Submit your work, meet writers and drop the ads. Become a member
Anais Vionet Feb 2023
There are opportunities, from time to time, to see and meet influential people here at Yale - leaders in their fields. I write a little, so I started going to see the writers when they did readings and interviews. The writers I’ve seen so far are Ada Limón, Vijay Seshadri, Terrance Hayes, Alison Bechdel, Roxanne Gaye, Sheila Heady, Natasha Trethewey, Dasha Nekrasova and more.

Before I kick this rat's nest let me say that I’m not an English Literature major. I haven’t done “close readings” of these authors' works or performed any literary analysis. What follows are just my opinions or what I’ve overheard (and much of that I disagree with).

After the readings and greetings, I hang back in the crowd to hear reactions. Many of the Yale students attending these events want to seem intellectual and subversive - at the same time, they don’t want to be polarizing or say things that their peers will disagree with. I’m appalled at how little credit is given to writers for their earlier, groundbreaking work.

Some crowd reactions included: Roxanne Gaye “is so 2016,” Ada Limón’s presentation seemed “sanitized and censored.” Jia Tolentino, “no longer staking out controversial spaces.” Much of the criticism was that these authors were freer, as nobodies in their basements, to rage against the system but they’ve since been corrupted, tamed and rendered vapid, as it were, by the financial ties of fame.

At a reading by Terrance Hayes, he discussed the criticism that the “classics” represent the “white cannon” and don’t include alternative perspectives. Terrance Hayes argued that the “classics” are such because they present universal truths and that, like science, you don’t have to erase things to include new things.

I’ll cut to the chase - here are the three authors whose events impressed me the most:

Sheila Heady
Sheila Heady did a talk on her creative process. Which normally I’m pretty skeptical of because I’ve seen some vague, wishy-washy answers - but Sheila shared it all. She had spreadsheets detailing the time she spent writing, graphs on time spent researching, and even pictures of her desktop arrangement (which says a lot about someone). She was so open and vulnerable - almost indifferent to judgment - it was refreshing, honest and endearing.

Some days she would write for 2 minutes and on others for 10 hours. I think it showed that the creative process can be messy and we’re not failures if we don’t set out writing time every day.

Natasha Trethewey
I have a complicated response when listening to people read aloud about terrible things that happened to them - I question their motives, purposes and intentions. Natasha Trethewey however, used it as background for a discussion of her relationship to poetry and writing. It was beautiful to be in that room, it was inspiring rather than being provocative.

Dasha Nekrasova
On the flipside I absolutely loved Dasha Nekrasova who’s all about being a provocateur. Her event was chaotic and crazy. It was a Yale Political Union (YPU) event, and I don’t know what those people are on, but there was yelling, objections, people getting up, she was skipping around the stage. At first, I didn’t realize it was a debate because it had a freeform look and I came in a minute late, from chemistry class - but I liked her a lot in the debate format. I plan to attend more YPU events in the future.
BLT Marriam Webster word of the day challenge: Vapid: dull or boring.
Anais Vionet Dec 2022
Peter and I will be apart this holiday. So instead of writing a story, I thought I’d interview him.

It’s 8:30 am, Wednesday morning 12.21.22 and we’re having coffee at the Atticus Bookstore Cafe in New Haven, CT. We’ll go our separate, holiday ways after our coffee. I’m going to New York City and Peter’s going to Malibu, California.
I have a few questions on my phone and I’m recording the interview.

Anais: “Ready?”
Peter: “Ready.”

Anais: “How are we alike?”
Peter: “Oh, we’re both planners who know what we want. You’ve got a blueprint of your future and I have my plans - you know, stacked carefully, like dinner plates - but they’ve been a little wobbly since I met you.” He smiles suavely.

Anais: “Nice. How are we different?”
Peter: “Oh, lots of ways. Biologically,” Peter begins, putting his hands over his *******, “my ***** might be bigger.”
Anais: “Ha, I don’t THINK so.” I snarled, but I couldn’t help chuckling. “Seriously!”
Peter: “Well, I think you have more emotions than I do.” I look at him quizzically,
“I’ll suddenly realize you’re crying and wonder if I did something wrong, or you’ll burst out laughing at nothing at all.”
Anais: “You make me sound like a NUT,” I said, “and I don’t cry that much,” I say defensively.
Peter: “No, not if we eliminate TV shows, movies, FaceTime calls or when you’re tired and overworked.”
Anais: “Maybe you’re just emotionally blocked,” I said, irritated.
Peter: “Maybe, but I do love it when you jump off the couch for an impromptu dance, like you can’t contain yourself anymore - and your silliness - I LOVE that.” He smiled, “When we’re studying quietly and you sneak up and jump on me, playing like you’re trying to pin me,” he chuckles.
Anais: “I AM trying to pin you,” I said.
Peter: laughs out loud

Peter shifts toward me.
Anais: “I see you moving in on me,” I said, pointing my pencil at him accusingly, “get back in your seat mister, I’m not THAT kind of interviewer.” I gasped, “What if I were poor, old, near-sighted Barabra Walters? She’d have never seen you coming. Would you have put the move on HER?”
Peter: “I like my women younger”
Me: “Barbara’s about 100 - 99% of the female population is younger - when did you get so picky?”
Peter: “I’ll have you know I’m VERY picky. Is this one of those hit-piece interviews? Do I need my lawyer?”
Me: “You got me off track.” I admit, checking my notes, “other differences?”

Peter: “Well, I’m kind of easy going, in general - lazy faire - but you, you watch everything - it must be exhausting.”
Anais: “I’m sentient,” I admit. “You let people walk all over you - like when they brought you a cold steak at the Plaza?”
Peter: “I didn’t want them taking it back and spitting on it.”
Anais: “If they did that, we’d own the Plaza - besides, that’s why we got you a new steak.”
Peter: “I’ll admit, you make me aware of things I hadn’t noticed, and when you complain, you’re usually right.”
Anais: “Thanks. Any other differences?”

Peter: “The obvious one, you’re a rich girl - we come from different worlds.” He said, touching his lips absentmindedly.” (I’ve been taking psychology classes - that might be a self-soothing gesture).
Anais: “Have you seen that new James Cameron, water-world movie? I come from there.”
Peter: “A world where parents buy their daughters six thousand-dollar prom dresses.”
Anais: “I bought that on SALE,” I said emphatically, “it regularly costs twelve (thousand).”
Peter: “Hazah! You like saving money.”
Anais: “And I didn’t get a FITTING,” I added defensively (because it was on sale).
Peter: “And - you’re a little Sinatra,” he said, wincing and wig-wagging his hand in a so-so way.
Anais: I gasp, “Well THAT’s good to KNOW,” I say, narrowing my eyes at him.
Peter: “I’m not calling you spoiled,” he shrugged, “you secretly paid your roommate's tuition,” he said soothingly, “THAT’s who you are - generous.”
Anais: “She was working two jobs - for peanuts,” I said softly.
After a quiet moment I began again.

Anais: “What about us?” I ask hesitantly.
Peter: “We’ve become a couple,” He said, smiling, “against all odds and I’ve become comfortable with us being a couple.” He pauses for thought. “Relationships have so many stipulations and rules, and everyone has opinions, but your smiles make me smile, and your sighs and even your yawns make life better.”

Anais: “Do you want a closing statement?”
Peter: “I’m supposed to become a physicist, now that I’ll have my doctoral degree.” He pauses again and puts his hand on my knee. “I’m not sure exactly what that’ll mean - for us - that remains to be seen, but my aunt has a saying, “The universe has so many tricks up its sleeve - love whatever happens.”
a Sinatra = someone used to having things their own way.
Peter Balkus Sep 2017
Spotkania o pracę,
na które nie przyszedłem,
było ich trochę.

Mówiłem: Tak, tak,
przyjdę, jutro o dziewiątej,
sto procent.
I nie poszedłem. Jaka szkoda!

Byłem gotowy wieczorem,
wcześnie poszedłem spać,
by wstać świeży.
Ale nie wstałem na czas.
I nawet teraz, gdy o tym mówię,
wciąż trudno mi w to uwierzyć.

Puste było krzesło
w biurze, gdzie już na mnie czekał
manager,
ubrany w garnitur,
z papierami do wypełnienia.
Wciąż tam czekają
na podpisanie,
nie wiedząc, że nigdy nie będą przeze mnie
podpisane.

Wciąż tam siedzi,
manager, którego nigdy nie miałem przyjemności spotkać
i uścisnąć jego dłoni,
wymienić uśmiechów.

Spotkania o pracę, na które nie poszedłem,
bo były albo za wcześnie,
albo za późno.
Ominąłem mój los.
Taki widać los.
Th3rd Apr 2017
Salt in my veins
Revolution in my heart
Letting loose the reins
Finally getting a start

Twenty four years later
After my birth
Grabbing the Mercator
******* in my girth

No longer ignoring
The calls of the shores
Set forth exploring
Opening the doors

One to a lake
Largest in the West
My option to take
And call it my best

The other a sea
Foreign as mars
Alien life to me
Whole new set of stars

This is my option
Can't be made haphazardly
Not sold at an auction
No time for jackassery

Interviews lined up
Will tell the tale
One for a backup
Should I likely fail
Rhyming is something I do, one day I may leave it behind for the artistic imagery of poetry. But til then rhyme away I will.
Julie Grenness Dec 2016
It's Parent/Teachers interviews today,
Come along and share the blame,
They're graduating just the same,
Kids have a teacher free day,
We gave them Standardised tests,
Their self-esteem needs a rest,
That's why this school has a fence,
Who's got the common sense?
Yes, the PT interviews are today,
Come along and share the blame!
Feedback welcome.
Her red dress frayed at the edges
like her nerves
her fingers tapped a lost beat
don't sweat it
but her fingers touched glistening drops of
liquid courage
borrowed like the lipstick staining the rim
keep a lid on it
heels loud against cement, echoing a rhythm
like rehearsed lines
the memories of which followed her coffee
and spilled
words eloquently falling in place, settling
like sugar on the bottom
hands stilled by their sweet murmurs
of her acceptance.
This may be revised later but was written in the nervous hunt for a new job. lol
Edna Sweetlove May 2015
I woke up to a beautiful summer morning. The sun was shining and the rainclouds were far away. I decided I would spend the day on the beach. I always enjoy visiting the beach as it gives me an opportunity to laugh at people's hideous bodies. But where? And then, suddenly, a wonderful idea came to me: why not go to a nudist beach as they always attract the ugliest people with the worst bodies imaginable. And you get to see their naughty bits too, for added humour.

So I rushed to my computer to check the Internet for possibilities and, to my utter amazement, I discovered there was a naturist beach only fifty miles from my beautiful home. As I read the details of the beach and the directions, I had a sense of déja vu; I realised with a frisson of ****** anticipation that it was the very same beach described by Victor the ****** in his wonderful story "Confessions of a ******" which held pride of place on my toilet reading shelf.

I was at the wheel of my incredibly expensive and luxurious car just as soon as my servants had packed my essential requirements: icebox with chilled vintage champagne, lightweight folding gold-plated sun-lounger, vicuna picnic rug and of course my lunch hamper. My chef had rapidly prepared a delicious impromptu luncheon of smoked salmon, steak tartare and a selection of other goodies. I decided to dispense with the services of my chauffeur in the interests of preserving the confidentiality of my destination.

In less than an hour and a half I was there; and the place was exactly as Victor had described it in his immortal novella: a long stretch of mixed sand and pebbles, backed by dunes planted with wild grass, waving romantically in the sea breeze. Idyllic, and crawling with naked perverts as a bonus. I parked my car and transported my equipment to the dunes. I regretted not having brought one of the servants as the hamper and icebox were quite cumbersome and heavy. I was perspiring gently by the time I had unloaded everything and set it all up to my satisfaction.

I took some care in selecting what I felt was the optimum location as I needed to combine the potentially conflicting benefits of wanting to see as many naked people as possible (hopefully including some *** action) with the need for privacy. After all I am famous. I finally chose a spot where there were several ghastly specimens on view for a few laughs and where I could also see a potentially interesting couple who might be exhibitionistic perverts. The man was about 45, shaven-headed, skinny and prematurely wrinkled all over by the sun (yes, I do mean all over) and he had an interesting tattoo on his back: "I love hot ***** ***", which I saw as promising. The woman was plump with pendulous ******* and very prominent buttocks; additionally - how can I put this delicately? - her **** was totally bereft of hair.

Before settling down to my lunch, I felt a little perambulation would not come amiss. So, as bold as brass, off I went for a little **** stroll through the dunes. I will not describe in full detail the visual horrors I encountered: hirsute old men playing aimlessly with wizened, shrunken todgers the size of a thimble; obese old biddies, their rolls of sun-tanned lard hanging round them like rows of bloated udders on a pregnant sow; tattooed bald queens, muscles bulging under lashings of sun-oil, their pierced genitals glinting wickedly in the sunshine; the list was endless. How could such grotesques revel in revealing their corporeal repulsion to the eager world?

And then I saw him! It had to be him! In a dip in the sand dunes lay a middle-aged, paunchy little man, intently watching a couple of old ******* groping each other incompetently. It could only be Victor the One-Legged ******! After all, just how many unipod Peeping Toms are there?

I strolled over to him, coughing discreetly so as to give him a chance to stop his furtive *******. 'Do excuse me for disturbing you,' I said, 'but are you by any chance Victor the famous ****** whose confession I read only last week?'

'Why yes,' he admitted, 'but how on earth did you recognise me?'

I smiled and pointed to the cast-off artificial leg lying next to his beach towel (which, incidentally, was emblazoned by a giant "V", a bit of an identity hint, I felt). He patted his stump ruefully and laughed uproariously so that his average-sized ***** flapped like a pennant in a Force Eight gale. 'I forgot,' he bellowed deliriously.

'I'm just about to have a spot of lunch,' I said. 'My personal Michelin-starred chef, Jean-Claude Anusse, always over-caters ridiculously as he knows I often pick up people on my excursions, so there'll be more than enough. I'm afraid it's nothing special: some smoked salmon and some assorted cold meats, possibly a spot of pâté de foie gras, if I know Jean-Claude. And, naturally, enough champagne to drown a hippo in. Please do say yes, as I have so many questions to ask you about your hobby.'

'That's very kind of you.' mumbled the astonished Peeping Tom, 'I should be very happy to accept your generous offer. Incidentally, to whom have I the honour of speaking?'

I was, frankly, shocked when I realised Victor had not recognised me, and then I remembered I was naked. That explained it. 'Why, I am none other than Edna Sweetlove, poetess to the stars, creator of the Barry Hodges "Memories" poems and biographer to the intrepid and incredible superhero SNOGGO,' I murmured sotto voce, not wishing to be mobbed for my autograph.

'Edna Sweetlove!' he exclaimed, 'you mean THE Edna Sweetlove?' And so saying he glanced down to my genital zone in order to answer the question which so many of my fans have asked over the years. He grinned as he saw the solution to the great mystery.

Victor quickly strapped on his prosthesis and accompanied me (slightly lopsidedly) to my little luncheon site. He helped me unpack our repast and then made himself as comfortable as a naked one legged ****** could reasonably expect to be without a chair.

I must say Chef and his team had excelled himself in the thirty minutes I had given them: smoked salmon roulades, a magnifique plateau de fruits de mer including a three-pound giant lobster, steak tartare, a whole cold pintarde à l'ail, a few dozen sushi rolls, a monster summer pudding, and naturally a Jeraboam of Krug '92. No wonder the hamper had been so ******* heavy. I could see Victor was impressed as I offered him a chilled flute of the most expensive champagne he had ever tasted. 'Better than the pathetic, poverty-stricken muck you were going to gobble, I expect,' I commented in a friendly way.

'Mmmmmmmmm! Absolutely delicious, Edna. I was certainly not expecting this! exclaimed the grateful freak. But before we start on what looks like a truly exquisite nosh-up, I must give you a word of warning.'

'A word of warning? What about, Victor dear?'

'Well, you see, there's no, um....er,' he blushed charmingly.

'No what, Victor? Don't be embarrassed, sweetie. This is Edna you're talking to. Spit it out, baby.'

'Well, um, there's no ******* on the beach, Edna,' explained Victor uncomfortably. 'So, if you need to pump ship, you have to do it native-style "au naturel" in the dunes over there, which can be a bit messy what with all the filth lying about the place in that area, not to mention the lavvo-voyeurs hanging round. Or else you need to swim out a bit and unload into the sea. Judging by what's on offer at your stylish picnic, we'll both be bursting for a good old **** and crap afterwards.'

I shrieked with laughter and explained there was nothing I liked better than a widdle en plein air or a double act dans l'eau. We then tucked into lunch with a vengeance. It was ******* delicious, even though I say so myself. After about fifteen minutes' happy munching, interspersed with witty small talk, Victor suddenly went rigid. 'Look over there!' he hissed and indicated the middle-aged couple by the windbreak.

I looked and I was surprised. The plump woman with the big *** was on her knees in front of her partner, giving him a vigorous *******, and he was lolling back in ecstasy, a broad smile on his face. He seemed to be looking straight at us, almost visibly willing us to watch. He winked repeatedly in a conspiratorial fashion; maybe he had St Vitus’ Dance. Or even worse, he wanted me to get stuck into the action with them.

'They're regulars here, they normally put on quite a good show,' explained Victor excitedly, his hand reaching down automatically to his rapidly stiffening ****.

'Victor!' I admonished him, 'I would prefer it if you didn't **** yourself off during lunch. How about another oyster, you silly old ****?'

'Sorry, Edna, I forgot,' he replied shamefacedly. 'No more oysters thank you; they only make me more randy than I already am. But I'll have another lobster claw if I may. My compliments to your chef.'

So we sipped our champagne and enjoyed our luncheon as we watched the couple give us their little exhibition. After a few minutes *******, the fat lady turned around and leaned forward on her hands and knees and her gnarled bald hubby ******* her doggy fashion from behind with some gusto; this made her beefy buns bounce about like two ferrets fighting in a sack.

I glanced around us and realised that, totally unbeknown to me, the little spectacle had attracted quite an audience. Nine men, young and old, short and tall, fat and skinny, stood staring transfixed by the petite scène erotique before us, all ******* wildly. 'Oi!' I called out. 'Can't you see we're eating?' I admonished them, but to no ******* avail whatsoever.

Victor was visibly torn between his innate desire to watch the copulators and masturbators and with his understandable wish not to offend his lunch companion by manhandling himself unrestrainedly. But, thank God, his natural good manners prevailed and we continued to converse and enjoy our meal in the midst of this Bacchanalian scene of depravity.

I watched dispassionately as the couple came to what sounded like a very satisfactory mutual ******, accompanied by the observers' seminal tributes to their performance. I naturally had filmed the entire scene secretly on my state-of-the-art mobile.

'If you give me your email address, Victor my love, I'll send you a copy of that little show,' I promised. He nodded in gratitude. 'Victor  the ****** at yahoo dot co dot uk,' he mumbled rapidly, 'no dots, Victorthevoyeur is all one word.'

Once we had polished off lunch, I told Victor I would like to interview him with a view to writing a short story about his life's work. He was touchingly flattered and, with a little judicious prompting and probing, told me his saga, which I recorded on my Edna-phone. I naturally don't want to pre-empt my forthcoming mini-biography of Victor, but suffice it to say that Victor told me how and why he became a ******, he regaled me with some of the staggering things he had seen, he gave me a list of some really ace ******* locations, he shared all his best peeping places with me, he gave me the ultimate lowdown on the world of Britain's most celebrated *** snooper and I was touched by his burning honesty. I felt a tear ***** my eye at this tragic tale.

All too soon it was time for us to part. After thanking me profusely and making me promise I would visit him one day so he could repay my generosity, he re-attached his metal leg and limped away towards his beach towel. I knew he was raring to go as the best of the action normally took place in the early evening.

'Farewell, dearest Victor,' I called out as he tripped clumsily over a fellow pervert who had been eavesdropping near us.

— The End —