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by
Alexander K Opicho

(Eldoret, Kenya;aopicho@yahoo.com)

When I grow up I will seek permission
From my parents, my mother before my father
To travel to Russia the European land of dystopia
that has never known democracy in any tincture
I will beckon the tsar of Russia to open for me
Their classical cipher that Bogy visoky tsa dalyko
I will ask the daughters of Russia to oblivionize my dark skin
***** skin and make love to me the real pre-democratic love
Love that calls for ambers that will claw the fire of revolution,
I will ask my love from the land of Siberia to show me cradle of Rand
The European manger on which Ayn Rand was born during the Leninist census
I will exhume her umbilical cord plus the placenta to link me up
To her dystopian mind that germinated the vice
For shrugging the atlas for we the living ones,
In a full dint of my ***** libido I will ask her
With my African temerarious manner I will bother her
To show me the bronze statues of Alexander Pushkin
I hear it is at ******* of the city of Moscow; Petersburg
I will talk to my brother Pushkin, my fellow African born in Ethiopia
In the family of Godunov only taken to Europe in a slave raid
Ask the Frenchman Henri Troyat who stood with his ***** erected
As he watched an Ethiopian father fertilizing an Ethiopian mother
And child who was born was Dystopian Alexander Pushkin,
I will carry his remains; the bones, the skull and the skeleton in oily
Sisal threads made bag on my broad African shoulders back to Africa
I will re-bury him in the city of Omurate in southern Ethiopia at the buttocks
Of the fish venting beautiful summer waters of Lake Turkana,
I will ask Alexander Pushkin when in a sag on my back to sing for me
His famous poems in praise of thighs of women;

(I loved you: and, it may be, from my soul
The former love has never gone away,
But let it not recall to you my dole;
I wish not sadden you in any way.

I loved you silently, without hope, fully,
In diffidence, in jealousy, in pain;
I loved you so tenderly and truly,
As let you else be loved by any man.
I loved you because of your smooth thighs
They put my heart on fire like amber in gasoline)

I will leave the bronze statue of Alexander Pushkin in Moscow
For Lenin to look at, he will assign Mayakovski to guard it
Day and night as he sings for it the cacotopian
Poems of a slap in the face of public taste;

(I know the power of words, I know words' tocsin.
They're not the kind applauded by the boxes.
From words like these coffins burst from the earth
and on their own four oaken legs stride forth.
It happens they reject you, unpublished, unprinted.
But saddle-girths tightening words gallop ahead.
See how the centuries ring and trains crawl
to lick poetry's calloused hands.
I know the power of words. Seeming trifles that fall
like petals beneath the heel-taps of dance.
But man with his soul, his lips, his bones.)

I will come along to African city of Omurate
With the pedagogue of the thespic poet
The teacher of the poets, the teacher who taught
Alexander Sergeyvich Pushkin; I know his name
The name is Nikolai Vasileyvitch Gogol
I will caution him to carry only two books
From which he will teach the re-Africanized Pushkin
The first book is the Cloak and second book will be
The voluminous dead souls that have two sharp children of Russian dystopia;
The cactopia of Nosdrezv in his sadistic cult of betrayal
And utopia of Chichikov in his paranoid ownership of dead souls
Of the Russian peasants, muzhiks and serfs,
I will caution him not to carry the government inspector incognito
We don’t want the inspector general in the African city of Omurate
He will leave it behind for Lenin to read because he needs to know
What is to be done.
I don’t like the extreme badness of owning the dead souls
Let me run away to the city of Paris, where romance and poetry
Are utopian commanders of the dystopian orchestra
In which Victor Marie Hugo is haunted by
The ghost of Jean Val Jean; Le Miserable,
I will implore Hugo to take me to the Corsican Island
And chant for me one **** song of the French revolution;


       (  take heed of this small child of earth;
He is great; he hath in him God most high.
Children before their fleshly birth
Are lights alive in the blue sky.
  
In our light bitter world of wrong
They come; God gives us them awhile.
His speech is in their stammering tongue,
And his forgiveness in their smile.
  
Their sweet light rests upon our eyes.
Alas! their right to joy is plain.
If they are hungry Paradise
Weeps, and, if cold, Heaven thrills with pain.
  
The want that saps their sinless flower
Speaks judgment on sin's ministers.
Man holds an angel in his power.
Ah! deep in Heaven what thunder stirs,
  
When God seeks out these tender things
Whom in the shadow where we sleep
He sends us clothed about with wings,
And finds them ragged babes that we)

 From the Corsican I won’t go back to Paris
Because Napoleon Bonaparte and the proletariat
Has already taken over the municipal of Paris
I will dodge this city and maneuver my ways
Through Alsace and Lorraine
The Miginko islands of Europe
And cross the boundaries in to bundeslander
Into Germany, I will go to Berlin and beg the Gestapo
The State police not to shoot me as I climb the Berlin wall
I will balance dramatically on the top of Berlin wall
Like Eshu the Nigerian god of fate
With East Germany on my right; Die ossie
And West Germany on my left; Die wessie
Then like Jesus balancing and walking
On the waters of Lake Galilee
I will balance on Berlin wall
And call one of my faithful followers from Germany
The strong hearted Friedrich von Schiller
To climb the Berlin wall with me
So that we can sing his dystopic Cassandra as a duet
We shall sing and balance on the wall of Berlin
Schiller’s beauteous song of Cassandra;

(Mirth the halls of Troy was filling,
Ere its lofty ramparts fell;
From the golden lute so thrilling
Hymns of joy were heard to swell.
From the sad and tearful slaughter
All had laid their arms aside,
For Pelides Priam's daughter
Claimed then as his own fair bride.

Laurel branches with them bearing,
Troop on troop in bright array
To the temples were repairing,
Owning Thymbrius' sovereign sway.
Through the streets, with frantic measure,
Danced the bacchanal mad round,
And, amid the radiant pleasure,
Only one sad breast was found.

Joyless in the midst of gladness,
None to heed her, none to love,
Roamed Cassandra, plunged in sadness,
To Apollo's laurel grove.
To its dark and deep recesses
Swift the sorrowing priestess hied,
And from off her flowing tresses
Tore the sacred band, and cried:

"All around with joy is beaming,
Ev'ry heart is happy now,
And my sire is fondly dreaming,
Wreathed with flowers my sister's brow
I alone am doomed to wailing,
That sweet vision flies from me;
In my mind, these walls assailing,
Fierce destruction I can see."

"Though a torch I see all-glowing,
Yet 'tis not in *****'s hand;
Smoke across the skies is blowing,
Yet 'tis from no votive brand.
Yonder see I feasts entrancing,
But in my prophetic soul,
Hear I now the God advancing,
Who will steep in tears the bowl!"

"And they blame my lamentation,
And they laugh my grief to scorn;
To the haunts of desolation
I must bear my woes forlorn.
All who happy are, now shun me,
And my tears with laughter see;
Heavy lies thy hand upon me,
Cruel Pythian deity!"

"Thy divine decrees foretelling,
Wherefore hast thou thrown me here,
Where the ever-blind are dwelling,
With a mind, alas, too clear?
Wherefore hast thou power thus given,
What must needs occur to know?
Wrought must be the will of Heaven--
Onward come the hour of woe!"

"When impending fate strikes terror,
Why remove the covering?
Life we have alone in error,
Knowledge with it death must bring.
Take away this prescience tearful,
Take this sight of woe from me;
Of thy truths, alas! how fearful
'Tis the mouthpiece frail to be!"

"Veil my mind once more in slumbers
Let me heedlessly rejoice;
Never have I sung glad numbers
Since I've been thy chosen voice.
Knowledge of the future giving,
Thou hast stolen the present day,
Stolen the moment's joyous living,--
Take thy false gift, then, away!"

"Ne'er with bridal train around me,
Have I wreathed my radiant brow,
Since to serve thy fane I bound me--
Bound me with a solemn vow.
Evermore in grief I languish--
All my youth in tears was spent;
And with thoughts of bitter anguish
My too-feeling heart is rent."

"Joyously my friends are playing,
All around are blest and glad,
In the paths of pleasure straying,--
My poor heart alone is sad.
Spring in vain unfolds each treasure,
Filling all the earth with bliss;
Who in life can e'er take pleasure,
When is seen its dark abyss?"

"With her heart in vision burning,
Truly blest is Polyxene,
As a bride to clasp him yearning.
Him, the noblest, best Hellene!
And her breast with rapture swelling,
All its bliss can scarcely know;
E'en the Gods in heavenly dwelling
Envying not, when dreaming so."

"He to whom my heart is plighted
Stood before my ravished eye,
And his look, by passion lighted,
Toward me turned imploringly.
With the loved one, oh, how gladly
Homeward would I take my flight
But a Stygian shadow sadly
Steps between us every night."

"Cruel Proserpine is sending
All her spectres pale to me;
Ever on my steps attending
Those dread shadowy forms I see.
Though I seek, in mirth and laughter
Refuge from that ghastly train,
Still I see them hastening after,--
Ne'er shall I know joy again."

"And I see the death-steel glancing,
And the eye of ****** glare;
On, with hasty strides advancing,
Terror haunts me everywhere.
Vain I seek alleviation;--
Knowing, seeing, suffering all,
I must wait the consummation,
In a foreign land must fall."

While her solemn words are ringing,
Hark! a dull and wailing tone
From the temple's gate upspringing,--
Dead lies Thetis' mighty son!
Eris shakes her snake-locks hated,
Swiftly flies each deity,
And o'er Ilion's walls ill-fated
Thunder-clouds loom heavily!)

When the Gestapoes get impatient
We shall not climb down to walk on earth
Because by this time  of utopia
Thespis and Muse the gods of poetry
Would have given us the wings to fly
To fly high over England, I and schiller
We shall not land any where in London
Nor perch to any of the English tree
Wales, Scotland, Ireland and Thales
We shall not land there in these lands
The waters of river Thames we shall not drink
We shall fly higher over England
The queen of England we shall not commune
For she is my lender; has lend me the language
English language in which I am chanting
My dystopic songs, poor me! What a cacotopia!
If she takes her language away from
I will remain poetically dead
In the Universe of art and culture
I will form a huge palimpsest of African poetry
Friedrich son of schiller please understand me
Let us not land in England lest I loose
My borrowed tools of worker back to the owner,
But instead let us fly higher in to the azure
The zenith of the sky where the eagles never dare
And call the English bard
through  our high shrilled eagle’s contralto
William Shakespeare to come up
In the English sky; to our treat of poetic blitzkrieg
Please dear schiller we shall tell the bard of London
To come up with his three Luftwaffe
These will be; the deer he stole from the rich farmer
Once when he was a lad in the rural house of john the father,
Second in order is the Hamlet the price of Denmark
Thirdly is  his beautiful song of the **** of lucrece,
We shall ask the bard to return back the deer to the owner
Three of ourselves shall enjoy together dystopia in Hamlet
And ask Shakespeare to sing for us his song
In which he saw a man **** Lucrece; the **** of Lucrece;

( From the besieged Ardea all in post,
Borne by the trustless wings of false desire,
Lust-breathed Tarquin leaves the Roman host,
And to Collatium bears the lightless fire
Which, in pale embers hid, lurks to aspire
  And girdle with embracing flames the waist
  Of Collatine's fair love, Lucrece the chaste.

Haply that name of chaste unhapp'ly set
This bateless edge on his keen appetite;
When Collatine unwisely did not let
To praise the clear unmatched red and white
Which triumph'd in that sky of his delight,
  Where mortal stars, as bright as heaven's beauties,
  With pure aspects did him peculiar duties.

For he the night before, in Tarquin's tent,
Unlock'd the treasure of his happy state;
What priceless wealth the heavens had him lent
In the possession of his beauteous mate;
Reckoning his fortune at such high-proud rate,
  That kings might be espoused to more fame,
  But king nor peer to such a peerless dame.

O happiness enjoy'd but of a few!
And, if possess'd, as soon decay'd and done
As is the morning's silver-melting dew
Against the golden splendour of the sun!
An expir'd date, cancell'd ere well begun:
  Honour and beauty, in the owner's arms,
  Are weakly fortress'd from a world of harms.

Beauty itself doth of itself persuade
The eyes of men without an orator;
What needeth then apologies be made,
To set forth that which is so singular?
Or why is Collatine the publisher
  Of that rich jewel he should keep unknown
  From thievish ears, because it is his own?

Perchance his boast of Lucrece' sovereignty
Suggested this proud issue of a king;
For by our ears our hearts oft tainted be:
Perchance that envy of so rich a thing,
Braving compare, disdainfully did sting
  His high-pitch'd thoughts, that meaner men should vaunt
  That golden hap which their superiors want)

  
I and Schiller we shall be the audience
When Shakespeare will echo
The enemies of beauty as
It is weakly protected in the arms of Othello.

I and Schiller we don’t know places in Greece
But Shakespeare’s mother comes from Greece
And Shakespeare’s wife comes from Athens
Shakespeare thus knows Greece like Pericles,
We shall not land anywhere on the way
But straight we shall be let
By Shakespeare to Greece
Into the inner chamber of calypso
Lest the Cyclopes eat us whole meal
We want to redeem Homer from the
Love detention camp of calypso
Where he has dallied nine years in the wilderness
Wilderness of love without reaching home
I will ask Homer to introduce me
To Muse, Clio and Thespis
The three spiritualities of poetry
That gave Homer powers to graft the epics
Of Iliad and Odyssey centerpieces of Greece dystopia
I will ask Homer to chant and sing for us the epical
Songs of love, Grecian cradle of utopia
Where Cyclopes thrive on heavyweight cacotopia
Please dear Homer kindly sing for us;
(Thus through the livelong day to the going down of the sun we
feasted our fill on meat and drink, but when the sun went down and
it came on dark, we camped upon the beach. When the child of
morning, rosy-fingered Dawn, appeared, I bade my men on board and
loose the hawsers. Then they took their places and smote the grey
sea with their oars; so we sailed on with sorrow in our hearts, but
glad to have escaped death though we had lost our comrades)
                                  
From Greece to Africa the short route  is via India
The sub continent of India where humanity
Flocks like the oceans of women and men
The land in which Romesh Tulsi
Grafted Ramayana and Mahabharata
The handbook of slavery and caste prejudice
The land in which Gujarat Indian tongue
In the cheeks of Rabidranathe Tagore
Was awarded a Poetical honour
By Alfred Nobel minus any Nemesis
From the land of Scandinavia,
I will implore Tagore to sing for me
The poem which made Nobel to give him a prize
I will ask Tagore to sing in English
The cacotopia and utopia that made India
An oversized dystopia that man has ever seen,
Tagore sing please Tagore sing for me your beggarly heat;

(When the heart is hard and parched up,
come upon me with a shower of mercy.

When grace is lost from life,
come with a burst of song.

When tumultuous work raises its din on all sides shutting me out from
beyond, come to me, my lord of silence, with thy peace and rest.

When my beggarly heart sits crouched, shut up in a corner,
break open the door, my king, and come with the ceremony of a king.

When desire blinds the mind with delusion and dust, O thou holy one,
thou wakeful, come with thy light and thy thunder)



The heart of beggar must be
A hard heart for it to glorify in the art of begging,

I don’t like begging
This is knot my heart suffered
From my childhood experience
I saw my mother
On voit dans le Musée antique,
Sur un lit de marbre sculpté,
Une statue énigmatique
D'une inquiétante beauté.

Est-ce un jeune homme ? est-ce une femme,
Une déesse, ou bien un dieu ?
L'amour, ayant peur d'être infâme,
Hésite et suspend son aveu.

Dans sa pose malicieuse,
Elle s'étend, le dos tourné
Devant la foule curieuse,
Sur son coussin capitonné.

Pour faire sa beauté maudite,
Chaque sexe apporta son don.
Tout homme dit : C'est Aphrodite !
Toute femme : C'est Cupidon !

Sexe douteux, grâce certaine,
On dirait ce corps indécis
Fondu, dans l'eau de la fontaine,
Sous les baisers de Salmacis.

Chimère ardente, effort suprême
De l'art et de la volupté,
Monstre charmant, comme je t'aime
Avec ta multiple beauté !

Bien qu'on défende ton approche,
Sous la draperie aux plis droits
Dont le bout à ton pied s'accroche,
Mes yeux ont plongé bien des fois.

Rêve de poète et d'artiste,
Tu m'as bien des nuits occupé,
Et mon caprice qui persiste
Ne convient pas qu'il s'est trompé.
Mais seulement il se transpose,
Et, passant de la forme au son,
Trouve dans sa métamorphose
La jeune fille et le garçon.

Que tu me plais, ô timbre étrange !
Son double, homme et femme à la fois,
Contralto, bizarre mélange,
Hermaphrodite de la voix !

C'est Roméo, c'est Juliette,
Chantant avec un seul gosier ;
Le pigeon rauque et la fauvette
Perchés sur le même rosier ;

C'est la châtelaine qui raille
Son beau page parlant d'amour ;
L'amant au pied de la muraille,
La dame au balcon de sa tour ;

Le papillon, blanche étincelle,
Qu'en ses détours et ses ébats
Poursuit un papillon fidèle,
L'un volant haut et l'autre bas ;

L'ange qui descend et qui monte
Sur l'escalier d'or voltigeant ;
La cloche mêlant dans sa fonte
La voix d'airain, la voix d'argent ;

La mélodie et l'harmonie,
Le chant et l'accompagnement ;
A la grâce la force unie,
La maîtresse embrassant l'amant !

Sur le pli de sa jupe assise,
Ce soir, ce sera Cendrillon
Causant prés du feu qu'elle attise
Avec son ami le grillon ;

Demain le valeureux Arsace
A son courroux donnant l'essor,
Ou Tancrède avec sa cuirasse,
Son épée et son casque d'or ;

Desdemona chantant le Saule,
Zerline bernant Mazetto,
Ou Malcolm le plaid sur l'épaule ;
C'est toi que j'aime, ô contralto !

Nature charmante et bizarre
Que Dieu d'un double attrait para,
Toi qui pourrais, comme Gulnare,
Etre le Kaled d'un Lara,

Et dont la voix, dans sa caresse,
Réveillant le coeur endormi,
Mêle aux soupirs de la maîtresse
L'accent plus mâle de l'ami !
Robert Ronnow Aug 2015
blueberries gasoline and prostate gland
breast cancer Wonderbread and pacifier

controlled experiment space travel and honey
peanuts inductive reasoning and electricity

tornadoes torture chamber and biscuits
copyright car radio cantaloupe

golden eagle lunch break tomato
Romanian songbook rhubarb and barbed wire

always hungry nevermind meat loaf
goosefoot mango juice Ipad

mosquito bite city street and broccoli
Chinese cabbage female *** drive water sport

pure contralto goat yogurt new year
black death white light and green tea
www.ronnowpoetry.com
Natasha Teller Dec 2013
the wind whispers to you in furious ways,
ominous notes, like a dusty violin
stenciling finality into the air.

the percussion
of foot-soldiers trembles the grass.

  you have grown, my war-child,
  from the days of ****** tea parties
  to a diva guerrilla,
  terrible and well-rehearsed,
  your bulleted libretto close to your chest--

and as trumpets sound in the offing,
the curtain draws back.

AK-47, pizzicato--
gasoline breeds fire, incinerates woodwinds,
the wine of the coloratura soprano
melts into blood.

  witch, *****, daughter of gunpowder,
  bella contralto, your
  deep and tremulous vibrato is a
  grenade,

and as death crashes to a crescendo,
mortality in the tin frequency of cymbals--

the only armistice
is annihilation.
I

Here’s the mould of a musical bird long passed from light,
Which over the earth before man came was winging;
There’s a contralto voice I heard last night,
That lodges with me still in its sweet singing.

   II

Such a dream is Time that the coo of this ancient bird
Has perished not, but is blent, or will be blending
Mid visionless wilds of space with the voice that I heard,
In the full-fuged song of the universe unending.
I do not see the hills around,
Nor mark the tints the copses wear;
I do not note the grassy ground
And constellated daisies there.

I hear not the contralto note
Of cuckoos hid on either hand,
The whirr that shakes the nighthawk’s throat
When eve’s brown awning hoods the land.

Some say each songster, tree and mead—
All eloquent of love divine—
Receives their constant careful heed:
Such keen appraisement is not mine.

The tones around me that I hear,
The aspects, meanings, shapes I see,
Are those far back ones missed when near,
And now perceived too late by me!
I am Amadioha the earth goddess  of Igbos,Ngai wa mugo wa gatheru
who created the nine daughters of mumbi ,and Gikuyu a man,
I am Wele of Dini ya Musambwa,creator of Elijah Masinde
I am  Katonda the creator of Kintu and Namiremeb hills at Makerere
I am eshu the god  of the  Ijimere and Achebe and Soyinka,
behold today  I stand in Egypt,where the sun comes from
where I similarly  stood billion and billion of years ago,
to create all the stars the moon and the universe
not even known to the son of man until today,
this is where i created my first born of  humanity;
dear Africa the generations of Negroes,
the beacon of my eye, i enjoy a look at you  minus blinkers,
i stand here a fresh to correct my creation mistakes
i formerly made, when creating my dearest son in Africa;
Kenneth Binyavanga wa wainaina, who hails at Nakuru hills,
he is the sweetest song to my heart, classical music of my ears
i contrite much , as i were not to create you a blended blood
from an  Omuganda  girl and  an Omugikuyu  boy,
i  was to create you a pure Muganda, like Okot P' Bitek,
or a pure Kenyan , like Francis Davis Imbuga,
i were to control your academic fortune , that you  don't start,
your maiden education  Lena Moi primary school,
an epiphany of a divorced woman,spelling curse of wifelessness,
on those that pass through the very  school , i was wrong.
had i known i could have not  sent Cleophas to work
in your fathers home , for him  to sleep in the horse shed,
cursed is the ******* memory of what he did in that quarter
as you preened  and eavesdropped outside like a hen
listening to the eagle's contralto,
why did i sent Wambui to be your nurse maid ,only to preach
the gospel according to the power of peasant ****** to you,
she tangled her buttocks before your **** eyes,senting
your young heart to sensuous extremities, Wambui ,a she devil,
Wow! Kalenjins are bad neighbour, they are dark and ugly
slow in the brain and sadistically malicious in the heart,
i  know not why i made them to abode with you within the
great valley of kenya, they throng schools and they cannot learn,
but i have now held them captive, i have made them your footstool
for ever and ever my dear son ,as you hold the scepter of power,
i goofed beyond  remedy by all ethereal to send you to Njoro boys school,
for you to meet Sigalla, that extra-masculine Sigalla , the ******* hunter,
i gave you wrong sisters, they made you put on your mothers dress
and her long hair,then you posed to the female public as an Americanness
your romantic number was fwive fwive fwive fwive , fwive at New-york,
i wonder why i did not give you enough power of languages
so that you generate a numberless fantabulousies and Goalies and so forth,
only to borrow from a young woman;Chimamanda Ngozi Adichie
the  yellow sun's slapslap  slapslap slapslap slapslap slapslap   slapslapp!
Mangu Boys School to you was a blessing , had it not my fault,
of giving you a mutton headed faculty full of annentcy,
that went for the persiflagery and aesthetic phantasmagoria,
in the art and theatre prose and poetry; the Bigger Thomas Lawyer,
your only  misplaced  mentor  that gave birth to what i love in you ;
hence i am writting about this place now,this place kenya,
folly of folly is when i goofed to take a natural writter like you,
to commerce class in the land of apartheid, Nadine Gordimer's  front
that sired Brenda Fasie a top Lesbian, the song bird of my times
as you all know we the gods also jealously love,
she only charmed you with her naked ****
swinging like a pendulum on the  musical stage,
after her communique of being a top lesbian,she call it Africa,
o! no,  Africa never came from Lesbians, it comes from simple nature;
mother and father, in natural and collective  heterosexuality,
You only saw and revved in dope culture in the cubbyhole of Victory,
and hoped clubs from Dazzle to the rest , in hunt of  your boyhood,
sadly to be befallen by dark clouds  in victim-hood of optical nutrition,
abiding among the  tall, beautiful, smoking bunch of Lesbians.
My son, from  today and henceforth,  i the Africanus,
the god of African fertility,poetry and art,
humbly chose to recreate you the king of kings and queens,
of African story telling  at global status, to tell all African songs,
beyond sham fallacy that gay and Lesbian literature
are the begotten  apex of modern and Global literature
these are only white lies featuring a death bound imperialism.
DO you know how the dream looms? how if summer misses one of us the two of us miss summer-
Summer when the lungs of the earth take a long breath for the change to low contralto singing mornings when the green corn leaves first break through the black loam-
And another long breath for the silver soprano melody of the moon songs in the light nights when the earth is lighter than a feather, the iron mountains lighter than a goose down-
So I shall look for you in the light nights then, in the laughter of slats of silver under a hill hickory.
In the listening tops of the hickories, in the wind motions of the hickory shingle leaves, in the imitations of slow sea water on the shingle silver in the wind-
  I shall look for you.
ria geneva May 2021
take me to Paris, she said through star-filled eyes
through which she couldn't quite see
and his shadow beckoned her delicate hands into the unknown

and when she touched the Eiffel tower it felt almost as cold as his hands had been
when he picked her up from the grass
but she ignored his ice hands
and instead
hummed to the tune
of his contralto voice
even when it raised with every hoarse breath
as it turned to terrifying storms of thunder

she lay in silk as her artist's muse
soft fabric against skin
chills sweeping up her back
goosebumps against her arms
yet she smiled

but she longed to hold the paintbrush and swim amongst the bright colour

when she traipsed across sunset fields
she felt his grip tighten
but she treasured the security
that he wielded
in his rough hands

and when he hit her
it felt like a kiss
Sethnicity May 2015
The long and tempered draped in threads black and red.
I heard your song before I could hear you sing
So many souls in one voice so many tones of toil
How many nights did they string out your glory cured on black oil?
So Slip the jab when lights flicker fast
you beat them down to the streets
they tried to beat you with the side-speak
It's okay, we got records and you got tender
when the tables turned you dished out what we blendered
Your record was played louder than the rest
our money was your mind ******
Bitter in jest like mothers media mess
cinderElla your dress dismantle moments
That were meant for no one but Frank

I take another listen while my love does crank
A slow grind, it goes well with what I drank  
That autumn wine house is the sugar in my Bowl, Tank!
No substitute for Contralto diction, a heart shank
So I come crawling back to you like pulp fiction
We love our ***** drugs *** and musical afflictions  
I'm sure you were watching when MJ took it all the way,
thinkin' Who cares if I burn out or fade away
Can't be leave you beat me to the punch
27 was my aim but got distracted by the day to day
guess you never got that time
but now you'll get plenty out of mind

Take your time you tall glass of wine
fly away at 33 revolutions per meters per Second
Those Seconds Squared as over time come paired
rest your vibrato on the drums of my ear
and lay your diaphragm on the beat of my heart
I'll give them the finger for questioning your part!
I'll give them a humdinger for the hell of your art!
you beat me to the punch you goddess of clubs
So I live to carry your tune and fade away sweetly to the tomb
We'll never say goodbye with words
***'s your vibrations synchronize my palpitations
Invisible meanings shared between nouns and verbs
We say love is blind... Could it really be that absurd?
This ones for you Amy.
Ken Jan 2016
K
She sits alone with two antique clocks
one of water, the other of sand
I dare ask if she likes watches
Only the older, she replies,
they hold the infinity of time specious
In her words an elemental charm
and the risk of all enigmas
Then in contralto voice she adds
and now my name is simply K
and I think of Kafka's leopards
breaking into the temple to drink
from the sacrificial amphorae
My soul writes in ancient dialect
feeling hers close with mine
while I watch her body
from eternity in ****** key
a window of flavoured amethyst fire
progressive surrender
the crossing of a desert
the dropping of clothes and masks
the thin veil remains yet unbreached
the original time of the first blood
still under the anvil of desire
so rarely given the offer of this grace
the membrane of the soul to be loved
with pain, with pleasure, with totality
if a bird just can't sing the Blues
what can you do?
buy him some lessons
with a mezzo-soprano,
or lower his beak
to an alto contralto?
take him to doctors;
buy him a shrink
but don't give him time
to just sit and think?
buy him a *****,
and a liter of Beam-
then tell him that things
are not what they seem;
give him good food
and lots of attention;
then rent him out
to the woodpecker's convention.

(and if all else fail,
he can guard your corn
and play his nostrils
like an old French horn)
Robert Ronnow Aug 2015
Chipmunks, squirrels collecting
bitternut hickory, chirping
against a small owl cruising
low beneath the trees.

Everyone has gone this morning
to school or work. Laundry rolling,
carpets vacuumed, cleaning
in the bathroom on my knees.

I'd like to be Whitman, praising
the pure contralto, Wynton practicing
all day. But like my father dying
I cannot hear what I cannot see.

Locally there's politics, processing
points of view. Eventually coming
to a decision, building or not building
windmills on the sky, bridges in the sea.

Insignificant and mighty happenings
seem the same from my vantage ageing
gratefully, inexorably, planning
how to die in my own **** way.
www.ronnowpoetry.com
René Mutumé Jun 2013
nothing walks better than the ‘day light shakes’
you’re working today and the briefcases are deciding,
to be hearts instead of skin
you’ve decided the night
whilst it past

not worth its sleep – the sun juices
a dead man across sand
the beers beers beers or maybe just
the previous day
a dancer in itself
was enough to keep you
awake
and moving until now;
stretching the ground
with your feet

one after another, an absolute laughter of free limbs apart;
escaping the need to run.

the sun
just another mouth openening
just;

above yours
you’re commuting and already rolling your neck like a sleeper
with a crook and a sigh
because the night was rough

and when you blink – your eyes water
and duty pulls you in
like an engorged worker
in a factory of silk

there is humour in your tiredness however
there is a rubber floor
moving
beneath your feet
understanding
why you smile quietly
(every now and then)

getting on with the daily beat
body-aching
each and every part
used up
from lip to heart
arching back
the phone rings;

you pick up
a cat sits
eating dogs
a low voice, contralto
below the voice
you hear
a piercing sound

the orchestra sings in the open office
above the 4 ft walls and above the water coolers
and again you chuckle
as the customer does
and a sweep
just enough to **** the day
a little
to open you up
enough
to let the mouse move

to let the flutes devour
politey unwashed
reacting to vermin
a savage flux
putrified by clock
quickened and quickened again
turned
so no animal speaks about the tick
no lights on
a blinding grace
which -
there already is –

the foundations laugh
and the day flys
as the window slams
and she leaves inbetween

as you return to your desk
turning your head
to watch the thing go
and disappear
past where you can see.
Anwar Francis Oct 2015
When a woman dies
we sense it
acutely.
The sting of a bumblebee
lingering in the long night
soft buzzings in the brain
vibrate with increased frequency
churning out spliced contralto cries
without cease.
Then the wound
which birthed a mark on your left ankle
splits open
and you fall, try to stand,
and you fall again
Backwards and down
like unwoven string
body strewn
along a second-hand couch
wide eyes
burning holes in the fabric
with questions perched on your lips
I wrote this poem at the start of Fall, after two people I know suddenly lost their mothers, and I wondered at the experience of losing a woman..a mother, who has been a central figure in one's life.
In the darkness
I hold the trickle of your whisper
like a falling feather

feel the contralto tick
of a heartbeat
skin against skin

holding each other
as if flowers
delicate in the breeze

tumbling through
a carmine flush
of desire
Written: October 2016.
Explanation: A poem written in my own time. All feedback welcome. A link to my Facebook writing page can be found on my HP home page. Feel free to check out my 25 poems (from 'Firework' to 'Stealing') to mark National Poetry Day 2016.
NOTE: Many of my older pieces will be removed from HP at some point in the future.
Sharon Talbot Sep 2018
The very end of August
Brings a stillness in the night,
When the many trills of midsummer
Are silenced and the fireflies gone out!
Lying stilly and listening, I hear
A solemn drone, like an old contralto,
Trying to warble but instead
Radiating an insistent hum
That thrums athwart the arid air,
Long fingers scraping a humming tanpura.
Even the full moon is dry,
Gazing down, matter-of-fact,
Through the dust-like mist.
Summer has given up,
Letting leaves and vines dry up,
Tinged with red and shriveled bronze.
I could walk in the garden now,
And not worry about slugs on
The dried stalks of lilies.
The robust asters offer little
Temptation to garden  pests
And strapping thistles seem to stand guard.
Is the balance between my will
Over the garden and its desire
To overflow and bloom beyond me,
Now achieved yet unwanted?
Yes…I prefer the lushness that comes
After the rains, with an untamed riot
Of color and green, the celebration
That happens on its own, heedless
Of my wishes; yet I revel in it
Every time it wins
And will wait a year
For this to emerge again.
I originally titled this "Cricket's Song" but it didn't seem to match the mystery and majesty of their night songs. I hope the title doesn't seem too pretentious!
Rupert Pip Dec 2021
O' baby-faced days,
where kettles hum contralto
and stoves sing "Pancakes!"
Nothing beats a cup of tea, and a lovely breakfast in the morning; oh how British of me.
Shivendra Om Jul 2015
Garrulous voices
my ears can not bear

Contralto deep tones
they shake my old bones
they echo in my heart
–yours
My woman has a deep beautiful voice

by Luca Shivendra Om
© Luca Shivendra Om
Nigdaw Jun 2019
Tattoo'd songstress,
Contralto vocals from a
Broken heart, Cohen's bird
On a wire, exalting freedom
All the while tied to intoxication,
Those who loved her
Wished her well, but she was
Pressgang'd, harassed
Until she finally flew away,
Leaving only that voice
Her Spirit trapped in a CD case.
Tribute to Amy Winehouse.
Jonathan Moya Aug 2019
I like America’s Got Talent,

especially when they have dog acts.

I love dog acts.  I cry at dog acts.



I wish dog acts would bark and chase

those young kids and aspiring adults

who sing opera every year and

get into the semifinals off the stage;

chase the pretentious dance troupes

and acrobats; half-funny comics;

the children who sing lustily in adult voices;

the seniors with fading contralto dreams;

the day glow CGI artists who

illustrate on a big, dark canvas;

the magicians with their card slight of hand,

even the ones who just do regular magic—

right off the stage with a bark and

a push of their snouts.



Dog acts are pure.

They sit.  They heel.

They stay.  They obey.

They even sing, dance and draw too.



All acts should be dog acts.

All dreams should be dog dreams.



Every million dollar winner,

mongrel or pure bred,

should have a 100% canine heart—

even though they would trade it all

for a pat on the head, good treats

nice walks with you and belly rubs.
Jon Von Erb Jun 2020
Hearing Brahms’ lullaby
wraps moms’ voice
around my shoulders;
her cozy caress, once again!

Memory-visions of her
statuesque, dignity on stage;
bring, ‘Down the house’ recall;
past applause and a tear!

And, Oh, her
sweet banana puddin’
hot over vanilla wafers
moms’ fragrance in the kitchen
lovin’ us at home.

And, ‘when on the road’
those tender-scented notes;
penmanship touching hearts,
longing for her return!


Jon Von Erb
5/2020
ash park Aug 2017
Under watchful eyes,

I writhe and wither;

Every flower wilts eventually.

In a hollowed contralto I'll sing

Brokenly

A fractured hymn falling well on deaf ears.



The curtains draw over hungry onlookers

But the show must go on!

So the madcap laughs as he leads the dance,

This graceful waltz of suspense

Finally I

Keel over from shortness of breath.



My last line of defence

Shall be devoured till the last morsel.
Kurt Philip Behm Jul 2017
Unlike an opera Diva,
  a writer hides his age

Scores to bear eternal youth,
  a Contralto dies on stage

Ink reclaims the Land of Oz,
  Dorothy to know

Toto barks—old lyrics march
  Peter Pan aglow

(Villanova Pennsylvania: June, 2017)
Bob B Feb 2021
Marian Anderson was called
The "Voice of the Century" back in her time.
But her rise to fame and approval
Certainly wasn't an easy climb.

She knew when she was six years old
And sang in a choir at church that she
Planned to devote her life to music.
A well-trained singer was what she'd be.

The Philadelphia Musical
Academy was her glorious dream.
But she was told that "colored people"
Weren't allowed--a recurring theme.

And so she found a voice teacher
And tried to perform wherever she could.
Dance halls were a popular venue
Throughout the Harlem neighborhood.

When her New York Town Hall debut
Bombed as critics picked her apart,
In 1927 she sailed
To Europe, where she could polish her art.

Her time in Sweden, Germany,
Paris and London was time well spent.
Having developed her artistry,
Anderson triumphed wherever she went.

Germany in the 1930s…
******'s power grab gave her pause.
Anderson was dismayed to hear him
Praise America's Jim Crow laws.

Back to America she sailed,
Where she would be celebrated.
To packed houses she sang, although
Most of the venues were segregated.

At one moving performance Anderson
Entered the stage and faced the crowd.
Then she turned to the black section
With deep humility and bowed.

In 1939 the plan:
A concert at Constitution Hall.
However, the DAR° refused
To let her perform. Another wall.

She gave a concert instead on the steps
Of the Lincoln Memorial to powerful raves.
A giant crowd attended. Her voice
Was also transmitted on radio waves.

In 1950 Anderson married
Orpheus Fisher. Unusual name.
Way back when she was starting out,
Orpheus had been her old flame.

In 1955 the Met°°
Broke the color bar. That year
Anderson sang in an opera--
For some the capstone of her career.

In '63 once again
Marian Anderson broadened her scope
And sang at the March on Washington.
She refused to give up hope.

She died at the age of ninety-six.
For many years the world was blessed
With having this diva, who knew first-hand
What it was like to be oppressed.

Her rich, expressive, contralto voice
Had a vibrant, velvety sound.
She sang with beauty and poise and grace.
No wonder she was so renowned!

Listen to her sing "Deep River."
Note her phrasing, her voice control.
How can you hear her and not feel her voice
Penetrate your very soul?

-by Bob B (2-22-21)

°Daughters of the American Revolution
°°The New York Metropolitan Opera

— The End —