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"sagebrush" poems
. I’m just a lonely traveler    on this earth Sometimes it feels as if I'm waiting for the sky to fall with each passing breathe        of wind    Standing alone, a windswept tree    leans downwind; conspicuously wrought,    naked and bowed    by the grinding       silent forces   at nature's whim Rootless tumbleweeds roll by randomly:     broken off, spinning clockwise, never looking back, timeworn and tired of resisting the prevailing     high desert wind and its unheld temper Rattling the tinder    dry sagebrush like songless wind-chimes;     voiceless fugitives wreathing a bellowing silence     Jesse Stillwater
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Aug 26, 2018
Aug 26, 2018 at 7:04 PM UTC
A windswept tree
Our last connection with the mythic. My mother remembers the day as a girl she jumped across a little spruce that now overtops the sandstone house where still she lives; her face delights at the thought of her years translated into wood so tall, into so mighty a peer of the birds and the wind. Too, the old farmer still stout of step treads through the orchard he has outlasted but for some hollow-trunked much-lopped apples and Bartlett pears. The dogwood planted to mark my birth flowers each April, a soundless explosion. We tell its story time after time: the drizzling day, the fragile sapling that had to be staked. At the back of our acre here, my wife and I, freshly moved in, freshly together, transplanted two hemlocks that guarded our door gloomily, green gnomes a meter high. One died, gray as sagebrush next spring. The other lives on and some day will dominate this view no longer mine, its great lazy feathery hemlock limbs down-drooping, its tent-shaped caverns resinous and deep. Then may I return, an old man, a trespasser, and remember and marvel to see our small deed, that hurried day, so amplified, like a story through layers of air told over and over, spreading.
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9.5k
Planting Trees
Downfall she claims Dripping in disease Her dress ripped Trees dying Holes cover the seams Tattered Sewage covered Disgraced Ugly Taking her vitality The mass living upon her soil Population at a high Charging her for corruption Her hair cut In shambles Uneven proportioned Greed is the man in lead Unfairly held to shame Her belly rumbles Earthquakes Crack her skin Aching Oozing her blood Tsunamis wiping out existence She violently Throws tantrums A twister destroying houses Seeking attention Under validated Unnoticed for exotic jungle humanity Innocence Her music lifts The mountain breeze Sagebrush rustles Birds whisper Squirrels leaping Her captivating body sings Weak man made her break Small art gone Ice caps melting into the abyss Taking scraps Leftover bits Her soul Missing Stipping her clothing ******* her gold Her shirt selfishly torn Naked she became Her animals hungry Oceans sickened Our anguish Is revenge Knocked out She's becoming manipulated belief She's in debt to the population Mother will reclaim Her dynasty We the people will be left In emptiness
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May 11, 2016
May 11, 2016 at 8:29 PM UTC
Mother earth is her name
your boot was turned the wrong way on the post out by the highway - sharp toe pointing to the south away from where you've been you're no stranger to the rangers living dangerously on the edge - sidewinders in the sagebrush whispering to the wind the anasazi built this home stacking stone one by one - far above the canyon of petroglyphs and wrens i knew i'd find you by the fire talking to the ghosts of smoke and drum - in the ruins above the dunes reminiscing with your friends - reminiscing, reminiscing on the blue mesa. r ~ 11/6/14
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Nov 6, 2014
Nov 6, 2014 at 8:09 AM UTC
cliff dwelling on the blue mesa
The moon calls to me tonight— I cannot resist her charms. I slip beyond the confines of my room To let the evening soak into my soul. A full moon spills her silver light, Darkness braided with her glow. Rocky earth crunches beneath my feet, Each step alive with sound and scent. The high desert hums its song: Stars glimmer, coyotes cry. A noisy stillness fills the air, As daylight’s brightness fills the sky. My heaven is green grass, And scent of sagebrush and hay. I belong in this moonlit nirvana, Where constellations burn like fire.
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Aug 12, 2025
Aug 12, 2025 at 1:52 PM UTC
Midnight Walking
Southwestern Dis-United States of Memory Piñon smoke and sagebrush, voice of New Mexico night driving into an Arizona dawn rising over dreaming pueblos, low-ridden plazas, kivas and ruined cities’ rubble traced and highlighted by sunlight, Anglo angling into Aztec toward Zuni over arid zones… A to Z to El Dorado; a voice covers the high hills with a dusting of snow—every word hangs in the notes of the song: music to fall apart to, breakdown to, hurling the soul  into the bottomless well of psychotic nostalgia: música de cavanga, falling into the depths. Melody pushing to the threshold of a bar and leaving you there with cash in your pocket and no ride home. The warmth inside beckons—you step across as the song fills, swells, intoxicates, then excavates the wall of the dam until it collapses. The fatal mistake: you read too much into the lyrics of shallow love songs. The deathwish beast of despair arises, the flooded plains dazzle your eyes, the Indian girl smiles on the rim of the grand canyon, the tattooed cholo pulls a knife in the trailer park, the dark waters under the bridge murmur and surge with regret; el río de Las Animas, Durango CO, Aztec calligraphy on the wall: Las Cruces, NM; Clifton, Morenci, Globe, AZ: stepped pyramids of copper tailings, gang-warred walls in fallen barrios covered in Chicano hieroglyphics, the ruined huts of shepherds and cowboys, pit-house dwellings’ flaked arrowheads and pottery fragments scattered forever in the coyote laugh of desert dusk. Crepuscular colors on the names of mountain ranges: Santa Catalina, Sangre de Cristo, Sandia, each one a separate sunset delirium—then you ride through the night to the city of palm trees and the orange-lined boulevards of Heaven. The singer herself grew old but her YouTubes live forever.
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Feb 23, 2017
Feb 23, 2017 at 9:37 PM UTC
Lindísima
Southwestern Dis-United States of Memory Piñon smoke and sagebrush, voice of New Mexico night driving into an Arizona dawn rising over dreaming pueblos, low-ridden plazas, kivas and ruined cities’ rubble traced and highlighted by sunlight, Anglo angling into Aztec toward Zuni over arid zones… A to Z to El Dorado; a voice covers the high hills with a dusting of snow—every word hangs in the notes of the song: music to fall apart to, breakdown to, hurling the soul  into the bottomless well of psychotic nostalgia: música de cavanga, falling into the depths. Melody pushing to the threshold of a bar and leaving you there with cash in your pocket and no ride home. The warmth inside beckons—you step across as the song fills, swells, intoxicates, then excavates the wall of the dam until it collapses. The fatal mistake: you read too much into the lyrics of shallow love songs. The deathwish beast of despair arises, the flooded plains dazzle your eyes, the Indian girl smiles on the rim of the grand canyon, the tattooed cholo pulls a knife in the trailer park, the dark waters under the bridge murmur and surge with regret; el río de Las Animas, Durango CO, Aztec calligraphy on the wall: Las Cruces, NM; Clifton, Morenci, Globe, AZ: stepped pyramids of copper tailings, gang-warred walls in fallen barrios covered in Chicano hieroglyphics, the ruined huts of shepherds and cowboys, pit-house dwellings’ flaked arrowheads and pottery fragments scattered forever in the coyote laugh of desert dusk. Crepuscular colors on the names of mountain ranges: Santa Catalina, Sangre de Cristo, Sandia, each one a separate sunset delirium—then you ride through the night to the city of palm trees and the orange-lined boulevards of Heaven. The singer herself grew old but her YouTubes live forever.
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The firelight was fading The shadows grew in size In the distance if you listened You could hear the faintest cries Of coyotes and of timber wolf Signalling the end of day Howling at the growing moon Keeping night spirits at bay The last piece of the sagebrush Was burning to it's core The flames that danced as quicksilver Now, they danced no more The fire, once was blazing It's flames a dangerous height Was now a nest of coal chunks to warm us through the night Four days out and three to go We'd be in two days ahead The scheduled trip with this years herd And we'd be back in our own bed A smaller group of beef this time But, that's the way it goes At least we'd leave the mountains Before the early snows Coffee from the morning meal Was still sitting in the *** Two minutes in the embers And it was steaming hot The first round of watch was up And the coffee was re done The second watch, for wolves and things Needed coffee and a gun Two went down the first night out We heard the wolves, but missed them all They'd been following us for three days now And at night you'd hear them call They signalled that the day was done And that the herd was staying still The darkness was their element It was time for them to **** The fire was near finished The flames were all but smoke but that cup of cowboy coffee put life into this old grey cowpoke If the wolves kept at a distance And just kept howling at the moon We'd lose no more beef tonight And be home two days from noon The fire spit and crackled The night was damp and cold The stars were silent beacons To the wolves so quick and bold We heard them in the distance Howling loud as if to say Will you make it through till morning? Wait until we come to play.....
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May 7, 2015
May 7, 2015 at 12:11 AM UTC
The Wolves
The firelight was fading The shadows grew in size In the distance if you listened You could hear the faintest cries Of coyotes and of timber wolf Signalling the end of day Howling at the growing moon Keeping night spirits at bay The last piece of the sagebrush Was burning to it's core The flames that danced as quicksilver Now, they danced no more The fire, once was blazing It's flames a dangerous height Was now a nest of coal chunks to warm us through the night Four days out and three to go We'd be in two days ahead The scheduled trip with this years herd And we'd be back in our own bed A smaller group of beef this time But, that's the way it goes At least we'd leave the mountains Before the early snows Coffee from the morning meal Was still sitting in the *** Two minutes in the embers And it was steaming hot The first round of watch was up And the coffee was re done The second watch, for wolves and things Needed coffee and a gun Two went down the first night out We heard the wolves, but missed them all They'd been following us for three days now And at night you'd hear them call They signalled that the day was done And that the herd was staying still The darkness was their element It was time for them to **** The fire was near finished The flames were all but smoke but that cup of cowboy coffee put life into this old grey cowpoke If the wolves kept at a distance And just kept howling at the moon We'd lose no more beef tonight And be home two days from noon The fire spit and crackled The night was damp and cold The stars were silent beacons To the wolves so quick and bold We heard them in the distance Howling loud as if to say Will you make it through till morning? Wait until we come to play.....
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sometimes on rainy days we stayed in chugged cheap red wine out of a bag that stained our teeth & i made you listen to old jazz saxophone records or you forced me to dance with you to really awful dubstep tracks you used to like to poke my skinny ribs laugh & say i danced like an alien as you pulled me with your small hands to read my palm by the window where the sky water trickled down the glass spilling over from the gutter & when it comes to your natural perfume that damp fragrance of sagebrush cloaked in dew i'm still a recovering addict & sometimes i relapse baby i'm asking to relapse i haven't seen you since the garden on my 21st with the thick sound of crickets squealing in the trees & big dogs barking way off in someone's backyard across the river that starry september night you read my cards sitting on the dusty trunk of my car while your best friend rolled slick blunts in the backseat but i was drunk & ***** we got distracted i bent you over weaponizing the leverage of my body to put your face near the pretty sunflower bed with a tall can of bud still in your hand & the muscles of your thighs glowing by moonlight outside that almost abandoned house we found with my birthday party blooming by a bonfire not far away now i'm wondering since i've got another birthday coming up & a little more meat on my bones if you'd be willing to try it again because i'm working hard to change my future by itching at the old scars left on my shoulders until they open & bleed again only i won't drink so much this time around & you can try to not smoke **** i'll let you steal & wreck my car again & i'll stop chewing my fingernails or you can still practice your happy ending massage techniques on me when i'm stretched out & tired i'll re-twist your sloppy dreads with careful fingers like tiny insects crawling over your scalp because i never wanted to touch them before & you can maybe try to not flip-flop **** my best friend as much or at all
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Aug 21, 2015
Aug 21, 2015 at 4:42 PM UTC
blooming by a bonfire
sometimes on rainy days we stayed in chugged cheap red wine out of a bag that stained our teeth & i made you listen to old jazz saxophone records or you forced me to dance with you to really awful dubstep tracks you used to like to poke my skinny ribs laugh & say i danced like an alien as you pulled me with your small hands to read my palm by the window where the sky water trickled down the glass spilling over from the gutter & when it comes to your natural perfume that damp fragrance of sagebrush cloaked in dew i'm still a recovering addict & sometimes i relapse baby i'm asking to relapse i haven't seen you since the garden on my 21st with the thick sound of crickets squealing in the trees & big dogs barking way off in someone's backyard across the river that starry september night you read my cards sitting on the dusty trunk of my car while your best friend rolled slick blunts in the backseat but i was drunk & ***** we got distracted i bent you over weaponizing the leverage of my body to put your face near the pretty sunflower bed with a tall can of bud still in your hand & the muscles of your thighs glowing by moonlight outside that almost abandoned house we found with my birthday party blooming by a bonfire not far away now i'm wondering since i've got another birthday coming up & a little more meat on my bones if you'd be willing to try it again because i'm working hard to change my future by itching at the old scars left on my shoulders until they open & bleed again only i won't drink so much this time around & you can try to not smoke **** i'll let you steal & wreck my car again & i'll stop chewing my fingernails or you can still practice your happy ending massage techniques on me when i'm stretched out & tired i'll re-twist your sloppy dreads with careful fingers like tiny insects crawling over your scalp because i never wanted to touch them before & you can maybe try to not flip-flop **** my best friend as much or at all
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Emily will take her cedar box of hidden poems throwing them on a Sou’ Westerly breeze in a New England Spring — They will be snatched and fly daring, dainty flutter byes across the stretching continent the Great Plains and New Frontiers — The Sun — rising in ribbons Mountains dripping scarlet sunsets vast Miles of Evening Sparks — as the Hemispheres come home to early Night — they’ll be read by lonely cowboys drinking whisky, in the sagebrush Indian braves campfire smoking Sung in Saloons by husky-voiced dames can-can dressed and a whole lotta grit and gumption. Emily, lightened of her load unknotted the Skein of Misery — Universe unstitched — in this moment of escape Landscape will listen — Shadows will hold their breath until the words are spoken. Emily’s skipping down the stairs of that morbid, cold wintered house with its bare Slants of Light — rushing out the door throwing herself on the Open day — Telling True, but slanted.
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Sep 1, 2015
Sep 1, 2015 at 6:46 PM UTC
Emily Dickinson ~ Telling it true, but slanted
The Grand Canyon is like the brain with deep, unexplored fissures and tributaries, the main route well known by now. I am walking, walking inside my mind, a grand canyon, a planet of canyons, a system of planets. The exploration may become dangerous I might lose my job, forgetting to go or losing sight of its importance. But the job is gathering pinyon nuts and agave fruits, it is the main river, deepest cavity, how I find the unexplored canyons and tributaries of my neighbors and my enemies. But is it a religion, a reason for living. It is a marriage, for better or worse, with all the other living. The concept of life's brevity, temporary compared with the time taken to carve the canyon, does not interest me. Each moment has a weather, is a mirror of all other moments. The naming of things goes on. Cliff rose and wavyleaf oak, new mexican locust and sagebrush among ponderosa and pinyon pine, juniper. Once I know who they are inhabiting the canyon, the raven's flight is meaningful. The raven's rock cave, search for seed and carrion, my home and job.
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Aug 9, 2015
Aug 9, 2015 at 2:27 PM UTC
Grand Canyon
the beauty of the badland is in its vastness sky & the desert two seas meeting in a heat wavered horizon the one beneath stretched and textured with green the short shadows of sagebrush yellowing tones of death speckled here and there relaxed returned to the sun the water hangs far above in blue
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Aug 13, 2014
Aug 13, 2014 at 10:57 PM UTC
Badlands
Goodnight sweet juniper, Let the moon kiss you slowly across the sky. Return to your dreams and find my soul from lifetimes long past. You can find me standing beneath the pinyon in the sand, I’ll wait for you there. Where nothing and no one else exist, And time expands with every breath. Tread softly as you walk among the manzanita, Its red bark echoing of blood and life. Its roots stretching deeper than you know, And its leaves brushing you softly, Whispering your secrets, ushering your fate. Take your solace in the sagebrush, Its sharp scent hitchhiking on the northern breeze, as the dirt green stubble extends farther than the hills, and farther than the red cliffs and thirsty desert. Smile as you sleep, and let the moon kiss you slowly across the sky. Goodnight sweet juniper.
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Jan 21, 2015
Jan 21, 2015 at 11:34 PM UTC
Goodnight sweet juniper
my bed is just a velvet patch of comfort in this world every night I curl into the earth lay into the soft flesh of her lips and lay unstirred until rising like a breath but what kind of lover is confined to a kiss? should not I run a hand down the alleys of her throat? press my ear to the heaving sidewalk and hear arrhythmia in her heart? go out behind the lot of Greenleaf Woman’s Health-- the cheap abortion clinic sink a tongue into the sewer bathe in the spray of recycled water and be purer by surrender of barrier between veins lay with this world in every ***** place sleep with one side to a chain-link the other to her tunnel corrugated aluminum and street run-off canals and the run-out chaparral where wind and sagebrush sweep dry air across my tongue to grow snail-trails on my teeth to call this world a lover I must know more than her face and claw into the bitter brine of every permeable place so when they roll me over I might reek of all her tastes fermenting with her beauty wrapped in sweat of her disgrace
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Dec 13, 2011
Dec 13, 2011 at 6:29 AM UTC
To Sleep Outside
***** clouds smudge across heavy skies laden with tawny soot sagebrush steppe glows under jaundiced light blazing wildfire summer
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Jul 12, 2021
Jul 12, 2021 at 10:12 AM UTC
burden of ash
I'm the invisible man I'm the ugly duckling I'm that kid who dresses up like Aquaman When the rest of my friends dress like the Justice League No, it really feels like this It feels like I got hit by a car On a back road of some lesser known town And the driver kept on driving My body's lying in some Sagebrush beyond the guardrail, Twitching My breathing is becoming shallow, Broken, And it's fading quicker than I'd like I've got crimson blood pouring out my nose And my head throbs Like the beating of hearts that would never beat for me My bones are wrapped around one Another as if their comfort would bring Any to my splintered soul Headlights, taillights They're all just lights that will never set my pathetic frame aglow So, I lie in sorrow that I never stood up in the crowd My tongue tastes the bloodied mess Of dislodged teeth that fumble in my mouth I realize that I never had a voice I couldn't tell God to leave me alone Because in the end of it all, I never wanted to be left to myself
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Jan 28, 2014
Jan 28, 2014 at 10:59 AM UTC
Depression
*The windswept crackle of Jehovahs machinery Honey sweet greenery with trolling titmouse sentries , white contrails drawn onto blue canopy and brown leaf melodies Woodpecker percussionist tap the song of dusk Songs of the rusty red clover valley and golden sagebrush Psalms of cardinal chatter and brown thrasher cackle Bronze raptors circling sun -streaked hillsides flushed in crepe myrtle , yellowbell and azalea Where the purveyors of creation live , thrive and belong*...
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May 16, 2017
May 16, 2017 at 7:02 PM UTC
A Description from Wilkerson Mill Road ....
*Fall sunshine Silver spider yarns in flight Pirouetting Maple exaltations , fledgling Bluebirds , not a cloud in sight , Mister Mockingbird call the roll of Fall with all your might The butterfly dancers , the honeybee determined , the Woodpecker drum major , the violinist , cellos , the piccolos , the sagebrush pianist*
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Oct 6, 2016
Oct 6, 2016 at 1:10 PM UTC
Fall Sunshine ..
We run through forests and thickets whizzing past swamps and field and glen, this is how wild raw natural love is supposed to be there is so much that has changed in my life since then. She holds my hand, my heart beating fast, bleary eyes, it's the wind, the air-floating feathers-who knows what that gave me this overwhelming feeling of love, this is what it's truly supposed to be when I fell from above. We stop in a clearing, she runs her hands through my long dark hair, she knows who I truly am, just simply setting me free, in a field filled with fantastic stunning delights, stars sparkling into the hazy twilight, there she kisses me slowly, soft and sweet. There are streams and lakes, fern and pine, oak trees, amidst Poppy, sagebrush and apple trees. You hold my hand and at once I am in a dizzy spell. *"We can not go on forever like this," I say in my mind. Then I wake up to emptiness.*
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Nov 5, 2016
Nov 5, 2016 at 4:42 AM UTC
Field or Fantasy
The tumbleweeds spread the seeds of the sagebrush
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Dec 19, 2014
Dec 19, 2014 at 7:50 AM UTC
a tanka
I'm going to drive home and it will be cloudy. Brown then white then brown again and that tunnel I hold my breath in and I wonder if you held yours too. I hope it snows on my way and I hope those granules accumulate and enshroud me until I'm clean in a winter baptism. Salt and salt then juniper trees then sagebrush and the lonely gas station I find because I exited too early in the small town that knows it's being used and people never stay. Mountains that curve and bend into hills and I fall back in time into earth tones and hard hats and fear and fear and fear. I feel out of place in my red dress and my chest tightens. Compressing, compressing, compressing until I can't breathe and I feel so small and the hills so small grow smaller and smaller and they box me in and I can't breathe oh God I know you're not there but please let me breathe. Winding roads wound tighter and tighter that make me feel like I'm driving in circles. It's my worst fear that I've grown too big for this place and I want it to stop I need it to end and I cry out when I see it, I grow small again as it comes closer and when it comes to me, when I come to it it gives me my chest back and gently places my lungs inside. I am clean and it knows I'm clean and I can be here once again. I drive and it's cloudy and I am home.
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Nov 19, 2015
Nov 19, 2015 at 1:50 PM UTC
11/24
sagebrush and juniper with the occasional tiny yellow blossom sprout without fear in the drought stricken desert touting new growth despite the Sun’s best efforts and the total lack of precipitation – granules of wind-blown granite mountains give way underfoot leaving misshapen footprints near faded remnants of an old rattlesnake shed strewn delicately over last year’s deer tracks preserved in a landscape that exists outside of mankind’s time – Did Louis Lamoure ride though here? Was this a secret cowboy stomping ground? Off in the distance comes a noise though the underbrush slow and methodical meandering one lone cow steps into the sunlight as we lock eyes the buzzing of insects fades I lose track of the surrounding foliage and consider, “What a cud he must chew!”
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Jul 17, 2015
Jul 17, 2015 at 2:06 PM UTC
sand dune encounter
Peter is joining us for lunch in the cafeteria. I met him on a crowded Saturday morning at a coffee shop. He’s from the flammable, paper-dry, sagebrush hills of Malibu and grew up overlooking the hazy blue pacific ocean. He says Mel Gibson’s drunken **** rant, when a cop pulled him over for a DUI, put them on the map. Poor Peter is fashion challenged. He’s 25, too tall, and too thin. Reading glasses hang around his neck. His too loose-fitting clothes are all variations of brown, like tawny, penny and wenge. He’s wearing a battered tweed coat, brown corduroy slacks and tortilla colored mock turtleneck. He’s adorably shabby-fancy. If he fell in the dormant, straw-yellow grass, we probably couldn’t find him. Peter has a serious aura of experience about him. His cheek bones are sharp, his hair is an explosion of uncombed black, his skin is pale - bleached - by over exposure to library lighting. He lives in a different world - the prosaic, laissez-faire universe of research - where students are left to their own devices and expected to self-manage. Right now, he’s being vetted by one of my roommates, Leong. His student lanyard marks him but she wants specifics if he’s going to hang around. “What’s your major?” she asks, her eyes squinting like the Chinese lie detectors they are. “I’m a doctoral student in applied physics,” he says. I pat his knee, “It’s nothing to be ashamed of.” I say, reassuringly.
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Mar 1, 2022
Mar 1, 2022 at 7:24 AM UTC
Sage brown