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Jonathan Foreman, Daily Mail (London), August 18, 2013
The 16-year-old girl’s once-beautiful face was grotesque.
She had been disfigured beyond all recognition in the 18 months she had been held captive by the Comanche Indians.
Now, she was being offered back to the Texan authorities by Indian chiefs as part of a peace negotiation.
To gasps of horror from the watching crowds, the Indians presented her at the Council House in the ranching town of San Antonio in 1840, the year Queen Victoria married Prince Albert.
‘Her head, arms and face were full of bruises and sores,’ wrote one witness, Mary Maverick. ‘And her nose was actually burnt off to the bone. Both nostrils were wide open and denuded of flesh.’
Once handed over, Matilda Lockhart broke down as she described the horrors she had endured—the ****, the relentless ****** humiliation and the way Comanche squaws had tortured her with fire. It wasn’t just her nose, her thin body was hideously scarred all over with burns.
When she mentioned she thought there were 15 other white captives at the Indians’ camp, all of them being subjected to a similar fate, the Texan lawmakers and officials said they were detaining the Comanche chiefs while they rescued the others.
It was a decision that prompted one of the most brutal slaughters in the history of the Wild West—and showed just how bloodthirsty the Comanche could be in revenge.
S C Gwynne, author of Empire Of The Summer Moon about the rise and fall of the Comanche, says simply: ‘No tribe in the history of the Spanish, French, Mexican, Texan, and American occupations of this land had ever caused so much havoc and death. None was even a close second.’
He refers to the ‘demonic immorality’ of Comanche attacks on white settlers, the way in which torture, killings and gang-rapes were routine. ‘The logic of Comanche raids was straightforward,’ he explains.
‘All the men were killed, and any men who were captured alive were tortured; the captive women were gang *****. Babies were invariably killed.’
Not that you would know this from the new Lone Ranger movie, starring Johnny Depp as the Indian Tonto.
For reasons best know to themselves, the film-makers have changed Tonto’s tribe to Comanche—in the original TV version, he was a member of the comparatively peace-loving Potowatomi tribe.
And yet he and his fellow native Americans are presented in the film as saintly victims of a Old West where it is the white settlers—the men who built America—who represent nothing but exploitation, brutality, environmental destruction and genocide.
Depp has said he wanted to play Tonto in order to portray Native Americans in a more sympathetic light. But the Comanche never showed sympathy themselves.
When that Indian delegation to San Antonio realised they were to be detained, they tried to fight their way out with bows and arrows and knives—killing any Texan they could get at. In turn, Texan soldiers opened fire, slaughtering 35 Comanche, injuring many more and taking 29 prisoner.
But the Comanche tribe’s furious response knew no bounds. When the Texans suggested they swap the Comanche prisoners for their captives, the Indians tortured every one of those captives to death instead.
‘One by one, the children and young women were pegged out naked beside the camp fire,’ according to a contemporary account. ‘They were skinned, sliced, and horribly mutilated, and finally burned alive by vengeful women determined to wring the last shriek and convulsion from their agonised bodies. Matilda Lockhart’s six-year-old sister was among these unfortunates who died screaming under the high plains moon.’
Not only were the Comanche specialists in torture, they were also the most ferocious and successful warriors—indeed, they become known as ‘Lords of the Plains’.
They were as imperialist and genocidal as the white settlers who eventually vanquished them.
When they first migrated to the great plains of the American South in the late 18th century from the Rocky Mountains, not only did they achieve dominance over the tribes there, they almost exterminated the Apaches, among the greatest horse warriors in the world.
The key to the Comanche’s brutal success was that they adapted to the horse even more skilfully than the Apaches.
There were no horses at all in the Americas until the Spanish conquerors brought them. And the Comanche were a small, relatively primitive tribe roaming the area that is now Wyoming and Montana, until around 1700, when a migration southwards introduced them to escaped Spanish mustangs from Mexico.
The first Indians to take up the horse, they had an aptitude for horsemanship akin to that of Genghis Khan’s Mongols. Combined with their remarkable ferocity, this enabled them to dominate more territory than any other Indian tribe: what the Spanish called Comancheria spread over at least 250,000 miles.
They terrorised Mexico and brought the expansion of Spanish colonisation of America to a halt. They stole horses to ride and cattle to sell, often in return for firearms.
Other livestock they slaughtered along with babies and the elderly (older women were usually ***** before being killed), leaving what one Mexican called ‘a thousand deserts’. When their warriors were killed they felt honour-bound to exact a revenge that involved torture and death.
Settlers in Texas were utterly terrified of the Comanche, who would travel almost a thousand miles to slaughter a single white family.
The historian T R Fehrenbach, author of Comanche: The History Of A People, tells of a raid on an early settler family called the Parkers, who with other families had set up a stockade known as Fort Parker. In 1836, 100 mounted Comanche warriors appeared outside the fort’s walls, one of them waving a white flag to trick the Parkers.
‘Benjamin Parker went outside the gate to parley with the Comanche,’ he says. ‘The people inside the fort saw the riders suddenly surround him and drive their lances into him. Then with loud whoops, mounted warriors dashed for the gate. Silas Parker was cut down before he could bar their entry; horsemen poured inside the walls.’
Survivors described the slaughter: ‘The two Frosts, father and son, died in front of the women; Elder John Parker, his wife ‘Granny’ and others tried to flee. The warriors scattered and rode them down.
‘John Parker was pinned to the ground, he was scalped and his genitals ripped off. Then he was killed. Granny Parker was stripped and fixed to the earth with a lance driven through her flesh. Several warriors ***** her while she screamed.
‘Silas Parker’s wife Lucy fled through the gate with her four small children. But the Comanche overtook them near the river. They threw her and the four children over their horses to take them as captives.’
So intimidating was Comanche cruelty, almost all raids by Indians were blamed on them. Texans, Mexicans and other Indians living in the region all developed a particular dread of the full moon—still known as a ‘Comanche Moon’ in Texas—because that was when the Comanche came for cattle, horses and captives.
They were infamous for their inventive tortures, and women were usually in charge of the torture process.
The Comanche roasted captive American and Mexican soldiers to death over open fires. Others were castrated and scalped while alive. The most agonising Comanche tortures included burying captives up to the chin and cutting off their eyelids so their eyes were seared by the burning sun before they starved to death.
Contemporary accounts also describe them staking out male captives spread-eagled and naked over a red-ant bed. Sometimes this was done after excising the victim’s private parts, putting them in his mouth and then sewing his lips together.
One band sewed up captives in untanned leather and left them out in the sun. The green rawhide would slowly shrink and squeeze the prisoner to death.
T R Fehrenbach quotes a Spanish account that has Comanche torturing Tonkawa Indian captives by burning their hands and feet until the nerves in them were destroyed, then amputating these extremities and starting the fire treatment again on the fresh wounds. Scalped alive, the Tonkawas had their tongues torn out to stop the screaming.
The Comanche always fought to the death, because they expected to be treated like their captives. Babies were almost invariably killed in raids, though it should be said that soldiers and settlers were likely to ****** Comanche women and children if they came upon them.
Comanche boys—including captives—were raised to be warriors and had to endure ****** rites of passage. Women often fought alongside the men.
It’s possible the viciousness of the Comanche was in part a by-product of their violent encounters with notoriously cruel Spanish colonists and then with Mexican bandits and soldiers.
But a more persuasive theory is that the Comanche’s lack of central leadership prompted much of their cruelty. The Comanche bands were loose associations of warrior-raiders, like a confederation of small street gangs.
In every society, teenage and twenty-something youths are the most violent, and even if they had wanted to, Comanche tribal chiefs had no way of stopping their young men from raiding.
But the Comanche found their match with the Texas Rangers. Brilliantly portrayed in the Larry McMurtry’s Lonesome Dove books, the Rangers began to be recruited in 1823, specifically to fight the Comanche and their allies. They were a tough guerilla force, as merciless as their Comanche opponents.
They also respected them. As one of McMurtry’s Ranger characters wryly tells a man who claims to have seen a thousand-strong band of Comanche: ‘If there’d ever been a thousand Comanche in a band they’d have taken Washington DC.”
The Texas Rangers often fared badly against their enemy until they learned how to fight like them, and until they were given the new Colt revolver.
During the Civil War, when the Rangers left to fight for the Confederacy, the Comanche rolled back the American frontier and white settlements by 100 miles.
Even after the Rangers came back and the U.S. Army joined the campaigns against Comanche raiders, Texas lost an average of 200 settlers a year until the Red River War of 1874, where the full might of the Army—and the destruction of great buffalo herds on which they depended—ended Commanche depredations.
Interestingly the Comanche, though hostile to all competing tribes and people they came across, had no sense of race. They supplemented their numbers with young American or Mexican captives, who could become full-fledged members of the tribe if they had warrior potential and could survive initiation rites.
Weaker captives might be sold to Mexican traders as slaves, but more often were slaughtered. But despite the cruelty, some of the young captives who were subsequently ransomed found themselves unable to adapt to settled ‘civilised life and ran away to rejoin their brothers.
One of the great chiefs, Quanah, was the son of the white captive Cynthia Ann Parker. His father was killed in a raid by Texas Rangers that resulted in her being rescued from the tribe. She never adjusted to life back in civilisation and starved herself to death.
Quanah surrendered to the Army in 1874. He adapted well to life in a reservation, and indeed the Comanche, rather amazingly, become one of the most economically successful and best assimilated tribes.
As a result, the main Comanche reservation was closed in 1901, and Comanche soldiers served in the U.S. Army with distinction in the World Wars. Even today they are among the most prosperous native Americans, with a reputation for education.
By casting the cruelest, most aggressive tribe of Indians as mere saps and victims of oppression, Johnny Depp’s Lone Ranger perpetuates the patronising and ignorant cartoon of the ‘noble savage’.
Not only is it a travesty of the truth, it does no favours to the Indians Depp is so keen to support.
Michael R Burch Oct 2020
Poems about Flight, Flying, Flights of Fancy, Kites, Leaves, Butterflies, Birds and Bees



Flight
by Michael R. Burch

It is the nature of loveliness to vanish
as butterfly wings, batting against nothingness
seek transcendence...

Originally published by Hibiscus (India)



Southern Icarus
by Michael R. Burch

Windborne, lover of heights,
unspooled from the truck’s wildly lurching embrace,
you climb, skittish kite...

What do you know of the world’s despair,
gliding in vast... solitariness... there,
so that all that remains is to
fall?

Only a little longer the wind invests its sighs;
you
stall,
spread-eagled, as the canvas snaps
and *****
its white rebellious wings,
and all
the houses watch with baffled eyes.



The Wonder Boys
by Michael R. Burch

(for Leslie Mellichamp, the late editor of The Lyric,
who was a friend and mentor to many poets, and
a fine poet in his own right)

The stars were always there, too-bright cliches:
scintillant truths the jaded world outgrew
as baffled poets winged keyed kites—amazed,
in dream of shocks that suddenly came true...

but came almost as static—background noise,
a song out of the cosmos no one hears,
or cares to hear. The poets, starstruck boys,
lay tuned in to their kite strings, saucer-eared.

They thought to feel the lightning’s brilliant sparks
electrify their nerves, their brains; the smoke
of words poured from their overheated hearts.
The kite string, knotted, made a nifty rope...

You will not find them here; they blew away—
in tumbling flight beyond nights’ stars. They clung
by fingertips to satellites. They strayed
too far to remain mortal. Elfin, young,

their words are with us still. Devout and fey,
they wink at us whenever skies are gray.

Originally published by The Lyric



American Eagle, Grounded
by Michael R. Burch

Her predatory eye,
the single feral iris,
scans.

Her raptor beak,
all jagged sharp-edged ******,
juts.

Her hard talon,
clenched in pinched expectation,
waits.

Her clipped wings,
preened against reality,
tremble.

Published as “Tremble” by The Lyric, Verses Magazine, Romantics Quarterly, Journeys, The Raintown Review, Poetic Ponderings, Poem Kingdom, The Fabric of a Vision, NPAC—Net Poetry and Art Competition, Poet’s Haven, Listening To The Birth Of Crystals (Anthology), Poetry Renewal, Inspirational Stories, Poetry Life & Times, MahMag (Iranian/Farsi), The Eclectic Muse (Canada)



Album
by Michael R. Burch

I caress them—trapped in brittle cellophane—
and I see how young they were, and how unwise;
and I remember their first flight—an old prop plane,
their blissful arc through alien blue skies...

And I touch them here through leaves which—tattered, frayed—
are also wings, but wings that never flew:
like insects’ wings—pinned, held. Here, time delayed,
their features never merged, remaining two...

And Grief, which lurked unseen beyond the lens
or in shadows where It crept on furtive claws
as It scritched Its way into their hearts, depends
on sorrows such as theirs, and works Its jaws...

and slavers for Its meat—those young, unwise,
who naively dare to dream, yet fail to see
how, lumbering sunward, Hope, ungainly, flies,
clutching to Her ruffled breast what must not be.



Springtime Prayer
by Michael R. Burch

They’ll have to grow like crazy,
the springtime baby geese,
if they’re to fly to balmier climes
when autumn dismembers the leaves...

And so I toss them loaves of bread,
then whisper an urgent prayer:
“Watch over these, my Angels,
if there’s anyone kind, up there.”

Originally published by The HyperTexts



Learning to Fly
by Michael R. Burch

We are learning to fly
every day...

learning to fly—
away, away...

O, love is not in the ephemeral flight,
but love, Love! is our destination—

graced land of eternal sunrise, radiant beyond night!
Let us bear one another up in our vast migration.



In the Whispering Night
by Michael R. Burch

for George King

In the whispering night, when the stars bend low
till the hills ignite to a shining flame,
when a shower of meteors streaks the sky
while the lilies sigh in their beds, for shame,
we must steal our souls, as they once were stolen,
and gather our vigor, and all our intent.
We must heave our bodies to some famished ocean
and laugh as they vanish, and never repent.
We must dance in the darkness as stars dance before us,
soar, Soar! through the night on a butterfly's breeze...
blown high, upward-yearning, twin spirits returning
to the heights of awareness from which we were seized.

Published by Songs of Innocence, Romantics Quarterly, The Chained Muse and Poetry Life & Times. This is a poem I wrote for my favorite college English teacher, George King, about poetic kinship, brotherhood and romantic flights of fancy.



For a Palestinian Child, with Butterflies
by Michael R. Burch

Where does the butterfly go
when lightning rails,
when thunder howls,
when hailstones scream,
when winter scowls,
when nights compound dark frosts with snow...
Where does the butterfly go?

Where does the rose hide its bloom
when night descends oblique and chill
beyond the capacity of moonlight to fill?
When the only relief's a banked fire's glow,
where does the butterfly go?

And where shall the spirit flee
when life is harsh, too harsh to face,
and hope is lost without a trace?
Oh, when the light of life runs low,
where does the butterfly go?

Published by Tucumcari Literary Review, Romantics Quarterly, Poetry Life & Times, Victorian Violet Press (where it was nominated for a “Best of the Net”), The Contributor (a Nashville homeless newspaper), Siasat (Pakistan), and set to music as a part of the song cycle “The Children of Gaza” which has been performed in various European venues by the Palestinian soprano Dima Bawab



Earthbound, a Vision of Crazy Horse
by Michael R. Burch

Tashunka Witko, a Lakota Sioux better known as Crazy Horse, had a vision of a red-tailed hawk at Sylvan Lake, South Dakota. In his vision he saw himself riding a spirit horse, flying through a storm, as the hawk flew above him, shrieking. When he awoke, a red-tailed hawk was perched near his horse.

Earthbound,
and yet I now fly
through the clouds that are aimlessly drifting...
so high
that no sound
echoing by
below where the mountains are lifting
the sky
can be heard.

Like a bird,
but not meek,
like a hawk from a distance regarding its prey,
I will shriek,
not a word,
but a screech,
and my terrible clamor will turn them to clay—
the sheep,
the earthbound.

Published by American Indian Pride and Boston Poetry Magazine



Sioux Vision Quest
by Crazy Horse, Oglala Lakota Sioux (circa 1840-1877)
loose translation/interpretation by Michael R. Burch

A man must pursue his Vision
as the eagle explores
the sky's deepest blues.

Published by Better Than Starbucks and A Hundred Voices



in-flight convergence
by Michael R. Burch

serene, almost angelic,
the lights of the city ——— extend ———
over lumbering behemoths
shrilly screeching displeasure;
they say
that nothing is certain,
that nothing man dreams or ordains
long endures his command

here the streetlights that flicker
and those blazing steadfast
seem one: from a distance;
descend,
they abruptly
part ———— ways,
so that nothing is one
which at times does not suddenly blend
into garish insignificance
in the familiar alleyways,
in the white neon flash
and the billboards of Convenience

and man seems the afterthought of his own Brilliance
as we thunder down the enlightened runways.

Originally published by The Aurorean and subsequently nominated for the Pushcart Prize



Flight 93
by Michael R. Burch

I held the switch in trembling fingers, asked
why existence felt so small, so purposeless,
like a minnow wriggling feebly in my grasp...

vibrations of huge engines thrummed my arms
as, glistening with sweat, I nudged the switch
to OFF... I heard the klaxon's shrill alarms

like vultures’ shriekings... earthward, in a stall...
we floated... earthward... wings outstretched, aghast
like Icarus... as through the void we fell...

till nothing was so beautiful, so blue...
so vivid as that moment... and I held
an image of your face, and dreamed I flew

into your arms. The earth rushed up. I knew
such comfort, in that moment, loving you.



Flight
by Michael R. Burch

Eagle, raven, blackbird, crow...
What you are I do not know.
Where you go I do not care.
I’m unconcerned whose meal you bear.
But as you mount the sunlit sky,
I only wish that I could fly.
I only wish that I could fly.

Robin, hawk or whippoorwill...
Should men care that you hunger still?
I do not wish to see your home.
I do not wonder where you roam.
But as you scale the sky's bright stairs,
I only wish that I were there.
I only wish that I were there.

Sparrow, lark or chickadee...
Your markings I disdain to see.
Where you fly concerns me not.
I scarcely give your flight a thought.
But as you wheel and arc and dive,
I, too, would feel so much alive.
I, too, would feel so much alive.

This is a poem I wrote in high school. I seem to remember the original poem being influenced by William Cullen Bryant's "To a Waterfowl."



Flying
by Michael R. Burch

I shall rise
and try the ****** wings of thought
ten thousand times
before I fly...

and then I'll sleep
and waste ten thousand nights
before I dream;

but when at last...
I soar the distant heights of undreamt skies
where never hawks nor eagles dared to go,
as I laugh among the meteors flashing by
somewhere beyond the bluest earth-bound seas...
if I'm not told
I’m just a man,
then I shall know
just what I am.

This is one of my early poems, written around age 16-17.



Stage Craft-y
by Michael R. Burch

There once was a dromedary
who befriended a crafty canary.
Budgie said, "You can’t sing,
but now, here’s the thing—
just think of the tunes you can carry!"



Clyde Lied!
by Michael R. Burch

There once was a mockingbird, Clyde,
who bragged of his prowess, but lied.
To his new wife he sighed,
"When again, gentle bride?"
"Nevermore!" bright-eyed Raven replied.



Less Heroic Couplets: ****** Most Fowl!
by Michael R. Burch

“****** most foul!”
cried the mouse to the owl.
“Friend, I’m no sinner;
you’re merely my dinner!”
the wise owl replied
as the tasty snack died.

Published by Lighten Up Online and in Potcake Chapbook #7.



Lance-Lot
by Michael R. Burch

Preposterous bird!
Inelegant! Absurd!
Until the great & mighty heron
brandishes his fearsome sword.



Kissin’ ’n’ buzzin’
by Michael R. Burch

Kissin’ ’n’ buzzin’ the bees rise
in a dizzy circle of two.
Oh, when I’m with you,
I feel like kissin’ ’n’ buzzin’ too.



Delicacy
by Michael R. Burch

for all good mothers

Your love is as delicate
as a butterfly cleaning its wings,
as soft as the predicate
the hummingbird sings
to itself, gently murmuring—
“Fly! Fly! Fly!”
Your love is the string
soaring kites untie.



Lone Wild Goose
by Du Fu (712-770)
loose translation/interpretation by Michael R. Burch

The abandoned goose refuses food and drink;
he cries querulously for his companions.
Who feels kinship for that strange wraith
as he vanishes eerily into the heavens?
You watch it as it disappears;
its plaintive calls cut through you.
The indignant crows ignore you both:
the bickering, bantering multitudes.



The Red Cockatoo
by Po Chu-I (772-846)
loose translation/interpretation by Michael R. Burch

A marvelous gift from Annam—
a red cockatoo,
bright as peach blossom,
fluent in men's language.

So they did what they always do
to the erudite and eloquent:
they created a thick-barred cage
and shut it up.



The Migrant Songbird
Li Qingzhao aka Li Ching-chao (c. 1084-1155)
loose translation/interpretation by Michael R. Burch

The migrant songbird on the nearby yew
brings tears to my eyes with her melodious trills;
this fresh downpour reminds me of similar spills:
another spring gone, and still no word from you...



Lines from Laolao Ting Pavilion
by Li Bai (701-762)
loose translation/interpretation by Michael R. Burch

The spring breeze knows partings are bitter;
The willow twig knows it will never be green again.



The Day after the Rain
Lin Huiyin (1904-1955)
loose translation/interpretation by Michael R. Burch

I love the day after the rain
and the meadow's green expanses!
My heart endlessly rises with wind,
gusts with wind...
away the new-mown grasses and the fallen leaves...
away the clouds like smoke...
vanishing like smoke...



Untitled Translations

Cupid, if you incinerate my soul, touché!
For like you she has wings and can fly away!
—Meleager, loose translation by Michael R. Burch

As autumn deepens,
a butterfly sips
chrysanthemum dew.
—Basho, loose translation/interpretation by Michael R. Burch

Come, butterfly,
it’s late
and we’ve a long way to go!
—Basho, loose translation/interpretation by Michael R. Burch

Up and at ’em! The sky goes bright!
Let’***** the road again,
Companion Butterfly!
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

Ah butterfly,
what dreams do you ply
with your beautiful wings?
—Chiyo-ni, loose translation by Michael R. Burch

Oh, dreamlike winter butterfly:
a puff of white snow
cresting mountains
—Kakio Tomizawa, loose translation by Michael R. Burch

Dry leaf flung awry:
bright butterfly,
goodbye!
—Michael R. Burch, original haiku

Will we remain parted forever?
Here at your grave:
two flowerlike butterflies
—Matsuo Basho, loose translation by Michael R. Burch

a soaring kite flits
into the heart of the sun?
Butterfly & Chrysanthemum
—Michael R. Burch, original haiku

The cheerful-chirping cricket
contends gray autumn's gay,
contemptuous of frost
—Matsuo Basho, loose translation by Michael R. Burch

Whistle on, twilight whippoorwill,
solemn evangelist
of loneliness
—Matsuo Basho, loose translation by Michael R. Burch

The sea darkening,
the voices of the wild ducks:
my mysterious companions!
—Matsuo Basho, loose translation by Michael R. Burch

Lightning
shatters the darkness—
the night heron's shriek
—Matsuo Basho, loose translation by Michael R. Burch

This snowy morning:
cries of the crow I despise
(ah, but so beautiful!)
—Matsuo Basho, loose translation by Michael R. Burch

A crow settles
on a leafless branch:
autumn nightfall.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

Hush, cawing crows; what rackets you make!
Heaven's indignant messengers,
you remind me of wordsmiths!
—O no Yasumaro (circa 711), loose translation by Michael R. Burch

Higher than a skylark,
resting on the breast of heaven:
this mountain pass.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

An exciting struggle
with such a sad ending:
cormorant fishing.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

Does my soul abide in heaven, or hell?
Only the sea gull
in his high, lonely circuits, may tell.
—Glaucus, translation by Michael R. Burch

The eagle sees farther
from its greater height—
our ancestors’ wisdom
—Michael R. Burch, original haiku

A kite floats
at the same place in the sky
where yesterday it floated...
—Yosa Buson, loose translation/interpretation by Michael R. Burch



Descent
by Michael R. Burch

I have listened to the rain all this morning
and it has a certain gravity,
as if it knows its destination,
perhaps even its particular destiny.
I do not believe mine is to be uplifted,
although I, too, may be flung precipitously
and from a great height.



Ultimate Sunset
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

he now faces the Ultimate Sunset,
his body like the leaves that fray as they dry,
shedding their vital fluids (who knows why?)
till they’ve become even lighter than the covering sky,
ready to fly...



Free Fall
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

I see the longing for departure gleam
in his still-keen eye,
and I understand his desire
to test this last wind, like those late autumn leaves
with nothing left to cling to...



Leaf Fall
by Michael R. Burch

Whatever winds encountered soon resolved
to swirling fragments, till chaotic heaps
of leaves lay pulsing by the backyard wall.
In lieu of rakes, our fingers sorted each
dry leaf into its place and built a high,
soft bastion against earth's gravitron—
a patchwork quilt, a trampoline, a bright
impediment to fling ourselves upon.
And nothing in our laughter as we fell
into those leaves was like the autumn's cry
of also falling. Nothing meant to die
could be so bright as we, so colorful—
clad in our plaids, oblivious to pain
we'd feel today, should we leaf-fall again.

Originally published by The Neovictorian/Cochlea



The Folly of Wisdom
by Michael R. Burch

She is wise in the way that children are wise,
looking at me with such knowing, grave eyes
I must bend down to her to understand.
But she only smiles, and takes my hand.
We are walking somewhere that her feet know to go,
so I smile, and I follow...
And the years are dark creatures concealed in bright leaves
that flutter above us, and what she believes—
I can almost remember—goes something like this:
the prince is a horned toad, awaiting her kiss.
She wiggles and giggles, and all will be well
if only we find him! The woodpecker’s knell
as he hammers the coffin of some dying tree
that once was a fortress to someone like me
rings wildly above us. Some things that we know
we are meant to forget. Life is a bloodletting, maple-syrup-slow.

Originally published by Romantics Quarterly



Kin
by Michael R. Burch

for Richard Moore

1.
Shrill gulls,
how like my thoughts
you, struggling, rise
to distant bliss—
the weightless blue of skies
that are not blue
in any atmosphere,
but closest here...

2.
You seek an air
so clear,
so rarified
the effort leaves you famished;
earthly tides
soon call you back—
one long, descending glide...

3.
Disgruntledly you ***** dirt shores for orts
you pull like mucous ropes
from shells’ bright forts...
You eye the teeming world
with nervous darts—
this way and that...
Contentious, shrewd, you scan—
the sky, in hope,
the earth, distrusting man.



Songstress
by Michael R. Burch

Within its starkwhite ribcage, how the heart
must flutter wildly, O, and always sing
against the pressing darkness: all it knows
until at last it feels the numbing sting
of death. Then life's brief vision swiftly passes,
imposing night on one who clearly saw.
Death held your bright heart tightly, till its maw–
envenomed, fanged–could swallow, whole, your Awe.
And yet it was not death so much as you
who sealed your doom; you could not help but sing
and not be silenced. Here, behold your tomb's
white alabaster cage: pale, wretched thing!
But you'll not be imprisoned here, wise wren!
Your words soar free; rise, sing, fly, live again.

A poet like Nadia Anjuman can be likened to a caged bird, deprived of flight, who somehow finds it within herself to sing of love and beauty.



Performing Art
by Michael R. Burch

Who teaches the wren
in its drab existence
to explode into song?
What parodies of irony
does the jay espouse
with its sharp-edged tongue?
What instinctual memories
lend stunning brightness
to the strange dreams
of the dull gray slug
—spinning its chrysalis,
gluing rough seams—
abiding in darkness
its transformation,
till, waving damp wings,
it applauds its performance?
I am done with irony.
Life itself sings.



Lean Harvests
by Michael R. Burch

for T.M.

the trees are shedding their leaves again:
another summer is over.
the Christians are praising their Maker again,
but not the disconsolate plover:
i hear him berate
the fate
of his mate;
he claims God is no body’s lover.

Published by The Rotary Dial and Angle



My Forty-Ninth Year
by Michael R. Burch

My forty-ninth year
and the dew remembers
how brightly it glistened
encrusting September,...
one frozen September
when hawks ruled the sky
and death fell on wings
with a shrill, keening cry.

My forty-ninth year,
and still I recall
the weavings and windings
of childhood, of fall...
of fall enigmatic,
resplendent, yet sere,...
though vibrant the herald
of death drawing near.

My forty-ninth year
and now often I've thought on
the course of a lifetime,
the meaning of autumn,
the cycle of autumn
with winter to come,
of aging and death
and rebirth... on and on.

Originally published by Romantics Quarterly as “My Twenty-Ninth Year”



Myth
by Michael R. Burch

Here the recalcitrant wind
sighs with grievance and remorse
over fields of wayward gorse
and thistle-throttled lanes.
And she is the myth of the scythed wheat
hewn and sighing, complete,
waiting, lain in a low sheaf—
full of faith, full of grief.

Here the immaculate dawn
requires belief of the leafed earth
and she is the myth of the mown grain—
golden and humble in all its weary worth.



What Works
by Michael R. Burch

for David Gosselin

What works—
hewn stone;
the blush the iris shows the sun;
the lilac’s pale-remembered bloom.

The frenzied fly: mad-lively, gay,
as seconds tick his time away,
his sentence—one brief day in May,
a period. And then decay.

A frenzied rhyme’s mad tip-toed time,
a ballad’s languid as the sea,
seek, striving—immortality.

When gloss peels off, what works will shine.
When polish fades, what works will gleam.
When intellectual prattle pales,
the dying buzzing in the hive
of tedious incessant bees,
what works will soar and wheel and dive
and milk all honey, leap and thrive,
and teach the pallid poem to seethe.



Child of 9-11
by Michael R. Burch

a poem for Christina-Taylor Green, who
was born on September 11, 2001 and who
died at age nine, shot to death...

Child of 9-11, beloved,
I bring this lily, lay it down
here at your feet, and eiderdown,
and all soft things, for your gentle spirit.
I bring this psalm — I hope you hear it.

Much love I bring — I lay it down
here by your form, which is not you,
but what you left this shell-shocked world
to help us learn what we must do
to save another child like you.

Child of 9-11, I know
you are not here, but watch, afar
from distant stars, where angels rue
the evil things some mortals do.
I also watch; I also rue.

And so I make this pledge and vow:
though I may weep, I will not rest
nor will my pen fail heaven's test
till guns and wars and hate are banned
from every shore, from every land.

Child of 9-11, I grieve
your tender life, cut short... bereaved,
what can I do, but pledge my life
to saving lives like yours? Belief
in your sweet worth has led me here...
I give my all: my pen, this tear,
this lily and this eiderdown,
and all soft things my heart can bear;
I bring them to your final bier,
and leave them with my promise, here.

Originally published by The Flea



Desdemona
by Michael R. Burch

Though you possessed the moon and stars,
you are bound to fate and wed to chance.
Your lips deny they crave a kiss;
your feet deny they ache to dance.
Your heart imagines wild romance.

Though you cupped fire in your hands
and molded incandescent forms,
you are barren now, and—spent of flame—
the ashes that remain are borne
toward the sun upon a storm.

You, who demanded more, have less,
your heart within its cells of sighs
held fast by chains of misery,
confined till death for peddling lies—
imprisonment your sense denies.

You, who collected hearts like leaves
and pressed each once within your book,
forgot. None—winsome, bright or rare—
not one was worth a second look.
My heart, as others, you forsook.

But I, though I loved you from afar
through silent dawns, and gathered rue
from gardens where your footsteps left
cold paths among the asters, knew—
each moonless night the nettles grew
and strangled hope, where love dies too.

Published by Penny Dreadful, Carnelian, Romantics Quarterly, Grassroots Poetry and Poetry Life & Times



Transplant
by Michael R. Burch

You float, unearthly angel, clad in flesh
as strange to us who briefly knew your flame
as laughter to disease. And yet you laugh.
Behind your smile, the sun forfeits its claim
to earth, and floats forever now the same—
light captured at its moment of least height.
You laugh here always, welcoming the night,
and, just a photograph, still you can claim
bright rapture: like an angel, not of flesh—
but something more, made less. Your humanness
this moment of release becomes a name
and something else—a radiance, a strange
brief presence near our hearts. How can we stand
and chain you here to this nocturnal land
of burgeoning gray shadows? Fly, begone.
I give you back your soul, forfeit all claim
to radiance, and welcome grief’s dark night
that crushes all the laughter from us. Light
in someone Else’s hand, and sing at ease
some song of brightsome mirth through dawn-lit trees
to welcome morning’s sun. O daughter! these
are eyes too weak for laughter; for love’s sight,
I welcome darkness, overcome with light.



Reading between the lines
by Michael R. Burch

Who could have read so much, as we?
Having the time, but not the inclination,
TV has become our philosophy,
sheer boredom, our recreation.



Rilke Translations

Archaic Torso of Apollo
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

We cannot know the beheaded god
nor his eyes' forfeited visions. But still
the figure's trunk glows with the strange vitality
of a lamp lit from within, while his composed will
emanates dynamism. Otherwise
the firmly muscled abdomen could not beguile us,
nor the centering ***** make us smile
at the thought of their generative animus.
Otherwise the stone might seem deficient,
unworthy of the broad shoulders, of the groin
projecting procreation's triangular spearhead upwards,
unworthy of the living impulse blazing wildly within
like an inchoate star—demanding our belief.
You must change your life.



Herbsttag ("Autumn Day")
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

Lord, it is time. Let the immense summer go.
Lay your long shadows over the sundials
and over the meadows, let the free winds blow.
Command the late fruits to fatten and shine;
O, grant them another Mediterranean hour!
Urge them to completion, and with power
convey final sweetness to the heavy wine.
Who has no house now, never will build one.
Who's alone now, shall continue alone;
he'll wake, read, write long letters to friends,
and pace the tree-lined pathways up and down,
restlessly, as autumn leaves drift and descend.

Originally published by Measure



The Panther
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

His weary vision's so overwhelmed by iron bars,
his exhausted eyes see only blank Oblivion.
His world is not our world. It has no stars.
No light. Ten thousand bars. Nothing beyond.
Lithe, swinging with a rhythmic easy stride,
he circles, his small orbit tightening,
an electron losing power. Paralyzed,
soon regal Will stands stunned, an abject thing.
Only at times the pupils' curtains rise
silently, and then an image enters,
descends through arrested shoulders, plunges, centers
somewhere within his empty heart, and dies.



Come, You
by Ranier Maria Rilke
loose translation/interpretation by Michael R. Burch

This was Rilke's last poem, written ten days before his death. He died open-eyed in the arms of his doctor on December 29, 1926, in the Valmont Sanatorium, of leukemia and its complications. I had a friend who died of leukemia and he was burning up with fever in the end. I believe that is what Rilke was describing here: he was literally burning alive.

Come, you—the last one I acknowledge; return—
incurable pain searing this physical mesh.
As I burned in the spirit once, so now I burn
with you; meanwhile, you consume my flesh.
This wood that long resisted your embrace
now nourishes you; I surrender to your fury
as my gentleness mutates to hellish rage—
uncaged, wild, primal, mindless, outré.
Completely free, no longer future's pawn,
I clambered up this crazy pyre of pain,
certain I'd never return—my heart's reserves gone—
to become death's nameless victim, purged by flame.
Now all I ever was must be denied.
I left my memories of my past elsewhere.
That life—my former life—remains outside.
Inside, I'm lost. Nobody knows me here.



Love Song
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

How can I withhold my soul so that it doesn't touch yours?
How can I lift mine gently to higher things, alone?
Oh, I would gladly find something lost in the dark
in that inert space that fails to resonate until you vibrate.
There everything that moves us, draws us together like a bow
enticing two taut strings to sing together with a simultaneous voice.
Whose instrument are we becoming together?
Whose, the hands that excite us?
Ah, sweet song!



The Beggar's Song
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

I live outside your gates,
exposed to the rain, exposed to the sun;
sometimes I'll cradle my right ear
in my right palm;
then when I speak my voice sounds strange,
alien...
I'm unsure whose voice I'm hearing:
mine or yours.
I implore a trifle;
the poets cry for more.
Sometimes I cover both eyes
and my face disappears;
there it lies heavy in my hands
looking peaceful, instead,
so that no one would ever think
I have no place to lay my head.



Ivy
by Michael R. Burch

“Van trepando en mi viejo dolor como las yedras.” — Pablo Neruda
“They climb on my old suffering like ivy.”

Ivy winds around these sagging structures
from the flagstones
to the eave heights,
and, clinging, holds intact
what cannot be saved of their loose entrails.
Through long, blustery nights of dripping condensation,
cured in the humidors of innumerable forgotten summers,
waxy, unguent,
palely, indifferently fragrant, it climbs,
pausing at last to see
the alien sparkle of dew
beading delicate sparrowgrass.
Coarse saw grass, thin skunk grass, clumped mildewed yellow gorse
grow all around, and here remorse, things past,
watch ivy climb and bend,
and, in the end, we ask
if grief is worth the gaps it leaps to mend.



Joy in the Morning
by Michael R. Burch

for my grandparents George Edwin Hurt and Christine Ena Hurt

There will be joy in the morning
for now this long twilight is over
and their separation has ended.
For fourteen years, he had not seen her
whom he first befriended,
then courted and married.
Let there be joy, and no mourning,
for now in his arms she is carried
over a threshold vastly sweeter.
He never lost her; she only tarried
until he was able to meet her.



Prodigal
by Michael R. Burch

This poem is dedicated to Kevin Longinotti, who died four days short of graduation from Vanderbilt University, the victim of a tornado that struck Nashville on April 16, 1998.

You have graduated now,
to a higher plane
and your heart’s tenacity
teaches us not to go gently
though death intrudes.

For eighteen days
—jarring interludes
of respite and pain—
with life only faintly clinging,
like a cashmere snow,
testing the capacity
of the blood banks
with the unstaunched flow
of your severed veins,
in the collapsing declivity,
in the sanguine haze
where Death broods,
you struggled defiantly.

A city mourns its adopted son,
flown to the highest ranks
while each heart complains
at the harsh validity
of God’s ways.

On ponderous wings
the white clouds move
with your captured breath,
though just days before
they spawned the maelstrom’s
hellish rift.

Throw off this mortal coil,
this envelope of flesh,
this brief sheath
of inarticulate grief
and transient joy.

Forget the winds
which test belief,
which bear the parchment leaf
down life’s last sun-lit path.

We applaud your spirit, O Prodigal,
O Valiant One,
in its percussive flight into the sun,
winging on the heart’s last madrigal.



Breakings
by Michael R. Burch

I did it out of pity.
I did it out of love.
I did it not to break the heart of a tender, wounded dove.

But gods without compassion
ordained: Frail things must break!
Now what can I do for her shattered psyche’s sake?

I did it not to push.
I did it not to shove.
I did it to assist the flight of indiscriminate Love.

But gods, all mad as hatters,
who legislate in all such matters,
ordained that everything irreplaceable shatters.



The Quickening
by Michael R. Burch

I never meant to love you
when I held you in my arms
promising you sagely
wise, noncommittal charms.

And I never meant to need you
when I touched your tender lips
with kisses that intrigued my own—
such kisses I had never known,
nor a heartbeat in my fingertips!



It's Halloween!
by Michael R. Burch

If evening falls
on graveyard walls
far softer than a sigh;
if shadows fly
moon-sickled skies,
while children toss their heads
uneasy in their beds,
beware the witch's eye!

If goblins loom
within the gloom
till playful pups grow terse;
if birds give up their verse
to comfort chicks they nurse,
while children dream weird dreams
of ugly, wiggly things,
beware the serpent's curse!

If spirits scream
in haunted dreams
while ancient sibyls rise
to plague black nightmare skies
one night without disguise,
while children toss about
uneasy, full of doubt,
beware the devil's eyes...
it's Halloween!



An Illusion
by Michael R. Burch

The sky was as hushed as the breath of a bee
and the world was bathed in shades of palest gold
when I awoke.
She came to me with the sound of falling leaves
and the scent of new-mown grass;
I held out my arms to her and she passed
into oblivion...

This is one of my early poems, written around age 16 and published in my high school literary journal, The Lantern.



Describing You
by Michael R. Burch

How can I describe you?
The fragrance of morning rain
mingled with dew
reminds me of you;
the warmth of sunlight
stealing through a windowpane
brings you back to me again.

This is an early poem of mine, written as a teenager.



www.firesermon.com
by Michael R. Burch

your gods have become e-vegetation;
your saints—pale thumbnail icons; to enlarge
their images, right-click; it isn’t hard
to populate your web-site; not to mention
cool sound effects are nice; Sound Blaster cards
can liven up dull sermons, zing some fire;
your drives need added Zip; you must discard
your balky paternosters: ***!!! Desire!!!
these are the watchwords, catholic; you must
as Yahoo! did, employ a little lust
if you want great e-commerce; hire a bard
to spruce up ancient language, shed the dust
of centuries of sameness;
lameness *****;
your gods grew blurred; go 3D; scale; adjust.

Published by: Ironwood, Triplopia and Nisqually Delta Review



Her Grace Flows Freely
by Michael R. Burch

July 7, 2007

Her love is always chaste, and pure.
This I vow. This I aver.
If she shows me her grace, I will honor her.
This I vow. This I aver.
Her grace flows freely, like her hair.
This I vow. This I aver.
For her generousness, I would worship her.
This I vow. This I aver.
I will not **** her for what I bear
This I vow. This I aver.
like a most precious incense–desire for her,
This I vow. This I aver.
nor call her “*****” where I seek to repair.
This I vow. This I aver.
I will not wink, nor smirk, nor stare
This I vow. This I aver.
like a foolish child at the foot of a stair
This I vow. This I aver.
where I long to go, should another be there.
This I vow. This I aver.
I’ll rejoice in her freedom, and always dare
This I vow. This I aver.
the chance that she’ll flee me–my starling rare.
This I vow. This I aver.
And then, if she stays, without stays, I swear
This I vow. This I aver.
that I will joy in her grace beyond compare.
This I vow. This I aver.



Second Sight (II)
by Michael R. Burch

Newborns see best at a distance of 8 to 14 inches.
Wiser than we know, the newborn screams,
red-faced from breath, and wonders what life means
this close to death, amid the arctic glare
of warmthless lights above.
Beware! Beware!—
encrypted signals, codes? Or ciphers, noughts?
Interpretless, almost, as his own thoughts—
the brilliant lights, the brilliant lights exist.
Intruding faces ogle, gape, insist—
this madness, this soft-hissing breath, makes sense.
Why can he not float on, in dark suspense,
and dream of life? Why did they rip him out?
He frowns at them—small gnomish frowns, all doubt—
and with an ancient mien, O sorrowful!,
re-closes eyes that saw in darkness null
ecstatic sights, exceeding beautiful.



Incommunicado
by Michael R. Burch

All I need to know of life I learned
in the slap of a moment,
as my outward eye turned
toward a gauntlet of overhanging lights
which coldly burned, hissing—
"There is no way back!..."
As the ironic bright blood
trickled down my face,
I watched strange albino creatures twisting
my flesh into tight knots of separation
all the while tediously insisting—
“He's doing just fine!"



Letdown
by Michael R. Burch

Life has not lived up to its first bright vision—
the light overhead fluorescing, revealing
no blessing—bestowing its glaring assessments
impersonally (and no doubt carefully metered).
That first hard

SLAP

demanded my attention. Defiantly rigid,
I screamed at their backs as they, laughingly,

ripped

my mother’s pale flesh from my unripened shell,
snapped it in two like a pea pod, then dropped
it somewhere—in a dustbin or a furnace, perhaps.

And that was my clue

that some deadly, perplexing, unknowable task
lay, inexplicable, ahead in the white arctic maze
of unopenable doors, in the antiseptic gloom...



Recursion
by Michael R. Burch

In a dream I saw boys lying
under banners gaily flying
and I heard their mothers sighing
from some dark distant shore.

For I saw their sons essaying
into fields—gleeful, braying—
their bright armaments displaying;
such manly oaths they swore!

From their playfields, boys returning
full of honor’s white-hot burning
and desire’s restless yearning
sired new kids for the corps.

In a dream I saw boys dying
under banners gaily lying
and I heard their mothers crying
from some dark distant shore.



Poet to poet
by Michael R. Burch

I have a dream
pebbles in a sparkling sand
of wondrous things.
I see children
variations of the same man
playing together.
Black and yellow, red and white,
stone and flesh, a host of colors
together at last.
I see a time
each small child another's cousin
when freedom shall ring.
I hear a song
sweeter than the sea sings
of many voices.
I hear a jubilation
respect and love are the gifts we must bring
shaking the land.
I have a message,
sea shells echo, the melody rings
the message of God.
I have a dream
all pebbles are merely smooth fragments of stone
of many things.
I live in hope
all children are merely small fragments of One
that this dream shall come true.
I have a dream...
but when you're gone, won't the dream have to end?
Oh, no, not as long as you dream my dream too!
Here, hold out your hand, let's make it come true.
i can feel it begin
Lovers and dreamers are poets too.
poets are lovers and dreamers too



Life Sentence
by Michael R. Burch

... I swim, my Daddy’s princess, newly crowned,
toward a gurgly Maelstrom... if I drown
will Mommy stick the Toilet Plunger down
to **** me up?... She sits upon Her Throne,
Imperious (denying we were one),
and gazes down and whispers “precious son”...

... the Plunger worked; i’m two, and, if not blessed,
still Mommy got the Worst Stuff off Her Chest;
a Vacuum Pump, They say, will do the rest...

... i’m three; yay! whee! oh good! it’s time to play!
(oh no, I think there’s Others on the way;
i’d better pray)...

... i’m four; at night I hear the Banging Door;
She screams; sometimes there’s Puddles on the Floor;
She wants to **** us, or, She wants some More...

... it’s great to be alive if you are five (unless you’re me);
my Mommy says: “you’re WRONG! don’t disagree!
don’t make this HURT ME!”...

... i’m six; They say i’m tall, yet Time grows Short;
we have a thriving Family; Abort!;
a tadpole’s ripping Mommy’s Room apart...

... i’m seven; i’m in heaven; it feels strange;
I saw my life go gurgling down the Drain;
another Noah built a Mighty Ark;
God smiled, appeased, a Rainbow split the Dark;
... I saw Bright Colors also, when She slammed
my head against the Tub, and then I swam
toward the magic tunnel... last, I heard...
is that She feels Weird.



Beast 666
by Michael R. Burch

“... what rough beast... slouches toward Bethlehem to be born?”—W. B. Yeats

Brutality is a cross
wooden, blood-stained,
gas hissing, sibilant,
lungs gilled, deveined,
red flecks on a streaked glass pane,
jeers jubilant,
mocking.

Brutality is shocking—
tiny orifices torn,
impaled with hard lust,
the fetus unborn
tossed in a dust-
bin. The scarred skull shorn,
nails bloodied, tortured,
an old wound sutured
over, never healed.

Brutality, all its faces revealed,
is legion:
Death March, Trail of Tears, Inquisition...
always the same.
The Beast of the godless and of man’s “religion”
slouching toward Jerusalem:
horned, crowned, gibbering, drooling, insane.



America's Riches
by Michael R. Burch

Balboa's dream
was bitter folly—
no El Dorado near, nor far,
though seas beguiled
and rivers smiled
from beds of gold and silver ore.

Drake retreated
rich with plunder
as Incan fled Conquistador.
Aztecs died
when Spaniards lied,
then slew them for an ingot more.

The pilgrims came
and died or lived
in fealty to an oath they swore,
and bought with pain
the precious grain
that made them rich though they were poor.

Apache blood,
Comanche tears
were shed, and still they went to war;
they fought to be
unbowed and free—
such were Her riches, and still are.

Published by Poetic Reflections and Tucumcari Literary Review



Kindergarten
by Michael R. Burch

Will we be children as puzzled tomorrow—
our lessons still not learned?
Will we surrender over to sorrow?
How many times must our fingers be burned?
Will we be children sat in the corner,
paddled again and again?
How long must we linger, playing Jack Horner?
Will we ever learn, and when?
Will we be children wearing the dunce cap,
giggling and playing the fool,
re-learning our lessons forever and ever,
still failing the golden rule?



Photographs
by Michael R. Burch

Here are the effects of a life
and they might tell us a tale
(if only we had time to listen)
of how each imperiled tear would glisten,
remembered as brightness in her eyes,
and how each dawn’s dramatic skies
could never match such pale azure.

Like dreams of her, these ghosts endure
and they tell us a tale of impatient glory...
till a line appears—a trace of worry?—
or the wayward track of a wandering smile
which even now can charm, beguile?

We might find good cause to wonder
as we see her pause (to frown?, to ponder?):
what vexed her in her loveliness...
what weight, what crushing heaviness
turned her lustrous hair a frazzled gray,
and stole her youth before her day?

We might ask ourselves: did Time devour
the passion with the ravaged flower?
But here and there a smile will bloom
to light the leaden, shadowed gloom
that always seems to linger near...
And here we find a single tear:
it shimmers like translucent dew
and tells us Anguish touched her too,
and did not spare her for her hair
of copper, or her eyes' soft hue.

Published in Tucumcari Literary Review



Numbered
by Michael R. Burch

He desired an object to crave;
she came, and she altared his affection.
He asked her for something to save:
a memento for his collection.
But all that she had was her need;
what she needed, he knew not to give.
They compromised on a thing gone to seed
to complete the half lives they would live.
One in two, they were less than complete.
Two plus one, in their huge fractious home
left them two, the new one in the street,
then he, by himself, one, alone.
He awoke past his prime to new dawn
with superfluous dew all around,
in ten thousands bright beads on his lawn,
and he knew that, at last, he had found
a number of things he had missed:
things shining and bright, unencumbered
by their price, or their place on a list.
Then with joy and despair he remembered
and longed for the lips he had kissed
when his days were still evenly numbered.



Nucleotidings
by Michael R. Burch

“We will walk taller!” said Gupta,
sorta abrupta,
hand-in-hand with his mom,
eyeing the A-bomb.

“Who needs a mahatma
in the aftermath of NAFTA?
Now, that was a disaster,”
cried glib Punjab.

“After Y2k,
time will spin out of control anyway,”
flamed Vijay.

“My family is relatively heavy,
too big even for a pig-barn Chevy;
we need more space,”
spat What’s His Face.

“What does it matter,
dirge or mantra,”
sighed Serge.

“The world will wobble
in Hubble’s lens
till the tempest ends,”
wailed Mercedes.

“The world is going to hell in a bucket.
So **** it and get outta my face!
We own this place!
Me and my friends got more guns than ISIS,
so what’s the crisis?”
cried Bubba Billy Joe Bob Puckett.



All My Children
by Michael R. Burch

It is May now, gentle May,
and the sun shines pleasantly
upon the blousy flowers
of this backyard cemet'ry,
upon my children as they sleep.

Oh, there is Hank in the daisies now,
with a mound of earth for a pillow;
his face as hard as his monument,
but his voice as soft as the wind through the willows.

And there is Meg beside the spring
that sings her endless sleep.
Though it’s often said of stiller waters,
sometimes quicksilver streams run deep.

And there is Frankie, little Frankie,
tucked in safe at last,
a child who weakened and died too soon,
but whose heart was always steadfast.

And there is Mary by the bushes
where she hid so well,
her face as dark as their berries,
yet her eyes far darker still.

And Andy... there is Andy,
sleeping in the clover,
a child who never saw the sun
so soon his life was over.

And Em'ly, oh my Em'ly...
the prettiest of all...
now she's put aside her dreams
of lovers dark and tall
for dreams dreamed not at all.

It is May now, merry May
and the sun shines pleasantly
upon the green gardens,
on the graves of all my children...
But they never did depart;
they still live within my heart.

I wrote this poem around age 15-16.



Kingdom Freedom
by Michael R. Burch

LORD, grant me a rare sweet spirit of forgiveness.
Let me have none of the lividness
of religious outrage.

LORD, let me not be over-worried
about the lack of “morality” around me.
Surround me,
not with law’s restrictive cage,
but with Your spirit, freer than the wind,
so that to breathe is to have freest life,
and not to fly to You, my only sin.



Birthday Poem to Myself
by Michael R. Burch

LORD, be no longer this Distant Presence,
Star-Afar, Righteous-Anonymous,
but come! Come live among us;
come dwell again,
happy child among men—
men rejoicing to have known you
in the familiar manger’s cool
sweet light scent of unburdened hay.
Teach us again to be light that way,
with a chorus of angelic songs lessoned above.
Be to us again that sweet birth of Love
in the only way men can truly understand.
Do not frown darkening down upon an unrighteous land
planning fierce Retributions we require, and deserve,
but remember the child you were; believe
in the child I was, alike to you in innocence
a little while, all sweetness, and helpless without pretense.
Let us be little children again, magical in your sight.
Grant me this boon! Is it not my birthright—
just to know you, as you truly were, and are?
Come, be my friend. Help me understand and regain Hope’s long-departed star!



Litany
by Michael R. Burch

Will you take me with all my blemishes?
I will take you with all your blemishes, and show you mine. We’ll **** wine from cardboard boxes till our teeth and lips shine red like greedily gorging foxes’. We’ll swill our fill, then have *** for hours till our neglected guts at last rebel. At two in the morning, we’ll eat cold Krystals as our blood detoxes, and we will be in love.

And that’s it?
That’s it.

And can I go out with my friends and drink until dawn?
You can go out with your friends and drink until dawn, come home lipstick-collared, pass out by the pool, or stay at the bar till the new moon sets, because we'll be in love, and in love there's no room for remorse or regret. There is no right, no wrong, and no mistrust, only limb-numbing ***, hot-pistoning lust.

And that’s all?
That’s all.

That’s great!
But wait...

Wait? Why? What’s wrong?
I want to have your children.

Children?
Well, perhaps just one.

And what will happen when we have children?
The most incredible things will happen—you’ll change, stop acting so strangely, start paying more attention to me, start paying your bills on time, grow up and get rid of your horrible friends, and never come home at a-quarter-to-three drunk from a night of swilling, smelling like a lovesick skunk, stop acting so lewdly, start working incessantly so that we can afford a new house which I will decorate lavishly and then grow tired of in a year or two or three, start growing a paunch so that no other woman would ever have you, stop acting so boorishly, start growing a beard because you’re too tired to shave, or too afraid, thinking you might slit your worthless wrinkled throat...



Mending Glass
by Michael R. Burch

In the cobwebbed house—
lost in shadows
by the jagged mirror,
in the intricate silver face
cracked ten thousand times,
silently he watches,
and in the twisted light
sometimes he catches there
a familiar glimpse of revealing lace,
white stockings and garters,
a pale face pressed indiscreetly near
with a predatory leer,
the sheer flash of nylon,
an embrace, or a sharp slap,
... a sudden lurch of terror.

He finds bright slivers
—the hard sharp brittle shards,
the silver jags of memory
starkly impressed there—
and mends his error.



Shadowselves
by Michael R. Burch

In our hearts, knowing
fewer days—and milder—beckon,
how are we, now, to measure
that flame by which we reckon
the time we have remaining?

We are shadows
spawned by a blue spurt of candlelight.
Darkly, we watch ourselves flicker.

Where shall we go when the flame burns less bright?
When chill night steals our vigor?

Why are we less than ourselves? We are shadows.

Where is the fire of youth? We grow cold.

Why does our future loom dark? We are old.

Why do we shiver?

In our hearts, seeing
fewer days—and briefer—breaking,
now, even more, we treasure
the brittle leaf-like aching
that tells us we are living.



Pressure
by Michael R. Burch

Pressure is the plug of ice in the frozen hose,
the hiss of water within vinyl rigidly green and shining,
straining to writhe.

Pressure is the kettle’s lid ceaselessly tapping its tired dance,
the hot eye staring, its frantic issuance
unavailing.

Pressure is the bellow’s surge, the hard forged
metal shedding white heat, the beat of the clawed hammer
on cold anvil.

Pressure is a day’s work compressed into minutes,
frantic minute vessels constricted, straining and hissing,
unable to writhe,

the fingers drumming and tapping their tired dance,
eyes staring, cold and reptilian,
hooded and blind.

Pressure is the spirit sighing—reflective,
restrictive compression—an endless drumming—
the bellows’ echo before dying.

The cold eye—unblinking, staring.
The hot eye—sinking, uncaring.



Open Portal
by Michael R. Burch

“You already have zero privacy—get over it.”
Scott McNealy, CEO of Sun Microsystems

While you’re at it—
don’t bother to wear clothes:
We all know what you’re concealing underneath.

Let the bathroom door swing open.
Let, O let Us peer in!
What you’re doing, We’ve determined, may be a sin!

When you visit your mother
and it’s time to brush your teeth,
it’s okay to openly spit.

And, while you’re at it,
go ahead—
take a long, noisy ****.

What the he|ll is your objection?
What on earth is all this fuss?
Just what is it, exactly, you would hide from US?



beMused
by Michael R. Burch

Perhaps at three
you'll come to tea,
to sip a cuppa here?

You'll just stop in
to drink dry gin?
I only have a beer.

To name the greats:
Pope, Dryden, mates?
The whole world knows their names.

Discuss the songs
of Emerson?
But these are children's games.

Give me rhythm
wild as Dylan!
Give me Bobbie Burns!

Give me Psalms,
or Hopkins’ poems,
Hart Crane’s, if he returns!

Or Langston railing!
Blake assailing!
Few others I desire.

Or go away,
yes, leave today:
your tepid poets tire.



The Century’s Wake
by Michael R. Burch

lines written at the close of the 20th century

Take me home. The party is over,
the century passed—no time for a lover.

And my heart grew heavy
as the fireworks hissed through the dark
over Central Park,
past high-towering spires to some backwoods levee,
hurtling banner-hung docks to the torchlit seas.
And my heart grew heavy;
I felt its disease—
its apathy,
wanting the bright, rhapsodic display
to last more than a single day.

If decay was its rite,
now it has learned to long
for something with more intensity,
more gaudy passion, more song—
like the huddled gay masses,
the wildly-cheering throng.

You ask me—
How can this be?

A little more flair,
or perhaps only a little more clarity.

I leave her tonight to the century’s wake;
she disappoints me.



Salve
by Michael R. Burch

for the victims and survivors of 9-11

The world is unsalvageable...
but as we lie here
in bed
stricken to the heart by love
despite war’s
flickering images,
sometimes we still touch,
laughing, amazed,
that our flesh
does not despair
of love
as we do,
that our bodies are wise
in ways we refuse
to comprehend,
still insisting we eat,
drink...
even multiply.

And so we touch...
touch, and only imagine
ourselves immune:
two among billions
in this night of wished-on stars,
caresses,
kisses,
and condolences.

We are not lovers of irony,
we
who imagine ourselves
beyond the redemption
of tears
because we have salvaged
so few
for ourselves...

and so we laugh
at our predicament,
fumbling for the ointment.



Stump
by Michael R. Burch

This used to be a poplar, oak or elm...
we forget the names of trees, but still its helm,
green-plumed, like some Greek warrior’s, nobly fringed,
with blossoms almond-white, but verdant-tinged,
this massive helm... this massive, nodding head
here contemplated life, and now is dead...

Perhaps it saw its future, furrow-browed,
and flung its limbs about, dejectedly.
Perhaps it only dreamed as, cloud by cloud,
the sun plod through the sky. Heroically,
perhaps it stood against the mindless plots
of concrete that replaced each flowered bed.
Perhaps it heard thick loggers draw odd lots
and could not flee, and so could only dread...

The last of all its kind? They left its stump
with timeworn strange inscriptions no one reads
(because a language lost is just a bump
impeding someone’s progress at mall speeds).

We leveled all such “speed bumps” long ago
just as our quainter cousins leveled trees.
Shall we, too, be consumed by what we know?
Once gods were merely warriors; august trees
were merely twigs, and man the least divine...
mere fables now, dust, compost, turpentine.



First Dance
by Michael R. Burch

for Sykes and Mary Harris

Beautiful ballerina—
so pert, pretty, poised and petite,
how lightly you dance for your waiting Beau
on those beautiful, elegant feet!

How palely he now awaits you, although
he’ll glow from the sparks when you meet!



Keep the Body Well
by Michael R. Burch

for William Sykes Harris III

Is the soul connected to the brain
by a slender silver thread,
so that when the thread is severed
we call the body “dead”
while the soul — released from fear and pain —
is finally able to rise
beyond earth’s binding gravity
to heaven’s welcoming skies?

If so — no need to quail at death,
but keep the body well,
for when the body suffers
the soul experiences hell.



On Looking into Curious George’s Mirrors
by Michael R. Burch

for Maya McManmon, granddaughter of the poet Jim McManmon

Maya was made in the image of God;
may the reflections she sees in those curious mirrors
always echo back Love.

Amen



Maya’s Beddy-Bye Poem
by Michael R. Burch

for Maya McManmon, granddaughter of the poet Jim McManmon

With a hatful of stars
and a stylish umbrella
and her hand in her Papa’s
(that remarkable fella!)
and with Winnie the Pooh
and Eeyore in tow,
may she dance in the rain
cheek-to-cheek, toe-to-toe
till each number’s rehearsed...
My, that last step’s a leap! —
the high flight into bed
when it’s past time to sleep!

Note: “Hatful of Stars” is a lovely song and image by Cyndi Lauper.



Chip Off the Block
by Michael R. Burch

for Jeremy

In the fusion of poetry and drama,
Shakespeare rules! Jeremy’s a ham: a
chip off the block, like his father and mother.
Part poet? Part ham? Better run for cover!
Now he’s Benedick — most comical of lovers!

NOTE: Jeremy’s father is a poet and his mother is an actress; hence the fusion, or confusion, as the case may be.



Whose Woods
by Michael R. Burch

Whose woods these are, I think I know.
**** Cheney’s in the White House, though.
He will not see me stopping here
To watch his chip mills overflow.

My sterile horse must think it queer
To stop without a ’skeeter near
Beside this softly glowing “lake”
Of six-limbed frogs gone nuclear.

He gives his hairless tail a shake;
I fear he’s made his last mistake—
He took a sip of water blue
(Blue-slicked with oil and HazMat waste).

Get out your wallets; ****’s not through—
Enron’s defunct, the bill comes due...
Which he will send to me, and you.
Which he will send to me, and you.



1-800-HOT-LINE
by Michael R. Burch

“I don’t believe in psychics,” he said, “so convince me.”

When you were a child, the earth was a joy,
the sun a bright plaything, the moon a lit toy.
Now life’s minor distractions irk, frazzle, annoy.
When the crooked finger beckons, scythe-talons destroy.

“You’ll have to do better than that, to convince me.”

As you grew older, bright things lost their meaning.
You invested your hours in commodities, leaning
to things easily fleeced, to the convenient gleaning.
I see a pittance of dirt—untended, demeaning.

“Everyone knows that!” he said, “so convince me.”

Your first and last wives traded in golden bands
for vacations from the abuses of your cruel hands.
Where unwatered blooms line an arid plot of land,
the two come together, waving fans.

“Everyone knows that. Convince me.”

As your father left you, you left those you brought
to the doorstep of life as an afterthought.
Two sons and a daughter tap shoes, undistraught.
Their tears are contrived, their condolences bought.

“Everyone knows that. CONVINCE me.”

A moment, an instant... a life flashes by,
a tunnel appears, but not to the sky.
There is brightness, such brightness it sears the eye.
When a life grows too dull, it seems better to die.

“I could have told you that!” he shrieked, “I think I’ll **** myself!”

Originally published by Penny Dreadful



Lines for My Ascension
by Michael R. Burch

I.
If I should die,
there will come a Doom,
and the sky will darken
to the deepest Gloom.

But if my body
should not be found,
never think of me
in the cold ground.

II.
If I should die,
let no mortal say,
“Here was a man,
with feet of clay,

or a timid sparrow
God’s hand let fall.”
But watch the sky darken
to an eerie pall

and know that my Spirit,
unvanquished, broods,
and cares naught for graves,
prayers, coffins, or roods.

And if my body
should not be found,
never think of me
in the cold ground.

III.
If I should die,
let no man adore
his incompetent Maker:
Zeus, Jehovah, or Thor.

Think of Me as One
who never died—
the unvanquished Immortal
with the unriven side.

And if my body
should not be found,
never think of me
in the cold ground.

IV.
And if I should “die,”
though the clouds grow dark
as fierce lightnings rend
this bleak asteroid, stark...

If you look above,
you will see a bright Sign—
the sun with the moon
in its arms, Divine.

So divine, if you can,
my bright meaning, and know—
my Spirit is mine.
I will go where I go.

And if my body
should not be found,
never think of me
in the cold ground.

Keywords/Tags: flight, flying, fancy, kites, leaves, birds, bees, butterflies, wings, heights, fall, falling
LAURA LYNCH Jul 2012
I looked into my grandpa's eyes
In my daughter's face disguised
My son's hands now strong indeed
Just like my dad's I see.

Temperament like calm currents flow
From generations long ago
Eyes hazel gold so beautiful
Passed to me ... ages old

Grandma gave her that tenacity
And there's Meema's willful personality
My son took Peepa's tender heart
That feels the pain of another's lot

High cheekbones a dead give away
Of Comanche heritage displayed
Blonde hair like one we never knew
His life cut off way too soon

Deep poetic waters flow
Music locked inside us rose
From history past revealed today
Sweet sung lullabies relayed.

Unknown tears that flowed from souls
Pain and hardship we'll never know
What did it take to bring us here
What suffering did they volunteer

Archives of history living in me
Within me the keys to great mysteries
Treasures buried deep inside my soul
Tapestries of lives sewn together as a whole

Fragments of you, pieces of me
Weaving together delicate filigrees
Illustrious building rise from the grave
Living forever through endless age
Neville Johnson Mar 2017
The battlefield was here, where these cattle graze
The cavalry and Comanche fought the better part of a day
Guns against arrows, savages against the savagery, they were out-drawn
Braves against the bullets, so helpless their plight
Defending their land and families
Maybe they were right
Now, it’s just a valley
The way it was back then
The day before that massacre of forty honest Indians
This is their memorial
This bright day above
A view that lasts for miles
The many trees and shrubs
And the wild flowers
That grow between the rocks
Their maidens wore them in their braids
Before their loves were lost.
Hal Loyd Denton Sep 2012
With excellent sight we are still blind to so much through the life of one individual I want to shed light
On my favorite subject womanhood if I fail at least maybe something worthwhile will have been said
Native Americans call her Cloud her home was near Nashville Tennessee not far from the home of the
Great Cherokee nation but my telling takes place in the nations and Texas the land of the Comanche’s
Quanah Parker was noted as one of the great leaders of his people half breed white mother Comanche
Father a great jumping off place extra sensory perception will be of great assistance because she is real
But much more capture a cloud on a window pane clear but foggy other worldly caught between earth
And heaven just as the clouds themselves her words of them were gentle messengers that float by in
Her Case it’s as the mist was able to create a mouth and speak it was soft assuring it was bathed in
Wonder she robed herself in a heavy coat and wide brimmed hat and almost disappeared but then she
Appeared in this more perfect revelatory scene that a gifted conjure would have to rise in his caldron
A trellised harbor bursting with lilac jasmine and Magnolia here moonlight would give its most magical
View she dressed in white Satin with a flowing train and a shoulder wrap of satin the measure of all
Woman is here on display yes there is the ordinary times of life but only woman can rise to this stature
Of beauty and charm I have worshiped at their altar for my whole life if not an expert a lengthy
Coinsure at least now for the negative on this gift of loveliness evil would move in treachery first in the
Garden and from that victory it would devalue a one can you believe this to be created to be loved
Cherished and adored what blessing belongs to all women but we know the deadly truth only our
Children are more misused than our women and this blessing was interrupted now a woman herself
Must strive to keep her footing or she too will be ****** into the evil workings and default herself from
Her true glory there is no greater sadness to see a beautiful created gift shorn of it true quality thrown
To the ground and trampled on that is what is so alluring about Cloud she is everything but still
Innocence flows from her she has a glow that comes from within that makes her translucent you could
Weep in her presence and she wouldn’t condemn or use it to her advantage no she would only lift
A gentle hand wipe away the tears it’s a pleasure to be in the presence of one herself waif like she
Creates in you a sense of well being mother is one of women’s name that doesn’t mean you’re left out if
You don’t have children it still your nature it’s the rapture men feel when they look on you but can’t
Explain what it is I must draw to a close emotions overtake instead of a cloud it is tears that make it hard
to Continue to all women my prayer is be real be strong and God Bless you
Hal Loyd Denton Jun 2012
Clouded One

With excellent sight we are still blind to so much through the life of one individual I want to shed light
On my favorite subject womanhood if I fail at least maybe something worthwhile will have been said
Native Americans call her Cloud her home was near Nashville Tennessee not far from the home of the
Great Cherokee nation but my telling takes place in the nations and Texas the land of the Comanche’s
Quanah Parker was noted as one of the great leaders of his people half breed white mother Comanche
Father a great jumping off place extra sensory perception will be of great assistance because she is real
But much more capture a cloud on a window pane clear but foggy other worldly caught between earth
And heaven just as the clouds themselves her words of them were gentle messengers that float by in
Her Case it’s as the mist was able to create a mouth and speak it was soft assuring it was bathed in
Wonder she robed herself in a heavy coat and wide brimmed hat and almost disappeared but then she
Appeared in this more perfect revelatory scene that a gifted conjure would have to rise in his caldron
A trellised harbor bursting with lilac jasmine and Magnolia here moonlight would give its most magical
View she dressed in white Satin with a flowing train and a shoulder wrap of satin the measure of all
Woman is here on display yes there is the ordinary times of life but only woman can rise to this stature
Of beauty  and charm I have worshiped at their altar for my whole life if not an expert a lengthy
Coinsure at least now for the negative on this gift of loveliness evil would move in treachery first in the
Garden and from that victory it would devalue a one can you believe this to be created to be loved
Cherished and adored what blessing belongs to all women but we know the deadly truth only our
Children are more misused than our women and this blessing was interrupted now a woman herself
Must strive to keep her footing or she too will be ****** into the evil workings and default herself from
Her true glory there is no greater sadness to see a beautiful created gift shorn of it true quality thrown
To the ground and trampled on that is what is so alluring about Cloud she is everything but still
Innocence flows from her she has a glow that comes from within that makes her translucent you could
Weep in her presence and she wouldn’t condemn or use it to her advantage no she would only lift
A gentle hand wipe away the tears it’s a pleasure to be in the presence of one herself waif like she
Creates in you a sense of well being mother is one of women’s name that doesn’t mean you’re left out if
You don’t have children it still your nature it’s the rapture men feel when they look on you but can’t
Explain what it is I must draw to a close emotions overtake instead of a cloud it is tears that make it hard
to Continue to all women my prayer is be real be strong and God Bless you
Hal Loyd Denton Jun 2013
With excellent sight we are still blind to so much through the life of one individual I want to shed light
On my favorite subject womanhood if I fail at least maybe something worthwhile will have been said
Native Americans call her Cloud her home was near Nashville Tennessee not far from the home of the
Great Cherokee nation but my telling takes place in the nations and Texas the land of the Comanche’s
Quanah Parker was noted as one of the great leaders of his people half breed white mother Comanche
Father a great jumping off place extra sensory perception will be of great assistance because she is real
But much more capture a cloud on a window pane clear but foggy other worldly caught between earth
And heaven just as the clouds themselves her words of them were gentle messengers that float by in
Her Case it’s as the mist was able to create a mouth and speak it was soft assuring it was bathed in
Wonder she robed herself in a heavy coat and wide brimmed hat and almost disappeared but then she
Appeared in this more perfect revelatory scene that a gifted conjure would have to rise in his caldron
A trellised harbor bursting with lilac jasmine and Magnolia here moonlight would give its most magical
View she dressed in white Satin with a flowing train and a shoulder wrap of satin the measure of all
Woman is here on display yes there is the ordinary times of life but only woman can rise to this stature
Of beauty and charm I have worshiped at their altar for my whole life if not an expert a lengthy
Coinsure at least now for the negative on this gift of loveliness evil would move in treachery first in the
Garden and from that victory it would devalue a one can you believe this to be created to be loved
Cherished and adored what blessing belongs to all women but we know the deadly truth only our
Children are more misused than our women and this blessing was interrupted now a woman herself
Must strive to keep her footing or she too will be ****** into the evil workings and default herself from
Her true glory there is no greater sadness to see a beautiful created gift shorn of it true quality thrown
To the ground and trampled on that is what is so alluring about Cloud she is everything but still
Innocence flows from her she has a glow that comes from within that makes her translucent you could
Weep in her presence and she wouldn’t condemn or use it to her advantage no she would only lift
A gentle hand wipe away the tears it’s a pleasure to be in the presence of one herself waif like she
Creates in you a sense of well being mother is one of women’s name that doesn’t mean you’re left out if
You don’t have children it still your nature it’s the rapture men feel when they look on you but can’t
Explain what it is I must draw to a close emotions overtake instead of a cloud it is tears that make it hard
to Continue to all women my prayer is be real be strong and God Bless you
Brian Oarr Mar 2012
Between empty junction gullies of the Dogskin mountains,
the BLM has once again released their Judas horses
luring the free ranging mustangs into capture corrals.

Their crime --- thriving in a battle of survival.
I assure you the Comanche do not dance around the fire,
nor does the ghost of Cortez roll in the wildflowers of El Dorado.

Ironically this native species is now considered feral,
introduced in the very habitat which shaped its evolution,
arcanely empowered to exceed enviromental carrying capacity.

The lands of nature are so dear: rejoice their freedom!
The mountains do not judge, they merely shelter.
Let the mustang graze unfettered through winds of dawn.
spysgrandson Apr 2017
coyote yelping helps;
the winds, too, distract him
from the now

the Comanche who
put the arrow in his back
lays beside him

gone before him;
that is condign comfort
to him

he cannot speak, nor move
his tongue, but he smells the
*****, the creosote

he sees the clouds,
stingy white whiffs in a hot
summer sky

as good a day to die
as any he reckons, and
he feels no pain

again the yelping,
closer now -- are they talking
about him?

will they beat the buzzards
to his body? would they begin their
feast while his eyes are yet open?

he closes them; the flapping of
the wings does not arouse him--he
knows they are on the Comanche

beaks and talons at work
he lets himself drift, content the
vultures are choosing the dead

but they fly off; the coyote pack
approaches--the pads of their paws
patter on the hard caliche

he lets himself sleep
dreaming now of sweet green grass
and good water

and the coyotes begin their work:
the ***** and he now a solitary offering
for the ravenous dogs
Julianna Eisner Apr 2014
I haven't ****** much with the past
But I've ****** plenty with the future
Over the skin of silk are scars
From the splinters of stations and walls I've caressed

A stage is like each bolt of wood
Like a, like a log of Helen, is my pleasure
I would measure the success of a night by the way, by the way I
By the amount of **** and seed I could exude
Over the columns that nestled the P.A.

Some nights I'd surprise everybody by skipping off
With a skirt of green net sewed over
With flat metallic circles which dazzled and flashed
The lights were violet and white
I had an ornamental veil, I can't bear to use it

With the way my hair was cropped, I craved, craved covering
But now that my hair itself is a veil
And the scalp inside is a scalp of a crazy
And a sleepy Comanche lies beneath this netting of skin

I wake up, I am lying peacefully
I am lying peacefully and my knees are open to the sun
I desire him and he is absolutely ready to seize me
In, in, in, in, in heart, I am a Moslem, in heart, I am an American
In heart, I am Moslem, in heart, I'm an American artist and I have no guilt

I seek pleasure, I seek the nerves under your skin
The narrow archway, the layers, the scroll of ancient lettuce
We worship the flaw, the belly, the belly
The mole on the belly of an exquisite *****
He spared the child and spoiled the rod
I have not sold myself to God
...mad solo...

...mad love...
THE PRISMS Jan 2015
By Alexis & Arcassin


:::AW:::
When the arch of my back doesnt fall lower then London bridge
The tip of your fist meets my skin, breaking the bridge, breaking my skin breaking my heart and
Leaving broken pavement under my skin you call
love marks
Hickeys even
Bragging saying you "****** the life out of me"
Yes Indeed you did the moment that bridge collapsed with our love
Leaving two hearts in a Comanche,
:::AB:::
Centipedes crawling on their way to salvation, I hope you reach the top,
For which you came,
Spirits grabbing and pulling,
I see you found the love huh?,
Don't want your feelings to be caught being futile,
Wind through your sorrows and not through your hair,
I swear I got to steal a moment when you only,
Dancing in the Moonlight,
The churches bright lights,
Not knowing that devil dances with you,
A spirit gripping and pulling,
Did you reach the top yet?
Almost selling souls,
Like it was a cockpit.
Arcassin and Lexi again ❀♊♊♊♊
~*~

Rising from the earth,
like the native Comanche.
He’s really quite dandy.
Introducing...
President Chimpanzee.

So fierce and strong,
like a banshee—
but brave and cute,
Like little orphan Annie.
No, his name’s not Randy,
or Sandy, or Fannie, or Mandy—
get it right!
The name’s,
Chimpanzee.

You may find him with Andy,
eatin’ nanners in the pantry,
but no need to get antsy—
He’s not getting handy with granny!
I mean, come on—
he’s a chimpanzee!

Oh, that fuzzy man candy.
His ideas—so fancy dancy.
Building a democratic jungle of equality.
A born leader like King Ramsey!
Did you forget him already?
You know the dude...
Chimpanzee.

So, get up, America!
Stop playing with your testies.
Pull up your pantsies.
Go gather all that you can see,
and put them in a frenzy—
with definite intensity,
For the
              grandly,
                swanky,
                  vigilante,
                    Yankee,
                       of Miami.

Give us liberty.
Give us...
President Chimpanzee.
Jordan Gee Aug 2020
I foot the ladder
I called upon the wheat
I called upon the spaces where only an ibex can stand
I called upon the swollen silence, the space between the keys
I called upon the distended bulb of awkward air that is my usher unto
the people of this world.
I called upon God to change my purpose for me
but all I saw were white shapes in the darkness.
he had sent his heralds with the long horns and bugles
the thrones and cherubim suspended like a women’s pearls about the neck
but i was too deaf and hard of seeing
on what was happening in my day to day
in my aloneness
in my facebook messages
in my bank account.
I thought the die was cast and so
I rode their mercy like an uncut Arabian steed.
I was young and my shadow was a
bad foretelling -
like worms drowning on the pavement-
like an empty soul factory in the bathroom stall.
but I’m on borrowed time like a black cat dream on
the narrows and the cobblestones.
like how a broken broom breaks all gypsy curses,
black cat dreams are never wrong, and
in the deep statecraft of my undoing I’m almost sorry for
what I asked for.
See, there are two of me and they are crowing
I know not which one bodes the ill intent and which one wields the cyanide.
but both are mostly indolent in their listening
to the building of the gallows.
Every breath is a fatality
Every hand full of dirt is a genesis
and I can hear the hangman at the gallows.
Let Justice Be Done, Though The Heavens Fall
and i’ll go see my brother on the water.
halfway up the sky he’ll build eternity outside of time,
and I will foot the ladder.
birds of hollow bone they herald my undoing,
planting white lilies in my heart.
by the building of the gallows I will foot the ladder
sometimes there are only hammers
sometimes all I see are nails.
where is the healing balm in this dreamscape that I invented?
he’s holding sulfur in his death hand.
I looked up and asked him for a bright lantern
I asked him to keep this pen alive and to fix me to his liking
I asked him for a bamboo raft worthy of the rapids.
I told him that when I was in California I was so sad I couldn't see the ocean.
I asked him that if I were to give penance
could he take these tumors in his hands.
all i saw were reflections of him smiling
like long eclipses on comanche moons.
I heard the gears of the clock all grinding but the hands were spinning loose.
I wanted to be home then, but he said I already was. And then he told me:
You are the gallows and the hammers
You are the black cat and broken brooms
You are the pavement and the worms and
the drowning and the nails
You are the lilies and the wheat
You are your brother and his dreaming
You are the cyanide and the birds.
but i’ve so much invested already in the crawling
in and out of beds
that all there is left to do is
foot the ladder till I'm no longer deaf to the horse's mouth,
to the screaming of the diad in their forgetting of their
Oneness
Of their Atonement
Of their dreaming of the dream.
20.Jan.2020
johnny solstice Jun 2019
The world's a funny old place
There used to exist wondrous civilisations
in south amerika, north amerika,
afrika, australia and asia

Brown eyes in asia
Brown eyes in afrika
Brown eyes in the amerikas
brown eyes in australia
Brown eyes in asia.......

In europe, old Blue eyes
with holy laws got us tongue-tied
and gave us Blue-eyed apartied
You gnow this lyrik can wright
words come out free-flight
set the "truth" alight
enough of this pirate *****
robbers and looters take fright
I am the holy grail's "white knight"
a rhyming flea-bite
the verbal gun-fight
of a poet's loaded tongue
singing the praises of the unsung
crying the cry of the dumbed-down
dissin' the excommunicated klowns
this is the patriachal showdown
religious apartied must shut down
exorcise these cabbagetowns
time to make the vampires frown

Time to make your blue eyes brown
see through your brothers eyes
read through the lines of lies
recognise the world wide spies

"Apartied is dead?"..."Mandela is free!"
but not for all aboriginees
the nomads of the desert
and the people of the trees
and every kind of refugee
I don't see no Comanche presidency
in the land of the Brave.....
.....or the land of the Free
All I see is economic slavery
and god-fearing hypocricy
a full-on global tragedy
too much HE and not enough SHE
too much US and too much THEM
divide and conquer again and again
Sanity sold by CON-men
Truth dished out by AD-men

"so help me god" AMEN
"with god on our side" AMEN
"in god we trust" AMEN

who burnt the sisters at Salem?
how did it start?...and when...
...........will it end
this truth I defend
I come again and again
check my refrain
to remain LOVE MUST REIGN
feel this and you feel no pain
to remain LOVE MUST REIGN

They've played their game
the more things change
it's always the same
using pens to rob your brain
telling us that we're insane
well here's a lie from the outsane
your system stinks like your house-drains
your blue minds are chemically stained
your self-worth's imprisoned in fear-chains
no kind of killing is humane
all prejudice is ingrained
the vultures are driving the gravy-train
supremacists carry a blood-stain
blue-eyed apartied is soul-shame
the HIStory of victors is all that remains

In the last hour 2,000 people have died of starvation......
2,000 acres of rainforest have been destroyed.....
half a ton of toxic chemicals have been released into the atmosfear
50 plants and animals have become extinct

SO!..what do you think?
does it stink?
are we the weakest link?
are we standing on the brink?
of a precipice, sheer........
......with no bottom
all our gains are ill-gotten
this system is rotten
we've all but forgotten
.......how it was before!
the slamming of your doors
can't keep me out
conscious lyrik I'll spout
we must bail out
sort the wheat from the chaffe
sort the good from the bad

let me ask you.......who's SAD?
McFreudian....Babble-onian...
seasonally  adjusted BAD
Chemi-cooly...orange-juicey....SAD

INTEL-ectual-OTOMY
******­-monotony
Dot-com-fuckology
must catch a fire
dreaming spires......
.......and vampires
Ride the wire
we got to get higher
..............higher
higher than high

Try this for size
the slavemaster's disguise
is the mirror in our eyes
and it should come as no surprise
that life's greatest prize
is the life that you've got

yes life's greatest prize
is the life that you've got
ExtinctionRebellion OneLove aparthied
“Comanches put the prisoner to work digging a hole, telling him they needed it for a religious ceremony. When the captive, using a knife and his hands, had completed digging a pit about five feet deep, they bound him with rope, placed him in it, filled the hole with dirt, packing it around his body and exposed head. They then scalped him and cut off his ears, nose, lips, and eyelids. Leaving him bleeding, they rode away, counting on the sun and insects to finish their work for them. Later, back at their encampment, they told the story as an excellent joke, one which gained them a certain celebrity throughout the tribe.”
     —  Stanley Noyes, *Los Comanches, The Horse People 1751-1845
Jordan Gee Feb 2022
Will the apocalypse be one of fire?
Will it have the aftertaste of sulfur and asphalt?
Beware the madness and the mania and 8 eyes on a face

Quick! fill the bathtub with water - I hear sirens.
I saw a wheelchair and it was on fire - rolling down the avenue,
certainly an omen, if nothing else.
I sat on a bus with three strangers leaving Point Loma, California.
One guy was reading the same book as me.
Wild Comanches, Lords of the Plains, Enemy of Everyone.
It was the taste of sulfur and asphalt when the Comanche horde came
riding over the hills like Genghis Khan, kicking up dust devils with their horses' hooves.
It was a smoky plume of final endings way out on the staked plains of the high Texas prairie.
-10 degrees celsius and the rain is liquid, still.
It's been raining warm milk and ambrosia.
We’re feeding from the Breast of the Sacred Mother.
We’re gnawing on the bone of the Law of the Holy Father,
His Holy Word tumbling down into our ear holes.
65,000 national landmarks strewn about a major American City,
And even all the row homes’ tofu facades fell off and crumbled into dust
like the expression on my face once I learned the true scope of what I’ve done.
3 shakes of a lamb’s tail doesn’t cover the time it takes the
man in the mirror to skin my whole hide.
Sometimes the honesty of my reflection is the scariest part.
3 shakes of the snakes rattle and I'm already off into the Astral,
floating half lotus on a sheep skin.
Sulfur and asphalt?
No.
I’ve climbed and transcended that frequency’s ladder.
The Bardo is in my rear-view with eight legs and
my silver cord dangling from behind.
I’ve hosted my egregore for four o’clock tea and crumpets.
I slid down my silken sutratma
back into my heart
and I can smell only
flowers and embroideries.
Songs of grace and truth sifting through my ivory grill
welling up from the living wellspring of my devotion and
smack dab onto instagram.
Only 3 grams short.
I found my heart in the upper room,
hoisted up by the feather at the opposite end of the scale.
10 sleeps from here to the Black Madonna.
What came first?
The ego or the ****** Birth?
There ain’t no apocalypse gonna scare me
I break a 3 day juice fast with a bowl of sulfur and
there’s flowers growing up through the pavement.
Three ***** of a crow’s wing and
the smoke of my sage fills all the lungs of the World Mother,
the Black Madonna and a can of gas.
Ain’t no apocalypse gonna scare me.
I fly to the Comanche moon and back on a set of butterfly wings.
One bottle of Bufo Alveris and I blew straight out the top of the Causal Egg.
Hardened and vitalized by the sheer weight of the cocoon.
Sometimes to let them struggle is to save their life.
Three hairs plucked from Shiva’s Body and planted like apple seeds
and you get a grove full of
fruit trees that will never
go fallow,
whither
and die.
I’ve been to the Bardo.
And you wouldn’t believe how loud a man can scream.
I rode all seven stars of the Pleiades back down into my body;
crashed the car somewhere along 81
near Goldsborough exit, Lackawanna Co. PA.
All I wanted was a blanket to shield me from the shrill howling
of the wind.
But Orion got to me first and I came close to truly losing my mind.
But what is heaven for the spider

is chaos to the fly.
And there ain’t no apocalypse that ever scared me.
its cold in the bardo
Thanks for breaking me out, pal
Thanks for breaking me in
Got no reason to pout, now
With the stars on my skin
‘Cause the moon through the windshield
Never tasted so good
And the moon whispers louder
Than the sun ever could

Let’s forget the stale glories
We dreamed up in the day
You’re the king of the night, now
And I’m the queen of LA
(Yeah) I’m a modern day Bonnie
And you’re a latter day Clyde
Never mind my kid brother
He’s just along for the ride

Fire up the Comanche
And gather up the debris
Strewn across the cracked vinyl
Holding down the front seat
Let’s shoot south for El Paso
Then whip hard to the East
We’ll make Denver by morning
Or Grand Junction, at least

Tell a lie to my left ear
And I’ll lie to your right
In the bed of the pickup
On the floor of the night
Here’s your pistol and pick-ax
Where’s my chisel and stone?
We’re the smoking sage bandits
Throwing fate a fat bone
Jordan Gee Sep 2020
Chop wood, carry water,
channel Ra.
Overtones over the undulations of Nun,
where the first man stood quite
apart from his father.
The cattle of Ra poured forth from his eyes and
thus he ruled over what he made.
Red frequencies in the dark are
strung outside of time -
the mana by which energy makes art.
I cannot look toward the Black Octave

bad cymatics in the Red Resonant Year.
I’m barking at the Blue Tetrad.
The indian guides couldn’t tell if it was
Comanche or wolf.
They remained still for quite a long time.

By: Jordan Gee
all of it in frequency
spysgrandson May 2017
a yellow flower
or two,

ones I can't name,

survived June's arid,
brutal assault

ant mounds abound; scorpions
aren't despondent

Timothy grasses, weeds
don't complain

always there are
mesquites

stubborn adolescents
unaware steer dung left
their ancestors here

this is not a place one
can walk barefoot

not even the Comanche
had such soles

I tried, but you
lashed out

leaving goatheads
and other burrs
in my heels

perhaps to
remind me

I bought you,

but I own
nothing
“Comanches put the prisoner to work digging a hole, telling him they needed it for a religious ceremony. When the captive, using a knife and his hands, had com-pleted digging a pit about five feet deep, they bound him with rope, placed him in it, filled the hole with dirt, packing it around his body and exposed head. They then scalped him and cut off his ears, nose, lips, and eyelids. Leaving him bleeding, they rode away, counting on the sun and insects to finish their work for them. Later, back at their encampment, they told the story as an excellent joke, one which gained them a certain celebrity throughout the tribe.”  —  Stanley Noyes, Los Comanches, The Horse People 1751-1845 (1993)
Lawrence Hall Aug 2023
Lawrence Hall, HSG
Mhall46184@aol.com

                             Did You Grow Up in a Palace Too?

                               In Memory of the Palace Theatre

If you were fortunate you grew up in a palace
A Technicolor palace where Robin Hood
Saved England for only twenty-five cents
And the royal feast was popcorn and RC Cola

If you were fortunate you grew up in a palace
Which was so big that the Comanche Nation
Could encircle both a fort and a wagon train
And a candy bar was chuck-wagon stew

If you were fortunate you grew up in a palace
And softly, sweetly found another’s hand
As the cowboys and Indians rode away in peace -
There was a newer magic for you to discover

If you were fortunate you grew up in a palace
In the summertime of your happy youth
Brian Turner Jun 2021
Indigo Blue was a Comanche through and through
She'd sit near the Grand Canyon tourist spot
And watch the champagne and the helicopters land
White men upon Comanche sand

Alcohol fuels her people now
White man and white money drive the wheel
The land was taken, nothing left to steel
White man rules that's the deal

She smile and drags from her last cigarette
Her mother looks on..starts to fret
She know there's nothing left to do
White man has won, no time for coup
Based on my friend talking to a Comanche at Grand Canyon
Jamison Bell Jun 2019
She steps in like a Comanche nightmare
To steal away the heart and enslave it to her will
And the sun with its tired fingers, straining to hold on to the day
Sinks like I into the moons of her eyes
The night stirs no empathy from me
As I am alone
Still
Jordan Gee May 2022
Circles and Squares May 24 2022

what’s on the agenda for today?
the pre-summer soil is softening for the till
and time is fast ripening on the vine.
seventy-two silly angels are swimming sideways through the ethers
sowing sacred seeds of sacral energy
and so blooms celestial clusters of protons and neutrinos.
we’ll reap a golden crop of Elysium wheat -
come this Autumn’s Comanche harvest moon
because the fruit lives in the harvest
like a bee in the hive
like a house made of hexagons in the sky.
place the left hand over the heart
place the right down upon the belly
breathe deeply from the sacrum
everything is gonna be alright.
two hands of woman and man
feel the heart thumping
plasma and prana pumping
the sun and the moon orbit according to fated rhythms

everything already is alright.
‘things are that which the word makes them in naming them’
cleaved from the tongue
your word is Law.
tilt your head back
blow prana vayu in the sky
watch the egress of the thunder clouds fleeting
and the bending and the bowing of the rain.
our eyes are two prisms
refractors of the Light
they vibrate together to make an octave
like a dial tone just behind your brow.
your heart is a silicon satellite
picking up on all the waves and boson particles
magnetizing
synthesizing
so many shades of green I almost ran out of canvas
feel the space open up wide inside your sinus
and wide horizons of your mind
the Spirit is gently rapping
tapping at your inner door-
the door of Brahma-
the Brahmarandhra-
unlock the latch and let your Self in.
take heed of the Sacred Feminine
her compassion is boundless in the bottomless night
and even unto the highest firmament
the crows are there cackling in a happy ******
hear the echo in their caw
the morning birds are pecking at the sun
giant sine waves from little bird lungs
thai elephants doff their tack and saddles
even also the claw bells and mahouts and all the bronze.
there is a deep well hidden behind our sternum
behind the high fencing of our hearts
Shiva dances there inside a lotus flower
and all we hear are the circles and the squares
what's on the agenda for today?
my voice is barking octaves
my eyes, they are two prisms
my body is a shrine.

by: Jordan Gee
its almost complete
Ford score and...Chevy
five years ago,
my Model A strapping
handsome big bro,
(who sped like one

speeding Triumph font lee, crow),
wing, & swooping Thunderbird, with
bold face observers whistling Geronimo
(Holy Jeep), this meant war
whooping Comanche
decked out as armadillo

kicking up red feathery colored dust devils
rivaling the fastest Alfa Romeo
(while choking, gagging, loo
sing russett sputum
flecked with true grit

mouthful size of Colorado)
easily mistaken for masked Zorro
speeding across rugged
terrain of Durango,
ah recall and reminisce,

and if cup ear just so
can still hear (albeit faintly),
a toy Yoda Echo
wing nsync with
Lake Woebegone prairie

home companion, the little known no
nonsense visiting drag queen racer
Noah N. Gin poe
cur face (born that way)
originally from Malibu, a beau

teaful Corvair with Corsair, now resembling
groveling growling Gremlin, in slow-mo
what with his Smashface
ugly enough to scare Apollo
the ghost of David Buick,

a poor entrepreneur, who
never did make good profit re: Coupe,
and could not Dodge nor shoo
away, the Stealth fearsome curse

of Aries nibble Viper moo
ving fast as greased lightning,
(whereby an Eagle Talon
flashed like Spitfire akin too
Austin-Healey Sprite)

full Caprice out of the
(sir really yon) blue
celestial vault outer limits, hue
mans avoided only
brave Caravan Voyager Goo Goo

Doll dared (only fools rushed in, ignoring Fiat,
where angels feared to tread), a Motley Crue
shielded with Fisker Karma (credit),
no matter last payments way overdue
sought out (with Escort

in tow) - actually two
yup, that ever elusive Holy Grail,
thus needed to Focus with much ado
about nothing, while
brows scrunched – mad as Jew
pitter by Zeus snorting like

angry red Taurus bulls - do
tee fully kicking up Tempo
like nobody's business ready
to serve their Mazda at heart,
a Legacy Sub (burr rue)  
tricked up as a gnu!
Ken Pepiton Mar 2021
Prayer, I have imagined is learned in practice,
alone, in a sense,
institutionally twisted
into missionary positions, mentally assented to,
as proper - to allow novices
the easily entreated task of
messenger that once belonged to angels,
back in Jacob's rock pillow dream days,
children were not seen going up and down
some other worldly escalator of answers
answered sooner than time
allows
too fast to breathe -
we've selah,
for moments of too
much old truth to process

- trust the data, run the numbers 
 use pi
- go full circle
and the king called for his prognosticators
and magicians
all wise in the ways of infinity, a pre-post-usurious
required-mental state involved in de-evolving
suspended use of knowing -from the fruit,
the writing on the wall any fool can read

------- 2021 admin, fine tuned prayer
-------- revisited, as in a day of visitation
{weren't we just saying that mankind of the
surviving only kind, the kind the prophets
spoke of, those who endure, to the end,
the champions, my friend

}
we freely eat
the fallen fruit,
not low hanging,
fallen, to the ground ala Newton's apple,
because
gravity was a good idea.

- but not the first one. I the state of ego-being,
- in a word, was. In this realm you share,
- unwittingly, admitted ly, you stumbled into my
- private prayer time, I confess

- {nosigint} real time is meaningless here


a bubble, not a bang, burp not the other,
spirit that walks on wind and oceans of opinions,
mere whatifery left to heirs joint with Jesus,
the god who said, as a man,
I am the way - as mentioned in China sometime back,
I am the truth - as Platonic as Socrates, pointed as Euclid,
I am the life - look around, take a free breath of fresh heirloom
oxygen and nitrogen and pollen and leaven and dust
star stuff, if Sagan had that part right ---
we share a bubble of breathable air,
how is that not fair?...
the idea in which we live
and breathe and have our habits solidified,
with a glance
at sort  of attention magnet, mygawd-I can't
loook away,
--- there is a spirit of random usity making fools
find time to listen
-- did you just repeat the lie? look away, dixieland


dixie, is that some shortening bread, fry-bread
word that once meant something other than
slaves and they who own them and them
that was never owned again, yeah,
it was not a place to rear free
thinkers who could read, dixieland back when
great gramp mack he read, go west
where a boy with a gun could feed a family,
So,
that we,
they went t' Texas, which was dixiecratic,
more and more, as Comanche land went up for sale,
while we waited for rain,
'til the rabbits and rattlers were memories
of better days.

In those days, we sang, but mostly for the kids.
Yes, yes, we shall
gather
at the river that flows by the throne of o' god

-- then a rushing mighty wind blew the land
into the sky and carried it away.

Leaving us, as but dust of what once we imagined
we was, free.
Owed no man, but t' love 'im, knew that true that
makes its knowers free, like
right from the tree,
y'know.

Did you think this another game, this is still
your only chance at today.
Your move


so that we,
they keptamovin' all the way to
Nuva'tukya'ovi
high ground, well watered, good for bees.

All that, eventually led to me, and you reading
straight from the tree life flows through, in the
knowing the difference true holds
age of earth,
the exercise in godliness.
Where waiting is patience in practical terms.
It's in the book. Do the exercise. Angel says read,
you read everything, till he says quit.
It's a genuine joy juice release valve, when we say, amen.
Ancestry .com, most unmazing threads... imagine walking to Arizona, from any where, what stories linger from those prayers...
Ryan O'Leary Mar 2019
No, I'm not addressing those
residing at surfers paradise or
the beach combers who are out
there looking at the wave graves
in the off chance of finding floaters
gold which is no different to what
one expects to discover at the end
of an Irish rainbow, providing you
get there before the Leprechauns.

Road rangers of ******* left to the wind,
CokeCans@McDonnells should have been binned.

Appache are pronto delivered by Tonto
Kemo Sabe's Comanche, but could be Monsanto?

Is it just here in Cork that those boxes are red
Kentucky Fried Chicken to the crows it is fed.

So who are the Tidies around town here in Mallow,
do they go out much further?  Yes, as far as Duhallow !!


For the volunteers. Mallow Tidy Towns.
Polluted by American take away's
Universe Poems Feb 2022
Tu-ukumah
Black horse
spirit animal,
strength and, passion,
wild streak pattern
A Chief
Comanche language now,
virtually extinct today,
documented readings,
still have ink and, stay

© 2022 Carol Natasha Diviney
Defenses
by Michael R. Burch

Beyond the silhouettes of trees
stark, naked and defenseless
there stand long rows of sentinels:
these pert white picket fences.

Now whom they guard and how they guard,
the good Lord only knows;
but savages would have to laugh
observing the tidy rows.



Teach me to love:
to fly beyond sterile Mars
to percolating Venus.
—Michael R. Burch



What is life?
The flash of a firefly.
The breath of the winter buffalo.
The shadow scooting across the grass that vanishes with sunset.
—Blackfoot saying, loose translation/interpretation by Michael R. Burch



Privilege
by Michael R. Burch

This poem is dedicated to Harvey Stanbrough, an ex-marine who has written eloquently about the horror and absurdity of war in Lessons for a Barren Population.

No, I will never know
what you saw or what you felt,
****** into the maw of Eternity,

watching the mortars nightly
greedily making their rounds,
hearing the soft damp hiss

of men’s souls like helium escaping
their collapsing torn bodies,
or lying alone, feeling the great roar

of your own heart.
But I know:
there is a bitter knowledge

of death I have not achieved,
and in thankful ignorance,
and especially for my son

and for all who benefit so easily
at so unthinkable a price,
I thank you.



Mending
by Michael R. Burch

for the survivors of 9-11

I am besieged with kindnesses;
sometimes I laugh,
delighted for a moment,
then resume
the more seemly occupation of my craft.

I do not taste the candies;
the perfume
of roses is uplifted
in a draft
that vanishes into the ceiling’s fans

that spin like old propellers
till the room
is full of ghostly bits of yarn . . .
My task
is not to knit,

but not to end too soon.



Performing Art
by Michael R. Burch

Who teaches the wren
in its drab existence
to explode into song?

What parodies of irony
does the jay espouse
with its sharp-edged tongue?

What instinctual memories
lend stunning brightness
to the strange dreams

of the dull gray slug
—spinning its chrysalis,
gluing rough seams—

abiding in darkness
its transformation,
till, waving damp wings,

it applauds its performance?
I am done with irony.
Life itself sings.



Shock and Awe
by Michael R. Burch

With megatons of “wonder,”
we make our godhead clear:
Death. Destruction. Fear.

The world’s heart ripped asunder,
its dying pulse we hear:
Death. Destruction. Fear.

Strange Trinity! We ponder
this God we hold so dear:
Death. Destruction. Fear.

The vulture and the condor
proclaim: The feast is near!—
Death. Destruction. Fear.

Soon He will plow us under;
the Anti-Christ is here:
Death. Destruction. Fear.

We love to hear Him thunder!
With Shock and Awe, appear!—
Death. Destruction. Fear.

For God can never blunder;
we know He holds US dear:
Death. Destruction. Fear.



Salve
by Michael R. Burch

for the victims and survivors of 9-11

The world is unsalvageable ...

but as we lie here
in bed
stricken to the heart by love
despite war’s
flickering images,

sometimes we still touch,

laughing, amazed,
that our flesh
does not despair
of love
as we do,

that our bodies are wise

in ways we refuse
to comprehend,
still insisting we eat,
drink ...
even multiply.

And so we touch ...

touch, and only imagine
ourselves immune:
two among billions

in this night of wished-on stars,

caresses,
kisses,
and condolences.

We are not lovers of irony,

we
who imagine ourselves
beyond the redemption
of tears
because we have salvaged
so few
for ourselves ...

and so we laugh
at our predicament,
fumbling for the ointment.



Revision
by Michael R. Burch

I found a stone
ablaze in a streambed,
honed to a flickering jewel
by all the clear,
swiftly-flowing
millennia of water . . .

and as I kneeled
to do it obeisance,
the homage of retrieval,
it occurred to me
that perhaps its muddied
underbelly

rooted precariously
in the muck
and excrescence
of its slow loosening
upward . . .
might not be finished,

like a poem
brilliantly faceted
but only half revised,
which sparkles
seductively
but is not yet worth

ecstatic digging.



The Trouble with Poets
by Michael R. Burch

This morning the neighborhood girls were helping their mothers with chores, but one odd little girl went out picking roses by herself, looking very small and lonely.

Suddenly the odd one refused to pick roses anymore because it occurred to her that being plucked might “hurt” them. Now she just sits beside the bushes, rocking gently back and forth, weeping and consoling the vegetation!

Now she’s lost all interest in nature, which she finds “appalling.” She dresses in black “like Rilke” and murmurs that she prefers the “roses of the imagination”! Intermittently she mumbles something about being “pricked in conscience” and being “pricked to death.” What on earth can she mean? Does she plan to have *** until she dies?

For chrissake, now she’s locked herself in her room and refuses to come out until she “conjures” the “perfect rose of the imagination”! We haven’t seen her for days. Her only communications are texts punctuated liberally with dashes. They appear to be badly-rhymed poems. She signs them “starving artist” in lower-case. What on earth can she mean? Is she anorexic, or bulimic, or is this just another phase she’ll outgrow?



Her Grace Flows Freely
by Michael R. Burch

July 7, 2007

Her love is always chaste, and pure.
    This I vow. This I aver.
If she shows me her grace, I will honor her.
    This I vow. This I aver.
Her grace flows freely, like her hair.
    This I vow. This I aver.
For her generousness, I would worship her.
    This I vow. This I aver.
I will not **** her for what I bear
    This I vow. This I aver.
like a most precious incense–desire for her,
    This I vow. This I aver.
nor call her “wh-re” where I seek to repair.
    This I vow. This I aver.
I will not wink, nor smirk, nor stare
    This I vow. This I aver.
like a foolish child at the foot of a stair
    This I vow. This I aver.
where I long to go, should another be there.
    This I vow. This I aver.
I’ll rejoice in her freedom, and always dare
    This I vow. This I aver.
the chance that she’ll flee me–my starling rare.
    This I vow. This I aver.
And then, if she stays, without stays, I swear
    This I vow. This I aver.
that I will joy in her grace beyond compare.
    This I vow. This I aver.



Old Pantaloons, a Chiasmus
by Michael R. Burch

Old pantaloons are soft and white,
prudent days, imprudent nights
when fingers slip through drawers to feel
that which they long most to steal.

Old ***** loons are soft and white,
prudent days, imprudent nights
when fingers slip through drawers to steal
that which they long most to feel.



America's Riches
by Michael R. Burch

Balboa's dream
was bitter folly—
no El Dorado near, nor far,
though seas beguiled
and rivers smiled
from beds of gold and silver ore.

Drake retreated
rich with plunder
as Incan fled Conquistador.
Aztecs died
when Spaniards lied,
then slew them for an ingot more.

The pilgrims came
and died or lived
in fealty to an oath they swore,
and bought with pain
the precious grain
that made them rich though they were poor.

Apache blood,
Comanche tears
were shed, and still they went to war;
they fought to be
unbowed and free—
such were Her riches, and still are.



Reason Without Rhyme
by Michael R. Burch

I once was averse
to free verse,
but now freely admit
that your rhyming is worse!

But alas, in the end,
it’s a losing game:
all verse is unpaid
and a crying shame.



jesus hates me, this i know
by michael r. burch

jesus hates me, this I know,
for Church libel tells me so:
“little ones to him belong”
but if they touch themselves, so long!
     yes, jesus hates me!
     yes, jesus baits me!
     yes, he berates me!
    Church libel tells me so!

jesus fleeces us, i know,
for Religion scams us so:
little ones are brainwashed to
believe god saves the Chosen Few!
yes, jesus fleeces!
yes, he deceases
the bunny and the rhesus
because he’s mad at you!

jesus hates me—christ who died
so i might be crucified:
for if i use my active brain,
that will drive the “lord” insane!
     yes, jesus hates me!
     yes, jesus baits me!
     yes, he berates me!
    Church libel tells me so!

jesus hates me, this I know,
for Church libel tells me so:
first fools tell me “look above,”
that christ’s the lamb and god’s the dove,
but then they sentence me to Hell
for using my big brain too well!
     yes, jesus hates me!
     yes, jesus baits me!
     yes, he berates me!
    Church libel tells me so!

Keywords/Tags: Defense, Defenses, Defenseless, Picket, Pickets, Gate, Gates, Gated, Fence, Fences, Wall, Walls, Barrier, Barriers, Protection, Civilization, Outpost, Fort, Home, House, Castle, Barbarian, Savage, Savages, Intruders, Invaders, Sentinel, Sentinels, Guard, Guards, Guardians, Danger, Dangerous, Threat, Threats, Border, Helpless, Helplessness, Guardrail, Guardrails

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