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Molly Jenkins Feb 2016
The rattled leaves,
musk of crushed moss,
lichen and mushroom-cap
sky be a banner
ancient and knowing
blue like desert, like
shimmering oasis-eyes
in the desert
bearing into me
blue like diving into the sky
across a wall of wind
into water
into new lands of Spring
and a new skin.
Molly Jenkins Oct 2015
all things consist as sounds consist
of the elements
[Here follows the history of the four]
evident then,
what we have said before
all men seek causes named
we cannot name any described before
not at all.
the Subject lisps
it is young and bone by virtue
the essence and substance of
flesh and tissues
the elements and
the names - fire and earth and water and air.
He has not said clearly.
Our views have been expressed before;
but let us return the difficulties
perhaps we may get some help towards
our difficulties.
The Subject of our inquiry:
we are seeking the universe.

the fire, forthcoming
as flame would follow
moth to candle
vapor to lust
lust to yearn
yearning to dust.
A fire’s flame, inquiries made
the perfect deep shade
of rust.

crumbling to ferrous, ferric
streaks in the Earth
the earth.
O humble, o depths
of rich and mysterious mud
o magnum mysterium
overturned with resounding
thud
and iron streaks richer than blood.

but crumble it shall
in many waters, rivers
the orbital, the oculus
the eye of all clarity
and all washed away
it is time
it is time
the Subject: washed away

into vapor
into air
into wind
the howling, the holy
the Subject lisps
and it is holy wind
holy flame
holy earth
holy water
wholly: the Universe
and nothing more
and nothing less
than its elements
than sound
Here follows the mystery of the four:
they are holy, inherently
and wholly, inherently pure.
In the process of digging through unlabeled word documents, google docs, and old notebooks. I'm really looking forward to having everything in one place.
Molly Jenkins Nov 2015
my chest is as smoke, the atoms
are too far apart
from
each
other, and otherwise
like a half-knit-yarn-scarf
fingers dug in and pulled, and
pulled
until the knots all
hung loose
rattling, rattling
there was a nothing there
and i was nothing for
more than a moment.
her voice on the line
was the fog that seeped
around my mind
still seeps up from
the grating now
I am flat, crumbling
stone
loosely in the ground now
pelted by rain and cold
I am cold fever chill
I am the hollow, drifting
gutteral and weakened howl
of the wind, whipping
now languidly, now violently at
my father's tombstone.
His name is carved out
the open grating between my shoulders
he left this world, woken
in the dead of night
in the pain of death
fading to confusion
to the loss of voluntary
and involuntary function
he raised his arms
opened his mouth soundlessly
and wept wide-eyed
into the frozen-form.
the scene of my absence
is the broken record
the image that haunts
I can picture vividly
the sofa he laid on, the burgundy carpet
the bad-body smells
of death, and incontenance
the flashing lights
of a too-late ambulance
the echoes and shadows and smells
clung to and possessed the walls, the floor
for months after
the echo of his open mouth
and open eyes, animal  
it is a home again now, I think
but
I am a shade of
his fear, his reduction, his
soundlessness.
I was told by my mother and sister what happened. I struggle to forgive myself my absence every week. No one knew it was really happening until it was already happening. They were with him, but it was like he didn't know they were there, like he was alone. I was studying for finals in the dorm of a friend. I got the call early the next morning after having pulled an all nighter. I remember everything about that night and that morning vividly. I remember that whole week after too vividly, and blurrily at the same time. I get potent snapshots, and it blends together in between.
fig
Molly Jenkins Nov 2015
fig
smoke-sheet eyes, you
questioned me behind
a mesh divider
all my hot hard "no"s
all my parting throes -
terrifying, endless, and gaping.

you questioned,
and never answered
you opened me like
an underripe fig
I didn't understand
how a person
could pull me apart
too soon.
Now I mould
over, I bruise
and hug the wet,
black ground.
There is a time and a place for everything; in the absence of this, life falls out of balance and we succumb to the allure of alternate scenarios instead of crafting meaning in our current lives
Molly Jenkins Dec 2015
My skies are sponged in soft grey
water-pressed, water folded
water borne.
Anon, I have only ever been remembered in this way:
When the light is wan.
But I promise you, more than
the sky now promises a hopeful sleep
I will love you beyond hills and houses
Beyond clay, which melts in the rain
My love is a kiln, I am caught in the
hearth with you
And now if I was thrown,
I would be shattered instantly.
But I can stand a thousand days of rain
I can hold under high heat
I am glossy earthenware
Finer than any diamond or gold nugget
I will nourish, comfort, and warm you
I will love you such.
Molly Jenkins Oct 2015
in the curve
of the ox-bow
the tepid currents
a second sky
winds its way
on this earth.
it is false.

my mirror, my mirror
when I approach
your light grows dim
and murky with clouds
of sand.
From a distance I thought -
you were a bright glassy hope
but
you strand little things
fill in houses
before drying up
in the heat of the sun.

Yours is not first light
nor resilience
I am glad
to have walked along the shoreline
and in the full tempestuous surf
I am glad
I am big enough
not to be caught like
your little fish
narcissitic,
desperate to find my own reflection
in you.

in the curve
of the ox-bow
of the currents
i return to the child-self
to wading for the sake
of wading
to feel the coolness of the water's ebb
and not
to waste love, wanting.
Molly Jenkins Mar 2016
the chorus and
the columns far
upholding tactful, dreamy stars
and what can we say, to dream what they are?
turning in trembling multitudes.

but the common cry
is a fallow blow
falls empty to that silver'd glow
and nobody could ever know
if the lights hear at all, or are uncaring
Molly Jenkins Oct 2015
you touched your wrists
to mine
and a rash blossomed
across my skin
red and dry
ran across  
indigo hills
fields of turned-over soil
in the night-time
to cool my
strangled sweat
to find a sink
a light in the kitchen.

im sorry, i promise
i'll buy a slice
i just need to use your sink, please.

fluorescent-white
heat
i put the water on the hottest setting
and i scrub and
scrub, and scrub
fast, and hard
i rinse the raw
i leave.

when I wake up
for all my scrubbing
the rippling rash, the buds
are still there
under my skin.
a lone fungal stalk
of crimson
a fruiting body
rises from my wrist.

this does not belong
here
like a broken bone
bending in the wrong direction
under the skin
like the voice on
the other end of the line
this is not real
I wrote an iteration of this in November 2012; I've kept it largely the same with minor edits and revisions. Imagery rooted in a recurring dream I had all that Summer and again that Fall as well.
Molly Jenkins Oct 2015
and often nights? i -
i’ll have no trouble
it’s the screens that
do me in.

the fallen angel
the lithesome, spent glow
of do-overs
it just
does me in.

i am too possessed
by mercurial vapor
a dead self
at 2 and 3 and 4am
egging on, asking
“keep looking? it’s
somewhere in the archives.
it has to be.”

i promised, i promised
i wouldn’t, i promised
or I’d spend months
years, decades of life
living in the guesswork
the in-betweens
lying in the pathways
between the thought
and the reflex.

i could scroll a whole
lifetime away
in wanting.
it’s the screens that
do me in.
Molly Jenkins Oct 2015
I wear the vale
and it weathers me
in silty slopes
in harsh-cut lines
it lopes off pieces
of my face.
it floods out my marshes
it clears me clean out
and sterile

I wear the vale
and it's worrisome folk
who take up issue.
"You're wearing the vale!
Wearying th' fields
with dead leaves, and dead things.
Don't you tell us
how to live."

Funny, it's not even sublime
how easy it is
to tell me.
Molly Jenkins Nov 2015
A discordant gain
moves through the hall
echoes off every wall
and reverberates again
through my chest cavity.
my ribcage thrums  
obstinate, hopeful
it is a clear fullness
it is the water that I carry.
The cistern is broken
but
it has been sealed in gold
that reflects the light of
things that have been, are, or will be
and it is the lightning fracture
that appeals to Him now
more than the gold itself.

I know your
heavy lead-heart, lead-limbed
sorrow.
I know the iron nails
your mind would drive
up into your own veins.
You crucify yourself not every three days
but every day
every night
every hour.
It is the lightning-fracture
that reminds you of this place
moreso than the gold ever could.
The high, dissonant clattering
in the world
drives into your dryness.
I will give you water
but to hold it, you must seal
your cracks, yourself.
To preach doctrine and theology is one thing, to live it in full acknowledgement of the human spirit, human minds, needs, and human anguish is another thing entirely.
Molly Jenkins Oct 2015
is the way
you look at
me
only a function of the way
you hold your hands
there, in your lap
closed, slumping
closed?

if I closed mine
would yours suddenly open
uncurling
would they grasp and
catch
at the air, open?

mine is not the heart
of a flickering butterfly
or a candle in a howling wind
a fragile thing
and while it is tempestuous
arhythmic
it is not fragile

the heart is a muscle
it pumps
it is not a glass ornament
for you to peer at
on hours, afraid of shattering  
it, it is to be fed
with iron
with density
blood and touch
-and it cannot be
blocked up.
it will fail.
Molly Jenkins Dec 2015
the folds, the tether-lines gathering
securing linens whipped and filled
by a wide wind
it sweeps my memory in white
noise, throwing the sheets, the chronologies
of a life into air
and I am left wanting.
running my hands into the folds,
the pleats of cool pressed cotton
running my hands down the pleats
again, just to feel them
the reassurance that they are still there,
for my fingers to glide over
in a given moment of luxurious ennui.
the pleats are snatched up in
thoughts nimble, quick, and grasping
again, just to feel them
a habit to drape
to clip against a line
(to blow in the wind)
in the folds.
file under: things that don't belong to us
Molly Jenkins Apr 2016
how alike

are oak leaves trembling in a soft wind

and sea foam gliding up

a million grains of sand-glass

as if all of nature is sighing into my neck, saying

“hush”
I have so much work to do but God if five minutes outside in the sun under a good tree doesn't help me feel like myself again, and refreshed

— The End —