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A C Leuavacant Sep 2014
The grange had got it's new tenants at last
Swiftly approaching it's great gates
They were a beef eating bunch of a bloodline
horse and carriage and all
Driven by a shirtless whip in sunburnt skin and an ivy cap
The sun above a dreadful shade of burning peach and sky of sickest sea blue

The master twiddled his thumbs as he leaned out the window
Watching the gate part
The letter open on his desk
Not as much as an telephone call
Just a stack of notes and a newspaper clipping
Smartly closed in red sealing wax
Did they not know what had happened here just a year before?

_________

At lunchtime in five weeks
All was not well
Not one bit
The garden swing hung off it's hinge
Creaking in a minor key
Drops of blood the same shade as sealing wax disrupted the floral wallpaper which lay abandoned on the garden path
lumps of earth were roughly dispersed
Four lumps
For that one bloodline  
One year, five weeks and a few lonely hours
Javier Garza Apr 2014
I fell from my throne of fire
Lost my crown
My subjects of hell reject me
My kingdom crumbles to dust

My palace is gone
With it the deep sorrows of darkness
This ****** land, no longer mine to command

I lost my power
Weak and renounced
No souls beneath me who fear me
No strength in my hands, these are no longer my lands

I fell from my throne of fire
I lost it all
Let me just burn
Let me just die

This Palace of Sorrow no longer claimed by me
These lives to rule, are now free to be
Let me just burn
I lost my throne
I lost it all
Let me just burn
To escape my biggest fall
Nathan Squiers Sep 2014
"Let me make one thing clear, hombre," The Suited Man spoke in a low, purposeful voice as he rolled a cigarette, wetting the corners with a serpentine tongue a moment before passing it over his upper lip, "I have watched--with great joy, I might add--the nature of death." Then, pursing the cylinder between his teeth and offering a wicked grin, he punctuated his upcoming point with an audible flick of his lighter. Exhaling a pungent cloud in my face, he rapped his left ring finger across the length. "Everything is aware of its mortality; everything. The rich, the poor, the holy and the sinners; the birds, the ***** bees, all those saved whales and every single one of the hugged trees. Every squirming, writhing, wiggling, wicked little creeper and crawler that has ever existed and may ever hope to exist... all of them. Even the ******* atoms in the air! All things know that they're doomed--it's why even the single-celled beings have all those defense mechanisms; all those..." he smirked, flicking an ash, "adaptations, yes?--and yet, from the massive to the miniscule, none of them face their mortality with near the greed nor the total lack of grace as your kind. You've known since you were a wee lad that you'd die, hombre, so why resent it now; why fight for more time? Another hour; another day--hell, I could hand you a written guarantee that you'd have another decade to do whatever you wanted..." he shook his head and pulled the cigarette from his mouth to flick the growing ash and admire the ghostly trail that ascended to the mist-swirling ceiling fan. As the contemplative moment passed, he returned the cigarette to his mouth and leaned closer to me, bringing his cold, black eyes so close to my own that my vision knew nothing more. "What would that decade mean to you? For me it is nothing--those like me do not worry much about trivial human fictions such as time and... well, all of this"--he waved about the room with his index finger--"So I hope you'll forgive my skepticism; understand that it's just my ignorance to your pervasively infantile beliefs." He rattled three of his bony fingers on his jutted chin, "Tell me why I should sympathize with your plight over all others who have pleaded with me before you. Explain, if you'd be so bold, why I should adopt your urgency as my own."

It took me some time to find my voice. Between the smell of his herb--something that, in all my years of debauchery and romances, I'd never encountered--and the fierceness of his presence, there was a sort of little death that had wormed its way into my thoughts. I fought to sit up, but did not have the strength. I struggled to clear my throat, but could not command my lungs to work as I wanted. I worked to wet my own lips, cursing the dryness of my dated mouth. Finally, I gave up; succumbing to the reality that my body was useless for the soul occupying it. There was nothing left of me but my wits, and it was my wits that I needed now more than anything.

I shut my eyes against his overwhelming stare.

I held my breath against his foreboding aroma.

And I let the soul say what it needed to say:

"Let me make one thing perfectly clear, good sir," the voice I heard barely sounded like my own, "I have watched--with utter disdain, I'll admit--the passing of life. I believe you when you say that everything knows it will die, and I also believe that almost everything deserves to die. Not because almost everything is wicked or evil, nor because I feel some contempt or hatred towards almost everything. As I lay here I'm certain there are many eager to see me go, and I not only respect their right to feel that way," my lungs abandoned my speech's momentum and I paused to take a rasped inhale, "but I agree that I deserve the mortality that's haunting me."

"Do you understand you've already wasted more of my time than I typically allow?" The Suited Man asked, aiming his pointer and middle fingers--and the smoking cigarette pinched between them--in my direction.

I nodded, finding strength enough to hold up my hand; silently begging for a moment longer. "Please, I won't be much longer... and once I'm finished, I'll accept whatever fate you decide with dignity."

The Suited Man chortled at that, "And silence, I hope."

"Yes," I sighed, "and that." With my company motioning for me to continue, I succumbed to the voice of the soul: "You deal in death, so you must have seen enough to know that, while those like you care little for time, it is what defines all those who perish. What, if not those minutes, those hours, those days, years, and decades, are we to value? You deal in death, so I can't ask you to understand why we fight to live. To you, a book is not worth reading because it has an end, and that end represents a lack of substance; but that book, like each and every soul, has a story to tell. And the only thing greater than the limited time each and every soul has is the stories we leave behind."

The Suited Main rolled his black eyes and flicked another looming tendril of ash, "You bore me with your rant, hombre, and my smoke, like you, is running out of life. Get to the point or accept mine." He took in a rattled breath to fuel a dark and hollow voice, "Why should I let you live?"

"Stories are the most important thing for anything that fears death, good sir," I fought my growing aches to move my hand to the stack of papers at my left; the stack perched blissfully beside my old, dusty typewriter. Patting the pages--taking a certain satisfaction in the nostalgic feel of the stock I'd long since grown loyal with--I cocked by quaking skull towards the desk and its contents. "And while I await the day you'll finally escort me from my desk, there's a story that I've yet to finish."

The Suited Man narrowed his black gaze at me--the two orbs shimmering like obsidian beneath his timeless lids--before the glow of his pupils shifted to the desk for a long, tortured moment. Without looking away from the stack I still rested my hand upon, he returned the dwindling cigarette to his lips and inhaled before letting out a long stream of smoke.

Though I didn't see him stand, he was on his feet then. I took in his height with the same terrified awe that I'd received the rest of him--his sudden appearance in my late husband's chair across the room; his impeccable awareness, or my unwavering understanding of his purposes; everything that made him who and what he was--and allowed him to continue his long, tortured moment in gazing at the desk that had, just as much as the hours and days and years, come to define my life.

Then he was gone; him, his smoke, and the terror he radiated.

Letting out a labored breath, I struggled to turn towards my desk, trying to recall where I'd left off in my manuscript. As I settled in, I caught sight of a clean page secured in the feed of the typewriter with the only evidence that I hadn't been alone:

"YOU HAVE YOUR DECADE, HOMBRE. SPEND IT WELL, AND SAVE ME A COPY OF YOUR STORY."
Not really a poem in the traditional sense, but the overall theme was more poetic so I figured all you lovely HP folks would appreciate a little more ;-)

Hope y'all enjoy ^_^
Beth Ivy Sep 2014
Dancing at my windowsill she calls,
black bottomless eyes and a jagged smile
tug me from sleep with a broken-glass laugh.
Beckoning, this pixie traces softly across my jaw--
fingertips so slightly ***** the skin.
Wordless but for laughter she pulls at me until
charmed I rise to follow where she leads.

Open evening air greets my night-dressed body
with cool wakening breezes and wild sounds.
Stumbling through rocks and over roots
I chase through the wood behind my manic guide.
Toes grip at undergrowth, slip, falling to arrive
on my knees
scraped and panting slightly
in a clearing otherworldly,
aglow with fey light.

A curious night-shine looms--yet Luna's face is hidden.
All attentions focus now on this central luminescence.
From its core jangles sweet, unearthly music
twisting its way into my heart
teasing at the edges of my fragile mind.
Compelled forward I follow sound--
my waker cannot outstrip me as we hurtle on.
Before our eyes the glow casts shadows
forming structure in this mystifying vision
eyes drink in your very first glimpse:
The Carnival.

Light and shadow compose sweeping tents
striped ebony and ivory, seeming strong as each
element yet smooth, sculpted by a master's hands.
Leaping black flames skip along their summits,
performing their nocturnal dance,
illuminating darkness, engulfing light.

Revelers' song soars and forms carouse,
                                                  lively­--but shadows only--to the eyes outside.

The air bears heady perfumes, enticing scents:            
rich, melting creams and toasting sugar
enveloping baked warmth and intoxicating spice.
Last, encircling all this wonder,
cries of mirth and sights to amaze:
an unadorned, unflinching iron fence.

Drunk with sound and smell and scene
wildly spinning through the breeze,
my rousing sprite whirls ahead
bound as if in a trance
her body flinging against
the forbidding blackened gates--
                                        her laughter only extinguished
                                                         as her delicate form dissolves into smoke
                                         holding momentarily the blue of night
                                                         her wasted shape, lost to the barrier.


But Curiosity will blind
eyes far more chaste than mine,
and Allure sings only such songs
that no heart suffers long.

Heedless mortal as I am, I grasp the solid frame
decay crumbles rough against my palms.
Bodies of other spirits caked by time
or the innocent work of oxidation
I do not pause to wonder,
merely vault myself over the fence
and brush from my hands
the black dust of portentous iron.

Inside the gate, vibrant figures flood my vision
ornately costumed in gowns of orange, violet, green
arrayed in shirts and trousers dazzling in spectrum.
These gorgeous apparitions loop around me
peddling beauty, selling fame.
They mesmerize  the eye with stunning wares:
an emerald beast to carry your heavy burdens
sapphire wine to cool your burning tongue
the music of a thousand crystal seas
kept in a bottle to drown your babbling mind.

                "What do they cost?"
                            "Not a dime, not a dime!
                              Just your Now, just a Moment,
                                                         ­                  only Passing Time."

Wandering deeper into the mysteries of night
a band of revelers swing beside and catch me
laughing, bear my bewildered form in arms
and deposit me into a large tent, wherein I find
a man at a canvas the size of a wall
before which are seven stone bowls.
He dashes his brush before the amazed,
and the canvas remains blank
until my companions urge me closer.
Couching myself upon a cushion shapes appear:
Here is a man who will paint your heart's desires
so vivid you can lose all you have
so intimate you fear to move,
lest any see the embers of your fire.

Spin and turn, the Revelers never stay long,
nor draw too near to any one spectacle,
but only joy for new tents, new delights.
No passion was left to grow cold,
no enchantment to lose its power.

Spin
See the girl of flawless grace,
her body painted like the stars--
                                                  the stars the carnival hid
painted like the stars and lithe as the air
ethereal in her arts,
ascending the pole, traversing the rope!
See her twine around stakes and over fire,
dive through hoops and drop
through that needle-loop in your eye.

Spin
Step up to the tent of glistening blue
the fountain that gushes without source.
Marvel at its lucent clarity, it's chilling foam!
Fill your goblet to the brim and drink!
Drink deep, imbibe sweet forgetfulness.
Long for nothing, cleanse your heart.

Spin
Take the carousel with its living beasts to ride.
Make merry with all on board and erase
any care your heart can hold.
Let the furious pace speed on from you
all that would trouble for a thought.

Spin
A honeyed apple pressed against your tongue.
                                         Just a taste! Just a bite!
See the glistening on the skin
made from the dreams of the greatest hearts
unrestrained and unrequited.
Fresh Desire--they're all the more enticing.

The apple glitters golden, its red flesh shines beneath.
Something familiar, a darker red, flecked across the finish.
I bite down and reel--
Something wondrous, but something queer.

Faithful attendants grab me quickly, dance me
into the mouth of a dark velvet tent.
It swallows me as I fall, waiting for the teeth---

        White mist surrounds with a shimmer
         and I have found the ground.
A Voice, deep as the sea enfolds me
gentle, heavy as with sleep--yet all aware.
It invites me closer, sit nearer
rest from the night's fantasies.
Lulled, I make for the figure hooded in brilliant gold.
He leads me to his table.

Heavy, strangely empty I seek sanctuary.
He offers instead a great promise--
power over my weariness, my desires met.
He offers joy unending,
pleasure without regret, without shame.
A haven promised here, mine alone, if only--
--if only I will stay.

But something tastes metallic in those words
promises that cannot be kept.
No tent could hold so much.
This voice, so warm and pleasing,
cannot mask well a lie,
and the gentle hand holds equally a threat.
                                                         ­                                                             run­
                Awake once more I fly from the shroud
bursting blind into the alley.

But back in the tent, left a piece of my heart
and my eye rolls away into a peddler's cup
blistered bits of my soul flake off, scorched
by fire-eaters food. What's left? Who am I?

                             What did it cost?
                               Not a dime, not a dime!
                                          Just a piece of your heart,
                                                                ­  just a piece of your mind.


Retching, the last of my still beating heart
squelches into my waiting hands.
I gag and sob out the gore, disbelieving
this small bit of flesh is all that is left
of all that I have been.

The blood draws the eyes of comrades
now changing from lovely to grotesque.
Ravenous, their teeth elongate
Eyes darken and colors fade
What was vibrant now decayed.
Sweet cream curdles in my mouth.
Rich meats, choice fruits turn sour--
the apple rots.

A hoard unrecognizable
of starved beasts and hideous beings
bears down for my final offering.

But I must know who I am
and what there was beyond this place!


Sprinting barefoot from the mob
clutching the vital treasure to my chest--
though to there it may not return--
I look now for mercy from the black gate.

Elegant porcelain fingers produce monstrous claws.
What once caressed my wondering skin
now sinks in for blood with crushing force.
A hopeless last attempt, a dead man's prayer:
I fling my body on the gate---


                                                       ­                                I am over. I am free--



Iron that once kept me out, now holds them fast within.

Bedclothes torn, all my purchased raiment turned to ash,
I limp, clutching a fragment heart.
Staggering from the Carnival's screams,
its dissonant music now all trick and terror.
Putrid garbage wafts from its walls.
Press onward, never looking back, through the wood.

So long ago--how long?--a little one led me here.
Her death was her own, but could have been
my salvation, a warning dearly paid.
Cheaply received.

My mind swims.
A body with its heart outside cannot last.
There are many things not of the Carnival
that would have my final scrap.

Faltering feet stumble and tripping find
a mere clear and still: a mirror for the moon.
And Luna's face does shine down
all her attendants watching on
as my naked form collapses beside its calm.
I cannot deserve this resting place,
could not discern a trap if one here lay.
All I can and have and am I offer up to Mercy,
and dip what's left of my broken life
into the cleansing pool.
first legitimate narrative piece.
a proof that no one can have an original idea. listening to showbread's 2004 album, *no sir nihilism is not practical.* definitely some inspiration from erin morgenstern's *night circus*, although her book is quite a different and lovelier thing. recently reading *undine* by friedrich de la motte fouqué (translated. i'm not that classy). recently struggling with those things that most often try to ensare a heart.

this is undoubtedly going to be one of those pieces i am never happy with.
Prepared to ridicule himself, this fool
Is guarded against the jibes
Of those he thinks less inclined to self-criticism.
How then is he to gauge his faults
And turn them into something worthwhile?

How can he define his foolishness
If uncertain as to the extent of his limitations?
How can he begin to accept the advice of others -
'Go jump! ' 'Take a good hard look at yourself! ' 'Grow up! ' -
If he isn't prepared to be objective?

Unprepared to accept objectivity as objective
'I know what I know', he spouts
Ill-mannered, inconsiderate and obstinate.
How is he to assume the more demanding role
Of the one being spoken to?

No words, it seems,
Can convince him of his stupidity.
No words, that is,
Except his own.
Um.... ah.... um.... a poem takes form.

Ironically, loneliness is his theme
Nothing else can say what he wants to say.
Happiest is he, when miserable
Exposing his misery for all the world to see.
No one, it seems, is quite as miserable as he.

He takes care not to say too much
In case,
To make his point
He admits (in the mode of a tragic figure)
That there is nothing to say.

Logically, 'there is nothing to say' explains
His actions
Although failing to describe
What bothers him.
It seems that that can only be other people.

In them, real feelings express themselves
And a challenge presents itself for him to understand them
No matter
It is they not understanding him
That concerns me.

As querulous as it may sound
It is their obsession with 'reality'
That he objects to.
No amount of persuasion can convince them
That his feelings are real.

'Such as absurd notion demands an explanation'
He hears them say, but he is only prepared
To go on dreaming -
Observing others observing him
Observing them.

His sincerity
Isn't expressed in conventional terms.
Unbeknownst to them, he cares
And unknowingly they add to his suffering
As they refuse to acknowledge his feelings.

His suffering -
A product of a trivial pursuit
For universal meanings -
Is compounded by those who think him
Lacking.

*

Lacking in those human qualities
He most desires
He turns to someone, who,
Without her knowing,
Possesses them for him.

Kindly, she admits him -
Herself lacking the assurance
To comprehend the extent of his need.
She feels for him
As one would a child, an innocent, a poet.

His feelings exist in her eyes,
And his failings form
His 'uniqueness' -
A reason
For loving him.

Sufficent reason, in itself,
For him to love her.
Nevertheless he feels
An even greater need
To justify his feelings.

Their differences,
His reliance on her
And, equally,
Hers on him
Need explaining.

As others see it
Their differences contain the germs of disunity,
And in their interdependence, signs of submission.
Again they see things in 'real terms'
Neglecting to take into account the power of the imagination.

She isn't what she appears to be
Her beauty transcends experience
With all pain absorbed in her -
He shares in her happiness
And is privy to her sensitivity.

She instills in him a new faith,
Another reason to write -
A belief in humanity.
This is what he must explain
To those who think him foolish.

But he remains aloof
Barred by a certain quirk in his character -
Whenever he tries to be serious
He gives the impression
Of being insincere.

When he tries to explain his feelings
It's as if he is the one
Who needs to be convinced -
His new found faith seems void
Without someone else to believe it.

Yet people want to listen
And give him the chance he's been looking for -
The chance to prove himself to them.
They're not heartless,
And would rather not judge anyone unfairly.

The truth is, however,
That he is such a fool
That he needs to hear his own words
From someone else's mouth
Before he can believe them.
Gary Aug 2014
It's late at night, he's drunk again
******* on a cigarette,  writing about where he's been.
He sits as his usual table, in the middle of the room.
An old wooden table, his mothers mothers friend bought at a flea market, times ago.
There are words and scratches covering it's every inch.
Imprinted, from his nightly thinking.
So everynight, once he dumps his overfilled ash tray and cleans the clutter of loose papers, he can see all the memories he once wrote.
Memories,  not good or bad.
Just reminders of what thought each evening in past has brought.
Half words, half sentences,  words over words.
Complete mess, just as his life.
Not even a full sentence, as are his daily thoughts.
Broken sentences written.
Broken sentences spoke.
Broken sentences - read.
Double words over one another.
Slurred speech,
Stumbles in speech.
His thoughts lost in time.
As he reads all his lines.
Telling the same story over,
Every time.
He cracks open his nightly companion, sets his reheated pizza on the table.
Putting out his smoke and scratching his head.
Guzzlers his lagar,  before he turns in.
The morning has awoke,
Hours later, he would follow.
Stumbling to his table, spilling coffee over the scattered nights work.
Looking at all the damage the night has done.
He scratches his head, as he puts out his **** on the floor.
Exhales while laughing at the papers.
"Looks like you need it more then I do today!"
He began to walk away, finding some suds with a floating ****.
Then proceeds to drink his last sip from the earlier night.
"I'm going back to bed." He says, The coffee gets me sick anyway.
Hannah Beth Aug 2014
Not often did he wish for things,
He had few petty desires.
“What’ll come will come,” he’d say, with a knowing nod.
And he was happy that way. He’d smile.

Most called him an accomplished man
He left the past behind.
His monsters were gone
Defeated at last
Not many were considered truly content these days,
But this man, they said, he’d made it.

He’d sit by the fire with a cup of tea.
He’d read stories to his children, he’d sing them to sleep.
But his heart longed for little more, just one final request
Not for himself, but for the woman that lay near.

The most magnificent woman he’d had the pleasure to know
She lit up each room with a heavenly glow.
This woman, he’d said, oh, she’s one of a kind,
Not one word was questioned when he explained why.

She was the kind to leave food on the sill for the cat
That had never belonged to her
Because she couldn’t bare the look in its eyes
When the neighbour three doors down no longer could.

She was the type who could never in her life tell a joke
Because she was out of breath with laughter
Long before the punchline arrived.

She was impossible to hold a grudge to,
A blessing to the world.
Though insecurity engulfed her
Self-esteem was unheard of
Seeing herself through devils’ eyes,
Heartbroken at her own reflection.

If the man wanted one last thing,
It would be a day in his life, for her
Plain and simple.

She’d see the way she curled her hair
Behind one ear when she laughed.
A golden noise, full of light,
He wished she knew
That it put everything right.

His dying wish was, to the love of his life;
*“Please, let her see herself, through someone else’s eyes.”
i think we can all relate to the complete and utter frustration of seeing someone so beautiful think of themselves as the complete opposite, and not be able to show them otherwise. it frickin suuuuuuuuuuucks
Hannah Beth Aug 2014
She is the first springtime shower
a fresh promise of something new
The foundation to newfound life around her
a persona of all that is true

Soon, she is a summer downpour
A welcome respite from scorching heat
Every drop i crave, every storm near surrounds me
Her water is soon air, an overwhelming necessity

Later, an autumn storm.
Accompanied by a bite
A wind so harsh and bitter
Makes me forget her first spring life

And lastly, a soft snowfall.
Her floods have turned to ice
Frozen and forgotten
The damage heals with time

Storms must come full circle
none truly have an end
But to have known this girl,
What a privilege.
She was a living monsoon,
a friend.
Make what you want of this, but in my opinion, it is a story about relationships, and the different stages of them that are experienced. It was also inspired by Looking For Alaska, one of my favourite books, and my take on Pudge's relationship with Alaska. So yeah, that's basically it, I'll be quiet now haha
Gary Jul 2014
Her name was coffee,
Her parents we're hippies.
Coffee was a gypsy,
Who always told the truth.
The truth of words,
Wrapped in lies.
Coffee led in truth,
To carry on her name.
Spilling stories of understanding,
Living in a world so free,
With a true vision of freedom in the eyes of crystal blue.
Telling her fractured tails to take all she can. To only be seen never again.
Gary Jul 2014
My wine had spilled across the table
that day.
A cheap Chiante, the bottle rolled off
the table.
Causing a castatrophic scene on my
hard wood floor.
Cheap laminet, the glass lye on it's
side, on my glass table like a gun shot
victim.
Bleeding it's last ounce of sweet nectar
across it's ground.
I lit a smoke, leaving it on the middle
of the table.
Not in a ashtray and just rolling on the
only dry spot of my uneven table.
I took a black and white photo of the
spill.
Photo shopped it all night long and
proceeded to make a really cool picture.
I'm thinking of having it framed, for
you.
But then also know how much it would
be.
That's alot of dough for a cheap ***
spill of wine.
And perhaps way to much thought I
have, or way to much time.
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