Dame Mercy Warren’s rousing word:
“Does not the voice of reason cry,
Claim the first right which Nature gave,
From the red scourge of ******* to fly,
Nor deign to live a burdened slave!”
Our father rode again his ride
On Memphremagog’s wooded side;
Sat down again to moose and samp
In trapper’s hut and Indian camp;
Lived o’er the old idyllic ease
Beneath St. François’ hemlock-trees;
Again for him the moonlight shone
On Norman cap and bodiced zone;
Again he heard the violin play
Which led the village dance away.
And mingled in its merry whirl
The grandam and the laughing girl.
Or, nearer home, our steps he led
Where Salisbury’s level marshes spread
Mile-wide as flies the laden bee;
Where merry mowers, hale and strong,
Swept, scythe on scythe, their swaths along
The low green prairies of the sea.
We shared the fishing off Boar’s Head,
And round the rocky Isles of Shoals
The hake-broil on the drift-wood coals;
The chowder on the sand-beach made,
Dipped by the hungry, steaming hot,
With spoons of clam-shell from the ***.
We heard the tales of witchcraft old,
And dream and sign and marvel told
To sleepy listeners as they lay
Stretched idly on the salted hay,
Adrift along the winding shores,
When favoring breezes deigned to blow
The square sail of the gundelow
And idle lay the useless oars.

Our mother, while she turned her wheel
Or run the new-knit stocking-heel,
Told how the Indian hordes came down
At midnight on Concheco town,
And how her own great-uncle bore
His cruel scalp-mark to fourscore.
Recalling, in her fitting phrase,
So rich and picturesque and free
(The common unrhymed poetry
Of simple life and country ways,)
The story of her early days, —
She made us welcome to her home;
Old hearths grew wide to give us room;
We stole with her a frightened look
At the gray wizard’s conjuring-book,
The fame whereof went far and wide
Through all the simple country side;
We heard the hawks at twilight play,
The boat-horn on Piscataqua,
The loon’s weird laughter far away;
We fished her little trout-brook, knew
What flowers in wood and meadow grew,
What sunny hillsides autumn-brown
She climbed to shake the ripe nuts down,
Saw where in sheltered cove and bay,
The ducks’ black squadron anchored lay,
And heard the wild-geese calling loud
Beneath the gray November cloud.
Then, haply, with a look more grave,
And soberer tone, some tale she gave
From painful Sewel’s ancient tome,
Beloved in every Quaker home,
Of faith fire-winged by martyrdom,
Or Chalkley’s Journal, old and quaint, —
Gentlest of skippers, rare sea-saint! —
Who, when the dreary calms prevailed,
And water-**** and bread-cask failed,
And cruel, hungry eyes pursued
His portly presence mad for food,
With dark hints muttered under breath
Of casting lots for life or death,

Offered, if Heaven withheld supplies,
To be himself the sacrifice.
Then, suddenly, as if to save
The good man from his living grave,
A ripple on the water grew,
A school of porpoise flashed in view.
“Take, eat,” he said, “and be content;
These fishes in my stead are sent
By Him who gave the tangled ram
To spare the child of Abraham.”
Our uncle, innocent of books,
Was rich in lore of fields and brooks,
The ancient teachers never dumb
Of Nature’s unhoused lyceum.
In moons and tides and weather wise,
He read the clouds as prophecies,
And foul or fair could well divine,
By many an occult hint and sign,
Holding the cunning-warded keys
To all the woodcraft mysteries;
Himself to Nature’s heart so near
v That all her voices in his ear
Of beast or bird had meanings clear,
Like Apollonius of old,
Who knew the tales the sparrows told,
Or Hermes, who interpreted
What the sage cranes of Nilus said;
A simple, guileless, childlike man,
Content to live where life began;
Strong only on his native grounds,
The little world of sights and sounds
Whose girdle was the parish bounds,
Whereof his fondly partial pride
The common features magnified,
As Surrey hills to mountains grew
In White of Selborne’s loving view, —
He told how teal and loon he shot,
And how the eagle’s eggs he got,
The feats on pond and river done,
The prodigies of rod and gun;
Till, warming with the tales he told,
Forgotten was the outside cold,
The bitter wind unheeded blew,
From ripening corn the pigeons flew,
The partridge drummed i’ the wood, the mink
Went fishing down the river-brink.
In fields with bean or clover gay,
The woodchuck, like a hermit gray,
Peered from the doorway of his cell;
The muskrat plied the mason’s trade,
And tier by tier his mud-walls laid;
And from the shagbark overhead
The grizzled squirrel dropped his shell.

Next, the dear aunt, whose smile of cheer
And voice in dreams I see and hear, —
The sweetest woman ever Fate
Perverse denied a household mate,
Who, lonely, homeless, not the less
Found peace in love’s unselfishness,
And welcome wheresoe’er she went,
A calm and gracious element,
Whose presence seemed the sweet income
And womanly atmosphere of home, —
Called up her girlhood memories,
The huskings and the apple-bees,
The sleigh-rides and the summer sails,
Weaving through all the poor details
And homespun warp of circumstance
A golden woof-thread of romance.
For well she kept her genial mood
And simple faith of maidenhood;
Before her still a cloud-land lay,
The mirage loomed across her way;
The morning dew, that dries so soon
With others, glistened at her noon;
Through years of toil and soil and care,
From glossy tress to thin gray hair,
All unprofaned she held apart
The ****** fancies of the heart.
Be shame to him of woman born
Who hath for such but thought of scorn.
There, too, our elder sister plied
Her evening task the stand beside;
A full, rich nature, free to trust,
Truthful and almost sternly just,
Impulsive, earnest, prompt to act,
And make her generous thought a fact,
Keeping with many a light disguise
The secret of self-sacrifice.

O heart sore-tried! thou hast the best
That Heaven itself could give thee, — rest,
Rest from all bitter thoughts and things!
How many a poor one’s blessing went
With thee beneath the low green tent
Whose curtain never outward swings!

As one who held herself a part
Of all she saw, and let her heart
Against the household ***** lean,
Upon the motley-braided mat
Our youngest and our dearest sat,
Lifting her large, sweet, asking eyes,
Now bathed in the unfading green
And holy peace of Paradise.
Oh, looking from some heavenly hill,
Or from the shade of saintly palms,
Or silver reach of river calms,
Do those large eyes behold me still?
With me one little year ago: —
The chill weight of the winter snow
For months upon her grave has lain;
And now, when summer south-winds blow
And brier and harebell bloom again,
I tread the pleasant paths we trod,
I see the violet-sprinkled sod
Whereon she leaned, too frail and weak
The hillside flowers she loved to seek,
Yet following me where’er I went
With dark eyes full of love’s content.
The birds are glad; the brier-rose fills
The air with sweetness; all the hills
Stretch green to June’s unclouded sky;
But still I wait with ear and eye
For something gone which should be nigh,
A loss in all familiar things,
In flower that blooms, and bird that sings.
And yet, dear heart! remembering thee,
Am I not richer than of old?
Safe in thy immortality,
What change can reach the wealth I hold?
What chance can mar the pearl and gold
Thy love hath left in trust with me?
And while in life’s late afternoon,
Where cool and long the shadows grow,
I walk to meet the night that soon
Shall shape and shadow overflow,
I cannot feel that thou art far,
Since near at need the angels are;
And when the sunset gates unbar,
Shall I not see thee waiting stand,
And, white against the evening star,
The welcome of thy beckoning hand?

Brisk wielder of the birch and rule,
The master of the district school
Held at the fire his favored place,
Its warm glow lit a laughing face
Fresh-hued and fair, where scarce appeared
The uncertain prophecy of beard.
He teased the mitten-blinded cat,
Played cross-pins on my uncle’s hat,
Sang songs, and told us what befalls
In classic Dartmouth’s college halls.
Born the wild Northern hills among,
From whence his yeoman father wrung
By patient toil subsistence scant,
Not competence and yet not want,
He early gained the power to pay
His cheerful, self-reliant way;
Could doff at ease his scholar’s gown
To peddle wares from town to town;
Or through the long vacation’s reach
In lonely lowland districts teach,
Where all the droll experience found
At stranger hearths in boarding round,
The moonlit skater’s keen delight,
The sleigh-drive through the frosty night,
The rustic party, with its rough
Accompaniment of blind-man’s-buff,
And whirling-plate, and forfeits paid,
His winter task a pastime made.
Happy the snow-locked homes wherein
He tuned his merry violin,

Or played the athlete in the barn,
Or held the good dame’s winding-yarn,
Or mirth-provoking versions told
Of classic legends rare and old,
Wherein the scenes of Greece and Rome
Had all the commonplace of home,
And little seemed at best the odds
‘Twixt Yankee pedlers and old gods;
Where Pindus-born Arachthus took
The guise of any grist-mill brook,
And dread Olympus at his will
Became a huckleberry hill.

A careless boy that night he seemed;
But at his desk he had the look
And air of one who wisely schemed,
And hostage from the future took
In trainëd thought and lore of book.
Large-brained, clear-eyed, of such as he
Shall Freedom’s young apostles be,
Who, following in War’s ****** trail,
Shall every lingering wrong assail;
All chains from limb and spirit strike,
Uplift the black and white alike;
Scatter before their swift advance
The darkness and the ignorance,
The pride, the lust, the squalid sloth,
Which nurtured Treason’s monstrous growth,
Made ****** pastime, and the hell
Of prison-torture possible;
The cruel lie of caste refute,
Old forms remould, and substitute
For Slavery’s lash the freeman’s will,
For blind routine, wise-handed skill;
A school-house plant on every hill,
Stretching in radiate nerve-lines thence
The quick wires of intelligence;
Till North and South together brought
Shall own the same electric thought,
In peace a common flag salute,
And, side by side in labor’s free
And unresentful rivalry,
Harvest the fields wherein they fought.

Another guest that winter night
Flashed back from lustrous eyes the light.
Unmarked by time, and yet not young,
The honeyed music of her tongue
And words of meekness scarcely told
A nature passionate and bold,

Strong, self-concentred, spurning guide,
Its milder features dwarfed beside
Her unbent will’s majestic pride.
She sat among us, at the best,
A not unfeared, half-welcome guest,
Rebuking with her cultured phrase
Our homeliness of words and ways.
A certain pard-like, treacherous grace
Swayed the lithe limbs and drooped the lash,
Lent the white teeth their dazzling flash;
And under low brows, black with night,
Rayed out at times a dangerous light;
The sharp heat-lightnings of her face
Presaging ill to him whom Fate
Condemned to share her love or hate.
A woman tropical, intense
In thought and act, in soul and sense,
She blended in a like degree
The ***** and the devotee,
Revealing with each freak or feint
The temper of Petruchio’s Kate,
The raptures of Siena’s saint.
Her tapering hand and rounded wrist
Had facile power to form a fist;
The warm, dark languish of her eyes
Was never safe from wrath’s surprise.
Brows saintly calm and lips devout
Knew every change of scowl and pout;
And the sweet voice had notes more high
And shrill for social battle-cry.

Since then what old cathedral town
Has missed her pilgrim staff and gown,
What convent-gate has held its lock
Against the challenge of her knock!
Through Smyrna’s plague-hushed thoroughfares,
Up sea-set Malta’s rocky stairs,
Gray olive slopes of hills that hem
Thy tombs and shrines, Jerusalem,
Or startling on her desert throne
The crazy Queen of Lebanon
With claims fantastic as her own,
Her tireless feet have held their way;
And still, unrestful, bowed, and gray,
She watches under Eastern skies,
With hope each day renewed and fresh,
The Lord’s quick coming in the flesh,
Whereof she dreams and prophesies!
Where’er her troubled path may be,
The Lord’s sweet pity with her go!
The outward wayward life we see,
The hidden springs we may not know.
Nor is it given us to discern
What threads the fatal sisters spun,
Through what ancestral years has run
The sorrow with the woman born,
What forged her cruel chain of moods,
What set her feet in solitudes,
And held the love within her mute,
What mingled madness in the blood,
A life-long discord and annoy,
Water of tears with oil of joy,
And hid within the folded bud
Perversities of flower and fruit.
It is not ours to separate
The tangled skein of will and fate,
To show what metes and bounds should stand
Upon the soul’s debatable land,
And between choice and Providence
Divide the circle of events;
But He who knows our frame is just,
Merciful and compassionate,
And full of sweet assurances
And hope for all the language is,
That He remembereth we are dust!

At last the great logs, crumbling low,
Sent out a dull and duller glow,
The bull’s-eye watch that hung in view,
Ticking its weary circuit through,
Pointed with mutely warning sign
Its black hand to the hour of nine.
That sign the pleasant circle broke:
My uncle ceased his pipe to smoke,
Knocked from its bowl the refuse gray,
And laid it tenderly away;
Then roused himself to safely cover
The dull red brands with ashes over.
And while, with care, our mother laid
The work aside, her steps she stayed
One moment, seeking to express
Her grateful sense of happiness
For food and shelter, warmth and health,
And love’s contentment more than wealth,
With simple wishes (not the weak,
Vain prayers which no fulfilment seek,
But such as warm the generous heart,
O’er-prompt to do with Heaven its part)
That none might lack, that bitter night,
For bread and clothing, warmth and light.

Within our beds awhile we heard
The wind that round the gables roared,
With now and then a ruder shock,
Which made our very bedsteads rock.
We heard the loosened clapboards tost,
The board-nails snapping in the frost;
And on us, through the unplastered wall,
Felt the light sifted snow-flakes fall.
But sleep stole on, as sleep will do
When hearts are light and life is new;
Faint and more faint the murmurs grew,
Till in the summer-land of dreams
They softened to the sound of streams,
Low stir of leaves, and dip of oars,
And lapsing waves on quiet shores.
Of merry voices high and clear;
And saw the teamsters drawing near
To break the drifted highways out.
Down the long hillside treading slow
We saw the half-buried oxen go,
Shaking the snow from heads uptost,
Their straining nostrils white with frost.
Before our door the straggling train
Drew up, an added team to gain.
The elders threshed their hands a-cold,
Passed, with the cider-mug, their jokes
From lip to lip; the younger folks
Down the loose snow-banks, wrestling, rolled,
Then toiled again the cavalcade
O’er windy hill, through clogged ravine,
And woodland paths that wound between
Low drooping pine-boughs winter-weighed.
From every barn a team afoot,
At every house a new recruit,
Where, drawn by Nature’s subtlest law,
Haply the watchful young men saw
Sweet doorway pictures of the curls
And curious eyes of merry girls,
Lifting their hands in mock defence
Against the snow-ball’s compliments,
And reading in each missive tost
The charm with Eden never lost.
We heard once more the sleigh-bells’ sound;
And, following where the teamsters led,
The wise old Doctor went his round,
Just pausing at our door to say,
In the brief autocratic way
Of one who, prompt at Duty’s call,
Was free to urge her claim on all,
That some poor neighbor sick abed
At night our mother’s aid would need.
For, one in generous thought and deed,
What mattered in the sufferer’s sight
The Quaker matron’s inward light,
The Doctor’s mail of Calvin’s creed?
All hearts confess the saints elect
Who, twain in faith, in love agree,
And melt not in an acid sect
The Christian pearl of charity!

So days went on: a week had passed
Since the great world was heard from last.
The Almanac we studied o’er,
Read and reread our little store
Of books and pamphlets, scarce a score;
One harmless novel, mostly hid
From younger eyes, a book forbid,
And poetry, (or good or bad,
A single book was all we had,)
Where Ellwood’s meek, drab-skirted Muse,
A stranger to the heathen Nine,
Sang, with a somewhat nasal whine,
The wars of David and the Jews.
At last the floundering carrier bore
The village paper to our door.
Lo! broadening outward as we read,
To warmer zones the horizon spread
In panoramic length unrolled
We saw the marvels that it told.
Before us passed the painted Creeks,
A   nd daft McGregor on his raids
In Costa Rica’s everglades.
And up Taygetos winding slow
Rode Ypsilanti’s Mainote Greeks,
A Turk’s head at each saddle-bow!
Welcome to us its week-old news,
Its corner for the rustic Muse,
Its monthly gauge of snow and rain,
Its record, mingling in a breath
The wedding bell and dirge of death:
Jest, anecdote, and love-lorn tale,
The latest culprit sent to jail;
Its hue and cry of stolen and lost,
Its vendue sales and goods at cost,
And traffic calling loud for gain.
We felt the stir of hall and street,
The pulse of life that round us beat;
The chill embargo of the snow
Was melted in the genial glow;
Wide swung again our ice-locked door,
And all the world was ours once more!

Clasp, Angel of the backword look
And folded wings of ashen gray
And voice of echoes far away,
The brazen covers of thy book;
The weird palimpsest old and vast,
Wherein thou hid’st the spectral past;
Where, closely mingling, pale and glow
The characters of joy and woe;
The monographs of outlived years,
Or smile-illumed or dim with tears,
Green hills of life that ***** to death,
And haunts of home, whose vistaed trees
Shade off to mournful cypresses
With the white amaranths underneath.
Even while I look, I can but heed
The restless sands’ incessant fall,
Importunate hours that hours succeed,
Each clamorous with its own sharp need,
And duty keeping pace with all.
Shut down and clasp with heavy lids;
I hear again the voice that bids
The dreamer leave his dream midway
For larger hopes and graver fears:
Life greatens in these later years,
The century’s aloe flowers to-day!

Yet, haply, in some lull of life,
Some Truce of God which breaks its strife,
The worldling’s eyes shall gather dew,
Dreaming in throngful city ways
Of winter joys his boyhood knew;
And dear and early friends — the few
Who yet remain — shall pause to view
These Flemish pictures of old days;
Sit with me by the homestead hearth,
And stretch the hands of memory forth
To warm them at the wood-fire’s blaze!
And thanks untraced to lips unknown
Shall greet me like the odors blown
From unseen meadows newly mown,
Wood-fringed, the wayside gaze beyond;
The traveller owns the grateful sense
Of sweetness near, he knows not whence,
And, pausing, takes with forehead bare
The benediction of the air.

Written in  1865

Today I feel defeated. I feel like a small fish in the big ocean. Everything I do fails and at the moment my head is going full speed with "pictures" from my past. I call them pictures because that is what it looks like in my head. Like a slideshow. I think these pictures are eating me alive. It feels like there's a hole where my heart is supposed to be.

When I close my eyes I see darkness. A dark room. In this room is a crib, and in that crib there I lay. The crib bars surround me. I am crying. I cry because I am hungry or because I'm wet or lonely or maybe because I want my mother. I cry for all of the millions of reasons that babies cry. Until my door opens and the sound of his boots walking closer and closer to my crib gives me something else to cry about.

When I was born darkness cast its shadows over me. The devil himself kissed me on the cheek. That devil was my father.

I do not know how old I was the night that my father left my room but I know I was younger then two. This is the first memory I have of my life. I also remember his smell and his hands and that when he left I felt broken, hurt,shattered, exposed and confused. I do not know what he did to me exactly. This I cannot see. Maybe I am not ready to see it. But I know this incident changed who I was supposed to become.

This makes me angry! That my father the one who was supposed to love and guide me through life is the one who could hurt me in this way. When I see other girls with their dads, girls who complain about how "daddy won't give me money" or "my dad is so annoying" It literally makes me sick to my stomach. They have no idea what they have. I grew up with a dad who had two faces. He was charming and handsome and loving and made me want to be his daughter. Then night came and he was evil. Thinking of nighttime daddy makes my skin crawl. He played his game well and everyone was fooled. I was just a tiny bug caught in his web of lies. Only now 40 years old can I start to realize that what he did was wrong and was not my fault.

How could he look at me a small child and see anything ******? Babies are warmness, smiles, laughs, and play. What kind of person would want to destroy that? I guess no one can ever answer these questions for me. I have to accept this. Anyways explanations will not solve or fix what has already been done. Nothing will. I am a victim of ******. THERE I SAID IT. Acknowledging it makes it real. But that does not heal me. I am a broken bird with tattered wings.

How do I fix my heart with these huge gaping holes in it? Do I pretend I am okay and patch them up with fake smiles and laughter? What if the patches fall off and I am left feeling defeated again? Do I spend thousands of dollars talking to therapists about all of my many problems hoping that 10 years later I will somehow be "normal" whatever that is? I will go with the first option for now. Pretending I'm fine and putting a smile on my face. If I smile I seem happy and then no one will know the pain inside me. Some know what happened but think I am "healed" so they do not ask questions and smiles do not lie right?

Sometimes I wish that someone would see past it and try to save me. Take me into their arms and let me cry and give me what I crave so much. Human contact. The right kind of contact that reassures and tells you your safe and loved. I feel alone and without purpose. What I know is today I feel defeated. Today I feel alone. Today I remember things that I did not remember yesterday. Today I have flashbacks where I feel like a little girl again. Where I feel like his hands are rolling over my body now. His eyes creeping up on me now. But it is not happening now. It is not real. This is what happens today. Tomorrow will be different. Tomorrow will be better.

I am trying to heal. I am trying to move on. This is a slow moving hard process.

its a blue Monday
after Super Sunday
Americas 45th funday
yesterdays spectacle

the dip is done
the broken bones
of buffalo wings
fill giant glad bags

the ridged ripples
of broken Doritos
scattered on the floor
wait for a vacuums hum

dead soldiers rattle
a melodious cascade
the aroma of flat Bud
plunge into recycle bins

ribbed Trojans
dripping bagged ****
rim plastic trash cans
confirm an ****'s frenzy

the game forgotten
commercial reveries remain
seared into the briney mush
of compliant olfactories

collective hallucinations
successfully branded
a new and improved
global consciousness

Madmen Shamans
ebulliently channel
transactional zeitgeists
from the ripped boxes of
Best Buy plasma screens

Monday morning
water cool scuttlebutt
the planet is buzzing about...

Google's cool slap
of IPod clad automatons
the vanquishers of IBM's evil empire
Apple's brave new world is next
("meet the new boss,
same as the old boss?")

we all dug
rolling with Eminem
through the glitzy
streets of Motown

How cool is 8 Mile?
The hoods lookin good
angelic chorus lifts spirits
Swing Low Sweet Chrysler

The artistic types
faun over
the graphic beauty
illustrious aestheticism

moving story line
the epic journey
of the worlds
greatest brand

heroic product marketing pros
rival Jason and the Argonauts
sojourning trans-formative odysseys
of clever packaging and fat tail shelf life

holding precious real estate
of living imaginations
infecting hearts and minds
of future generations

realizing
everything
ends better
with coke

The State Farm Pre-Game
Jimmy Johnson's new coiff
jawed away with his old boss
rattlesnake booted Jerry Jones

A poignant embrace captured in
living color on grand jumbo trons
lording over a cavernous palace
a new stadium for Homeboys

Jimmy J asks Jerry J
"Why you overpaid
for The Boys New
Crib?"

"A billion 4,
a palace for the masses".
Jerry breaks some news
with an impish wink.
"No expense is spared
for the peeps."

"I always make out,
get a good return. I
make a profit. Ain't
America great."

This year Super Bowl
went Hollywood
and installed
a long red carpet.

Mike Strahan, collared
Harrison Ford.
Bagging his greatest sack
on a dazzling red rug.

"How many Super Bowls
is this for you?"
Strahan whistles
through his gaped teeth.

The aging Indiana Jones
came to promote his new flick,
"Cowboys and Aliens"
(I'm told an early Cannes
favorite. And it should be. Spoiler alert,
the movie is a moving story of an American tragedy.
Romo blows another one
throwing an interception in overtime.
The Aliens return it 95 yards for a touchdown.
Boy's lose again. America's Team vanquished by bubble headed Martians.
All of Texas weeps.)

Indy
coolly quips an answer
whipping with sarcasm,
"after today, one."
yuck yuck
lol

Strahan continues
to stalk Ford like a
scrambling quarterback,
"where will you be sitting?"

Ford shrugs
"dunno,
somewhere
up-there,
I guess",
he points to
the lofty
luxury boxes.
Royalty sits
next to God
in Jerry Jones
house of the
people.

Ford dons a green scarf.
He's down with the Pack.
Another sunshine *****
in the seat.

Michael Douglas and Zeta Jones
arrive in time to hear
Keith Urban sing
"Who Wouldn't Want to be Me?"

"He's alive
He's free
Who wouldn't
want to be me?"

Indeed who?

The parade
of heroes
continue.

The walking,talking
little S Corp, LLC's
dance their way
into the stadium
on resplendent
cushions of red.

Terrific brands
all earnestly
questing to
urgently
deliver
messages
to promote
themselves
and plug
shameful
products.

A Black Eye Peas
teaser
blinks onto
my giant
flat screen.

Will I Am
a black man
in a blacker mask
marches down the street
zapping people
with a ray gun.
(fascist culture is so cool, a
little light on liberation,
but **** does he look bad as all get out
in that leather rumble don't **** with me
outfit)

Jamie Foxx on the royal carpet leaks
that he yodeled three tunes
at a pregame party for Jerry's Kids;
T Boone and the Big W among them.

Quick cut
to Jamie's
new movie
Rio.
(I wonder if its
about Mexicano's
crossing the river?)

Wealth
Power
the perfect
image of ourselves
take a pill

I am Limitless
a new movie?
I've seen this one before.
I think I'm watching it now.

Just Go With It
Adam *******,
Jennifer Aniston
Americas sweetheart
teamed with Americas
kosher jokester.

He looks hot
in his droopy
pretend
don't give a ****
orange sweatshirt
and acid washed jeans.

Jennifer's ****, legs
what can you say
about America's sweetheart?
I think Brad Pitt
made a big mistake.

Bill O
is next.
Posturing,
arm wrestles
with the Prez,
shadow boxes
with the Big O.

"Muslim Brotherhoods
Rendition
Mubarack goes off the reservation
knows where the bodies are buried"
***!
***!

(Do we really need a dose of Fox Fear?
Is there no escape from the pernicious harangue?
Don't they know its Super Bowl Sunday?)

Bill O's drive by continues,
"Obamacare,
why do Americans hate you?"
Great journalism by this Fox ****.

Bill O is
haughty,
arrogant,
disrespectful
a despicable bully
and a self serving blow hard.

(My bladder is busting.
Its a great time to take a ****.)

We escape to
the freshness
of Owen Wilson's
smiling face,
playing two hand touch.

His bent nose
shining
he trots about
Jerry's field
carefree as a child.
(Is this a pitch, pass and punt
contest for A Listers?)

Other stars
join the light fun;
goose cheerleaders
give the cabana boys
hand-jobs
and themselves
a well earned blow-job.

Its an **** of photo ops
product placement
a sizzling collection
of dancing brands
prancing on the gridiron
of the New Cowboy field.

Ashton Kutcher
peeks over the shoulder
of a tweeting W.
I'm impressed
W knew
how to use
his thumbs.

Mrs. W's
permanent smile
was clearly visible
from the stadiums
cheapest seats.

Condie sat
way to the right
quietly stewing
lamenting
lost opportunities
of a gig as NFL
Commissioner.

On the stadiums floor
the frenetic dancing
of the
bumping
brands
fast
approaches
ecstatic elation.

Hollywood's version of
Whirling Dervishes; is
immediately stilled
as the solemn portion
of the program
commences.

The Declaration of Independence
is read by a bright galaxy of stars
accompanying armed service personnel
and other diligent American's.

"We hold these truths
to be self evident"

"United colonies
levee war,
dissolve bounds,
our day of allegiance
lives, fortunes and sacred honor
freedom is common sense,
free, equal, united"

CEO's
imprisoned
in Jerry's
luxury boxes
overcome
with
emotion
pound fists
on the glass
smearing
cocktail sauce
on the windows
of the suites.

Illegal
Chicano's
bravely
step forward
with rolls
of Bravo
and Windex
to wipe
it clean.

The focal point
of festivities
seismically
shifts like a
tectonic plate
almost as large
as Jerry's Stadium.

The stampede
of cheers
thunder like
canon shots,
the patriotic
ramparts of
militant
free market
capitalism
supplants the
shallow frivolity
of consumer slavery.

We are
compelled
to kneel
to celebrate a
Eucharist of
nationalism.

My partner explodes,
"Can't watch a football game
and view it for what it is,
a ******* football game."

The Fox
broadcasters
dedicate
this segment
of the show
to our military.

I squirm in my seat.
Sorry,
but the declaration is about
free people in free societies
not militarism.

Next up
dis old cowboy
Sam Elliot.
He knows
how to speak
the language
of real football fans.
Finally, a man of the people.

Sam introduced the cities.
He starts with Pittsburgh.

"Built on steel
a place where
terrible is good
these are the
enduring qualities
of this great American City."

The Steelers
make a timely entrance
onto the floor of the stadium,
as millionaires erupt
shaking their terrible towels.

Sam's
fuax
folkism
for
Fox Sports
continued.

"Green Bay is Title Town
the people never quit.
Crafty veterans are winners
exhorting all to greatness"

Images
of Lombardi's
toothy grin
fills my 72 inch screen.
A visitation by
America's Saint,
the sanctifier
of all competition
anoints the proceeding,
the quest to claim
the trophy named
for the games
very own
Archangel
of the
Gridiron.

The extended gig of
Lombardi's ghost
has haunted America
for over half a century;
has reportedly been seen
stalking the stage
on Broadway.

The anointed
Packers sprint
onto the field and
millionaire cheese heads
taking big bites out of life
erupt in cheers.

My hi def wide screen
made by Sharp reports
Battle of Los Angeles
opens 3/11/11.
The Chicago Code
premiers on Fox
sometime in March.

Walter Payton
Man of The Year Award
is presented
to an NFL Player
watching the game
with the troops
in Iraq.

The millionaires
don't cheer,
but the Fox announcers
are verklempt
overcome with patriotism.

Michelle Lee,
star
of Fox'***** show
Glee,
poses in front of a
sanitized choir
in blue uniforms to sing
America the Beautiful.

The beautiful song
is but an opening act
for the musical centerpiece
Star Spangled Banner.

The cameras cut
to a smiling W.
He can't get into Switzerland
but ******, he won't be turned out
of JJ's OK Corral.

Christina Aguilera
takes center stage.
She mounts
the silver football
crowning the
Holy Logo of the NFL
to sing the hallowed
Star Spangled Banner.

She fumbles her lines!
She forgot the rockets red glare!
The Steelers are crying.
The Packers are angry.
Ice melts from the stadiums roof.
The foundations of Jerry Jones
new stadium shakes.

A fly over of 4 fighters in formation
appears to be unaffected by the flub.
The planes do not crash.
They stay in formation.

The pilots spare Christina
a strafing and drone strike.
The republic remains
secure for now.

An unfamiliar announcer
addresses TV land.
He offers an apology to the fans
who cannot be seated.

The fire marshals
have revoked
Jerry's seating plan.
Greed got the better
of this man of the people.
Cowboy Stadium
is overbooked!

What is happening?
Is this America?
An ATT commercial
arrives just in time.

ATT has a new plan for America.
They encourage us to live social
with the new ATT AG.
Free market solutions
always work best.

Michael Douglas
reads another
patriotic exhortation.

"United we,
see the journey
of Acme Packers
as our journey."

"We see the resolve
of US Steel
as our resolve.
Big dreams
believe the best
journeys are
celebrated together."
(I'm down with that.
Whats good for Jerry Jones
is still good for me.
Right On! Check this stadium.
Power to the people!
It may not apply to the people who
will not be seated but tough nuggies.
This is America ******. Everybody
can't be seated at the table.
Even if they paid for their seat.
This ain't Red China.)

Neon Dion and other inductees
into the Football Hall of Fame
tosses the coin.
Steelers' call tails.
Heads it is.

At half time
The Black Eyed Peas
descend from
an upper Valhalla.

Still attired in
black fascist threads
The Righteous Peas
start wailing as
white metallic minions
dressed as
Imperial Storm Troopers
gallop to surround
their idols.

Precise formations
goose steppin bops
choreographic steps
the visceral *****
perfect counter-point
to swabbles of wiggling Peas.

Slash,
Guns and Roses
guitar hero
gunslinger
strode on stage
winging
this gal of mine
in choreographed
unison with
the leggy
Fergie.

Pumping it louder
the spectacle incites
the dancing
Imperial minions
quick steppin
and fetchin it
as Usher descends
in white unison
to leap and dance
over nasty
black peas.

The Gods
are descending
upon us.
Their words
have become
flesh.

The BEP's bleat
"kids are dying
wheres the love?"
Art does mirror life.

The neon hearts
of cheap
glow sticks
light up
the time
of our lives.

We are
cubed box heads
happily dancing along
the 50 yard line
answering China's
resounding drum
of frantic proletarians
bashing away
neocolonial disgrace
during the opening
ceremony of the worlds
greatest Olympian
display of
the pounding will
of an emerging nation
arriving on the world stage
with urgent insistence.

In America
we party on
every night
swiping
revoked
credit cards
for express lane
exits at the
local Walmart.

We are proud
highly personal
bar codes!

We refuse to be
marked down and flung
into discount bins at a
Tupelo Dollar Store.

Our light of life
flashes across screens
directing the trading pits
at the Chicago Board of Trade.

Each Super Bowl Sunday
souper bowl beggars
collect canned soup
for hungry Americans
at the local Shop and Drop

begging for larmen
boxes of Kraft
freeze dried noodles
and cans of Progresso
the feast of kings

A triumph
of the
Will I Am
BOOM BOOM
Says
Will I Am

I finish my bag of
Cool Ranch Doritos
and lick my partners
fingers clean.

Music Selection
Steve Miller,
Livin in the USA


2/7/11
Oakland
jbm
(WIP)

its a blue Monday
after Super Sunday
Americas 45th funday
yesterdays spectacle

the dip is done
the broken bones
of buffalo wings
fill giant glad bags

the ridged ripples
of broken Doritos
scattered on the floor
wait for a vacuums hum

dead soldiers rattle
a melodious cascade
the aroma of flat Bud
plunge into recycle bins

ribbed Trojans
dripping bagged ****
rim plastic trash cans
confirm an ****'s frenzy

the game forgotten
commercial reveries remain
seared into the briney mush
of compliant olfactories

collective hallucinations
successfully branded
a new and improved
global consciousness

Madmen Shamans
ebulliently channel
transactional zeitgeists
from the ripped boxes of
Best Buy plasma screens

Monday morning
water cool scuttlebutt
the planet is buzzing about...

Google's cool slap
of iPod clad automatons
the vanquishers of IBM's evil empire
Apple's brave new world is next
("meet the new boss,
same as the old boss?")

we all dug
rolling with Eminem
through the glitzy
streets of Motown

How cool is 8 Mile?
The hoods lookin good
angelic chorus lifts spirits
Swing Low Sweet Chrysler

The artistic types
faun over
the graphic beauty
illustrious aestheticism

moving story line
the epic journey
of the worlds
greatest brand

heroic product marketing pros
rival Jason and the Argonauts
sojourning trans-formative odysseys
of clever packaging and fat tail shelf life

holding precious real estate
of living imaginations
infecting hearts and minds
of future generations

realizing
everything
ends better
with coke

The State Farm Pre-Game
Jimmy Johnson's new coif
jawed away with his old boss
rattlesnake booted Jerry Jones

A poignant embrace captured in
living color on grand jumbo trons
lording over a cavernous palace
a new stadium for Homeboys

Jimmy J asks Jerry J
"Why you overpaid
for The Boys New
Crib?"

"A billion 4,
a palace for the masses".
Jerry breaks some news
with an impish wink.
"No expense is spared
for the peeps."

"I always make out,
get a good return. I
make a profit. Ain't
America great."

This year Super Bowl
went Hollywood
and installed
a long red carpet.

Mike Strahan, collared
Harrison Ford.
Bagging his greatest sack
on a dazzling red rug.

"How many Super Bowls
is this for you?"
Strahan whistles
through his gaped teeth.

The aging Indiana Jones
came to promote his new flick,
"Cowboys and Aliens"
(I'm told an early Cannes
favorite. And it should be. Spoiler alert,
the movie is a moving story of an American tragedy.
Romo blows another one
throwing an interception in overtime.
The Aliens return it 95 yards for a touchdown.
Boy's lose again. America's Team vanquished by bubble headed Martians.
All of Texas weeps.)

Indy
coolly quips an answer
whipping with sarcasm,
"after today, one."
yuck yuck
lol

Strahan continues
to stalk Ford like a
scrambling quarterback,
"where will you be sitting?"

Ford shrugs
"dunno,
somewhere
up-there,
I guess",
he points to
the lofty
luxury boxes.
Royalty sits
next to God
in Jerry Jones
house of the
people.

Ford dons a green scarf.
He's down with the Pack.
Another sunshine *****
in the seat.

Michael Douglas and Zeta Jones
arrive in time to hear
Keith Urban sing
"Who Wouldn't Want to be Me?"

"He's alive
He's free
Who wouldn't
want to be me?"

Indeed who?

The parade
of heroes
continue.

The walking,talking
little S Corp, LLC's
dance their way
into the stadium
on resplendent
cushions of red.

Terrific brands
all earnestly
questing to
urgently
deliver
messages
to promote
themselves
and plug
shameful
products.

A Black Eye Peas
teaser
blinks onto
my giant
flat screen.

Will I Am
a black man
in a blacker mask
marches down the street
zapping people
with a ray gun.
(fascist culture is so cool, a
little light on liberation,
but **** does he look bad as all get out
in that leather rumble don't **** with me
outfit)

Jamie Foxx on the royal carpet leaks
that he yodeled three tunes
at a pregame party for Jerry's Kids;
T Boone and the Big W among them.

Quick cut
to Jamie's
new movie
Rio.
(I wonder if its
about Mexicano's
crossing the river?)

Wealth
Power
the perfect
image of ourselves
take a pill

I am Limitless
a new movie?
I've seen this one before.
I think I'm watching it now.

Just Go With It
Adam *******,
Jennifer Aniston
Americas sweetheart
teamed with Americas
kosher jokester.

He looks hot
in his droopy
pretend
don't give a ****
orange sweatshirt
and acid washed jeans.

Jennifer's ****, legs
what can you say
about America's sweetheart?
I think Brad Pitt
made a big mistake.

Bill O
is next.
Posturing,
arm wrestles
with the Prez,
shadow boxes
with the Big O.

"Muslim Brotherhoods
Rendition
Mubarack goes off the reservation
knows where the bodies are buried"
***!
***!

(Do we really need a dose of Fox Fear?
Is there no escape from the pernicious harangue?
Don't they know its Super Bowl Sunday?)

Bill O's drive by continues,
"Obamacare,
why do Americans hate you?"
Great journalism by this Fox ****.

Bill O is
haughty,
arrogant,
disrespectful
a despicable bully
and a self serving blow hard.

(My bladder is busting.
Its a great time to take a ****.)

We escape to
the freshness
of Owen Wilson's
smiling face,
playing two hand touch.

His bent nose
shining
he trots about
Jerry's field
carefree as a child.
(Is this a pitch, pass and punt
contest for A Listers?)

Other stars
join the light fun;
goose cheerleaders
give the cabana boys
hand-jobs
and themselves
a well earned blow-job.

Its an **** of photo ops
product placement
a sizzling collection
of dancing brands
prancing on the gridiron
of the New Cowboy field.

Ashton Kutcher
peeks over the shoulder
of a tweeting W.
I'm impressed
W knew
how to use
his thumbs.

Mrs. W's
permanent smile
was clearly visible
from the stadiums
cheapest seats.

Condie sat
way to the right
quietly stewing
lamenting
lost opportunities
of a gig as NFL
Commissioner.

On the stadiums floor
the frenetic dancing
of the
bumping
brands
fast
approaches
ecstatic elation.

Hollywood's version of
Whirling Dervishes; is
immediately stilled
as the solemn portion
of the program
commences.

The Declaration of Independence
is read by a bright galaxy of stars
accompanying armed service personnel
and other diligent American's.

"We hold these truths
to be self evident"

"United colonies
levee war,
dissolve bounds,
our day of allegiance
lives, fortunes and sacred honor
freedom is common sense,
free, equal, united"

CEO's
imprisoned
in Jerry's
luxury boxes
overcome
with
emotion
pound fists
on the glass
smearing
cocktail sauce
on the windows
of the suites.

Illegal
Chicano's
bravely
step forward
with rolls
of Bravo
and Windex
to wipe
it clean.

The focal point
of festivities
seismically
shifts like a
tectonic plate
almost as large
as Jerry's Stadium.

The stampede
of cheers
thunder like
canon shots,
the patriotic
ramparts of
militant
free market
capitalism
supplants the
shallow frivolity
of consumer slavery.

We are
compelled
to kneel
to celebrate a
Eucharist of
nationalism.

My partner explodes,
"Can't watch a football game
and view it for what it is,
a ******* football game."

The Fox
broadcasters
dedicate
this segment
of the show
to our military.

I squirm in my seat.
Sorry,
but the declaration is about
free people in free societies
not militarism.

Next up
dis old cowboy
Sam Elliot.
He knows
how to speak
the language
of real football fans.
Finally, a man of the people.

Sam introduced the cities.
He starts with Pittsburgh.

"Built on steel
a place where
terrible is good
these are the
enduring qualities
of this great American City."

The Steelers
make a timely entrance
onto the floor of the stadium,
as millionaires erupt
shaking their terrible towels.

Sam's
fuax
folkism
for
Fox Sports
continued.

"Green Bay is Title Town
the people never quit.
Crafty veterans are winners
exhorting all to greatness"

Images
of Lombardi's
toothy grin
fills my 72 inch screen.
A visitation by
America's Saint,
the sanctifier
of all competition
anoints the proceeding,
the quest to claim
the trophy named
for the games
very own
Archangel
of the
Gridiron.

The extended gig of
Lombardi's ghost
has haunted America
for over half a century;
has reportedly been seen
stalking the stage
on Broadway.

The anointed
Packers sprint
onto the field and
millionaire cheese heads
taking big bites out of life
erupt in cheers.

My hi def wide screen
made by Sharp reports
Battle of Los Angeles
opens 3/11/11.
The Chicago Code
premiers on Fox
sometime in March.

Walter Payton
Man of The Year Award
is presented
to an NFL Player
watching the game
with the troops
in Iraq.

The millionaires
don't cheer,
but the Fox announcers
are verklempt
overcome with patriotism.

Michelle Lee,
star
of Fox'***** show
Glee,
poses in front of a
sanitized choir
in blue uniforms to sing
America the Beautiful.

The beautiful song
is but an opening act
for the musical centerpiece
Star Spangled Banner.

The cameras cut
to a smiling W.
He can't get into Switzerland
but ******, he won't be turned out
of JJ's OK Corral.

Christina Aguilera
takes center stage.
She mounts
the silver football
crowning the
Holy Logo of the NFL
to sing the hallowed
Star Spangled Banner.

She fumbles her lines!
She forgot the rockets red glare!
The Steelers are crying.
The Packers are angry.
Ice melts from the stadiums roof.
The foundations of Jerry Jones
new stadium shakes.

A fly over of 4 fighters in formation
appears to be unaffected by the flub.
The planes do not crash.
They stay in formation.

The pilots spare Christina
a strafing and drone strike.
The republic remains
secure for now.

An unfamiliar announcer
addresses TV land.
He offers an apology to the fans
who cannot be seated.

The fire marshals
have revoked
Jerry's seating plan.
Greed got the better
of this man of the people.
Cowboy Stadium
is overbooked!

What is happening?
Is this America?
An ATT commercial
arrives just in time.

ATT has a new plan for America.
They encourage us to live social
with the new ATT AG.
Free market solutions
always work best.

Michael Douglas
reads another
patriotic exhortation.

"United we,
see the journey
of Acme Packers
as our journey."

"We see the resolve
of US Steel
as our resolve.
Big dreams
believe the best
journeys are
celebrated together."
(I'm down with that.
Whats good for Jerry Jones
is still good for me.
Right On! Check this stadium.
Power to the people!
It may not apply to the people who
will not be seated but tough nuggies.
This is America ******. Everybody
can't be seated at the table.
Even if they paid for their seat.
This ain't Red China.)

Neon Dion and other inductees
into the Football Hall of Fame
tosses the coin.
Steelers' call tails.
Heads it is.

At half time
The Black Eyed Peas
descend from
an upper Valhalla.

Still attired in
black fascist threads
The Righteous Peas
start wailing as
white metallic minions
dressed as
Imperial Storm Troopers
gallop to surround
their idols.

Precise formations
goose steppin bops
choreographic steps
the visceral *****
perfect counter-point
to swabbles of wiggling Peas.

Slash,
Guns and Roses
guitar hero
gunslinger
strode on stage
winging
this gal of mine
in choreographed
unison with
the leggy
Fergie.

Pumping it louder
the spectacle incites
the dancing
Imperial minions
quick steppin
and fetchin it
as Usher descends
in white unison
to leap and dance
over nasty
black peas.

The Gods
are descending
upon us.
Their words
have become
flesh.

The BEP's bleat
"kids are dying
wheres the love?"
Art does mirror life.

The neon hearts
of cheap
glow sticks
light up
the time
of our lives.

We are
cubed box heads
happily dancing along
the 50 yard line
answering China's
resounding drum
of frantic proletarians
bashing away
neocolonial disgrace
during the opening
ceremony of the worlds
greatest Olympian
display of
the pounding will
of an emerging nation
arriving on the world stage
with urgent insistence.

In America
we party on
every night
swiping
revoked
credit cards
for express lane
exits at the
local Walmart.

We are proud
highly personal
bar codes!

We refuse to be
marked down and flung
into discount bins at a
Tupelo Dollar Store.

Our light of life
flashes across screens
directing the trading pits
at the Chicago Board of Trade.

Each Super Bowl Sunday
souper bowl beggars
collect canned soup
for hungry Americans
at the local Shop and Drop

begging for larmen
boxes of Kraft
freeze dried noodles
and cans of Progresso
the feast of kings

A triumph
of the
Will I Am
BOOM BOOM
Says
Will I Am

I finish my bag of
Cool Ranch Doritos
and lick my partners
fingers clean.

You Tube Music Video:
Black Eyed Peas
Joints and Jam

2/7/11
Oakland
jbm
(WIP)

I want to make the world a better place
but
Poverty is a disease on its own
the prerequisite to depression
U
S
A
only trying to stay
stay rich
and sway
sway money in front of those who are just out of its reach
and then they preach
“If we give handouts they wont know how to work and they will wait for us to do everything for them. it’s not our fault they ****** up their life, theirs.”
it’s their fault
nineteen year old mother
cares for 3 week old baby
“cut loose” for missing two nights on the street corner because she couldn’t handle selling her body when
when years from now
her daughter will call her mommy
and her **** will call her sloppy
and she
will look scrawny
and now as she puts 3 week old baby to sleep in her
cardboard box crib
and think to herself
“this is my fault, I couldn’t find any other work. So I had to sell her mother to nothing more than an object.”
well now that cardboard crib kid is
eighteen
and fresh out of school
fresh on the streets
fresh flesh enmeshed
tangled in the rich mans net
starting the cycle over again because
at eighteen
on her own
she cant afford college
at eighteen
on her own
even if she has the knowledge
at eighteen
living in the streets
at eighteen
pregnant
--------
Mommy wasn’t there when she took teenage boy in the ally for the first time
taught it was okay because they needed money
and she knew no better way
baby had nothing to say
baby just needed the pay
now there is no way
she now is her mother
and baby is now inside her
and poverty has tied her
and the government denied her
mother never to guide her
and as she lied down her her bed all she could think of is
maybe if I wasn’t so poor
the government might care about me
-------
future baby
cradled in the mind of loving mother
regretful for choice of father
hoping
“maybe this will all go away
maybe if I pray
I wont live another day”
Poverty a disease on its own
the prerequisite to depression
because
U
S
A
is the only country who has the
power
freedom and ability to change the poverty rates and chooses
to only offer jobs to those who own a house
instead of those who need them
ignored by those who could help
because they are the ones who need it
poverty is a disease
and you better believe it runs in the family
poverty begets poverty
believe me
I’m not suggesting communism
but when a man can have a ninety dollar glass of wine
but that eighteen year old can’t even afford to buy something to eat
Change is needed
people getting cheated
don’t tell me there is freedom
when I see how the poor are treated
not eating
they are human
and we pass by and ignore them like animals
tangible
pass by graves
candles
people killed by a government disease
leaving parents absent
children abandoned
and don’t tell me
there is nothing we can do
because seeing men live in 100 million dollar mansions
when someone out there
eighteen years old
is left with no more chances
chances are this wont change anything
but to stand by
and allow people to die
is ******
and poverty
is genocide
we can’t hide
the inequality
or when given the affordable health care policy
call it comedy
honestly
its time for an apology
and to stop the hypocrisy
because poverty is commonly
in large quantities
and logically
poverty shouldn’t be an unborn child’s prophecy
just because their a impoverished mothers progeny
doesn’t mean their life couldn’t be quality
so pardon me
while I speak audibly
when I say the government has no monopoly
on poverty

[Intro: Big Sean]
I look up
Yeah and I take my time, *****
I'mma take my time, whoa
Power moves only, *****

[Verse 1: Big Sean]
Boy I'm 'bout my business on business, I drink liquor on liquor
I had women on women, yeah that's bunk bed *******
I've done lived more than an eighty year old man still kickin'
Cause they live for some moments, and I live for a livin'
But this for the girls who barely let me get to first base
On some ground ball ****
Cause now I run my city on some town hall ****
They prayin' on my *******' downfall *****, like a drought, but
You gon' get this rain like it's May weather
G.O.O.D. Music, Ye weather
Champagne just tastes better
They told me I never boy, never say never
Swear flow special like an infant's first steps
I got paid then reversed debts
Then I finally found a girl that reverse stress
So now I'm talkin' to the reaper to reverse death
Yep, so I can kick it with my granddad, take him for a ride
Show him I made somethin' out myself and not just tried
Show him the house I bought the fam, let him tour inside
No matter how far ahead I get, I always feel behind
In my mind, but **** tryin' and not doin'
Cause not doin' is somethin' a ***** not doin'
I said **** tryin' and not doin'
Cause not doin' is somethin' a ***** not doin'
I grew up to Em, B.I.G. and Pac *****, and got ruined
So until I got the same crib B.I.G. had in that Juicy vid
*****, I can't *******' stop movin'
Go against me, you won't stop losin'
From the city where every month is May-Day at home, spray your dome
****** get sprayed up like AK was cologne for a paycheck or loan
Yeah I know that **** ain't fair
They say Detroit ain't got a chance, we ain't even got a mayor
You write your name with a Sharpie, I write mine in stone
I knew the world was for the taking and wouldn't take long
We on, tryna be better than everybody that's better than everybody
Rep Detroit, everybody, Detroit versus everybody
I'm so ******' first class, I could spit up on every pilot
The city's my Metropolis, feel it, it's metabolic
And I'm over ****** sayin' they're the hottest ******
Then run to the hottest ****** just to stay hot
I'm one of the hottest because I flame drop
Drop fire, and not because I'm name dropping, Hall of Fame droppin'
And I ain't takin' **** from nobody unless they're OG's
Cause that ain't the way of a OG
So I G-O collect more G's, every dollar
Never changed though, I'm just the new version of old me
Forever hot headed but never got cold feet
Got up in the game won't look back at my old seats
Clique so deep we take up the whole street
I need a ***** so bad that she take up my whole week, Sean Don

[Bridge: Kendrick Lamar]
Miscellaneous minds are never explainin' their minds
Devilish grin for my alias aliens to respond
Peddlin' sin, thinkin' maybe when you get old you realize
I'm not gonna fold or demise
(I don't smoke crack, ******* I sell it!)
*****, everything I rap is a quarter piece to your melon
So if you have a relapse, just relax and pop in my disc
Don't you pop me no ******* pill, I'mma a pop you and give you this

[Verse 2: Kendrick Lamar]
Tell Flex to drop a bomb on this ****
So many bombs, ring the alarm like Vietnam on this ****
So many bombs, make Farrakhan think that Saddam in this *****
One at a time, I line them up
And bomb on they mom while she watching the kids
I'm in a destruction mode if the gold exists
I'm important like the Pope, I'm a Muslim on pork
I'm Makaveli's offspring, I'm the king of New York
King of the Coast, one hand, I juggle them both
The juggernaut's all in your jugular, you take me for jokes
Live in the basement, church pews and funeral faces
Cartier bracelets for my women friends, I'm in Vegas
Who the **** y'all thought it's supposed to be?
If Phil Jackson came back, still no coachin' me
I'm uncoachable, I'm unsociable, **** y'all clubs
**** y'all pictures, your Instagram can gobble these nuts
Gobble **** up til you hiccup, my big homie Kurupt
This the same flow that put the rap game on a crutch (West x6)
I've seen ****** transform like villain Decepticons
Mollies'll prolly turn these ****** to ******* Lindsay Lohan
A bunch of rich *** white girls looking for parties
Playing with Barbies, wreck the Porsche before you give them the car key
Judgment to the monarchy, blessings to Paul McCartney
You called me a black Beatle, I'm either that or a Marley
(I don't smoke crack, *******, I sell it)
I'm dressed in all black, this is not for the fan of Elvis
I'm aiming straight for your pelvis, you can't stomach me
You plan on stumpin' me? ***** I’ve been jumped before you put a gun on me
***** I put one on yours, I'm Sean Connery
James Bonding with none of you ******, climbing 100 mil in front of me
And I'm gonna get it even if you're in the way
And if you're in it, better run for Pete's sake
I heard the barbershops be in great debates all the time
Bout who's the best MC? Kendrick, Jigga and Nas
Eminem, Andre 3000, the rest of y'all
New ****** just new ******, don't get involved
And I ain't rocking no more designer ****
White T’s and Nike Cortez, this red Corvettes anonymous
I'm usually homeboys with the same ****** I'm rhymin' with
But this is hip-hop and them ****** should know what time it is
And that goes for Jermaine Cole, Big KRIT, Wale
Pusha T, Meek Millz, A$AP Rocky, Drake
Big Sean, Jay Electron', Tyler, Mac Miller
I got love for you all but I'm tryna ****** you ******
Trying to make sure your core fans never heard of you ******
They don't wanna hear not one more noun or verb from you ******
What is competition? I'm trying to raise the bar high
Who tryna jump and get it? You're better off trying to skydive
Out the exit window of 5 G5’s with 5 grand
With your granddad as the pilot he drunk as **** trying land
With the hand full of arthritis and popping prosthetic leg
Bumpin Pac in the cockpit so the **** that pops in his head
Is an option of violence, someone heard the stewardess said
That your parachute is a latex ****** hooked to a dread
West Coast

[Verse 3: Jay Electronica]
You could check my name on the books
I Earth, Wind, and Fire’d the verse, then rained on the hook
The legend of Dorothy Flowers proclaimed from the roof
The tale of a magnificent king who came from the nooks
Of the wild magnolia, mother of many soldiers
We live by every single word she ever told us
Watch over your shoulders
And keep a tin of beans for when the weather turns the coldest
The Lord is our shepherd, so our cup runneth over
Put your trust in the Lord but tether your Chevy Nova
I’m spittin' this **** for closure
And God is my witness, so you could get it from Hova
To all you magicians that’s fidgeting with the cobra
I’m silent as a rock, ‘cause I came from a rock
That’s why I came with the rock, then signed my name on the Roc
Draw a line around some Earth, then put my name on the plot
Cause I endured a lot of pain for everything that I got
The eyelashes like umbrellas when it rains from the heart
And the tissue is like an angel kissin you in the dark
You go from blind sight to hindsight, passion of the Christ
Right, to baskin' in the limelight, it take time to get your mind right
Jay Electricity, PBS mysteries
In a lofty place, tangling with Satan over history
You can’t say **** to me - Alhamdulillah
It’s strictly by faith that we made it this far

A sound better and livelier as ever startled me. Baffled and unaware of my surroundings, my eyes slowly opened, viewing my irresistible grandmother’s hand gently touching my cheek. Listening carefully, I noticed a beautiful sound coming from her voice. The warm-hearted, lovable lady warmly smiled down at me as my smile formed into the shape of a crescendo, getting larger and wider, finally to a laugh of pure joy. I knew one thing was certain to be true; I fell in love with the intriguing sounds bit by bit.
I awoke to the sight of my father playing his guitar at a medium volume. The sound of the instrument inspired me and motivated me to follow him. I lie in my crib listening intently to the various sounds coming from the guitar. It was almost morning, yet I thought it was later in the morning because my light was on its maximum strength. I watched his fingers move very quickly on the guitar, yet the sounds were beautiful.
“Good morning my love,” said my father smiling at me. “Did you have a good sleep, my love?” he said.
“Pno,” I said on my very own.
“What did you say my love?” said my father startled and impressed that I had just muttered my first word at age one. His smile was soothing in my opinion. His eyes became lively and big with complete shock and joy.
“Po neo.”
“Piano!” said my father ecstatic at the moment.
Considering music was his dream, he wanted me to take part in the wonderful career as well. He set his guitar down against my light blue-colored wall. Then my father went to my small rocking chair and sat down. He put his face in the palm of his hands. I thought he was crying and intimidated by me, but then I realized he was very proud of me and believed I would go far in life. He stood up and picked me up gently and set me down on a chair next to my piano. He smiled and embraced me with affection. I knew my father’s name by heart but I couldn’t manage to say it. It was William. He started playing simple notes on the keys with his thick, masculine hands. He played six notes, all with important meaning and full-care. He motioned for me to take part playing as well.
“No, no. You’ve done it all wrong my love. You must listen with ease and act how you feel,” said my father with concern.
I started weeping large sobs as my father talks in a loud tone with disapproval.
“What, my dear?” says William concerned.
I pressed a key on the piano and roar with laughter.
“You’ve got it my love,” said my father in a soft, mellow tone.
I then take again to the keyboard, this time with full confidence playing again. My father then sang a song while playing the piano. I didn’t know the name of the song, but he told me it was a song he had written after. That inspired me to write my own songs and play the piano and possibly the guitar.
“This is the world, I hail from.  The sorrows and pity we might feel for each other. But arised a God who’s mighty strong. Who turns our sorrows into pride and joy, and this is where I am hail from,” sang my father very emotional.
“You’ll go far my love, I promise you. One day music will save you...” said my father.
…28 years later those words stuck with me…
I was off to work going about my usual day. I was thirty one now and living with my girlfriend in our apartment. I still lived in my hometown, California. Whenever I thought of my hometown, the song “Hometown California,” came to me automatically. I’d just start singing. I wouldn’t consider myself an excellent singer, but that was just a hobby of mine. I was phenomenal at playing the piano and very good at playing the guitar in the eyes of many people.
…When the weekend finally came, I found the time on Saturday morning to fit a tennis match in with one of my good friends, Troy.  As we rally back and forth, something caught me by surprise. A grey-haired man about twice my age had an awkward looking smile that lit up his whole face. I was baffled at the bizarre stranger. He came up to me and tapped me on the shoulder.  I looked at him.
“Hello young fellow. My name is Harry Hayfold and I was wondering if you would like to train with me to become a professional tennis player.” said the man.
‘No thanks man, I’m just playing a match with my friend. Thanks anyways.” I said and I went back to rallying.
“Young fellow, please. You’ve great skill as I see,” said the older guy eager to say something more.
“I don’t think I want to train for hours for a chance at becoming a pro- tennis player. Thanks for the compliment though,” I said a little annoyed.
“It would be your loss sir.” said the man.
I just continued rallying with my friend. My friend looked baffled as well and felt bad for the guy. I didn’t care if he was still standing there; I just wanted to play. When we were finished rallying, we started a match. As I throw the ball up to serve, he shouts something right next to me.
“Would you please just listen to what I have to say?!” said the man angry.
“Oh, my god; could you leave us alone now?  I’m not doing the training classes; I have a job. I work in a music store, okay!” I said very annoyed.
My friend came over to my side of the tennis court and asked what the problem was to the man.
“I can’t stand people like you. You’re a liar and a creep.” said John.
“Which music store do you work at?” asked the man.
“It’s called Music Academy. Can you leave us alone now?” I said perturbed.
“I’m very sorry to have bothered you.” said the man.
“Yeah,” I said without any enthusiasm.
“No wait, he’ll be honored to do the classes with you sir. He needs money anyway,” said John’s friend Troy.
“What are you doing?!” I said to my friend with fury. “I will be fine financially once I get signed professionally which will happen troy. It will definitely happen. This guy… He’s out of his mind,” I said confident.
“What did you say your name was?” said the man.
“John.” I said.
“Excellent Johnathon.”“Meet me here on these same tennis courts tomorrow morning at eight o’clock. Don’t be late.” said Harry.
I smashed my racket as hard as I could on the ground with full force, releasing all of my stress and anger out on the court.
“Alright John,” said Troy with pity on him. We’ll hang out again soon.” He said and left.
“Crapola!”  I yelled in mid-air after everyone left.
The next day I don’t even consider going to the psychotic man’s tennis class. Instead, I make my way to work early.
As I’m exiting my shift at night, I noticed someone standing behind a wall. And there it was… I couldn’t believe my eyes.
“Oh, no,” I whispered to myself.
“Hello Jonathon. You’re session was at eight am this morning. Have you forgotten?” he said concerned.
“Listen, I don’t think this whole business with the excessive training classes to make me into what I will never become and putting my job in jeopardy of getting fired, is going to work out,” I said with a smile.
“I’ve watched you work in the store John,” said the man concerned.
“Oh jeez, now I’ve got a personal stalker. This is gonna be interesting.” I whispered.
“How much do you make a week? I’ve come to sought you don’t look happy working there and want to become into a real musician.” said Harry.
I was just about to completely lose my mind when I took a deep breath and bit my tongue to avoid making a scene. My face turned so red.
“Once I get a record deal with the piano, then things will be even better for me. But as of now, I’m very happy, just not super happy. And you know what else, I’m so happy I began music because I couldn’t get much happier. Oh, the glory of being a musician would make me so happy. And you barging randomly into my life and ******* up everything… well I couldn’t get much happier!” I managed to scream at the end of my statement.
“Come with me John. Please let me help you find a way to forget that you’re not a musician.” said the man.
“My father was my inspiration. He’s dead now, yet I’m following in his footsteps because I want to.” I said.
“I see… I’m very sorry for your loss John,” said Harry with a fake sad expression on his face.
This man was driving me up the wall by now. I had had it with his monkey business.
There was a long pause…
“So tomorrow at eight?” I said completely unsatisfied, yet willing to experiment with what he had in mind to teach me.
“Yes, oh yes that would be just perfect John,” said Harry ecstatic.
We both started walking to our homes. He had walked rather quickly for an older guy, and me, slowly like I’d just had a pancreas failure.
When I arrived at my apartment, my girlfriend wasn’t there.
“Jenny, I’m home”… “Jenny, you there?” I said baffled at the silence. “Jennyyyyy”, I said playfully. Jennifer… Is dinner set toniiiight?” I said as I smiled at my own humor.
All of a sudden, the phone rang, which startled me and made me uninterested at this point to answer. I answered the phone anyway.
“Hello?” I said.
“Hello, this is a patient of Jennifer; is Jenny there?”
“No she isn’t at the moment,” I said unsure of my answer.
“Ok, thank you,” she said and hung up.
“You’re welcome,” I said sarcastically after she already hung up.
I walked into our bedroom to take my work clothes off and put pajamas on. The door was closed which got me a little concerned and angry. I walked in the bedroom and turned on the light.
“What the hell is going on here?! Get off my girlfriend you crazy *******!” I yelled.
“No John, please stop. He’s my fiancé John,” said Jenny annoyed with me.
“What are you talking about Jennifer?” I said raging with anger.
“Listen john, I’m sorry. Things weren’t working out between us recently and things just clicked between… well Steve and I.” she said.
“ I can’t believe what I am seeing right now,” said john through tears of disappointment and anger.
“Things weren’t working out between us John_”
“Yeah, I think you mentioned that already.” said John crying hysterically.
“Well don’t be sorry. Be sorry at yourself because I did nothing but treat you nicely. What happened to us Jenny? We were so in love with each other. I can’t believe what I am seeing.” I said.
My girlfriend my starting to cry now and as she began to speak I walked out stomping on the floor and slammed the front door as I exited my apartment.
“The next morning John arrived at the tennis courts that he visited two days ago with his friend.
“I’m here; let’s start playing tennis,” I said calmly.
“Wait, wait. I have not yet explained the concepts.” said Harry.
“Yeah, yeah, concepts. I know,” I said annoyed.
I picked up a tennis ball and hit it over the fence as hard as I could.
“Excellent work there John,” said Harry sarcastically.
“That was just a warm up professor. Now here comes glory,” I said about to ****** someone.
I slam my pre-broken racket on the floor so hard that it cracked in half. The man was outraged at the horrifying scene.
“I missed work this morning for this crapola?!” I yelled.
John, you’re crazy right now. Sit down and relax!” said Harry firmly.
“Music is all I want and you’re taking that away from me.” I said
“I apologize sir; I don’t think I want to do this anymore.” I said.
“Anymore? You haven’t even started playing yet,” said Harry with a little chuckle.
“Ok, fine; I’ll play.” I said. “I don’t have a racket now.” I said ashamed and guilty.
“That’s not my problem.” said Harry. “If you no longer have a racket, I will let you have my spare racket if you practice drills catching the ball precisely with only your hands.”
“Ha, you’re kidding right? That was a good one Harry; very good.” I said.
I tap him on the shoulder.
“See you tomorrow.” I said.
“Will you stop acting arrogant and negative for once John! I was serious about the hand drill.” said Harry.
“Ok then.” I said.
Harry got on the side opposite from my side. He took a bunch of ***** and out them in his pockets.
“Now John…I want you to catch the ball wherever I throw it okay?” said Harry.
“Yeah, I’m ready.” I said.
He fed the ball over the net and John caught the ball wherever he threw it. When he was getting exhausted from the number of ***** being fed to him, he took the ball and smashed it on the ground.
“What in heaven’s name has come over you?” asked the man terrified.
“Nothing, except the fact that my girlfriend is now getting married with her new fiancé and was having an affair in my bedroom. That is it ladies and gentleman, the show is now over,” I said sarcastically.
“Oh, haha…hahahahahahaahahaa.” Harry chuckled.
Harry burst out laughing.
“John, John, I’m sorry. The way you said it made me laugh, that’s all.” said Harry.
I run up to the old man about ready to **** him (not literally) when he started coughing. He fell down to his knees holding his chest.
“John,” he whispered trying to grasp more oxygen.
“What happened Harry? Are you alright?” I asked nervously panicking.
I ran off the court to get my cell phone in my tennis bag on one of the park benches and called an ambulance. I then run back to Harry.
“I’m calling an ambulance for you Harry. It’ll be okay,” I said about to cry from the sight of what just happened.
When the ambulance came, he was put on a stretcher by several paramedics and taken to the nearest hospital. I don’t bother calling my ex-girlfriend, knowing I was through with her insecure ways and immaturity level. I drove to the hospital following the ambulance as I drove. I arrived at the hospital minutes after him and sat in the waiting room for over two hours with his son who was about my age, if not older. The doctor came out looking down with tears in his eyes. He ripped off his glasses and fell to his knees. He stood up…
“I’m very sorry. There was nothing more I could precede on doing,” said the doctor.
The doctor walked away looking very upset and disappointed in himself and what happened. I turned to his son and saw such shock and disappointment in him.
“He was a very mysterious, outgoing person and a great father,” said his son through tears.
I nodded my head and smiled.
“My father tried to teach you basic steps of becoming a tennis player, but it wasn’t for a career. Trust me. He wanted you to learn something new. That’s all. He can be difficult at times, I know, but he is a very courageous man and loves helping others,” said his son smiling at me.
I was shocked. I was living an okay life with music. But now I realized that this man inspired me to follow chase after what you want. He taught me that things may be challenging in life, but you can overcome them if you work hard and love what you do in life. Even through financial problems, I realized that you can still achieve your dreams and it is never too late to start a record deal. His son left the hospital before me without mentioning what his name was. I believed the Harry and his family were a mystery, but a good mystery. I showed up to the music store the next morning and the manager of the store had exhilarating news for me. I had gotten signed by a famous musician! This was the best day of my whole entire life and I could not have asked for anything more in life.
“Signed by Buddy Clark, I present to you your record deal. Sign this and you have a chance to work with this talented man for a chance at achieving your dream John. Well done, we’re all very proud of you,” said the manager of the store.
All of the workers in the store started cheering me on and applauding my superb work and efforts. I was now in tears of pure joy and I felt worth something major for the first time.
“Thanks a lot Jason,” I said to the manager of the store. “This is a gift; it means the world to me,” I said as I gave him a hug.
I realized life is not all about tennis or music. It’s the important things in music that make you feel out of this world amazed. People may have a strong opinion about something they love, but never take a person for granitite.

I was at the bar big ******* surprise I know .
The pub was empty well aside from a few selected drunks but really there more like a modern art display that has to **** more than a toddler .

I sat there good Irish coffee in one hand laptop upon the bar my normal morning ritual
No I wasn't looking at **** I'm kidding of course I was duh what goes better with coffee then watching total strangers ******* a circus ****** but enough about family programming.

I had decided to take a change of pace no I wasn't watching barnyard babes instead get your mind out of the gutter you ******'s who do you think I am the owner of this site?
No I decided to swing by my true stomping ground the true home of Gonzo Hello .

I as always stopped by to check the tombstones of my amigos now long since passed .
They were all there on full display a reminder of a past I truly cant forget.
Then I decided to check out the new who's who of the new Hello .

There poems about Mom and Dad and that first crush and other assorted high school horseshit
that was as about as interesting as watching a marathon of twilight backed up by that closet case
Harry Potter honestly I thought that was a great **** name .

Just then I herd a school bus with it's annoying *** air brakes come to a halt outside the Pub
The doors flew open and fifty or so hobbits came wandering in the bar dear lord was it some sort of strike?

Hey there Gonzo I'll take a Bud Light and a bag of chips please.
Want a coloring book to go along with that Bilbo?
Hey look grandpa just do your dam job and get me a  beer okay?

This strange little hamster must have fallen out of his crib and cracked his skull on his power ranger if he thought I was some sort of man servant I swear do these little ***** get there manners ?
I looked at the group of micro mini people thinking deep and long  and sort of ruff with a slap on the **** before I dared to reply.

Okay you little ******* I'll bite but not that hard just who the hell are you and what in the **** are you doing here?
Were the new in crowd of the site were poets father time!

After almost laughing myself to death I decided to entertain the little hamsters .
Okay short stack but before you ask we don't serve milk and cookies and nap time is whenever you hit the floor.

Hey what's with this stupid *** jukebox there's nothing but music on here done by people who actually play music duh what kind of **** is this.
I believe it's actually called music or as your generations rappers like to call it three mile.
Samples to talk over to your generations ****** music.

Hey old man you better watch it what you hate rap?
No I don't hate rap I hate your rap  by the way number seven your banana split is ready.
Hey I got to pay the bills somehow people I haven't had costumers in like five years .

Look Gonz the leader of the diaper gang  spoke up.
I know were younger but we have a right to be here as well were just trying to express areselves and share are work is that so wrong.

The Jim Jones wanna be had a valid point but I honestly didn't care for my mind was on a much deeper subject the music played as in the corner four little mini ******* hotties in school girl outfits
danced away to some sort of teenage ***** they called music.

I was lost in my thoughts of um like deep poetic **** it's to deep for you to grasp .
I'm kidding I was just watching the show thinking hey I don't have to pay for this?

Gonz hey Gonz earth to Gonz  .
Well everybody I tried I guess we better leave I don't think he's interested  in us having a
open mic  poetry night.

The music had stopped and the mini ***** were almost out the door but like some perverted ninja
I stopped them before they reached it.
Hey what's this I don't want to hear a open mic night duh I'm all about hearing your poetry
especially these little stripper poetry were do you all work I just love your costumes .

Um there are school uniforms pervert the one replied .

Hey look Gonzo It's  cool man we'll just be gone I mean you don't want to serve us and all.
I had to think  fast there leader was talking them almost out the door and I really couldn't afford
another kidnapping charge yet again don't ask.

Hey wait gang I was just ******* with you hell drinks on me what's your name Brittney Veronica Kelly hell it doesn't matter just pull yourself up a high chair and name your  poison.
What will it be beer wine crystal **** I know how you kids love that **** Brittney maybe you'd like a smooth roofie margarita I make the best in town just ask Lily .

Hey man what about that jukebox ?
I pulled out my trusty 38 the everyone hit the floor   as the sound blasted through the room worse than Justin Bieber getting **** ****** in county.
Oh baby baby Nooooo but enough with the foreplay children.

Honestly I never knew a power wheels could go that fast .

***** that jukebox amigo that's what mp3 players are for  .
I blasted some sort of strange music and poured the drinks as the hobbits began to
lose themselves in sort of twisted movements they called dancing dear lord man
they could really hold there drugs .

Then came there spoken poetry crap slash wet T shirt contest .
The party was a mad mad scene  like MTV's real world except with actual humans .

The mini strippers slash go go dancers were just about to get on the bar when all the sudden the doors flew open and the dark Lord himself once again stood in pub.

The room went as silent as when a semi  insane hillbilly on a **** TV show does a interview
and people find out he really is a backwards dip **** .
The dark lord spoke Gonzo!

A voice from under the bar spoke up he's not here *******.
Gonzo get your drunken *** from under that bar before I make my man servant come get you.

I popped up faster than a seventy year old man on ****** .

Hey boss how's it been dam you look great can I get you a drink hey have you been working out?
Look you halfwit clean this party out right now I could ban right this very moment .
Hey now look Adolf I was trying to connect with the hip new younger crowd is all because
I believe that a young mind is a terrible thing not to be totally wasted .

Seize him the dark lord called out to his staff of four halfwits .
I fought hard but eventually feel to the powers of those lady truck drivers let me tell you
those ******* fight ***** it was almost like getting *****  ****** if only I hadn't forgot my whistle.

Beaten shaken without my speak being slurred I was handcuffed and taken away .
And as I was being taken out the door a young little hamster spoke .
Hey Gonzo can I have your laptop yeah kids there real wise ***** sometimes.

The young hamsters all sat outside the pub as I was loaded up in the pinto hey poetry doesn't pay kids.

Goodbye Gonzo we'll miss you said one of the stripper students whatever the **** they were.
Goodbye little ***** I'll think about you often well I mean as long as I can remember.

I watched as the kids were scattered to the wind and my Pub was destroyed .
As I was taken away riding into the sunset like some outlaw in the back of a really ****** car.

Was this the end for are brain dead hero?
Would Hello finally see the demise of the legend slash guilty pleasure of Hello.
Would Timmy finally get out of that well to question his own sexuality?

Would this write ever ******* end?

Tune In next week for the exiting conclusion kids.

We now return you to your regularly scheduled programming .

Stay Crazy.

                                                         ­           Fin

I was fairly drunk when it
began and I took out my bottle and used it
along the way. I was reading a week or two after
Kandel and I did not look quite as
pretty but
I brought it off and we
ended up at the Webbs, 6, 8, 10 of
us, and I drank scotch, wine, beer, tequila
and noticed a nice one sitting next to me -
one tooth missing when she smiled,
lovely, and I put my arm around her
and began loading her with *******.
when I awakened at 10 a.m. the next morning
I was in a strange house
in bed with this
woman. she was asleep but looked
familiar.
I got up and here was one kid running around in a
crib and another one running around the floor in
pajamas. I picked up a letter addressed to one
"Betsy R.", so I went back and said,
"hey, Betsy, there are kids running around all over
this place."
"oh Hank, **** it, I'm sick. I want to sleep, not
rap."
"but look, the ..."
"make yourself some
coffee."
I put the *** on and the little boy ran up in his
pajamas. I found a shirt and some pants and some
shoes and
dressed him.
then I cleaned a bottle with hot water, filled it
with milk and gave it to the kid in the
crib. he went for
it.
then I went in and squeezed her
hand. "I've got to go. are you all
right ?"
"yes, a little sick. but please don't feel
bad."
I called a yellow cab and we went back across
town.
is this what happened to
D. Thomas ? I thought.
if a man didn't think too much he could be proud of his little
conquests -
except that the women were better than we - asking nothing
as we squirted our poetry
our ******* our
***** to
them.
we were sick poets sick
people.
across town I knocked on the door of my host and
hostess.
"what happened ?" they
asked.
"nothing. got
lost."
they sat a beer in front of me
and I drank it as if I were
wordly:
a piece-of-***
any-night
anywhere
type.
"somebody got a
cigarette ?" I asked.
"sure, sure."
I lit up and asked,
"heard from Creely
lately ?"
not giving a **** whether they had or
not.

Pure? What does it mean?
The tongues of hell
Are dull, dull as the triple

Tongues of dull, fat Cerebus
Who wheezes at the gate. Incapable
Of licking clean

The aguey tendon, the sin, the sin.
The tinder cries.
The indelible smell

Of a snuffed candle!
Love, love, the low smokes roll
From me like Isadora's scarves, I'm in a fright

One scarf will catch and anchor in the wheel.
Such yellow sullen smokes
Make their own element. They will not rise,

But trundle round the globe
Choking the aged and the meek,
The weak

Hothouse baby in its crib,
The ghastly orchid
Hanging its hanging garden in the air,

Devilish leopard!
Radiation turned it white
And killed it in an hour.

Greasing the bodies of adulterers
Like Hiroshima ash and eating in.
The sin. The sin.

Darling, all night
I have been flickering, off, on, off, on.
The sheets grow heavy as a lecher's kiss.

Three days. Three nights.
Lemon water, chicken
Water, water make me retch.

I am too pure for you or anyone.
Your body
Hurts me as the world hurts God. I am a lantern ----

My head a moon
Of Japanese paper, my gold beaten skin
Infinitely delicate and infinitely expensive.

Does not my heat astound you. And my light.
All by myself I am a huge camellia
Glowing and coming and going, flush on flush.

I think I am going up,
I think I may rise ----
The beads of hot metal fly, and I, love, I

Am a pure acetylene
******
Attended by roses,

By kisses, by cherubim,
By whatever these pink things mean.
Not you, nor him.

Not him, nor him
(My selves dissolving, old ***** petticoats) ----
To Paradise.

each day is new.
each life is measured re-ified or ified,
--- but 1.0 can't think past named things and their uses.
--- 2.0 must have an intuition of good begetting
that includes 1.0 gnosis of aim in an immediate way.

Oh. Here's a map.
Like Disneyland as a mall...
or DC with the alu-mini-um pyramid on top.

A schema instantiation, says the blithering flow
charting our course to
sapins sapiens augmentatious
It's obvious,
the children shall all be 2.0 in 1.0 mechanical material;

the tree of knowledge was all inclusive.
hence, the POV development circuits
are cross sired-wired dialecticalishit

seen innerish, not clearly but
seen, men as trees sorta thing.
not blind
but not visionary in a professional
TED talk worth
attending to after eight straight.

The time on earth is variable.
The cost/value of a duration is perimental,
be
coming here
being still
unborn in silken wombs
--- chirp

there are ground squirrels in California
which chirp
incessant chirp chirp chirp with

enough variety in volume tone and frequency,
to make old Morse Code five-letter code groups
come rattling through the radioman's head.

killit.
no, focus, do some meditatishit mind over world,
silken swaddles to moth or...

squeeking wheel gits the grease.
grease it, no, go to the squirrel and trigger its
cog that has no
cognition save intuition. Click.

look it in the cute little squirrel eye.
see it see you, say to it, shut up.

it don't blink. it don't shut up.
bold rodent,
I AM MAN. I shout, it squeeks,
gnoshit,
no cognitive over ride of intuition to fear the man,
is thinkable.
It is a squirrel.

It don't mean nothin'. A curse o' apophrenia on ye.

Bubbles in bubbles, foaming Being
Thoughts resolve to gearish
imaginations
cogs and gears and wheels whirling through some
filtering of needless data informing points
big
number
dimensional, scale and distance, durational
direct
measure in systems
for value and balance,
with no true vacuum, but the idea,

the null-set. Where never happens and nothing is.

We twist hard here.
The torque is what jects
the ob at the sub, via a
mechanical cam-shaft, pusher-puller-twister system
mit ein trigger, which we
click.
Think.
Who is writing my part in the book of life?
I asked me, you are not here, but
in my mind I hear replies more wise than I was
inclined
to imagine
a common man of common gifts can be for
believing
magic has always been
what magi know how to do for goodness sake.
Magi. Heros.
Not a no knack common man, wombed or un.

Peace nullifes any reason War-corroded minds can
calculate,
the numbers prove it all. Count the stars.
Use your augmented eyes, search your global memory,

run the numbers, nullify time with eternity,
subtract the works of darkness,
(don't delve into the details, you can imagine hell some other time)

----
A Valis idea, stuck between my chew-eschew-awarea
P.K. ****, trips, bags, and scenes
as became the cliche'.

Let 'em imagine any thing, define the terms and force
agreement for access.

Insider wannabe, do you agree, come and see? Or
do you dare to challenge

the common sense of all man kind as represented in Christ
of Nicea and Abeka Books, from Pensacola, Florida,

Whoa, rock the box, make bubbles cavitate the prop,

spinnin wheels like the Bismark's final bow.

--- i'm un comfortable and I don't know why.
--- a feeling
--- those are mocked as meaningless, by apathetic slobs.
--- so easy being a ***, ethos pathos logos, ***
--- comic relief
--- in mortal moments of turmoil and confusion as things are stirred.

All that could be shaken, was shaken.
All that could be strained, was strained.
All that mercurial messages could mean, was meant.

We lie in wait, wishing cogs and cogitate was as symbiotic
a thought as we thought while thinking

earlier
Art is artificial intelligence. Imagine that. A.I.

Demiurge, my cultural osmosis of vocalizings,
left me thinkin' a demi urge
is a little urge, a diminutive urgekin,

urging me to be
creative, let that lil' light shine, Marjoe

these being public displays at the edges of some of the bubbles,

bubs, some kid just shook my bottle

to pretend the wine was moving of itself, making turmoil

careful as in accurate art-iculation, this is not realist materialist
gasping
grasping for
dignity, stalwort, courage, responsibility

we are yet legions, industrial models
used to build swords with motors,
when we come to America, we join the unem.
We, the people's industrial war complex, merge
with the abandonded gods Neil Gaimon pointed out,
formin a loose unity of spirits, engines and factories and artisans

self-defined, an unum from many, on a national scale,

Da deme demotic da-emonic conspiracy of steam, incorporated
with dwarven knackeristics of old,
fur usin' Hermes as a river to call gold to our rule maker,
food bringer, h'laf weard, Lord of the loaf.

Listen,

illiterate heathen, my Grandma said we'd be if we did not know the story
after hearing it told three times.
Third time's the charm.

We were weighing your worth,
got hooked on a breeze from the broom sweeping this
pile of parts and pieces of what you imagined being worth

that's not much more worth than one in eight millions of millions,
of you kind, unless you earned admitance to the inside

externalization of imagination
pro-ject that on next---
stop. Imagine all that
and guess... ob or sub... its your roll.

I'm the door, says the door. I have no key, it says to me,
come and see,

the progress regress con tro tra la la la

That rascal who just wondered by on Youtube

com a part mentalized, an urge to count the cost

ungrateful and thanksgiving
curse and bless
sweet and bitter from one fount, that ought not be, but
it is possible, all things are,
it can be evil, but
on
discovery
such a curse is not worse than miss fitting a taken point,

we ethos pathos logos ourselves, we say, my domain,
bad
poetry can have good ideas in it. Ah, I see.

Humble your self under the mighty hand of that which has been
given the joystick,

eh, what if a lie is running your ranking order?
careful articulation?

Jackson Pollack step up, this carefulness of art,
answer that for me.

Ah, the hero, around whom thy sun wraps, what haps ever after,

you get old and the world changes against your wish.

do you believe in God.
I do, the one Jesus believed in,

by my leave, my letting a true thing be

happily, after a life of seeking for another path.

The earth is round.

Are there ideas that cost, in the use?
Is there an ancient of days account
of idle words

verbs given for acts, as seen done, from an earthling POV
idle verbs that call no act
lest the cost come clear, daemonitic tech that seems magic,
blessing cursing and claiming to heal, all
mere art... the ability to be like Jesus, that knack

there was a wise man, as he was sweeping his way one day,
his daemon, who had the assignment,
reported finding meaning
in being filled
to over flowing, have you boasted that? Never?

Did you ever shed a tear for another's pain?

You know, pathos, commonality of us all, or you know
not
and the sufficiency of evil is calling you to be the inner hero,
making room for truth
in a heart fed lies from the womb.

After all is said and done. Believe the truth makes free
upon the point of knowing the story.

Love is a verb I seldom use. I dared redeem it for future use.
It cost me dear reader.
there are verbs we abuse at a terrible price. Paid. Not by me.

Show's over, Radioman morphed to Grandpa and Oliver
watching the real world turn beneath the sun,
relative to an earthling POV. The day's sufficiency of evil all swept away.

Tony Story
Tony killed his ol’man Ty for a whole brick
Lined’em all up and gave’em the whole clip
Said he wasn’t eatin he wanted his own ****
And not to mention Ty was ****** his Ol’*****
But Ty wasn’t a shoota, that ***** just sold bricks
And Tony he was reckless he never had no picks
Tony was like the Alpo, Ty was the Lil Rich
2 ****** with a dream that plotted on goin rich
Started as a team but Ty had got on stiff
Jealousy the reason that Ty got left all stiff
Got Tony at the viewin, Ty mom cryin to’em
He hug’er, he tell’er who ever did this he gone do’em
From there it was a silence, she aint condone violence
But they killed’er only son, so when he said it she just nodded
And he told’er that he got’er, grimey at its best, Like tony had a cold
You feel the slimey in his chest. YES! He had the nerve to carry the casket
Strapped up before he went, he had to carry his ratchet, he nervous, walkin
Like he tryna carry’em faster, ***** even grabbed the shovel tried to burry’em faster. Next week he at the mall, Rolly on his arm, 2 bad ******* with’em laughn havin a ball. Seen Ty cousin Paul, Paul couldn’t believe it. Same ***** ask’em for
A front last weekend. Walk around the mall Louie on, Bags Nimen, With the gold diggen ******* Lil Ki and Bad Trina. He dap Tony up, Tryna cap tony up, in his head he thinkin how he gone CLAP Tony up. But Tony he aint worried cause he strapped Tony up, 7 days of runnin he already turned it up. He got Pauly burnin up, he ready to Ride, He know Tony a killer, but he ready to die. AHHHHHHHHH, smell the death all in the air, Pauly thinkin bout puttin a check all on his head, but he cant, cause Tony he done killed his first cousin, if he let somebody else do it, it wont mean nothin. He wanna see’em bleedin, he wanna see’em gaspin, wanna watch’em die slow like he sufferin from cancer. Feel like Tony did it but he ont really know the answer, so he gone let it burn, until it get confirmed. Couple months fly by, Tony on the high rise, started flippin chicken now he got them chickens in like Popeye. Pauly still getting it, he always been a top guy, he aint really club but tonight he gone stop by. Seen Lil Ki & dem, it was 2 or 3 of dem, standin in the line he said ima pay for me and dem. Pulled his money out, started countin it and teasin’em, you know Ki gold diggen *** wanna be with’em. Slid up in the club told the waiter give me 3 of dem, bottles of that ***** now Ki just wanna leave with’em. He said where ya phone at? She said where you gone at? He said ima slide out, She said ima ride out. Told’er friends call yall tomorrow when I get to my moms house. They got right up outta there, took’er to his side house. Soon as they got in the crib she just blew his mind out, waisted off them bottles Pauly boy she on a nod off. But Pauly he aint goin sleep, grabb’er phone up off the sheets, took it to the livin room her messages he going through, scroll up to Tony name he text’er whatchu doin boo, she text’em back im in the crib, he text’er back you comin through, she text where im comin to? He text back 1022, Woodstock in North Philly, take the E-way to the Zoo. She said that im comin now, Look at here what Pauly found, got the drop on Tony where he live now its goin down. Couple weeks later Pauly on Woodstock, sittin in his many van, Tented with his hood cocked. Tony just rolled up Pauly got the good drop, 44 in his hand bout to make the hood ROCK. Tony slippin, Pauly all dippin, walk up on his car like what’s POPPIN lil *****. Tony lookin shocked, his glock was in his box so he couldn’t grab for it, Paul said that’s ya *** boy. He said you still need that work that you asked for, Dropped it all on his lap it was 4 in a half raw. Tony he lookin crazy he know that’s the last draw and Pauly just let it go, put its prains on the dash board. POW!

Used to have nightmares all the time, used to see demons in real life.
Used to think I had infinite time, used to be held back by strife.
Uh, elder made me a dream catcher when was young,
when my parents were too busy drowning in the ***,
so I admired the gangs who taught me how to hold a gun.
They told me guns was our only power, our only resistance, because reality is twisted and white man never going to give us
any **** assistance.

(Intro) How do I want to define my existence? How do I achieve My dreams? How can I love others when they scared of me and keep their distance from me? What’s the point of climbing the mountain when God struck me down before I was even half way up? How can I get over addictions when everyone else already gave up on me and won’t lift me up?

Climbing this myth, this illusion, this delusion,
trying to change but how can I?
When my people were put through crucifixion?
My mushim and kokum taught me the way of our people,
but looking back at it now I think I failed my people.

Learned different lessons like yin and yang from friends,
but it’s too late the balance is broken...
this is how our people’s story ends.
That’s just how I feel and with no home I can call my own.
So, I sleep on the streets with a bottle of patron.
Water was supposed to cleanse me, and fire was supposed to warm me, but this fire water is going to be the end of me.
When the colonists came they seemed so sweet like Juliet, but it was all a trick, got poisoned and it was revealed that Juliet was really Brutus to our Julius.
We trusted ****** and look where it got us,
we trusted the church and they molested us.
We trusted the education system,
but they beat us and told us our beliefs and cultures were blasphemous.

They spread their diseases to us, they extended court dates,
so we couldn’t defend ourselves or get reconciliation,
from past callous deeds that were pretty heinous.
Jesus save us, oh wait you brought them to us!
Pride was turned to shame, courage was turned to insecurity, yeah so much for diversity!

The ***** problem, the white man’s burden,
but we are told to just get over it and keep this **** hidden.
So yeah, my dreams and visions of becoming more is no more than an illusion.

Cultures collide and bring forth rigged constitutions.
So, a society develops assumptions and misconceptions,
and it didn’t help that my ancestors had to wait till 1960 to vote in pointless elections.

Elections to decide the next white privileged man to take power,
power that turns good man evil.
Most don’t see or want to see the levels of this status quo devil woe’s, **** ridden covert racist codes.
So, if reality is a nightmare on elm street I’d rather live life short and die quick, and kick the Lord off his high seat.
****, looks like this dream catcher turned out to be Charlotte's web.
Oh, the irony of this misdirect, I thought the dream-catcher was supposed to protect!

But I see know that when you throw out the ***** bath water you also got to throw out the crib!
So now you can see why I can’t get ahead, because white society set up an invisible blockade.
So, sorry if perpetuating the cycle is wrong,
but might as well take my token Indian status and put it into a broken arcade.
For this mountain I’ve been climbing was really a cliff all along,
and society made it pretty clear that I don't belong.
So, I have no choice but to sing my Farewell song.
For the time of the Indian is dead and gone!

Young Ston..Oh..
I glow,Oh, I won't stop No..Oh..I'm on go..Oh..(Ohh3)..Yeah, ** I glow..(Oh5)..I...glow..(Ohh6)..I won't stop Noo...(Ohh4)..I'm on go..(Ohh4)..I won't stop Noo..(Ohh4)..I'm on go..(Ohh4)..I glow..(Ohh4)..Uhh,..I glow...(I won't stop2)..(Noo4)..Oh.., I'm on (go7)..Yeah I'm focused, Yeah I be glowing..man I'm on go, Yeah, I glow *****..(I'm on go3)..(Oh2)..(go8)..Yeah ***** I (glow3)..(Ohh3)...I won't stop..(no7)..I'm too (close3)..I'm on (go3)..I (glow3)..Oh, I won't drop the ball,..(no4)..Im too focused..(Oh4)..I'm too close to succeding , so I'm on (go3)..(Ohh4)..(I'm on go3)..(go5)..Yeah **.., I glow..(Oh9)..
/I won't stop glowing.. (No2)/2
I'm on..(go6)..(Oh6)..for sure Ayo..

I gotta get my safe filled up dude, straight cake nothing but cash on me..Yeah **, **** the Federal Banks dawg, I been trappin so I got that ***** money, Imma throw some to mom dukes & let her open up her own bakery, so we can clean Dat ****,  yeah man.. My whole family know what's really real, Yeah they stick to  the g code, Yeah they already know the deal man..
My bloodline is filled  with real gangsters *****, that always kept it true & trill, Yeah..so I would never tell, death before dishonor, Yeah..so you don't wanna ever betray me man or your familia will be missing ya, I'm just letting y'all fuccers know from the beginning, Yeah..I look like I'm weak & I'm a geek but I'll have you swimming wit the fishes, Yeah mob ****, Yeah *****, I'm plug in wit the Italians, so like Loaf said ***** ****** you don't wanna..(try me Yeah2)..then its (bye2)..homie for real, ***** *** ****** this (the statement3)..Aye Man

I usta eat ramen noodles all day everyday man Yeah even for breakfast, but now I'm renting the whole Ruth Chris out in Buckhead for my ****** Disciples, Yeah all of my OFTR Souljas..
wit me everyday & everyday now we getting paid too man, & baked too..(Yeah2)..We making statements..Aye, Yeah Fo sho..

I'm on go..(go6)..
Yeah dawg, I gotta go..(oh6)..Imma keep rolling mo, Yeah Imma keep going..Oh..(go2)..Oh..fo sho,..(Ohh3)..Woah,..Yeah I gotta..(go3)..Yeah..I gotta (go2)..(Ohh5)..Yeah of course Imma (glow8)..that's..(Fo sho4)..Yeah dawg..Uhh,yeah I gotta go..

Ohh, whatever God wants me to go then I'm going hes my master & I must obey him or I'm just useless like a 80s era cell phone,Yeah so whatever God wants me to do then Im on it, like a good assistant..
The Heavenly Father assistes me that's why I am still living today,..He's my creator, he's an inspiration for you & me Aye..Uhh Imma **** Yeah..Imma..(****5)..,real talk..
Imma always give (my all3)..(all2)....but not my soul that belongs to the Heavenly Father,..Yeah..(Fo sho5)..(Ohh2), Uhh..Young Ston..

(Ohh7)..Uhh..I won't be stopped..(Noo3)..(Oh2)..I'm too..(strong3)..(Ohh6)..like the Hulk, Oh..I'm incredible & I'm untouchable, Yeah..Imma threat to the world..no Osama Bin Laden tho, but Death to America Fo sho..

(yo8)..I won't stop..(Noo6)..(Ohh10)..,I'm on (go8)..Oh..I (glow7)..Oh..(goo8)..Uhh...(Ohh7)..
Woah,Oh..Let's (go6)..Oh..

Im on (go9), Like P.D Eastman, go dawg go..OFTR no we don't support these hos..we only support the real yo..Imma blow, Imma shine, & Imma glow like a nuclear bomb dude, Noo I can't give up now, I'm too close to the finish line, my ***** I will have my victory man,Yeah..
I'm gonna prove all of them doubters wrong,..OFTR we all Kings & Queens , yo these busters all ready tryna steal flow from me..,yo forget being  in a secret society,..Imma let my gang be know mane , Yeah Imma real ***** & I'm proud of being one mane..ayo,What happen to potten lyrics & conscience word play...Hip Hop is dead, so Imma  resurrected it my *****..
These rappers be in the studio playing house naked & dress up wit each other, then claim to be..(bout it2)..on cameras,..Yeah man..

Yo, shoutout to Nas, Aye, I get that ether flow subconsciously when I rhyme, ayo my Flow kinda reminds ya when hip hop first had started, now these rappers sound like Prince, too much purple drank got these ****** going ******* , I can't understand a **** thang they rhyming..these ****** just don't make no sense anymore, yeah they all  so pathetic..,they ain't even making they own profits, all that revenue is going inside the white manz pockets,they **'s yeah they getting  pimped..By The Illuminati..Uhh,Yeah

I dun gott hot like KD at Rucker Park forget the hook, leave it out, I'm shooting it man, Uhh..I wrote alot of legendary **** while living with my  mama, so yeah I gotta give back to my mama, Noo I won't do what Kanye West or Jennifer Hudson did to their families, **** where yall souls at..Yall suppose to be ******, but yall on that crazy white kid ****..Tyler Hadley..Uhh, I guess the money done, made yall its puppets, Ohh well, ****, yall inspired me to not do what y'all did..so thanks,.. Aye
I have no fears, Only For my Heavenly Father & that's outta love & respect...

Aye man..I wrote this early New Years eve 2015, I had to end the year off wit something deep that'll make the people think & at the same time, let all these elementary reading level looking *** ****** see why I'm the new king in my city,..so hand the crown to me TI, no disrespect, I know you see me , real recognize real,Yeah or has being a celebrity made you blind to the facts ****, & What's good Ye,..what happen to Jesus walks..you Satans ***** now,..You ain't no God..Uhh..****..I just wanna know,Ayo  what's wrong wit asking questions man, that's what's so wrong wit people today, they so afraid of the truth, but living the pagan Satanic way..****..
What's wrong wit this world, I know its alot of information that they scared to share wit us, but we need to know, before Independence Day the movie become our reality, Yeah mane..let's change the world & make it a better place..(Ohh6)

(yo8)..I won't stop..(Noo6)..(Ohh10)..,I'm on (go8)..Oh..I (glow7)..Oh..(goo8)..Uhh...(Ohh7)..
Woah,Oh..Let's (go6)..Oh..

Let's do it, come along wit me my brothers & my sisters & let's all make history my ***** its much room but you can't be afraid of the evil..(Noo2).., & You gotta be willing to make sacrifices for G-o-d only..(Ohh3)..Yeah of course sometimes we may lose, but the losses only makes you stronger..(Ohh2)..I won't stop..(Noo2)..because I know when the end comes that I am doing the right thing..Yeah man, I'm glowing..

/I'm on..(go3)..(Ohh4)/..3
(Ohh8)..(I glow2)(glow2)..(Yeah2)..(I glow3)..(Yeah5)..Uhh..Yeah (I glow2)..Yeah I glow man,..I glow..(glow3)..Yeah , (I glow3)...,Yeah..(I glow3)..man..Uhh..

I'm the mufucking man, Yeah I usta have nothing , I usta to sleep on the floor, or I usta to sleep on a sofa.., I wake up my neck & back be so sore, but I soared away from that struggle on to success dawg..Uhh, Yeah Imma skinny young dude that loves to spit my mind on a beat & smoke good kush to yo..I remember a time not so long ago, when I couldn't even barley afford to, but **** I stilled smoked tho dude..(Ohh8)
I was jobless stressing out my mama, causing problems around the house man because I wasn't trying get a job man..Yeah I had drive man, all I ever wanted to do tho is stay at the crib & write hits..Uhh,Yeah you can say that I was lost & confused but I was only 19..man I was only tryna figure out my true  purpose on this earth instead of slaving for the white manz..

So I started up my own business OFTR, Yeah..Im only tryna give the people what they need not what they want man & that's what they gonna get..yo..we can all learn & teach each other new things, cooperation, Yeah we can all be Leaders & rulers instead of being so against each other mane..real spit we need to cease with the stupidity & be a family, because we can all glow Yeah we can all glow my *****, we gotta go  make some moves, before its too late & the end times come & people don't know what to do man..I said we can all glow,Yeah we can all glow man, so Lets glow together, & grow together to my *****..(Yeah4)..

(Ohh8)..I won't stop..(no2)..I'm on..(go9)..(Oh4)..I won't slow down at all..(no4)..(I'm on go,Yeah2)..(go7)....Ohhwoah..go..go

Like some DC **** dawg,..Uhh, I'm bringing the whole hood wit me, everybody gone eat Yeah..& if you want beef from me, I don't keep none like a vegetarian,Yeah I keep alot of proteins, knowledge & wisdom mane, you can eat them , Aye man, if you hating *****, ******* & If you ever disrespect the clique that's gonna be yo last time man..Aye, so you better repent..
Young Ston, The ****** Disciple, Yeah I love to stay fried but I ain't no dummy, Imma OFTR Soulja,...**** right mane..Aye

They always got something say..Yeah mane
Them nasty ******* & ***** ******  like to stay talking , Yeah ***** they talk alot of fucc **** concerning me man..but I don't care about their words because mines more powerful, They Bruce Wayne & I'm Clark Kent dawg..,Uhh,Yeah..Aye..
I'm one of one like a custom made breitling, I'm so confident in myself , I got alot of confidence in my team..OFTR, we gone win no matter how hard the mission seems, like we was train by the A Team..
Yeah we winners mane so they don't gotta notice me, because I already know where I'm heading mane..Its cool, I'm good, I'm gravey,Yeah Its okay mane.I'm g.Cuhz, (I'm still glowing,Yeah..Uhh2)..I'm shinning my light bright on all the hate,..*****

(I glow3)..(Yeah2)..(I glow3)..man...(Ohh6)..,yo, I said...(I glow6)..(Oh7)..Yeah..(Oh3)..I won't stop...(no9)...(Yeah4), I'm on (go5)..(Oh5)..I won't stop..(no2)..Im on..(go5)...(Oh6)..I won't stop  no,Oh,..I'm on go **..(Ohh4)..
Woah!!
Uhh..

OFTR, this The Statement, dawg,..no I won't stop, I'm on go..Yeah..Ayo **** the rules, **** the laws, we breaking them all, we gone ball, Yeah Fo show..,so they can say whatever they wanna say man..,Yeah They can think whatever they wanna think about ya my *****..let them jeaslous busters hate..don't worry, be happy, let the doubters be your motivation,.. Uhh,...I'm the streets preacher, I'm The ****** Disciple, you don't wanna battle against me dawg,..(no you don't3)..(Oh4)..Uhh, yo much love to all my real ****** thats still breathing Yeah..shoutouts to all yall..yo..
OFTR, we ascending, Yeah *****..we blowing up like the Al Quada goons, OFTR we thugs tho ****..
I don't got much food in my refrigerator, but I ain't even hungry my *****,..I'm getting full off of these rhymes, Yeah this is spiritual food man & it tastes so good like og..Uhh,mane,Noo I don't pop beans, but I do keep alot of bars on me & they got me in another plane..Aye

Yeah I do admit I must change some of my gangsta ways, Im so hectic, but noo I can't  change my gene's,like I'm homeless,..Ayo, Yeah I live life so recklessly,but I'm humble..I'm so misunderstood,I'm  just different man, but I love the way that God has made me...OFTR..(Yeah2)..I told them ******  that this **** would happen way before I was even established as a certifted business..Yeah I show em, when I was posting songs on my tumblr page & talking so much **** on twitter,..Yeah I forewarn you *******, them busters didn't even get to  see me like Jesus secondcoming.., no they didn't take me serious , so now they gotta deal wit the consequences, man, they only made my job more easy when I finally made it..

Hahaha..no Davis..,what up tho my *****..Look whos laughing now,Yeah now who's richer not yall ***** made *** **** a ****  arch ya back for a deal  *** rappers.., Uhh **** yo whole squad they all just sweet ***** *** ******, yall could never make the moves I dun made anyway..Noo I ain't perfect but yall too of the world, yall too weak & afraid of the truth..Uhh
Yall **** ****** know who yall are theres no need for me to even say y'all ***** *** names..OFTR We the realest gang, we the best in the A, we the best world wide too mane, Aye..,Yeah..

I'm glowing.. When they was like "Noo you wouldn't.."..but forget em, Yeah **** em, forget em,..Aye, where all of my **** gangsters & down women at who got my back show some love, I show some back..Oh..(Yeah4)..& I ain't even rapping right now *****, this the Outro,..So I'm making my last few statements before this beat stops, ****..I know the engineer tired, I been  working him towards a billion..Uhh, my ***** they saying what I'm tryna do is thee impossible, but I'm on..(go3)..(Oh3)..I won't stop (Noo3),I'm on..(go3)..(Oh5)..Fo show..Uhh..
You can do anything you wanna do my *****, & you can be anything that you wanna be..,Yeah & that's for sure.. Real gangsta talk..

Uhh, Shoutout to all my OFTRA Souljas , Shoutout to all my ****** Disciples, I love all of yall, for real my *****, I really do mean that to..yall the only ones I'll give my heart too..Yeah..
Only For The Real *****..Only For The Righteous.., Yeah,..OFTR, Only For The Real business, Yeah.., Only For The Righteous..
(Yeah Only For The Real *****, Yeah Only For The Righteous*2)..This is for the righteous & this is for the Real..only..for real homie

Sonnets

For this collection I have used the original definition of "sonnet" as a "little song" rather than sticking to rigid formulas. The sonnets here include traditional sonnets, tetrameter sonnets, hexameter sonnets, curtal sonnets, 15-line sonnets, and some that probably defy categorization, which I call free verse sonnets for want of a better term. Most of these sonnets employ meter, rhyme and form and tend to be Romantic in the spirit of the Romanticism of Blake, Keats, Shelley, Wordsworth and Dylan Thomas.




Auschwitz Rose
by Michael R. Burch

There is a Rose at Auschwitz, in the briar,
a rose like Sharon's, lovely as her name.
The world forgot her, and is not the same.
I still love her and enlist this sacred fire
to keep her memory exalted flame
unmolested by the thistles and the nettles.

On Auschwitz now the reddening sunset settles;
they sleep alike―diminutive and tall,
the innocent, the "surgeons." Sleeping, all.

Red oxides of her blood, bright crimson petals,
if accidents of coloration, gall my heart no less.
Amid thick weeds and muck
there lies a rose man's crackling lightning struck:
the only Rose I ever longed to pluck.
Soon I'll bed there and bid the world "Good Luck."

Originally published by The Neovictorian/Cochlea



In Praise of Meter
by Michael R. Burch

The earth is full of rhythms so precise
the octave of the crystal can produce
a trillion oscillations, yet not lose
a second's beat. The ear needs no device
to hear the unsprung rhythms of the couch
drown out the mouth's; the lips can be debauched
by kisses, should the heart put back its watch
and find the pulse of love, and sing, devout.

If moons and tides in interlocking dance
obey their numbers, what's been left to chance?
Should poets be more lax―their circumstance
as humble as it is?―or readers wince
to see their ragged numbers thin, to hear
the moans of drones drown out the Chanticleer?

Originally published by The Eclectic Muse and in The Best of the Eclectic Muse 1989-2003



Discrimination
by Michael R. Burch

The meter I had sought to find, perplexed,
was ripped from books of "verse" that read like prose.
I found it in sheet music, in long rows
of hologramic CDs, in sad wrecks
of long-forgotten volumes undisturbed
half-centuries by archivists, unscanned.
I read their fading numbers, frowned, perturbed―
why should such tattered artistry be banned?

I heard the sleigh bells’ jingles, vampish ads,
the supermodels’ babble, Seuss’s books
extolled in major movies, blurbs for abs ...
A few poor thinnish journals crammed in nooks
are all I’ve found this late to sell to those
who’d classify free verse "expensive prose."

Originally published by The Chariton Review



The Forge
by Michael R. Burch

To at last be indestructible, a poem
must first glow, almost flammable, upon
a thing inert, as gray, as dull as stone,

then bend this way and that, and slowly cool
at arms-length, something irreducible
drawn out with caution, toughened in a pool

of water so contrary just a hiss
escapes it―water instantly a mist.
It writhes, a thing of senseless shapelessness ...

And then the driven hammer falls and falls.
The horses ***** their ears in nearby stalls.
A soldier on his cot leans back and smiles.

A sound of ancient import, with the ring
of honest labor, sings of fashioning.

Originally published by The Chariton Review



For All That I Remembered
by Michael R. Burch

For all that I remembered, I forgot
her name, her face, the reason that we loved ...
and yet I hold her close within my thought.
I feel the burnished weight of auburn hair
that fell across her face, the apricot
clean scent of her shampoo, the way she glowed
so palely in the moonlight, angel-wan.

The memory of her gathers like a flood
and bears me to that night, that only night,
when she and I were one, and if I could ...
I'd reach to her this time and, smiling, brush
the hair out of her eyes, and hold intact
each feature, each impression. Love is such
a threadbare sort of magic, it is gone
before we recognize it. I would crush
my lips to hers to hold their memory,
if not more tightly, less elusively.

Originally published by The Raintown Review



Leaf Fall
by Michael R. Burch

Whatever winds encountered soon resolved
to swirling fragments, till chaotic heaps
of leaves lay pulsing by the backyard wall.
In lieu of rakes, our fingers sorted each
dry leaf into its place and built a high,
soft bastion against earth's gravitron―
a patchwork quilt, a trampoline, a bright
impediment to fling ourselves upon.

And nothing in our laughter as we fell
into those leaves was like the autumn's cry
of also falling. Nothing meant to die
could be so bright as we, so colorful―
clad in our plaids, oblivious to pain
we'd feel today, should we leaf-fall again.

Originally published by The Neovictorian/Cochlea



Isolde's Song
by Michael R. Burch

Through our long years of dreaming to be one
we grew toward an enigmatic light
that gently warmed our tendrils. Was it sun?
We had no eyes to tell; we loved despite
the lack of all sensation―all but one:
we felt the night's deep chill, the air so bright
at dawn we quivered limply, overcome.

To touch was all we knew, and how to bask.
We knew to touch; we grew to touch; we felt
spring's urgency, midsummer's heat, fall's lash,
wild winter's ice and thaw and fervent melt.
We felt returning light and could not ask
its meaning, or if something was withheld
more glorious. To touch seemed life's great task.

At last the petal of me learned: unfold.
And you were there, surrounding me. We touched.
The curious golden pollens! Ah, we touched,
and learned to cling and, finally, to hold.

Originally published by The Raintown Review



See
by Michael R. Burch

See how her hair has thinned: it doesn't seem
like hair at all, but like the airy moult
of emus who outraced the wind and left
soft plumage in their wake. See how her eyes
are gentler now; see how each wrinkle laughs,
and deepens on itself, as though mirth took
some comfort there and burrowed deeply in,
outlasting winter. See how very thin
her features are―that time has made more spare,
so that each bone shows, elegant and rare.

For loveliness remains in her grave eyes,
and courage in her still-delighted looks:
each face presented like a picture book's.
Bemused, she blows us undismayed goodbyes.

Originally published by Writer's Digest's: The Year's Best Writing 2003



In the Whispering Night
by Michael R. Burch

for George King

In the whispering night, when the stars bend low
till the hills ignite to a shining flame,
when a shower of meteors streaks the sky,
and the lilies sigh in their beds, for shame,
we must steal our souls, as they once were stolen,
and gather our vigor, and all our intent.
We must heave our bodies to some violent ocean
and laugh as they shatter, and never repent.
We must dance in the darkness as stars dance before us,
soar, Soar! through the night on a butterfly's breeze:
blown high, upward-yearning, twin spirits returning
to the world of resplendence from which we were seized.

Published in Songs of Innocence, Romantics Quarterly and Poetry Life & Times. This is a sonnet I wrote for my favorite college English teacher, George King, about poetic kinship, brotherhood and romantic flights of fancy.



The Toast
by Michael R. Burch

For longings warmed by tepid suns
(brief lusts that animated clay),
for passions wilted at the bud
and skies grown desolate and gray,
for stars that fell from tinseled heights
and mountains bleak and scarred and lone,
for seas reflecting distant suns
and weeds that thrive where seeds were sown,
for waltzes ending in a hush,
for rhymes that fade as pages close,
for flames' exhausted, drifting ash,
and petals falling from the rose, ...
I raise my cup before I drink,
saluting ghosts of loves long dead,
and silently propose a toast―
to joys set free, and those I fled.



Second Sight (II)
by Michael R. Burch

(Newborns see best at a distance of 8 to 14 inches.)

Wiser than we know, the newborn screams,
red-faced from breath, and wonders what life means
this close to death, amid the arctic glare
of warmthless lights above.
Beware! Beware!―
encrypted signals, codes? Or ciphers, noughts?

Interpretless, almost, as his own thoughts―
the brilliant lights, the brilliant lights exist.
Intruding faces ogle, gape, insist―
this madness, this soft-hissing breath, makes sense.
Why can he not float on, in dark suspense,
and dream of life? Why did they rip him out?

He frowns at them―small gnomish frowns, all doubt―
and with an ancient mien, O sorrowful!,
re-closes eyes that saw in darkness null
ecstatic sights, exceeding beautiful.



Archaischer Torso Apollos (“Archaic Torso of Apollo”)
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

We cannot know the beheaded god
nor his eyes' forfeited visions. But still
the figure's trunk glows with the strange vitality
of a lamp lit from within, while his composed will
emanates dynamism. Otherwise
the firmly muscled abdomen could not beguile us,
nor the centering ***** make us smile
at the thought of their generative animus.
Otherwise the stone might seem deficient,
unworthy of the broad shoulders, of the groin
projecting procreation's triangular spearhead upwards,
unworthy of the living impulse blazing wildly within
like an inchoate star―demanding our belief.
You must change your life.

TRANSLATOR'S NOTE: This is a Rilke sonnet about a major resolution: changing the very nature of one's life. While it is only my personal interpretation of the poem above, I believe Rilke was saying to himself: "I must change my life." Why? Perhaps because he wanted to be a real artist, and when confronted with real, dynamic, living and breathing art of Rodin, he realized that he had to inject similar vitality, energy and muscularity into his poetry. Michelangelo said that he saw the angel in a block of marble, then freed it. Perhaps Rilke had to find the dynamic image of Apollo, the God of Poetry, in his materials, which were paper, ink and his imagination.―Michael R. Burch



Komm, Du (“Come, You”)
by Ranier Maria Rilke
loose translation/interpretation by Michael R. Burch

This was Rilke’s last poem, written ten days before his death. He died open-eyed in the arms of his doctor on December 29, 1926, in the Valmont Sanatorium, of leukemia and its complications. I had a friend who died of leukemia and he was burning up with fever in the end. I believe that is what Rilke was describing here: he was literally burning alive.

Come, you―the last one I acknowledge; return―
incurable pain searing this physical mesh.
As I burned in the spirit once, so now I burn
with you; meanwhile, you consume my flesh.

This wood that long resisted your embrace
now nourishes you; I surrender to your fury
as my gentleness mutates to hellish rage―
uncaged, wild, primal, mindless, outré.

Completely free, no longer future’s pawn,
I clambered up this crazy pyre of pain,
certain I’d never return―my heart’s reserves gone―
to become death’s nameless victim, purged by flame.

Now all I ever was must be denied.
I left my memories of my past elsewhere.
That life―my former life―remains outside.
Inside, I’m lost. Nobody knows me here.



Der Panther ("The Panther")
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

His weary vision's so overwhelmed by iron bars,
his exhausted eyes see only blank Oblivion.
His world is not our world. It has no stars.
No light. Ten thousand bars. Nothing beyond.
Lithe, swinging with a rhythmic easy stride,
he circles, his small orbit tightening,
an electron losing power. Paralyzed,
soon regal Will stands stunned, an abject thing.
Only at times the pupils' curtains rise
silently, and then an image enters,
descends through arrested shoulders, plunges, centers
somewhere within his empty heart, and dies.



Liebes-Lied (“Love Song”)
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

How can I withhold my soul so that it doesn’t touch yours?
How can I lift mine gently to higher things, alone?
Oh, I would gladly find something lost in the dark
in that inert space that fails to resonate until you vibrate.
There everything that moves us, draws us together like a bow
enticing two taut strings to sing together with a simultaneous voice.
Whose instrument are we becoming together?
Whose, the hands that excite us?
Ah, sweet song!



Sweet Rose of Virtue
by William Dunbar [1460-1525]
loose translation by Michael R. Burch

Sweet rose of virtue and of gentleness,
delightful lily of youthful wantonness,
richest in bounty and in beauty clear
and in every virtue that is held most dear―
except only that you are merciless.

Into your garden, today, I followed you;
there I saw flowers of freshest hue,
both white and red, delightful to see,
and wholesome herbs, waving resplendently―
yet everywhere, no odor but bitter rue.

I fear that March with his last arctic blast
has slain my fair rose of pallid and gentle cast,
whose piteous death does my heart such pain
that, if I could, I would compose her roots again―
so comforting her bowering leaves have been.



Ebb Tide
by Michael R. Burch

Massive, gray, these leaden waves
bear their unchanging burden―
the sameness of each day to day

while the wind seems to struggle to say
something half-submerged planks at the mouth of the bay
might nuzzle limp seaweed to understand.

Now collapsing dull waves drain away
from the unenticing land;
shrieking gulls shadow fish through salt spray―
whitish streaks on a fogged silver mirror.

Sizzling lightning impresses its brand.
Unseen fingers scribble something in the wet sand.

This is a free verse sonnet originally published by Southwest Review.



Water and Gold
by Michael R. Burch

You came to me as rain breaks on the desert
when every flower springs to life at once,
but joy's a wan illusion to the expert:
the Bedouin has learned how not to want.

You came to me as riches to a miser
when all is gold, or so his heart believes,
until he dies much thinner and much wiser,
his gleaming bones hauled off by chortling thieves.

You gave your heart too soon, too dear, too vastly;
I could not take it in; it was too much.
I pledged to meet your price, but promised rashly.
I died of thirst, of your bright Midas touch.

I dreamed you gave me water of your lips,
then sealed my tomb with golden hieroglyphs.

Originally published by The Lyric



The City Is a Garment
by Michael R. Burch

A rhinestone skein, a jeweled brocade of light,―
the city is a garment stretched so thin
her festive colors bleed into the night,
and everywhere bright seams, unraveling,

cascade their brilliant contents out like coins
on motorways and esplanades; bead cars
come tumbling down long highways; at her groin
a railtrack like a zipper flashes sparks;

her hills are haired with brush like cashmere wool
and from their cleavage winking lights enlarge
and travel, slender fingers ... softly pull
themselves into the semblance of a barge.

When night becomes too chill, she softly dons
great overcoats of warmest-colored dawn.

Originally published by The Lyric



The Folly of Wisdom
by Michael R. Burch

She is wise in the way that children are wise,
looking at me with such knowing, grave eyes
I must bend down to her to understand.
But she only smiles, and takes my hand.

We are walking somewhere that her feet know to go,
so I smile, and I follow ...

And the years are dark creatures concealed in bright leaves
that flutter above us, and what she believes―
I can almost remember―goes something like this:
the prince is a horned toad, awaiting her kiss.

She wiggles and giggles, and all will be well
if only we find him! The woodpecker’s knell
as he hammers the coffin of some dying tree
that once was a fortress to someone like me

rings wildly above us. Some things that we know
we are meant to forget. Life is a bloodletting, maple-syrup-slow.

This is a free verse sonnet originally published by Romantics Quarterly.



The Communion of Sighs
by Michael R. Burch

There was a moment
without the sound of trumpets or a shining light,
but with only silence and darkness and a cool mist
felt more than seen.
I was eighteen,
my heart pounding wildly within me like a fist.
Expectation hung like a cry in the night,
and your eyes shone like the corona of a comet.

There was an instant . . .
without words, but with a deeper communion,
as clothing first, then inhibitions fell;
liquidly our lips met
―feverish, wet―
forgotten, the tales of heaven and hell,
in the immediacy of our fumbling union . . .
when the rest of the world became distant.

Then the only light was the moon on the rise,
and the only sound, the communion of sighs.

This is one of my early free verse sonnets but I can’t remember exactly when I wrote it. Due to the romantic style, I believe it was probably written during my first two years in college, making me 18 or 19 at the time.



Abide
by Michael R. Burch

after Philip Larkin's "Aubade"

It is hard to understand or accept mortality―
such an alien concept: not to be.
Perhaps unsettling enough to spawn religion,
or to scare mutant fish out of a primordial sea

boiling like goopy green tea in a kettle.
Perhaps a man should exhibit more mettle
than to admit such fear, denying Nirvana exists
simply because we are stuck here in such a fine fettle.

And so we abide . . .
even in life, staring out across that dark brink.
And if the thought of death makes your questioning heart sink,
it is best not to drink
(or, drinking, certainly not to think).

This is a free verse sonnet originally published by Light Quarterly.



Free Fall
by Michael R. Burch

These cloudless nights, the sky becomes a wheel
where suns revolve around an axle star ...
Look there, and choose. Decide which moon is yours.
Sink Lethe-ward, held only by a heel.

Advantage. Disadvantage. Who can tell?
To see is not to know, but you can feel
the tug sometimes―the gravity, the shell
as lustrous as damp pearl. You sink, you reel

toward some draining revelation. Air―
too thin to grasp, to breath. Such pressure. Gasp.
The stars invert, electric, everywhere.
And so we fall, down-tumbling through night’s fissure ...

two beings pale, intent to fall forever
around each other―fumbling at love’s tether ...
now separate, now distant, now together.

This is a 15-line free verse sonnet originally published by Sonnet Scroll.



Once
by Michael R. Burch

for Beth

Once when her kisses were fire incarnate
and left in their imprint bright lipstick, and flame,
when her breath rose and fell over smoldering dunes,
leaving me listlessly sighing her name . . .

Once when her ******* were as pale, as beguiling,
as wan rivers of sand shedding heat like a mist,
when her words would at times softly, mildly rebuke me
all the while as her lips did more wildly insist . . .

Once when the thought of her echoed and whispered
through vast wastelands of need like a Bedouin chant,
I ached for the touch of her lips with such longing
that I vowed all my former vows to recant . . .

Once, only once, something bloomed, of a desiccate seed―
this implausible blossom her wild rains of kisses decreed.

Originally published by The Lyric



At Once
by Michael R. Burch

for Beth

Though she was fair,
though she sent me the epistle of her love at once
and inscribed therein love’s antique prayer,
I did not love her at once.

Though she would dare
pain’s pale, clinging shadows, to approach me at once,
the dark, haggard keeper of the lair,
I did not love her at once.

Though she would share
the all of her being, to heal me at once,
yet more than her touch I was unable bear.
I did not love her at once.

And yet she would care,
and pour out her essence ...
and yet―there was more!

I awoke from long darkness,
and yet―she was there.

I loved her the longer;
I loved her the more
because I did not love her at once.

Originally published by The Lyric



Twice
by Michael R. Burch

Now twice she has left me
and twice I have listened
and taken her back, remembering days

when love lay upon us
and sparkled and glistened
with the brightness of dew through a gathering haze.

But twice she has left me
to start my life over,
and twice I have gathered up embers, to learn:

rekindle a fire
from ash, soot and cinder
and softly it sputters, refusing to burn.

Originally published by The Lyric



Moments
by Michael R. Burch

There were moments full of promise,
like the petal-scented rainfall of early spring,
when to hold you in my arms and to kiss your willing lips
seemed everything.

There are moments strangely empty
full of pale unearthly twilight―how the cold stars stare!―
when to be without you is a dark enchantment
the night and I share.



The Harvest of Roses
by Michael R. Burch

I have not come for the harvest of roses―
the poets' mad visions,
their railing at rhyme ...
for I have discerned what their writing discloses:
weak words wanting meaning,
beat torsioning time.

Nor have I come for the reaping of gossamer―
images weak,
too forced not to fail;
gathered by poets who worship their luster,
they shimmer, impendent,
resplendently pale.

Originally published by The Raintown Review



Distances
by Michael R. Burch

Moonbeams on water―
the reflected light
of a halcyon star
now drowning in night ...
So your memories are.

Footprints on beaches
now flooding with water;
the small, broken ribcage
of some primitive slaughter ...
So near, yet so far.

NOTE: In the first stanza the "halcyon star" is the sun, which has dropped below the horizon and is thus "drowning in night." But its light strikes the moon, creating moonbeams which are reflected by the water. Sometimes memories seem that distant, that faint, that elusive. Footprints are being washed away, a heart is missing from its ribcage, and even things close at hand can seem infinitely beyond our reach.



A Surfeit of Light
by Michael R. Burch

There was always a surfeit of light in your presence.
You stood distinctly apart, not of the humdrum world―
a chariot of gold in a procession of plywood.

We were all pioneers of the modern expedient race,
raising the ante: Home Depot to Lowe’s.
Yours was an antique grace―Thrace’s or Mesopotamia’s.

We were never quite sure of your silver allure,
of your trillium-and-platinum diadem,
of your utter lack of flatware-like utility.

You told us that night―your wound would not scar.

The black moment passed, then you were no more.
The darker the sky, how much brighter the Star!

The day of your funeral, I ripped out the crown mold.
You were this fool’s gold.



Songstress
by Michael R. Burch

for Nadia Anjuman

Within its starkwhite ribcage, how the heart
must flutter wildly, O, and always sing
against the pressing darkness: all it knows
until at last it feels the numbing sting
of death. Then life's brief vision swiftly passes,
imposing night on one who clearly saw.
Death held your bright heart tightly, till its maw―
envenomed, fanged―could swallow, whole, your Awe.

And yet it was not death so much as you
who sealed your doom; you could not help but sing
and not be silenced. Here, behold your tomb's
white alabaster cage: pale, wretched thing!
But you'll not be imprisoned here, wise wren!
Your words soar free; rise, sing, fly, live again.

A poet like Nadia Anjuman can be likened to a caged bird, deprived of flight, who somehow finds it within herself to sing of love and beauty. But when the world finally robs her of both flight and song, what is left for her but to leave the world, thus bereaving the world of herself and her song?



Come Down
by Michael R. Burch

for Harold Bloom

Come down, O, come down
from your high mountain tower.
How coldly the wind blows,
how late this chill hour ...

and I cannot wait
for a meteor shower
to show you the time
must be now, or not ever.

Come down, O, come down
from the high mountain heather
now brittle and brown
as fierce northern gales sever.

Come down, or your heart
will grow cold as the weather
when winter devours
and spring returns never.

NOTE: I dedicated this poem to Harold Bloom after reading his introduction to the Best American Poetry anthology he edited. Bloom seemed intent on claiming poetry as the province of the uber-reader (i.e., himself), but I remember reading poems by Blake, Burns, cummings, Dickinson, Frost, Housman, Eliot, Pound, Shakespeare, Whitman, Yeats, et al, and grokking them as a boy, without any “advanced” instruction from anyone.



Such Tenderness
by Michael R. Burch

for the mothers of Gaza and loving, compassionate mothers everywhere

There was, in your touch, such tenderness―as
only the dove on her mildest day has,
when she shelters downed fledglings beneath a warm wing
and coos to them softly, unable to sing.

What songs long forgotten occur to you now―
a babe at each breast? What terrible vow
ripped from your throat like the thunder that day
can never hold severing lightnings at bay?

Time taught you tenderness―time, oh, and love.
But love in the end is seldom enough ...
and time?―insufficient to life’s brief task.
I can only admire, unable to ask―

what is the source, whence comes the desire
of a woman to love as no God may require?



In this Ordinary Swoon
by Michael R. Burch

In this ordinary swoon
as I pass from life to death,
I feel no heat from the cold, pale moon;
I feel no sympathy for breath.

Who I am and why I came,
I do not know; nor does it matter.
The end of every man’s the same
and every god’s as mad as a hatter.

I do not fear the letting go;
I only fear the clinging on
to hope when there’s no hope, although
I lift my face to the blazing sun

and feel the greater intensity
of the wilder inferno within me.

This is a mostly tetrameter sonnet with shorter and longer lines.



Mare Clausum
by Michael R. Burch

These are the narrows of my soul―
dark waters pierced by eerie, haunting screams.
And these uncharted islands bleakly home
wild nightmares and deep, strange, forbidding dreams.

Please don’t think to find pearls’ pale, unearthly glow
within its shoals, nor corals in its reefs.
For, though you seek to salvage Love, I know
that vessel lists, and night brings no relief.

Pause here, and look, and know that all is lost;
then turn, and go; let salt consume, and rust.
This sea is not for sailors, but the ******
who lingered long past morning, till they learned

why it is named:
Mare Clausum.

This is a free verse sonnet with shorter and longer lines, originally published by Penny Dreadful. Mare Clausum is Latin for "Closed Sea." I wrote the first version of this poem as a teenager.



Redolence
by Michael R. Burch

Now darkness ponds upon the violet hills;
cicadas sing; the tall elms gently sway;
and night bends near, a deepening shade of gray;
the bass concerto of a bullfrog fills
what silence there once was; globed searchlights play.

Green hanging ferns adorn dark window sills,
all drooping fronds, awaiting morning’s flares;
mosquitoes whine; the lissome moth again
flits like a veiled oud-dancer, and endures
the fumblings of night’s enervate gray rain.

And now the pact of night is made complete;
the air is fresh and cool, washed of the grime
of the city’s ashen breath; and, for a time,
the fragrance of her clings, obscure and sweet.

Published by The Eclectic Muse and The Best of the Eclectic Muse 1989-2003



Fountainhead
by Michael R. Burch

I did not delight in love so much
as in a kiss like linnets' wings,
the flutterings of a pulse so soft
the heart remembers, as it sings:
to bathe there was its transport, brushed
by marble lips, or porcelain,―
one liquid kiss, one cool outburst
from pale rosettes. What did it mean ...

to float awhirl on minute tides
within the compass of your eyes,
to feel your alabaster bust
grow cold within? Ecstatic sighs
seem hisses now; your eyes, serene,
reflect the sun's pale tourmaline.

Originally published by Romantics Quarterly



Pan
by Michael R. Burch

... Among the shadows of the groaning elms,
amid the darkening oaks, we fled ourselves ...

... Once there were paths that led to coracles
that clung to piers like loosening barnacles ...

... where we cannot return, because we lost
the pebbles and the playthings, and the moss ...

... hangs weeping gently downward, maidens’ hair
who never were enchanted, and the stairs ...

... that led up to the Fortress in the trees
will not support our weight, but on our knees ...

... we still might fit inside those splendid hours
of damsels in distress, of rustic towers ...

... of voices of the wolves’ tormented howls
that died, and live in dreams’ soft, windy vowels ...

Originally published by Sonnet Scroll



The Endeavors of Lips
by Michael R. Burch

How sweet the endeavors of lips: to speak
of the heights of those pleasures which left us weak
in love’s strangely lit beds, where the cold springs creak:
for there is no illusion like love ...

Grown childlike, we wish for those storied days,
for those bright sprays of flowers, those primrosed ways
that curled to the towers of Yesterdays
where She braided illusions of love ...

"O, let down your hair!"―we might call and call,
to the dark-slatted window, the moonlit wall ...
but our love is a shadow; we watch it crawl
like a spidery illusion. For love ...

was never as real as that first kiss seemed
when we read by the flashlight and dreamed.

Originally published by Romantics Quarterly (USA) and The Eclectic Muse (Canada)



Loose Knit
by Michael R. Burch

She blesses the needle,
fetches fine red stitches,
criss-crossing, embroidering dreams
in the delicate fabric.

And if her hand jerks and twitches in puppet-like fits,
she tells herself
reality is not as threadbare as it seems ...

that a little more darning may gather loose seams.

She weaves an unraveling tapestry
of fatigue and remorse and pain; ...
only the nervously pecking needle
****** her to motion, again and again.

This is a free verse sonnet published by The Chariton Review as “The Knitter,” then by Penumbra, Black Bear Review and Triplopia.



If You Come to San Miguel
by Michael R. Burch

If you come to San Miguel
before the orchids fall,
we might stroll through lengthening shadows
those deserted streets
where love first bloomed ...

You might buy the same cheap musk
from that mud-spattered stall
where with furtive eyes the vendor
watched his fragrant wares
perfume your ******* ...

Where lean men mend tattered nets,
disgruntled sea gulls chide;
we might find that cafetucho
where through grimy panes
sunset implodes ...

Where tall cranes spin canvassed loads,
the strange anhingas glide.
Green brine laps splintered moorings,
rusted iron chains grind,
weighed and anchored in the past,

held fast by luminescent tides ...
Should you come to San Miguel?
Let love decide.



A Vain Word
by Michael R. Burch

Oleanders at dawn preen extravagant whorls
as I read in leaves’ Sanskrit brief moments remaining
till sunset implodes, till the moon strands grey pearls
under moss-stubbled oaks, full of whispers, complaining
to the minions of autumn, how swiftly life goes
as I fled before love ... Now, through leaves trodden black,
shivering, I wander as winter’s first throes
of cool listless snow drench my cheeks, back and neck.

I discerned in one season all eternities of grief,
the specter of death sprawled out under the rose,
the last consequence of faith in the flight of one leaf,
the incontinence of age, as life’s bright torrent slows.

O, where are you now?―I was timid, absurd.
I would find comfort again in a vain word.

Published by Chrysanthemum and Tucumcari Literary Review



Chloe
by Michael R. Burch

There were skies onyx at night ... moons by day ...
lakes pale as her eyes ... breathless winds
******* tall elms; ... she would say
that we loved, but I figured we’d sinned.

Soon impatiens too fiery to stay
sagged; the crocus bells drooped, golden-limned;
things of brightness, rinsed out, ran to gray ...
all the light of that world softly dimmed.

Where our feet were inclined, we would stray;
there were paths where dead weeds stood untrimmed,
distant mountains that loomed in our way,
thunder booming down valleys dark-hymned.

What I found, I found lost in her face
while yielding all my virtue to her grace.

Originally published by Romantics Quarterly as “A Dying Fall”



Aflutter
by Michael R. Burch

This rainbow is the token of the covenant, which I have established between me and all flesh.―Yahweh

You are gentle now, and in your failing hour
how like the child you were, you seem again,
and smile as sadly as the girl (age ten?)
who held the sparrow with the mangled wing
close to her heart. It marveled at your power
but would not mend. And so the world renews
old vows it seemed to make: false promises
spring whispers, as if nothing perishes
that does not resurrect to wilder hues
like rainbows’ eerie pacts we apprehend
but cannot fail to keep. Now in your eyes
I see the end of life that only dies
and does not care for bright, translucent lies.
Are tears so precious? These few, let us spend
together, as before, then lay to rest
these sparrows’ hearts aflutter at each breast.

This is a poem about a couple committing suicide together. The “eerie pact” refers to a Bible verse about the rainbow being a “covenant,” when the only covenant human beings can depend on is the original one that condemned us to suffer and die. That covenant is always kept perfectly.



To Flower
by Michael R. Burch

When Pentheus ["grief'] went into the mountains in the garb of the baccae, his mother [Agave] and the other maenads, possessed by Dionysus, tore him apart (Euripides, Bacchae; Apollodorus 3.5.2; Ovid, Metamorphoses 3.511-733; Hyginus, Fabulae 184). The agave dies as soon as it blooms; the moonflower, or night-blooming cereus, is a desert plant of similar fate.

We are not long for this earth, I know―
you and I, all our petals incurled,
till a night of pale brilliance, moonflower aglow.
Is there love anywhere in this strange world?
The Agave knows best when it's time to die
and rages to life with such rapturous leaves
her name means Illustrious. Each hour more high,
she claws toward heaven, for, if she believes
in love at all, she has left it behind
to flower, to flower. When darkness falls
she wilts down to meet it, where something crawls:
beheaded, bewildered. And since love is blind,
she never adored it, nor watches it go.
Can we be as she is, moonflower aglow?

Originally published by The Neovictorian/Cochlea



Flight 93
by Michael R. Burch

I held the switch in trembling fingers, asked
why existence felt so small, so purposeless,
like a minnow wriggling feebly in my grasp ...

vibrations of huge engines thrummed my arms
as, glistening with sweat, I nudged the switch
to OFF ... I heard the klaxon-shrill alarms

like vultures’ shriekings ... earthward, in a stall ...
we floated ... earthward ... wings outstretched, aghast
like Icarus ... as through the void we fell ...

till nothing was so beautiful, so blue ...
so vivid as that moment ... and I held
an image of your face, and dreamed I flew

into your arms. The earth rushed up. I knew
such comfort, in that moment, loving you.

This is a free verse sonnet originally published by The Lyric.



Oasis
by Michael R. Burch

I want tears to form again
in the shriveled glands of these eyes
dried all these long years
by too much heated knowing.

I want tears to course down
these parched cheeks,
to star these cracked lips
like an improbable dew

in the heart of a desert.

I want words to burble up
like happiness, like the thought of love,
like the overwhelming, shimmering thought of you

to a nomad who
has only known drought.

This is a mostly hexameter sonnet with shorter and longer lines.



Melting
by Michael R. Burch

Entirely, as spring consumes the snow,
the thought of you consumes me: I am found
in rivulets, dissolved to what I know
of former winters’ passions. Underground,
perhaps one slender icicle remains
of what I was before, in some dark cave―
a stalactite, long calcified, now drains
to sodden pools, whose milky liquid laves
the colder rock, thus washing something clean
that never saw the light, that never knew
the crust could break above, that light could stream:
so luminous, so bright, so beautiful ...
I lie revealed, and so I stand transformed,
and all because you smiled on me, and warmed.



Afterglow
by Michael R. Burch

The night is full of stars. Which still exist?
Before time ends, perhaps one day we’ll know.
For now I hold your fingers to my lips
and feel their pulse ... warm, palpable and slow ...

once slow to match this reckless spark in me,
this moon in ceaseless orbit I became,
compelled by wilder gravity to flee
night’s universe of suns, for one pale flame ...

for one pale flame that seemed to signify
the Zodiac of all, the meaning of
love’s wandering flight past Neptune. Now to lie
in dawning recognition is enough ...

enough each night to bask in you, to know
the face of love ... eyes closed ... its afterglow.



All Afterglow
by Michael R. Burch

Something remarkable, perhaps ...
the color of her eyes ... though I forget
the color of her eyes ... perhaps her hair
the way it blew about ... I do not know
just what it was about her that has kept
her thought lodged deep in mine ... unmelted snow
that lasted till July would be less rare,
clasped in some frozen cavern where the wind
sculpts bright grotesqueries, ignoring springs’
and summers’ higher laws ... there thawing slow
and strange by strange degrees, one tick beyond
the freezing point which keeps all things the same
... till what remains is fragile and unlike
the world above, where melted snows and rains
form rivulets that, inundate with sun,
evaporate, and in life’s cyclic stream
remake the world again ... I do not know
that we can be remade―all afterglow.



These Hallowed Halls
by Michael R. Burch

a young Romantic Poet mourns the passing of an age . . .

A final stereo fades into silence
and now there is seldom a murmur
to trouble the slumber of these ancient halls.
I stand by a window where others have watched
the passage of time alone, not untouched,
and I am as they were―unsure, for the days
stretch out ahead, a bewildering maze.
Ah, faithless lover―that I had never touched your breast,
nor felt the stirrings of my heart,
which until that moment had peacefully slept.
For now I have known the exhilaration
of a heart that has leapt every pinnacle of Love,
and the result of all such infatuations―
the long freefall to earth, as the moon glides above.



Come!
by Michael R. Burch

Will you come to visit my grave, I wonder,
in the season of lightning, the season of thunder,
when I have lain so long in the indifferent earth
that I have no girth?

When my womb has conformed to the chastity
your anemic Messiah envisioned for me,
will you finally be pleased that my *** was thus rendered
unpalatable, disengendered?

And when those strange loathsome organs that troubled you so
have been eaten by worms, will the heavens still glow
with the approval of God that I ended a maid―
thanks to a *****?

And will you come to visit my grave, I wonder,
in the season of lightning, the season of thunder?



Erin
by Michael R. Burch

All that’s left of Ireland is her hair―
bright carrot―and her milkmaid-pallid skin,

her brilliant air of cavalier despair,
her train of children―some conceived in sin,

the others to avoid it. For nowhere
is evidence of thought. Devout, pale, thin,
gay, nonchalant, all radiance. So fair!

How can men look upon her and not spin
like wobbly buoys churned by her skirt’s brisk air?
They buy. They ***** to pat her nyloned shin,
to share her elevated, pale Despair ...
to find at last two spirits ease no one’s.

All that’s left of Ireland is the Care,
her impish grin, green eyes like leprechauns’.



The Composition of Shadows
by Michael R. Burch

“I made it out of a mouthful of air.”―W. B. Yeats

We breathe and so we write; the night
hums softly its accompaniment.
Pale phosphors burn; the page we turn
leads onward, and we smile, content.

And what we mean we write to learn:
the vowels of love, the consonants’
strange golden weight, each plosive’s shape―
curved like the heart. Here, resonant,

sounds’ shadows mass beneath bright glass
like singing voles curled in a maze
of blank white space. We touch a face―
long-frozen words trapped in a glaze

that insulates our hearts. Nowhere
can love be found. Just shrieking air.



The Composition of Shadows (II)
by Michael R. Burch

We breathe and so we write;
the night
hums softly its accompaniment.

Pale phosphors burn;
the page we turn
leads onward, and we smile, content.

And what we mean
we write to learn:
the vowels of love, the consonants’

strange golden weight,
the blood’s debate
within the heart. Here, resonant,

sounds’ shadows mass
against bright glass,
within the white Labyrinthian maze.

Through simple grace,
I touch your face,
ah words! And I would gaze

the night’s dark length
in waning strength
to find the words to feel

such light again.
O, for a pen
to spell love so ethereal.



To Please The Poet
by Michael R. Burch

To please the poet, words must dance―
staccato, brisk, a two-step:
so!
Or waltz in elegance to time
of music mild,
adagio.

To please the poet, words must chance
emotion in catharsis―
flame.
Or splash into salt seas, descend
in sheets of silver-shining
rain.

To please the poet, words must prance
and gallop, gambol, revel,
rail.
Or muse upon a moment, mute,
obscure, unsure, imperfect,
pale.

To please the poet, words must sing,
or croak, wart-tongued, imagining.



The First Christmas
by Michael R. Burch

’Twas in a land so long ago . . .
the lambs lay blanketed in snow
and little children everywhere
sat and watched warm embers glow
and dreamed (of what, we do not know).

And THEN―a star appeared on high,
The brightest man had ever seen!
It made the children whisper low
in puzzled awe (what did it mean?).
It made the wooly lambkins cry.

For far away a new-born lay,
warm-blanketed in straw and hay,
a lowly manger for his crib.
The cattle mooed, distraught and low,
to see the child. They did not know

it now was Christmas day!

This is a poem in which I tried to capture the mystery and magic of the first Christmas day. If you like my poem, you are welcome to share it, but please cite me as the author, which you can do by including the title and subheading.



The Lingering and the Unconsoled Heart
by Michael R. Burch

There is a silence―
the last unspoken moment
before death,

when the moon,
cratered and broken,
is all madness and light,

when the breath comes low and complaining,
and the heart is a ruin
of emptiness and night.

There is a grief―
the grief of a lover's embrace
while faith still shimmers in a mother’s tears ...

There is no emptier time, nor place,
while the faint glimmer of life is ours
that the lingering and the unconsoled heart fears

beyond this: seeing its own stricken face
in eyes that drift toward some incomprehensible place.



Lozenge
by Michael R. Burch

When I was closest to love, it did not seem
real at all, but a thing of such tenuous sweetness
it might dissolve in my mouth
like a lozenge of sugar.

When I held you in my arms, I did not feel
our lack of completeness,
knowing how easy it was
for us to cling to each other.

And there were nights when the clouds
sped across the moon’s face,
exposing such rarified brightness
we did not witness

so much as embrace
love’s human appearance.

This is a free verse sonnet originally published by The HyperTexts.



The Princess and the Pauper
by Michael R. Burch

for Norman Kraeft in memory of his beloved wife June Kysilko Kraeft

Here was a woman bright, intent on life,
who did not flinch from Death, but caught his eye
and drew him, powerless, into her spell
of wanting her himself, so much the lie
that she was meant for him―obscene illusion!―

made him seem a monarch throned like God on high,
when he was less than nothing; when to die
meant many stultifying, pained embraces.

She shed her gown, undid the tangled laces
that tied her to the earth: then she was his.
Now all her erstwhile beauty he defaces
and yet she grows in hallowed loveliness―
her ghost beyond perfection―for to die
was to ascend. Now he begs, penniless.



Album
by Michael R. Burch

I caress them―trapped in brittle cellophane―
and I see how young they were, and how unwise;
and I remember their first flight―an old prop plane,
their blissful arc through alien blue skies ...

And I touch them here through leaves which―tattered, frayed―
are also wings, but wings that never flew:
like insects’ wings―pinned, held. Here, time delayed,
their features never changed, remaining two ...

And Grief, which lurked unseen beyond the lens
or in shadows where It crept on feral claws
as It scratched Its way into their hearts, depends
on sorrows such as theirs, and works Its jaws ...

and slavers for Its meat―those young, unwise,
who naively dare to dream, yet fail to see
how, lumbering sunward, Hope, ungainly, flies,
clutching to Her ruffled breast what must not be.



Because You Came to Me
by Michael R. Burch

Because you came to me with sweet compassion
and kissed my furrowed brow and smoothed my hair,
I do not love you after any fashion,
but wildly, in despair.

Because you came to me in my black torment
and kissed me fiercely, blazing like the sun
upon parched desert dunes, till in dawn’s foment
they melt, I am undone.

Because I am undone, you have remade me
as suns bring life, as brilliant rains endow
the earth below with leaves, where you now shade me
and bower me, somehow.



Break Time
by Michael R. Burch

for those who lost loved ones on 9-11

Intrude upon my grief; sit; take a spot
of milk to cloud the blackness that you feel;
add artificial sweeteners to conceal
the bitter aftertaste of loss. You’ll heal
if I do not. The coffee’s hot. You speak:
of bundt cakes, polls, the price of eggs. You glance
twice at your watch, cough, look at me askance.
The TV drones oeuvres of high romance
in syncopated lip-synch. Should I feel
the underbelly of Love’s warm Ideal,
its fuzzy-wuzzy tummy, and not reel
toward some dark conclusion? Disappear
to pale, dissolving atoms. Were you here?
I brush you off: like saccharine, like a tear.



911 Carousel
by Michael R. Burch

“And what rough beast ... slouches towards Bethlehem to be born?”―W. B. Yeats

They laugh and do not comprehend, nor ask
which way the wind is blowing, no, nor why
the reeling azure fixture of the sky
grows pale with ash, and whispers “Holocaust.”

They think to seize the ring, life’s tinfoil prize,
and, breathless with endeavor, shriek aloud.
The voice of terror thunders from a cloud
that darkens over children adult-wise,

far less inclined to error, when a step
in any wrong direction is to fall
a JDAM short of heaven. Decoys call,
their voices plangent, honking to be shot . . .

Here, childish dreams and nightmares whirl, collide,
as East and West, on slouching beasts, they ride.



At Cædmon’s Grave
by Michael R. Burch

“Cædmon’s Hymn,” composed at the Monastery of Whitby (a North Yorkshire fishing village), is one of the oldest known poems written in the English language, dating back to around 680 A.D. According to legend, Cædmon, an illiterate Anglo-Saxon cowherd, received the gift of poetic composition from an angel; he subsequently founded a school of Christian poets. Unfortunately, only nine lines of Cædmon’s verse survive, in the writings of the Venerable Bede. Whitby, tiny as it is, reappears later in the history of English literature, having been visited, in diametric contrast, by Lewis Carroll and Bram Stoker’s ghoulish yet evocative Dracula.


At the monastery of Whitby,
on a day when the sun sank through the sea,
and the gulls shrieked wildly, jubilant, free,

while the wind and time blew all around,
I paced those dusk-enamored grounds
and thought I heard the steps resound

of Carroll, Stoker and good Bede
who walked there, too, their spirits freed
―perhaps by God, perhaps by need―

to write, and with each line, remember
the glorious light of Cædmon’s ember,
scorched tongues of flame words still engender.

Here, as darkness falls, at last we meet.
I lay this pale garland of words at his feet.

Originally published by The Lyric



Radiance
by Michael R. Burch

for Dylan Thomas

The poet delves earth’s detritus―hard toil―
for raw-edged nouns, barbed verbs, vowels’ lush bouquet;
each syllable his pen excretes―dense soil,
dark images impacted, rooted clay.

The poet sees the sea but feels its meaning―
the teeming brine, the mirrored oval flame
that leashes and excites its turgid surface ...
then squanders years imagining love’s the same.

Belatedly he turns to what lies broken―
the scarred and furrowed plot he fiercely sifts,
among death’s sicksweet dungs and composts seeking
one element that scorches and uplifts.



Downdraft
by Michael R. Burch

for Dylan Thomas

We feel rather than understand what he meant
as he reveals a shattered firmament
which before him never existed.

Here, there are no images gnarled and twisted
out of too many words,
but only flocks of white birds

wheeling and flying.

Here, as Time spins, reeling and dying,
the voice of a last gull
or perhaps some spirit no longer whole,

echoes its lonely madrigal
and we feel its strange pull
on the astonished soul.

O My Prodigal!

The vents of the sky, ripped asunder,
echo this wild, primal thunder—
now dying into undulations of vanishing wings . . .

and this voice which in haggard bleak rapture still somehow downward sings.



Huntress
by Michael R. Burch

after Baudelaire

Lynx-eyed, cat-like and cruel, you creep
across a crevice dropping deep
into a dark and doomed domain.
Your claws are sheathed. You smile, insane.
Rain falls upon your path, and pain
pours down. Your paws are pierced. You pause
and heed the oft-lamented laws
which bid you not begin again
till night returns. You wail like wind,
the sighing of a soul for sin,
and give up hunting for a heart.
Till sunset falls again, depart,
though hate and hunger urge you―"On!"

Heed, hearts, your hope―the break of dawn.

Published by The HyperTexts, Dracula and His Kin and Sonnetto Poesia (Canada)



Happily Never After (the Second Curse of the ***** Toad)
by Michael R. Burch

He did not think of love of Her at all
frog-plangent nights, as moons engoldened roads
through crumbling stonewalled provinces, where toads
(nee princes) ruled in chinks and grew so small
at last to be invisible. He smiled
(the fables erred so curiously), and thought
bemusedly of being reconciled
to human flesh, because his heart was not
incapable of love, but, being cursed
a second time, could only love a toad’s . . .
and listened as inflated frogs rehearsed
cheekbulging tales of anguish from green moats . . .
and thought of her soft croak, her skin fine-warted,
his anemic flesh, and how true love was thwarted.



Because She Craved the Very Best
by Michael R. Burch

Because she craved the very best,
he took her East, he took her West;
he took her where there were no wars
and brought her bright bouquets of stars,
the blush and fragrances of roses,
the hush an evening sky imposes,
moonbeams pale and garlands rare,
and golden combs to match her hair,
a nightingale to sing all night,
white wings, to let her soul take flight ...

She stabbed him with a poisoned sting
and as he lay there dying,
she screamed, "I wanted everything!"
and started crying.



Caveat
by Michael R. Burch

If only we were not so eloquent,
we might sing, and only sing, not to impress,
but only to enjoy, to be enjoyed.

We might inundate the earth with thankfulness
for light, although it dies, and make a song
of night descending on the earth like bliss,

with other lights beyond―not to be known―
but only to be welcomed and enjoyed,
before all worlds and stars are overthrown ...

as a lover’s hands embrace a sleeping face
and find it beautiful for emptiness
of all but joy. There is no thought to love

but love itself. How senseless to redress,
in darkness, such becoming nakedness . . .

Originally published by Clementine Unbound



To the Post-Modern Muse, Floundering
by Michael R. Burch


The anachronism in your poetry
is that it lacks a future history.
The line that rings, the forward-sounding bell,
tolls death for you, for drowning victims tell
of insignificance, of eerie shoals,
of voices underwater. Lichen grows
to mute the lips of those men paid no heed,
and though you cling by fingertips, and bleed,
there is no lifeline now, for what has slipped
lies far beyond your grasp. Iron fittings, stripped,
have left the hull unsound, bright cargo lost.
The argosy of all your toil is rust.

The anchor that you flung did not take hold
in any harbor where repair is sold.

Originally published by Ironwood



Wonderland
by Michael R. Burch

We stood, kids of the Lamb, to put to test
the beatific anthems of the blessed,
the sentence of the martyr, and the pen’s
sincere religion. Magnified, the lens
shot back absurd reflections of each face―
a carnival-like mirror. In the space
between the silver backing and the glass,
we caught a glimpse of Joan, a frumpy lass
who never brushed her hair or teeth, and failed
to pass on GO, and frequently was jailed
for awe’s beliefs. Like Alice, she grew wee
to fit the door, then couldn’t lift the key.
We failed the test, and so the jury’s hung.
In Oz, “The Witch is Dead” ranks number one.



Day, and Night
by Michael R. Burch

The moon exposes pockmarked scars of craters;
her visage, veiled by willows, palely looms.
And we who rise each day to grind a living,
dream each scented night of such perfumes
as drew us to the window, to the moonlight,
when all the earth was steeped in cobalt blue―
an eerie vase of achromatic flowers
bled silver by pale starlight, losing hue.

The night begins her waltz to waiting sunrise―
adagio, the music she now hears;
and we who in the sunlight slave for succor,
dreaming, seek communion with the spheres.
And all around the night is in crescendo,
and everywhere the stars’ bright legions form,
and here we hear the sweet incriminations
of lovers we had once to keep us warm.

And also here we find, like bled carnations,
red lips that whitened, kisses drawn to lies,
that touched us once with fierce incantations
and taught us love was prettier than wise.



130 Refuted
by Michael R. Burch

My mistress' eyes are nothing like the sun;
Coral is far more red than her lips' red;
―Shakespeare, Sonnet 130

Seas that sparkle in the sun
without its light would have no beauty;
but the light within your eyes
is theirs alone; it owes no duty.
And their kindled flame, not half as bright,
is meant for me, and brings delight.

Coral formed beneath the sea,
though scarlet-tendriled, cannot warm me;
while your lips, not half so red,
just touching mine, at once inflame me.
And the searing flames your lips arouse
fathomless oceans fail to douse.

Bright roses’ brief affairs, declared
when winter comes, will wither quickly.
Your cheeks, though paler when compared
with them?―more lasting, never prickly.

And your cheeks, though wan, so dear and warm,
far vaster treasures, need no thorns.

Originally published by Romantics Quarterly



Love Sonnet LXVI
by Pablo Neruda
loose translation/interpretation by Michael R. Burch

I love you only because I love you;
I am torn between loving and not loving you,
between apathy and desire.
My heart vacillates between ice and fire.

I love you only because you’re the one I love;
I hate you deeply, but hatred makes me implore you all the more
so that in my inconstancy
I do not see you, but love you blindly.

Perhaps January’s frigid light
will consume my heart with its cruel rays,
robbing me of the key to contentment.

In this tragic plot, I ****** myself
and I will die loveless because I love you,
because I love you, my Love, in fire and in blood.



Love Sonnet XI
by Pablo Neruda
loose translation/interpretation by Michael R. Burch

I crave your mouth, your voice, your hair.
I stalk the streets, silent and starving.
Bread does not satisfy me; dawn does not divert me
from my relentless pursuit of your fluid spoor.

I long for your liquid laughter,
for your sunburned hands like savage harvests.
I lust for your fingernails' pale marbles.
I want to devour your ******* like almonds, whole.

I want to ingest the sunbeams singed by your beauty,
to eat the aquiline nose from your aloof face,
to lick your eyelashes' flickering shade.

I pursue you, snuffing the shadows,
seeking your heart's scorching heat
like a puma prowling the heights of Quitratue.



Love Sonnet XVII
by Pablo Neruda
loose translation/interpretation by Michael R. Burch

I do not love you like coral or topaz,
or the blazing hearth’s incandescent white flame;
I love you as obscure things are embraced in the dark ...
secretly, in shadows, unguessed & unnamed.

I love you like shrubs that refuse to blossom
while pregnant with the radiance of mysterious flowers;
now, thanks to your love, an earthy fragrance
lives dimly in my body’s odors.

I love you without knowing―how, when, why or where;
I love you forthrightly, without complications or care;
I love you this way because I know no other.

Here, where “I” no longer exists ... so it seems ...
so close that your hand on my chest is my own,
so close that your eyes close gently on my dreams.



Sonnet XLV
by Pablo Neruda
loose translation/interpretation by Michael R. Burch

Don't wander far away, not even for a day, because―
how can I explain? A day is too long ...
and I’ll be waiting for you, like a man in an empty station
where the trains all stand motionless.

Don't leave me, my dear, not even for an hour, because―
then despair’s raindrops will all run blurrily together,
and the smoke that drifts lazily in search of a home
will descend hazily on me, suffocating my heart.

Darling, may your lovely silhouette never dissolve in the surf;
may your lashes never flutter at an indecipherable distance.
Please don't leave me for a second, my dearest,

because then you'll have gone far too far
and I'll wander aimlessly, amazed, asking all the earth:
Will she ever return? Will she spurn me, dying?



Imperfect Sonnet
by Michael R. Burch

A word before the light is doused: the night
is something wriggling through an unclean mind,
as rats creep through a tenement. And loss
is written cheaply with the moon’s cracked gloss
like lipstick through the infinite, to show
love’s pale yet sordid imprint on us. Go.

We have not learned love yet, except to cleave.
I saw the moon rise once ... but to believe ...
was of another century ... and now ...
I have the urge to love, but not the strength.

Despair, once stretched out to its utmost length,
lies couched in squalor, watching as the screen
reveals "love's" damaged images: its dreams ...
and ******* limply, screams and screams.

Originally published by Sonnet Scroll



Mayflies
by Michael R. Burch

These standing stones have stood the test of time
but who are you
and what are you
and why?

As brief as mist, as transient, as pale ...
Inconsequential mayfly!

Perhaps the thought of love inspired hope?
Do midges love? Do stars bend down to see?
Do gods commend the kindnesses of ants
to aphids? Does one eel impress the sea?

Are mayflies missed by mountains? Do the stars
regret the glowworm’s stellar mimicry
the day it dies? Does not the world grind on
as if it’s no great matter, not to be?

Life, to be sure, is nothing much to lose.
And yet somehow you’re everything to me.

Originally published by Clementine Unbound



Artificial Smile
by Michael R. Burch

I’m waiting for my artificial teeth
to stretch belief, to hollow out the cob
of zealous righteousness, to grasp life’s stub
between clenched molars, and yank out the grief.

Mine must be art-official―zenlike Art―
a disembodied, white-enameled grin
of Cheshire manufacture. Part by part,
the human smile becomes mock porcelain.

Till in the end, the smile alone remains:
titanium-based alloys undestroyed
with graves’ worm-eaten contents, all the pains
of bridgework unrecalled, and what annoyed

us most about the corpses rectified
to quaintest dust. The Smile winks, deified.



Modern Appetite
by Michael R. Burch

It grumbled low, insisting it would feast
on blood and flesh, etcetera, at least
three times a day. With soft lubricious grease

and pale salacious oils, it would ease
its way through life. Each day―an aperitif.
Each night―a frothy bromide, for relief.

It lived on TV fare, wore pinafores,
slurped sugar-coated gumballs, gobbled S’mores.
When gas ensued, it burped and farted. ’Course,

it thought aloud, my wife will leave me. ******
are not so **** particular. Divorce
is certainly a settlement, toujours!

A Tums a day will keep the shrink away,
recalcify old bones, keep gas at bay.
If Simon says, etcetera, Mother, may
I have my hit of calcium today?


Mother of Cowards
by Michael R. Burch aka "The Loyal Opposition"

So unlike the brazen giant of Greek fame
With conquering limbs astride from land to land,
Spread-eagled, showering gold, a strumpet stands:
A much-used trollop with a torch, whose flame
Has long since been extinguished. And her name?
"Mother of Cowards!" From her enervate hand
Soft ash descends. Her furtive eyes demand
Allegiance to her ****'s repulsive game.

"Keep, ancient lands, your wretched poor!" cries she
With scarlet lips. "Give me your hale, your whole,
Your huddled tycoons, yearning to be pleased!
The wretched refuse of your toilet hole?
Oh, never send one unwashed child to me!
I await Trump's pleasure by the gilded bowl!"

Originally published by Light



Premonition
by Michael R. Burch

Now the evening has come to a close and the party is over ...
we stand in the doorway and watch as they go―
each stranger, each acquaintance, each unembraceable lover.

They walk to their cars and they laugh as they go,
though we know their warm laughter’s the wine ...
then they pause at the road where the dark asphalt flows
endlessly on toward Zion ...

and they kiss one another as though they were friends,
and they promise to meet again “soon” ...
but the rivers of Jordan roll on without end,
and the mockingbird calls to the moon ...

and the katydids climb up the cropped hanging vines,
and the crickets chirp on out of tune ...
and their shadows, defined by the cryptic starlight,
seem spirits torn loose from their tombs.

And I know their brief lives are just eddies in time,
that their hearts are unreadable runes
to be wiped clean, like slate, by the dark hand of fate
when their corpses lie ravaged and ruined ...

You take my clenched fist and you give it a kiss
as though it were something you loved,
and the tears fill your eyes, brimming with the soft light
of the stars winking gently above ...

Then you whisper, "It's time that we went back inside;
if you'd like, we can sit and just talk for a while."
And the hope in your eyes burns too deep, so I lie
and I say, "Yes, I would," to your small, troubled smile.

I rather vividly remember writing this poem after an office party the year I co-oped with AT&T (at that time the largest company in the world, with presumably a lot of office parties). This would have been after my sophomore year in college, making me around 20 years old. The poem is “true” except that I was not the host because the party was at the house of one of the upper-level managers. Nor was I dating anyone seriously at the time.



Your e-Verse
by Michael R. Burch

for the posters and posers on www.fillintheblank.com

I cannot understand a word you’ve said
(and this despite an adequate I.Q.);
it must be some exotic new haiku
combined with Latin suddenly undead.

It must be hieroglyphics mixed with Greek.
Have Pound and T. S. Eliot been cloned?
Perhaps you wrote it on the ***, so ******
you spelled it backwards, just to be oblique.

I think you’re very funny, so, “Yuk! Yuk!”
I know you must be kidding; didn’t we
write crap like this and call it “poetry,”
a form of verbal exercise, P.E.,
in kindergarten, when we ran “amuck?”

Oh, sorry, I forgot to “make it new.”
Perhaps I still can learn a thing or two
from someone tres original, like you.



http://www.firesermon.com
by Michael R. Burch

your gods have become e-vegetation;
your saints―pale thumbnail icons; to enlarge
their images, right-click; it isn’t hard
to populate your web-site; not to mention
cool sound effects are nice; Sound Blaster cards
can liven up dull sermons, [zing some fire];
your drives need added Zip; you must discard
your balky paternosters: ***!!! Desire!!!
these are the watchwords, catholic; you must
as Yahoo! did, employ a little lust :)
if you want great e-commerce; hire a bard
to spruce up ancient language, shed the dust
of centuries of sameness; lameness *****;
your gods grew blurred; go 3D; scale; adjust.

Published by: Ironwood, Triplopia and Nisqually Delta Review

This poem pokes fun at various stages of religion, all tied however elliptically to T. S. Eliot's "Fire Sermon: (1) The Celts believed that the health of the land was tied to the health of its king. The Fisher King's land was in peril because he had a physical infirmity. One bad harvest and it was the king's fault for displeasing the gods. A religious icon (the Grail) could somehow rescue him. Strange logic! (2) The next stage brings us the saints, the Catholic church, etc. Millions are slaughtered, tortured and enslaved in the name of religion. Strange logic! (3) The next stage brings us to Darwin, modernism and "The Waste Land.” Religion is dead. God is dead. Man is a glorified fungus! We'll evolve into something better adapted to life on Earth, someday, if we don’t destroy it. But billions continue to believe in and worship ancient “gods.” Strange logic! (4) The current stage of religion is summed up by this e-mail: the only way religion can compete today is as a form of flashy entertainment. ***** a website before it's too late. Hire some **** supermodels and put the evangelists on the Internet!



The State of the Art (?)
by Michael R. Burch

Has rhyme lost all its reason
and rhythm, renascence?
Are sonnets out of season
and poems but poor pretense?

Are poets lacking fire,
their words too trite and forced?
What happened to desire?
Has passion been coerced?

Shall poetry fade slowly,
like Latin, to past tense?
Are the bards too high and holy,
or their readers merely dense?



Plastic Art or Night Stand
by Michael R. Burch

Disclaimer: This is a poem about artificial poetry, not love dolls! The victim is the Muse.

We never questioned why “love” seemed less real
the more we touched her, and forgot her face.
Absorbed in molestation’s sticky feel,
we failed to see her staring into space,
her doll-like features frozen in a smile.
She held us in her marionette’s embrace,
her plastic flesh grown wet and slick and vile.
We groaned to feel our urgent fingers trace
her undemanding body. All the while,
she lay and gaily bore her brief disgrace.
We loved her echoed passion’s squeaky air,
her tongueless kisses’ artificial taste,
the way she matched, then raised our reckless pace,
the heart that seemed to pound, but was not there.



“Whoso List to Hunt” is a famous early English sonnet written by Sir Thomas Wyatt (1503-1542) in the mid-16th century.

Whoever Longs to Hunt
by Sir Thomas Wyatt
loose translation/interpretation/modernization by Michael R. Burch

Whoever longs to hunt, I know the deer;
but as for me, alas!, I may no more.
This vain pursuit has left me so bone-sore
I'm one of those who falters, at the rear.
Yet friend, how can I draw my anguished mind
away from the doe?
                                   Thus, as she flees before
me, fainting I follow.
                                     I must leave off, therefore,
since in a net I seek to hold the wind.

Whoever seeks her out,
                                         I relieve of any doubt,
that he, like me, must spend his time in vain.
For graven with diamonds, set in letters plain,
these words appear, her fair neck ringed about:
Touch me not, for Caesar's I am,
And wild to hold, though I seem tame.



Alien Nation
by Michael R. Burch

for J. S. S., a "Christian" poet who believes in “hell”

On a lonely outpost on Mars
the astronaut practices “speech”
as alien to primates below
as mute stars winking high, out of reach.

And his words fall as bright and as chill
as ice crystals on Kilimanjaro―
far colder than Jesus’s words
over the “fortunate” sparrow.

And I understand how gentle Emily
felt, when all comfort had flown,
gazing into those inhuman eyes,
feeling zero at the bone.

Oh, how can I grok his arctic thought?
For if he is human, I am not.



Keywords/Tags: sonnet, sonnets, meter, rhythm, music, musical, rhyme, form, formal verse, formalist, tradition, traditional, romantic, romanticism, rose, fire, passion, desire, love, heart, number, numbers, mrbson

She remembers the day the stick turned blue, “wow for **** up the spout”
He remembers her smile when she told him.  Smile, really?
Then there was telling her parents, “okay we'll make this work”
Then there was telling his parents, “You threw your scholarship away for this *****, you're a *******”
She remembers the morning sickness
He remembers the hangovers
She felt warm inside when he said it was her choice
He felt like dying when she said she was keeping it
She framed the first ultra sound photo
He deleted his Myspace page
She noticed the day she started showing
The same day he noticed the legs on the waitress
She was snickered at behind locker doors
He quit the team
Her mom brought home baby shoes
His mom circled the classifieds
She got peanut butter cravings
He got hand gun cravings
It's a girl
It's a girl
She remembers finally talking again after four months
He remembers being cornered after 3rd period
She wanted to pick names
He wanted to hang up
She remembers their second first date
He remembers how nice she was
This could really work please kiss me goodnight
We'll see how this goes please don't kiss me
The doctors say the shadow on the ultra sound could be nothing
What if the thing on the picture is something
She prays for the health of Amelia
He begs God to do something about this
They have such a bright future ahead
He had such a bright future ahead
She goes to Goodwill for maternity clothes
He rings her up at the cash register with a kiss
She remembers buying baby clothes at the mall
He remembers how cute the onesies were
She sees him smile
Amelia...good name
She's due next week
He packs his cleats to make room for the crib
She packs to move into his house
His dad packs for a motel
She's still craving peanut butter
He's still craving the waitress
She ate peanut butter
He ate the waitress
She's in labour
He's in traffic
Hold my hand
Ouch...Okay breathe honey...ouch
There's no crying
Nice, quiet baby
Amelia's dead
I'm not a father
She cries into her shirt
He leaves the hospital
She cries into the onesies
He returns the crib to Wal Mart
She burns the ultra sound photos
He grabs his cleats
She gets a hair cut
He quits his job
She returns the diapers and shower gifts
His new Myspace says “single”
She shops for a prom dress
The waitress finds out he's seventeen
Her mom hugs her as she falls asleep
His dad pats him on the back after wind sprints
She can't stop starring at him during prom
He wonders if she went to prom
She writes Amelia in bubble letters on a piece of paper she hangs on her wall a reminder of what's important
He buys a Costco pack of condoms and tacks one to the wall a reminder of what's important

NO ROOM AT THE CRIB

"JesusMaryandJoseph!"
the cat's in the crib
the Holy Family out on their ear

We gone (live life up2)...(we gone live it up2)..(Live it up2)...we gone (live life up2)..We gone (live it up,2) We gone live life Yeah, we gone live life up, we gone live life Yeah, (we gone live it up2)..live it up..we gone (live life Yeah2)..(live it up2)..Aye, (we gone live life up3)..***** we gone live it up, Yeah ***** we gone (live it up3)..***** (we gone live life up,  Yeah2)..(we gone live it up3)..live life up,..Aye live life up,..Aye (live it up2)..

Everybody come through ***** lets turn up,lets burn up,Blaze (not just one2)..blaze the whole pacc up **** we got alot (more coming2)..to smoke no we don't ever run out, we living life Yeah..we live life up *****, we gone (live it up2)..live life yeah..Uhh..
If you coming through, Yeah bring your crew with no drama, no guns allowed at all..What up Snoop Lion..,Uhh,if you coming through bring some bottles too, come through & let all the ******* burn up wit the marijuana, come through wit no violence, tonight we will be having no problems none at all dawg,we living it up man..,

(***** We gone../live life up2../)2..

Tonight is gonna be so amazing,..Uhh,.
Only Real ****** invited to my crib, Yeah Only Real gangstas & down chicks, thats (bout it2), man, Aye we (living life up2)..we didn't usta live life at all dawg, we didn't have much fun, I was slaving for America till, I said **** a 9 to 5 bru, & became my own boss OFTR Yeah, just for that Imma (live it up..3)..Yeah Imma live life now.., Yeah tonight I'm living it up, Yeah living it up,I'm  living life how I want,..live it up, Yeah,live it up my *****,..
Let's jam..(Aye, we gone (live life up2) Yeah2)..

/we gone po up, Yeah we gone roll up, & post up my nig..Uhh, we gone (live it up2)..Yeah/2
Aye, (we gone (live life up3), Aye,Yeah2)..
/We gone (live it up4)..Yeah/3
Live life up my nig..

Whats good , bad lil mama bring yo **** *** over, Yeah come through & bring some of your friends over too, come hang chill & let loose wit a real gangsta Young Ston, Imma show you what's real Babygirl,make sure you bring some lingerie wit ya..Uhh, Imma teach you alot of new things boo, I can tell you ain't been wit a ****.. (Like me before2)..Never before,.. Aye my life is a critically acclaimed motion picture & it ain't even  been released yet **** having a Oscar nomination, ***** I'm still a winner, Aye don't ever compare me to somebody else , nobody man, unless it's a real one,
Yeah man we turning up, some even throwing up, some even on the floor pissy drunk ****, my crib gonna look a mess in the morning but its all good along as everybody have fun.. (Yeah2)..
We (living life up *****2)..(live it up3)..Aye

(***** we gone live life up2)..live it up..(***** we living life up3)..we living life Yeah..(we living life up2), live it up, (yeah, we living life up3)..Uhh..

Ain't no drama, Ain't no problems we drinking, & we blazing marijuana, Ain't no drama, ain't no problems ***** we poing up & smoking that good marijuana,..Ain't no drama, Ain't no problems (we just drinking & blazing marijuana2)..,Aye..
Ain't no drama, Ain't  no problems my *****(we just living it up2)..We just having fun,..(Yeah live it up3)..Live life *****, Yeah..Uhh Live life up..
Young Ston

(Ain't no drama, Ain't no problems..2)
We living life Yeah..
(Ain't no drama, Ain't no problems..2)
We living it up my *****..Yeah.
(Live it up*2)..man, Uhh

ONLY FOR THE REAL ENTERTAINMENT

summertime is here and flowers bloom
but inside my ghostly heart there is only gloom
because you're in love with my dreams
when the doors are shut and the curtains are closed
yet late at night i still yearn for you across the bay
in this much too-large bed i lay
desperately wishing you were *****

wait, no-
that's not it
i just wish that my side was the one on which you'd sit
i want you to sleep in my bed
i want to put him out of your head
i want it to be my baby in your crib
i want your third finger to wear my ring
i want you to be able to give me your everything

do you know what i want more than that?
i want to erase him from existence
i want to rub out the last five years
like chalk from a chalkboard
and start anew with you
i want to pick up where we left off
with you waiting patiently for me
hanging on my every word
as though they were the sweetest sounds you've heard
like honeysuckle or roses or poppies
or daisies

but no
you loved me too
well guess what? i love you
no past tense
no "too"
i love you
everything i do
every breath i take
every time my hands shake
every smile i wear
oh, that's my cross to bear
the *****, the banter, the banquets, the bands
my darling dear, it's all for you

don't you see?
why can't you understand
the part of my plan
where five years just disappear
this house is too big for only me (lonely me)

i should be laying next to you
but all i have is this green light
i close my eyes but it's tattooed inside
i wish i could put that thing out of my sight
but when you're laying in his bed
at least i still have my green light
to give me solace at night

lovely lady, i'll follow your lead
i learned to do that in the war
no matter how far
you have my heart
just promise to hold it dear
and for the rest of my days
i know i will have no fear

A story, a story!
(Let it go.  Let it come.)
I was stamped out like a Plymouth fender
into this world.
First came the crib
with its glacial bars.
Then dolls
and the devotion to their plactic mouths.
Then there was school,
the little straight rows of chairs,
blotting my name over and over,
but undersea all the time,
a stranger whose elbows wouldn't work.
Then there was life
with its cruel houses
and people who seldom touched-
though touch is all-
but I grew,
like a pig in a trenchcoat I grew,
and then there were many strange apparitions,
the nagging rain, the sun turning into poison
and all of that, saws working through my heart,
but I grew, I grew,
and God was there like an island I had not rowed to,
still ignorant of Him, my arms, and my legs worked,
and I grew, I grew,
I wore rubies and bought tomatoes
and now, in my middle age,
about nineteen in the head I'd say,
I am rowing, I am rowing
though the oarlocks stick and are rusty
and the sea blinks and rolls
like a worried eyebal,
but I am rowing, I am rowing,
though the wind pushes me back
and I know that that island will not be perfect,
it will have the flaws of life,
the absurdities of the dinner table,
but there will be a door
and I will open it
and I will get rid of the rat insdie me,
the gnawing pestilential rat.
God will take it with his two hands
and embrace it.

As the African says:
This is my tale which I have told,
if it be sweet, if it be not sweet,
take somewhere else and let some return to me.
This story ends with me still rowing.

They whine and cry-
"This country is going to the dogs."
They complaint and protest-
"Down with this corrupt government."
They crib and blame-
"Pull down those lazy thieving *******."

But when it's time, on Election day
They take the day off, they holiday
The Whining Losers, they say -
"Ah, let a few Morons go and vote
I am above politics,
What matter's it to me."

Dare you not raise another finger,
Dare you not whine and complaint.
You're not a part of democracy.
You're what this country bears in vain.

christmas concert on venus by briano alliano




hi dudes and welcome to venus where we are celebrating christmas in a big way

and our first song is, santa brian is coming to town

ya better watch out ya better not cry

ya better be good cause i am telling you why

santa brian is coming to town

ya see he’s making a list and checking it twice

finding out what kids are naughty or nice

santa brian is coming to town

brian see you when he’s sleeping

he knows when your awake

gotta make everybody be bad or good

so be good for goodness sake

santa brian is coming to town

ya better party on like ya never going to stop

the beat will go bop pity bop bop bop

santa brian is coming to town

ya see my mate bing crosby, is alive in all our hearts

and then your mate brian allan does a really big ****

ya better watch out and keep the party going strong

party like the day is long

santa brian oh santa brian is coming to town boppity boo

and the next song is


         Stop dreaming of a white Christmas cause here is too **** hot


You see I believe the North Pole is
Great and has a lot of penazz oh yeah
And Robbie roe decided to host his
Own Christmas bash with a BBQ and beer oh yeah come on
And then Martin pence bought
100 cases of the most expensive
Wine money can buy
And his 12 year old son
Said what about the coke dad oh yeah
You see it"s ****** hot and you have for a drink so what about us
Kids we need coke, oh yeah
And Martin prince said to his son
That we will have enough coke
Oh yeah cute cause it's hot
And we need to cool ourselves down
So stop dreaming of a white Christmas cause it!'s too **** hot
And on the day of Christmas Eve it hit 37 degees and we didn't feel like doing much let alone the preparation of the party so what we did is have a
5 hour dip in the swimming pool oh yeah carn Christmas spirit right out of me, oh yeah come on dudes
And the kids kept on jumping on us
Leaving us sore but at least we were having a nice dip in the pool to cool ourselves down do we can get ready for the party oh yeah mate yeah
So stop dreaming of a white Christmas cause it's too **** hot you see you see with pretty great
Mountains  and candy cane fountains  so stop dreaming of a white Christmas csuse it's too **** hot for that too **** stop dreaming of a white Christmas cause it's too **** hot for that
The kids are playing backyard cricket yeah and the men came out
To have a hit and the ladies are in
There swearing as they cook the bird
But the ladies have an agreement
That the kids and men all do the cleaning up and talk about the sports whilst doing that
So stop dreaming of a white Christmas cause dudes
It's too **** hot too **** hot
Too **** hot for that
No white Christmases in Australia pal




       Summer weather

You see it's the summer weather
The barbecues are being cooked so well yeah
And the swimmers at the beach
are swimming between flags avoiding the sharks
And those crazy surfers as they surf with Santa
they drop off at the night club
to order a pina calada, yeah, that sure keeps us cool
You see it's summer weather
And you sun bake on the beach yeah
put on heaps of suncream, so cancer don’t strike, yeah yeah yeah
You see it's the summer weather
My poppy came out with a nice beer
And my two kids bobby and Toby had a coke
and they enjoyed that a lot
You see it takes away the hot, especially in ice
And it is great in the summer weather
Cause our drinks keeps us cool
You see it's the summer weather
The cricket and baseball is a playing
You see the players take about 5 hours to move oh yeah
And we see these players stand around forever
And in late of summer is the summer of tennis
watching the best players from around the world
and afterwards they go to the pub and celebrate
we say it's the summer weather cause those drinks keeps us cool
it’s the summer weather, the end of another year yeah
we lay the fireworks on the beach
so the lightshow, will be great
as midnight approaches we yell HAPPY NEW YEAR and then we say
what great summer weather, out champagne sure, keeps us cool


and now dudes we are going to sing away in a manger


away in a manger

no crib for a bed

the little lord buddha

l;ays down his sweet head

the stars in the bright sky

look down where he lays

the little lord buddha asleep on the hay

the cattle are lowing

buddha awakes

but the little lord buddha

no crying he makes

i love the lord buddha

as i look down from the sky

and stay by his bedside

till morning is nigh

be near me lord buddha

i ask thee to stay

close by me forever

i love thee to stay

bless all the dear children

under thy tender care

and fit us for nirvana

to live with thee there


    Summer wonderland



The beer is chilling in the esky
Abc the BBQ is nice and hot yeah
And the kids are playing with their presents oh yeah that sounds real rad
And the swimming pool is being cleaned by your father and you can't swim in it cause the pool claurine
Can **** you well
You see we are running around
Up up and down
In a summer wonderland
You see Johnny Butthead and
Micheal Kenny and Robbie roe
And Kenny gee gee
And the superman of the heavens
Brings us nice weather and that makes us feel great yeah
Walking around singing a song
Walking in a summer wonderlsnd
On the beach we all made a sand castle and buried uncle Robbie
In the sand and then as he called
Out come on ya bludgers
Give us adults a ****** hand
You see when Robbie got out of that
He jumped around the beach
I was buried in sand
And yeah mate yeah I understand
Walking along singing a song
Living in a summer wonderland




my next christmas song is joy to the world, here goes


joy to the world

the lord is come

let the christmas party shine

let everyone party on

and let heaven and nirvana sing

let heaven and nirvana sing

let heaven and nirvana and nirvana sing

joy to the world

the saviour reigns

and party right till the end

let everyone prepare him room

let all buddhas creatures grow

let buddhas creatures grow

let everyone belonging to buddha

let the spirit really grow

party on every night

   A cold for Christmas means PARTY PARTY


Oh yeah on the first day of XMAS
My coke bottle said to me
Buy a coke at the supermarket oh yeah
On the second day of  XMAS my coke bottle said to me get your cousin in the USA a present and a nice card to boot
On the third day of XMAS
My coke bottle said to me
How about inviting all out friends over for a slap up XMAS party dude
On the third day of XMAS my coke bottle said to me I need to give my
Grandmother some rioses to put in a vase on your toilet
On the fourth day of XMAS my coke bottle said to me  slam me down ya
Get ready to lift ya party spirits right till the day is long
On the fifth day of Christmas
My coke bottle said to me
How about we see the arrival of
Santa in the big Christmas parade in
Out gracious city
On the sixth day of Christmas
My coke bottle said to me
Yeah we need to give Tom and Benny a hand with the annual Christmas lights ok outside his house how delightful dude
On the seventh day of Christmas
My coke bottle said to me
Give Australia a present by booting
Abbott out oh yeseree
On the eighth day of XMAS my coke
Bottle said to me
How about you see the kids play in their Christmas play
On the ninth day of XMAS my coke bottle said to me how about a nice bit of bourbon in me to lift the family's spirit oh yeseree
On the tenth day of XMAS
My coke bottle said to me
How about we go to the nightclub
And party all night my dear old friend old pal
On the eleventh day my coke bottle gave to me a new clear head to get normal visions rather than stupid
Allan family delusions I know they help but ha ha ha
On the twelfth day of Christmas
My coke bottle gave to me
A lot of information saying coke is still a medicine don't listen to skeptics they are too much into the real world yeah on every day of Christmas my coke bottle said
No matter what ya do drink plenty of me I will make you XMAS sweet


ok dudes briano alliano says merry christmas

My Father: I Never Promised You a Rose Garden!
My Mother: Well I Never expected a thorn bush either!

I always thought it was quite funny
I remember this on sunny days
when my parents were driving my Father would ask my Mother if anything was coming from the other direction and he'd say:
"Is it okay George?
And my mother would say:
"Okay, Hit it Henry!!!"...I still have no real idea why...I remember and I sigh...
as a twinge of sadness comes sneaking in.

There were certain people that my Father did not care for and he would say they were snobs ..."****** intellectuals"... as a child I got confused by that but now it makes perfect sense....it was said without pretense.
I had to figure it out.

Without a doubt...
I have many fond memories of my family...especially my Dad, who really sacrificed more than anyone I've ever known
who sowed every seed he'd ever sewn
Raised 4 kids till they were grown
all the fading memories that I blindly used to perceive as bad...
have now melted into the Beautiful
They are now the things that endear me to them... as I remember...they make me smile for a little while.

My Father has passed now some five years... was born a simple man of simple means...
times for him or more than just a little lean
Shoes three sizes way to big
stuffed toes with old newspapers
a dresser drawer....fashioned Sisters crib
He was a Phoenix rising from those ashes
And he was never out of fashion...
a Master Carpenter... a builder of my dreams...
raising beams
dressed in denim bib overalls and a white T-shirt...a red, white and black bandana in his pocket to wipe his sweating brow

And now....ever since the day he died
I have tried...but my Mother and I now have this distant love
so I know he's still guiding me, and us from far above
I never would have made it this far
way too many scars...
It's a strange feeling to feel so very alone
feel like I have no real home
in the world...
I am a caretaker of an apartment....

I feel he would have done
anything for me  
he would never let me see...
such awful things
and be
down in such lonesome places
with strangers, such unfamilar faces
Or so I used to think

I've been at the very brink
Now I understand he wanted me to know
to struggle for my life and so I would grow
as even a thornbush would...
It taught me to be humble even when I couldn't walk
to listen and not to talk
even though I have my children, my progeny...
If sometimes I still can feel so very alone...
so no matter where my Gypsy heart roams
I carry those memories with me they are my church in the day...and in the night
I remember his final words
and I know.... it'll be alright
He taught me how to fight
and I am fighting beside him now...

I am carrying out his final wishes
I cook them in my famous dishes
My Father absolutely enjoyed the sharing of food...
Always was in the mood for something delicious...
So I sprinkle
them with his way
the things he'd often say
with his stoic compassion,
an understanding heart, so kind
I try to share his brilliant mind...
I am thankful that he wanted me and made certain I was here
His memory to me so dear...
with him I have no fear
Thank you Father
Thank you Daddy...
Love you Ma Cherie....

Cherie Nolan © 2016

for Sylvia Plath
O Sylvia, Sylvia,
with a dead box of stones and spoons,
with two children, two meteors
wandering loose in a tiny playroom,
with your mouth into the sheet,
into the roofbeam, into the dumb prayer,
(Sylvia, Sylvia
where did you go
after you wrote me
from Devonshire
about rasing potatoes
and keeping bees?)
what did you stand by,
just how did you lie down into?
Thief --
how did you crawl into,
crawl down alone
into the death I wanted so badly and for so long,
the death we said we both outgrew,
the one we wore on our skinny *******,
the one we talked of so often each time
we downed three extra dry martinis in Boston,
the death that talked of analysts and cures,
the death that talked like brides with plots,
the death we drank to,
the motives and the quiet deed?
(In Boston
the dying
ride in cabs,
yes death again,
that ride home
with our boy.)
O Sylvia, I remember the sleepy drummer
who beat on our eyes with an old story,
how we wanted to let him come
like a sadist or a New York fairy
to do his job,
a necessity, a window in a wall or a crib,
and since that time he waited
under our heart, our cupboard,
and I see now that we store him up
year after year, old suicides
and I know at the news of your death
a terrible taste for it, like salt,
(And me,
me too.
And now, Sylvia,
you again
with death again,
that ride home
with our boy.)
And I say only
with my arms stretched out into that stone place,
what is your death
but an old belonging,
a mole that fell out
of one of your poems?
(O friend,
while the moon's bad,
and the king's gone,
and the queen's at her wit's end
the bar fly ought to sing!)
O tiny mother,
you too!
O funny duchess!
O blonde thing!

You play three.
Me, seven.
Fifteen for two.
This is where I lose you.
Your phone vibrates,
You leviate
Sitting across from me,
Making me an unwilling audience
To all the drama.
You vibrate. Your shoulders droop
Like the gape-toothed village idiot.
You gesticulate,
Fading in and out
In a semi-conscious awakening.
You're trembling under stones
Sitting on your chest.
It shows in your tembling hands.
Twenty, for two...
Twenty-five, for six...
I overhear your child is truant,
Another wants a ride,
Another a car, doctor or lawyer.
You're shuffling in your seat.
Not to worry.
Affter the stones are lifted,
And you're properly pegged
In the stink hole, the game's over.
Thirty, for twelve and a go. Game.
So deal with it.