Praeludium in via ...

Vidi heri mane quando ridebam coloribus egregiis,
Eradere auro , trans tabula caeli , tentorium ...
Excelsus super omnes montes mundi mole fratres
Nimborum desertum , ubi non sit humana exsuscitatur .
Et non vidi nobili altitudo futura ...
Bonitas terribilis Vidi , *** indomitus.
Et peregrinare in ea carne existimarem Semel tamen divina ,
Nunc datum est scire , et non confundamur ab eo opus .
Ambulavitque *** Deo, quod nunc facio , et passus est ... accentus
Proditio amor et passionibus , quamvis non recipiat ecclesia ,
Divinitatis naturam , ne occulta omnia confitentur ?
Audis tu solus in universo ab duces ineptum
Ipsos victu pascuntur finguntur mendacii .
Sed ambulavit in vobis, ex ea ipsa mundi redivivi ,
Proelia ante hos annos multos, in carne nostra, amissis vate sacro .
Nos sequi vestigia veterum monumentis, ut ostensum est ;
Quia ex nihilo nati sumus , et adhuc in filiis tuis, ac spatium vivendi ,
Latebunt , quo melius in manifesto , vultus ingenio tegmina.
Ego sum primus , et consilium ... Memini tamen alta urantur
Humanis uti licet , *** aliena michi negotium.
Lorem quid ad ignorantiam et extra ,
Quia vidisti me in tenebris, in ardentem rogum meum .
Si sustinuero , praeire , ubi angeli labuntur ...
Quis autem, si non satis est dedicata piget.
Irrisorie , quoniam ego scio quod salventur , et saepe etiam ,
Post tantum est **** , et sic esset forma in re firmatam ?
Imago Dei , huc ad nos omnes in sanguine ipsius ,
A primis ad ultima, ut alpha et omega, gladius acutus .

Prologus : ( Os meum labitur )

Puer fui servus ad aras tam sacras ,
Hymnis immaculatorum : et absque iniquitate .
Quod *** ipse portabat diadema thons nudus ...
Expositum Spiritus meus, qui intellexi gravitatem.
Quis credit sanctum profanae habitu virtutum
Et illi qui in eo sunt ut carnifices ovis ad occisionem ,
Innocentes cogit induere larvis ad porcellana et operuerunt capita sua ,
Et filii eorum diriperent pueritia , vinctus catenis rudis .
Sicut teenager : ambulans in naturis hominum omnium adprobante ,
Et egressus est a me omnes, qui violatores extiterunt in coinquinatione verebatur .
Angelo fidem reperto cecidi inveni sanctitati
Nomen meum in ea , et curet abluitur dubium inveni .
Venit ad nuptias, et omnes dedi uxorem proditione ,
In solutione huius coniunctionis nostrae et sine intervallo in solitudinem imposuit ?
Traiectus mortalis caro mea reliquit me solum in sanguinem ,
Cor ejus scissum est , absque omni cultu ex ordine funem .
Angelus autem meus et leniat iras mansit dolori
Mea lux, in vigiliis, in nigrum, quod est victa ,
Admonens quia carnis mortalitate ... maxime
Angelus vult me et tremor et durum accepimus.
Et ego factus sum quam ... traumas vitae ac lacrimis
Et dimisit , in specie quae sunt post , veluti a me plagas .
Nox deinde calor intensior saunas percipimus ...
Sicut est mihi in choro , relictum est , nisi ab illo esse extensum ,
Et invicem tradent , et mortalem , ut impunita essent, sed numquam mihi ...
Non tradent ; effundam spiritum meum , et non totum .
FYLACTERIUM creare ex omni me , et oculus innocens ...
Quod amari posco sum ​​ut carbo margarita alba et nigra ;

Section I : Sacrificium Doll

Part I : ( litus sanguinem )

Ne revoces me pupa enim priscis recesserunt cavernam
Sunt inanima appetant , non realis forma in utero ;
A puero bibere rubeam ore exploratores in vastissimam taberna ...
Dum nati psallens FARRATUS agros effusi .
Vadimus ad domum Dei , in plagis , in magna pecunia debetis ...
Hoc non est ad oras Nunc cruore manant strigitu rubra de memoria , polluetur .
Nulla est enim me primus ad ignitionem gloriae ...
Quando autem mens aeterna , in omnibus placentes, causabatur laetitiam .
In stellis ibi verba quae ego volo inauditum revocare,
Quia descendi ita pridem apud venire primum ?
Sollicitus purus fabrica MYSTICUS chaos genitus antiquorum
Mitti expectant limine signa magica.
Interdictum revertatur in carminibus meis , Licinius, ut audacia ,
Quia oblitus est mei fere est: nunc originem , ut tragici.
*** filii bibere, et se abscondunt nati seorsum
*** aquæ in sanguinem, et super triticum, et arefecit fœnum, et humida !
Signum quod venturum est mutare et laboro mentem.
Facies in luna ALLUCINOR in metu torquetur , horror ...
Dumque in fauces manu stare super pectus
Inter ordines diu frumentum umbra nigro ambula
Genus servo meo animas infantium .
Aestas flavescunt, Phoebe caelesti audent .
Mea sola mcestas lupus sonitum audiri potest ,
Et *** feris leo in pontumque moueri relinquere ...
A natura mihi dolet cupio concupivit paradisus reducat .
Vidi terram terror , ut sanguis in sinu
Ater sanguis in terra , quae facit viventia ululare ...
Sicut **** habet stultitia non dicam prava vel !

Part II : ( Crucifixo et Inferorum Animas Excitat)

Nam inertis est gemere pupa altari parato, in sacrificium,
In lapidem calcarium, et in cavernam, ubi sunt wettest fingit arcus !
Un - res sunt, sed etiam *** vivit in vulneribus animae , ut in glaciem ,
In horrore frigoris fictilem , ita *** pedibus non vocavit.
Serpentipedi mucrone subrecto , remittit praecise a pupa in collo ,
Et non potest dici , quia non habet pupa voce clamare.
Puer, et egressus est a tabernam , aspectus eorum quasi a naufragii vile ...
Ut curem hominem a superioribus agentibus , corpus totum mundum.
Infra in concavis locorum asperitate visa petram
Magna voces resonare in tenebras , et vocavit nomen tacuit.
Eripuit animam trahit nauta Multo gregis
Ubi aereum reddet unicuique antiquum signum desideratum .
Et venit ad bibendum aquas illas vitae malis mederi ...
Porcellana , et liberatus a vinculis mortis obscuris sentiat frigore ;
Animas in captivitate , unde nemo mortalium loqui
Sed statim liberavit remotis perforabit clavi ...
Omnis **** , qui dicitur Golgotha ​​, olim in cruce positus .
Omnis autem mulier quoque, ad quod omnes tales sunt tormento
Et facta est , dum consummaretur sacrificium insita primum sic infirma est,
Et intantum ut nisl tot annis perpessi .
Signati post fata diu Quod murus ignis in Terra ,
Stigmatibus ferre posset ita etiam multa futura!
Quod signum erat in manu mea, ut labatur pes meus, et dimittam ...
Tamen adhuc vetera perseverare illusionibus , et non possum excitare multos .
Ego, qui iam tantum conligati Lorem ferrum quid reale,
Factaque est infinita in dolo : Ego sum ​​, et desiderio erat pax.
Nam et ego quod negas , nisi aspera ac rudia mei liberatione ;
Angelus liberavit me , et nunc inter saevus sigillum frangere conantur .

Part III : ( The Return of lux)

Qui a mortuis Surrexit , frigidior , ubi de somno , ultrices in somnis , per
Et obliti sunt intelligentiae invocatum est super sancta miserunt innoxia verba ...
Et inde apud hominem , ut maneat MYSTICUS sequuntur revertamur ,
Ea aetate in inferno commemoratione praeteritorum.
Qui suscitavit eis manum meam , et pugionem eius lumen gloriae,
Relicta meae effercio fluere sanguis subito currere libero.
Ex profundo flamma surgit millennial amisso puella puer ,
Quæ est angeli redivivam sinit luce clarius ostendit .
Et omnis qui non occaecat oculos ad intima ;
Infideles , in momento temporis ponere in obprobrium .
*** stellae ab Diua sacrorum opera voluntatis
Dum coccineum limen transeat , lucem adfert .
Momento enim omnes in caelo et in terris sunt ,
Sicut dies longus tandem inclinatus ante noctem veniat .
In tenebris , claritas multo maiorem et perfectiorem descendit ,
Eorum, qui dum in nomine meo orbata est devium.
Sicut incensum in conspectu angelorum ira animos eorum , occlusum ...
Ferrum IRRETUS texturae talis effugere nequeunt carcerem
Nam quicquid occaecat vidit lucem et scindit
Nisi quia in templis revellens mortalibus irae.
Et , postquam ipsæ fuerint fornicatæ infidelium , ut uoles, petulans ,
Et factum est in excogitando dogma , quod de ratione immemor ?
Horrendum non fides sit , tamen ita fecisse ,
Ante finem exspectent praemia petunt .
*** enim , ut est in paradisum suscipit dereliquerunt ...
Imago autem libertatis quam servitutis et negotio.
Nimia tempus extractam converterat a gladio:
****, ut spectet ad salutem in lucem , caeca lumina sua .

Antiphon alpha :
Quia hoc est ut , barbaris quoque innocentiae gentilitium mendacium vendere ...
Numquid et vos vultis emere , aut aliquam nunc forsitan putas,
Ad sciendum neque rationi consentaneum neque aetate sapientes ...
Quod si non moverent malles *** saltare!
Pleni sunt somnia noctes ; Dies mei tantum ...
Ego ad bis et quem maxime diligebam , in purpura quoque , et aprico occasus .
Ego autem haec imago non ad tangere memoriam tot ,
Qui replet in sanguinem furoris me , et frigidam desiderio finis .
Et considerandum est quod *** in ultima desperatione rerum , in cuius manu mea, equo et pilos in ore gladii ,
Nam ni ita esset, nunquam tamen inde trans familia .
Sed abusus est , ut fuit, et quidem instar caedentes sepem
An ut reliquos omnes transcendunt omnia , amice!
Ego superfui , transfiguravi ascendi in fine est ,
Multo magis quam erat, non plus quam diruere animus .
Sed tamen , quia speravi in solitudinem , ut a somno exsuscitem ancillam meam in flamma ...
Ardet , o superi, ut arbitror , usque uror dissiliunt!
De caelo et magis obscurant vestris, et tridentes, et contritio ,
Audio furorem tympana caelo antiqui gigantes hiemes.
Dii irascantur et ecce valide erutas ,
Uvasque calcantes Angeli hominis Illi autem vinariis ageretur ...
Recordatus sum in omnibus navigantibus battleship galaxies ,
In die ortus nubes inter exaestuans, quod ' vaporem ...
Depopulari Sodomam et Gomorrham, ad contumelias !
Ibi eram: et *** impiis non perire denique gemitu.
Ut illuderet mihi : et populus , quia ego bonus sum male velle ,
A Deo est, quam diu tot mala ferre cogetur .
Ego autem non sum solus , quia multa in eo et detorqueri
Deus remittit, nam adhuc sed non est intellectus ;

Section II : Hostiam de Spider

Part I : ( Rident Primus )

Caelum non egerunt pœnitentiam super ulcus nigrum est furore , et in indignatione, et in iustitia :
Et factus sum caro , quamvis intellectus non mortale .
In antro loca , quæ transivi , et dæmonia multa discurrunt ,
Et locis minus adhuc amor in search of a provocare .
In quo autem in craticiis tectoria atria mea, et thronus fuit stabilis ...
Et super collem , ubi dolorum laborum animae perit labor in mundanis ,
Transcendi vincula et consilio fidelium expectabo laudatur.
Ignis et sulphur et, semper est dextera arderent super altare ?
Ridentem cogo faciem meam : non enim veni , ut velle,
Ut in hora *** iam iuvenem, *** proposito aureum ...
Quæ pro impenso super solidum, pretium quis ,
Qui autem non cognovit , quomodo cupiam sibi solvere ...
Furor solitudinis nascitur ira nascitur ex malitia,
Qui autem contemnunt me , quia sine causa Provocantes me .
Quid est **** , impunitatem , ne quis putaret se excusat ;
Quam sapere , *** culturis tuum: mergi , in balneis , in ardentem .
Loquor de inferno, qui est infidelis nescis ?
Neque enim suis oculis effossis clavorum ...
Loquor cruciatus qui daemonia fecerunt superat .
Primus erit mihi dolor meus *** omnis fera voluntas ut ratio ...
Ut qui me conspui caro quod ambulans ,
Nescis modo larva facies mea , abscondens se.
Attendit ad illa nihil nisi insipientis solis erratur in sonis cantus
Tantum numerus ratus e fratre soror .
Sed in caelestibus quae sine causa nata est incestus est alchemical ?
Habitat in me peccatum occultum compages sǽculo.
Sit mihi vim inter gentes auditus est ABSURDUS musica ...
Spiritus meus qui regit omne simile est genitus.

Part II ( vindicta aurum )

In hortos, in quibus cupiditas sanguis rosaria semina ,
I , in manu eorum , qui esurit Quorum sitit aquam surgit !
In quaerere dilectionis affectum bestiis pavi eget
Quid faciam ut pudeat , habet me non elit .
O **** , quo impune ausu palamque vociferari ,
Quod amor sit ex me credis , et me opus manuum tuarum ,
Ut timidus , et cucurrit ad me latere turba depravari ,
In simulata excellentiam tuam , et ipse te vile animal .
Coniunctio oris linguae quasi telam laqueari
Si fieri potest araneae ; et fugiet a turpis ut octo pedes nidum ...
Et *** jam non calidus humanitatis indignum ,
Cogitans te meliorem quam reliqui descendes !
Ut vitae pretium millies , tibimetipsi .
Creaturam factus sum nocte expectant te aranea heu !
Nolite putare quia ego audirem . utrumque stridens cruris ...
Odium ductor tuus , et equi ejus , et ascensorem ejus .
Et in vestra web Video vos, Quirites immune ungues acuti ,
Ad toxicus venenum , quod oculis non potes, nisi te , octo ...
Ex quo bases Caesios sine timore, et sic primum
Ut dolores tuos comedat vos accendentes ignem caelum ;
Detur paenitentiae venia , quae dicis omnia cogit , ne superare dolores ,
Qui tibi semper, quæ videtur , non est potentia ad non noceat .
Et ascendit ulterius sapere plus pavoris tui ...
Numquam puerile ludibrium ulla facta .
Omnis domus tua dissolutae horologiorum ad socium non est ?
In desertis chaos est gaudium, ut si quod habuerunt.
Surgit in novum ordinem , nemo potest negare chaos genitus locus ,
Dum descendes perdunt, muneribus laesae.

PARS III ( Ultimo Rident)

Et sic videtur quod Angelus se et ante deam
Angelus autem nominis vocare aliquis tenuerit formarum.
Et qui in illis est , maiora sunt, ego saepe ad extraneas ,
Fingunt enim se perfectum , ignorant eorum saevitum ,
Num amor crustacea tam veteri quam in praedam , et mendicum ,
Quod minus quam tuum est , quam sumpsi eaque cibum ...
Est autem tarn coquina sicut clibanus tua vadit et ora
Ipse, ipse est extra te praemium virtutis tuae chores ,
Sicut enim res suo cuidam negotium , qui meretricem ... Lorem ipsum leve,
Putas praemium amaret , et mendicum , falli te .
Quid autem vocatis me alienum **** ... amor est malum , et hoc pudet,
Et similiter anima atque animus , quibus tandem corpus infirmare.
Vides tantum larva ... sub aspectu nisurum
Larva ut me in tenebris tenebris latet .
Circa collum tuum habebis , ut falsae aestimationis pendet a mortuis, et corona ,
Quia sterilis tibi relinquo mundum , Intenta ancillæ.
Consurgitur in excitate de reliquis abire tibi , qui sunt cognati mei
De manibus eorum procul offendant pedes vestri ?
Qui manet in coemeterio quasi mortui
Non tollere incorruptione Nimis tibi dubium .
Hue tacito lachrymis virgines flere ...
Ad mea, et robur , in quo praeda, gregibus rursum super vias hominum ,
Ad eos qui non ineptis metus mutetur ,
Aureus transmutare non magis quam plumbea nocte dies ;
Quod verum est de fine , qui scit ... Alchemist
Magistra rerum artes a me in profundum.
Ágite , quod sum aggressus creatura placet mutare ...
Ut res sunt nostrae demiurgorum lasciva oscula enim calidius ?

Omega Antiphon :
Non est autem in Utopia , non videtur quod ...
Donec ut nosmet ipsos cognoscimus prima quaerimus imaginem .
*** et in sacrificio sui ipsius , a volunt reddi obsequium ...
Qui ad reformandam et divina se , *** Leo renata agnus mitis !
Sicut in Christo, ex parte in qua invocatum est cicatrix, et vulneratus est ...
Sed simplex conversio ad dissimilis vultus nolui .
Memini dolore meo, ut acer et vehemens ...
Donee tantum possum emissus dolor servare sensu caret.
Quomodo potest aedificare paradisum non est, nisi in se mutant ;
Mutare ante mutatum esse non est in medio ; quae est in via .
Qua ad paradisum , et oportet eam, et non deficiunt,
Ne ad caelum, nisi quam nos aedificare illud infernum iniustitiis nos .
Utopia , non ruunt ad genus humanum, nisi a te, tu es qui habitavit ?
Nisi quod est extra omne malum quod in se corrumpunt ,
Manifestum enim est , nisi malum, quod mundatam ab omnibus malis moribus.
Tunc malitia faciatis abstulit senex super pluteo tom .
An non intellegat , quid est salvator ...
*** diceret quod non omne quod simplices filii ingredi
Regnum caelorum , et inde ad delectationem pertinere ...
Et quomodo potes perfrui , si tibi placet , cauillando crudelis ?
*** aurora tempore domini nituntur hominum planeta ...
Numquam imaginandi praecipiet ut discat primum voluntatis.
Non armorum vi , nec inutile mandatum ...
Sed *** modestia , et misericordia ; ergo qui ad cor suum in satietatem,
Gáudii innumerabiles et celebrationibus quae causa ?
Sed animus intendatur dolores peccatum lacus.
Ubi plausus rotundum vt quilibet sensus ?
Modernitatem iocabitur ullum definitum ornare.

Section III : sacrificium sui

Part I : ( hortos perditio )

A ziggurat sublatus est , arenosa in calidum lateres , quos coquetis in igne ...
Septem fabulae in caelum, sicut turris Babel ,
Quod in solitudinem, et in

The heart works for the hard work,
beating constantly as targets are acquired.
Shots fired, money wired and payments aplenty.
Contacts signed, terms and conditions defined,
it could take time, but the ***** rolling.
Touch base as we reach for the stars,
customers in charge, their business is ours.
We roll monthly, comfortably in our own domains,
renew them annually again as the pattern remains the same.
Some days, it's a struggle to get out of the pit,
feeling burnout, lack energy for my daily workout.
The wage ain't great but the dividends could add up to millions.
Some are cynical but I won't listen to those opinions.
I treat my staff as people not minions.
No need for incidents were a team of individuals.
Passionate and driven creatures,
hidden features and secret keepers.
Let's get money and lets get paid,
Theres a million ways we can earn more than the minimum wage.
Let's raise the bar, the city is ours and the worlds not too far away...

Dream tomorrow and live today.

Dance and sing,
And grieve no more.
Through Orion,
Find refuge from the shore.

Let courage be your Oar,
Let passion be your sail.
Wisdom and truth.
Can guide your deep hearts yearning.

Through all trevail.

Stay your soul,
And leave my heart its song.
Stay your hand,
The journey may be long.

And when we part,
And sorrows can be swayed.
Remember when,
And let your heart be staid.

Omnia Sol,
Temperat.

WHEN that Aprilis, with his showers swoot,                       *sweet
The drought of March hath pierced to the root,
And bathed every vein in such licour,
Of which virtue engender'd is the flower;
When Zephyrus eke with his swoote breath
Inspired hath in every holt and heath                    grove, forest
The tender croppes and the younge sun                    twigs, boughs
Hath in the Ram  his halfe course y-run,
And smalle fowles make melody,
That sleepen all the night with open eye,
(So pricketh them nature in their corages);       hearts, inclinations
Then longe folk to go on pilgrimages,
And palmers  for to seeke strange strands,
To *ferne hallows couth  in sundry lands;     distant saints known
And specially, from every shire's end
Of Engleland, to Canterbury they wend,
The holy blissful Martyr for to seek,
That them hath holpen, when that they were sick.                helped

Befell that, in that season on a day,
In Southwark at the Tabard  as I lay,
Ready to wenden on my pilgrimage
To Canterbury with devout corage,
At night was come into that hostelry
Well nine and twenty in a company
Of sundry folk, by aventure y-fall            who had by chance fallen
In fellowship, and pilgrims were they all,           into company.
That toward Canterbury woulde ride.
The chamber, and the stables were wide,
And well we weren eased at the best.            we were well provided
And shortly, when the sunne was to rest,                  with the best
So had I spoken with them every one,
That I was of their fellowship anon,
And made forword* early for to rise,                            promise
To take our way there as I you devise.                describe, relate

But natheless, while I have time and space,
Ere that I farther in this tale pace,
Me thinketh it accordant to reason,
To tell you alle the condition
Of each of them, so as it seemed me,
And which they weren, and of what degree;
And eke in what array that they were in:
And at a Knight then will I first begin.

A KNIGHT there was, and that a worthy man,
That from the time that he first began
To riden out, he loved chivalry,
Truth and honour, freedom and courtesy.
Full worthy was he in his Lorde's war,
And thereto had he ridden, no man farre,                       farther
As well in Christendom as in Heatheness,
And ever honour'd for his worthiness
At Alisandre  he was when it was won.
Full often time he had the board begun
Above alle nations in Prusse.
In Lettowe had he reysed, and in Russe,                      journeyed
No Christian man so oft of his degree.
In Grenade at the siege eke had he be
Of Algesir, and ridden in Belmarie.
At Leyes was he, and at Satalie,
When they were won; and in the Greate Sea
At many a noble army had he be.
At mortal battles had he been fifteen,
And foughten for our faith at Tramissene.
In listes thries, and aye slain his foe.
This ilke worthy knight had been also                         same
Some time with the lord of Palatie,
Against another heathen in Turkie:
And evermore *he had a sovereign price.            He was held in very
And though that he was worthy he was wise,                 high esteem.
And of his port as meek as is a maid.
He never yet no villainy ne said
In all his life, unto no manner wight.
He was a very perfect gentle knight.
But for to telle you of his array,
His horse was good, but yet he was not gay.
Of fustian he weared a gipon,                            short doublet
Alle besmotter'd with his habergeon,     soiled by his coat of mail.
For he was late y-come from his voyage,
And wente for to do his pilgrimage.

With him there was his son, a younge SQUIRE,
A lover, and a ***** bacheler,
With lockes crulle* as they were laid in press.                  curled
Of twenty year of age he was I guess.
Of his stature he was of even length,
And *wonderly deliver, and great of strength.      wonderfully nimble
And he had been some time in chevachie,                  cavalry raids
In Flanders, in Artois, and Picardie,
And borne him well, as of so little space,      in such a short time
In hope to standen in his lady's grace.
Embroider'd was he, as it were a mead
All full of freshe flowers, white and red.
Singing he was, or fluting all the day;
He was as fresh as is the month of May.
Short was his gown, with sleeves long and wide.
Well could he sit on horse, and faire ride.
He coulde songes make, and well indite,
Joust, and eke dance, and well pourtray and write.
So hot he loved, that by nightertale                        night-time
He slept no more than doth the nightingale.
Courteous he was, lowly, and serviceable,
And carv'd before his father at the table.

A YEOMAN had he, and servants no mo'
At that time, for him list ride so         it pleased him so to ride
And he was clad in coat and hood of green.
A sheaf of peacock arrows bright and keen
Under his belt he bare full thriftily.
Well could he dress his tackle yeomanly:
His arrows drooped not with feathers low;
And in his hand he bare a mighty bow.
A nut-head  had he, with a brown visiage:
Of wood-craft coud* he well all the usage:                         knew
Upon his arm he bare a gay bracer,                        small shield
And by his side a sword and a buckler,
And on that other side a gay daggere,
Harnessed well, and sharp as point of spear:
A Christopher on his breast of silver sheen.
An horn he bare, the baldric was of green:
A forester was he soothly as I guess.                        certainly

There was also a Nun, a PRIORESS,
That of her smiling was full simple and coy;
Her greatest oathe was but by Saint Loy;
And she was cleped  Madame Eglentine.                           called
Full well she sang the service divine,
Entuned in her nose full seemly;
And French she spake full fair and fetisly                    properly
After the school of Stratford atte Bow,
For French of Paris was to her unknow.
At meate was she well y-taught withal;
She let no morsel from her lippes fall,
Nor wet her fingers in her sauce deep.
Well could she carry a morsel, and well keep,
That no droppe ne fell upon her breast.
In courtesy was set full much her lest.                       pleasure
Her over-lippe wiped she so clean,
That in her cup there was no farthing seen                       speck
Of grease, when she drunken had her draught;
Full seemely after her meat she raught:           reached out her hand
And *sickerly she was of great disport,     surely she was of a lively
And full pleasant, and amiable of port,                     disposition
And pained her to counterfeite cheer              took pains to assume
Of court,* and be estately of mannere,            a courtly disposition
And to be holden digne of reverence.                            worthy
But for to speaken of her conscience,
She was so charitable and so pitous,                      full of pity
She woulde weep if that she saw a mouse
Caught in a trap, if it were dead or bled.
Of smalle houndes had she, that she fed
With roasted flesh, and milk, and *wastel bread.   finest white bread
But sore she wept if one of them were dead,
Or if men smote it with a yarde* smart:                           staff
And all was conscience and tender heart.
Full seemly her wimple y-pinched was;
Her nose tretis; her eyen gray as glass;               well-formed
Her mouth full small, and thereto soft and red;
But sickerly she had a fair forehead.
It was almost a spanne broad I trow;
For *hardily she was not undergrow.       certainly she was not small
Full fetis* was her cloak, as I was ware.                          neat
Of small coral about her arm she bare
A pair of beades, gauded all with green;
And thereon hung a brooch of gold full sheen,
On which was first y-written a crown'd A,
And after, *Amor vincit omnia.                      love conquers all
Another Nun also with her had she,
[That was her chapelleine, and PRIESTES three.]

A MONK there was, a fair for the mast'ry,       above all others
An out-rider, that loved venery;                               *hunting
A manly man, to be an abbot able.
Full many a dainty horse had he in stable:
And when he rode, men might his bridle hear
Jingeling  in a whistling wind as clear,
And eke as loud, as doth the chapel bell,
There as this lord was keeper of the cell.
The rule of Saint Maur and of Saint Benet,
Because that it was old and somedeal strait
This ilke monk let olde thinges pace,                             same
And held after the newe world the trace.
He *gave not of the text a pulled hen,                he cared nothing
That saith, that hunters be not holy men:                  for the text
Ne that a monk, when he is cloisterless;
Is like to a fish that is waterless;
This is to say, a monk out of his cloister.
This ilke text held he not worth an oyster;
And I say his opinion was good.
Why should he study, and make himselfe wood                   *mad
Upon a book in cloister always pore,
Or swinken with his handes, and labour,                           toil
As Austin bid? how shall the world be served?
Let Austin have his swink to him reserved.
Therefore he was a prickasour aright:                       hard rider
Greyhounds he had as swift as fowl of flight;
Of pricking and of hunting for the hare                         riding
Was all his lust, for no cost would he spare.                 pleasure
I saw his sleeves *purfil'd at the hand       *worked at the end with a
With gris, and that the finest of the land.          fur called "gris"
And for to fasten his hood under his chin,
He had of gold y-wrought a curious pin;
A love-knot in the greater end there was.
His head was bald, and shone as any glass,
And eke his face, as it had been anoint;
He was a lord full fat and in good point;
His eyen steep, and rolling in his head,                      deep-set
That steamed as a furnace of a lead.
His bootes supple, his horse in great estate,
Now certainly he was a fair prelate;
He was not pale as a forpined ghost;                            wasted
A fat swan lov'd he best of any roast.
His palfrey was as brown as is a berry.

A FRIAR there was, a wanton and a merry,
A limitour , a full solemne man.
In all the orders four is none that can                          knows
So much of dalliance and fair language.
He had y-made full many a marriage
Of younge women, at his owen cost.
Unto his order he was a noble post;
Full well belov'd, and familiar was he
With franklins *over all in his country,                   everywhere
And eke with worthy women of the town:
For he had power of confession,
As said himselfe, more than a curate,
For of his order he was licentiate.
Full sweetely heard he confession,
And pleasant was his absolution.
He was an easy man to give penance,
There as he wist to have a good pittance:      *where he know

storytelling was god’s first gift
to humanity,
a way to embalm our histories,
to dress them up
just as a mortician might paint
the dead
to give the illusion of life—
the mirage of
immortality on our own terms.

and so we become this patchwork of stories,
tales sewn into
the very fabric of human existence like
some great cosmic
game of telephone stretching across
13,000 generations
of **** sapiens who lived and loved
under the same
canopy of distant, blazing stars.

but like the stars, we too die; we
collapse upon
ourselves, upon the weight of
our genetic code
spooled out and stretched like thread
until there is
nothing left to give—no more DNA
to copy, just an
empty tomb, the stone rolled away.

if only death were a simple thing,
like how our brains
can go on autopilot on our commute to work.
i’d love for us to
be able to hand money to the bus driver
and say, smiling,
“all that is mine i carry with me,”
and board the
bus heading to Somewhere empty-handed.

in this fear of a Somewhere, we’ve
turned god’s
gift into a weapon, sharpened
our walking
sticks into spears, melted our
shields into
double-edged swords, named
one side faith
and the other side belief.  

we cut down those whose beliefs
are different
from ours without exception, as if billions
of years ago
we weren’t all carbon and hydrogen atoms
bonded
together, spinning slowly in the dark expanse of
a frigid universe,
the very foundation of the celestial blueprint.

as if millions of years ago we weren’t
a family
huddled by a fire while the fifth Ice Age
raged on
outside, making glaciers out of  mountains.
we sat together
and swapped stories, painting our lives on
cave walls
using sticks and crushed beetle shells.

in this century, we collect new converts like
captured pawns
on a chessboard, as if belief is a battlefield and
the price of
doubt is a one-way bus pass to a Somewhere
that tastes
like brimstone, milk, and honey licked clean
from a lion’s
ribcage: a hint of ash mixed with sweetness.

because all evil carries a hint of god,
doesn’t it?
he made figs and floods, broom trees
and plagues,
trumpets and leprosy, blessings and
curses. at night we
fear that no amount of weeping or
new covenants
will make the scales fall from our eyes.

so humans, in our finite wisdom
can only
say, “all that is mine i carry with me,”
and pray
to Yeshua, the deliverer, to Adonai, the
Lord, and
rest on the seventh day of our rebirth
so we can
wake at dawn and see that it was good.

some days we can be like Jonah in the
belly of a fish,
wise Solomon on his golden throne lined
with idols, Job
who cursed the day of his birth with every
breath, Naomi
whose bitterness begot the still-born name Mara,
so long as we
remember to carry that which belongs only to us:

love.

I’m sitting here drunk on stolen ***
Staring at the bottle I’ve been drinking from
Empty of virtue, empty of sin
Wishing for a swig of hundred-year gin.
My thoughts are wandering, or nonexistent,
Anything that comes is insufficient.
It’s just a craving to fill a space
Left by someone who stole my taste.
It’s not the juice that has me tipsy
Considering I’ve been playing gypsy
Travelling to nowhere, dragging my heart
Watching my soul being spread apart.
It’s the fear of falling, both in love and out,
Never knowing what you’re about.
It’s the sense of drowning, of being pulled under,
Of feeling the crash but empty of thunder,
The mixed interactions, the constant rash questions,
Attempting to sprint nine different directions,
Seeing you write all the truths I’ve been told
Then watching each lie slowly gently unfold.
It’s sickening me, I thought I knew you
Until I saw your true colors come through.
I felt secure, as though I had sight
Dancing and kissing under forty watt light
Singing and laughing, feeling your touch,
Then experiencing the words “this is too much.”
It’s like standing on concrete and feeling it crack
Opening a paintbox and finding all black.
I’m so over this game, this half-hearted living
Falling for feelings that aren’t so forgiving
But I can’t seem to detach myself from the curse
It’s a destructive addiction, and it only gets worse.
I’m not even angry, I don’t even want blood,
I’m just sick of feeling like I’m running in mud
So I need some protection, a blanket I’ve sewn
Of lessons I’ve learned and people I’ve known.
It’s not that I’m fearful, I still want the passion,
I’m just not getting trampled by your misguided actions.
In a sense I’m surrounded, my heart’s walls are high
But I’m willing to open if you’re willing to try.
Don’t think that you have to be perfect for me
Just tell me the truth, allow me to see.
We can even forget to give it a name
Friendly but physical, I can play that game
Just whatever you do, don’t call it love
Cause that isn’t the feeling I was thinking of.
If we can be honest, we can be friends
But as far as I care, that’s where it ends.
So as I huddle alone, soft focused with wine
No sense of direction, just killing time
I expose my still heart, and find it rubbed raw
From escaping the weight of confusion’s cold claw
I’m drinking it numb, constricting the light
Fervently sipping the froth of a pint
It makes me uneasy, but goes down like silk
As though I’m gulping thick sweetened milk
I need a sense of emotional healing
But crave the completeness of warm unfeeling
I want to get high, but then it’s easy to fall
Deliciously nervous then crushed from it all
So I’d rather shoot whisky, let it burn down my throat
Contemplate every ****** I wrote
Purposefully killing whatever’s inside
So I can forget about it, stop trying to hide
Each time I felt stupid, each time I got ******
Gripping for something that didn’t exist.
But don’t think this stopped me, I’ll sober up soon
But you’ll always be hung-over past noon.
Your selfishness suits you, so I guess the ultimate test
Is seeing whose love life comes out for the best.
I’m not one for pining, I’ve had my last drink
Contrary to what ever **** you might think
I’m telling you otherwise, if you think that I care
Please get over yourself and try growing a pair.

I’m indebted to the Oxford Dictionary of Quotations, 4th Edition 1996

Ab Imo Pectore

Ab imo pectore,
Blandae mendacia linguae,
Cadit quaestio,
Desunt cetera.
Est modus in rebus.
Faber est quisque fortunae suae,
Gigni de nihilo nihilum, in nihilum nil posse reverti.
Hic finis fandi,
Interdum stultus bene loquitur?
Jacta interdum est alea,
Labuntur et imputantur.
Magni nominis umbra,
Nec scire fas est omnia,
Omne crede diem tibi diluxisse supremun,
Pallida mors aequo pulsat pauperum tabernas regumque turres;
Quid rides, mutato nominee de te fibula narrator,
Res ipsa loquitur.
Solvitur ambulando…
Tempora mutantur, nos et matamur in illis.
Urbi et orbi,
Vestigia nulla retrorsum.


From The Bottom Of The Heart

From the bottom of the heart,  the falsehoods of a smooth tongue,
The question drops, the rest is wanting.
There is a balance in all things, every man is the creator of his own fate.
From nothing, nothing can come, into nothing, nothing can return.
Let there be an end to talking, for who can tell when a fool speaks the truth?
The die is sometimes already cast,
A moment comes and goes, and is laid to our account.
From the smallest shadow to the mightiest name,
No one can claim to know all things,
I believe that every day that dawns may be my last,
Pale death knocks impartially at both poor and rich men’s houses;
Don’t laugh, change the name and the story is yours,
It’s so obvious, it speaks for itself.
As the concept of motion is proven by walking…
So in time all things change, as we must, in time, all change.
And to all the world,
There’s no turning back.

Ab Imo Pectore / From The Bottom Of The Heart

Ab imo pectore,
From the bottom of the heart,
Blandae mendacia linguae,  
The falsehoods of a smooth tongue,
Cadit quaestio,
The question drops,
Desunt cetera.
The rest is found wanting.
Est modus in rebus,
There is a balance in all things,
Faber est quisque fortunae suae.
Every man is the creator of his own fate.
Gigni de nihilo nihilum, in nihilum nil posse reverti.
From nothing, nothing can come, into nothing, nothing can return.  
Hic finis fandi,
Let there be an end to talking,
Interdum stultus bene loquitur?
For who can tell when a fool speaks the truth?
Jacta interdum est alea.
The die is sometimes already cast,
Labuntur et imputantur.
A moment comes and goes, and is laid to our account.
Magni nominis umbra,
From the smallest shadow to the mightiest name,
Nec scire fas est omnia,
No one can claim to know all things,
Omne crede diem tibi diluxisse supremun,
I believe that every day that dawns may be my last,
Pallida  mors aequo pulsat pauperum tabernas regumque turres;
Pale death knocks impartially at both poor man and rich men’s houses;
Quid rides, mutato nominee de te fibula narrator,
Don’t laugh, change the name and the story is yours,
Res ipsa loquitur.
It’s so obvious, that it speaks for itself.
Solvitur ambulando…
As the concept of motion is proven by walking…
Tempora mutantur, nos et matamur in illis.
So in time all things change, as we must, in time, all change.
Urbi et orbi,
And to all the world,
Vestigia nulla retrorsum.
There’s no turning back.


r10.1

I read about the how and the why
and the where and the when
of love
and rarely see plain words
that show the range of reaction
of love made manifest
giddy night time
singing to the moon
babbling inanities
to all the friends
who make time to listen,
scribbled words
as blind offerings never posted,
damp misery
crying to a nighttime pillow
salt tears falling
into your morning coffee
and nighttime soup
and the worst
looking up at the window
where the lover lives
deaf and blind to you below
and yet I know
all those
who have been out on that limb
and have come back
are rarely defeated
and quickly set out
to once again gamble
in the crapshoot called love

the idea being, opposed to what james joyce invented in ulysses and sartre replicated with a lack of punctuation marks: point being - at what point is atlas speaking, and at what point is sisyphus speaking? and, as it happens: when are both speaking, and where one of the either is introspecting in the domain of thought... that least futile realm of action, that act of mining: enter the minotaur, who said: you keep both your orbs, i'm attempting a crossword puzzle from (a) to (b) with the only clues intertwined with a memorisation of R L L R R R L L R L R L R L L L L R L R R E (R. turn right / L. turn left, E. exit).

i'm getting this void re-entering
the orbit of planet-365 -
and it's bugging me -
  quite a simple observation -
what's with the volume of jokes?
western society is peppered
with comedy, or rather in
the non-classical sense of what
a comedy ought to be:
    they ****** the poets throughout
the ages: but comedians are
not writing comedies:
they're writing sketches - comedy
sketches... is anyone as tired as me
languishing under the:
  why is the fate of sisyphus always
deemed worse than the fate
of atlas?!
             i find that western society
has become infested with a comedy
virus...
   i've never so many jokes akin
to ****** laughter, where what could
have been genuine, is merely
canned laughter replication...
so many jokes have been said:
but of the many jokes -
i remember my childhood,
as children we used to tell each other
jokes, and remember them...
there was this one about killing
mosquitos and how we went to the 3rd
mosquito's killed funeral...
some classics, that remain lost,
or at least archived in the deepest
recess of memory...
      if there ever was a plight of the west,
it came when western societies
"thought" themselves to be funny...
   ****, it was going so great up to the early
00s...
      boy, they could sing... they could
sing their hearts out!
but then they stopped singing
and thought it was better to tell a joke:
mind you: there are no decent jokes
in the anglophone world -
because:
  (a) too many jokes are being said
(b) a joke is a correctional facility
based more upon insinuated-clarification
than slap-stick spontaneity...
and there's, of course
(c) with so many jokes, it's hard
to tell a decent one...
  a memorable one...
   i still think the anglophone world should
have concentrated on their singing
prowess...
can we talk about the black privilege of
the bible belt gospel choirs?!
  the 100m sprinters?!
          breathing apparatus of the choir
like the guns of navarro!
          why do the english-speaking
nations suddenly think they're funny?
they're not...
    if you managed to watch the original
comedy show from the 1970s
you'd find that there was no canned laughter
instrumented like a bad italian *****...
akin to the moment in *the brand new testament
with ea telling marc that he has a nice
voice, so he does the "subtitles of onomatopoeia"
versus authentic pleasure in the movie...
and meets his german sweetheart...
      the downfall of western society,
if there ever was one, given the 1920s observations
from germany: when the english stopped
singing, and turned their sight toward
comedy...
   i hate comedy for lazy people,
as much as i hate intelligent comedy,
i hate modern comedy because modern comedy
is sketchy, it's not scripted to a proper
comedy in the classical sense -
       the more jokes you tell,
the less chance you have of a memorable
joke -
    i sometimes wish to read a book
of maxims: and find a joke among them -
like the joke of the two picts copper wire
a penny argument and stretch armstrong -
or how welsh men get laid,
              pushing a mutton off a cliff...
tell me a joke worth being said
side-by-side akin to vine vidi vici -
and you can have the floor...
             i think i've had enough of
laughter,
     i am actually beyond tired to respond
with laughter...
          the anglophone world used
to have just great songs, and by having
great songs was renowned for
telling bad, overly intelligent jokes -
                  in all honesty i find more
laughter from moments in between
sedative refills where i am looking for
       a cogito - that has no ergo-bridge
arithmetic into a sum -
   i laugh, because once i start
looking for my "narrative" -
    or the "loss" of therein -
    the moment i stop thinking and
never demand it to resurge with a "purpose"
i find that - omnia in aether est
                    (all is in the air) -
   which is just an alea iacta est
                                            reiteration...
funny: i find catching myself not thinking -
more funny, than any current take
on comedy -
    and it's not exactly pennies
falling from heaven:
   everything on this earth is thrown
into the air, and whoever catches what he
catches - he tends to -
                       the same fatalism as of old.

The power of love
Is a burning crusade
Started in a heart
That is ablaze
Burning with passion
For the sharing of lovers' days
The roads are tough
But together they move on
The mountains are high
But their arms are strong
Life's never easy
But together they know
That they'll find paradise

.one of the great dissatisfactions of life: dreaming... which makes me suspect of the anglo-saxons and their subsequent branches of sub-ethicities... they dream... they have recurring dreams... lucid dreams... i find that slightly suspicious... i rarely dream and if i do dream, the dreams are so bogus or so uninteresting that they make no sense to: "interpret" them via any freud-cubism schematic - that a woman's sun hat implies: the depth of ****** and promiscuity, or some otherwise bogus stretching it mate, really stretching that analogy... but why do the anglo-saxons have such lucid dreams, even recurring dreams? are they descendants of joseph: der traumgehhilfe? last time i had a dream? oh... family invites me to say, three memebers of the family don't like me... **** the rest of the family with a knife, a gun and a baseball bat (somewhere in south east asia)... a few of the killed members run into the street to die... i somehow pick up a kalashnikov and shoot the murderous 3... then i jump into slender boat with a motor with 3 or 4 women... 'jesus'... and i escape the scene of retribution sailing to... cambodia! **** me... even sylvester stallone or jason statham or arnie wouldn't star in a movie as b-movie as this... but anglo-saxons seem to have the most vivid dreams... two good examples: h. p. lovecraft and william burroughs... is dreaming a form of escapism? if so, then evidently i'm quiet content with reality... like today: too much pop psychology, too much self-help guru mishmash, too much advice: not enough stories... video streaming a game being played... etc., so i retreat, even from modern music, into? here's a beginner's guide list to medieval music:

       1. qui habitat in adiutorio altissimi
       2. da pacem domine
       3. agni parthene
       4. dum pater familias
       5. chevalier, mult estes guariz
       6. virga iesse floruit
       7. walther von der vogelweide's
                 palästinalied
       8. codex buranus no. 179:
                     tempus est locundum
       9. non é gran causa
      10. herr holger
      11. herr mannelig
      12. die eisenfaust am lanzenschaft
      13. meie din liechter schin
      14. under der linden
      15. mayenzeit one neidt
      16. mönch von salzburg (das nachthorn)

   why would i have stopped at merely
Orff's reading of Carmina Burana -
                 sure... that's the entry point...
   but the radio only plays o fortuna till
the cows come home in a full-moon lit night...
yawn...
    if only: fortune plango vulnera,
      veris leta facies, omnia sol temperat,
     floret silva, or... or!
   a monk's love song for the queen of england -
were diu werlt alle min:
              were diu werlt alle min
              von dem mere unze an den Rin,
              des wolt ih mih darben
              daz diu chunegin von Engellant
               lege an minen armen.

but no... it's o fortuna or nothing from that album
on the radio...
    i get it, great song...
   but why is auld lang syne only sung once
a year, on new year's eve?!
              
as with women, so with music, one simply tires of
contemporary examples: not exactly the music
but the lyrics behind the music...
                        music will never change to appease
the brute and the beast... but modern lyricism
is just agitating... it exhaust with its choice
of subject matters...
                                and by the looks of it...
    i spend too much time with music to find myself
in needing the comfort of a woman's voice,
a cuddle or relationship or whatever you want
to call it from now on...
           i am wedded to three women that will
never materialize: Euterpe, Sophia and Amber...
and all the better...
                                i could never wallow in what's
currently being wallowed in...
by some who have these recurrent dreams
and are unable to stop them from recurring...
hence my suspicion with the anglo-saxon traits
of vivid dreaming: this cruch of relying on dreams...
of so easily being ***** by celesto-cerebral powers
that impregnate their sleeping heads with
these realities that only exist in the mind and
a sleeping mind at that!

(nb. not proof read, apologies in advance for any mistakes, upon rereading will correct if any appear - or i'll just keep them...)

look at these two slogans: let's make America great (again)!
complimenting the English variation
let's get our country back! ring any bells? i guess you must
have heard one or the other as an English speaker -
it's hardly surprising - the English Prime Minister singing
a little toodeloo then uttering the word right upon
reentering number 10 - shambles ahoy! every rat and
mutineer bailed - we're in free-fall, Trotsky had it coming,
this guy hasn't - hardliner but a bubble-gum tongue -
it stretches like a joke my English teacher said:
how was copper wire invented? hmm? two Scots
tugging and pulling in opposite directions a two pence coin -
for all their worth, they joked the blond quiff of
both Boris and President Donald Yeltsin - where one
gets drunk on egoism, the other just gets drunk -
even though they don't like him in Scotland, they sure as
hell bought the slogan like a Big Mac - the problem is
there's a zenith, and then a necessary decline -
you can reach the zenith of breaking the 100m sprint,
but then a stock-market dip (necessary) -
much of Britain's exit from the European Union was due
to the campaign trail of the Doodle T - the best politician
i assume is the one that enjoys the most prodding jokes,
which also means the majority of votes,
jokes and votes walk hand-in-hand - people don't want
leaders, they want caricatures - after all, the little existences
have to matter with a joke in the Oval office.
i can't imagine the unholy alliance of feminists running
the place in the west - Theresa May in England,
Hilary Clinton in America, Angela Merkel in Germany,
Ms. Le Pen in France, the Polish prime minister
Beata Szydło - it has to look like a 2nd Cold War scenario,
a break from World Wars... Putin and pukka Tyson Trump
on the other side, macho v. macho - man talk and
the ultimate bromance. i know that Nietzsche referenced
genius too much, assuredly i hear that a lot too around
here with child geniuses storming around for silverware -
children geniuses and not original? so technically you're
talking about data storage in porridge - trained monkeys,
right? those children will be scarred for life as if they
saw their parents ******* - what sort of genius is a genius
if he doesn't work from blank but is there are a memory
gimmick to boost hopes of curing dementia?
philosophy doesn't do geniuses, it does things like Spinoza,
solitary wanderers, loners - outsiders and mesmerisers,
there's no genius in philosophy - there's only solitude -
granted that an open-minded psychiatrist is a modern subplot
in not reading philosophy - where is the ultimate source
of compassionate solely theory based (anti) psychiatry?
in reading philosophy books rather than exercising authority /
abusing it - R. D. Laing is a perfect example -
who wrote after reading philosophy books - i mean read them,
in the English speaking world i recommend reading
the works of the anti-psychiatric movement of the 1960s,
which was much bigger than the Beat Movement - obviously
not as dazzling, but with poetry you're imitating Philippe Petit
(film, the walk) - i watched it and my legs experienced
needles, and a firm assertion of gravity and the location
of the floor - films like that are worse than horror -
you share the heart of the original, but given it's Plato's cave
we're talking about representing the events, you realise
that no matter how much you want your shadow to be
Philippe Petit, you hear from the outside world, your legs
are firmly on the ground - basically: **** that - men are not
born equal, they have to live by principle to be at least moderating
their excellence into a respectable cohesion (democracy) -
quiet simply juggling their strengths with their weaknesses -
man is not born equal, he was to strive for equal measure -
when subduing their strengths and when exfoliating them -
no man is born equal, as no man is an island - the two synchronise.
(i'm deliberately masking what's coming)...
but there is genius in philosophy - but only in one area of
interest - religion... we know that popular beliefs are
grounded in plagiarism - the Trojans became the Romans
via the accounts of Virgil, and we know the Trojans in
becoming Romans plagiarised the Greek polytheism -
Zeus became Jupiter, Poseidon became Neptune,
Cronos became Saturn, Hera became Juno, Aphrodite
became Venus... etc., it was done to mimic the Greek heart
from the defeat at Troy, to invoke a heart that overcame -
every pauper and every king would identify with
this pluralism - but a second plagiarism had to come -
it was prophetically echoed from approximately 2000 years -
the Greeks later plagiarised the Hebrew concept -
the monotheistic concept, yet because their thinking
was so advanced (or so they thought) they dismissed the
sects of the Pharisees, the Sadducees, the Essenes and
the Zealots... their hero was their antagonist - and nothing
of their learning was actually work their concerns since
they boasted of their Aristotle and their Plato and their
Socrates - the peddle-stool effect appeared -
but what if a Latin man (well, these letters are Roman) were
to say - never mind the son, how about the father?
in Christianity the father is rather anonymous in his
omnipresence etc. - but let's assume on the biological tenet
that we are referring to the old testament god -
would we want to plagiarise the Greek plagiarism of
Hebrew? i already mentioned the four prime canons as
imitations of the tetragrammaton - of course they're
intended to not be identical accounts, but there must be
two that are mirror images - i.e. referring to h      &      h
of the tetragrammaton - if there are no two mirror images
then we are bothered - i can see why the Greek mind thought
that Y refers to a convergence, a mother, a father, a child
and the entry point to the gospel: a genealogy -
Y being representative of a convergence - past and present,
following through - this is all about first impressions,
from what i can remember and regurgitate back -
in Catholic school we were taught by majority the gospel
of St. Mark - the others were discredited -
i can't tell you if there are two identical gospels (or at least
with very little variation between them) - what comes after
them is what comes after all essences of religion,
bureaucracy - imams and priests, yoga teachers and
whatever it is that comes with religion for the common man,
but in the new testament this is the essence, a shady
reinterpretation of the tetragrammaton - but a Latin man
who didn't bother to attribute symbols with nouns,
but made his alphabet musically orientated for the
castrato and the choirs to come - a (alpha) b (beta)...
o (omicron / omega) it became obvious that the four letters
arranged as so with missing Adam and missing Eve
would provide more than just four interpretations of
the same event / person - for when a Greek has to cut off
-lpha from a to attach it to another letter to create meta,
the Latin man has only to cut off less, perhaps dentistry's
ah, or otherwise cut off -ee from b... the world is full
of such possibilities, and this is the only area where
genius can be applied to philosophy - the genius of
philosophy is within religion, and nowhere else -
of course mind that i don't identify myself as one -
i treat genius as an angel or a demon, that fairy-tale
race of creatures that whisper into your ear - markedly
geniuses are more powerful in demanding an individual
rather than clones of the individual, e.g. Mohammad
and Muslims, Jesus and Christians... which is why i suppose
the genius of Moses also allowed others to write on sacred
paper, but of course excluding Malachi for falling into
heresy with a polytheistic concept of reincarnation, not
oddly enough Malachi's was the last book before the two
major strands of his heresy emerged like Behemoths.

Standing upon a hill, I.
Under black & purple sunwheel.
Standing with sword in right hand, representing morality and righteousness.
Standing with mine own decapitated head in left hand, represting violent and sudden removal of Ego &&& it's prompt reclaimation.
Standing soaked in the blood of the wound as my sacramental rebirth offering and cleansing.
My own next level of Apotheosis.
Kept alive by sheer will & & & magicks.

Headless mystic standing akin to an Autosacrifical Kali Ma.

Standing as Ego.

Standing as Godhead.

I.A.O.

Standing as Headless Warrior.

Omnia et Nihil.

I am become The Other, the Ritual Evolution.
Hail.

The horizon of the sky falls beyond your way
So take a breathe and listen to the music pound for pound 
ounce to ounce
Love like its the end of the World
And make the best out of it
Or else you will regret it for the rest of your life.
Every single thought we always created in our mind
Sometimes we lost through it
Just like the other day or a few days ago
But we always end up going back and forth to the place that we never expected
The moment that we says "truth or dare"
Its like a piece of a living proof
We hide and uncover stuff
We laugh and we cry
We make friends and better or worst enemy
But we always end up loving each other
Hugging and kissing
The lost powerful soul,spirit of ours
We electrified the love that we always found
So take me there and 
From this moment 
I'll
Take
Your 
Place
As 
Mine





*Love begets

Teal equinox drifting over the valley
tangled in a crystal chain of stars.

Ghosts of the universe spiral endlessly.
Mind in a shell of illusions we’ve made;
iron, earth, and air.

Dawn’s haloed sky stretches over the mountain locked in a veil of silver fog.

Jewels of infinity cradled in our hands.
Knots of wind come unraveled by the night;
salt, sun, and gold.

If you find true love,
Grab it with both of your hands,
Never let it go.

It comes only once,
And that if you are lucky,
Never to return.

Do not question it,
Or **** it to dissect it,
Take it as it comes.

Whether in fair form,
Or worn and riddled with scars,
It will bring you bliss.

Look not with your eyes,
They will always deceive you,
See it with your heart.

Its beauty won't fade,
It will be forever new,
As long as you live.

However it comes,
No matter how strange its form,
Give it half a chance.

It will change your world,
Fill all the empty places,
In your dormant soul.

And it will ripple,
Throughout the known universe,
To outlast the stars.

With a drop of his blood she could dance all night,

Hear the horses thunder across the country green,

She's hardly seen the Westside of things;

The forgotten sea where the first Spanish tongues layer with sand,

But back to this beautiful unfamiliar,

Back to the feeling of self worth,

Of knowing you mean something to somebody;

It all stems from her intention,

She calms the pacific from light years away,

From a direction unknown to radar,

From an aliens perspective;

Far away home, an angle at an untouchable space and time;

A worm hole inside the galaxy of her mind,

He's on her mind but he's on the run,

Movin between the waves in her brain;

Watching every one of her thoughts dance around his shadow;

Finally he arrives at a painting,

He's quick love and she's quick to catch,

The heart, true emotion from far apart,

Tessitura, psalms, and songs of praise, they branded atheism when singing Christian psalms in the streets making ineffable groans, where the exordios looked from the back with Delphic prose, where the dart that opens the curtains of the hallelujah tormented, with darts that rubbed weathered in the tentative to rise of the stores of Sanequerib. They are relatives of Incipit Psalm 69. " Saint John said as they continued to climb the Calvary of Profitis Ilias, but this time in the company of the Help of Isaiah, with a great spirit of being from the cavern of Elías in Haifa, at a flat point at the time of the Benedictus. Already the Assyrians were returning the same way they came, as Isaiah prophesied, in the morning with ejaculations that ended with the crass rottenness that could end the day without a step other than an anti-Jesuit one. Prayers go and implore the Omnia Vanitatis, the moment when the sun honors, taking you towards the close of the day with the perpetual antiphon. The vigil was reaching the lines of Isaiah does not rest, in Trinitarian doxology. Where is the darkness, where is the glory to see you...? If the stars collide with each other in Baptismal frowning, and in the mystery of Vernarth that lies a complex, tied to becoming that never begins, and what was Christic history of a morning introit.

Saint John the Apostle and Vernarth express in the Trinitarian doxology: “Through Christ, with him and in him, to you Almighty God the Father, in the unity of the Holy Spirit, all honor and all glory, forever and ever. Amen"

The triangular taxias of the Hetairoi made faunas that came cutting themselves with the wind of the "incipit" of Psalm 69: "My God, come to my aid;" Lord, hurry to help me ", by the Keras or wings of the site of Arbella; or Gaugamela rather said…, sonnetized by some Pazhetairoi, made up of 32 Syntagmas, as units of sixteen revived Falangists from Court V of the Helleniká Necropolis, bilocated on Patmos, a few feet from the Mandragoron project. Thus the triangular spellings of war were formed again, to the astonishment of all those present. Alexander the Great, already graceful, was over-trained in irrigation and supplications, he was consisting of 128 Syntagmas, with 62 Falangists covered by the Cinnabar that subdivided them into bones by sixteen of the Lochoi or guides. The Syntagma bipartite was enlarged by two Syntagamatarchos captaining two units, all with their semi-open belly, re-liquidating their viscera by the Ghosts of Shiraz, the Saltimbanqui Hydro comes from Roknabad (also known as Aub-e Rokní), from an underground channel which carried spring water to the city from a mountain located ten kilometers northeast of Shiraz. Here he has to mend the propellers and water ropes to do his acrobatics on the water, with greater songs in the poems of the Poet Hafiz. When he bites his tongue, they repair it with the verses of Hafiz's Koran, there are three hundred creeds, three hundred hectares to irrigate with his wheel the sadness of those who cannot have the gift of the rivalry of Montenegro and Monte Blanco, to overestimate the liveliness of the caravan that trembles with uncertain doubts here on Patmos "

Saltimbanqui of Bascule says: “We are Epi ghosts, green in reverie with tutelary ropes, to jump through the trapeze of the photometric units of the heavy Almeria of the highest Mirror of the Sea. Will take you back to Limassol. Curiously to the same ship as the Eurydice that sleeps in the swings of the sea, and in the arms of the petulance of Dionysus in a new awakening of lethargy of theorization of the superstrings of Anaximander, here is the intrinsic speculation of science, already that this is not just purely empirical research. "

In between them, they form even and odd rows. The horizontals were tinged with the Red Blood cells that became volatile and surrounded the Xyston lances, for thirty soldiers of the Diloquia, with their dismembered arms that began to take them back with their hands tightly girded by the song of the Theological Shemesh of San Juan, which subsequently rescinded last in the sum of two taxiarchies, constituting a Syntagma. The units rose with the sickle that cuts definitive death, to reconstitute it in five thousand that should tread through the hierarchies of formations, amid the frolics of the Phalanx, where Vernarth protested to all “Khaire, Kalos irthate apo tin kentriki, Welcome from Hell !"

Thus the Phalanx was constituted among the Syntagmas in metaphors of the Falangists. In this way this antiphon was revealed martial, denoting synergies of the Sybilla Herofila that conferred to the world of Trinitarian Doxology, among ashes that remained by a solid cobblestone witness of the reluctant troops that testified to the sense of interpreting the law of bringing to the world what to their lives it owes them. The prophecy shone from an intangible Isaiah before all in this concomitant episode, and to the degree of the reign of Judah, here together with the prophet Elijah, they faced the hardened fragrances of blessing as oracular teachers of so many goods, and of the benefactor that protects by inspirational mandate, making laws for the end times before closing his own eyes without having prophesied them.

The rows in “V" contrasted with the corridor friezes in the crowned troops of the Hetairoi, and in the syntagmas that became appressed from the triangle that opened the three-quarter proportions of Athenea's physiognomy in Pergamum, subjugating Alcineo, so that finally it was forged in constellations of equanimity in the fifth courtyard or "V" of the Necropolis of Helleniká in the allegory of Vernarth, stopping the plausible dogma of the initial that glosses the Law in Vernarth's "V". This in turn in double syntagm of the Syntagamatarchos guide, in the high sky of Patmos, and in the medrones growing on the antlers of the proclamation of Wonthelimar, which made them a twin "W" in the star that shines in the medrones of the Ibix, in the Cornacabra and in the Cornucopia, with certain docile movement, adhering to acrostic and prehensile preliminaries of the Isaiah saying.

The Phalanx Alexandrina Heterochromatic of Alexander the Great volatilized between the villi of his Falangists, climbs the Holm of Zeus and causes a "Gore" or horrifying reflection, allowing the rhizomes to become a hundredfold, which will make the nominal order of five thousand, for each member of the Syntagma, in an astonishing quantum that reproduced itself to materialize before Him. Then he tied each one of them as Prometheus chained to each of the oaks, from an Akane grocer, incontinenti withdraws a sharp dagger and opens each one's veins to free them from the isolation of so many years settled in their last heterochromia of the War Iridium that he conferred on them, to endure the visit of the spirited Grim Reaper. This causes liberation, in this way they re-install themselves in their bodies, with Iridium or iris that made them see before their optics in two biases of Hoplite alter egos, impacting half of their body. Alexander the Great, being the philanthropic heir and of Platonic legacy, made them superfluous in the melanin that fell from the Epíchisis or libation vessel, to taste the effluvia of Dionysus with the maenads, with wide ambivalence filling them with viticulture, so that they would flow through the veins of his soldiers, and to revive them with the Dionysian must of melanin to the left eye of the Hegemon King Alexander the Great, with Jasper in the left, and the right with ultramarine from the bottom of the Ionian, on the banks of the washed banks of Patmos, in high swells of Greek alcohol that was distilled from the Mosacism of the stones when unraveling the peripheral forces from the prefectures of the great native of Pelas. They ordered areas of all Greece under their heterochromia flow that gave life to the Perifereoaki, or periphery for Central and Western Macedonia that came with great vigor, with Epirius central, western Greece, Peloponnese, and Crete. East Macedonia and Thrace, Ionian Islands, North Aegean, and Thessaly, later they would go for the Aldehyde alcohol that summarized and epitomized Dionysus taking him with four eagles that distilled the unprisoned Syntagmas of the lines of 16, 32, 64, etc...., for purposes never to start on an omega all the way to the Ionian Islands from Corfu.

Alexander the Great, went near the pre-urbanization of the Mandragoron towards Vernarth, somewhat dizzy, and before attending to him he presented himself first to the Zefian; who looked at his iris like a foreman who re-divided his visuals, by prevailing in eagerness to restore his soldiers, to help in the construction of adventures of life, and to assist in building the Megaron, which still rested in the myopia of mythological vision of the Gods tied in animosity with the Titans. Overwhelmingly, he highlighted the clouding or turbidity that was seen beyond the radius or visual field of two realities, found in visual refraction and interference with refractive statisms of the periphery that led him to the other world in Babylon when death imprisoned him...? Here the root revived, it became parallel in a unique world with divergent lights, which entered his Akera or right-wing of his soldiers, bringing visual acuity that brought the perchlorate volatilizations that hovered in the boots of his soldiers, when they marched in awareness of the retina and of the mean light, that for the first time was clarified in true holistic and political from a Parthenon with the musk of mortals and immortals of neo Hegemonic ophthalmology, which he was already re-leading by his command, where he was going to invest his greatest and most spiritual elemental Commander Vernarth, with his Himation.

The rays of his eyes seemed distant, but they were diffuse and alternate, they wandered through the lens of his clouding, which blinds a partial of the left Akera, or flank of the Hypaspists that dazzled Parmenion. Here the optics of Alexander the Great, remained in the diatribe of the small eye next to another that was enlarged, being hyperopic of a mysterious confine in the severity of Dionisio when confronted with him, in light effects of the high liquid vineyard, refracting meridians in his troops next to the Hexagonal Primogeniture who observed them behind the magenta image, which was the one that flashed from the Clouded holm oak and eclipsed by calm heat movements, and rising air masses that were in the opportune station of good sense. When being aided by the Maenads and the Herophile, they were teaching from a parent, who now sponsored the entire political and spiritual will of the Hoplite side, made up of the King of the World Vernarth, together with Alexander the Great, after receiving the photocoagulated lightning bolts. of the officers, under redeeming and reduced of the metabolic, and of the oxygenated preeminences of new lungs for each devout consecrated body, towards Saint John, the Apostle, pigmented and mechanized with aggravating heterochromia, and extensive in the bodies raised in new parallels that have to confront an anonymous or semi-god by turning for his own.

Carpe diem/A poem written in very odd Latin!!

Carpe Diem,
Angelus obscurus suni,
Quaque nocte, diglossios,
Pavor Nocturnus,metus,
Sominum,
Scribo carmen poeta,
Vita amnia fides,
Omni vincit omnia!
Well that was fine fun **
Full permission granted to those who wish to laugh!!
For,I believe I have written,
--------------------------------------------------------­-----------------------------------------------------------------­---------------
Seize the day, (I know that's right),
I am the dark angel, gloomy,
Every night I don't sleep, because I have breathing difficulties!, fear,
leads to night terrors, daydreams,
writing poems,
Life and trust,
Love conquers all!
___________________­________
Kind regards, Livvi,
Apologies for the somewhat odd content!!
Couldn't work out suitable phrases!!

Let's steal my father's car
even though I don't have my license yet
even though you're not allowed to drive in this country.
Let's run away to a place
where your parents aren't fighting
where your mother is healthy
where my family isn't toxic
where I'm not burdened with crushing responsibilities.
Let's roam endlessly under the stars
with only the moon to keep us company;
let's escape to a place
where the cops won't pull us over
where only you and I will matter;
let's escape to a time
when you and I can happen.
Let's drive away to a place
where our laughter will resonate
for miles around;
where your face will bathe in starlight;
where we can be the only lovers left alive in the galaxy;
where your soft lips can touch mine again;
where your fingers can draw patterns all over my skin
with invisible paint;
where we can fight until we make out:
your lips
my hips
your hands
my hands;
let's run away to a place
where nothing else matters;
to a time
when we can forget about the world.
Let's escape and paint the world anew
in screaming color,
in bright lights,
in loud sounds;
let's leave all fears behind
because you've been hurt
and I've been hurt
but I've had enough of being wary,
I've had enough of guarding myself.

Let's steal my father's car
and run away together
to a time and place
when and where together exists.

I'm sick and tired of this pride,
Of building walls around us,
I don't believe in
amori vincit omnia
but maybe I can warm your heart up
and you can stitch my scars up
and maybe this will be enough.

All that is mine I carry with me.

My frosted spectacles
With the tiniest crack on the surface
Just enough to make them special.

My leather wallet
Beaten by years of rain and use.
Inside, a polaroid of the one I consider divine.

My keys
For what I do not exactly remember.
They stay nestled in the back of my pocket, rusting slowly.

My lyric book,
Complete with unfinished ideas that ****** at the
Back of my head, pleading to be finished one day.

My Memories,
Which have a repugnant smell of loss
That I embrace with open arms.

My ‘Dreams’,
A potent synthesis of reoccurring nightmares
Fundamentally unrequited in its presence.

My Addictions,
Virulent Vampires leeching droplets
off who I adore so dearly.

My Love,
You too are being ripped away
So quickly.

I think for now
I shall stare at my lyric book wistfully
Through my spectacles, hoping for redemption.

Perhaps one day I will again be able
To show you the Polaroid I hold so dearly
And finally get to use these keys.

All that is mine, I carry with me;
Hopefully I could one day
carry her too.

I'm saddened by my mirrored face,
Smiling like a Sogdian on his rock,
When every grain-glass touched
Conceals belded thoughts.
Still I don't dare
To settle on that canopic fold.
At night's blessed brim,
Sing a good song for me,
And place this wood-husk lute on the wadi....
Come spring I'll be just as cold.

Love means: no surrender;
No weapons thrown to the ground,
Don Quixote charging windmills,
Just to knock the giants down.

Love means: no more evils;
No more swallowed poison pills,
Men taking deadly medicine,
But it won’t cure the chills.

Love means: coming back again;
Never having to abstain,
From every sweet indulgence,
You never can contain.

Love means: the Heart’s evince;
A radiance not know here since,
A true mind took the blade,
And the bodkin took the prince.

Love means: no masquerade;
All our truth on Parade,
You don’t have to take the cross,
But you can’t stop the crusade.

Love means: No more loss;
All deep chasms bridged across.
You can still blow out the candle,
But you can’t switch it off.

Love means: souls entangled;
Entwined as dangling bangles,
Draw about your neck,
All other feeling strangled.

Love means: complete respect;
Unconditionally, you needn’t check.
Undeniably, we all need it.
Unconsciously, you feel effects.

Love means: The grand idea;
Conquering without fear.
And until Maria returns to Judea,
The truth is: Amor vincit omnia.