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"pilings" poems
[On my birthday] At low tide like this how sheer the water is. White, crumbling ribs of marl protrude and glare and the boats are dry, the pilings dry as matches. Absorbing, rather than being absorbed, the water in the bight doesn't wet anything, the color of the gas flame turned as low as possible. One can smell it turning to gas; if one were Baudelaire one could probably hear it turning to marimba music. The little ocher dredge at work off the end of the dock already plays the dry perfectly off-beat claves. The birds are outsize. Pelicans crash into this peculiar gas unnecessarily hard, it seems to me, like pickaxes, rarely coming up with anything to show for it, and going off with humorous elbowings. Black-and-white man-of-war birds soar on impalpable drafts and open their tails like scissors on the curves or tense them like wishbones, till they tremble. The frowsy sponge boats keep coming in with the obliging air of retrievers, bristling with jackstraw gaffs and hooks and decorated with bobbles of sponges. There is a fence of chicken wire along the dock where, glinting like little plowshares, the blue-gray shark tails are hung up to dry for the Chinese-restaurant trade. Some of the little white boats are still piled up against each other, or lie on their sides, stove in, and not yet salvaged, if they ever will be, from the last bad storm, like torn-open, unanswered letters. The bight is littered with old correspondences. Click. Click. Goes the dredge, and brings up a dripping jawful of marl. All the untidy activity continues, awful but cheerful.
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The Bight
[On my birthday] At low tide like this how sheer the water is. White, crumbling ribs of marl protrude and glare and the boats are dry, the pilings dry as matches. Absorbing, rather than being absorbed, the water in the bight doesn't wet anything, the color of the gas flame turned as low as possible. One can smell it turning to gas; if one were Baudelaire one could probably hear it turning to marimba music. The little ocher dredge at work off the end of the dock already plays the dry perfectly off-beat claves. The birds are outsize. Pelicans crash into this peculiar gas unnecessarily hard, it seems to me, like pickaxes, rarely coming up with anything to show for it, and going off with humorous elbowings. Black-and-white man-of-war birds soar on impalpable drafts and open their tails like scissors on the curves or tense them like wishbones, till they tremble. The frowsy sponge boats keep coming in with the obliging air of retrievers, bristling with jackstraw gaffs and hooks and decorated with bobbles of sponges. There is a fence of chicken wire along the dock where, glinting like little plowshares, the blue-gray shark tails are hung up to dry for the Chinese-restaurant trade. Some of the little white boats are still piled up against each other, or lie on their sides, stove in, and not yet salvaged, if they ever will be, from the last bad storm, like torn-open, unanswered letters. The bight is littered with old correspondences. Click. Click. Goes the dredge, and brings up a dripping jawful of marl. All the untidy activity continues, awful but cheerful.
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39
When ever I touch the ground that’s hot With the sole of my foot that’s bare, I never fail to recall a time, And the memories lingering there, Of a day when I was just a boy, Beneath equatorial skies, And the tactic used to keep me indoors While the missionaries rested their eyes. My mother was sick with malaria The curse of the tropic zone, And while my dad was away on the hunt Their station became our home. And after lunch when the sky was hot And the morning’s work was done They took my shoes away from me To keep me out of the sun. The veranda air was still as a grave, Not a sound to could be heard outside Save the click-click-click from the beetles And the grasshoppers jumping to hide. Or the scratching scaly slither, Of a snake on the flowerbed verge, Or the distant cry of the crested crane, These are the sounds that merge. The sight of the distant Koru hills Shimmering in the haze Beyond the frangipani trees Return once more to my gaze, And the prickly spiky Crown of Thorns That lined the garden ways, These are the sights that ribbon back From my early Kenyan days. The smell of the room was a mixture Of scents on the garden air, And creosote coming up through the floor From the pilings under there, And paraffin from the pressure lamps Which hissed as they gave us light. With the hint of oil of pyrethrum Sprayed round the eves at night. The step to my door should I venture At noon was as hot as a stove, The soil on the paths and driveway Would burn if ever I strove. And the thorns in the earth would pr ick me As I cautiously picked my way through To the shade of the frangipani tree, From there I took in the view. So, when ever I touch the ground that’s hot With the sole of my foot that’s bare, I never fail to recall a time, And the memory lingering there, Of a day when I was just a boy, Where the images I find, Set smells and sights and sounds of Africa sizzling in my mind. Redding, California July 4th 2005 temperature 105° Fahrenheit
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May 11, 2017
May 11, 2017 at 4:32 PM UTC
The Hot Earth
When ever I touch the ground that’s hot With the sole of my foot that’s bare, I never fail to recall a time, And the memories lingering there, Of a day when I was just a boy, Beneath equatorial skies, And the tactic used to keep me indoors While the missionaries rested their eyes. My mother was sick with malaria The curse of the tropic zone, And while my dad was away on the hunt Their station became our home. And after lunch when the sky was hot And the morning’s work was done They took my shoes away from me To keep me out of the sun. The veranda air was still as a grave, Not a sound to could be heard outside Save the click-click-click from the beetles And the grasshoppers jumping to hide. Or the scratching scaly slither, Of a snake on the flowerbed verge, Or the distant cry of the crested crane, These are the sounds that merge. The sight of the distant Koru hills Shimmering in the haze Beyond the frangipani trees Return once more to my gaze, And the prickly spiky Crown of Thorns That lined the garden ways, These are the sights that ribbon back From my early Kenyan days. The smell of the room was a mixture Of scents on the garden air, And creosote coming up through the floor From the pilings under there, And paraffin from the pressure lamps Which hissed as they gave us light. With the hint of oil of pyrethrum Sprayed round the eves at night. The step to my door should I venture At noon was as hot as a stove, The soil on the paths and driveway Would burn if ever I strove. And the thorns in the earth would pr ick me As I cautiously picked my way through To the shade of the frangipani tree, From there I took in the view. So, when ever I touch the ground that’s hot With the sole of my foot that’s bare, I never fail to recall a time, And the memory lingering there, Of a day when I was just a boy, Where the images I find, Set smells and sights and sounds of Africa sizzling in my mind. Redding, California July 4th 2005 temperature 105° Fahrenheit
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57
Below is the first of two poems inspired by this piece of music, this one from a few years ago, in the midst of my divorce. The second, the better of the two,  is: http://hellopoetry.com/poem/pachelbels-canon/ The music: http://www.youtube.com/watch?v=kllZlF6mB2s&feature;=youtube_gdata_player ~~~~ Bereft of words, one more time, concussed by the hammering of cacophonous silences disabling my thought processes In vanity,   for when denied, Le Poet-Poseur angrily asks: Did not Mary   have her cherries   by command?^ But when the trees bow to me, the collective of leaves mockingly whisper sweet nadas, baby. each leaf wraps my tongue, in a sushi compote of sand,   "hush-a-bye, baby boy poet" June chilled. But not chilling Today, on a  overcast Saturday, forces have mogged^^ me on, transmogrified into a Seventh Day Non-Inventist, the creativity disrupters Sadly, Amazon doesn't sell, original poems for redistribution Pilings of papers, variant demanders re my   labors past and future,   **** work-product of teams of lawyers & harlots Four years on, demanding now, 300 files subpoenaed, need I say, they want me to re-tour my life my cuntry, once more Dummies! these esquires ****** for hire, my greatest invention, my poetry, they'll n'ere posses cause I give it away, domain denied In need of a ****** shot, drink repeatedly from the Kanon by Pachelbel, cannons of human-law surmounted by the one divine This note,   the work product of Pachelbel & Lipstadt, harmony restoration, a shared refuge, a shared refute Welcome friend to a place that cannot be bought, seized, sold Pleasure thyself with each note, scale repeated Though the reign of the heavens   doth suffer violence, and   violent men do take it by force,^^^ peace and pardon, earnest reward of   poets who lived gently, giving gentle, freely away
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Jan 26, 2014
Jan 26, 2014 at 7:32 AM UTC
Variations On The Kanon By Pachelbel (2)
Below is the first of two poems inspired by this piece of music, this one from a few years ago, in the midst of my divorce. The second, the better of the two,  is: http://hellopoetry.com/poem/pachelbels-canon/ The music: http://www.youtube.com/watch?v=kllZlF6mB2s&feature;=youtube_gdata_player ~~~~ Bereft of words, one more time, concussed by the hammering of cacophonous silences disabling my thought processes In vanity,   for when denied, Le Poet-Poseur angrily asks: Did not Mary   have her cherries   by command?^ But when the trees bow to me, the collective of leaves mockingly whisper sweet nadas, baby. each leaf wraps my tongue, in a sushi compote of sand,   "hush-a-bye, baby boy poet" June chilled. But not chilling Today, on a  overcast Saturday, forces have mogged^^ me on, transmogrified into a Seventh Day Non-Inventist, the creativity disrupters Sadly, Amazon doesn't sell, original poems for redistribution Pilings of papers, variant demanders re my   labors past and future,   **** work-product of teams of lawyers & harlots Four years on, demanding now, 300 files subpoenaed, need I say, they want me to re-tour my life my cuntry, once more Dummies! these esquires ****** for hire, my greatest invention, my poetry, they'll n'ere posses cause I give it away, domain denied In need of a ****** shot, drink repeatedly from the Kanon by Pachelbel, cannons of human-law surmounted by the one divine This note,   the work product of Pachelbel & Lipstadt, harmony restoration, a shared refuge, a shared refute Welcome friend to a place that cannot be bought, seized, sold Pleasure thyself with each note, scale repeated Though the reign of the heavens   doth suffer violence, and   violent men do take it by force,^^^ peace and pardon, earnest reward of   poets who lived gently, giving gentle, freely away
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71
all resolution is slippery, the firmer the foundation, with pilings sent deep, the swifter the undermining. there is an inertia in drawing breath that becomes an immovable focus intent on repetition alone, always leading to itself; call it the myth of life, for this temporal existence stands far from our true being. so says the sage, planting crops so says the priest, spinning comfort so says the banker, theatre tickets in hand so says the poet, eyeing his words so says the parent, with blind instruction stand mute before your needs awareness doesn’t amount to much, nor does anything else.
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Mar 6, 2013
Mar 6, 2013 at 9:16 PM UTC
spent 2
The water laps the dock Giving sweet nose, bay redolence flown by the cracking whips of tuffed air, Listen to the roiling and embrace the soaring perfume Drumming the song of the deep against the old trees, now pilings Old trees now legs That want to kick and splash and enjoy their bosom neighbor And run into the depths But are sadly anchored . Hear the tern’s silence broken while the fish break chains of water entrapment Breaking surface, momentarily flying and shattering back home. Splash, they all splash. Splash the tree, splash the silence, splash the sky Splash is the serenity Splash is the soothing commotion of the dock.
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Jan 23, 2017
Jan 23, 2017 at 7:10 PM UTC
Commotion of the Dock
A Winter Ship At this wharf there are no grand landings to speak of. Red and orange barges list and blister Shackled to the dock, outmoded, gaudy, And apparently indestructible. The sea pulses under a skin of oil. A gull holds his pose on a shanty ridgepole, Riding the tide of the wind, steady As wood and formal, in a jacket of ashes, The whole flat harbor anchored in The round of his yellow eye-button. A blimp swims up like a day-moon or tin Cigar over his rink of fishes. The prospect is dull as an old etching. They are unloading three barrels of little ***** The pier pilings seem about to collapse And with them that rickety edifice Of warehouses, derricks, smokestacks and bridges In the distance. All around us the water slips And gossips in its loose vernacular, Ferrying the smells of cod and tar. Farther out, the waves will be mouthing icecakes —- A poor month for park-sleepers and lovers. Even our shadows are blue with cold. We wanted to see the sun come up And are met, instead, by this iceribbed ship, Bearded and blown, an albatross of frost, Relic of tough weather, every winch and stay Encased in a glassy pellicle. The sun will diminish it soon enough: Each wave-tip glitters like a knife.
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Feb 16, 2015
Feb 16, 2015 at 10:52 PM UTC
A Winter Ship - Sylvia Plath
<> 11:03 Sun Sep 20 2020 2nd Day Rosh Hashana 5781 S.I., N.Y. **when I was twenty years younger, I wrote oft introspectively, nowadays, today, provoked by the High Holy Day, the New Year,** it is my only filter, lens, and this solitary perspective that this moment affords, permits, demands, commands, insists on,   prepared by this confession, so that I may better return to the union of my divine spark, unify body and soul, recover my true self, by acknowledging that I am not beholden to anyone, therefore, thereby, beholden to everyone how inconsistently wonderful that additional experience, alive in a time of upheavals, pushes me past the first stanza, where most often, my poems, prayers, go to rest uneasy, incomplete, only to be buried alive in me. Yet, here I am stuttering, sputtering, words that come unexpectedly! I have reached a second stanza, with the ending well sighted, nearby. The collective, overlaid wake of each passing boat, finger pointing, a road line for following, to a larger directive, a river emptying into a great ocean, birthplace & graveyard premature celebration as it’s weeks till I return to this poem-in-progress on a bleak week, the winterized grays have dominated, the freshness of sunlight is just an occasional peekaboo. The larger directive now suppressed, the pilings of damp brown leaves, multi-message; funeral. mounds of good days gone to hell, the inward perspective has returned me to a deep, dark place. (Stutter, stutter, each day asseverates solemnly with tinges of rancor, no, no, no, still no answers yet, the second and third stanzas are ******** suns of no man.)
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Dec 19, 2020
Dec 19, 2020 at 9:42 AM UTC
second stanza stutter prayer
<> 11:03 Sun Sep 20 2020 2nd Day Rosh Hashana 5781 S.I., N.Y. **when I was twenty years younger, I wrote oft introspectively, nowadays, today, provoked by the High Holy Day, the New Year,** it is my only filter, lens, and this solitary perspective that this moment affords, permits, demands, commands, insists on,   prepared by this confession, so that I may better return to the union of my divine spark, unify body and soul, recover my true self, by acknowledging that I am not beholden to anyone, therefore, thereby, beholden to everyone how inconsistently wonderful that additional experience, alive in a time of upheavals, pushes me past the first stanza, where most often, my poems, prayers, go to rest uneasy, incomplete, only to be buried alive in me. Yet, here I am stuttering, sputtering, words that come unexpectedly! I have reached a second stanza, with the ending well sighted, nearby. The collective, overlaid wake of each passing boat, finger pointing, a road line for following, to a larger directive, a river emptying into a great ocean, birthplace & graveyard premature celebration as it’s weeks till I return to this poem-in-progress on a bleak week, the winterized grays have dominated, the freshness of sunlight is just an occasional peekaboo. The larger directive now suppressed, the pilings of damp brown leaves, multi-message; funeral. mounds of good days gone to hell, the inward perspective has returned me to a deep, dark place. (Stutter, stutter, each day asseverates solemnly with tinges of rancor, no, no, no, still no answers yet, the second and third stanzas are ******** suns of no man.)
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18
I caught a tremendous fish .     .     .     .     .     .     .     . And I let the fish go. —Elizabeth Bishop All the people are old people. Older than me. Granddad took me fishing with one of his friends. They said we’d catch flounder. They killed the engine near the bridge pilings. The lines stayed slack until a red and white floater fell below the bay’s polluted waves. I thought I felt a flounder heaving on the hook. I reeled it up— a fish, cylindrical and silver. Alert, black eyes peered at me. He floundered against the skiff’s side with a barbed hook inside his young, unscarred mouth. The old men laughed: flounder are flat and brown. He was small and nothing special— not a flounder. But they didn't let him go. They ground my catch up into a pink paste, spotted with specs of broken bone. We threw the pieces off the boat to chum the water.
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Jul 22, 2014
Jul 22, 2014 at 2:53 AM UTC
King Mackerel
# This bridge is faulty there is dry-rot  taunting     the girders Its spandrels: all knobby-kneed..   Its pseudo-elaborate  trusswork,     as if   designed       by a lonely drunk It's pilings..  questionable Its deckwork, treacherous.     Its abutment--     *aw,  **** me..*        its crumbling. .  .   If we cross over   under the lie of darkness we won't be so afraid..      *But these structural-flaws,      when revealed  by the sun      are so incredibly intriguing.*   Let's take that step   and see if it holds us. #
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Oct 21, 2019
Oct 21, 2019 at 9:31 PM UTC
The Crossing
The boats in the harbor flirt with the pilings, their sails have trapped nothing and are flaccid, the gulls scream at the masts, scream while they lift their spindly legs and tiny feet escaping the noiselessness. I sit with the sun as it bursts and the cirrus clouds, like cotton, are filled with blood or tears, or some brutal combination of both, as the needles poke through the house and the sun is pushed out.
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Feb 11, 2012
Feb 11, 2012 at 11:34 AM UTC
Rough Draft.
Rage received is like heavy sea Crashing against the rocks upon which stands a lighthouse, The waves build up as they reach the shallows, Steepening and rearing, Building ire and power until Smashing over and over Against the rock and the edifice, Obliterating any view of the tower And the rock, But this lighthouse is indeed built on rock, With pilings driven deep and secure in Faith in what lies behind the waves, Knowlege that the storm will pass, The sun will shine once more And even as the salt water and vitriol Do their worst, Above it that light still shines out, A message of love and security, And these seas which crash into the rock Were built up by the wind of actions And words poorly founded, In the true ocean there will always be Another storm and another calm, But rage can find peace now Because the cause is calm, The cause is kind, The cause is gentle And it holds you gently in my arms
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Nov 29, 2023
Nov 29, 2023 at 6:02 AM UTC
Rage
First Boat *first boat off the island @ 5:40 am, the sun, savvy and knowledgeable makes sunrise @ 5:14 am for ‘late’ is not an adjective extant in its stellar lexicon a safety check, sunlight invades every crack, pilings vested & secured, ferry engine hums a warming, morning cranking tune, a sailors favorite from the global seamen’s hymnal those early morning voyagers, who are exchanging, one island for another, note their coffee steaming up coordinates with haze, burning off, all to see the first waves come to rock them voyagers to “all awaken” sunlight then slow spreads its envision, from the Heights over to Mashomack, rousing, disturbing, nudging the remaining, for there is work, living aplenty, we who stay to tend to the most appropriately named isle in the world* 6/12/21 Silver Beach Shelter Island, New York
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Jun 12, 2021
Jun 12, 2021 at 3:48 PM UTC
First Boat
Sometimes, I thought your eyes looked waterlogged, wet enough to pour floods of biblical proportion.  I knew you as an ocean; you slipped through knobby fingers with each pulse. You growled like waves, and growling, you beat salt into sunburn with the ferocity of three thousand hurricanes—no more, no less.  My palm fronds will always sway for you. But you never swayed, stayed, or even said what you meant as your whitecap words washed blind over coral.  You stung though, full of bone shards and plastic.  Let’s face it, you’re filthy. You smell like oil and death. Your rotting weeds strangle the pilings of flimsy gray docks.
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May 7, 2014
May 7, 2014 at 11:56 PM UTC
Darling, this is Goodbye
I remember the summer of 2009. Before the world turned itself inside out. Before everything crashed into everything else. I remember the quaint beach house my family stayed at, with the pink walls, and the room that I snuck you into one night before I left while everyone else packed and slept for the drive home. All the cute shops down the street. The pier where I would sneak beers from the cooler of the vendor selling them while you distracted him. Bumming cigarettes off of old men for the two of us with the wink of an eye. You were beautiful. You were everything I’ve ever wanted in anyone since. You kissed with a hint of vanilla and tobacco and heineken light that blended so wonderfully I haven’t tasted anything since. You were beautiful. I was sixteen. Not much behind you, but somehow worlds apart. Now I am old. No longer sixteen. No longer stealing beer and cigarettes. I wonder if you ever went back to that beach. We were only there for two weeks. Met you four days late. Those ten days were not enough. We would sit under the pier at midnight, you leaned against one of the pilings, cigarette forgotten in your hand, somehow always touching mine. Oh, I remember those two weeks, July, 2009. Wonder if you do, too.
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May 29, 2014
May 29, 2014 at 1:10 AM UTC
Summertime Nostalgia
What can a reflection be to itself Or a falling leaf apart from its mother? She did not know the answer She could only scratch her heart until it bled Like eyes watching lovers that fall but never set Pilings choking under rising tides But not high enough to relieve their burden A wax candle waiting for the torture of the flame She could only watch knowing its life was short Soon to join the memories she could never forget By her rosary she knew somewhere was a blessing By her cross she knew she was still saved The stars that had chosen those who would look Lit the path as she returned to the night sky As her heart asked if life was only about regret
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Nov 29, 2015
Nov 29, 2015 at 8:31 PM UTC
Another Goodbye
Today is Sunday and I'm going to the ocean or maybe not. Definitely not doing the laundry or maybe I will. Moss and even a small tree grow in the rotten stubs of the pier pilings. The city is Seattle and it has a macho airport. Give me the comfort of a moose knowing its water supply. The mosquito's acceptance of its position among a million mosquitoes. The pool of stagnant water that remains one with the mothering ocean. I drift on the air, less than a seed, a bacteria. Or I am human, big **** big brain containing universal philosophic affidavit. Pleased by the churning of my tongue, ****** enlightenment, devout prayer, gourmet dining. I swear it is best to be alive and to have loved Mary.
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Aug 9, 2015
Aug 9, 2015 at 11:41 AM UTC
To Have Loved Mary
have been drilled and driven pilings around to strengthen my foundations pumped out all my feelings upon this world and have to be fracked for more to get that last drop of and give again!
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Dec 21, 2014
Dec 21, 2014 at 4:40 PM UTC
Deeper holes
Winter is near, and night drapes quickly over the city, a black satin sheath to be decorated by the early stars. But the skyline is different, the glass and stone soldiers that elbow for prominence at the river’s edge don’t shine bright until the river blackens out of sight, not until the soft whoosh of the final ripples from the ferry boats lap up against the pier pilings. No, the skyline sleeps late, then awakens not for the city, for it stretches and smiles brightly, before an open-mouthed inhale of cold night air, all show, an opening number, a roaring, leg-kicking first dance for those who stare and yearn, who pine in nervous indecision on the far shore, tantalized, pawing at the ground before, perhaps, bridging the pitch water to join the city splash, for if one stays put, feet planted at a distance, beyond the parquet floor, well….
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Dec 9, 2020
Dec 9, 2020 at 4:17 PM UTC
Circean Dance
Salt pulpit, streeted sand, brass and tar, bell broken by the new wave. Evening splinter stuck in riprap, memory hurled into sharp relief. Pilings grow, dead teeth from rushing gum of surf. Night's tide parks on blue sand, dies as foam. Boardwalk lights never seem to waver.
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May 5, 2019
May 5, 2019 at 7:15 PM UTC
Boardwalk