The mason works the living stone
to shape it for its slotted place.
Pale flakes of rock fly as he hones
it to a rough-hewn sandstone face.

With chisel and mallet in granite hands
and flinty grey eyes to plumb the line,
the rock gives way in grains of sand.
He chips and flicks one blow at a time.

His fingers trace each pit and dell
that he’d worked in with his iron tools,
while nostrils fill with chalky smell —
light dust clouds through his workshop move.

As one by one his blocks are laid
by his apprentice at his side
to fill the role for which they’re made:
they’ll be joined in one more arch of pride.

More arches form as months move past
then building up to many a year:
They mark the time of a life well cast,
his mason’s mark left on each stone sheer.

Each arch arises, pointing high
to the master mason of us all,
who carves and fits in his workshop sky —
by shaping, marking us in his wall.

Then piece by piece, the church takes shape
while grains of sand from worked stones fall;
The mason, now old, his final finial makes
as falling sand an hourglass recalls.

And here I stand in centuries hence
to spot the mason’s mark he left behind,
his arches pointing upwards whence
the mason built his final shrine.

——To Antoi Gaudi
“One that goes from Earth to eternity, to the highest.”


He was the genius architect in the first place

Using matter, pure and fine
He makes the life that he intends

But in arts pattern, and in science design
At the second place, he was a craftsman
where rigorous rectangles border
a dreaming perspective, where a stream
awakened, he created his life ideal


Then third, he was the naturalist,
Using all he has inspired, he stated
“The big book, always open and we
must strive to read” is that of nature
Least not last, fourthly, he was a guru
“the straight line belongs to men
the curved one to God ” Likewise
Movement meets stillness, a line meets a shout

He was always there in the history of Basilica
Architecture and Geometry
Art of fantasy and algebra wonders

~
Who can circumnavigate Avalon's depository and the palpable swoop down toward earthier terrain?

Yet, here I am.

Where is your gravity taking me, Kahn?

This building is an invitation, and I am humbled in this sense of arrival. The books are stored away from the light. So a man with a book goes to the light, the serenity of light.

And therein lies the hidden meaning.

But you won't let it become just a building; you want it to remain much a ruin; it's all somehow sinister in its celebration.

Occasional distraction is as important in reading as concentration.

And I'm reading between the lines in a corner carrel, looking out at academic crop circles; I grapple with each texture: it's this combination of imposing austerity and weathered familiarity that you seize upon to make your current landscape hospitable.

This building is an instrument, creates a sound in my head akin to music; and this music remains a glowing source of solitude, all driven by a desire to be hidden but sought after—a celebration of all things lost and unnamed.

Here I find closure by opening a book.
~

this is my city, my bones
my architecture i have crafted
started here, riverbanks and pinecones
budded here, my roots continue to grow

As like when they were children
now they curtsy at the cross
Then all once they take their seats
and turn their gaze upon

The august priest in silken robes,
ornately trimmed and white
And urging them to prayer between the
readings and the rites

The man of god, his hands aloft
move practiced through the air
His winsome words bring ease upon
the crosses which they bear

His mirthful moans and dulcet tones
resounding through the chamber
By candlelight I then decide
To stay for the remainder

Your emotions, cataclysmic sentiments,
build foundations from crumpled pieces of paper
creating ideas born out of despair
and you sit amongst yourself
feeling like a candle flame
with piles of unsaid things
as your fuel, waiting to ignite,  
a wicked smile held in place
right where it belongs
at the centre of a concept map
unsteady, unpredictable
the blueprint of catastrophe
laughter without reason

High rises burst from soft Earth’s flesh

Was it even ready for us?

From an extraterrestrial’s perspective we’re a disease upon this gentle cerulean Elysium

I’m living in the mouth of duality

I hear it speak as I leave my block and give a peace sign to the abandoned residences in progress

On the block I currently live, the sidewalk is cracked into drunken mazes and yet

                            Directly across, the neighbors stand upon freshly minted asphalt and into a metropolitan construct made for the modern brain: built in amenities, contemporary textiles and garage parking

Are we next?

To be bought and sold, if so, can we at least have a plan for the residents?

Will tenants be invited to the newborn paradise? We have the budget to feed cement trucks faster than hungry mouths. It’s become a bad habit

yet I sit by the man-made imperfections

hoping someone cares enough to drip their Eden into the palms of my neighbors

If time will tell I’ve been getting quite the silent treatment

Travel a little deeper and….

Cosmopolitan crossroads coexist with beggars and lost folk….

Since when was the speech divided between affluent and broke?

"IDK?" The duality replies

I thought you’d say that.

Stand like a pillar
Of salt, now lick your wounds and
Try to quench your thirst

Manny said
by lunchtime she'd be dead

You ignored me at the simming pool when I approached
The desert sun glinted off the flat roof top
Manny was your choice not mine

The call asked for grid details and map locations
I rushed through the tumbleweed to the spot
The spot where it was to happen

A van pulled up
My heart raced
A shot rang out
You fell, I shout