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100
I remember telling everyone
I would live until I am a hundred
I would keep each moments
I would keep each of the smiles
I would keep each of the words
That only gave me positive vibes
I would remember the lonely nights
And the tears that I have cried
I would take them as a lesson
To value myself first before others
I would be wiser in the next lifetime
If I was given a chance to live again
Then maybe things would get better Pieces of my heart won't be cluttered
If I could just took what I've learn
From my life that I lived in a hundred
100 years
ALAN GRIFFITHS Nov 2018
War war No one likes war
The mud the rats the food is raw
The whistle will go then over the top
Through the guns through the wire
Then in to the trenches to disappear
The mud will not let all go through
Some will cry out and down they will go
Oh god why is war so
Or will one day children play in street
Like heaven and not like today
Or will man fight on till there is no one left
A gun cracks out and down I go
Oh god may I be the last to die this way.
Lyn-Purcell Aug 2018
I don't believe in 'untruths.'
Lies are lies; point blank.
Honestly...
Mystic Ink Plus May 2018
I’m 100% past.
100% present.
100% future.

Pardon

Yes,
I can hear you
I’m the one,
Who can be the best
Even if
I just have the rest.

Pardon

Yes,
I’m the one
Who can see, ancestor’s blood of purity
Even in evil.

I’m, the TIME
The PAST, the PRESENT and the FUTURE.
Genre: Inspirational
Theme: [Reflections]
We are the same past what make us stronger. We are the same future, an equation of Past and Present, together.
Vedanti Jan 2018
Dear Papa,
Yesterday I saw something that I didn’t understand.
They were walking a little ahead of me.
But walking isn't the right word,
because there were two people
and only two feet.
It sounds like a math problem,
But nothing added up in my head.
It sounds like Vikram Vetal, papa,
But unlike the story you told me the other day,
there was no strong king or sly demon.
I saw, however, one ***** underfed boy of eight
dragging his crippled mother across the street.
Adhunik Shravan bal.
A Lilliputian on a Herculean task.
I couldn't decipher her age.
When you're that poor, does age matter?
Do they keep count of the days that pass by
when their aim is to survive just one?
Do they have a mirror to look into
and count the wrinkles on their face?
What does age matter to an eight year old boy
who, instead of attending school,
is hauling his handicapped mother across the road
on a seating board with wheels?
When I was that age, papa,
you bought me a skateboard
that was the exact leaf green
from my 50 colours oil pastels set.
I couldn't see the colour of their clothes.
There was the dark of the night,
yellow of the street lights
and everything was in sepia
like the picture you showed me
of your childhood.
You once told me you were raised in poverty too, papa.
Are there different kinds of poverty?
Did you get toys to play with
or were your clothes in sepia too?
I told you this sounds like a math problem, papa,
And here’s what doesn't add up.
Isn't a parent supposed to hold their child's hand
and show them how to cross the road?
I remember holding your hand,
looking left-right-left
and matching my steps
with your strides.
Fast, but never run.
Who taught him, papa?
Did he have his own papa to teach him?
How did he learn to walk fast enough
and pull hard enough
so that he and his mom made it across the road in time?
How did he find the strength if he was underfed?
He truly reminds me of Shravan bal,
because who else would carry his mother
across such distances.
I told you it sounds like Vikram Vetal, papa,
and now that I think about it, it really does.
Maybe this little boy is a young king.
Maybe he brings his vetal back home every day.
Maybe he hears her talk about her day.
And maybe, papa,
when he succeeds every night,
she saves him from an evil tantric.
An evil tantric called hunger.
Pete Leon Oct 2017
I like elephants, wood, and rust.
I like elastic feelings and good, clean filthy textures.
I like peaceful rage and boxes with glass (broken or not).
I like detailed abstraction and smells that make you sick, but not literally.
I like words that are shaped like people and wind that doesn’t move or make a sound.
I like gravely voices with sandy tones, meaty bones, and eyes of stone.
I like chalk and dust and asking questions without words.
I like structured flow and red-ripple eyes.
I like amputated thoughts and snaking through forests.
I like the words ‘expunge’ and ‘spleen’ and coarse vengeance, but not together.
I like egg-shaped objects and touching washable whiteboard erasers with my cheek.
I like all human faces but not all human people and unnamed creatures we haven’t seen, in places we haven’t been.
I like writing secret thoughts and making words emboldened with my tongue and lips.
I like real life fiction and burning bridges to places I’ll never revisit
I like pencils, but only HB or above. 5H can **** right off. F makes me unsure.
I like the smell of poison from the lips of disturbed creatures.
I like people with cats for a head; tigers, lions or domestic.
I like the theoretical idea of punching a horse, for the way it sounds and smiles at me.
I like pegs and what they bring to the table and comedy that takes itself seriously.
I like circles and all their relatives. Even ***** Uncle Oblong.
I like how language makes my breath smell and squeezing hope out of sponges.
I like to name things that are mine, but then use things that belong to others. Staplers mainly.
I like darkness and light in all measures; even when drank from a well in a shoe.
I like climbing into clouds and discussing anything but the weather.
I like how randomness is a concept thought of by someone else.
I like to unravel thread and then eat the evidence.
I like the fecality of machines and cogs that catch rain.
I like to listen with my mouth and reply with my veins.
I like the honesty of chaos and the cynical nature of fingers and toes.
I like swinging my mind fluff at innocent bystanders.
I like falling into gold by tripping over dead-end roads.
I like round numbers that are sharp and spiky and hurt when applied freely.
I like getting trapped by my own volition and eyelashes that live alone and care not what you or I think.
I like it when clouds become aggressive and spit disdain on the revolution you started.
I like slatted fences that don’t let things get them down; except falling dust that is just a thought.
I like universal understanding of things nobody understands and how your blue is my yellow and you stole it, so give it back.
I like how the letter Q is so shy, despite its ***** size.
I like to find the veinality in all things; with my eyes and then my sweaty blood pen.
I like stealthy science that is really a ghost we invented in a room made of futures and pasts.
I like forced relationships; especially if a monkey or a spoon are involved.
I like to glue my face to walls to see if anyone watches. Don’t worry, they always do.
I like reaching milestones only to find someone has scratched out my name and replaced it with an arrow pointing backwards.
I like big licks that are really lips that got kicked.
I like wrinkles that twinkle when sprayed with the slap of life.
I like that we all pretend that we know what’s going on, but that if we did, we wouldn’t have eyebrows.
I like hidden rooms that hold everything we were trying to hit. Except that horse I punched.
I like to drive a truck gently down a stream, only to tickle a deer on its belly with my headlights when I get there.
I like finding things that are so me, it brings painful heat out of my smiling face holes.
I like reflections in glass, of things that aren’t happening now, but will after lunch.
I like the rhythm of word *** followed by the ******* of a donkey-punched idea.
I like the iron will of freedom and how the camel **** of life sends us all back to the ***** sea.
I like the familiarity of a number and how they let us down, but we kiss them anyway.
I like pockets of air in black-like snowflakes in the fog.
I like seeds, Velcro and moon sand.
I like burnt umber, but only because we once were friends. He stayed. I left. *****.
I like paper and news, but never together and strings on rings dancing like feathers.
I like visual echoes and all other types of see-sounds.
I like stories both fat and tall, but not hairy-backed. I’m not an animal.
I like the sounds comics make and soundless comets that like me.
I like how one rule is made to break another, like a seagull might be used to grout a tile.
I like how a hundred things can be small or big, depending on whether you are lying down or on crack.
I like indents and outdents, but nothing beats a trombone.
I like scissors and their forgotten cousin the compass. They weren’t really related after all.
I like inflammatory statements such as ‘best before’ and ‘backspace’.
I like toast and brittle confidence, especially as a mid-morning snack.
I like chilli, flutes and harmonious ornaments.
I like running a mock and mocking a run. Oh and raspberries.
I like over-elaborate job titles invented by under-elaborate job-nockeys.
I like a pinch of this and a pinch of that. But if you touch me, I’ll cut your fingers off.
I like red apples and the smell of disappointed parents.
I like peanut shells in their own personal hells that are destined to do well.
I like sabre-toothed sauces and burlesque mornings
I like tree bark rubbings made from the fallen bodies of birds.
I like reaching for the hips of a star and releasing gristle from my teeth, in equal measure.
I like that swans break arms but never a sweat.
I like cherry protein and scratching an itchy thought.
I like snake skeletons, spider ***** and darkly lit minds.
I like half a man wrapped inside the womb of a stag. Why? Because I just thought of it.
I like divining a feeling with sticks made of rope inside houses of hope.
I like running downhill on palms of marbled ham.
I like cosmic justice in my box of tricks, with tea and biscuits.
I like making it worth peoples’ while, all over their face. But not with cheeky juice.
I like coming to an end, turning around and sleeping.
I like animals that have people for a soul and speak mythical wisdom by staring.
I like drawing what I think and making sandwiches that sing.
I like resting on my morals and dancing on yours.
I like stains on both the mind and my table.
I like visual symmetry, left aligned and crooked; valuable teacups and sage.
I like one-worded concepts like ‘calculators’.
I like appendages that swing and drinking *** from a tin.
I like water and vinyl and female urinals.
I like having no favourites, seasoned chips and music.
I like delving into lives like a fish flying on the back of a bird. Business class.
I like tapered limbs but not jeans; roasted egos but not beans.
I like scary hares laid bare and children being horses without sticks.
I like magic which is smooth and soup that is crude.
I like ninjas in shelters and watching shadows paint pictures.
I like how nothing ever ends, but everything bends. Even teardrops.
I like puzzles that sting and seaweed disguised as hair.
I like to leave people with a thought. Not you though.
Sha Aug 2017
Hassle.
Nagsulat si Fidel,
Pero anong nangyari?
Walang napala sa isang daang tula,
Luha ang kapalit at sakit ang sinapit
Dahil pinilit ang gusto pero ang gusto niya ay pumili ng iba.

Kaya hindi na kita gagawan ng isang daang tula.
Titigil na dito sa pang pito at hindi na tutuloy sa walo.
Talo.
Talo lang din naman kahit umabot pa ng singkwenta,
Dahil hindi naman benta sayo ang mga pakulo,
Ang mga salitang kinumpila para iparating na ika'y gusto.

Ano na nga ba ang gagawin ko?
Ititigil na ang pag titig sa litrato,
Lalabanan ang isipan na pagbulay-bulayan ang mga dahilan
kung bakit hindi maaring maging tayo.

Piniling hindi ka na alayan ng 'sang daang tula.
Piniling alisin ka sa aking haraya.
Pinipiling maging malaya.
Magpapaubaya.

Pero minsan talaga
'Di mapigilan magsulat ng isa pa
At isa pa,
Hanggang sa nakakatawa na
Dahil umabot na pala sa isang daan ang mga tula.
Nakiki 100 Tula-inspired poem
Ysa Pa Aug 2017
Kung may isang daang tula
Mga tula para kay Stella
Mga tulang sinasaad at nilalathala
Ang puso at mga nadarama
Na nagmula sa isang binata

Isang emosyon, isang daang tula
Para sa kanyang tanging sinisinta
Nais ko ring magsulat, lumikha
Hindi isang daan, kundi isa
Isang may isang daang salita

Mga salitang sana'y sapat na
Hindi ko gustong sumobra pa
Kaya tanging hiling ko talaga
Na kasabay ng mga salita
Maubos na ang aking nadarama

Tinakdang bilang ay nalalapit na
Ngunit bakit iniisip parin kita
Isang daan na, tama na
Pagod na akong mahalin ka
Pagod na ako maging tanga
Oo hype rider na hahaha
Alex McQuate Aug 2017
A century,
100 years,
Almost 1,200 months,
A hair over 5,214 weeks,
36,500 days,
Et cetera and Ad Nauseam.

A lot of time,
To build,
To demolish
To create,
To destroy.

But even with it all it is just a grain of sand that's in the hour glass.

But let's narrow our discussion here,
Let's just say part of one year,
More specifically 118 days.

Prose thoughts and insomniatic ramblings given a cohesive direction.
And a long time passion project procrastinated until now.

A lot can happen in 100 years,
Hell,
A lot can happen in 100 seconds,
Your bloods makes 5 complete laps in your body,
The Earth moved 3,000 kilometers,
And the average human being has 70 thoughts.

Imagine if you just latched onto one of those fleeting thoughts,
Seeing which way it took you,
New ideas perhaps?
Perhaps you remember something you long thought lost.

Again,
Et cetera and Ad Nauseam.

The air is thick,
Grey eyes bloodshot from the cigarette smoke and lack of sleep.

Townshend in a rare role,
As he holds court over the airwaves.
Warning of the masks worn by those who derailed others while rising to the top,
Their vices always taken to an extreme.

The night air is finally cooling down,
It's gentle waves giving me occasionally goosebumps.
100 pieces. Kinda hard to describe it. Honestly never expected to still be writing but I've come to love this community that  I've happily stumbled across. I hope to be here in another 100.

-Alex MacQuate
(P.S. The song mentioned in this piece is The Who's song "Eminence Front". I'd recommend a listen.)
CRESTINE CUERPO Aug 2017
Simula noong ako'y bata pa,
Iba ang iyong pagpapahalaga,
Paulit-ulit kong itong nadarama,
Isang pag-aaruga,
Na hindi kayang tumbasan ng anong halaga,

Sa panahon na ako'y nagkakasakit,
Ako'y iyong pinipilit,
Di ba't sinabi **** kailangan kong kumapit?
Manalangin sa Maykapal ng mahigpit,
Sapagkat pag-asa'y hindi niya ipagkakait.

Di mo man sa akin sabihin,
Ito'y aking napapansin,
Di mo man banggitin,
Alam kong ika'y nasasaktan din,
Nahihirapan,
Puso mo'y lumuluha,
Kaya't ang tangi kong dalangin,
"Panginoon ako'y inyo na lamang kunin."
Kung kapalit  naman nito'y pasakit at suliranin,
Di ko kayang makita si Papa na ako'y  nagiging pasanin,
at kanyang babalikatin.

Papa ika'y mahalaga sa akin,
Naalala ko pa ang pagkakataong ako'y nagiging malungkutin,
Niyakap mo ako kaya't ako'y nagiging batang masayahin,
Ang halik mo sa akin,
Kaysarap damhin!
Init ng pagmamahal na hindi kayang sukatin!

Pag-ibig na kahit saan kaya kong dalhin,
Habang buhay kong gugunitain,
Himig ng pagmamahalan natin!

O kaysarap dinggin!
Ang tiwala **** sa akin ay hinabilin,
Bagkus ko itong pagyayamanin,
Hinding-hindi ko ito sasayangin,
Habang buhay ko itong pupurihin,
Hanggang sa ito ay magniningning!

100 na tula alay ko sayo!
Ika'y isa sa magiging pahina nito,
Laman ka ng aking nobela,
Na hindi maipagkakailang-----
Ako'y sa'yo at ika'y akin lamang!
Ang tulang ito ay para sa magiting kong ama. Napaka mati-ising tao, at handang magsakripisyo para sa pamilya.
Mabuhay ka aking ama! Mahal na mahal kita.
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