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Pete Leon Jul 2018
How to enjoy this poem.

- Read it
- Feel nice
- The end
Pete Leon Oct 2017
Carrot and coriander, why are you so pally?
With your 'c' sounding names and you both being edible,
Well I've got news for you boys,
I think you're absolutely terrible.

Carrot and coriander, why are you so pally?
Just because you both like soup and a little bit of season,
It doesn't mean you should be so close, it's not a good enough reason.

Carrot and coriander, why are you so pally?
You hang around in cardboard cartons, talking trash about other ingredients,
Well its just not acceptable boys, and I'm really not feelin' it.

Carrot and coriander, why are you so pally?
People think you're great, with your complementary flavours,
Well I'm sorry boys, think you're tasty? Do me a 'kin favour.
Pete Leon Oct 2017
Tarte Tatin Man,
He wears pears on his hands,
And he glistens like lamb,
He's Tarte Tatin Man.

Tarte Tatin Man,
He's originally from France,
And has a cousin who's a flan,
He's Tarte Tatin Man.

Tarte Tatin Man,
He wears a coat made of pans,
And bathes in butter, not jam,
He's Tarte Tatin Man.

Tarte Tatin Man,
I feel we finished this dance,
Till we meet again, perchance,
Goodbye Tarte Tatin Man.
Pete Leon Oct 2017
I like elephants, wood, and rust.
I like elastic feelings and good, clean filthy textures.
I like peaceful rage and boxes with glass (broken or not).
I like detailed abstraction and smells that make you sick, but not literally.
I like words that are shaped like people and wind that doesn’t move or make a sound.
I like gravely voices with sandy tones, meaty bones, and eyes of stone.
I like chalk and dust and asking questions without words.
I like structured flow and red-ripple eyes.
I like amputated thoughts and snaking through forests.
I like the words ‘expunge’ and ‘spleen’ and coarse vengeance, but not together.
I like egg-shaped objects and touching washable whiteboard erasers with my cheek.
I like all human faces but not all human people and unnamed creatures we haven’t seen, in places we haven’t been.
I like writing secret thoughts and making words emboldened with my tongue and lips.
I like real life fiction and burning bridges to places I’ll never revisit
I like pencils, but only HB or above. 5H can **** right off. F makes me unsure.
I like the smell of poison from the lips of disturbed creatures.
I like people with cats for a head; tigers, lions or domestic.
I like the theoretical idea of punching a horse, for the way it sounds and smiles at me.
I like pegs and what they bring to the table and comedy that takes itself seriously.
I like circles and all their relatives. Even ***** Uncle Oblong.
I like how language makes my breath smell and squeezing hope out of sponges.
I like to name things that are mine, but then use things that belong to others. Staplers mainly.
I like darkness and light in all measures; even when drank from a well in a shoe.
I like climbing into clouds and discussing anything but the weather.
I like how randomness is a concept thought of by someone else.
I like to unravel thread and then eat the evidence.
I like the fecality of machines and cogs that catch rain.
I like to listen with my mouth and reply with my veins.
I like the honesty of chaos and the cynical nature of fingers and toes.
I like swinging my mind fluff at innocent bystanders.
I like falling into gold by tripping over dead-end roads.
I like round numbers that are sharp and spiky and hurt when applied freely.
I like getting trapped by my own volition and eyelashes that live alone and care not what you or I think.
I like it when clouds become aggressive and spit disdain on the revolution you started.
I like slatted fences that don’t let things get them down; except falling dust that is just a thought.
I like universal understanding of things nobody understands and how your blue is my yellow and you stole it, so give it back.
I like how the letter Q is so shy, despite its ***** size.
I like to find the veinality in all things; with my eyes and then my sweaty blood pen.
I like stealthy science that is really a ghost we invented in a room made of futures and pasts.
I like forced relationships; especially if a monkey or a spoon are involved.
I like to glue my face to walls to see if anyone watches. Don’t worry, they always do.
I like reaching milestones only to find someone has scratched out my name and replaced it with an arrow pointing backwards.
I like big licks that are really lips that got kicked.
I like wrinkles that twinkle when sprayed with the slap of life.
I like that we all pretend that we know what’s going on, but that if we did, we wouldn’t have eyebrows.
I like hidden rooms that hold everything we were trying to hit. Except that horse I punched.
I like to drive a truck gently down a stream, only to tickle a deer on its belly with my headlights when I get there.
I like finding things that are so me, it brings painful heat out of my smiling face holes.
I like reflections in glass, of things that aren’t happening now, but will after lunch.
I like the rhythm of word *** followed by the ******* of a donkey-punched idea.
I like the iron will of freedom and how the camel **** of life sends us all back to the ***** sea.
I like the familiarity of a number and how they let us down, but we kiss them anyway.
I like pockets of air in black-like snowflakes in the fog.
I like seeds, Velcro and moon sand.
I like burnt umber, but only because we once were friends. He stayed. I left. *****.
I like paper and news, but never together and strings on rings dancing like feathers.
I like visual echoes and all other types of see-sounds.
I like stories both fat and tall, but not hairy-backed. I’m not an animal.
I like the sounds comics make and soundless comets that like me.
I like how one rule is made to break another, like a seagull might be used to grout a tile.
I like how a hundred things can be small or big, depending on whether you are lying down or on crack.
I like indents and outdents, but nothing beats a trombone.
I like scissors and their forgotten cousin the compass. They weren’t really related after all.
I like inflammatory statements such as ‘best before’ and ‘backspace’.
I like toast and brittle confidence, especially as a mid-morning snack.
I like chilli, flutes and harmonious ornaments.
I like running a mock and mocking a run. Oh and raspberries.
I like over-elaborate job titles invented by under-elaborate job-nockeys.
I like a pinch of this and a pinch of that. But if you touch me, I’ll cut your fingers off.
I like red apples and the smell of disappointed parents.
I like peanut shells in their own personal hells that are destined to do well.
I like sabre-toothed sauces and burlesque mornings
I like tree bark rubbings made from the fallen bodies of birds.
I like reaching for the hips of a star and releasing gristle from my teeth, in equal measure.
I like that swans break arms but never a sweat.
I like cherry protein and scratching an itchy thought.
I like snake skeletons, spider ***** and darkly lit minds.
I like half a man wrapped inside the womb of a stag. Why? Because I just thought of it.
I like divining a feeling with sticks made of rope inside houses of hope.
I like running downhill on palms of marbled ham.
I like cosmic justice in my box of tricks, with tea and biscuits.
I like making it worth peoples’ while, all over their face. But not with cheeky juice.
I like coming to an end, turning around and sleeping.
I like animals that have people for a soul and speak mythical wisdom by staring.
I like drawing what I think and making sandwiches that sing.
I like resting on my morals and dancing on yours.
I like stains on both the mind and my table.
I like visual symmetry, left aligned and crooked; valuable teacups and sage.
I like one-worded concepts like ‘calculators’.
I like appendages that swing and drinking *** from a tin.
I like water and vinyl and female urinals.
I like having no favourites, seasoned chips and music.
I like delving into lives like a fish flying on the back of a bird. Business class.
I like tapered limbs but not jeans; roasted egos but not beans.
I like scary hares laid bare and children being horses without sticks.
I like magic which is smooth and soup that is crude.
I like ninjas in shelters and watching shadows paint pictures.
I like how nothing ever ends, but everything bends. Even teardrops.
I like puzzles that sting and seaweed disguised as hair.
I like to leave people with a thought. Not you though.
Pete Leon Oct 2017
Condensation drawing,
On mirror, one morning,
What I saw, blew mind
Made me turn, look behind

There stood, with a knife
At the throat, of wife
Her screams, all could hear
My heart, burst with fear

With panic, in my chest
Took swing, for the best
caught hard, in the face
Knife dropped, grasp, race

Me first, knife, mess
Him blood, life less
Wife safe, me shocked
Bathroom exit, door locked
Pete Leon Oct 2017
Poetry and I have broken up,
Words were spoken, she took dog.

We tried speaking to someone together,
They didn't say much, just listened.

Poetry and I are back together,
We had a chat, she gave me cat.

We're going away together soon,
Nice hotel, gonna read horse together.

The trip didn't go well,
Things were said, she took a fence.

It's my faulty though, I spoke poorly,
I have no fence.
Pete Leon Oct 2017
Chicken satay back,
Melting middle, piney tum,
Keep it tight, but leave it slack,
Wrap the noose around your thumb.

Weather party in my hat,
Can’t contain her lightning eyes,
Hang around, but keep it flat,
Dig your grave with Sunday lies.

I can’t remember all this crap,
Then write it down you crazy brave,
Lightly tickle, here’s a slap,
It’s the story of the rising of the slave.
Lightning eyes brave slave chicken satay weather party hat thumb noose

— The End —