Submit your work, meet writers and drop the ads. Become a member
Priyendra Singh Aug 2018
Placing my life on a bet
I lay on a motel bed
With heart pounding
And long loud emotional howling
That screams at the ****** inside me.
All throughout the act
I remain ‘inert’
While that pervert!
Gags and squirt.

Forcibly moaning
So as to earn a loaf of bread
for a family whose chieftain is dead.
This is the reason why I lay on bed.

Despite all this they make me culpable
Knowing very well with this I am feeding incapable.
If this is the law then answer me whether in true sense it is justifiable?

My only cry is my body has been taken for far too long
Does anybody want to take my heart along?
This poem is about *** worker who is currently undergoing court trial for engaging in an immoral act and obscene act. This poem tries to convey message of that *** worker.
dina Jul 2018
i'm a hard worker
sensible
persistent
i've been a hard worker
almost all my life

i get good grades
and i get rewarded

but i feel as i advance
my hard work
will not pay off
and my hard work
will not be enough
J May 2018
Brown, peeling rubber soles on big feet
Crunch crunch, the gravel and glass goes underfoot
The overcast gloom of the early morning.
Depressed and downhearted buildings lining the streets.
Weeds encircling the gardens like a dragon looming over its prey.
Flowers hanging their heads, gravely.

Smudged faces, dark purple eyes, gaunt complexion, another restless night for these children.
Bruises up and down each leg.
Trodden, broken. “Not good enough” ringing in their ears.
Dreary faces, ripped uniforms.

The school building silhouetted against the grey, emotionless sky.
“Line up in rows, nice and neat”
They would hear this repeated for the rest of their lives.
A zebra crossing worn and battered.

Cigarettes passed from frail, wrinkled, hopeless hands.
Hooked on 4 a day at the age of 13
The wind groaned through the yard.
Somber faces, with wide eyes awaiting an education.

Pale arms and legs bristling in the playground.
Teachers thinking the sun has set on their dreams.
The corporations rubbing their hands, stamping their boots.
Another day at school now, but do they have a future?
Peter Balkus Apr 2018
He is a labourer.
He fills the skip,
he sweeps and cleans the studio,
he moves the boxes,
he wraps and packs,
he loads and unloads truck.
Nothing annoys him,
nothing ****** him off,
with a big smile on his face
he does his job.

He is a great labourer,
a happy chap.
Zero Nine Aug 2017
It's about time that you see me
Tell me what you want
Spare no detail

Fail,
I'll deliver the wrong dish
It's about time that you look here
Tell me what you see
Rake up my flaws
Talk behind a nervous, naked back
How awfully kind of you
To eat and leave

Time goes pouring in a cup, all
my empty calories
Eyes go from the ivory wall
back to the ceiling

I want you to see the
imprint of pharmacies
You dismiss me
I want you to see the
horrible life I chose
Hear constant wishes to get right
Never the penetrating notes

Of the unrelenting love song

It's about time that you see me
Tell me what you want
Spare me no detail
obviously
Viseract Nov 2016
Bright blue skies and country roads,
Dust trails billowing behind the distant rumble of a 4x4
Gravel crunching, stones skipping
Sweat on his forehead and barley in his mouth,
Broad-brim hat clapped on his head
Dusty jeans and boots,
Checked red shirt and plain sandy dirt

This is the image of Australians
...and is somewhat arguable, but whenever someone mentions Australian stereotypes I instantly think of the "working" Australian and not the "bogan" aussie
You have a body.
I know you never sleep there,

spend less time breathing than contemplating,
jailbreak daily from your ribcage,

harbor kitchen spoons to feed your escapism.
hide the entrance
under stale white hotel sheets.

Born to be an actress
with no script, you ponder this
in every mirror.

In every mirror you inherit this vacant body,
enough money to live in a studio apartment
in Washington, Vegas or anywhere

men would pay for three phone plans,
calf-length black socks and pseudonyms.

A room at the Marriot to trade scars,
connect you again with your skin.

At a political dinner
roasted hog, blueberry pie,
gilded knifes protecting the spoons.

Dog mouths are wet for scraps.
They bark beneath the table,

"Unoccupied bodies, should start charging rent.
Have you considered being a *** worker?"

"...Oh come on,
you never even turn on the lights."
Have you considered being a *** worker?
You have a body.
I know you never sleep there,
spend less time breathing than associating with your own ribcage.
You're an actress
no script, just a character summary.

Limp, age 12, non-verbal marionette.
Snaps her strings when forced to dance.
Clings to the ceiling tiles, like the shadows she hallucinates.
Let's the puppet fall numb under strangers.
Ragdoll to be used for kindling.


When you play your part
You'll inherit enough money to afford a studio apartment
in Washington, or Las Vegas; anywhere with men paid large enough salary to afford your vacant body,
three phone plans,
a hotel room for you to stay awake in
Listening to dull thuds against your wrongfully warm corpse
Invited hoping the stinging could form tendons
adhere together like rubber bands
Snap you back into your skin.
You cling helpless to the ceiling tiles
Watch the ragdoll make mistakes.

"Have you considered being a *** worker?"
A homeless woman asked me,
*"Unoccupied bodies should start charging rent.
Let a man who can afford it pay for utilities.
You might be homeless
but you won't be wasted space".
Next page