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Reine Monroe Sep 2016
I want love,
I need love,
Where is love....

They tell you love is in family,
But they hate...
They tell you love is in you,
In order to find it,
you have to look in the crevasses of your heart,
But within you ,
It's reenactments of a ****** scene ,

Tell me again ,
Can't you answer my question?
Where is love ?
I'm looking for love ,
Love can you see me ?

You want love from me ,
I'm not earthly ,
I can't give you what you need..
My love can't even nuture me,
When I'm in time of need..
How can I learn to love you,
When I'm half loving me...

I create duplicates of paper hearts,
Made up of broken sea shells ..
Forgive me if I'm distant but loving,
I'm convinced I need help...
you're yelling at me to hurry up because we're going to miss our flight. i'm still standing in the shower at 7:08am, having locked you out of the hotel room we booked with the money we didn't spend on textbooks.

i'm staring out the window as people depart from the terminal. my hair is dripping wet. i focus on the sound of the drops hitting the carpet rather than watching you sit up in anticipation every time the woman on the intercom announces who's leaving and when and where to go.

i bet you wish someone had told you that about me. someone in a uniform with wings pinned to their blazer, assuring i will get where i'm going safely.  i can't tell if you're eager for this thing to get rid of me already, or making sure you know how to respond when it does. either way, it feels like you've decided i'm already more gone than not.

you didn't think about this when we were high school students on the field and in the bleachers. you didn't know that i intentionally didn't have a four-year plan. you didn't know that i didn't have one at all. i wasn't guaranteed the opportunity and burden to sit here as you panic in silence anymore than the next person. but i knew you were going to find new meanings for the words "departure" and "terminal".

the cabin air pressure gives me an excruciating ear ache, and my nose starts bleeding. while you were too busy freaking out, frantically pressing the attendant button,  i pulled a napkin out of my purse, looking away, more embarrassed by you than anything else. i make eye contact with a kid sitting in the middle aisle, and she starts crying. she tugs on her mother's sleeve, yelling, "mommy, she's bleeding! that lady's bleeding!"

her mother glances back at me with an apologetic smile, and eventually calms her daughter down, who seems more panicked about being on the plane with a dead person than my actual well being. i don't blame her. i have the empathetic capacity of a young child as well. being lightheaded and thousands of feet in the air doesn't allow much room for me to care or think about much else either.

a few minutes pass, and i've dozed off, but not so deeply that i don't hear the kid whisper, "is she gonna die?"

the attendant has made her round back to me, and asks me "miss, are you okay?" the tissues stuffed up my nostril are soaked in dark, red blood. i sigh.

"mommy, is she gonna die?" the kid repeats, tugging again.

i nod, more to the girl than the attendant and close my eyes again.
Alex Hoffman Sep 2016
Droplets of sweat flattened on our foreheads under the weight of a mid-August sun—flattened into ovals of sticky sodium, catching specks of stray dirt swept into the air from the passing semi’s and transport trucks, whipping the wind into torrents of chalky highway dust.

Pressed high against the skies curved plain, we used our thumbs to browse the passing cars like pages of an anthology enclosed by a narrow spine of asphalt.

But when one pulled onto the shoulder and we approached the passenger side window, we too were ****** with the expectation and appeal of a library—mutually eager in the labour of conversation for the currency of experience.

For a moment, as the prairie receded in the side mirrors, our car became the baseline of a frantic cardiogram, crowded by the landscape of rising granite walls and low-hanging canyons, and the space between our separate lives closed like parallel lines drawn by gravity to a magnetic core.

We pushed our destination west, as far as it would go, safe on the heels of expectation. In motion the passing towns crackled like neurotransmitters firing signals over axons of black asphalt. But each time the car slowed to release us, one more they faded into a rancid stasis, that, once more, we aimed only to depart.
After a summer hitchhiking across Canada.
Anna Mosca Sep 2016

the mothering love
of letting go

silently keeping
a corner

warm the nest
ready to welcome

anytime me
the wounded bird

a small body
still crossing oceans
www.annamosca.com

this poem is part of the collection California Notebooks 01
Eric L Warner Aug 2016
One.
Two.
Three.
Four.
I count the divider lines as they disappear under the truck.
The hood of our big rig eating them up like some,
insatiable beast.
"You and me" he says, "We're the last real cowboys."
He's right.
We're the last real vestige of the American West.
The thousand dead bugs and cracked windshield tell the stories of
      our cannon ball runs.
Littered floors and bloodshot eyes have replaced our calendars.
Local bartenders have replaced our therapists.
And the 8-track gives us hope with a steady beat.

"**** John Wayne!" he screams as he snorts a line and blows past the
     weigh station.
This has been going on for three hours now, and I'm strangely comfortable.
Graff1980 Aug 2016
A hundred twenty miles
Away from home
Doesn’t seem so far to go
But I’m tired from
The twelve hours that I worked
Need some sleep need some food
Get it down and back in I go
Seems my life never slows
Down at all

Back and forth I’m in and out
Barely get a second’s  breath
And they call me for another shift
On the road

Wash my cloths hit the store
Get some food and gas
Before I go
Back on the road
For another fifty or so miles
Farther away

Pushing on going through
Still you know I’m missing you
Gone one twenty to two hundred and two
Miles away

Heavy hearted I hear a sob
Tears fill my eyes
I don’t know why I cry
Maybe I’ll get a day or two
To come back home to you
Ashna Alee Khan Aug 2016
I was a spider
I was the Sun
I was a pagan
I was a traveler
when I was all
I was none..
Graff1980 Aug 2016
It is only a hundred miles
two text messages
and a phone call away
to say I love and miss you.

A hundred miles
working eighty-two hours
in just one week,
when you check in on me
and hearing your voice
makes me so happy.

A hundred miles
three stories up in my hotel room,
quietly keeping to myself,
sleeping way past noon
to work at midnight,
I’ll be alright
as long as you all know
no matter where I go
I love ya.
Aaron LaLux Jul 2016
Everybody’s staring again,
wherever I go whether they know or not,
I see the stares and it doesn’t matter,
if you’re taking my time you’re taking my pain,

what’s to gain,
from all this trouble,
I put my headphones on and try to focus,
but their staring again and it’s distracting,

fck this,
I want to explode like a supernova,
you don’t know me you want to know me,
I’d show you the truth but you’d be scared,

they always want to love you from a safe distance,
well with love there is no always and no distance is safe,
facts folks facts,
I’m off my axis writing in undefined prose,

what’s the pattern here,
there is no pattern here,
I’m getting bored I’m done here,
“Hey do you want to get out of here?”

Let’s go,
find a place,
where we can be,
period.

Want to take all this pain,
and push it into the world,
turn it into beauty,
change it into medicine,

oh man,
he’s on one again,
on that “Saving the world” spiel,
what’d they slip in his coffee today,

he’s acting strange,
and everybody’s staring,
like they know something great when they see it,
even if they don’t know exactly what that thing is,

what am I,
I don’t know and don’t have time to care,
got words to think and books to write,
got history to make before I get out of here,

“Do you want to get out of here?”

“Everybody’s staring again,
and I’m starting to feel uncomfortable.”

The king of awkward feeling strange on his throne,
I guess the best thing about being a runaway is you’re always home.

Or you’re never home,
and everywhere you roam everybody  stares,
wherever I go whether they know or not,
I see the stares and it doesn’t matter,
if you’re taking my time you’re taking my pain,

“What are you staring at?!?!”

Really I want to know,
because I’ve been trying to figure it out for years,
been to every continent,
and still I have no idea,

you are forcing me to not care,
taking hope and making my favorite word “whatever”,
whatever I feel exceptionally dizzy and want to throw up,
everybody’s staring the world is spinning I’m at a cafe in Budapest,

a table full of girls asked,
“What did you eat?”
I answer truthfully,
“Nothing, I just woke up.”

I was just stood up,
or maybe I missed my date because I just slept in,
I don’t know anymore because I feel disconnected from everyone,
and the further away I feel the more I see them stare…

Everybody’s staring again,
wherever I go whether they know or not,
I see the stares and it doesn’t matter,
if you’re taking my time you’re taking my pain…

∆ Aaron LA Lux ∆

author of The H Trilogy
author of The Poetry Trilogy
Aaron LaLux Jul 2016
Budapest

It’s an odd hour in Budapest,
that time when one finds themselves all alone,
passing vagrants who rummage through the trash,
searching for scraps of whatever and possibly some salvation,

I’d been drinking,
which I guess is good and bad,
coming fresh off of a philosophical conversation,
with an ideological Kiwi,

I couldn’t crush her ideological exuberance,
with my aged cynicism,
even if I’d wanted to,
because I respected her passionate optimism too much,

or not enough,
either way,
I was as alone now,
as I was before I met her,
except I felt lonelier,
because we all feel lonelier,
after having had the company of a friend,
or a stranger,
whatever,
it doesn’t matter now,

I’m several drinks in,
and I’m back at my rooftop apartment,
across from The Dohany Street Synagogue,
retreating into my writing which is where I find myself now,

at this odd hour in Budapest,
that time when one finds themselves all alone,
passing vagrants who rummage through the trash,
searching for scraps of whatever and possibly some salvation…

∆ Aaron LA Lux ∆

author of The Poetry Trilogy
author of The H Trilogy
∆ ∆ ∆ ∆ ∆
∆ ∆ ∆

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