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mark john junor Nov 2018
she gathers them up
holding them gently in her arms
there are more every day
like harvesting flowers
pick them when they are in full bloom
she walks barefoot in the fields
in a powder blue dress
big floppy hat to keep off the sun
she gathers them up
and brings them to the boatman at the river
he gives her one of the four coins he collects
for each one he ferries across
to the gates...
the gates....
one bright with golden promise of joy
the other dark and cold...
she hates the sight of the gates....
she wants her flowers to stay the way they are forever
tranquil as life in the country
serene as a sleeping smile...
she walks the battlefield that night
gathering up the fallen soldiers
she is death
come to harvest the late bloom
come to gather the souls for the ferryman
across to the gates of forevermore...
stopdoopy Nov 2018
Eat
1 2 3
Seeds from fruit trees

Love
I've missed you
My cherished one

Soon
You will be
With us again

Cold
Is the earth
Beneath soft snow

But
Way down here
The embers glow

Warm
Are we, beloved
Feelings freely flowing

Waves
Crashing into rocks
Passionate and fierce

Eat
4 5 6
Cross the river Styx
. . . . . .
Brandon Conway Aug 2018
How many hearts will cause a man to fume
How many heats must be enraged with fire
How many hearts will a hungry soul consume
How many hearts actually follow their life's desire

How many hearts are frozen without a beat
How many hearts are left buried in the cold
How many hearts except total utter defeat
How many hearts never take off the blindfold

These questions we may never know
until we are the lost wandering souls
in the Styx's black meadow
while loved ones are left to condole
Lakin May 2018
congestion of a lung-
the left one that he can live
without;  
sans the pareidolia, what is
this organic machine?
maybe a
fool weakened by
failure of finding the
force in front of him.
having waited this millenium
after Archimedes,
subtraction has
become the reaper
of the living man: one who
doesn’t need his eyes to
find his feet wet from Styx.
one of my favorites. Proud of this one...
Jenn Coke Oct 2016
The river flows one way;
Once you're across the Styx,
You cannot turn around.

Up ahead, death awaits.
Behind, life aggrieves.
Yet, all but one choice exists.

Despite the past, move forward,
However dark the path is.
Leave what was to what will be.
Lark Train Jun 2016
Alive in this place
Of the dead and soon-to-be.
Crossing River Styx.
Alexandria Hope Jul 2015
This haze about me is permeating, it dances in and out of the ebbing waves. Not completely black, though the smokey wisps and shades of black lend the water enough to be so.
Boats rest docked, ever on the schedule of the tides, marked by the men waded out to them. Foot soldiers in shimmering, soft grey suits the color of dove, up to their knees soaked. There is a hooded figure on the dock, not a woman nor a man. They carry a long rowing oar like a staff and stand always upright, vigilant. Without bones to weary or skin to age, only a porcelain mask to face when the time comes.
It isn’t expensive to take the ferry here, not terribly, in any case.
Unlike so many fishing wharfs I’ve seen before, there is no unpleasant odor. It smells of wet wood and lilies, which is curious. There are flowers about, dying roses are continually pushed up to the beach, but those I cannot smell. The lilies I cannot see.
In the water there are small paper boats with a candle each, burning easy in the windless air. The men in the water dodge the wayward boats that have drifted too far, but none of them seem to fear catching fire.
My feet are bare on the hard packed clay beach, I could easily walk in among them, and I wonder if I should go out to help.
Through the distance and dark I can see they carry a heavy box upon their shoulders, it dips dangerously to one side as one man slips.
The hooded figure does not turn as they slip their burden into a waiting boat.

I want to go with it, to see what’s waiting beyond.
Just as if my thoughts are read, I hear a small voice beside me and startle.
They must not see me here, or I will surely be in danger. Only the hooded figure may know me, should I choose to pay.

“You cannot go,” speaks the voice. It is a young girl, russet hair pulled up in a ponytail, though much of it is soaked and sticking. There is a **** upon the side of her head, but that is to be expected.

My mouth twists at the corner in a down turn, my first instinct to rebuke her. My but I am curious, however. “Why don’t you?” I counter, not turning. Never turning.
You must not face those you meet at the docks, nor at crossroads.

She nods appropriately, also staring out at the men as they work the ropes securing the boat to the dock.

“I cannot wake, neither can I depart. I am waiting in the interim.” She broached, a little wistfully. Then with a further turn towards conversation, asks, “what do you suppose they are? Do you suppose they were once-”

“No,” I interject. “No I don’t suppose.” And she smartly shuts her mouth.

If I face her, I’ll know. I’ll look into her eyes and see the water rising and hear her screams and feel the burn of hospital lights. I cannot allow her to see me.

“You cannot go, you cannot wake. You cannot stay.” I wondered aloud. “Have you not the cost to pay?” At this, she almost turns. I slide my gaze further away before I hear her again.

“You are old, you’ve forgotten the true weight of the price.”

The boat is freed and its guide alights it soundlessly. The men turn back towards us to fetch their next charge as I unknowingly hold my breath.
This time the box is much smaller, light enough for one of them to hold in his arms. The other three form a procession up to another waiting boat.

I’ve been too caught up in watching to notice the terror on the girl’s face. There is not much assurance in this place, but here we are.
She doesn’t make any notion that she can hear me as I voice myself, albeit shallowly.

“It isn’t yours.” But it might be, for all I know. For when I finally turn my head at the silence,

She is gone.
Alisandra Gray Dec 2014
Empty angels dance
upon the thunderhead,
skip amongst the ******,
laugh amongst the dead,
twirl along the river Styx
to abandon those they've led.
(c) Alisandra Gray, 2014.
Aaron Mullin Sep 2014
Yesterday, I sat on the shores of Acheron.

It was before christ or maybe British Columbia hard to tell, my lens was clouded
The mushrooms were telling a story.
Do you know what story they told me?

The truth hurts cause the truth comes from the ******* of bovine
And we are all bovine … some sacred … some dinner … some just simply cows
And I wish I had bovine spongiform encephalopathy

At least then I would have an excuse for being a mad cow or raging bull
Either/or, a **** machine is a good thing for this world
Because: mushrooms.

You have to go in through the out door
And Frost told us long ago “The only way out is through”
And Rogan gives this knowledge away in the aether via Amber.

So what does the gateway into the **** have to say to me?
We are the monsters under the bed. The spectre’s lurking in the closets
And Yahk, BC is the place where answers get spewn out in chunks and spurts.

I thought the only way into the underworld was Grecian.
But a warrior poet knows the way,
And Chris would always and in all ways die for Bella.

Cause what is an eternity without your One
It is eternal damnation
So across the river our hero goes.

He slays everything in his path, beast or brethren
Now the illusion is destroyed
The underworld is deceased except for one.

Residing in the mirror lives the final causality
Casualty?
Only if you want out.

And out is through
So you destroy the Self - id, ego, super-ego … you decide
Covenant in disarray.

And what is born out of it?
The river styx no longer
But instead … the river phoenix
Written 7 September 2014 on the Shores of Acheron in Yahk, BC under the influence
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