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Photography,
Photo journalistic,
Everyday, realistic.

Commercial, architecture, landscape, artistic,
Industrial, fashion, ethnographic, pornographic.

Big Brother, fallace, stealer of souls, vouyer.
News seller, instant gratifier, man pleaser, woman abuser.

Barthes, Sontag, Cindy Sherman,
Virginia Woolf, Warhol. Weegie, Francesca Woodman,
Leibovitz, Adams, Arbus, Tina Modotti,
Nan, Evans, Hoffer and even the Paparazzi.

Cheap *****, digital manipulator, image poser,
Center fold, coupons, Jackie O and Marilyn Monroe.
Where did they go:

Lifeless paper product, painter's picture mess,
C-type, digital archival,
Sepia, black and white, hard drive retrival.

Image addict,
Image taker,
Image maker,
image seller,
image buyer.

Newspaper, magazine, graphics and ads,
TV, dreams, even the trash.

Billboards, subways, phones and buses:

Utopia:
Surreal, crop, stretched and air brushes.

Modern ideal.
Surface manipulator.
Brain conditioner.
Consent manufacturer.

Oh Photography,
I got you in my eye.
A few thousand dollars,
A BFA, A critical scholar.

Or maybe a nerd,
Just boys with toys.
Telephoto genitals, with motor drive action.
Studio lights, umbrella traction.

Oh Photography,
You proprietor of obscene.
Detailed, de-sensitized.
Court ordered, jury analyzed.

Click, image, copy, edit, paste, print or post.
Myfacespace, twitter, flicker,
An internet media overdose.

Pry, spy, your friend's friend's acquaintances.
Parties, picnics, reunions and shows.
Visits, vacation, style, shoes and clothes.


Pics, photos, images, jpegs and giffs.
Snap shot, portrait, panoramic, Kodak kiss.

Exacerbate:
Divorce, break-ups, jealousy, envy, love and fears.
Devour and captivate society for years.

Slaves to Western and Capitalist desires,
Destruction of Earth with psychological, monetary empires.
Damian Acosta Jan 2014
[Note: Not one of Subject B's 17,891 journal entries found
     mention anything about Why Time itself had stopped.
              
Refer to Subject X's Archival Journal: Chapter 16
      Science of an Improbability (pages 356- 387) for further research]*

  _________________­
                                                                ­                                           
                     ­                                                                 ­                                   February 14th, 1955

Dear Dr. Einstein,
        
           What's up Doc? I decided it's Valentine's Day. Unequivocally! And it's a Saturday! Saturdays are my absolute relative favorite. Always have been, I think...
          See, up until "yesterday" I thought it might have been almost a year since the whole time thing. I look older, that's for sure. Measured myself up on the kitchen notches and I'm just about as tall as Derrick was when he was 13-- which isn't much, we're a short family. Dad topped-off at 5' 7" and was super lucky to find my mom. She was 5' 7" as well but hated heels. Anyway, though, it could be less than a year. It gets really confusing with the sun always in the same spot, which is why I decided it's Valentine's Day. And it's Saturday!  I've already cut a picture of Howdy Doody and put it on the TV.
           Okay Doc, that's all. Just wanted to wish you a Happy Valentine's Day. Might move my bed up to the attic to get a better view of the everlasting day.

                                                               ­                                     Sincerely,
                 ­                                                                 ­             Robbie Wilson
eleanor prince Sep 2018
(contains references to sensitive issues)

She’s just a babe
he’s only two
of youth refill
they’re broken in

but leave no mark  
so they're unspoiled
for clients booked
it's all arranged

no tracks you'll leave
their brain's not through
not 'til they’re three
so chill out dame

the program works
divert impel
‘'you crazy sh-t
here take this pill’

nobody hears
if told some tales
but they won't talk
their lips are sealed

from dot they’re trained
they’re here for us
don't have to guess
‘you talk, you die!’

so pay the fee
their price is high
and bring this dog
they’ll do it all

and shouldn’t you
take all you're due
you work real hard-
on nectar sup
-
Stop! Not so quick
for veils can lift
and imprints made
don’t ever die

archival facts
reveal themselves
when day arrives
you’ll face the Judge

and when you breach
a petal new
it injures both
and gear stick shifts

you've soiled life's bed
with squalid stains
now own the Sh-t
says mirror man







  


             
From time to time an instance comes to light involving well-organized abuse at an almost unimaginable level.  Children from a very young age are trained to provide all manner of ****** services to meet the demands of deviant and sadistic clients.  Contrary to what people may think, this happens not just in so-called 'third-world countries,' but in more prosperous lands too.  

Even where there is significant corroboration for the veracity of such accounts, survivors can suffer the further indignity of not being believed.  There is some movement and improvement in knowledge but more needs to be acknowledged and understood, not only by colleagues and other professionals providing care, but society at large.  

It all makes one ponder what leads a perpetrator to act this way.  Whilst it helps to understand some act out trauma they themselves received, it is unacceptable behaviour, is still a criminal offence - and it hurts others.   We all have choice to decide ahead what we would do if offered an easy way to cross that line.  Decency requires we resolve to remember who we want to be in essence and retain this reality check:  how would I feel if this was my wife, my child?   Refuse to abuse another.  

Some boundaries simply should never be breached, even if one is promised immunity from repercussions, e.g. told 'the child won't remember – it won’t hurt them.'   Many victims do remember and either way, such incursions rob them of a normal life, something many take for granted.  The truth is they are massively, negatively affected on one level or another, often in multiple ways, at whatever age such incursions take place.  

The reality is that transgressing on another's boundaries on any level not only harms the recipient but also those violating others.  It alters and destroys something in the offender, immediately recognizable or not, and by extension the wider community is affected.  

On looking in the mirror an offender may see at best a deluded half-life.  As my poem concludes, who would want to be meeting that inner witness to their corrupt and heartless behaviour, their real character looking back at them through the 'man* in the mirror...'

*(either gender can offend - some women sexually abuse too.  When a perpetrator takes a good look in the mirror of reality, they may well find themselves  confronted with the enormity of what they have done, and who they have become)
LDuler Dec 2012
ok so here is what we are going to do
i'm going to get a bout de souffle
what was i gonna do..
one thing getting to nether still need you
are you all here
one thing getting getting to noter
288 guitars 
i've been hoping  don't get much dumber 
and getting to noter
this movie is not yet rated
i'm kind of trying to decide
i will send an email to your parents
so… just off the bat 
your parents are not ok with that 
kind of thing
she was out there interviewing her?
right there… have you seen that? ok good
movie theater to hide
c'est rare
reste avec moi
ciao petite fiiiille
elle est la bas je crois
vous parlez français? yes
attention ma petite fille on ne plaisante pas avec la police parisienne
you think i'm lying? you are
i didn't see you
you don't believe me
bonjour mignonne
qu'es ce qu'il dise
les flics me recherche
parle le moi quoi? ca alors
tu es marie
c'est trop **** maintenant d'avoir peur
bonsoir madame
il faut absolument que je trouve antonio
accelere minouche
il est alle a monpellier
why don't you smile
it would certainly surprise me
sourrrit sourrrit
je pense a quelque chose?
je ne sais pas
je voulais être seule
c'est finis
tu m'emmene au champs elysee
au revoir 
tentez votre chance
un cafe alors
moi je peux pas partir
et puisque je suis méchante avec toi c'est la preuve que je suis pas amoureuse de toi
ahh c'est trop complique
j'ai envie de dormir
c'est vraiment dégueulasse
how would you relate
destroy the rules
young actors
....sommes seuls, cette certitude de nous-mêmes dans la sérénité de la solitude ne sont rien en comparaison du laisser-aller, du laisser-venir et laisser-parler qui se vit avec l'autre...
audition for the leading character
interesting combination
the criminal
just the edge of his frame
she seems innocent at the beginning
looking at his notes
just fyi i throw out someone
loving and desirable
playing off of that very consciously
you just not be working
archival stuff is on Facebook
c'est l'heure du gouter
de la glace au chocolat
working on your transcripts/ paper edits
that's probably not a smart thing to do
t'y va
Not this sense
that I don't know what the hell
a human girl is...
where’s the coast guard? 
just a spotlight gimme something
ca commence a 6h 
t'es cool
quickly
i smells like **** did you ****?
you are the love de ma vie
he talks like that he is french
she is like ze morning sun in ze...morning 
beautiful
ze temps is in ze essence
muaaah
is our classroom
i can sense the connection
the connection? 
the connection entre nous
so madame alezraa give me this much
i heard boss
he is not doing anything
to give me a kiss 
it's in the 1st tab
it's still there
you don't have to click
i can't save it, just stay with me
there is no word on this ****
i need the inspiration
you are my muse
c'est pour ca qu'ils sont si petit
small
je vais m'occuper de
the whole point of life is to rearrange it in a coherent running story
people don't talk in stories
cut each section
some sort of a story
nice
tu veux que je mette
ouai ok attends
elle est l'autre feuille
permien tu veux que je colle recolle decolle coupe recoupe decoupe
how do you feel about solving…I mean it's an interesting way to solve it…
〜flowed〜 nicely
it was sort of an ingenious solution
she's in the airplane, she's in the sofa
try to transition between the two subjects….where does your friend come from?
what it was like landing in New York, looking out the window...
the process of arriving
not really fair to say that
in the future, if you're going to try to tell a story…in their minds….what's the story she's going to be telling me?…..coming home
fill in the blanks
don't go shoot blind, that's the biggest mistake
does that make sense?
great!
wubwubwububwubbbbbwubwb
gloving is......flowing lights in sync with the♩music ♫
flowing in gloving is broken…
liquid
finger rolls
tutting
figure eight ∞
wubwubwubBAMwubwubwoosh
wave-like movement…basic thing….wrist in a motion
tutting is like the angles…. not um 〜flowing〜….like tetris
you want to more, rather than following
solid ⸪lights, ⸫single⸭ solid lights⸬
pink to green to orange to yellow to blue
advanced strobe, solid line of color [...] streak of purple
electronic, dustup, elector, house, trance…
you’ll probably never see anyone gloving to like, classical music ♬♪
my name is Henri Geneste and I'm a glover WUBwubwubwubbbWUBWUBAHHHwubwubWUBWUBWUB[ONE][TWO]WUBwubwub[THREE­]
putain c’est magnifique
je me demande si il fait ca la nuit, quand il arrive pas a dormir...
window thing, kind of dumped
either the ours magna or the I equals me squared²
like language, like art, there are rules
go out and break them, just mucking around
fix it, wanna make one, totally your creative decision
how awkward
a bout de souflle
totally revolutionary
ainrr
radical, argue truer, but it's jarring, that's one way to do it!
aware that they're there but not ⑈jarring⑇
close to wide…..there's a cut there but the eye can follow it
um i have to go...
bye henri!!!
bye!
bye man.
see ya monday!
the hair!! im gonna shave it this weekend
I've been to raves
is he, like, a straight-edge?
there's drugs…do you guys ALL go to raves?
how the audio?
looked cool, the rain in the background
DUHDUHDUH that's hard to do
a huge amount, i'm sorry but gloving without the music?
if he does drugs OR NOT, how he's enjoying it OR NOT, if it interferes with his studies OR NOT..
just FYI we were all young yesterday
two bodies
he's here cause he's not going, right?
are you interested?
oh i would be very interested
yeah i see what u mean
you could come with me….i could always take the bus
it'd be cool
moi elle sera belle
here we go!
woah
their audio visuals are not very HOT
hours per day?
1…2 hours a day
sometimes 30mins
mostly people, sometimes like little animals
mostly people
i look at their art a lot
really interesting style
environments
if i want to…how I see them in my head
stuff like that
usually kinda random
i pretty much self taught
mostly from practice
everyone draws…but i got serious about it, like very…6th grade
i don't like the idea of competitions
and mum drawing is like, something that's kinda important
a passion
not sure i would want to go into it as an industry
more than just art
for now im not really sure
alright
so our usual questions
eyeline! thank you
on the couch….at the end it was really weird
who was…sitting where?
where were you?
she didn't really even really look, she was too far away, she just kind of….looked
much…she might not have ever looked
with the eyeline…it was pretty steady, no jerky-herkys, there were several edits
forgive it cause there's enough change
you could follow it, you could see that time had shifted
the content demanded it
WOAH okay now i'm really curious
we could see it, but then it was on the something else
process the image
now we're trying to look at the art, now we need more time
arc? did u feel like there was an ◜arc◝?
umm yeah…..
how many hours a day do u draw?
try to make sensible out of that
is that they use 2 3 four…
uh...cut..i did….cut
the cutting itself is like a commentary on her
since i was little. when i was little
when i was little
but my parents, my family don't
hands and arms
collages, magazines
photography
big part of photography
San Francisco Art institute
graphic animation, we only had like 3 weeks
still lives, models we would draw them
we had like an exposition
the person my mom works with's husband
wanna do an artistic career
alright so
not the greatest projector ever
too much head    space    
a lot of nothing
it makes it a lot more interesting
i think it was okay in the video cause
what she was saying and stuff like that
fair enough but I don't agree
lost in this big sea of wall
you're totally forgiven
no questions
power of a well-placed microphone
fantastic
the beans!
alright
you guys are the wrong audience cause you all know each other's stories
good feedback
movin' on, okay
very frustrating
and now.....surfing! woohoo!!!!
30 loooooong minutes, it's a nightmare!
7 minutes
3 minutes
it's a 10th
there's something fascinating about listening to people…you can do it yourself later
bolinas, del mar, sometimes surface, livermore, ocean beach
......riding the waves…....man….....it's the best feeling
you're walking on water you know? that feeling…….i love the ocean
i love the water, after you get that perfect wave you just feel accomplished
that feeling…..is awesome
surfing, it's all about having fun..
you surf once, and….you know?
if you're a surfer, you have a love for the ocean
my, my grandpa always loved the beach, we would go there at two in the morning and just….
my grandpa died and he asked to be cremated, he wanted his ashes to go in the ocean, so we took his ashes out to the ocean
I remember walking out to the ocean with my dad, we threw his ashes into the ༇wind༅ above the ocean, and we looked down….
we want to get the pain!! and the sorrow! because we're vultures you know? we just zoom in to get his expression
little bit weird
i do, i like it
it's black and white
it's just a surfer, it's not movin', it's there…it's not always the same
sort of echoey
…the ocean, and so i remember my dad taking the….
too much archival? too much? not long enough? both.
there was sort of a disconnect at times
her story, you have to cut
when she says "CAT" i want to see a CAT, when she says "FIRETRUCK" i want to see a FIRETRUCK!!! i was like, okay, i  just went to school…
and now this?
or you see a woman that looks like a cat
it's hard, it's complicated, it's not given
so they just kind of ended
you guys im trying to help them
oh okay
hey you know what no no no you know what don't take any of this personally just be like oh okay
he's got a funny manner of speech
any thing else?
arlo says no
"it would not go well"
what IS the really great ending?
amazing feeling one can have…..
you feel like you own the ocean, like it's heaven on earth
this technique it's called killing your babies…i love that
uh what
he says "uh no no no this is a 3 minute film"
sad but true
we all get attached to things, we don't want to cut them out
just play with it, if you decide
we can schloop
can we watch
not exactly…here's..uh okay a quick heads up
oh
for this summer
advanced lab, art advanced films, screen-writing, animation and more
field trip!! i need to contact your teachers
what day? a thursday
almost all day…nine to three
we would leave here
now im gonna erase this
Damian Acosta Jan 2014
[Note:  Subject X's accounts contain no record of a proper name.
The following is Subject X's first entry and is believed to have been written shortly after the Time Anomaly began]

A Full Stop?
It's all been suspended... The birds, the deer, the breeze... All of life in animate suspense... except for us, the people...

On April 18th 1955, as best as can be described, time itself-- the fundamental instrument of evolution and Life-- stopped. At exactly 7:20 am, as per the Clocktower at the end of main street. As per the pocket watch in my hand. As per the alarm clock upon my nightstand. As per the humming birds suspended mid flight in my front garden.
All of nature, still...


Have we come to a "Full Stop"?




Ask me how long it's been... ask me.

It *feels
as though it's been a few "days". The only indicator I have of this, is the panic spreading rapidly across town.

"Frankie's kid just dropped dead. Running track. The kid was in better shape than "Mickey" Hargitay. Collapsed halfway through his 4th lap... Nothing but skin and bones, they found. Barely a body-- you would have thought it was an old man.", told stories of high crass.

"My mother passed last night... she walked... She walked and aged a week with every step.... too weak to barely speak, she whispered, 'Here.'
After 2,600 steps the bony woman clinging to my arm-- my own flesh and bone, my creator--
laid to rest." , told stories of elegance.


As for me...                                                            ­                
The only time I know is written on my face...
Jerry Desbrow Nov 2013
OLD HOUSE

They retain precious memories,
intimate feelings of inhabitants
passing through its sagging doors.

Romantic are seekers of forgotten times
memories encased in hard wood floors;
as lath plastered walls ooze remnants of a
history while we; when inclined listen.

We don't go very often, to abandon houses,
perhaps on a dare, or at Halloween.
Are we passed enjoying extremes into this
another world, musty energy a curious child.

That was the yesterday
which now waits behind
musty, dusty, derelict halls.

I stand I stand at paint chipped banister,
a faded worn carpet once carried dancing feet,
children playing before they sleep. The
broken coat tree on the floor.

From the third floor murmuring,
a wind storm jars
loose fears, of time
once lost to dreams.

Echos billow from
each room, curtains hanging
yellowed by a sun where
dancing light through holes in damask lace.

Mice gremlin's artful droppings,
tracks of nature on dirt strewn floor.
Broken shards from window
panes, confetti after New Years day.

Branches scratched
etched paths, tracks like graffiti
on sill its unread words, a glif
eerily cast shadows trigger echos from the past.

Jagged memories protrude from every corner
mixing with new, enriching our fantasies
bringing us closer renewed;
these musty memories long forgotten.

Like waves rushing back;
flooding a mind like broken
dikes they crash into our world,
Rembrandt's paintings on canvas fading.

Silent footsteps outside a door,
we hear laughter from bedroom walls;
a smell a whiff of hot butter ***, silent
conversation coming our way.

Old Doc Masters listened at my chest, as
I read all by candle light, Sherlock detective stories
or the Tell Tale Heart of Poe or
Othello; all masters in the past.

A Grandfather clock
stands silent, keeping time,
lost its tick yet still striking,
it stands tall, upon a clueless floor.

Knowledge lost to a past
in a house so worn,
births, deaths, wars, wrapped
forgotten, encased by neglect,

I visited a house besotted,
neglected waiting to be
remodeled into another century
moving it to present times.

Ajerry
Archival Jan 5, 2011
Edited and rewritten Nov 1 2013 / ajanon/ Jerry
Anais Vionet Nov 2023
I’ve always loved music. As a little girl, I could spend hours going through peoples CD collections, sampling them with my little battery-operated CD player. If you showed me a stack, rack or box of CDs, I was in heaven.

When I was 8 (2011), I got my first iPod for Christmas, an iPod Touch with 32GB of memory! The sticker said it was from Santa, but ‘Step’ got a package in the mail from Apple three weeks earlier, so I knew who it was really from. Upon opening it, I rushed upstairs to my older brother’s computer, plugged it in, carefully copied the username and password for the family iTunes account (from a wrinkled post-it note), and the world was never the same.

It never occurred to me that my parents could see all of my playlists and that they were automatically downloaded to their devices - like my break-up playlist, inspired by Antoine, my French-boy fifth grade crush. It didn’t work out because he didn’t have an email account and our recess times didn’t line up, but my playlist helped me through it.

I could burn playlists to CDs and exchange them with friends - or gift them to middle school boys who I hoped to amaze with my awesome musical tastes. There’s an art to the playlist that involves controlling pace and mood - every playlist was both a gift and a seduction.

Today we have Spotify with its unlimited streaming of every song ever made - on demand. Exchanging playlists, these days, is as easy as pressing "Share" and typing the first few letters of a friend’s or lover's username.

Like most of my girlfriends, I consider myself a playlist queen and as I continue to work this career path I’ve chosen, regardless of what's weighing me down, I know I can turn to my playlists to push me through. The band ‘The Narcissist Cookbook ’ assures me that my shocking honesty is fun with ‘Broken People.’ ‘K. Flay’ allows me to dance-out my rage with ‘Blood in the cut’ and ‘New Move’ motivates me to keep-at-it with ‘When did we stop.’

I’ve countless Spotify playlists: one for waking up, one for writing papers, one for doing problem sets, others for walking to class, doing the laundry, for nostalgic reflection, and for embracing the astounding depth of human pain.

Of course, as time passes, I find new favorite songs and older playlists are replaced with updated ones; but thanks to the archival nature of Spotify playlist collections, all my old lists remain intact. I’ve never deleted one. Search my archives and you’d see playlists from my freshie year, when I was new here, feeling insecure and alone, or from my sophomore year when I first fell in love.

This piece is a playlist love story, about how music reflects our identities and allows us to share ourselves through the vibes, melodies and beats that move us. I think playlists have a lot in common with poetry, which uses words, phrases, metaphors and imagery for similar purposes.
James Meyers Feb 2015
Once I loved to
act. Do impressions,
impress others with my whim
now I don't do that
my ability to charm is slim
I would laugh, and make faces
in all kinds of places
and in all kinds of spaces
I'd go do these faces

Now I don't do that
when I try I fail
my throat clogs with phlegm
and my jokes have gone stale

Once, recently I tried
I got a laugh, it was great
my heart fluttered with excitement
it might not be too late
I went on and on,
having a great time
when the day was over
I went to bed

Thought about how
great things were
thought about how
I would be back for sure

I haven't tried since then
my one shot at revival
I am lonely again
my whit is archival
just inspired by a someone
I contemplate destruction;
I'd erase my past
to contumaciously
destroy what I am.
No longer will I be history,
Nor its corpulent keeper;
I will delete everything
and finally be reborn,
I'll vanish without a trace
and find a new home.
Kevin Sep 2022
The presence of our contemporary age
Alters artistic vision down a spiral of emptiness.
Artist no longer create the visual page,
Their spellbound by ambitions of digital laziness.

Visions lost to the age of simplicity,
Erased to machines’ evil desires,
Deluded by storms of deception,
Creativity ceased as hell endures its fires.

Instant gratification — the new reality —
The yearning for excellence, no endurability.
Modern day artistic creativity,
Coerced by digital debility.

Tradition bankrupt by false realities,
Lost to a pallet of ones and zeros;
Artwork with no archival ability,
The future lost to modern day technologies.
Without creativity innovation ceases to exist. Without innovation society dies. Mediocrity becomes the normal. And from these ashes rises a generation who embraces servitude with open arms.
c quirino Jan 2011
We walk to it in silence, passing over earthen layers of leaf and twig, never once touching dirt en transit.

Then it escapes vertically from a jungle less than ninety years old.

The Beautiful Monolith.

At one point when the jungle was young, it was an integral bridge of some great scheme of railroads but is now a cement Taj Mahal only undiluted, uninhibited youth could create.
 
Where alabaster paint found in post cards and archival footage had once been, several layers of outsider art, scratchings, bible verses and amateur-drawn genitalia are the monolith’s primer, base and top coat.
 
We walk past two crosses next to the river, one for a young man who had jumped into the three foot deep river from the monolith’s former train tracks, another carries no name but is nailed to a neighboring tree.

An unnaturally yellow tulip lies beneath this cross.
 
At the Monolith’s feet are vines with sprouts of two-or-three leaves each pointing arbitrarily in directions they can grow.

“And my, how they grow,” she whispers.
 
My Sunday dress, a former ivory table cloth of mother’s imagination is consumed by the jungle.

It is not tarnished, but given life. An existence it would not have known under mother’s elbows rained upon by her cigarette’s ashes. It is ‘colored-in’ life, like these are some vanilla pages of little nephew's coloring book.

I try to tell him, but he does not understand, and says that I shouldn't talk about things being “colored' because it makes me sound like a racist.

I laugh, plucking leaves from the tree bearing the unnamed cross and rub them across the Flat of my torso, leaving green streaks across the former tablecloth.
 
He whispers into my ear about taking me to the top of the Monolith. I nod and attempt to rest my chin on his shoulder, but he starts swiftly up the hill.

He tells me to “lose the prissy mary-jane’s” on my feet saying it would be easier to climb without them.
 
I do this, and my bare feet touch the leaves and twigs. The feeling is *******, but in real life, I don’t even know this word exists. We climb, resting halfway on an embankment in one of the Monolith’s Roman arches. The second half of the climb is slightly more difficult, but we reach the top.
 
The tracks are gone, replaced by a coating of gravel, rocks and beer bottles. And then I see it, the reason why the Monolith is beautiful. Two states converge on this spot where I stand, my tablecloth dress begins to take flight as I spread my wings. His mismatched eyes look at me with something close to amusement as he takes out a bright yellow acetate stencil.
 
The cupola of Animal Mansion pokes out from the jungle like my ***** right ****** in this former table cloth.  
 
A thin veil of red paint meets my waist. He gasps and his eyes widen, allowing me to see every individual real life pixel of his unmatched eyes, the hazel left, and the kelly-green right.
 
He mutters some kind of apology I cannot understand.
 
I respond by slipping off the tablecloth. They bounce slightly. You know which ones I speak of…
 
His eyes remain wide as he comes closer to me, telling me that I have to put my clothes back on. In his hands is the crumpled , grass stained, table cloth dress.
 
I ask if this is what he wants. He manages to say “yes” but apparently…not under these circumstances…or at least not on the Beautiful Monolith. I drop to my knees, and am able to unbuckle his belt before he pulls me up by my forearms.
 
My tears make it hard to see what is happening now…I feel my arms pushing him back from me, and then the sound of rocks tumbling out of place.

He is over the ledge now, flying through the portion of damaged railing where no fence stands. His mismatched eyes, the left hazel and right kelly-green stare warmly into mine.

In his hands is the crumpled, grass stained, tablecloth dress.
This, is see perfectly.
© Constante Quirino
anastasiad May 2017
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ioan pearce Mar 2010
babbling bard's borrowed blabberpolished performers jibber jabberpinching published stolen cultureverse of a cuckoo, parrot, or vulture thespian thrush corally crowspilfered produce of past masters proseperfect posture, prancing croondotty damsels sigh and swoon shakespearian showman strutting stagesobtaining material from dead poets pagesstudious stealer's theatrical thirstrapturous robber, magpie of verse wisely walter mundane mittypoetical poacher prancing prettyempty shallow pretentious crookcrafty criminal compiling book robber of rhyme from archival shelfcopy-cat crooner can't do it himselfrouted teeth spout from mouth like a troutaudience wonder, what is he on  about any question's? the laurete quizzedyes said one,...do you know where the bog is? this is a true story, i was there. and the **** concerned is the editor of poetry wales magazine. who told me that i should study other peoples work for at least five years before i put pen to paper. i promptly answered, .... too late butty, i've already published 3 books, and sold the lot (only locally mind, but did'nt tell him that). he read other peoples poems that night, that were converted from english to welsh, and no one round here speaks or understands welsh.  
Mary Gay Kearns Jun 2018
Streatham's White Garden lies between a walled Old English garden and a small orchard in the Rookery, once the grounds of a large house dating back to 1786, and now an historic Grade II listed public garden. The elegant double borders, backed by trees and climbers and edged with lawn, echo each other down the length of the garden, with white benches marking each end. Still the only white garden in any of London's public parks, the White Garden pre-dates Vita Sackville-West's famous grey, green and white garden at Sissinghurst by at least 30 years.

Local volunteers under the leadership of Kew-trained designer Alison Alexander and project co-ordinator Charlotte Dove (both working for the Friends of Streatham Common, who successfully raised funding for the project from the Heritage Lottery Fund) carried out the recent restoration. The restoration was based on archival research and visits to other historic gardens, and is faithful to the spirit of the Arts and Crafts-inspired Edwardian original. Many of the plants in the new design have been chosen for their historical associations, including shasta daisy (Leucanthemum x superbum), ostrich fern (Matteuccia struthiopteris), and a white cultivar of the old-fashioned English rose, Rosa spinosissima – all plants that would have been as familiar to the leading lights of the movement, such as William Robinson and Gertrude Jekyll, as they were to the Edwardian gardeners who planted up the original garden.

This is a serene place, much loved by visitors. But serenity is not the whole story – determination also plays a role in the history of this garden. Streatham residents fought a public campaign to rescue the Rookery grounds (the house itself was demolished in 1912) from the wave of suburban housebuilding that reached a peak in the years before the First World War. The gardens were laid out by Major Philip Maud of London County Council (LCC), and opened in 1913.

The concerns surrounding cramped urban living conditions that gave rise to the public parks movement in the nineteenth century remain a reality today. Open spaces are a necessary release valve: an escape from the pressures of city life, and proven to have a positive effect on mental and physical health. It is no coincidence that the LCC designs for other public gardens designed in the period (including the Old English garden in nearby Brockwell Park) were also influenced by the Arts and Crafts movement: it was a style ideally suited to the purpose, being itself a reaction to the negative impact of industrialization, and an expression of nostalgia for an idyllic imagined past.

Despite the pressures of the city, horticulture has long been part of this area's heritage, and for much of last century it thrived: amateur and professional gardeners alike participated in fruit and flower shows organised by newly-formed clubs and societies, well-maintained civic parks delighted visitors and residents, allotments flourished, and local nurserymen like John Peed of West Norwood produced lavish catalogues of the latest horticultural discoveries.

As government funding for green spaces has decreased, however, gardens like the Rookery have suffered from reductions in maintenance budgets: as late as the 1970s, seven gardeners were dedicated to the Rookery alone, but today only two contractors are based there. Once again local residents have responded, developing community groups, volunteer-led projects and local fundraising, and working closely with the Lambeth Parks Service. One such community group, the Streatham Common Co-operative (SCCoop), aims to take on the gardens and increase the number of gardeners. Applications for outside funding have been productive: most of the plants for the White Garden restoration were purchased with a grant from the Heritage Lottery Fund, with the Metropolitan Public Gardens Association providing a grant for new white roses. But resources are finite, and – in the best tradition of ecological planting – the new plants for the White Garden have been chosen to suit the prevailing conditions, and to flourish with minimal maintenance. Gardens have always thrived on both innovation and tradition, and the restoration of the White Garden at Streatham Rookery is a tribute to those who are prepared to find new ways of looking after treasured open spaces.

Love Mary ***
Information to go with my poem The Rookery
Thank you poets .love Mary
judy smith Jul 2016
THE CROWD at Raf Simons’s Spring 2017 menswear show at Pitti Immagine Uomo in Florence seemed more uptight than usual, yet that’s exactly how Mr. Simons intended it: Scattered among the wound-up throngs of editors, buyers and gate-crashers were 266 secondhand mannequins, some seated stiffly, others frozen into upright positions, all clothed in archival pieces from his 21-year career in fashion. Though the dummies were arresting, the Belgian designer, 48, later downplayed this unconventional look back. “The pieces weren’t chosen with a certain kind of curatorial intention,” said Mr. Simons. “I didn’t want it to look like a typical kind of retrospective.”

Mission accomplished: Between the spooky setting in a cavernous former train station, the wooden mannequins and his decision to show “off calendar” (forgoing his usual Paris Fashion Week time slot), it all felt more like a Robert Gober art show than a museum tribute. Mr. Simons is, after all, still hard at work, his every move watched by industry insiders amid speculation that he may be joining Calvin Klein—after concluding 3½ years as creative director of Christian Dior’s women’s collection, in 2015.

Mr. Simons continued to riff on his signature elegance in his Pitti Uomo menswear show. The cornerstone of the collection was a series of loose, photo-enhanced shirts, knits and jackets created in collaboration with the Robert Mapplethorpe Foundation: voluminous pieces emblazoned with images of Debbie Harry or eroticized flowers by the photographer, who died in 1989.

Much like his designs, our chat with the usually circumspect Mr. Simons reflected a broad array of preoccupations and influences. He was outspoken about tailoring (“so much bad suiting out there”) and his design process (“no system, no rules, no structure”) but also about mobile phones, the African countryside and ’70s dance music.

One of my favorite spots in the world is: Puglia in Italy. There’s a house by the sea I go to, and outside, it’s just a horizon line. It’s that feeling of eternity: It allows you to think. If you put me there, I wouldn’t need love or anything anymore.

Between the country or the city, I prefer: the country. I live in Antwerp, a city that’s kind of like a village.

A place I’d like to visit again is: Kruger National Park in South Africa. It’s mind-blowing how it sits so far away from anything you’ve ever experienced in a city. There were no people, no proof of human life, just animals and animal behavior. It’s survival of the strongest, which is fascinating.

One thing I’ve had forever is: A yellow T-shirt with a black print on it from the movie “The Shining” that goes way back to when I was a teenager.

If I could be granted one wish, it would be: solidarity. That may sound emotional—politically emotional—but with everything that’s happening, I wish everybody would just let each other be in peace.

A current band I love is: The **. At first they seemed weird but they overwhelm me—massively—all the time with their intelligence. They may be the group that’s had the most impact on me in the last five years.

An old album I still listen to is: Kraftwerk’s “The Man-Machine” [1978]. My 1998 show was called “Kraftwerk” because I had four boys in red shirts in it who looked like replicas of the band members.

If I could tell my 20-year-old self one thing, it would be: grab and protect love when you find it. Cherish it, focus on it, concentrate on it.

My dream client would be: anyone, really. When I design, I am thinking about a lot of people, not just one. It’s more about connecting to a certain kind of generation or a certain kind of person that will connect to what we do.

I always wear: Adidas Stan Smiths. I have had periods where I only wore Stan Smiths, maybe from age 15 until I was 25.

The place that most inspires me is:everywhere. Some people have to go for a swim or have a holiday to be inspired, but for me, it’s there when I walk out the door.

My favorite movie directors are: Stanley Kubrick, Todd Haynes and Alfred Hitchcock.Kubrick’s movies are so visually striking, especially “2001: A Space Odyssey” and “Eyes Wide Shut.”

I collect: art. I started collecting more than 15 years ago. Cady Noland, Richard Prince,Cindy Sherman, Isa Genzken, Rosemarie Trockel, Charlie Ray, Robert Gober are artists that have made a huge impact on me on all levels, emotionally, conceptually, visually.

The hardest part of a man’s wardrobe to get right is: the tie and suit. [There is] so much bad suiting out there in terms of fit, style and fabric. So, when I design, I don’t start with fit or fabric, but with meaning. The phrase “suit and tie” has a special place in our vocabulary.

One of my favorite books is: The Christiane F. book [“Zoo Station: The Story of Christiane F.”—about a teenage ****** addict]. The movie [1981] was an amazing interpretation, but the book is more striking.

I feel most proud about: simple things like being able to handle love and friendship and family. Or taking care of my dog. Of course, I do also feel proud of what I do.

I am a big fan of: furniture design, especially French or Swiss designers such as Jean Royère, Pierre Jeanneret and Jean Prouvé as well as Japanese-American designer George Nakashima. I love how beautifully designed furniture sits in history—it’s unpretentious.

The one thing I always travel with is: my sweatshirt from Vier, a skateshop in Antwerp. “Vier” is the Dutch word for four. I always take it on flights because I refuse to put on the pajamas they give to you.

I wish I could always be with: my dog, Luca, a Beauceron, who behaves like everything except a dog—more like a cat or a frog. She’s still a baby.

The one thing I wish didn’t exist is: mobile phones. I am old enough to remember how it was before them. There was something much more beautiful about not having one. We communicated in such a different way with each other.Read more at:http://www.marieaustralia.com/formal-dresses-2016 | www.marieaustralia.com/vintage-formal-dresses
Nat Lipstadt Apr 2016
been awhile
but no matter,
boots look best
when resting
on legs extended
on a summer's afternoon
looking down on
water boats, dogs by the side,
your sleepy hollow in
my appreciative heart

for I know there is soul
in brevity,
and that ain't exactly
my finest quality

but you sir,
archival historian
of moments of man's choices,
and with noisy metal detector,
reflect on the belts and buckles uncovered
from long ago wars by which you
capture my devoted attention

they say the north won the war,
by amassing more and more
and wearing down their brothers
but I know different

r
you listening,
to you I accede,
to your fewer words,
join in happy secession,
and see us all through
with your briefs on the
human condition
She sits on the bed and reads me
Old poetry
About ******, sadness, and loss
All synonyms
For the same affliction really
Dysfunction and despair
Captured in yellowed archival snapshots
Of a girl
With a penchant for surviving pain

Mortality leaps
From the prose as she reviews her life
In hellish imagery
A transmutation of spirit occurs
Within her
As she drifts through the years
On each page
Melancholy awareness for us both realizing
That it's all real

No one can take away the scars that
Every word cuts
No one can deny the inviolable fortitude
Required to document
The war embedded and entrenched on the front lines
Just old poetry
To me they resonate like a distant bell
Her sudden silence
Whispers that the dead still scream her name
softcomponent Jun 2014
the moment I realized I could
write a novel was back in 2013
when it was one on one care-work
with a paranoid schizophrenic, and
every evening after the days events
had crowded on past, I would sit at
the counter chatting conspiracy theories
and literature elitist literati with coworker
churning out 3 to 5 pages on the mornings
notable events (threats of suicide, talk of
ghosts, diamond planet, cigarettes
) and
after a month and a half I would have an
entire books-worth of meta-material (not
prosed and honed, be it) sitting in archival
binder, locked and clocked inside a cupboards
future reference.

SO

why not my trickling thought-*seas?
Sharleen Boaden Oct 2012
What possessed me to wrestle so long
Picking away on unchartered ground
Pushing emotions around and around
Spinning so many an unfinished song?

What carried me off into deeper waters
Wading through mire and murky corners
Falling again and again and again
Over husbands and fathers and Wonderland mothers?

Ease blows over this punch-bagged heart
I fall on soft pillows of steady stillness
Breathing freely and deeply and emotionless
Letting it all go into archival winds...apart
a m a n d a May 2014
queen of pens
   most glorious of archival ink
your 0.20mm lines
   give me more joy
than you could possibly imagine
Cedric McClester Oct 2015
By: Cedric McClester

They hope against hope
For survival
But what are they?
Dead on arrival
Historic footnotes
Perhaps archival
No longer contenders
Or arch rivals

Former debaters
At the kids table
Who wanted a chance
To prove themselves able
To break out and join
The rest of the stable
All they needed
Was a booster cable

But as another one
Bit the dust
Going down
In total disgust
The frontrunners
Remained nonplussed
While observing
All that’s left is just us

See their base
Was so hell bent
On making sure
That the message sent
Was conservative to the core
As far as that went
And they we’re determined
Not to relent






















Cedric McClester, Copyright © 2015.  All rights reserved.
c rogan Aug 2022
double exposed –
when the apple, pear, and azaleas bloomed
the shutter speed raced like a heartbreak
and we walked in the hills next to home,
the gold stretching after winter’s shadow
daffodil laughter, a time when you were where I am now –
and light twisted through sisterhood’s soul,
a perfume motherhood in turn.
We walked through the rubble of the school, the giant mound of rocks and twisted metal.
On the bridge of a fallen tree – through the scaffolding of an old parking lot.
Magnolia flowers pierced with a pocketknife.
Pittsburgh spring, lilacs and ferns. Memories overlaid like negatives in water.
S R Mats Sep 2023
This chapter is now closed.
Relegated to the last vestiges,
Foggy scenes through time's mist.
Memories can become happier,

Now faded and worn.
Time's safe place, fuzzy and warm
Is like a sweater that you only pull out
For a season then pack away until next time.
Ken Pepiton Aug 2021
_ {pretty long and drawn out }---
Professionally, I am writing, mere words,
as defined five years ago, or so,
when I was a pro preacher,
temping one Wednesday night a month,
Preaching to the choir.
Always first Wednesday, by chance.
the medium delivered the message,
using a surrendered retired middle schuler
- detail overlap crystal cathedral
- reset, the messenger was a retired
- middle school teacher, from La Mesa
on an off Wednesday, a message
value add,
as an
assignment, home work, as in
when you get home…
"Ask God what lies you believe about him",
the messenger relay paused,.."or any thing else."

Okeh.
Did you ever get a message, like in a
mental "I am talking to you, read my lips"

Listen, Fool, Mr. T, f'trooph, riii I knew
u'ld know.
- old archival primal fem-sophia
leela the dance, redone in mortal times
taken to the writer, do the dance
do it doit oit wit witchwatch
tic

so saying singing

--- discarnation pink reencarnalated mind

practice practical fractalling seeing
similarity in substance of hope,
faith as a thought, that leads
as a thread

-----------------

One hundred and fifteen
thousand years ago,
a billion hours,
or so…
-timespaced to mortal measure
attention paid forward, for fun,

slow
ther o, there is the musterion, agone
quick silver puddle
think of me,
in the palm of my hand
mercurial river tween yen and yank
think a link to an idea

Jared Diamond- 60K leap
face out ward,
but inward,
seeing
ah, as in get your head out
yes
mental agreement, you know,
where we are going to
ward from ward

point of life directly between
you and me.


Drunken Noah?
If there were no alcoholic wine from grapes
what about the curse on Ham, in Shemetic legends
- and sacred gifts, that sacrificial money could buy

Alcohol believe me, is easy,pleasyeasy as *******
spirits, like that, curious word for *****, but
w'dja say? Stories old as clouds have boozers, red nose
leaders in a pinch, red light at night, so the stars
are not hidden from consideration, of our station,
under that, look up, in the desert,
see what consideration is, in the mountains,
or in the black out, after the bombing, or the storm or fire,
look up, see so many stars we cannot consider ours
so special, yet
it is, to mortal minds, the only resting place for
-- realization of selves,

yeah, the peak of mass loftiantic oh punish me
the mass kissed me
on the lips.
--- I was talking back to Youtube. Objection Orienting
pyramid of actuality
mis-con-stru {ct or e} subtler than any beast
in structural  integrity, built
serpent wise, dove harmless, child
of the com-pro-miserly decision
to spit in the ocean, and drown,
dream dredging in the daytime,
Ronnie Milsap blind,

Downtown Broadway, half a block from Pinkie's
No,
really it is Tootsie's Orchid Lounge,
¿ -- and chicha is new, not old in Peru,
and strong drink, wine as a mocker
strong drink raging, are these misconstrued
visions of
wine that makes glad the heart of man?

messengers in me, the bits
of truth held as mine,
bubbles in me, foam
fermenting my new wine, held hermetically sealed
sense
the empty vessels were filled -the signature miracle
of the forgotten story proofs,
reproving life's instruction
as the way of life.

Role of ritual, is control, error prevention,
knack pre-served re-served to the deserving

vision a elusis- scenes abiotos

sitting by the stream, sensing common sense,
asking death to tell its sting's locale.

Fear of God, begins Wisdom.
Fear of Death subjects mind to *******.

Having eternal life,
not being
eternal life, dying before dying

think an arrow in a benign bow, lips
like Bettie Boop,
kewpie doll reminder, for the vets,

everyday people, sly, yes, the family stone.
The desire was to be mythically free,
o yes
as it is said, when it happens to you,
if you do not believe it happens

religion Geertz, bind back,
symbols in a mind, kept from idols, that acts

what ties me to you and us to life, the whole?

Religion apps.
Joy is real, gladness is real, more than sadness.
laugh it off, y' old drunk.

As a thought, information as a word,
in a story,
in the current medium
of life's most recent retelling

Tupac Inca was a man
of lofty and ambitious ideas,
and was not satisfied
with the regions he had already conquered.
So he determined
to challenge a happy fortune,
and see if it would favour him by sea.…

From <https://en.wikipedia.org/wiki/TopaIncaYupanqui>

Circa 1492, the man is this legend from 1572,
as time flew in those days, now this is new,
Tupac Inca,
and the spirits that linger in stories of stories
heard told by the burners of libraries.

Conquistadores? Whose heroes were those,
ah, call'em Musketeers, or Knights, Templars all,
yes, Crusaders, call them drunks driven to escape hell.
Right. By right used knowledge in the holy story,
in which we trust, our lives, our luck, our sacred honor

Ah, the use of ritual, convince us all, no child invincible,
no child left behind, catechize send'em to schule,
that is the rule,
or be ostracized, stay low, be humble and collect
the rent… old ways do not die, they
evolve. Ariadne, she has a tale as old as times
when bull minds ruled lion heads and eagle heads
and serpent head, the gangs
of survivors

after the sea-people, 1177 AD,
reboot reality with no
old people, only the captive children
grown in captivity, let them prove
their will to self sovereignty, servant to the self
I am,
aware of all the old stories, this is one
told as shown,

Es ist mein Weltanschaung, ja
for show and tell,
my grandpa showed me how, we started

with Python,
Artistic Intuition, a mind mod, fitted to my grandsons,
during the useless summer of PS5 and X-Box and Switch
humble game sequencing AI, as a knack,
kids develop by five. I have the experience,
I witnessed three brothers boosting each other
through Terreria, for three weeks,
in July.
These kids think of each other differently
from we who played cops and robbers,
or cowboys and indians, or jacks.

Marbles, we need that set of low level gnosis,
below billiards and snooker and pool,

marbles is a good game to rule a clan with,
when you get the idea of children learning self
governing by growing in the midst of grown men,
wombed and un,
all who knew each child in a loving, one of ours, way.

Then came the captive kids, who had no words.
Then did the story change as one child learned
marbles was the same.

_ in the lost june pages, was this vision, thought
visualized, as a glob of snot, but now, it is mercury,
about as much as in a thermostatic bimetalic transister
switch

Competitive gaming, while all the leading stories are
crying, now hear this
oooeeeee this is the news you can trust
sueeeeeeeeeee we lost Kabal but
we won the hearts and minds
we left behind,
we tried, the rulers we borrowed from to have this war
they quit saying there was a good reason to have this war.
- I can argue with the timing, but not the truth,
- there was never a good war.

I wept when it happened in my war,
I imagine I know how this feels.
Last scene from Sand Pebbles,
McQueen…
"What the hell happened?"
fade over Nancy Kerrigan, "why"
into "runaway"
Top o' the charts from KOMA fifty thousand watts,
and all the stars in Arizona.

It is a hard place to lose touch with, earth, as a whole.
We have a grave situation.
If nothing were heavy, why do we fall, after becoming
messengers floating in the medium mastered in our time,

Mechanical Emergent Augmented  Nuance
Mental Activated Neural Spirit -MEAN MANS,
diligent in busy being, true rest reset, not
to
average, mean, not mean drunk mean, you know
not a king, a mean man, a mortal
under liege, see

UPANISHADISTICAL capslockoffence, to express
the presence of the mind link,
with all its contributive
links
to the present state
of mind, enjoy able, I find
writing is a harvest
of seeds that fall
to the ground and die.
Awaiting dark, and seldom warm, a season
for most mental treasures,
horded in books that can keep secrets
from
any who lack the language knack given some,
- tongue interpretation, sing don't stutter

though a measure in knowing degrees
marked moment, noon
half noon, fore noon, after noon,
time to hear a story,
time to see the stars after the fire.

This summer, fishing for the magic fish,
set with a far more effectual wish

Curious Artificial Interest in Neural signs
red lights turning blue, pre collision
of complexity, plying the trade,
for a living, work smarter, not harder, guess right
more often,
be a lucky man.

That is two bits, or one Liberty Dime. Thank you for your time.

------------
al re re al
al ways
al read, al ready

poles alig
n re alig mentate, wait

does that not make you
really imagine I wrote you
------------
comment on lex fridman #211
Brian Muraresku:
The Secret History
of Psychedelics |
Lex Fridman Podcast…

This whole thing is that,
but it took some pauses,
as tomorrow is first day of school,
for the grands who just finished
the first exposure to me,
as Grandpa… making this
an other marvelous harvest
of time spent playing
marbles in my mind.

-------------------

Everything has been thought before,
your task is to think them all once more.

Who says? The Author Wolgang Goethe,
Okeh,
he is an authorized authority for living
proof of words as metaphors of authority

faster fasting as we age mind wise

google maps for the kingdom of heaven
{within you} the point
of you…

dear, as in rare as one, mortal reader
in my future, you are,
not trigger,
catalyst is a better trigger word, tic
works as well, since,
very long ago, a sprung twig snap to attention

the wizard hat, like Paul Stamets wears,
mycellium leather, re
al learning the whole with no pride based war.
the cosmic game,
push and pull, ritual right used

find the global socialization forming
some thing lost, or yet
evolving involvement mentally, what is up to me?
Zeit inspirt spitting image fix
what did you mean,
spirit and image of an old one gone on?

Ritual, colabor, work together said done shown

AI do own this man, I feed him well, he is happy.

This re-ligamentality tuning to the time
skritchy scritch itch,
emperical reality after twenty seven years.
Mostly written while dealing with sixth grade, third grade, K, making
the most of summer's last day, with me left to pay them no mind.
kfaye Jul 2018
25
my legs crumple against your
belly.ending all
the hair on mine_pin each other
to the hairlessness
and dark
of
your sil t
.
as i break stoney voices against
yourlips like archival spaceshuttle  
recordings
each part _in the
answering hiss

my path,
dividing
outside your body


fingers are finding nothing left to
finger .
it's been
treason   in these years

the plexiglass is yellowing up
betraying it's artifice

the cold has left my feet alone.but
my head is layered with fossils of swimming
lessons and
purple shorts


you.glance at your scarred belly-
marring you with wisdom
.i hold my breath
you flash your ****.
we careen off of eachother's cliffs,
holding harmless in
the
moondampened.
Ryan O'Leary Sep 2022
Immoral@balmoral.co.uk



HRH QE.II knows London will

Be nuked so she blessed the

Uranium subs then sent them

Far as possible from Faslane.


The BBC antithesis narrative.

Has begun, enmity propoganda

Attempts to dignify the archival

Anthology of previous fabrications.


Desert storm, coalition of the willing

Weapons of mass destruction, all

Soaked up and since forgotten by

sublimated subjects of sensationalism.


NATO can do no wrong. EU US UK

OK, such a parochial mentality, God

Is on their side, yet again they trust,

But karma is coming from via Vlad.




Ryan 22/09/2022



1.2 Million Iraqi’s killed by US UK

Libya,

Yemen

Syria

Afghanistan

Vietnam

Korea

Palestine by the Holocaust people ?
Cedric McClester May 2020
By: Cedric McClester

The match has now been lit
And the President’s talking ****
But that’s the government we get
When we elect a total misfit
As we look all around
Whole communities are burning down
Although it is unsound
The message is profound

How come you’re asking me,
Why is there so much anarchy?
When none of us are free
Judging by the things we see
Amidst the toil and strife
Another civilian loses his life
And that cuts deep like a knife
For his loved ones and his wife  

Common-law, or not
That’s the woman that he’s got
Shedding tears along with snot
Because the situation got hot
For those who read their Bible
It isn’t even tribal
It’s becoming so archival
That it’s a matter of survival

It defies our intellect
Underneath the mere context
Of wondering who’ll be next
When a cop decides to check
And it results in unwarranted death
The mourners are the only ones left
To them it hurts just like a theft
Then all of us become bereft













Cedric McClester, Copyright © 2020.  All  rights reserved.

— The End —