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The suburb’s still a skeleton
but now I wear its bones.
I was backlit,
bored,
all drywall and divine punishment,
first names shouted through screen doors,
ceiling fans spinning
someone else’s damage.

I kept saying I'd leave.
I kept writing it down,
spending my stories on soft drinks and scar tissue,
but
there’s a difference between
nostalgia and necromancy.
Between naked and naive.
Between full of stars
and just
falling.

We said forever
like it wasn’t
a curse.
Like it wasn’t
already dissolving in the pollen.

I wrote hymns for mouths,
sloppy as mascara in rainlight,
that made meaning feel like a dare:
the emotional oversights
we let ruin us twice.

Flannel soul,
face like unfinished business.
He touched me with all the guilt
of a borrowed god.
Begging,
but never burning clean.

A slippery little eulogy
sprinting toward a dawn already
in someone else’s rearview.
He didn’t kiss me,
but he almost did.
And I’ve been sick about it
ever since.

An ode to night
that chews at the hem
of what we thought we were.

Being here now is
already retroactive.
Already haunted.
Intertwined
like seatbelt bruises.

A small canopied disaster,
still posing.
still pretending.

I was a rooftop girl,
and I meant it.
Which is worse, I think,
than being believed.

The sky never answered,
but I kept
sending poems.

The suburb’s still a skeleton.
I’m just better at burying
what I mistook for light.
visited my poem '9/8/15' and rewrote it with.a 2025 take.
I still turn and look.
I hear her in the whispers
From years of instinct.
Her spirit might not haunt me
But ev'ry shadow is hers.
Poem for Lily.
cold summer recalls winter warmth,
candles every memory that was,
illuminates every memory to be.

as late as Romanian trains,
Happy New Year's Eve flew,
fallen, self-invited DraconiaN, figures.

as early as human traces,
sad old life's dawn landed,
risen, welcomed serenian, reflections.

as eternal as love echoes,
statornic now, time friends stop,
most dead feel life most.
Remembering the unreal New Years Eve with my love and Mr. Anders and his sweetheart Tanita. Mr. Anders is sovran among frontmen of any band; his horde, Draconian.
How long has it been?
Long enough for memory to stretch thin
But never break

I'm begging to forget the lines of your face
The colour of your hair
The smell of your embrace

How long has it been?
Too long without a trace
of your everlasting grace
Fading memory of a loved one
Azaria 5d
If you pay the price,
you may reap what hides—
there’s a secret garden nobody knows.

You go driving ’round,
look in, but never enter.
If you’ve got a hammer and a vase,
you can take what’s hers.

She’ll lead you down the path
that you never let one in yourself.
Hopes of being heard—
he never truly will.
In her words, his mind,
forever at risk, yet still yearns.

There’s everything you want, everything you need.
His second nature: restraint—

always is, and ever will be.
If you don’t take her hand,
what else have you got?
But those daisy chains of empty thoughts—

it’s all slipped away.

And time sits upon him on her bench,
his mind wanders,
with the stars as they trail along, behind another,
like a queue of his thoughts,
and once again, blocked,
from what is his—
a chance lost in the haze, as he watches her walk away.

And there he stands,
still-
in her secret garden.
Which once was,
what he could have been
This is inspired by the song 'Secret Garden' by Bruce Sprinsteen, I built off a few lines from the song
My memories are few and far between -
a strange symptom of a strange sickenss -
a brain worm: one that chews.
One that leaves spaces, pauses,
where previously there were none.
A parasite, an affliction that eats, that consumes.
My memories are few and far between,
they keep me up at night. Loud and unruly.
Misplaced. Incomplete. Lacking.
They are a large crowd, gaining, invading,
growing, incoming, moving ever closer,
attacking. Pitchforks made of wood
and something I don't recognise.
A vague feeling of unease,
a displaced feeling, uncomfortable and unreal.
A reminder of all I am not. Of all I have not.

My memories are many and chronic,
a forever affliction, unending and all-consuming.
Mistakes I've made; feelings I've ignored.
Things I've lost: sisters and lovers.
Things I've found, fading out, fading in.  
It is a sort of death, in that regard:
I was a child and now I am not.
An age, a past, laid out beneath you,
stuffed in a box,
suffocated under six feet of dirt,
a tombstone rammed between its eyes.
One memory or two, a lifetime,
sinking into the mud.
An earth worm: one that chews.
Your body belongs to you,
and your body belongs to someone else.
A boy. An ancient thing.
You and the other you.
You and all you could be.
You and all you are not.

I am a man lacking in memories,
there are gaps in my life I cannot fill,
places and people, fuzzy, faded.
Real and not real, mixing together, obscurring,
distorting, corrupting.
False memories: tales of my youth
told only by drunk aunties and dead grandmas.
Fantasies created by others,
a lacking and a need to fill it.
Tales of my youth locked away, burnt into
diaries and journals,
hidden away or destroyed entirely,
told, scrawled and scratched
into the walls, into the mind.
A frightened mind. A disease,
an affliction. Delusions and hallucinations,
paranoia. Fantasies created by me.  

And I am a man drowning in them,
good and bad. Real and not.
We are patchwork quilts
of all we were and all we are
and all we will be.
We are sewn together and torn apart.
Our stitches just scars, our colours faded,
unskilled attempts at beauty, at life.
Worn down and dusty,
seams failing, patterns ugly.
Used and loved
and then unused and unloved.
A circle. A roundabout.
New and old. Good and bad.
Used and unused.  
But you are not your body.
Your temple prays to no-one.
You're a work of art,
and you're canvas
of just shape and colour.
You're a patchwork quilt
and your scars are just stiches.  

You have no memories,
a blank slate,
dead and now reborn,
a child and then not.
A body that is not you, that could never
be you, a mind -
a collection of memories, dreams, realities,
people, places, sisters, lovers -
without meaning,
a mind that has nothing.
A blank slate.
A momentary madness.
A mind that is not you,
and a mind that could be nothing but.

And yet you have so many,
written into your skin,
carved, engraved.
Trapped, running and jumping
through your veins.
Unstoppable. Unbeatable.
Real or not, it's all the same,
ask yourself:
which is the greater sin,
to have too many memories
or too few?
Which holds you by the throat
and which goes straight for the lungs?
The excess and the absence.
It's all-consuming; it's suffocating.
A brain worm; six feet of dirt.

You are a man lacking in memories,
and you are a man drowning in them.
The matchbox
was hers—
bright red
with a tiger on it,
its head tilted
like it knew the ending.

One match left.
He kept it
in the drawer
beside loose buttons,
an eye drop bottle
half full,
a packet of salt
from a meal
they never finished.

He never lit it.

Not when
the bulb blew
above the stove.
Not when
monsoon took the power
three nights straight.

He’d reach—
then pause.
Then close the drawer
softly.

Until
the day
her number stopped ringing.

He struck it.

Once.

It flared—
brief, bright,
then gone.

The drawer
still smells
like her.

- THE END -

© 2025 June, Hasanur Rahman Shaikh.
All rights reserved.
A poem about memory, grief, and the small things we keep — and finally let go.
She entered
like dusk slips through curtains—
slow, deliberate,
never asking
to be noticed.

The lamp flickered.
He watched
as her earrings swung
like pendulums
measuring silence.

She undressed
without touching a seam.
The room tilted
as if memory
had gravity.

His fingers hovered
over the curve of her hip
like a prayer
he no longer believed in.

They moved
like fire learning
its shape
in a spoon of oil—
quiet first,
then chaos.

Somewhere,
a rain began
they could not hear
but tasted
in the salt between breaths.

Then—
stillness.

Not peace,
but aftermath.
She lay back,
a wound wrapped in moonlight.

He stared
at the crack
in the ceiling—
noticing it
for the first time.

The room smelled of iron
and orange peel,
as if something holy
had burned
and vanished.

She left
before the hour turned.
Her body stayed
for days
in the folds of the sheet—
a crease,
a heat,
a warning.

- THE END -

© 2025 June, Hasanur Rahman Shaikh.
All rights reserved.
She didn’t speak—her skin carried the storm.
Your hand
moved like silence
on my shoulder—
not asking,
not waiting.

The sheet
slid down
just enough
to forget its name.

Your breath
settled between
my ribs
and the window.

We didn’t speak.
The night
had already
been told.

The fan spun
above bare skin
and promises
no one made.

You traced a path
below my navel—
a sentence
you never said aloud
but I remembered
for days.

Later,
you left
without shoes.
Your steps
soft
as permission.

I lay there,
the sky warming,
your warmth
still turning
in the folds.

- THE END -

© 2025 June, Hasanur Rahman Shaikh.
All rights reserved.
A quiet moment of closeness, where touch spoke what words couldn’t.
Sometimes, the most lasting goodbyes are the ones said without sound.
The neem tree leaned,
its shadow folding over my sandals.
I waited by the roadside,
a bag of sweets
growing warm in my hand.

The call to prayer
had ended.
A boy passed, dragging a kite string.

She came.
Dust on her dupatta.
No earrings.
Eyes like the river after rain.

I didn’t speak at first.
A goat kicked at a plastic bucket.
A car horn blinked through the silence.

Then,
three words —
small as mustard seeds
spilled into the wind.

She nodded.
A bird shifted in the eaves.
Nothing else moved.

That evening,
even my shadow
walked beside me
without sound.

- THE END -

© 2025 June, Hasanur Rahman Shaikh.
All rights reserved.
A poem about stillness, unsaid love, and how even silence can nod back.
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