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"cana" poems
I am from VapoRub, From Goya And morisoñando. I am from the traffic And loud horns, From the Caribbean heat, And the city lights, From the buildings And the towers. I am from the palm trees And the coconut trees, Dancing bachata And merengue In the beach, From yaniqueque Y plátano, From tostones And fish. I am from Sunday gatherings And loud family members, From Jose, Maria, and Primos, And the hardworking Payamps clan. I am from the Madera’s baseball team, From Canó, Sosa, y Ortiz, From the long summer rides To ***** Cana And Samana’s beach. From “work hard Cause life is not easy” And “family before friends.” From Christianity And Saturday morning sermons, From God is good And He brings joy. I am from Santo Domingo And Monción, From Santiago And Spanish ancestors, From mangú con salami, From rice and beans. From the grandpa Who owns the village Surrounded by Chickens, cows, and bulls, From the business owner And the well known uncles In my hometown. I am from the only flag With a bible. From the red, blue And white. From the most beautiful Island in the Caribbean, From Quisqueya y Libertad. I am from the Dominican Republic, The country that holds The people I love and Miss the most. I am from the Little Paris box I keep next to my bed, Filled with precious Gifts and letters That make me feel A little closer To them.
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Aug 18, 2017
Aug 18, 2017 at 11:54 AM UTC
"Where I'm From"
Accidents and misfortunes crowding my life choking out pleasures reserved for a lucky few. Not realizing that they were there for me too, just to look for passed by as I chose to look back, blinded to what could have been. Running in circles skirting the truth looking for lost moments, ticking into eternity. My hope is in this new life that I’ve found awakening the child I’d lost, now born again in you. You’ve taught me to live, to look now for the simple and pure; a glass of ***** Cana or a flock of cranes grazing on a hill. Moving together in the rhythm of jazz in the early morning sounds and light reflecting on you. Your beautiful face, angelic in the morning light.
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Aug 21, 2012
Aug 21, 2012 at 9:47 PM UTC
RUNNING IN CIRCLES
A marriage, a miracle, a story to tell of Christ transforming water from the well. His first miracle, her gentle request, wine was needed for all of the guests. He is still trasforming in different ways, and miracles happen everyday.
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Apr 5, 2016
Apr 5, 2016 at 1:43 PM UTC
Wedding at Cana
When I describe you to a stranger, I do not mention your flawless makeup Instead I think of your eyes, the window to your soul. I describe the love that flows through soft hazel gaze that only a mother can produce When I describe you to a stranger, I do not mention your perfectly done hair Instead I see you reading a novel on a hot summer day, As if it were your true reality in that moment. I see the power that literature holds I describe your mesmerizing voice repeating the lines of Eloise in Paris to me, I mention the soothing way in which you read the Velveteen Rabbit, And I credit you for making me fall in love with words and the way they can make people feel. When I describe you to a stranger, I do not mention your schooling history Instead I picture you and I see a symphony around your soul that courses cannot teach I see Mozart's Sonata No.11 and Bach’s Brandenburg Concertos I see Monet’s Water Lilies, Veronese's Wedding at Cana and Michelangelo’s David I describe the joy in your eyes when we saw the Sistine Chapel and the Champs-Élysées I describe the vast knowledge and art that makes up your personal mosaic. When I describe you to a stranger, I do not mention your professional accomplishments. Instead I mention your ability to hold someone and make them feel loved I picture the times you embraced me while I silently sobbed over circumstances that you tried to protect me from. I picture the words that you gave me at just the right times I see the comfortable silence you provided when I couldn't bear to hear words through the pain. When I describe you to a stranger, I do not mention your clothing or the way you dress Instead I mention the way you clothe yourself in humility before God I see the verses that you have sown into my heart since I was young I speak of the way you clothe yourself with the armor of God I remember the scriptures that you so carefully knitted on my heart When I describe you to a stranger, I describe you as A woman after God’s own heart. A woman who understands that beauty is vain but a woman who fears the Lord is to be praised, A woman who teaches wisdom and kindness and serves with joy, A mother who clothes herself in strength and dignity and laughs without fear of the future, A mother who encapsulates the love of Christ here on Earth. I describe you as everything that I hope to become.
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Aug 12, 2021
Aug 12, 2021 at 12:42 AM UTC
When I describe you to a stranger
When I describe you to a stranger, I do not mention your flawless makeup Instead I think of your eyes, the window to your soul. I describe the love that flows through soft hazel gaze that only a mother can produce When I describe you to a stranger, I do not mention your perfectly done hair Instead I see you reading a novel on a hot summer day, As if it were your true reality in that moment. I see the power that literature holds I describe your mesmerizing voice repeating the lines of Eloise in Paris to me, I mention the soothing way in which you read the Velveteen Rabbit, And I credit you for making me fall in love with words and the way they can make people feel. When I describe you to a stranger, I do not mention your schooling history Instead I picture you and I see a symphony around your soul that courses cannot teach I see Mozart's Sonata No.11 and Bach’s Brandenburg Concertos I see Monet’s Water Lilies, Veronese's Wedding at Cana and Michelangelo’s David I describe the joy in your eyes when we saw the Sistine Chapel and the Champs-Élysées I describe the vast knowledge and art that makes up your personal mosaic. When I describe you to a stranger, I do not mention your professional accomplishments. Instead I mention your ability to hold someone and make them feel loved I picture the times you embraced me while I silently sobbed over circumstances that you tried to protect me from. I picture the words that you gave me at just the right times I see the comfortable silence you provided when I couldn't bear to hear words through the pain. When I describe you to a stranger, I do not mention your clothing or the way you dress Instead I mention the way you clothe yourself in humility before God I see the verses that you have sown into my heart since I was young I speak of the way you clothe yourself with the armor of God I remember the scriptures that you so carefully knitted on my heart When I describe you to a stranger, I describe you as A woman after God’s own heart. A woman who understands that beauty is vain but a woman who fears the Lord is to be praised, A woman who teaches wisdom and kindness and serves with joy, A mother who clothes herself in strength and dignity and laughs without fear of the future, A mother who encapsulates the love of Christ here on Earth. I describe you as everything that I hope to become.
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39
He ido a ver el parque de Lezama en el atardecer de un día cualquiera, y me he encontrado uno diferente al que por tantos años conociera. Era aquél un jardín ya carcomido por lloviznas y líquenes y amores, flexuoso de raíces y de lianas y envenenado por extrañas flores. Contraluces de manos vagarosas de caricias visibles o furtivas. Generaciones, ¡ay!, que en él buscaron frondas podridas para bocas vivas. Cuando la noche lo llenaba todo y cuajaban en ella las parejas, erguidas en recónditos senderos o desmayadas en las altas rejas. No está siquiera aquel jarrón de bronce en que cierto crepúsculo dorado pusimos los levísimos sombreros y unos versos leímos de Machado. "A ti, Guiomar, esta nostalgia mía..." Y en la tarde agravada tu voz honda estremecía la hoja de los árboles y el cristal de la brisa y de la onda. Era hora de estrella y media luna, de pío agudo, de croar de rana, de guardián gigantesco y solapado y de visera en la pelambre cana. Cada estatua era Venus palpitante, cada palmera recta era el Oriente, mientras afuera el tránsito zumbaba su ventarrón de coches y de gente. Cuando se entrecerraba la corola sobre la dulce gota del estigma, cuando se ahondaban como dos aljibes en mí la ingenuidad y en ti el enigma. Ni la vieja escalera de ladrillos húmedos, desgastados y musgosos. Todo es argamasa y pedregullo y barnices espesos y olorosos. Patricio, enhiesto parque de Lezama cortado y recortado a mi deseo, verdinegro por donde te mirase salvo el halo de oro del Museo: desde un bar arco iris te saludo ahito de café y melancolía, dejo en la silla próxima una rosa y digo tu elegía y mi elegía.
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El parque lezama
He ido a ver el parque de Lezama en el atardecer de un día cualquiera, y me he encontrado uno diferente al que por tantos años conociera. Era aquél un jardín ya carcomido por lloviznas y líquenes y amores, flexuoso de raíces y de lianas y envenenado por extrañas flores. Contraluces de manos vagarosas de caricias visibles o furtivas. Generaciones, ¡ay!, que en él buscaron frondas podridas para bocas vivas. Cuando la noche lo llenaba todo y cuajaban en ella las parejas, erguidas en recónditos senderos o desmayadas en las altas rejas. No está siquiera aquel jarrón de bronce en que cierto crepúsculo dorado pusimos los levísimos sombreros y unos versos leímos de Machado. "A ti, Guiomar, esta nostalgia mía..." Y en la tarde agravada tu voz honda estremecía la hoja de los árboles y el cristal de la brisa y de la onda. Era hora de estrella y media luna, de pío agudo, de croar de rana, de guardián gigantesco y solapado y de visera en la pelambre cana. Cada estatua era Venus palpitante, cada palmera recta era el Oriente, mientras afuera el tránsito zumbaba su ventarrón de coches y de gente. Cuando se entrecerraba la corola sobre la dulce gota del estigma, cuando se ahondaban como dos aljibes en mí la ingenuidad y en ti el enigma. Ni la vieja escalera de ladrillos húmedos, desgastados y musgosos. Todo es argamasa y pedregullo y barnices espesos y olorosos. Patricio, enhiesto parque de Lezama cortado y recortado a mi deseo, verdinegro por donde te mirase salvo el halo de oro del Museo: desde un bar arco iris te saludo ahito de café y melancolía, dejo en la silla próxima una rosa y digo tu elegía y mi elegía.
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48
while all the folks will be off beach-drinking at ***** cana, or cartagena, or hiking through a coast and helicoptering blindly into canyons, i just want to be at home, cooking for you, studying up new recipes, because i know you pretend to like my chinese takes on western food a little more than you actually do; you want me to be happy, but my happiness stems from your healing health and your returning appetite, so know: a smile on your face and a happily-emptied plate would beat the pride of reaching any himalayan peak and warm my heart more than any southern sun or beach
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Feb 28, 2024
Feb 28, 2024 at 1:15 AM UTC
happiness (& related theories)
.few people don't know, unless they read Sienkiewicz... but the Marienburg Castle at Malbork... was originally constructed from white, & ghostly grey brick... not red brick... the red bricklayers came with it being destroyed from the German erasing their shame at it being, claimed... the whole structure used to be a ghostly shaman color of fog... partly white, partly grey... but never... exactly... red brick... did you know that the Teutonic Order was the first to invigorate / or rather instigate the primordial concept of a... post office? well... i guess somehow had to write out the demise of the concept, or be caught up in it, reaching the 100m finish line. those monks really invented / invested / investigated the premise of a post-office... shame, really, that the post-office is lying on the death bed... and the only "thing" that cana rekindle it is... a relapse into postcards... which will never happen... just as hand writing will collapse into: nothing more than a scrawly stature of pseudo-literacy - of a signature.
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Sep 17, 2018
Sep 17, 2018 at 5:26 PM UTC
origins of a post office / the color of bricks
Randy was a roach Of the american cockroach variety He was a deep brown and had a sickly shine To his wings and antennae And he studied both of us From a perch in our suitcase In my girlfriend's East Harlem apartment In the early hours of a sunday morning **** it! Get it out of the suitcase!" My girlfriend yelled Flailing her arms As Randy reclined on our valuables His antennae twitching As in most crisis I hesitated And Randy burrowed into the suitcase Past the underwear, collard shirts, and sunscreen I dug in a frenzy Rending my girlfriend's meticulous packing plan And scattering clothes about All in the name of meaningless destruction But I couldn't find Randy "He's probably in the collar of one of your shirts, or in a pair of my shoes" My girlfriend speculated And I started shaking the clothes wildly about the room Wanting more than anything to extinguish Randy's life To sterilize our newfound stowaways presence But I never found him And Randy boarded the plane with us to ***** Cana While our plane painted dizzying contrails over the ocean We speculated about Randy's Most likely devious activities "I bet he's eating the granola bars under my bikinis" "I bet there is more than one in there" "Maybe he's dead?" "I bet he's laying eggs" We both pondered over the fact that Randy could be Rhonda And that we would open the suitcase to a scattering of near microscopic progeny And we clutched each other in the cold, recycled air of the cabin When we got to the room Past all the tin shacks and open air bars Where the locals sat in plastic lawn chairs Staring at the tourist shuttles That carted pale skin behind tinted windows To decadently decorated rooms where the towels were folded into swans We opened the bag to see if Randy Had surfaced, died, or multiplied But Randy was no where to be seen , a phantom We unpacked everything under the utmost scrutiny Not trusting any of the items we had packed so lovingly and repacked Shaking cover ups and tee shirts like the wind shakes the leaves in autumn But he never presented himself And we saw none of his foul brood We even unzipped the lining But Randy had simply vanished Evaporating into the humid, tropical air I like to think that Randy is somewhere on the island still That he has impregnated or has been impregnated That he spends his days under the intense sun And cottony wisps of clouds Sipping Presidente Sitting under an umbrella made of dried palm fronds Happy to be away from the honking horns and crowded subways Just like we were
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Jun 19, 2016
Jun 19, 2016 at 3:25 PM UTC
Randy
Randy was a roach Of the american cockroach variety He was a deep brown and had a sickly shine To his wings and antennae And he studied both of us From a perch in our suitcase In my girlfriend's East Harlem apartment In the early hours of a sunday morning **** it! Get it out of the suitcase!" My girlfriend yelled Flailing her arms As Randy reclined on our valuables His antennae twitching As in most crisis I hesitated And Randy burrowed into the suitcase Past the underwear, collard shirts, and sunscreen I dug in a frenzy Rending my girlfriend's meticulous packing plan And scattering clothes about All in the name of meaningless destruction But I couldn't find Randy "He's probably in the collar of one of your shirts, or in a pair of my shoes" My girlfriend speculated And I started shaking the clothes wildly about the room Wanting more than anything to extinguish Randy's life To sterilize our newfound stowaways presence But I never found him And Randy boarded the plane with us to ***** Cana While our plane painted dizzying contrails over the ocean We speculated about Randy's Most likely devious activities "I bet he's eating the granola bars under my bikinis" "I bet there is more than one in there" "Maybe he's dead?" "I bet he's laying eggs" We both pondered over the fact that Randy could be Rhonda And that we would open the suitcase to a scattering of near microscopic progeny And we clutched each other in the cold, recycled air of the cabin When we got to the room Past all the tin shacks and open air bars Where the locals sat in plastic lawn chairs Staring at the tourist shuttles That carted pale skin behind tinted windows To decadently decorated rooms where the towels were folded into swans We opened the bag to see if Randy Had surfaced, died, or multiplied But Randy was no where to be seen , a phantom We unpacked everything under the utmost scrutiny Not trusting any of the items we had packed so lovingly and repacked Shaking cover ups and tee shirts like the wind shakes the leaves in autumn But he never presented himself And we saw none of his foul brood We even unzipped the lining But Randy had simply vanished Evaporating into the humid, tropical air I like to think that Randy is somewhere on the island still That he has impregnated or has been impregnated That he spends his days under the intense sun And cottony wisps of clouds Sipping Presidente Sitting under an umbrella made of dried palm fronds Happy to be away from the honking horns and crowded subways Just like we were
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64
El puño labrador se aterciopela, y en cruz en cada labio se aperfila. Es fiesta! El ritmo del arado vuela; y es un chantre de bronce cada esquila. Afílase lo rudo. Habla escarcela... En las venas indígenas rutila un yaraví de sangre que se cuela en nostalgias de sol por la pupila. Las pallas, aquenando hondos suspiros, como en raras estampas seculares, enrosarian un símbolo en sus giros. Luce él Apóstol en su trono, luego; y es, entre inciensos, cirios y cantares, el moderno dios-sol para el labriego. Echa una cana al aire el indio triste. Hacia el altar fulgente va el gentío. El ojo del crepúsculo desiste de ver quemado vivo el caserío. , La pastora de lana y llanque viste, con pliegues de candor en su atavío; y en su humildad de lana heroica y triste, copo es su blanco corazón bravío. Entre músicas, fuegos de bengala, solfea un acordeónl Algún tendero da su reclame al viento: "Nadie iguala!" Las chispas al flotar lindas, graciosas, son trigos de oro audaz que el chacarero siembra en los cielos y en las nebulosas. Madrugada. La chicha al fin revienta en sollozos, lujurias, pugilatos; entre olores de urea y de pimienta traza un ebrio al andar mil garabatos. "Mañana que me vaya..." se lamenta un Romeo rural cantando a ratos. Caldo madrugador hay ya de venta; y brinca un ruido aperital de platos. Van tres mujeres.. ., silba un golfo... Lejos el río anda borracho y canta y llora prehistorias de agua, tiempos viejos. Y al sonar una caja de Tayanga, como iniciando un huaino azul, remanga sus pantorrillas de azafrán la Aurora.
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Terceto autóctono
El puño labrador se aterciopela, y en cruz en cada labio se aperfila. Es fiesta! El ritmo del arado vuela; y es un chantre de bronce cada esquila. Afílase lo rudo. Habla escarcela... En las venas indígenas rutila un yaraví de sangre que se cuela en nostalgias de sol por la pupila. Las pallas, aquenando hondos suspiros, como en raras estampas seculares, enrosarian un símbolo en sus giros. Luce él Apóstol en su trono, luego; y es, entre inciensos, cirios y cantares, el moderno dios-sol para el labriego. Echa una cana al aire el indio triste. Hacia el altar fulgente va el gentío. El ojo del crepúsculo desiste de ver quemado vivo el caserío. , La pastora de lana y llanque viste, con pliegues de candor en su atavío; y en su humildad de lana heroica y triste, copo es su blanco corazón bravío. Entre músicas, fuegos de bengala, solfea un acordeónl Algún tendero da su reclame al viento: "Nadie iguala!" Las chispas al flotar lindas, graciosas, son trigos de oro audaz que el chacarero siembra en los cielos y en las nebulosas. Madrugada. La chicha al fin revienta en sollozos, lujurias, pugilatos; entre olores de urea y de pimienta traza un ebrio al andar mil garabatos. "Mañana que me vaya..." se lamenta un Romeo rural cantando a ratos. Caldo madrugador hay ya de venta; y brinca un ruido aperital de platos. Van tres mujeres.. ., silba un golfo... Lejos el río anda borracho y canta y llora prehistorias de agua, tiempos viejos. Y al sonar una caja de Tayanga, como iniciando un huaino azul, remanga sus pantorrillas de azafrán la Aurora.
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42
O tempo é escasso e o espaço, amplo. O prazo é laço e engancha o pampo**. o BERRO é surdo sem algum alcance pra que o ouvido mudo do Universo dance. Galanteiam nebulosas em destino infante e trazem, ao eterno, singular instante. Cada transição traçada a que avance é passo dado em falso a fortuito lance. Aferir feridas de um pleno plano levará o homem a estado insano: a narcose de saber um objeto nulo. Na movimentação estática do engano, toda teoria traz na cura um dano entoado na garganta que, portanto, engulo. * bestia cupidissima rerum novarum  - animal ansiosíssimo por coisas novas. **Pampo - rebento tardio de cana de açucar: pampos de cana caiana (Dicionário UNESP do Português contemporâneo)
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Sep 8, 2010
Sep 8, 2010 at 5:05 AM UTC
bestia cupidissima
En la tranquila casa donde la tía vive Todo evoca el recuerdo del tiempo que pasó: La sirvienta ya cana y el patio con su aljibe, Y los cuadros y espejos que un siglo deslustró. El salón aun conserva los tapices de antaño, Do ninfas y pastores van danzando un minué: Y en sus ojos parece brillar el fuego extraño De amores de otro tiempo, tiempo feliz que fue. Del clavicordio antiguo, que en un rincón reposa, A veces un suspiro se alza y huye al azar, Como un eco de tiempos lejanos, cuando hermosa Tocaba ella romanzas de Glück y de Mozart. Un armario de sándalo luce en la oscura estancia... ¡Cuántas reliquias guarda, tesoros de su amor! Cartas, retratos, pomos que respiran fragancia... ¡Parece que de un siglo se aspirara el olor! Entre aquellos recuerdos de ternura infinita Que hay entre las gavetas, vese un libro, y en él Hace ya sesenta años duerme una flor marchita... Es el libro Zaíra, y es la flor un clavel. Con el libro, en los días del estío radiante, A la ventana se hace rodar en su sillón, ¿Es el sol lo que anima y enciende su semblante?... ¿Por qué con fuerza siente latir el corazón? Sobre el clavel marchito la blanca frente inclina, Pues teme que al tocarlo se pueda deshojar, Y en su mente un recuerdo canta canción divina, Mientras las ayes cantan en el vetusto alar. Piensa cuando el fragante clavel recién cortado, En las hojas del libro guardó un amigo fiel, Y humedecen sus lágrimas el libro siempre amado En donde sesenta años ha dormido el clavel.
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La tía abuela
En la tranquila casa donde la tía vive Todo evoca el recuerdo del tiempo que pasó: La sirvienta ya cana y el patio con su aljibe, Y los cuadros y espejos que un siglo deslustró. El salón aun conserva los tapices de antaño, Do ninfas y pastores van danzando un minué: Y en sus ojos parece brillar el fuego extraño De amores de otro tiempo, tiempo feliz que fue. Del clavicordio antiguo, que en un rincón reposa, A veces un suspiro se alza y huye al azar, Como un eco de tiempos lejanos, cuando hermosa Tocaba ella romanzas de Glück y de Mozart. Un armario de sándalo luce en la oscura estancia... ¡Cuántas reliquias guarda, tesoros de su amor! Cartas, retratos, pomos que respiran fragancia... ¡Parece que de un siglo se aspirara el olor! Entre aquellos recuerdos de ternura infinita Que hay entre las gavetas, vese un libro, y en él Hace ya sesenta años duerme una flor marchita... Es el libro Zaíra, y es la flor un clavel. Con el libro, en los días del estío radiante, A la ventana se hace rodar en su sillón, ¿Es el sol lo que anima y enciende su semblante?... ¿Por qué con fuerza siente latir el corazón? Sobre el clavel marchito la blanca frente inclina, Pues teme que al tocarlo se pueda deshojar, Y en su mente un recuerdo canta canción divina, Mientras las ayes cantan en el vetusto alar. Piensa cuando el fragante clavel recién cortado, En las hojas del libro guardó un amigo fiel, Y humedecen sus lágrimas el libro siempre amado En donde sesenta años ha dormido el clavel.
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Paseábase el rey moro - por la ciudad de Granada desde la puerta de Elvira - hasta la de Vivarrambla.                 -¡Ay de mi Alhama!-Cartas le fueron venidas - que Alhama era ganada. Las cartas echó en el fuego - y al mensajero matara,                 -¡Ay de mi Alhama!-Descabalga de una mula, - y en un caballo cabalga; por el Zacatín arriba - subido se había al Alhambra.                -¡Ay de mi Alhama!-Como en el Alhambra estuvo, - al mismo punto mandaba que se toquen sus trompetas, - sus añafiles de plata.                 -¡Ay de mi Alhama!-Y que las cajas de guerra - apriesa toquen el arma, porque lo oigan sus moros, - los de la vega y Granada.                 -¡Ay de mi Alhama!-Los moros que el son oyeron - que al sangriento Marte llama, uno a uno y dos a dos - juntado se ha gran batalla.                 -¡Ay de mi Alhama!-Allí fabló un moro viejo, - de esta manera fablara: -¿Para qué nos llamas, rey, - para qué es esta llamada?                 -¡Ay de mi Alhama!--Habéis de saber, amigos, - una nueva desdichada: que cristianos de braveza - ya nos han ganado Alhama.                -¡Ay de mi Alhama!-Allí fabló un alfaquí - de barba crecida y cana: -Bien se te emplea, buen rey, - buen rey, bien se te empleara.                 -¡Ay de mi Alhama!-Mataste los Bencerrajes, - que eran la flor de Granada, cogiste los tornadizos - de Córdoba la nombrada.                -¡Ay de mi Alhama!-Por eso mereces, rey, - una pena muy doblada: que te pierdas tú y el reino, - y aquí se pierda Granada.                 -¡Ay de mi Alhama!-
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Romance de la pérdida de alhama
Paseábase el rey moro - por la ciudad de Granada desde la puerta de Elvira - hasta la de Vivarrambla.                 -¡Ay de mi Alhama!-Cartas le fueron venidas - que Alhama era ganada. Las cartas echó en el fuego - y al mensajero matara,                 -¡Ay de mi Alhama!-Descabalga de una mula, - y en un caballo cabalga; por el Zacatín arriba - subido se había al Alhambra.                -¡Ay de mi Alhama!-Como en el Alhambra estuvo, - al mismo punto mandaba que se toquen sus trompetas, - sus añafiles de plata.                 -¡Ay de mi Alhama!-Y que las cajas de guerra - apriesa toquen el arma, porque lo oigan sus moros, - los de la vega y Granada.                 -¡Ay de mi Alhama!-Los moros que el son oyeron - que al sangriento Marte llama, uno a uno y dos a dos - juntado se ha gran batalla.                 -¡Ay de mi Alhama!-Allí fabló un moro viejo, - de esta manera fablara: -¿Para qué nos llamas, rey, - para qué es esta llamada?                 -¡Ay de mi Alhama!--Habéis de saber, amigos, - una nueva desdichada: que cristianos de braveza - ya nos han ganado Alhama.                -¡Ay de mi Alhama!-Allí fabló un alfaquí - de barba crecida y cana: -Bien se te emplea, buen rey, - buen rey, bien se te empleara.                 -¡Ay de mi Alhama!-Mataste los Bencerrajes, - que eran la flor de Granada, cogiste los tornadizos - de Córdoba la nombrada.                -¡Ay de mi Alhama!-Por eso mereces, rey, - una pena muy doblada: que te pierdas tú y el reino, - y aquí se pierda Granada.                 -¡Ay de mi Alhama!-
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***On this day we will set forth The glory The pleasure Our love celebrated Through thick Through thin Our love will never turn sour nor scorned Through health Through sickness Our hearts will grow fonder I promise to make you happy When you are blue I promise to hold you dear When you are hurt I promise to be dear to your kindred heart Making sure to fill our lives with magical moments Taking the bad Taking the good Through our miraculous journey That this day has set forth for us Though it may be overbearing To get through Remember our love still grows strong Daily Weekly Monthly On this day we shall set forth***
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Jun 14, 2010
Jun 14, 2010 at 11:03 AM UTC
Pre-Cana
Qué dulce, si lloviera de repente... No sé por qué, porque tú estás lejana, pero en la soledad de esta mañana hay algo de tu amor que no está ausente. Y yo sonrío, extraño adolescente de ojos cansados y cabeza cana, yo, que aún puedo asomarme a la ventana y ver la luna que no ve la gente... Ah, sí, qué dulcemente llovería con ese sol, para olvidar un poco mi prematura gran pasión tardía... Y yo cierro los párpados huraños pensando en ti, yo, extravagante y loco adolescente de cuarenta años.
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842
Soneto adolescente
Estando yo en la mi choza   pintando la mi cayada, las cabrillas altas iban   y la luna rebajada; mal barruntan las ovejas,   no paran en la majada. Vide venir siete lobos   por una oscura cañada. Venían echando suertes   cuál entrará a la majada; le tocó a una loba vieja,   patituerta, cana y parda, que tenía los colmillos   como ***** de navaja. Dio tres vueltas al redil   y no pudo sacar nada; a la otra  vuelta que dio,   sacó la borrega blanca, hija de la oveja churra,   nieta de la orejisana, la que tenían mis amos   para el domingo de Pascua. -¡Aquí, mis siete cachorros,   aquí, perra trujillana, aquí, perro el de los hierros,   a correr la loba parda! Si me cobráis la borrega,   cenaréis leche y hogaza; y si no me la cobráis,   cenaréis de mi cayada. Los perros tras de la loba   las uñas se esmigajaban; siete leguas la corrieron   por unas sierras muy agrias. Al subir un cotarrito   la loba ya va cansada: -Tomad, perros, la borrega,   sana y buena como estaba. -No queremos la borrega,   de tu boca alobadada, que queremos tu pelleja   pa' el pastor una zamarra; el rabo para correas,   para atacarse las bragas; de la cabeza un zurrón,   para meter las cucharas; las tripas para vihuelas   para que bailen las damas.
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Romance de la loba parda
the bride and groom unseen prepare to unite two become one in joyful celebration.. might we ask what came before this place and time..? an earlier chapter of everyone's story is told with wine.. when those barrels of water transform one becomes two.. old Adam alone becomes Adam with Eve our birthing story unfolds again.. this split for creation a delivery dramatic all with accompanying complaint and pain.. stands now a reminder from Cana of our separation.. with some news of joy's return...
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Jan 16, 2013
Jan 16, 2013 at 11:44 AM UTC
the Wedding
In the beginning, John revealed the light and said, "Let men repent." And John's Aunt Mary saw that was good. - And John declared to the crowds, "Behold Sin is taken away by the Lamb of God." And there was water and over the water there was the Spirit hovering; heaven tore down, and Mary saw that this was God. And God was well pleased. - Then Jesus called Andrew Andrew called Simon Jesus called Simon, Peter. And there was evening and there was morning, a very full First Day. - Jesus called, "Follow me, Philip". Philip saw the Law and the Prophets fulfilled. Philip called Nathaniel and after a bout of doubt and a lesson routed in a fig tree Nathaniel came to see a teacher and his God and his King. - And there was faith and the promise of a great adventure. More than enough for the Second Day. - - There was a wedding in Cana and Mary nudged her son: 'The wine has finished This - is - not - good.' And Jesus said, 'Mum. Not now'. - And Mary said 'Listen to your mother.' - And Jesus sighed. - And Mary told the servants, "Do whatever he tells you." - Then Jesus saw that it was no use to argue. And he said, "let there be water". And they rolled across the stone jars in front of him. - And Jesus said, "let there be wine". And it was so - very - good. - And Mary smiled to herself, thinking how Joseph would have loved this, and whispered to Jesus: 'This just the start you know.' And he did, and it was. - And there was a Mother's faith and there were gallons of glorious wine. And Mary kept on smiling, so proud of her son and of this start of his new-vintage Kingdom with this original third day, rolled-stone, miracle. - And there was a party, and singing and there was much laughter, and the Son danced with his mother through the night. - There was evening and there was morning, a Fine Third Day.
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Jul 13, 2016
Jul 13, 2016 at 5:12 AM UTC
On the Third Day
In the beginning, John revealed the light and said, "Let men repent." And John's Aunt Mary saw that was good. - And John declared to the crowds, "Behold Sin is taken away by the Lamb of God." And there was water and over the water there was the Spirit hovering; heaven tore down, and Mary saw that this was God. And God was well pleased. - Then Jesus called Andrew Andrew called Simon Jesus called Simon, Peter. And there was evening and there was morning, a very full First Day. - Jesus called, "Follow me, Philip". Philip saw the Law and the Prophets fulfilled. Philip called Nathaniel and after a bout of doubt and a lesson routed in a fig tree Nathaniel came to see a teacher and his God and his King. - And there was faith and the promise of a great adventure. More than enough for the Second Day. - - There was a wedding in Cana and Mary nudged her son: 'The wine has finished This - is - not - good.' And Jesus said, 'Mum. Not now'. - And Mary said 'Listen to your mother.' - And Jesus sighed. - And Mary told the servants, "Do whatever he tells you." - Then Jesus saw that it was no use to argue. And he said, "let there be water". And they rolled across the stone jars in front of him. - And Jesus said, "let there be wine". And it was so - very - good. - And Mary smiled to herself, thinking how Joseph would have loved this, and whispered to Jesus: 'This just the start you know.' And he did, and it was. - And there was a Mother's faith and there were gallons of glorious wine. And Mary kept on smiling, so proud of her son and of this start of his new-vintage Kingdom with this original third day, rolled-stone, miracle. - And there was a party, and singing and there was much laughter, and the Son danced with his mother through the night. - There was evening and there was morning, a Fine Third Day.
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Esta luz de Sevilla... Es el palacio donde nací, con su rumor de fuente. Mi padre, en su despacho. -La alta frente, la breve mosca, y el bigote lacio-. Mi padre, aún joven. Lee, escribe, hojea sus libros y medita. Se levanta; va hacia la puerta del jardín. Pasea. A veces habla solo, a veces canta. Sus grandes ojos de mirar inquieto ahora vagar parecen, sin objeto donde puedan posar, en el vacío. Ya escapan de su ayer a su mañana; ya miran en el tiempo, ¡padre mío!, piadosamente mi cabeza cana.
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Soneto iv
Este hombre del casino provinciano que vio a Carancha recibir un día, tiene mustia la tez, el pelo cano, ojos velados por melancolía; bajo el bigote gris, labios de hastío, y una triste expresión, que no es tristeza, sino algo más y menos: el vacío del mundo en la oquedad de su cabeza.Aún luce de corinto terciopelo chaqueta y pantalón abotinado, y un cordobés color de caramelo, pulido y torneado. Tres veces heredó; tres ha perdido al monte su caudal; dos ha enviudado.Sólo se anima ante el azar prohibido, sobre el verde tapete reclinado, o al evocar la tarde de un torero, la suerte de un tahúr, o si alguien cuenta la hazaña de un gallardo bandolero, o la proeza de un matón, sangrienta.Bosteza de política banales dicterios al gobierno reaccionario, y augura que vendrán los liberales, cual torna la cigüeña al campanario.Un poco labrador, del cielo aguarda y al cielo teme; alguna vez suspira, pensando en su olivar, y al cielo mira con ojo inquieto, si la lluvia tarda.Lo demás, taciturno, hipocondriaco, prisionero en la Arcadia del presente, le aburre; sólo el humo del tabaco simula algunas sombras en su frente.Este hombre no es de ayer ni es de mañana, sino de nunca; de la cepa hispana no es el fruto maduro ni podrido, es una fruta vana de aquella España que pasó y no ha sido, esa que hoy tiene la cabeza cana.
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Del pasado efímero
1 Black beans The earths hair The roots of her body Gazed  at my blue horizons Like endless hills of wheat. 2.  We ran away in This red convertible Your arm smiled Like the way That Bonnet you wore Shun with your smile In the front seats warming leather. 3. I can't believe the elm trees Welcome a rattle of wind like the way their leaves Leave his midsummer dreams. How Cana boy Finally Return With his crazy lover Like the American dream Was all about her desire. 4. I told ya she took all I had and I'm still Dancing Like the wide rivers Releasing the passion Inside of crying glaciers. To keep my river fresh and blue forever Like generations Of salmon returning home.
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Sep 11, 2014
Sep 11, 2014 at 12:44 AM UTC
Short poems (pandora radio)
"On the third day a wedding took place at Cana in Galilee. Mary was there with Jesus and she nudged her son:  'The wine has finished. This - is - not - good.'  And Jesus said, 'Mum. Not now'.  And Mary said 'Listen to your mother.'  And Jesus sighed. And Mary told the servants,  "Do whatever he tells you."  Then Jesus saw that it was no use arguing. And he said, "let the jars be filled with water".  And they rolled the stone jars in front of him. And then Jesus said, "Let there be wine".  And they poured the wine. And it was so - very - good. And Mary smiled to herself, thinking how Joseph would have loved this,  and she whispered to Jesus:  'This just the start you know.'  And he did, - and it was.  There was a mother's faith  and gallons of glorious wine.  And there was a mother's smile at the sight of her son and of this start of his new-vintage Kingdom  with this original third day miracle.  A sign of things to come. And there was a party and singing  and much laughter,  with the Son dancing with his mother into the evening - a Fine Third Day.
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Jul 24, 2024
Jul 24, 2024 at 8:42 AM UTC
Signs - Wine
Love something I cherish to the end of my days Keeps me happy and sane In particular He keeps me happy and sane Through the good and bad Through the happy and sad We do have ‘fights’ But good fights like whose cuter Whose more perfect Who can send the most emojis Love Cana make you do stupid things Such as staying up past 1am And knowing you have a test the next day Or going out too late with that person But something that is sad about love is When they’re 1,000 miles away You miss them You long for their touch You lust for just one night But it still keeps you happy It makes that whole in your heart filled Filled with joy and delight When they call, When they text, Your stomach gets butterflies Because love is perfect Love is life Love is knowing your with the right person And Love Is beautiful.
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Feb 23, 2018
Feb 23, 2018 at 1:34 PM UTC
A Poem to my Love
La abuelita guardaba, con olor de vainilla Su guitarra en estuche forrado en verde pana. ¡Hace ya tantos años!...   Era en la edad lejana De contradanzas lentas, mantón y redecilla. La abuelita tocaba, siempre alegre y sencilla; Y con cuánto donaire, su cabecita cana Iba el compás llevando, al tocar la pavana Que bailaba en sus tiempos de noviazgo en Sevilla. Y tocaba y cantaba la abuelita.   Su canto, De lo que ha muerto y vive tenía el dulce encanto, Y siempre el estribillo decía: «¿No te acuerdas?» Y una tarde -la última- «¿No te acuerdas?» cantaba, Bajó los ojos tristes, mas la vi que lloraba; Y sus cabellos blancos cayeron en las cuerdas.
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La guitarra
You had been invited to a wedding feast. Your mother's friend's son was the groom. It was busy and after the ceremony the feast began. Some of Your friends had been invited too and gathered around You. Tables were full with food and wine jars. After the speeches and laughter, people sat to eat. Your mother came over to You anxiously. They have run out of wine, she said. You looked at her. What is it to do with me? You said, my time is not yet. Your friends looked at You, then Your mother. Your mother gazed at You. She walked to the men who were helping the host. Do as my son tells you, she said in a soft voice. You heard her words. You could never not do as she asked. You walked to the men. Fill the empty jars with water, You said. Water? One man asked. Yes, water, You said. They filled the large jars with water. You touched the jars with Your hands. You walked away. One of the men poured from one of the jars. Wine, he whispered. He took the wine around the tables. Later a friend of the groom said: Most pour the best wine first and later give out poorer wine, but you have saved the best until last Your mother smiled at You. It had begun: water and wine. But did she see where it would end? Or did she just see You as her son?
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Dec 23, 2017
Dec 23, 2017 at 4:05 PM UTC
Cana Wedding.