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I feel lonesome hands approaching mine
to walk me through the desert.
I tense my arms against the open night sky
which cannot be pushed away.

I want you to love my grey skies,
my pensivity that rolls across mountain ranges -
the same to me as sunshine igniting streams.
Just a different lens
through which my creature plays with light.
She is elemental
and sloughs skin off the earth like lava flowing
into the ocean to close its eyes.
I'll eat my own tail
to discover what I already know.
Evan Stephens Nov 2017
The clock was set back,
and now night rots
away the afternoon.
Gray light spills,
slouches, sloughs
into my hair,
my hands, across
all these strangers.

Ovals of alcohol
keep the rain away.
My life is moving
stave by stave.
I used to go to school,
have a social circle,
idle through hobbies,
new days, new days.
What the hell happened?
She sloughs off her skin,
stepping out with heavy
feet to let her
coffin fall around her
piece by silk pale piece.

Raw and bleeding,
the water encases her in
a liquid embrace, as
calm as a mother's arms
as quiet as death at midnight.

Naked and alone
the water turning red with
truth and thoughts held
close, she washes away the
weighted thoughts of a future unknown.

What life she must lead,
to hide behind closed doors, locked
against the eyes of those
she so sweetly calls
her dearest friends.

But soon she is clean of filth
and doubt and steps out
into the gleaming lights of reality,
facing again the impeccable
glass of imperfection and truth.

She denies the facts and
slowly recovers, recollects
the pieces of a lie
formed through years
of trying to belong to others.

And slowly, like a geisha,
she paints on a face strange
and familiar, her practiced
hands trembling slightly,
the first crack in a porcelain mask.

It is then she stops,
caught on a stray thought
that has crept from the depths
of reddened water, the  realization
that the geisha died long ago.
I built my soul a lordly pleasure-house,
    Wherein at ease for aye to dwell.
I said, "O Soul, make merry and carouse,
      Dear soul, for all is well."

  A huge crag-platform, smooth as burnish'd brass
    I chose. The ranged ramparts bright
From level meadow-bases of deep grass
      Suddenly scaled the light.

  Thereon I built it firm. Of ledge or shelf
    The rock rose clear, or winding stair.
My soul would live alone unto herself
      In her high palace there.

  And "while the world runs round and round," I said,
    "Reign thou apart, a quiet king,
Still as, while Saturn whirls, his steadfast shade
      Sleeps on his luminous ring."

  To which my soul made answer readily:
    "Trust me, in bliss I shall abide
In this great mansion, that is built for me,
      So royal-rich and wide."

* * * *

  Four courts I made, East, West and South and North,
    In each a squared lawn, wherefrom
The golden gorge of dragons spouted forth
      A flood of fountain-foam.

  And round the cool green courts there ran a row
    Of cloisters, branch'd like mighty woods,
Echoing all night to that sonorous flow
      Of spouted fountain-floods.

  And round the roofs a gilded gallery
    That lent broad verge to distant lands,
Far as the wild swan wings, to where the sky
      Dipt down to sea and sands.

  From those four jets four currents in one swell
    Across the mountain stream'd below
In misty folds, that floating as they fell
      Lit up a torrent-bow.

  And high on every peak a statue seem'd
    To hang on tiptoe, tossing up
A cloud of incense of all odour steam'd
      From out a golden cup.

  So that she thought, "And who shall gaze upon
    My palace with unblinded eyes,
While this great bow will waver in the sun,
      And that sweet incense rise?"

  For that sweet incense rose and never fail'd,
    And, while day sank or mounted higher,
The light aerial gallery, golden-rail'd,
      Burnt like a fringe of fire.

  Likewise the deep-set windows, stain'd and traced,
    Would seem slow-flaming crimson fires
From shadow'd grots of arches interlaced,
      And tipt with frost-like spires.

* * *

  Full of long-sounding corridors it was,
    That over-vaulted grateful gloom,
Thro' which the livelong day my soul did pass,
      Well-pleased, from room to room.

  Full of great rooms and small the palace stood,
    All various, each a perfect whole
From living Nature, fit for every mood
      And change of my still soul.

  For some were hung with arras green and blue,
    Showing a gaudy summer-morn,
Where with puff'd cheek the belted hunter blew
      His wreathed bugle-horn.

  One seem'd all dark and red--a tract of sand,
    And some one pacing there alone,
Who paced for ever in a glimmering land,
      Lit with a low large moon.

  One show'd an iron coast and angry waves.
    You seem'd to hear them climb and fall
And roar rock-thwarted under bellowing caves,
      Beneath the windy wall.

  And one, a full-fed river winding slow
    By herds upon an endless plain,
The ragged rims of thunder brooding low,
      With shadow-streaks of rain.

  And one, the reapers at their sultry toil.
    In front they bound the sheaves. Behind
Were realms of upland, prodigal in oil,
      And hoary to the wind.

  And one a foreground black with stones and slags,
    Beyond, a line of heights, and higher
All barr'd with long white cloud the scornful crags,
      And highest, snow and fire.

  And one, an English home--gray twilight pour'd
    On dewy pastures, dewy trees,
Softer than sleep--all things in order stored,
      A haunt of ancient Peace.

  Nor these alone, but every landscape fair,
    As fit for every mood of mind,
Or gay, or grave, or sweet, or stern, was there,
      Not less than truth design'd.

* * *

  Or the maid-mother by a crucifix,
    In tracts of pasture sunny-warm,
Beneath branch-work of costly sardonyx
      Sat smiling, babe in arm.

  Or in a clear-wall'd city on the sea,
    Near gilded *****-pipes, her hair
Wound with white roses, slept St. Cecily;
      An angel look'd at her.

  Or thronging all one porch of Paradise
    A group of Houris bow'd to see
The dying Islamite, with hands and eyes
      That said, We wait for thee.

  Or mythic Uther's deeply-wounded son
    In some fair space of sloping greens
Lay, dozing in the vale of Avalon,
      And watch'd by weeping queens.

  Or hollowing one hand against his ear,
    To list a foot-fall, ere he saw
The wood-nymph, stay'd the Ausonian king to hear
      Of wisdom and of law.

  Or over hills with peaky tops engrail'd,
    And many a tract of palm and rice,
The throne of Indian Cama slowly sail'd
      A summer fann'd with spice.

  Or sweet Europa's mantle blew unclasp'd,
    From off her shoulder backward borne:
From one hand droop'd a crocus: one hand grasp'd
      The mild bull's golden horn.

  Or else flush'd Ganymede, his rosy thigh
    Half-buried in the Eagle's down,
Sole as a flying star shot thro' the sky
      Above the pillar'd town.

  Nor these alone; but every legend fair
    Which the supreme Caucasian mind
Carved out of Nature for itself, was there,
      Not less than life, design'd.

* * *

  Then in the towers I placed great bells that swung,
    Moved of themselves, with silver sound;
And with choice paintings of wise men I hung
      The royal dais round.

  For there was Milton like a seraph strong,
    Beside him Shakespeare bland and mild;
And there the world-worn Dante grasp'd his song,
      And somewhat grimly smiled.

  And there the Ionian father of the rest;
    A million wrinkles carved his skin;
A hundred winters snow'd upon his breast,
      From cheek and throat and chin.

  Above, the fair hall-ceiling stately-set
    Many an arch high up did lift,
And angels rising and descending met
      With interchange of gift.

  Below was all mosaic choicely plann'd
    With cycles of the human tale
Of this wide world, the times of every land
      So wrought, they will not fail.

  The people here, a beast of burden slow,
    Toil'd onward, *****'d with goads and stings;
Here play'd, a tiger, rolling to and fro
      The heads and crowns of kings;

  Here rose, an athlete, strong to break or bind
    All force in bonds that might endure,
And here once more like some sick man declined,
      And trusted any cure.

  But over these she trod: and those great bells
    Began to chime. She took her throne:
She sat betwixt the shining Oriels,
      To sing her songs alone.

  And thro' the topmost Oriels' coloured flame
    Two godlike faces gazed below;
Plato the wise, and large brow'd Verulam,
      The first of those who know.

  And all those names, that in their motion were
    Full-welling fountain-heads of change,
Betwixt the slender shafts were blazon'd fair
      In diverse raiment strange:

  Thro' which the lights, rose, amber, emerald, blue,
    Flush'd in her temples and her eyes,
And from her lips, as morn from Memnon, drew
      Rivers of melodies.

  No nightingale delighteth to prolong
    Her low preamble all alone,
More than my soul to hear her echo'd song
      Throb thro' the ribbed stone;

  Singing and murmuring in her feastful mirth,
    Joying to feel herself alive,
Lord over Nature, Lord of the visible earth,
      Lord of the senses five;

  Communing with herself: "All these are mine,
    And let the world have peace or wars,
'T is one to me." She--when young night divine
      Crown'd dying day with stars,

  Making sweet close of his delicious toils--
    Lit light in wreaths and anadems,
And pure quintessences of precious oils
      In hollow'd moons of gems,

  To mimic heaven; and clapt her hands and cried,
    "I marvel if my still delight
In this great house so royal-rich, and wide,
      Be flatter'd to the height.

  "O all things fair to sate my various eyes!
    O shapes and hues that please me well!
O silent faces of the Great and Wise,
      My Gods, with whom I dwell!

  "O God-like isolation which art mine,
    I can but count thee perfect gain,
What time I watch the darkening droves of swine
      That range on yonder plain.

  "In filthy sloughs they roll a prurient skin,
    They graze and wallow, breed and sleep;
And oft some brainless devil enters in,
      And drives them to the deep."

  Then of the moral instinct would she prate
    And of the rising from the dead,
As hers by right of full accomplish'd Fate;
      And at the last she said:

  "I take possession of man's mind and deed.
    I care not what the sects may brawl.
I sit as God holding no form of creed,
      But contemplating all."

* * * *

  Full oft the riddle of the painful earth
    Flash'd thro' her as she sat alone,
Yet not the less held she her solemn mirth,
      And intellectual throne.

  And so she throve and prosper'd; so three years
    She prosper'd: on the fourth she fell,
Like Herod, when the shout was in his ears,
      Struck thro' with pangs of hell.

  Lest she should fail and perish utterly,
    God, before whom ever lie bare
The abysmal deeps of Personality,
      Plagued her with sore despair.

  When she would think, where'er she turn'd her sight
    The airy hand confusion wrought,
Wrote, "Mene, mene," and divided quite
      The kingdom of her thought.

  Deep dread and loathing of her solitude
    Fell on her, from which mood was born
Scorn of herself; again, from out that mood
      Laughter at her self-scorn.

  "What! is not this my place of strength," she said,
    "My spacious mansion built for me,
Whereof the strong foundation-stones were laid
      Since my first memory?"

  But in dark corners of her palace stood
    Uncertain shapes; and unawares
On white-eyed phantasms weeping tears of blood,
      And horrible nightmares,

  And hollow shades enclosing hearts of flame,
    And, with dim fretted foreheads all,
On corpses three-months-old at noon she came,
      That stood against the wall.

  A spot of dull stagnation, without light
    Or power of movement, seem'd my soul,
'Mid onward-sloping motions infinite
      Making for one sure goal.

  A still salt pool, lock'd in with bars of sand,
    Left on the shore, that hears all night
The plunging seas draw backward from the land
      Their moon-led waters white.

  A star that with the choral starry dance
    Join'd not, but stood, and standing saw
The hollow orb of moving Circumstance
      Roll'd round by one fix'd law.

  Back on herself her serpent pride had curl'd.
    "No voice," she shriek'd in that lone hall,
"No voice breaks thro' the stillness of this world:
      One deep, deep silence all!"

  She, mouldering with the dull earth's mouldering sod,
    Inwrapt tenfold in slothful shame,
Lay there exiled from eternal God,
      Lost to her place and name;

  And death and life she hated equally,
    And nothing saw, for her despair,
But dreadful time, dreadful eternity,
      No comfort anywhere;

  Remaining utterly confused with fears,
    And ever worse with growing time,
And ever unrelieved by dismal tears,
      And all alone in crime:

  Shut up as in a crumbling tomb, girt round
    With blackness as a solid wall,
Far off she seem'd to hear the dully sound
      Of human footsteps fall.

  As in strange lands a traveller walking slow,
    In doubt and great perplexity,
A little before moon-rise hears the low
      Moan of an unknown sea;

  And knows not if it be thunder, or a sound
    Of rocks thrown down, or one deep cry
Of great wild beasts; then thinketh, "I have found
      A new land, but I die."

  She howl'd aloud, "I am on fire within.
    There comes no murmur of reply.
What is it that will take away my sin,
      And save me lest I die?"

  So when four years were wholly finished,
    She threw her royal robes away.
"Make me a cottage in the vale," she said,
      "Where I may mourn and pray.

  "Yet pull not down my palace towers, that are
    So lightly, beautifully built:
Perchance I may return with othe
Ethan Taylor Apr 2011
Language is a skin: I rub my language against the other. It is
as if I had words instead of fingers, or fingers at the tip
of my words. My language trembles with desire.
-Roland Barthes

My* language is a skin I have outgrown.
It sloughs off in flakes,
leaving letters or the occasional
ill-suited, illegible word
trailing behind me.

I pick at adverbs and articles
hanging from my fingertips;
This morning I pulled a whole phrase
off my arm like a sunburn.

My language, once alight,
now settles like cinders
on the ground,
around the shower drain,
upon my sheets;
My language no longer serves me.

Peel my vocabulary off my back,
tear my diction from my shoulders,
and my syntax from my chest;
Scratch the punctuation off my face—
my lips are chapped with parentheses.

Tomorrow I will have shed my language—
Unbound from an ill-fitting lexicon—
coughed the alphabet from my lungs
and exhaled the last serif
like cigarette smoke
to find the world new,
uncontained and undefined.
In addition to Roland Barthe, Margaret Atwood's "You Begin" contributed to the original idea behind this poem.
Who are these? Why sit they here in twilight?
Wherefore rock they, purgatorial shadows,
Drooping tongues from jaws that slob their relish,
Baring teeth that leer like skulls' teeth wicked?
Stroke on stroke of pain, - but what slow panic,
Gouged these chasms round their fretted sockets?
Ever from their hair and through their hands' palms
Misery swelters. Surely we have perished
Sleeping, and walk hell; but who these hellish?


- These are men whose minds the Dead have ravished.
Memory fingers in their hair of murders,
Multitudinous murders they once witnessed.
Wading sloughs of flesh these helpless wander,
Treading blood from lings that had loved laughter.
Always they must see these things and hear them,
Batter of guns and shatter of flying muscles,
Carnage incomparable, and human squander
Rucked too thick for these men's extrication.


Therefore still their eyeballs shrink tormented
Back into their brains, because on their sense
Sunlight seems a blood-smear; night comes blood-black;
Dawn breaks open like a wound that bleeds afresh.
- Thus their heads wear this hilarious, hideous,
Awful falseness of set-smiling corpses.
- Thus their hands are plucking at each other;
Picking at the rope-knouts of their scourging;
Snatching after us who smote them, brother,
Pawing us who dealt them war and madness.
(C) Wilfred Owen
Ken Pepiton Aug 2019
drumm drumm drummed in two
ranks of
auto-
filers whacking keys and levers and springs
slamming
edged
quantum of scripture
i e o u y vowels of no need-- back in cunieforming time
then came those monkeys with the typesetters
whose keys never got stuck
uno
marko per stroke
five 'undred per bit of etaoinshrdlu
click click cliche'
time measured by degrees in fractual
sym-metry wit' bio me

Tumeric kicks in,
eases the swelling of the bubble.

Imagine the imaginings of a child reading
funny papers
in the privy, smokin' grapevine for no

known reason, or,
maybe it appeased the flies, while I sat
upon the throne
in a tower of my own

wandering through memories of
Terry and the Pirates saving Dalai Lama
from the clutches of
the abomb-in-abled snowman,

Yet-i isis now, the Prince of Persia, once more?

No, this battle is not mine. This
war
was
won;

at that crossroad in Perry's Cafe
when the offer was made: star a footnote here
aster-risks have not been invented... we must reduce opacity.
histoical he refused the deal but  did Write the course
"The Internet in One Day"

work for hire, a good gig, then Netscape went public,

reality validated verification of the efficacy
of Feynman's reversible NAND gates,

the future was super positioned
No taxes, tarriffs or tithes; pay flat
twenty percent
for eighty in return, guaranteed in for by of
we, the people's adaptation to

Paredo's Principle versed in Solomonic Wisdom,
re-de-clearing no non new things
under the sun,
trial by

total emersion in a sea of green sans
yellah submarine,

acid etched re
collectibles dust and debris,
flotsam jetsome wetsome old girls dream

it's now, the future, 2019, and some
of us
survived the seventies in hiding,

we're back.
wee voices you ignore at your peril,

not every inspiration is from for by good.

Some are.
Some words live in the sounds they make,
hocus pocus
abra
cadabra, for instance... is heard by children

as the leaven-less wafer
transmogrifates at
the spoken words Hoc es Corpus

Genutim, non factum
magic
thinking is nothing like

what you thought, child.

The message is believable, the messengers
may
be otherwise. EH? ***-eye-say-- eee- eh?

Self-evidence is acceptible, take a hold,
get agrippa comprehension

sweet-almost
persuasive enough to mask the bitter
ever
after taste of century eggs left in the fridge too long

Biome, bio-me, self-effident-icacious
conch-ious
ness, ac
knowledged... these words lived
once,
the eggish-isms egging us on, go
on, only you...
not me, I'll wait
I've slipped, I've fallen... where's the beef? Was this a common quest?

1972. Sheizbomb, pirate orange sunshine.
1973. We reached escape velocity
1974. Trajectory changed
1975. Lost contact, she's near Cuyguna
1976. Prego
1977. Aha, the reason is born

Future 2019 will seem as real as you may
imagine. I promise,

Ever after, all, as real as you may
imagine. I promise

look, see self evident truth, act asif you know
and understand
angel talk

there remains a rest for the cadabre we inhabit,
"Dancing Queen" "Fernando"
Abba's body of disco hits, missed
by missing one decade and a half,

in sanct-if-ication vacation
to become a hermit when I grew old, if ever,

hoc corpus, eh, as long as faith remains
rememe-r-able post Sini-ification of Suffering,

(the Dragon from the East is not the beast
embodied in the west with golden head,
silver breast, brazen *****, iron legs
and flaking rusting feet of steel
stuck
in sludge ponds and stump ponds and undrained
swamps and sloughs {called wet lands by frogs and ducks})
Ah, so

The golden-green-blue dragons gracing slotmachines,
lure hopers to the slime, not
green Nickleodean slime, real slime from century eggs white
jelly gone dark, dark brown and stinky...

even if i'd tried, I'd never have imagined
eating a century egg
sans chewing, just
gulp
swallow it whole. Din't choke gk kg.

deja vu? no, you missed something.

waiting is being
Dalai Lama, half-scientist, half-otherwise aware
there, in exile,
remains hoping a peace past standing under the
acknowledging of good
and evil,

new mercies on one side, meaculpa, mea
maxima culpa,
on the other.

Who pays? Me or Jesu or the pariah one step
up from a cockroach?
Wait and see. Be still.

Don't ask Mother Teresa, she had no clue.
But she finished what she began,
that was her plan,

skip as much purgatory as abody can stand
imagining worth it all.

Me, says the hermit,
I took the grace Noah found. Wait and see. Get ready.

Google translate the Latin Mass, then imagine it
being a message you must hearken to

drum drumm drummmed into your brain before
your prefrontal
cortextual tester circuits formed and your responses

were ever etched
on the tables of your faith belivin' childheart,
sweetheart,

just think, what if good news gathering is
even-jelly-if I can. Evangelical, if I say-tion sugar pi,
event-tually we see, fine,
details, points to every true story

a bed of nails no liar may rest upon

'fi say so, semper fi.

{evangelicum laude graduates bher no bad news in ever}
--phi beta kappa, key that opens what?-- do you know

what meaning signals breathe? beat?

Take great gulping gasps of air,
affording your self
evident right

to surface, as a bubble you can breathe in.
I think we're alone now

there doesn't seem to be any one around, now

1977, that was four whole decades ago?

Right. And whenever you are, dear reader, this was
ever ago. I testify, I examined this life.

It has been worth the effort. Now I wait. Still.
Try it. Here, there,

no condemnation, the act it self just
is null-ift before asif goes whatif and we lose our value,

we balance madness. We work closely with Cleo,
she handles historical re visioning.

time out-- essential term screams for discretion, get to the grain---
What noise is this... mmmmm
Muse- muse- just, muse like
music, drummm drummm hummmmm
Define, fine, granularity, like salt or sand or sugar
but qualia
mysterium familiarus

Term definition. Lord means h'laf weardan, {Welsh}
warden,
protector of our bread,
by which man does not live alone,
owner of the tower in the vinyard where your captive enemies
languish in your wishless hate.

We wait,

we companions be, joined by the leaven from the sky

leaving footprints in granulated sugar salted sand,
feel it,

sorta sticky, like toe-jam. like mebbe toejam spreader
and the Walrus was
CS Lewis level mere signposts at degrees of little thinker
steps tick tic tic
spiraling
clock wise from up,
counter-clockwise from down

forward, ever onward, off is impossible in the land of on,
here for ever is
too much good stuff,

but that lasts (to the same level of qualia judgment degree)
mere mortal moments

flash. Here we be, wondering and wandering, to an fro,
to get a feel,

for real. This can't go on for ever, they say.
Shall we see, I say... as I passed away.
Life goes on, and no lie follows

Listen,
it's finished, that's all we need say. Live on. Be good,
or die trying. No lying about anything.

What if ever did begin and you simply failed to be aware?
Musing, as a pass time, not a wast of time nor a killing of time, but a use by right of time. This is my examined life. I find it worth living more loudly as I age. The ripeningin, reminds me of cheesy-ness.
Rowan May 2019
Blackbird, blackbird, whither 'way
Don't come down this way in
Sleek sails of five and six

Hither here, two and three
Come forth and fly in
Through the broken glass

Onyx separations carve
In six wings lost to starve
May the host slight the royalty

Blackbird, blackbird, whither 'way
Don't come down this way with
Sacrificial dust from seven circling

Hither here, two and three
Come forth and fly in
Through shattered self

Onyx separations carve
In six wings to starve
May the way be paved

Blackbird, blackbird, will I?
In the serene sloughs, call
Out from the dusk, ten sails high?

Blackbird, blackbird
Come around, see my gift
And sing your song
Wanderer Mar 2012
Speechless
Shocked
Breath gasps from a dry, raw throat
Please. I beg of you.
Staccato whisper. Ragged. Torn.
Have mercy on the withered
Dead skin sloughs off into a scaly pile
I can feel my heart flutter, sputter
I've been too long in the sun
Blisters litter my shoulder and neck
Joints grinding and empty
Thoughts of thunderstorms and monsoons taunt
Finally drops touch my lips
Tears to my eyes
I thought I had nothing left to give
Relief
RMatheson May 2011
His ******* angel wings can no longer lift him high enough. His silhouette
stands against the Morning Glory sky. He has not worn cologne
until this day. Now, the perfume of kerosene coats him. His
matchstick countdown has just hit zero,
ignition.

In flames, he launches off the edge of that crisp concrete line. He falls
ten stories, what was once a man, now an effigy not of stone
or wood, but flame which, wind-washed,
splays out as Ringed Plover wings,
ash feathers blown back.

With a crash of bone and pavement, his Chinese Lantern skin the color
of burnt-sienna, the blaze snuffs out. Through yellow plastic paper,
the creamy skinned women rush to his side. Mother,
Sister, Wife, cradle him, the fingers catch skin
which sloughs off in
flakes of
carbon.
Matty D May 2013
Outside in the cold dark
The first snow begins to fall,
Another sign of Winter’s mark.

Starting slowly, gathering speed
As the crescent moon rises
The dark-white storm will not recede.

Silently
Falling
Single-file
Ensuring
The descent
Is worthwhile.

Wave after cold wave
The onslaught of these sub-zero flakes
Sends warmth to the grave.

Or, rather, it is the lack of love,
That warmth, which causes snow
To fall so great from up above.

Then the gusty winds rush in
Launching the powder with a howling whine,
Cutting through coats, right to the skin.

Hours later, as the falling stops
And the wind dies down
Snow sloughs off in audible plops.

Off rooftops, trees
And fences, too,
A radiant white hue.

Woe is the day
When that fallen snow melts
Turning January into May.

For despite all the signs
Of new beginnings, my soul
Remains dark while all else shines.

And I wish, with the snow,
The memories of her would melt away
Along with
The pain she caused
So long ago.

Such a shame
Something so beautiful
Plays such a dangerous game.
March 14, 2010
(c) MDC
Ben Feb 2012
pain brought on by an apathetic existence
a desire to taste chaos in the flesh
i ***** my soul, dredged from the depths
as death rises, creaking - a gory deity
from my shattered, broken back
gnashes it's filthy, cracked teeth
this barbed, twisted creature rears it's ugly head
as guttural growls wrench free from a torn
throat - wracked with convulsions, sickeningly
sheds a blood and gristle carapace
reborn into rot, steaming flesh sloughs
from it's face to reveal an impossible amount
of needle-like teeth, stretched into a wicked grin
slowly, like creeping mold, the mouth opens
and regurgitated from it's putrid depths...
...a single beautiful butterfly - spun from the
finest gold, inlaid with the most vibrant precious gems
floating on the whisper of a breeze, it lands
on my empty eyes and begins to feast
beauty in death - maybe incomprehensible beauty, but beauty nonetheless.
Ziv Feb 2022
My own skin feels ill-fitting.
Like maybe it belonged to me
at some point in time,
But now it sloughs off my shoulders
Like a hand-me-down
given too early…
Haven’t been able to shake this feeling for a while, but at least I was finally able to put it in words.
emily m Jul 2011
Layer after crusty layer
sloughs away,
revealing the truth under a
painted semblance of
confidence-

Out there is
scary, and i am

Alone.

Alone on my
leaf of a home, when a
tornado, hurricane, cyclone
blows in, halts the
tranquil silence of
my world.

Or was it just a
man with a leaf blower?

This can't be Kansas,
Dorothy.
Dr Peter Lim Dec 2018
WRITING (Reflections from My Diary)

A writer becomes a writer not because he wants to write-
he becomes one because he WRITES and never stops writing.
It's only through the sloughs of disappointment and despair
that he finally sees the light which might take years, decades or a life-time.

Skills alone are not enough, nor grit or tenacity.
The other qualities, (indeed I regard these as being more important) he must acquire are patience and humility.

How could I ever call myself a writer? When I read the works of the masters and even those of my peers, I realise that I don't qualify to be among them. Best to regard myself as a student, an apprentice, a beginner and admirer (of all forms of art) and in this realisation I would have no choice but to write, write and write--day and night, if I wish to make any headway.

Yet, I always enjoy what I do--when I write, it's as though I live in another trajectory--I'm lost in time, beauty and wonder, and the external world, with all its drabness and tedium, seems to fade away and no longer vexes me. I become a new being, I have wings, I fly to a realm I've not known before, I am free and exultant, I sing, I dance, I marvel, I LIVE!

22nd July 2017, Melbourne copyright
annh Nov 2020
We burrow where they lie, our fallen brothers. Old sweats and fledgling crow bags, both. In death as in life, they have our back…and so we plough on into the abyss by the light of a caged phosphorus flare, hot metal spraying the midnight hour like some vengeful fay’s buckshot.

A human scaffold supports us for the distance of four miles. That’s Piccadilly to Hampstead; Circus to Heath. The length of a lifetime…of  hundreds of lifetimes. In the winter when the rains come and the trenches run like a quartermaster’s latrine, the soil sloughs away to reveal the ossuary within. It is then that I, in my now customary delirium, imagine that I can reach out to shake their hand again.

‘Sunrise and sunset are blasphemous…only the black rain out of the bruised and swollen clouds…is fit atmosphere in such a land. The rain drives on, the stinking mud becomes more evilly yellow, the shell-holes fill up with green-white water, the roads and tracks are covered in inches of slime, the black dying trees ooze and sweat and the shells never cease…they plunge into the grave which is this land.’
- Modris Eksteins, Rites of Spring: The Great War and the Birth of the Modern Age

https://www.youtube.com/watch?v=PcgceA64aAI
Sherry Asbury Jul 2015
Your long neck twists itself
into a graceful question mark.
Tall as a man your legs
carry you to waters where you feed.
Sloughs and ponds - even the
occasional drainage ditches.
You lend an elegance to the world.
You do not destroy or plunder,
but snack on fishy delights
taken up in your sword of a bill.
Blue heron, thrive.
Your estuaries and flood plains
are disappearing as civilization
populates the earth.
Pragmatists take the world as it is.
Lovers of animals sorrow
that one day you will be extinct.
What do you add to this world?
You are not a shopping mall
or housing development.
What you do is add grace
and beauty to our world,
making it a more beautiful
place to live.
Progress sounds sensible and necessary - but we will lose the wonders of our world without caring for the inhabitants that the brain-dead consider extendable.
betterdays Jul 2014
in my nightmare,
i walk across plain,gibberous
of melted blue grey glass.

in my nightmare,
the voices of the
four winds whisper,
words fetid and foul,
of love lost
and left behind.

in my nightmare,
the sun scowls
and rips the water
right from my lips.

and i walk on feet,
of bones stripped bare.

and i search,
horizon to horizon
but see only,
blind hope mirages,
fading away.

and my voice echoes,
in my calamitous mind,
calling names of kin and kind.

and my skin sloughs from
my flesh, to sizzle on the ground.

and inside,
the cage,
of xylophone ribs.
a wizened walnut heart
no longer beating,
to ordered time.

and my skull,
now, a hollow drum
of rattling, mutton-headed thoughts,
constantly bleating.

in my nightmare,
i am laid bare
and found wanting, needing,
longing.

in my nightmare,
you are not there.

in my nightmare
there is...
no one else, anywhere.

in my nightmare
i am alone
        all alone....
                      and that,
    scares, the **** out of me!
this was an exercise written from a prompt
thankfully i have not had
and gonestly hope to never have this stark, dark dream ...gone bad...
just flexing my wings and writing outside myself..
Amy Leigh Oct 2018
These    aches  — I  feel  them  through
the      neck   and   shoulders,   tension
up    through    cracks   and     crevices,
like       the       way      you      left    an  
impression. Fluid,  let's  move forward  
swift     and     sound.     Poignant    like
oceanic      waves   —   propelling!     or,  
neritic    waters — upwelling!  or   even,
tidal  sloughs or  currents— continuous.
I   will   feel  it  all — in like water to the
body, out   like   tears  from   the    eyes.
Admittedly,    the  horizon  does feel far
and    I  am   scared.   However,  maybe
I    am    not   lost  after  all,  maybe  the
journey is now  begging and  truthfully,
this   does  alleviate   some  of  the  pain.

© A. Leigh
PERTINAX Jul 2017
The skin sloughs ever so slowly
As it parts from the blade and body
Slipping into the pail of past identity

On top I can see the newest addition
Eyes burning with golden bursts
Accentuated by cool emerald outlines
Staring back at their owner
Accusatory
The narrow pupil dilated in question
"Why go blind?"

I ignored the orbs
Instead turning back to the business
At hand
Where I was carefully removing
Fingernails and thumbprints
One by one joining the flesh
That had once been me

My eyes glared at me
I stared back
Empty sockets dripping
Drip
Drip
"Never have I seen more clearly
For without my skin I truly feel
Without my eyes I cannot cry
Nor nails nor prints to conceal
The real me is not outside
He's inside wanting only to heal"
PK Wakefield May 2012
frail i, in moonlight shall, march
up wisp of spring
into gabled spilt
juice
of curving dawn

orange
whose rind
like the human also
drys

           withers

                            sloughs
KD Miller Jan 2016
1/16/2016

The days drag themselves
succinct, akimbo-
spitting out the day in spurts and
steadily vomiting the night.

I am never afraid of death in the winter.

And so when I sit in bed
and out of the corner of my eye I see
it- death has always been a sort of

white rabbit, I once felt I was one
crushed in a young girls' hands,
having to carry that burden for the rest of her life

I don't want to say that
I missed innocence, in fact,
I want the pleasure of losing it again (Fitzgerald)

I read so much Fitzgerald that year
perhaps because I felt my life was
on some sort of side of Paradise.

Was clumsily and unbearably in love,
Princeton summers,
Was quite unloved
New York autumns,
Was throughly confused
New York winters.

The men come at us,
fling themselves like a screeching
jungle animal of a kind

But we don't care,
we sit in the park fermenting
like we usually do

but still the men laugh
still they come at us
while our skin sloughs off our faces
and we tell them "I'm dying, don't come any closer"

I felt like my face being ripped off once
but I didn't try to do anything about it
of course.
Onoma Jan 2019
a blue whale's

eye sloughs ocean

water.

as the limitless rain

that skied it open.
missanthrope Jul 18
Let me slip into my
Queen.  

Appetite,
Slumber,
Sloughs off of her
as easily as water.

She passes through, to
The other side of Fear
In her penetrability
She has no Peer

Shapeless threats of the night
Merely dampenings of light

Let me slip on my frigid
Queen.

Mortal fears free of her lease
Reign wild, at the very least

But before my Queen
They quiver, shrivel,
Into a sheen
Of ice, from sniffling drivel.

Her countenance a light deadpan,
Her governance, her birthright, tends
A sooty silence,
A dumb penance,
Mum.
Devon Brock Jul 2019
Joy and similar discontents
break wheaten on the all-weather
radial steel-reinforced sidewall hum,
on the defog rasping for a service call;

Break on the near treeless plain
stitched loose to the sky with rivets
of silos and grain bins - clouds
dive porpoise behind the rise.

Joy and similar discontents
hang like flowers on a bleach
wood cross surviving another winter
to tread sobbing on the green ditch water.

Every X and Y coordinate of the plains
etched by gravel side-ways and field
entries too rutted and ragged
to suit the conglomerate need

or the tilt houses and stripped clapboard
banging against the thistle, milkweed
and swallowed dreams in the foxgrass,
with turkey buzzards circling thermal overhead.

But the crows plunge faster into red
fresh carrion sloughs of whitetail and ****
to breach at the presence of a larger scavenging -
and each bent marker tells its own tale.

Count the bullet holes and shotgun splatter
in the stops and yields when the road was empty,
when the night was dry, when the callous boys
had time on their hands instead of hog blood

and badger-eyed girls that left after graduation
for the starless haze, crowded parades,
sidewalk shops, umbrellas on the rain side
of things keeping each at arm's length.

But it was never about the city,
never about the glitz and pizzazz
of everything running baffled into gridlock;
less about the thick dumb flannel boys.

It was always about that low fog,
the night eyes in the beams, the manure, chaff
and split seams of the midwest furrows,
the haybales that bob like rafts over the horizon.
Filmore Townsend Sep 2014
mornings grow longer;
another sun setting out for
a coming long dark. presence
of alacrity necessary. fatigued
by heat, no more macadame;
no more July. seeking spring
and the click-clack before arrival;
the walls are well-pinned and ready.
presence of focus sloughs away.
Kevin Mar 2017
with time accounted for, passing
through the first quarter of
seasonal traditions, vernal equinox,
charming wind chimes hanging bells.
my ears tickle from resonant drips
of auditory opiates. i let go.
calm crawls slowly to completely cover,
beginning at my toes,
my Sunday body of steeper sickening sloughs.
i only warm like reptiles in the southern winter.
basking only for necessity.
basking but not for reasons of my vanity.

i'm unaware of greater peace
when encompassed in ultraviolet and
charming bells of ****** drips.

i see sky. i see afternoon-ish blue.
empty voids. calming unquiet.
here; there is no thought of you.
nothing. it feels like
sounds i hear and looks like
sights i see;
seductive flowers on top of endless nothing;
perfect from its sacred *****.
i slip with drips and ringing bells
and let go. desire fades.
i feel an overflowing spew,
everlasting warmth of an untouchable
moving mass.  

you did not warm me this much.
there are parts of me you will never get to touch.
this is unfortunately a story about an evening that turned into morning from ill advised activity.
KorbydAngyle Aug 2022
Deliver me not from the original grievances
   I issue the wrath to follow
Free the drain on soul strengths that the fraying sanity
    constantly borrows
Instant sloughs of darkly ill magical face cream smearing my guise
Fake dreams of deliverance a nuanced
    future of centuries undone in demise
I can not take any more than the furthest
strengths of human torture
Yet each day the vexes of deadly Angels await
   at my fashioning of hope's,...
          personal door
Can strong words and mighty trials of perseverance help?...
  That which is the truth of existence for me?

Only vague streams of winners and losers
    and deniers await taking their weapons
       and striking at me .... is the sending ,message that can be seen

As zombies gloating over quivering scampering limbs
The vice of walls to protect me now grows far too thin

Oration's tone sounding of skivy demonic crowded contrasts
From champion to hate from glory to denial Earth's
     deadly lack of concern lays it's lies hurt and endemic blasts
aubergine Nov 2017
romola grey plays the glistery xylophone, one foot perched up on a potato mountain. in her arteries are gold rushes, klondike blood and moody oxygen. there is a particular grace to her madness: she used to be a seaweed keeper in carmel, long-finned pilot whale watcher in cork, hoary hair weaver in aix, newspaper delivery boy in columbus—she planted soulful cacophonies of watermelon kids who ice skated around her ankles.

romola grey hits the notes in vernacular solicitude, her fingers in antarctican winds, sloughs off half of the continent of dry skin. she looks for a wolf-boy who will listen to her calls, and her musical outpour of thunderous howls. but there is a nome-alaska body in her gut, corpuscled deep in her legs that trench a frozen pumpkin patch—for she is her own snowy witch with the back of a lion.
2012
touka Apr 2018
with a broken jaw
and a broken spine

he tries to tame the gnawing
unhinged, colubrine

he claws for claret, cherry blood
sloughs his futile, far loves
sinks his teeth into the silt mud

swiping bugs from widows web-spin
perhaps I'd never reach my anthesis
perhaps I'd never shed my dead skin

like he crawls along the leaves
all the rest crawls from his sleep
in late hours
he thinks of me
"I've always had a broken spine."
hungry, hungry, hungry
Jake Dockter Apr 2019
He spoke the language of birds
of pickle ****
and lichen
and ailerons
and shutter speeds

Where I saw a blackbird with a spot of red on a wing

He saw Agelaius Phoeniceus a  passerine bird of the family  Icteridae found in most of  North America and much of  Central America

His mind and mouth were full of facts and figures
about wind
and lift
and tides
and the right time to plant and to harvest tomatoes

Music and science were things to be dissected
and perfected
and each thing was measured
and calculated
and intentional
like the metronome I played with on the piano in the spare room

I did not always understand him
I did not always try to learn

a kid dabbling in punk rock and drawn to graffiti will
I found it hard to relate to someone so exacting

But while I do not remember his laugh
I do remember his joy
at explaining the circuitry in a handmade airplane
or the minutiae of the wondrous geometric cellular structure of a pine cone

A hike in the sloughs and I ran ahead
while he kneeled and saw a tiny marvel, a flower or a lizard hidden by my hurry, tucked behind a leaf and revealed by his slow and patient attention

He taught us to see
To look close
To take the time to do it well

And while we bristled at the pocket knife,
cutting candy into enragingly tiny mouthfuls

he taught us to savor
and make the moments last

He never rushed a photograph
He never hurried though a museum
He never pushed you out after dinner
He sat
and listened
and truly saw you
in focus.

While his eyes blurred with age
And his ears failed him
He never stopped taking in the moment and he never stopped his ever and perfect focusing
On the thing in front of him, perhaps small but made large by his attention

The last time I saw him
he clearly
and directly looked me in the eye
and in his way
gave a blessing
passing on his focus

“Send those kids my love. Take care of them.”

And in those words
I understood him.
nivek Sep 2017
my skin sloughs
flakes everywhere
I shed sins
its the snake
who inhabits
my darker self.
Sarah Clark Jun 2019
until the turtle
sloughs us off

        Neruda Made of Carbon
        on the rooftop...

writing act two in free
verse with a
crescent moon
and his

       weird thought
             thinker taking notes.
Wk kortas Sep 2017
Our wandering and searching has led us here again,
As April sloughs off winter and takes us by the hand.
(We have had as tutors fishes, birds, and sons of men.)

The long night of our iciness has served to lessen
Quaint faith in schemes and blueprints which mice and gods have planned
Our wandering and searching has led us here again

And in this place and time, pray it’s not beyond our ken
That which truly matters, beyond praise or reprimand
(We have had as tutors fishes, birds, and sons of men.)

Our now has overtaken the reticence of when
Blurring differences between spontaneous and planned;
Our wandering and searching has led us here again

Let God and devil wrestle for the soul of the wren;
Though the very hills may shake, let our conclusions stand.
(We have had as tutors fishes, birds, and sons of men.)

Let callow youth debate free will till time’s end, amen;
We’d have it no other way, we've come to understand.
Our wandering and searching has led us here again
(We have had as tutors fishes, birds, and sons of men.)
This tick-tocky little villanelle shares its title with a short story and collection of stories by Jesse Hill Ford, who wrote some **** fine stuff till he went plumb crazy.
Nolan Bucsis Nov 2017
Beauty sloughs off.
Like water bloated skin.
That monstrosity we've become.
That corpse.
Bloated with hubris.
Giving off gas.

Me.
I'm as still.
As that marble.
They sheathed you in.
To steal.
Your soul.

And these eyes.
They penetrate.
With my cold.
Dead.
Stare.

Some nonsense.
As an obituary.
Some kinda association.

— The End —