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"montmartre" poems
Against too many writers of science fiction Why did you lure us on like this, Light-year on light-year, through the abyss, Building (as though we cared for size!) Empires that cover galaxies If at the journey's end we find The same old stuff we left behind, Well-worn Tellurian stories of Crooks, spies, conspirators, or love, Whose setting might as well have been The Bronx, Montmartre, or Bedinal Green? Why should I leave this green-floored cell, Roofed with blue air, in which we dwell, Unless, outside its guarded gates, Long, long desired, the Unearthly waits Strangeness that moves us more than fear, Beauty that stabs with tingling spear, Or Wonder, laying on one's heart That finger-tip at which we start As if some thought too swift and shy For reason's grasp had just gone by?
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4.5k
An Expostulation
In a strange mood - see/write art in a strange way, disorganized but straight on, light tinted magenta, issuing, in frothy large pours, from my mouth, knowing what to say, and the meaning too, I can more than walk, can write, on water, where all can read weeping, Mary-miracles of seeing, living words, themselves, on light waves lapping in a shifting rotunda vision, color reorienting spatial senses.^ in a strange, strange stitch, seasonal spirits and witches, Chagall, Baez, Dylan Thomas, Donovan, Richie Havens doing their knitting in my brain, from Montmartre to the Midwest to Monterey, painters and poets in lockstep head-messing with me, imperfect clarity but still one voice, see/write art, so went and caught the wind, going gently into night to banish the hodgepodge of uncertainty from inside out. knowing well you don't understand fully, but jumbling tumbling verses are sliding off my rusted tongue as fiddlers fly above, roughened words, hewn from a paper cup, spilling diamonds uncut, imported from Sarajevo, Montparnasse, the Lower East Side. wretched me, in the hour I first believed, this amalgamated conception conceded, seceded from my mind into your palate for a tasting, tho neither drugged, nor deaf and dumb, just slammed poetical-like, this write is all I have to portend is your affections, your attentions, to yours, am beholden. a ***** well respected man in daylight, the hidden references accuse, woke up to see Wednes-day Caesarian born, askance glanced at the prior passages of the night before, when my palate clefted, when eyes chose not to distinguish between right and lefted, in the nightlight, a ***** man disrespects language convection/convention, and lays before you activating stanzas and his mind, prone, but always the truth, speaking, the visions, leaking, mind to eye, recombinant, into our minds eye. ^ http://www.guggenheim.org/new-york/exhibitions/on-view/james-turrell Rather than write extensive notes on the many references, inspirations in this poem, if there is a line that intrigues, ask me
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Aug 28, 2013
Aug 28, 2013 at 2:49 PM UTC
In a strange mood - see/write art
In a strange mood - see/write art in a strange way, disorganized but straight on, light tinted magenta, issuing, in frothy large pours, from my mouth, knowing what to say, and the meaning too, I can more than walk, can write, on water, where all can read weeping, Mary-miracles of seeing, living words, themselves, on light waves lapping in a shifting rotunda vision, color reorienting spatial senses.^ in a strange, strange stitch, seasonal spirits and witches, Chagall, Baez, Dylan Thomas, Donovan, Richie Havens doing their knitting in my brain, from Montmartre to the Midwest to Monterey, painters and poets in lockstep head-messing with me, imperfect clarity but still one voice, see/write art, so went and caught the wind, going gently into night to banish the hodgepodge of uncertainty from inside out. knowing well you don't understand fully, but jumbling tumbling verses are sliding off my rusted tongue as fiddlers fly above, roughened words, hewn from a paper cup, spilling diamonds uncut, imported from Sarajevo, Montparnasse, the Lower East Side. wretched me, in the hour I first believed, this amalgamated conception conceded, seceded from my mind into your palate for a tasting, tho neither drugged, nor deaf and dumb, just slammed poetical-like, this write is all I have to portend is your affections, your attentions, to yours, am beholden. a ***** well respected man in daylight, the hidden references accuse, woke up to see Wednes-day Caesarian born, askance glanced at the prior passages of the night before, when my palate clefted, when eyes chose not to distinguish between right and lefted, in the nightlight, a ***** man disrespects language convection/convention, and lays before you activating stanzas and his mind, prone, but always the truth, speaking, the visions, leaking, mind to eye, recombinant, into our minds eye. ^ http://www.guggenheim.org/new-york/exhibitions/on-view/james-turrell Rather than write extensive notes on the many references, inspirations in this poem, if there is a line that intrigues, ask me
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38
I arrive at the barbers for my weekly, my usual, and you are there, sitting in my seat crying. I lift you up, cape and all, take you round the corner, where you tell me you are sorry but we have to go to Brighton now, even though it is 6pm on a Friday and we won’t be done until 2pm tomorrow. Is it a ruse? I think so, because suddenly we are in a part of London that looks like Montmartre (or it could be Richmond masquerading as Venice) and we meet a man called Tricks who says he’s the new chief now because he knows the location of all the bones. And then there are scanners at airports, walk-in health centres, families in North Carolina with names like Kayleigh and Shauna. And when we are done meeting them we are back, you in the chair, glowing blue under barbicide lights.
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Dec 1, 2010
Dec 1, 2010 at 4:10 AM UTC
Barbicide lights
Soon after the sky had cast off The tattered cloak of night, And the midnight sun had set, Helios himself climbed above the trees. Dancing across the tops of dueling oaks, Those primordial brothers between the ponds Who, over time, grew up and into each other, He sat spinning madly. Shedding his golden rays, As a lab shakes and sheds the water from his back, They fell deliberately onto And through my open blinds. And I, stirred by the small streams of light Cutting through the dark as if empty space, I opened my eyes, only to close them again. Lying, silently, I wait, Tracing shadows as they slowly shift, Dancing across the dull, white walls. Fetid clothes lay protecting the floorboards. The stale smell of smoke lingers, Trapped in the soft cottons and polyesters Of the cream throw pillows, The blue waves of comforter, The vast canyons of the corduroy futon. Wine, fresh on my tongue, Tells tales of the evening, Lost of late in a world so distant. My memories slip away like slack tide Beneath rotten planks of a dock. Twin cities, London and Paris, A cold Christmas morning in Montmartre, The warmth of the café we shared, All hung up neatly on the wall. Maps of emotions I never knew I had. Only the breeze may speak here, Whistling through the fissures in the wall.
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Oct 21, 2012
Oct 21, 2012 at 11:15 PM UTC
Back Room
Disini aku masih di bawah langit milik bumiku Tapi berbeda tempat dan aroma tanah Aku merasa di atmosfer era abad pertengahan Melihat banyak kastil dengan arsitektur tua Pemandangan yang indah di Montmartre, sebuah kerajaan seni yang siap memanjakan mataku seketika Musim gugur menciptakan lukisan indah secara alami Tempat itu seperti kanvas Diciptakan oleh kuas ajaib anugrah yang kuasa Meski Claude Monete dan Renoir sudah tidak ada lagi Aku bisa melihat perpaduan warna cantik di musim gugur dengan mata telanjang kuning, oranye, merah dan coklat Lukisan yang begitu indah Biarkan aku memakai jaket hari ini Sebab udara membuatku cukup dingin Aku berjalan-jalan di pedesaan Prancis Pohon-pohon gugur di sepanjang jalan ditemani oleh nyanyian burung yang menyemarakan hariku Ini sudah waktunya panen Aku menyukai labu di ladang Memilih apel dan pir di kebun dekat benteng Talcy Prancis seperti harta karun emas Paris di musim gugur bulan ini Menara Eiffel sudah menungguku kali ini aku berjalan di atas dedaunan Begitu renyah di bawah kakiku Pohon maple di atas saya memayungi meski hari tak hujan Daunnya yang tersentuh angin berputar-putar Mengirim mereka untuk menari di udara Sangat romantis Aku sedang duduk di bangku kayu Ah jika September tiba...
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Aug 20, 2017
Aug 20, 2017 at 12:24 PM UTC
Jika September tiba
Paving the way into the future Sharing Montmartre songs With painters on the side Picturesque ideals.... You were once with me Scarred by words of yore Said beauty was all yours Said I'd never high cheekbones. I look'd within and sought light And mixed colours, all from white Temerity to stare life in the eye With pain(t) dashed across my cheek. So, now the years have roll'd And many a canvas sold You pass by...gaunt, high cheekbones Wanna buy a painting? Star Toucher, 22 March 2013
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Mar 22, 2013
Mar 22, 2013 at 3:00 AM UTC
Cheek pain(t)
I will find my way back to you on Montmartre’s cobblestone streets. Imagine Hemingway right next to us, rambling on about his moveable feast. Like free-spirited birds, I will race you to the top of Sacré-Cœur. Before you can catch your breath, I promise the view would steal it once more. I want to see every inch of the Louvre, we would probably get lost for days; But we are smiling like fools, I bet it would put Mona Lisa to shame. We can stroll along the Seine, and haggle with bouquinistes near Notre Dame. I will find an artist to paint you, But first show me how a monsieur should love a madam. I utter a prayer at Sainte-Chapelle, as I immortalize you in stained glass. Maybe as we wander aimlessly along Champs-Elysées, Degas would teach us how to dance. I will tell you all my secrets, the way kings and queens did once. Even Rodin would call it treason not to cast these two lost souls in bronze. We can have a picnic at the Tuileries, and you can bring me flowers from Monet's backyard. I will make a wish before they wilt; Don’t we all hope for the best before we die? And right here in the in-betweens, we have love to keep us alive, As foolish and innocent as the way Picasso painted like a child. Seasons are changing, and soon we will say goodbye. The Tour Eiffel glistened in all its glory as darkness fell on the city of lights. Paris, it has been an honor to love and be loved by you. In a few years or maybe in a heartbeat— I will come home to you soon.
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Oct 19, 2018
Oct 19, 2018 at 3:28 AM UTC
La Ville Lumiere
I will find my way back to you on Montmartre’s cobblestone streets. Imagine Hemingway right next to us, rambling on about his moveable feast. Like free-spirited birds, I will race you to the top of Sacré-Cœur. Before you can catch your breath, I promise the view would steal it once more. I want to see every inch of the Louvre, we would probably get lost for days; But we are smiling like fools, I bet it would put Mona Lisa to shame. We can stroll along the Seine, and haggle with bouquinistes near Notre Dame. I will find an artist to paint you, But first show me how a monsieur should love a madam. I utter a prayer at Sainte-Chapelle, as I immortalize you in stained glass. Maybe as we wander aimlessly along Champs-Elysées, Degas would teach us how to dance. I will tell you all my secrets, the way kings and queens did once. Even Rodin would call it treason not to cast these two lost souls in bronze. We can have a picnic at the Tuileries, and you can bring me flowers from Monet's backyard. I will make a wish before they wilt; Don’t we all hope for the best before we die? And right here in the in-betweens, we have love to keep us alive, As foolish and innocent as the way Picasso painted like a child. Seasons are changing, and soon we will say goodbye. The Tour Eiffel glistened in all its glory as darkness fell on the city of lights. Paris, it has been an honor to love and be loved by you. In a few years or maybe in a heartbeat— I will come home to you soon.
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*blood stains her canvas    congealed crusts, fresh streaks frayed corners and edges    the tattered toll of pain, loss how best to depict my love on her    overlay her with beauty to develop a patina of care over time    reduce her suffering to pentimento her landscape shifts constantly    with the quality of her light I must blend to the shade of her mood    her want...her need work from the palette of my heart    in the spectrum of my love paint her in courted color    every tone of every hue brush her being with my caress    creatively styled to her moment pastel tenderness...primary strength    bold strokes of passion...bright splashes of spontaneity to portray for her a frameless existence    of unlimited intimacy and peace but she does not rest on my easel    and I am merely dreaming of the art of love*
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Dec 19, 2013
Dec 19, 2013 at 12:56 PM UTC
Montmartre
Night fell on Montmartre and, gazing into my love's eyes Over a candelit chequered tablecloth, Beneath my belt lurked rancid lust, The seams of my ******* oozing desire, My groin drenched in desire for his wanton arse-flesh. Streetlight shone through threadbare curtains Harnessing proudly over my twitching buttocks; My screamed climaxes echoing In deepest recesses of Parisian dawnings. My clear goal: swallow his salty comings. Morning exposes a sordid scene to chambermaid's gawp: Spreadeagled cold-as-chilled-salami bozo, Puny synapses crushed like mashed strawberries Blasted smithereens of overpowering ******* Like chicken's entrails in an unwashed sink.
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Dec 26, 2014
Dec 26, 2014 at 3:54 PM UTC
Montmartre
A "Memories" poem by the immortal Barry Hodges aka Edna Night fell on Montmartre and, gazing into my love's eyes Over a candelit chequered tablecloth, Beneath my belt lurked rancid lust, The seams of my trousers oozing love's sweet song, My groin lumped in desire for her wanton arse-flesh. Streetlight shone through threadbare curtains Harnessing proudly over my pounding buttocks; Hermione's screamed climaxes echoing In deepest recesses of her third-rate mind. My clear goal: swallow my salty comings, cow. Morning exposes a sordid scene to chambermaid's gawp: Spreadeagled cold-as-chilled-salami **** Puny synapses crushed like mashed strawberries Blasted smithereens of overpowering ******* Like chicken's entrails in an unwashed sink.
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Aug 12, 2015
Aug 12, 2015 at 8:41 AM UTC
Memories of Montmartre
Paris pines for us: ...whines for us. Lurks outside our window like a great big urban puppy. We're being held prisoner ( inside our room ) by a vicious sadistic flu bug who refuses to let us go. We are missing David Sirosis's new spoken word night. Indeed, all we have seen of Paris, is: the inside of ROOM 411. ROOM 411 overlooks that famed necropolis CIMETIÈRE DE MONTMARTRE. The dead stand outside ROOM 411 ...and stare. And...stare. Envious of even our flu-ridden life. They crowd together in their stone telephone boxes like fans at a Dr. Who convention who have all come as the Tardis. "Come...come!" they cajole. "Come...join us as the glorious dead!" they plead. See the great Nijinksy leap over a moon. Offenbach, Berlioz et Degas act a a celebrated Greek Chorus. The flu grows weary let's its...grip...slip & we escape to a poetry stage & suddenly it's PARIS LIT UP & I'm on stage. A bemused amused Parisian audience wondering why the staggery hairy Irish post stumbles & wanders in search of his words & carrying all of CIMETIÈRE DE MONTMARTRE about in his ahhhhh...ahhhhh...ahhhhhhhhhh ....shoooooo....head!
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Apr 16, 2015
Apr 16, 2015 at 5:03 PM UTC
THE LAST TIME I SAW PARIS...I DIDN'T SEE PARIS AT ALL!
I have in me a bit of Tuscan sun The wildness of mistral The calmness of a Cezanne village I often walk around the countryside of Pissaro And see the colors, still abundant, undefeated I stroll around the lilies and the harbor of France where Manet painted being thrown out of his house, not able to pay the rent I dance with the beautiful girls in high society Parisian parties of whom from Zola to Maugham spoke about I learn art in silence, in the bright orange color of the day drawing the French young girl Whose face is like Madonna Her innocence, her laughter, her flawless body Excite me, breaks me, creates me I walk with clean head and red wine in the streets of Montmartre Searching the gone and dusted studio of Renoir, Picasso, Monet I stand exactly there where there is nothing old except the moon And the Sacre Couer In the morning I take the first train to Auvers Sur Oise And walk into the cemetery Where lie in the gorgeous French sun Vincent and Theo Van Gogh I utter to them, "Can dream ever be false?" It is when I heard the footsteps I turned The girl in the yellow dress stands at the gate of the cemetery Whom I draw every day but never captured her beauty The French girl We both stand there as it is As if  framed paused  Frozen We, the Impressionists!
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Aug 8, 2020
Aug 8, 2020 at 8:45 AM UTC
We, the Impressionists
Here.. I'm still under the sky but different place and ground I feel in medieval era atmosphere Seeing lots of castles with old architecture Beautiful view in Montmartre, the custom of art Pampering my eyes Autumn creates a wonderful art naturally This place like a natural canvas created by a magical brush from God's hand Though Claude Monete and Renoir aren't exist anymore I can see the blend colors of autumn with my naked eyes There is yellow, orange, red and brown such a lovely painting Let me wear jacket this day Cause the air makes me pretty cold Strolling a countryside of French Deciduous trees along village street With bird song around It's time to harvest I like pumpkins in the field Picking apples and pears in the orchard near Talcy castle French is like a gold treasure Paris in autumn this month Eiffel tower is waiting me I'm walking on the leaves carpet So crisp under my feet The maple trees above me shadowing The leaves twirling send them to dance in the air Exceedingly romantic I was sitting on bench wood Oh.. if September comes NA.2016
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Jul 26, 2016
Jul 26, 2016 at 8:48 PM UTC
If September Comes
and there is some beauty in listening to mouths speak a language that you may not understand but at the bottom of the screen stream the words that leave the lips you begin to realize all you've got to do is read and that you haven't forgotten how to take it all in and as boys fall in love with girls in cafes and ride around on mopeds and ********** their bodies to men who needn't the money, but the *** because they haven't touched their wives since they gave birth to their second child you begin to realize how beautiful french truly is and that you haven't forgotten what montmartre's graves look like in the evening's fleeting light and as a girl falls in love with two men at once and they discover how sordid lovers can be while painting their stories for all artistic eyes to drink in slowly and they lay on their brand new queen, because there just isn't room for three on a twin you begin to remember that spanish is full of passion and that you haven't forgotten everything you learned in tenth grade words may be formed with different movement of our tongues and you may not have the slightest idea what i'm saying as i scrawl down these lines, but i'm certain that we've all found beauty in listening to someone pour their heart out on the page
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May 16, 2011
May 16, 2011 at 11:45 PM UTC
subtitles
I. The Flitting *just like me to be the one to lose my nerve I don’t even think of you sipping your coffee and yawning*            his honey-throat spreading imagined hospitality like butter            on toast—the bard of Royal Street ringing bells of that            known once and only, that forgotten bard of Montmartre                                  e, e, e, e,                                             e, e, e, e, e, d, c, d I walked up and down and up and down and up and down, wrought-iron      balconies and           hanging plants and                 circus clowns and               cocktails named           things like Aviator and Little Josephine      in my ribs.            hurricane season came and went            the apartment Jacob rented painted            salmon by the new tenant            I kept walking            all I heard was jazz II. The Splatter I met a man all the way from Delhi at the mismatched butterfly-printed breakfast table. He said            “Where are you from?” and I said a little town near Philly and he said            “Where are you going?” and I said I haven’t got a clue. He told me they let you paint the walls with pen strokes and they never paint it over. He said to love thy neighbor ‘cause she looks okay and when they ask what brings you here to smile and tell them “Well isn’t that just none of your **** business.” III. The End it was           just                  like                       me                  to be             the one          to     lose       my nerve— I step off the plane humming in my best imitation honey voice a little drunk on airplane wine it’s raining here and I only remember that one line
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Apr 26, 2014
Apr 26, 2014 at 11:52 PM UTC
Spanish Moss
I. The Flitting *just like me to be the one to lose my nerve I don’t even think of you sipping your coffee and yawning*            his honey-throat spreading imagined hospitality like butter            on toast—the bard of Royal Street ringing bells of that            known once and only, that forgotten bard of Montmartre                                  e, e, e, e,                                             e, e, e, e, e, d, c, d I walked up and down and up and down and up and down, wrought-iron      balconies and           hanging plants and                 circus clowns and               cocktails named           things like Aviator and Little Josephine      in my ribs.            hurricane season came and went            the apartment Jacob rented painted            salmon by the new tenant            I kept walking            all I heard was jazz II. The Splatter I met a man all the way from Delhi at the mismatched butterfly-printed breakfast table. He said            “Where are you from?” and I said a little town near Philly and he said            “Where are you going?” and I said I haven’t got a clue. He told me they let you paint the walls with pen strokes and they never paint it over. He said to love thy neighbor ‘cause she looks okay and when they ask what brings you here to smile and tell them “Well isn’t that just none of your **** business.” III. The End it was           just                  like                       me                  to be             the one          to     lose       my nerve— I step off the plane humming in my best imitation honey voice a little drunk on airplane wine it’s raining here and I only remember that one line
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57
I just want to be on the cliff at Tintagel Looking to the castle, & Merlin's cave. Or Bigbury beach, on the sea tractor. Or hanging off a rock at Peak District Or hanging off a tree in Holborough Maybe further afield than England, Coffee with her at Montmartre Or hiking in the regions of Inca And bathing in coves of Costa Rica Or climbing pyramids of Cancun A list of things to do once lockdown ends
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Apr 23, 2020
Apr 23, 2020 at 5:58 AM UTC
Lockdown Wanderlust
It’s night, freezing much outside. You’re talking about Paris… Let me, please, sit closer to you And I’ll move nearer to Paris. You’re talking about Montmartre And lo I am there by now. I hear from all sides: “Oh, belle mademoiselle!” I’m blushing as under the crown. “Je suis fasciné par vous!” “Oh, merci!” “Quelle beauté!” My feet are going numb. “Asseyer-vous, s'il vous plait. Je veux peindre de vous!” I can’t say no, and I sit down. 'Je marche sur Montmartre…' And though I only dream it, Beautiful Paris, that I see in your eyes, Is enough for me to fall in love with it.
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Mar 18, 2025
Mar 18, 2025 at 6:03 PM UTC
Paris in your eyes
It's summer number twenty-one and suburbia is slow roasting, the days turning dreamily over the spit, as I try not to set the sheets on fire. Each night I drench them with a viscous sweat, wrapping myself in the smell of conquering Montmartre, a rush-hour ride on the no. 3 metro line, close calls with morning joggers coming from the Parc Monceau. Every morning, lacher is collecting in my damp palms, and quitter runs in beads down my back. You must have tasted non plus and confus beneath my lower lip, je suis désolé pooling in the dip of my collarbone, because You were gone three days ahead of schedule in spite of every word held back in spite of the afternoon drives and the late night talks, Scott Pilgrim forgotten on the flat screen, the raspberries that temporarily stained our fingertips. Slick truth seeped out somehow, through their perfect Golden Ratio, these invincible, nautilus spiral prints forensically seared to my tongue. It’s summer number twenty-one. I will my pores to open up, for floods of pain jardin lune fleurs printemps to soak the linen and swallow the words you left behind, smelling decidedly American, popped caps of Mexican Coke and regret.
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Apr 20, 2015
Apr 20, 2015 at 8:38 PM UTC
Summer #21
yellow vases shan't hold Montmartre coffee nor goldilocks no more, brilliant sunshine wrapped around thy hair, unmoving in this unending fall. yellow paint and quivering ink-eating, masking something for sure: just make this bread, add spicy Dijon must-dust for show. eat it all up, absinthe's place in your heart and soul, toxic waste in your yellowish carnation, oozing out lemon holes. will he really swallow the missing piece of his own (...)? was he really the type to ponder & slaughter the only thing that he truly owned?
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Jan 30, 2019
Jan 30, 2019 at 2:39 PM UTC
there's an ear missing
I can almost recall a time when I didn’t care... there was so much life laid up in store frivolous days tossed aside: grisly hangovers of endless nights, I used to observe the characters of Paris from a window in Chez Camille... sun light flashing through the green of horse chestnut trees lining wide Montmartre streets- well heeled parents guiding their chattering children past a staggering drunk, **** marks up his trouser leg, greasy hair clinging to his beard he’s avoided too by those girls in summer dresses, all legs and laughter and dreams they are ogled by the old men drinking coffee outside cafes, complaining  about their busy wives... back in that time when our choices could send us anywhere- careening into old cinemas watching movies with wide eyes, building driftwood fires on deserted beaches or writhing with nameless shapes in little rooms washed in strawberry ***** back before our choices defined us and hardened into everything we are. back when right and wrong were only whispering and the streets of Paris called my name
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May 25, 2020
May 25, 2020 at 2:03 PM UTC
Before Today
I conquered every feeiing that ever felt real to me and knelt at the feet of statues looking for deliverance, Blood on her wings but an angel flies in and sings to me, I cling to the tin foil In the tack room satin and a whisper of whips. I unclip from the apron and try to get a game on But the statues refuse to okay my play. and she walks like she's sinking on the brink or is it me thinking it's her thinking it's me? Montmartre next stop Kama Sutra all aboard tickets please, fasten your seat belt It wasn't that at all It just felt like it. But when you start to feel and cease to kneel it all becomes incredible, I'm a thousand lira nearer to Pisa, she's a lot closer to me.
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Oct 26, 2016
Oct 26, 2016 at 1:40 PM UTC
Stabbed by stiletto heels acts oddly on the parquet floor.
Beneath the Eiffel's iron lace, A tabby cat prowls with feline grace, Past Arc de Triomphe, she sets her pace, On moonlit nights down the Champs Élysées. Prowling around cafés and bustling streets, She slips into wine-soaked conversations, Witnessing love's soft declarations, While dodging bikes and hurried feet. Her whiskers twitch at fresh baguettes, As dawn breaks on the Seine's calm flow, Lounging, watching artists come and go, From her sun-kissed, with a view parapet. Notre Dame's gargoyles watch her pass, Through shadows of restored spires, In all its reverent wonder, to be admired As pigeons scatter on morning mass. Up to Montmartre's charm and winding ways, She naps peacefully on warm window sills, As church bells toll from sacred hills, Lost in the wonders of her Parisian days. ©️Lizzie Bevis
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Nov 7, 2024
Nov 7, 2024 at 10:23 PM UTC
A Cat in Paris
Montmartre The harlot on the hill Her perfume of garlic and Gaulloises sour in the Sunday afternoon. ~ On the Rue Laitiere A promenade of bustles where, from under lace parasols Working girls glances Survey the field. ~ In the Moulin de la Galette The thin man in a hurry Eager at the canvass Licks brush on palette and gives Estelle her eyes. ~ From a third story window Lissette leans on her elbows Smiles at the sunlight Sighs with the memory of yesterday’s lover.
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Jan 25, 2018
Jan 25, 2018 at 1:06 PM UTC
Le Moulin de la Galette.
The Lost Generation   now lost online   Paris, a web of postings Its cafes are fed   fresh verses unread    —new Seines left overflowing (Montmartre Paris: March, 2009)
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Jan 21, 2019
Jan 21, 2019 at 4:17 PM UTC
Gertrude.com