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Joe Cole Jun 2015
Take a simple packet of minced beef
Add a drop of water to the pan
Finely diced an onion and 3 chopped garlic cloves
Oh! Don't forget the fine cut celery
Now cook gently with a touch of love
Until the mince is brown
This now is the time to add just a pinch of dry mixed herbs
A liberal splash of soya sauce followed by a gentle stir
Important now please don't forget
A large pinch of marsala spice
For this will be the beating heart before you add the rice
RICE! Did I say rice?
For the amount of minced now in the ***
Cook an equal amount of rice until soft
Of course in another pan
Now just before the rice is done add mixed veg to the mince
In the other pan, frozen veg will do
Now strain the mince but save the sauce
Worth its weight in gold
Now, yes now's the time to strain the pan and add the rice
To the mince so savoury and brown
Mix the rice and mince with love until well combined
Place into a baking dish and set the oven high(160)
20 minutes will be enough so now the dish is done

Thicken the sauce you strained from the mince and bring to a gentle boil
Serve the mince/rice with new boiled potatoes and the sauce
Julian Jul 2016
Fragile egg-shell mind on dawn’s highway bleeding the segue between times traversed only in momentary dreams or in enduring excursions

We drag our droll and quaint 60s baggage like the luggage of a safari made of concrete girding a cavernous expanse of unheralded ground

With our ears oriented to the floor, we leap out of body never to deplore….never to ignore….never to miss the blue bus of our drafted imaginations, so carefully culled from brash elitism

I trounce the intervening time between being friendless and an ironic end, and an irenic comrade becoming the dearest amazed but always aplomb friend

We simper in our glorious traversal, and though bedraggled through an ornamented cavern we linger just long enough to be celebrated

Then a blues riff emanates from a vapid bar, and finally someone heralds my exhumed memory still rusty with the pavement of encased concrete on an empty or full tomb

So I wander in my mind to that roughshod Paris glassy tincture a romanticized gild of proper sensibility crafted in the tongues of lizards emulating the tongues of serpentine Anglicans

As the power of love transcends the love of power, both are afforded serendipitously upon the stately occasion of a fitful revolt where heads literally rolled and deaths still unfurl from the slippage of a violent malevolent eternity, crafting a new creative way to expedite the smite of preventable scourge

So, I see your picaresque side and your wide-eyed love for a listless ship anointed of a crystal blip just detectable long enough on RADAR to become the statistic to crack the slim WHIP

No wigs are needed at this formality, no figs grow from trees forty-five years buried and almost a full month unsung

Pitiable cretins of an invented insanity, they scoff at my ravenous and portentous heart for its excess and for aligning with an upstart verging on only a specious insanity

Why in all humanity could a month be mustered with every defense of history and yet for it to be so widely flouted as a risible exercise in futility

The irony that the artistic glamor of a past vogue becoming a revival that is often toked only to one song but never to the memorial of great cavernous and commodious imaginations, staggers with dismay where otherwise the mayday would be a disaster but still a great day

Then I look at a triggered-fingered omen of a death so ominous yet so brazenly confronted as the ambassadors of time provide plaudits to a fearless martyrdom

Why such a sad spate, why such a stringent but malevolent fate a malediction on a family whose crest is not crestfallen like rolling waves but ornamented with gravity impounding its own weight

A fugacious tomb, an eternal flame, a swan song announcing an independent authority on a prescient demise mashed and deprived

A single shot rippling through the broadened space between clasped eternity and a histrionic disgrace as a psychological confederate pays lip service to a reiterative applause

A cousin hardly American in a defected record of incendiary plumes of a hoarse hatred of waxen discs and flying discs alike,  climbs out of a bonfire mounted purely out of vindictive spite

Then upon a great white buffalo a wrapped package of Californian love before California ever alighted like something beyond an avaricious dove, saw a rocky park and a hearth of illuminated darkness the singular spark

Captain Morgan knows the jackknife applause of a botched deal morphing into a disbelieved spiel. A shibboleth of enormous mystical weight crashing down from an ethereal abode and heaven heavily saddened cannot hardly appeal

Then a loving spoonful of crystal blue persuasion led me to Ethel’s regimented keepsake and for once in my life nobility and I became a grateful waif. But temerity laughed, splintered spacecraft, and the wooden paws of a bearish applause led to resurgent clarity

Blinking stars shattered by knighted and raw applause punctured the liberated might of a sentient hortatory savior grasped by the internecine wrench of a waxen time

An indie track slides by unnoticed in an aleatory time, and the threadbare whine of centuries of lament becomes a dastardly barn set ablaze with the fury of ancients and the scurry of faineant patents

Perfidy slides in recess, and in gentle forbearance the winged angel lingers like a halo on conifer and spring above a remedial ring

I dial frisky celerity tingling the dangling claws of a raven’s screed and in plunder of all history’s pilfer secrets I eagerly weave a tapestry Indiana Jones himself would be proud to watch

Not the riotous ruin of a mystery tour of verdure crippled by genocide but overcome by the revived life of raised rain razing the moments of indelible pain

But the culmination of a proffered time taken at its word for its every careened bird, for its every brazen gird. The manger of proctored stars calls us home tonight and home forever. Life in quaked timorous stumbles suddenly no longer so fitfully absurd.

The quixotic plundered of pirates and emperors in direct emulation of some crooned pastiche of whittled integrity, surges above any encased blurb and any vain testament to a pyramid rigid in destiny and ragged in desultory and sturdy sincerity

Multiplying the ineffable by the division of arable divorced from edible is too creative to be eaten as pabulum when sparks curdle flickered moonlight crimson and that become golden only to the last laugh of ennobled ragamuffins

Frankly the desert of melliferous gorillas abetting the lark of a heavily vetted camarilla engaged in the sinecure of a rigged wall on a main street to block the tall from the lame bleat. Stocks grazed, costs engaged on a littoral beach at the end of a Bossy promenade

This prayer is a cutthroat collapse of a merry spare, a ribbed ****** waiting to plunge into the antithesis of female despair, but sincere in its restraint that vixens courted in love aren’t courted in litigation of a wagered dare

Ambulances chase Deloreans through the desolate moon-stricken skies of a time agape with fleets of phantasmagoria on a Cliffside too wise to ever mince words or excise cries

Skulking the red-teared caverns of entombed films and lampooned tinctures on a passion vetted only for certain and utter deracinated disguise, I wallop with winged men in a single soul Armed to the Teeth with inveterate tithes to eternal internments of poached and endangered gazettes

As growth older in wizened skin bets on epithets rather than epitaphs for rinsed peace and triumphant clefts we leap above in orbit of only the bellowing nether of blown tolls and untold souls aggregating the esoteric grasp of Alexandrian tomes

The denumeration of certainty is a carousel of wonder, a splurge of time ripped asunder with majesties of paparazzi scuttled impacts a throttled iniquity of regalia’s indicted blunder frenchified but still clean with inestimable sheens

With twenty-five dollars, a dime an assist and a nickeled reiteration of currency already so personable it is divine and sublime in crazed desist I watch the embroiled natives clash in denatured violence with the warriors of a crossed repast hearkening to an old land much of ire but too much of grandstand to ultimately last

Itching for a holy field husk of peerless ties listed as rumpus and beer, a two-packed smoked by bludgeoned blokes careless in irascible sputters of a muffled doom, a Vegan becomes the author of too many sacrosanct homilies becoming defiled witchcraft brooms dead on arrival too many lionized tombs

In plaudits and the scause of an amplified “what if?” of an olfactory nightmare of petrified fog of effluvium bogged in Wade and in heat it is always clogged, sinewy libations of toasted preemptive revenge become a powerballed hog

A castle in the sky founded on Franklin but scourged of wineskins brimming with a distilled time, a swift repartee becomes the whispered ladder of saints blather becoming not rather other than a Dan Rather spatter

A door breeched by a broached inconvenience of amphigory beyond common reach, I clamber excess and whisk the lingered love into destiny beyond any word other than a beseeched preach of nothing tired but everything inspired of noble love with abundance often to teach

Fireworks of turned tides of fallow tithes to aliens beyond any conceivable bribe the bushwhacker writhes but survives Stayin' Alive without even a hint of garbled jive a 27th floor glass elevator is quite a resplendent ride

Wellsprings knowing radical rolled tides of errant dice also themselves guilty of confessional tithes to the monolith of avarice at the nooked cranny of an evaporated time we whine as the police sting the album rained with songs too lugubrious to sing but in their elegy every lonely heart has a propinquity phone of souled resonance ring

Iterative mastery of a mathematics of love, loss decay and the dross of a dental Occidental floss, the sweep of screened queues become questions of inestimable importance to foreign dues on A Horse With No Name but so consumed with fumes

A fright occultist Thriller prowls in a waylaying daylight, masquerading an innocent confection for a rescued triage of a dawn stabbed with knives in our last dying days of trembled plight

He resurrects only the wraiths of detest, squinted at by the putrefaction of summoned cardiac arrest and littered with bullets that somehow can penetrate even impregnable bullet proof vests the wrapped carcass of the mummified husk of ready despair offers itself a ghoulish and raspy prayer

Synchronized in a low roaring swathe of rollercoasters too immersive to ride, the terpsichorean obscurantism of deliberately shattered fragments becoming blurbs dismissed with hijacked deride the carnival of a summer sun becomes the ocean of limitless love becoming endless fun

We forget the drawl of the droll old tales that haunt like specters in the closet and beneath the bedridden valetudinarian of an effrontery of shackled fright, we sprawl the innumerable caverns of prophetic insight afforded by the pantheon of history enter stage left, depart stage right

And with their insight I write and write, I grasp the tusk of democracy and wage an insurrection against the doubt of plodding limitations in otherwise immaculate sight

*** and tyrannosaurus rex, of litigable offenses leading to pardonable arrests, the gated entryway of a poetic splurge leads to the demiurge of a demotic enlightenment and suddenly the frank becomes the frazzled retirement and that haunting hounding bunny transmogrified by a shattered eye averts the car crash that careens ponderous engines out of limitless twilight blue skies.

Diamond lightning in pristine skies escorts the telegraphic totems of riddled modems from distant forbearance to nescient ultimatum and suddenly all venerable personages converge on a teeming scene of a union unified by a universal dream. To become everything and yet nothing and out of light and darkness to become a beatific beam
One Christmas was so much like another, in those years around the sea-town corner now and out of all sound
except the distant speaking of the voices I sometimes hear a moment before sleep, that I can never remember
whether it snowed for six days and six nights when I was twelve or whether it snowed for twelve days and twelve
nights when I was six.

All the Christmases roll down toward the two-tongued sea, like a cold and headlong moon bundling down the sky
that was our street; and they stop at the rim of the ice-edged fish-freezing waves, and I plunge my hands in
the snow and bring out whatever I can find. In goes my hand into that wool-white bell-tongued ball of holidays
resting at the rim of the carol-singing sea, and out come Mrs. Prothero and the firemen.

It was on the afternoon of the Christmas Eve, and I was in Mrs. Prothero's garden, waiting for cats, with her
son Jim. It was snowing. It was always snowing at Christmas. December, in my memory, is white as Lapland,
though there were no reindeers. But there were cats. Patient, cold and callous, our hands wrapped in socks, we
waited to snowball the cats. Sleek and long as jaguars and horrible-whiskered, spitting and snarling, they
would slink and sidle over the white back-garden walls, and the lynx-eyed hunters, Jim and I, fur-capped and
moccasined trappers from Hudson Bay, off Mumbles Road, would hurl our deadly snowballs at the green of their
eyes. The wise cats never appeared.

We were so still, Eskimo-footed arctic marksmen in the muffling silence of the eternal snows - eternal, ever
since Wednesday - that we never heard Mrs. Prothero's first cry from her igloo at the bottom of the garden. Or,
if we heard it at all, it was, to us, like the far-off challenge of our enemy and prey, the neighbor's polar
cat. But soon the voice grew louder.
"Fire!" cried Mrs. Prothero, and she beat the dinner-gong.

And we ran down the garden, with the snowballs in our arms, toward the house; and smoke, indeed, was pouring
out of the dining-room, and the gong was bombilating, and Mrs. Prothero was announcing ruin like a town crier
in Pompeii. This was better than all the cats in Wales standing on the wall in a row. We bounded into the
house, laden with snowballs, and stopped at the open door of the smoke-filled room.

Something was burning all right; perhaps it was Mr. Prothero, who always slept there after midday dinner with a
newspaper over his face. But he was standing in the middle of the room, saying, "A fine Christmas!" and
smacking at the smoke with a slipper.

"Call the fire brigade," cried Mrs. Prothero as she beat the gong.
"There won't be there," said Mr. Prothero, "it's Christmas."
There was no fire to be seen, only clouds of smoke and Mr. Prothero standing in the middle of them, waving his
slipper as though he were conducting.
"Do something," he said. And we threw all our snowballs into the smoke - I think we missed Mr. Prothero - and
ran out of the house to the telephone box.
"Let's call the police as well," Jim said. "And the ambulance." "And Ernie Jenkins, he likes fires."

But we only called the fire brigade, and soon the fire engine came and three tall men in helmets brought a hose
into the house and Mr. Prothero got out just in time before they turned it on. Nobody could have had a noisier
Christmas Eve. And when the firemen turned off the hose and were standing in the wet, smoky room, Jim's Aunt,
Miss. Prothero, came downstairs and peered in at them. Jim and I waited, very quietly, to hear what she would
say to them. She said the right thing, always. She looked at the three tall firemen in their shining helmets,
standing among the smoke and cinders and dissolving snowballs, and she said, "Would you like anything to read?"

Years and years ago, when I was a boy, when there were wolves in Wales, and birds the color of red-flannel
petticoats whisked past the harp-shaped hills, when we sang and wallowed all night and day in caves that smelt
like Sunday afternoons in damp front farmhouse parlors, and we chased, with the jawbones of deacons, the
English and the bears, before the motor car, before the wheel, before the duchess-faced horse, when we rode the
daft and happy hills *******, it snowed and it snowed. But here a small boy says: "It snowed last year, too. I
made a snowman and my brother knocked it down and I knocked my brother down and then we had tea."

"But that was not the same snow," I say. "Our snow was not only shaken from white wash buckets down the sky, it
came shawling out of the ground and swam and drifted out of the arms and hands and bodies of the trees; snow
grew overnight on the roofs of the houses like a pure and grandfather moss, minutely -ivied the walls and
settled on the postman, opening the gate, like a dumb, numb thunder-storm of white, torn Christmas cards."

"Were there postmen then, too?"
"With sprinkling eyes and wind-cherried noses, on spread, frozen feet they crunched up to the doors and
mittened on them manfully. But all that the children could hear was a ringing of bells."
"You mean that the postman went rat-a-tat-tat and the doors rang?"
"I mean that the bells the children could hear were inside them."
"I only hear thunder sometimes, never bells."
"There were church bells, too."
"Inside them?"
"No, no, no, in the bat-black, snow-white belfries, tugged by bishops and storks. And they rang their tidings
over the bandaged town, over the frozen foam of the powder and ice-cream hills, over the crackling sea. It
seemed that all the churches boomed for joy under my window; and the weathercocks crew for Christmas, on our
fence."

"Get back to the postmen"
"They were just ordinary postmen, found of walking and dogs and Christmas and the snow. They knocked on the
doors with blue knuckles ...."
"Ours has got a black knocker...."
"And then they stood on the white Welcome mat in the little, drifted porches and huffed and puffed, making
ghosts with their breath, and jogged from foot to foot like small boys wanting to go out."
"And then the presents?"
"And then the Presents, after the Christmas box. And the cold postman, with a rose on his button-nose, tingled
down the tea-tray-slithered run of the chilly glinting hill. He went in his ice-bound boots like a man on
fishmonger's slabs.
"He wagged his bag like a frozen camel's ****, dizzily turned the corner on one foot, and, by God, he was
gone."

"Get back to the Presents."
"There were the Useful Presents: engulfing mufflers of the old coach days, and mittens made for giant sloths;
zebra scarfs of a substance like silky gum that could be tug-o'-warred down to the galoshes; blinding tam-o'-
shanters like patchwork tea cozies and bunny-suited busbies and balaclavas for victims of head-shrinking
tribes; from aunts who always wore wool next to the skin there were mustached and rasping vests that made you
wonder why the aunts had any skin left at all; and once I had a little crocheted nose bag from an aunt now,
alas, no longer whinnying with us. And pictureless books in which small boys, though warned with quotations not
to, would skate on Farmer Giles' pond and did and drowned; and books that told me everything about the wasp,
except why."

"Go on the Useless Presents."
"Bags of moist and many-colored jelly babies and a folded flag and a false nose and a tram-conductor's cap and
a machine that punched tickets and rang a bell; never a catapult; once, by mistake that no one could explain, a
little hatchet; and a celluloid duck that made, when you pressed it, a most unducklike sound, a mewing moo that
an ambitious cat might make who wished to be a cow; and a painting book in which I could make the grass, the
trees, the sea and the animals any colour I pleased, and still the dazzling sky-blue sheep are grazing in the
red field under the rainbow-billed and pea-green birds. Hardboileds, toffee, fudge and allsorts, crunches,
cracknels, humbugs, glaciers, marzipan, and butterwelsh for the Welsh. And troops of bright tin soldiers who,
if they could not fight, could always run. And Snakes-and-Families and Happy Ladders. And Easy Hobbi-Games for
Little Engineers, complete with instructions. Oh, easy for Leonardo! And a whistle to make the dogs bark to
wake up the old man next door to make him beat on the wall with his stick to shake our picture off the wall.
And a packet of cigarettes: you put one in your mouth and you stood at the corner of the street and you waited
for hours, in vain, for an old lady to scold you for smoking a cigarette, and then with a smirk you ate it. And
then it was breakfast under the balloons."

"Were there Uncles like in our house?"
"There are always Uncles at Christmas. The same Uncles. And on Christmas morning, with dog-disturbing whistle
and sugar ****, I would scour the swatched town for the news of the little world, and find always a dead bird
by the Post Office or by the white deserted swings; perhaps a robin, all but one of his fires out. Men and
women wading or scooping back from chapel, with taproom noses and wind-bussed cheeks, all albinos, huddles
their stiff black jarring feathers against the irreligious snow. Mistletoe hung from the gas brackets in all
the front parlors; there was sherry and walnuts and bottled beer and crackers by the dessertspoons; and cats in
their fur-abouts watched the fires; and the high-heaped fire spat, all ready for the chestnuts and the mulling
pokers. Some few large men sat in the front parlors, without their collars, Uncles almost certainly, trying
their new cigars, holding them out judiciously at arms' length, returning them to their mouths, coughing, then
holding them out again as though waiting for the explosion; and some few small aunts, not wanted in the
kitchen, nor anywhere else for that matter, sat on the very edge of their chairs, poised and brittle, afraid to
break, like faded cups and saucers."

Not many those mornings trod the piling streets: an old man always, fawn-bowlered, yellow-gloved and, at this
time of year, with spats of snow, would take his constitutional to the white bowling green and back, as he
would take it wet or fire on Christmas Day or Doomsday; sometimes two hale young men, with big pipes blazing,
no overcoats and wind blown scarfs, would trudge, unspeaking, down to the forlorn sea, to work up an appetite,
to blow away the fumes, who knows, to walk into the waves until nothing of them was left but the two furling
smoke clouds of their inextinguishable briars. Then I would be slap-dashing home, the gravy smell of the
dinners of others, the bird smell, the brandy, the pudding and mince, coiling up to my nostrils, when out of a
snow-clogged side lane would come a boy the spit of myself, with a pink-tipped cigarette and the violet past of
a black eye, cocky as a bullfinch, leering all to himself.

I hated him on sight and sound, and would be about to put my dog whistle to my lips and blow him off the face
of Christmas when suddenly he, with a violet wink, put his whistle to his lips and blew so stridently, so high,
so exquisitely loud, that gobbling faces, their cheeks bulged with goose, would press against their tinsled
windows, the whole length of the white echoing street. For dinner we had turkey and blazing pudding, and after
dinner the Uncles sat in front of the fire, loosened all buttons, put their large moist hands over their watch
chains, groaned a little and slept. Mothers, aunts and sisters scuttled to and fro, bearing tureens. Auntie
Bessie, who had already been frightened, twice, by a clock-work mouse, whimpered at the sideboard and had some
elderberry wine. The dog was sick. Auntie Dosie had to have three aspirins, but Auntie Hannah, who liked port,
stood in the middle of the snowbound back yard, singing like a big-bosomed thrush. I would blow up balloons to
see how big they would blow up to; and, when they burst, which they all did, the Uncles jumped and rumbled. In
the rich and heavy afternoon, the Uncles breathing like dolphins and the snow descending, I would sit among
festoons and Chinese lanterns and nibble dates and try to make a model man-o'-war, following the Instructions
for Little Engineers, and produce what might be mistaken for a sea-going tramcar.

Or I would go out, my bright new boots squeaking, into the white world, on to the seaward hill, to call on Jim
and Dan and Jack and to pad through the still streets, leaving huge footprints on the hidden pavements.
"I bet people will think there's been hippos."
"What would you do if you saw a hippo coming down our street?"
"I'd go like this, bang! I'd throw him over the railings and roll him down the hill and then I'd tickle him
under the ear and he'd wag his tail."
"What would you do if you saw two hippos?"

Iron-flanked and bellowing he-hippos clanked and battered through the scudding snow toward us as we passed Mr.
Daniel's house.
"Let's post Mr. Daniel a snow-ball through his letter box."
"Let's write things in the snow."
"Let's write, 'Mr. Daniel looks like a spaniel' all over his lawn."
Or we walked on the white shore. "Can the fishes see it's snowing?"

The silent one-clouded heavens drifted on to the sea. Now we were snow-blind travelers lost on the north hills,
and vast dewlapped dogs, with flasks round their necks, ambled and shambled up to us, baying "Excelsior." We
returned home through the poor streets where only a few children fumbled with bare red fingers in the wheel-
rutted snow and cat-called after us, their voices fading away, as we trudged uphill, into the cries of the dock
birds and the hooting of ships out in the whirling bay. And then, at tea the recovered Uncles would be jolly;
and the ice cake loomed in the center of the table like a marble grave. Auntie Hannah laced her tea with ***,
because it was only once a year.

Bring out the tall tales now that we told by the fire as the gaslight bubbled like a diver. Ghosts whooed like
owls in the long nights when I dared not look over my shoulder; animals lurked in the cubbyhole under the
stairs and the gas meter ticked. And I remember that we went singing carols once, when there wasn't the shaving
of a moon to light the flying streets. At the end of a long road was a drive that led to a large house, and we
stumbled up the darkness of the drive that night, each one of us afraid, each one holding a stone in his hand
in case, and all of us too brave to say a word. The wind through the trees made noises as of old and unpleasant
and maybe webfooted men wheezing in caves. We reached the black bulk of the house. "What shall we give them?
Hark the Herald?"
"No," Jack said, "Good King Wencelas. I'll count three." One, two three, and we began to sing, our voices high
and seemingly distant in the snow-felted darkness round the house that was occupied by nobody we knew. We stood
close together, near the dark door. Good King Wencelas looked out On the Feast of Stephen ... And then a small,
dry voice, like the voice of someone who has not spoken for a long time, joined our singing: a small, dry,
eggshell voice from the other side of the door: a small dry voice through the keyhole. And when we stopped
running we were outside our house; the front room was lovely; balloons floated under the hot-water-bottle-
gulping gas; everything was good again and shone over the town.
"Perhaps it was a ghost," Jim said.
"Perhaps it was trolls," Dan said, who was always reading.
"Let's go in and see if there's any jelly left," Jack said. And we did that.

Always on Christmas night there was music. An uncle played the fiddle, a cousin sang "Cherry Ripe," and another
uncle sang "Drake's Drum." It was very warm in the little house. Auntie Hannah, who had got on to the parsnip
wine, sang a song about Bleeding Hearts and Death, and then another in which she said her heart was like a
Bird's Nest; and then everybody laughed again; and then I went to bed. Looking through my bedroom window, out
into the moonlight and the unending smoke-colored snow, I could see the lights in the windows of all the other
houses on our hill and hear the music rising from them up the long, steady falling night. I turned the gas
down, I got into bed. I said some words to the close and holy darkness, and then I slept.
Mateuš Conrad May 2016
only today i came across what interested Heidegger
after writing being and time, a selection
of essays, revealing that he came to be interested
in language - not knowing this, by mere study
of the introduction some things became apparent -
being quiet democratic in my reading it's a shame
i don't have the academic leisurely pace of becoming
a Heidegger specialist - it's the almost damnable
pulling-apart having to cite many influences and not
focusing on one, but since i don't have academic
leisure, the summary in the introduction
by jeffrey powell (editor) of the book heidegger
and language
will just have to do: apropos this
being an antidote to those bemoaning that we only
write about reading books, carefully choreographic
our lives for mints and espressos and ammoniac
(inhalants in a boxing ring nearing a knock-out) -
hide pretty bird, hide, hide pretty pretty bird
first your song inside a cage, then the cage inside
the heart, and thus the song with the cage,
silenced inside the cage, raging mad inside the heart.
well, the antidote is that i already have some ideas,
and reading the essays contained in this book would
put me off what i was intending to write about,
so, in summary, read the major work, then read introductions
of critical books from those studying the subject,
invent an original approach from that, and elsewhere.
before i venture into the whole affair of having to
reread certain passages from the introduction as to
guide me in this Bermuda Delta i what to do a little
sidewinder interlude:
in chemistry there are two major bonds (for the purpose
of what i'm intending, let us just assume that
we're only talking about π and σ bonds) -
and while psychology dehumanises man to strict
theories without clear proofs to a universal standard,
i want to do what will come later regarding Heidegger's
take on language, for me there's no clear philosophical
vocabulary to be used - i'm not into orthodoxy and
rigidity which says

                piquant sun strokes against
                the bargains of spring's last
                hope for a kept bazaar
                to bloom to then deflower
                petals from trees fall to earth
                like glasses, the tree stands
                as a reflection of shattered glass
                the petals remain the tree intact
                worn at the Royal Ascot
                or in a woman's hair.

obviously something like this is a poem - what i mean,
however, concerning what's identifiable as philosophy is
to me the following:  
                                        blah = monotone x algebraic
                                                    for­ non-differential
                                                    purposes, just filling up
                                                    the page

            blah blah blah blah blah blah subjectivity blah blah blah blah blah blah essentially blah blah blah blah blah blah in-itself blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah thing-external v. thing-internalised blah blah blah blah blah blah blah blah blah blah blah metaphysics blah etc.
                      
                          and so on and so forth, a fixation on using a certain vocabulary to be equivalent or justification to be "apparently" talking philosophy... yet still no gain from the words of grammatical categorisation... for me? too many propositions, the basis of what the academic environment deems to be "pure" verbiage, or none (akin Wittgenstein) - that famous quote about a lion and having tea on Tuesday... or as Buddha would say: said so to shatter thus the fear of ketamine thoughtlessness;

but that's beside the point, i want to return to
how any chemist might treat psychology as a science,
keep it up to date, given that psychology likes
to shove its nose in everyday activities for a strict
expression of equivalent rubric that mathematics already
possesses and shoves into a child's brain to make
the child become accustomed to symbol encoding;
so π and σ bonds, let's say between two carbons atoms...
but in psychology we don't have the luxury of
many alternative examples...
me and language: to write in terms of optics,
to encode images rather than sounds,
language as optometry rather than a hearing-aid...
so what "elements" do we have in psychology,
essentially what defines consciousness, its sub-plot
and its unfamiliar territory - the using the dusty
Freudian units, we know the concept of the superman
(superman was a bad bad boy) from Nietzsche
evolved into the super mm hmm, and we know
there are two other units, mm hmm and the id /
it or that? it is for me, that is for scalpel for the analyst,
the prober, unlucky for the person who took to
objectifying himself, but better than being objectified -
still, remember i'm working with language in terms
of optics rather than phonetics - enough organic chemistry
diagrams and you will see that the bonding between
mm hmm, the super mm hmm and the gemini id
(one the patient, the second the analyst) trapped inside
an electron cloud of bio-electric processes is rigid and
stable due to the opposite of π and σ,
i chose the optic route using the bonds δ and ψ -
symbolically δ is the mathematical term for sum -
summation, the total of - currently i have no clue about
the significance of ψ just yet, but ψ is a symbol of
psychology like caduceus is the symbol of medicine;
a brief expansion on the natures of the bonds,
quack-science δ bonds being all alike meaning uniform
meaning holding every aspect uniformly, meaning
that a δ bond is of the same nature between mm hmm
and super mm hmm in a petri dish within the
solvent of the conscious sub-plot, likewise other variations
δ bonds are uniform bonds, i.e. ensuring one detail
is related to the other, and so to others.
ψ bonds, not much expansion here as promising detail,
asthma the highest research of breath, and all
major theoretical squeezing through the Suez -
depending on the measure of breaths, we can depend
on the internal things - but never so much Pamplona encierro
cleaning-up to do theorising an affirmative sound
like mm hmm, or other affirmative synonyms -
if it were can *****, it would be mince rather than
a clean dissection - mince meat, should mm hmm be
not an *****, let alone a body. so many attachments
to mm hmm these days, it should be attached to zoological
studies than activities of breathing: theory as a cage,
one after the over, eventually not even cages but
the caged animal turning into matryoshka doll -
Kant doesn't venture into the dynamic of his thing-in-itself
represented by the matryoshka as ad continuum -
maybe he does, but to me here merely pinpoints it,
coins the phrase noumenon and ensures the thing
is opened, god or nothing is put in it, the thing is
closed, locked and the key to unlocking it is thrown
away and never found (i'll mention a short process of
his argument some other time, most notably his
three impossibilities concerning proving the existence
of god: ontological, physico-theological and cosmological).
yes, i know, when reading these ****** books
i have to paint the arguments, i need to simplify
them, a poet reading a philosophy has to paint
the words - the best poetic technique applicable to
understanding philosophical books is imagery,
not as a technique of for the purpose of writing my own,
but as a way to paint what was written by some boffin -
precursor to understanding the three impossibilities
of proof, i find it strange that such proof is necessary,
what would you do with it? prove it once on
paper, or in your head, show it to everyone and then
slowly everyone is able, then the so called "man in
the sky" - it seems strange that scientific positivism
of the Enlightenment supposed such a proof, the proof
is more implausible than the existence - Bertrand...
just smoke your pipe and sit in the easy-chair talking
******* with Wittgenstein... more on that later.
i promised quotes from the above mentioned book
(heidegger and language)...

           das wort kommt zur sprache,
             das seyn bring sich zum wort.


working from phenomenology, to later reject it,
thus precipitating the school of deconstruction-ism,
and with Heidegger we do get to atomic elements
from words, from compounds, thank god there are
no sub-atomic ventures with language, quiet impossible
to de-construct language beyond this point,
let's face it, if you go as far as:
'as preparatory for raising the question of being...
language is one of three constituent moments in
the analysis of the being of the da in dasein (being there)'
furthered by equal atom bombardment replacing
the un-compounded sein (verb, be) with seyn (conjunction /
noun, being) - this is modern physics to my understanding,
i'm not particularly interested what he's saying,
i'm interested in painting what he's saying -
i'll spare you the details of what philosophical systematisation
is actually involved in: restricted vocabulary -
a certain limit is allowed, rigid meanings are involved,
rigidity of drilling in of non-deviation, philosophical
systems are not dishonest in that they are consistent with
a limited vocabulary - i will spare you the torture of
seeing one ball being juggled - the shrapnel of the English
language makes it even more distracting to understand,
as with the above, another e.g.?
'every saying of beyng is held in words and meanings
which are understandable in the view of everyday
references of beings, and are exclusively thought in
that view, but which as expressions of beyng,
are misunderstood...' of course i could be cherry picking
Heidegger like a Jehovah's witness cherry picking
the bible, but i'm not interested in what he's saying,
merely painting you the picture, to scale then:

books                      -              celestial objects
chapters                 -               cycles of celestial objects
paragraphs            -               prime features of
                                                 celestial objects
                                                 (e.g. Jupiter's red eye,
                                                  Saturn's ring,
                                                  Earth's oceans
                                                  and continents)
sentences                 -              
words                       -
syllables                   -
letters                        -             atoms / elements  
                                           ah, it was going oh so well,
i think i started too big, and went into too small,
which made visualising sentences and words and syllables
hard to compare what could fit between
Australia and and atoms of RuXe - by chance ruxe is
an actual word, no as stated ruthenium and xenon,
although that too, ruxir (ruxo, ruxin, ruxido) in Galician
meaning to roar.
‘Nam Sibyllam quidem Cumis ego ipse oculis meis
vidi in ampulla pendere, et *** illi pueri dicerent:
Sibylla ti theleis; respondebat illa: apothanein thelo.’

                For Ezra Pound
                il miglior fabbro


I. The Burial of the Dead

April is the cruellest month, breeding
Lilacs out of the dead land, mixing
Memory and desire, stirring
Dull roots with spring rain.
Winter kept us warm, covering
Earth in forgetful snow, feeding
A little life with dried tubers.
Summer surprised us, coming over the Starnbergersee
With a shower of rain; we stopped in the colonnade,
And went on in sunlight, into the Hofgarten,
And drank coffee, and talked for an hour.
Bin gar keine Russin, stamm’ aus Litauen, echt deutsch.
And when we were children, staying at the archduke’s,
My cousin’s, he took me out on a sled,
And I was frightened. He said, Marie,
Marie, hold on tight. And down we went.
In the mountains, there you feel free.
I read, much of the night, and go south in the winter.

What are the roots that clutch, what branches grow
Out of this stony *******? Son of man,
You cannot say, or guess, for you know only
A heap of broken images, where the sun beats,
And the dead tree gives no shelter, the cricket no relief,
And the dry stone no sound of water. Only
There is shadow under this red rock,
(Come in under the shadow of this red rock),
And I will show you something different from either
Your shadow at morning striding behind you
Or your shadow at evening rising to meet you;
I will show you fear in a handful of dust.
            Frisch weht der Wind
            Der Heimat zu
            Mein Irisch Kind,
            Wo weilest du?
‘You gave me hyacinths first a year ago;
‘They called me the hyacinth girl.’
—Yet when we came back, late, from the Hyacinth garden,
Your arms full, and your hair wet, I could not
Speak, and my eyes failed, I was neither
Living nor dead, and I knew nothing,
Looking into the heart of light, the silence.
Oed’ und leer das Meer.

Madame Sosostris, famous clairvoyante,
Had a bad cold, nevertheless
Is known to be the wisest woman in Europe,
With a wicked pack of cards. Here, said she,
Is your card, the drowned Phoenician Sailor,
(Those are pearls that were his eyes. Look!)
Here is Belladonna, the Lady of the Rocks,
The lady of situations.
Here is the man with three staves, and here the Wheel,
And here is the one-eyed merchant, and this card,
Which is blank, is something he carries on his back,
Which I am forbidden to see. I do not find
The Hanged Man. Fear death by water.
I see crowds of people, walking round in a ring.
Thank you. If you see dear Mrs. Equitone,
Tell her I bring the horoscope myself:
One must be so careful these days.

Unreal City,
Under the brown fog of a winter dawn,
A crowd flowed over London Bridge, so many,
I had not thought death had undone so many.
Sighs, short and infrequent, were exhaled,
And each man fixed his eyes before his feet.
Flowed up the hill and down King William Street,
To where Saint Mary Woolnoth kept the hours
With a dead sound on the final stroke of nine.
There I saw one I knew, and stopped him, crying ‘Stetson!
‘You who were with me in the ships at Mylae!
‘That corpse you planted last year in your garden,
‘Has it begun to sprout? Will it bloom this year?
‘Or has the sudden frost disturbed its bed?
‘Oh keep the Dog far hence, that’s friend to men,
‘Or with his nails he’ll dig it up again!
‘You! hypocrite lecteur!—mon semblable,—mon frère!’

II. A Game of Chess

The Chair she sat in, like a burnished throne,
Glowed on the marble, where the glass
Held up by standards wrought with fruited vines
From which a golden Cupidon peeped out
(Another hid his eyes behind his wing)
Doubled the flames of sevenbranched candelabra
Reflecting light upon the table as
The glitter of her jewels rose to meet it,
From satin cases poured in rich profusion;
In vials of ivory and coloured glass
Unstoppered, lurked her strange synthetic perfumes,
Unguent, powdered, or liquid—troubled, confused
And drowned the sense in odours; stirred by the air
That freshened from the window, these ascended
In fattening the prolonged candle-flames,
Flung their smoke into the laquearia,
Stirring the pattern on the coffered ceiling.
Huge sea-wood fed with copper
Burned green and orange, framed by the coloured stone,
In which sad light a carved dolphin swam.
Above the antique mantel was displayed
As though a window gave upon the sylvan scene
The change of Philomel, by the barbarous king
So rudely forced; yet there the nightingale
Filled all the desert with inviolable voice
And still she cried, and still the world pursues,
‘Jug Jug’ to ***** ears.
And other withered stumps of time
Were told upon the walls; staring forms
Leaned out, leaning, hushing the room enclosed.
Footsteps shuffled on the stair.
Under the firelight, under the brush, her hair
Spread out in fiery points
Glowed into words, then would be savagely still.

‘My nerves are bad to-night. Yes, bad. Stay with me.
‘Speak to me. Why do you never speak. Speak.
‘What are you thinking of? What thinking? What?
‘I never know what you are thinking. Think.’

I think we are in rats’ alley
Where the dead men lost their bones.

‘What is that noise?
                          The wind under the door.
‘What is that noise now? What is the wind doing?’
                    Nothing again nothing.
                                                    ‘Do
‘You know nothing? Do you see nothing? Do you remember
‘Nothing?’

    I remember
Those are pearls that were his eyes.
‘Are you alive, or not? Is there nothing in your head?’
                                                     But
O O O O that Shakespeherian Rag—
It’s so elegant
So intelligent
‘What shall I do now? What shall I do?’
I shall rush out as I am, and walk the street
‘With my hair down, so. What shall we do to-morrow?
‘What shall we ever do?’
                             The hot water at ten.
And if it rains, a closed car at four.
And we shall play a game of chess,
Pressing lidless eyes and waiting for a knock upon the door.

When Lil’s husband got demobbed, I said—
I didn’t mince my words, I said to her myself,
hurry up please its time
Now Albert’s coming back, make yourself a bit smart.
He’ll want to know what you done with that money he gave you
To get yourself some teeth. He did, I was there.
You have them all out, Lil, and get a nice set,
He said, I swear, I can’t bear to look at you.
And no more can’t I, I said, and think of poor Albert,
He’s been in the army four years, he wants a good time,
And if you don’t give it him, there’s others will, I said.
Oh is there, she said. Something o’ that, I said.
Then I’ll know who to thank, she said, and give me a straight look.
hurry up please its time
If you don’t like it you can get on with it, I said.
Others can pick and choose if you can’t.
But if Albert makes off, it won’t be for lack of telling.
You ought to be ashamed, I said, to look so antique.
(And her only thirty-one.)
I can’t help it, she said, pulling a long face,
It’s them pills I took, to bring it off, she said.
(She’s had five already, and nearly died of young George.)
The chemist said it would be alright, but I’ve never been the same.
You are a proper fool, I said.
Well, if Albert won’t leave you alone, there it is, I said,
What you get married for if you don’t want children?
hurry up please its time
Well, that Sunday Albert was home, they had a hot gammon,
And they asked me in to dinner, to get the beauty of it hot—
hurry up please its time
hurry up please its time
Goonight Bill. Goonight Lou. Goonight May. Goonight.
Ta ta. Goonight. Goonight.
Good night, ladies, good night, sweet ladies, good night, good night.

III. The Fire Sermon

The river’s tent is broken: the last fingers of leaf
Clutch and sink into the wet bank. The wind
Crosses the brown land, unheard. The nymphs are departed.
Sweet Thames, run softly, till I end my song.
The river bears no empty bottles, sandwich papers,
Silk handkerchiefs, cardboard boxes, cigarette ends
Or other testimony of summer nights. The nymphs are departed.
And their friends, the loitering heirs of city directors;
Departed, have left no addresses.
By the waters of Leman I sat down and wept . . .
Sweet Thames, run softly till I end my song,
Sweet Thames, run softly, for I speak not loud or long.
But at my back in a cold blast I hear
The rattle of the bones, and chuckle spread from ear to ear.

A rat crept softly through the vegetation
Dragging its slimy belly on the bank
While I was fishing in the dull canal
On a winter evening round behind the gashouse
Musing upon the king my brother’s wreck
And on the king my father’s death before him.
White bodies naked on the low damp ground
And bones cast in a little low dry garret,
Rattled by the rat’s foot only, year to year.
But at my back from time to time I hear
The sound of horns and motors, which shall bring
Sweeney to Mrs. Porter in the spring.
O the moon shone bright on Mrs. Porter
And on her daughter
They wash their feet in soda water
Et O ces voix d’enfants, chantant dans la coupole!

Twit twit twit
Jug jug jug jug jug jug
So rudely forc’d.
Tereu

Unreal City
Under the brown fog of a winter noon
Mr. Eugenides, the Smyrna merchant
Unshaven, with a pocket full of currants
C.i.f. London: documents at sight,
Asked me in demotic French
To luncheon at the Cannon Street Hotel
Followed by a weekend at the Metropole.

At the violet hour, when the eyes and back
Turn upward from the desk, when the human engine waits
Like a taxi throbbing waiting,
I Tiresias, though blind, throbbing between two lives,
Old man with wrinkled female *******, can see
At the violet hour, the evening hour that strives
Homeward, and brings the sailor home from sea,
The typist home at teatime, clears her breakfast, lights
Her stove, and lays out food in tins.
Out of the window perilously spread
Her drying combinations touched by the sun’s last rays,
On the divan are piled (at night her bed)
Stockings, slippers, camisoles, and stays.
I Tiresias, old man with wrinkled dugs
Perceived the scene, and foretold the rest—
I too awaited the expected guest.
He, the young man carbuncular, arrives,
A small house agent’s clerk, with one bold stare,
One of the low on whom assurance sits
As a silk hat on a Bradford millionaire.
The time is now propitious, as he guesses,
The meal is ended, she is bored and tired,
Endeavours to engage her in caresses
Which still are unreproved, if undesired.
Flushed and decided, he assaults at once;
Exploring hands encounter no defence;
His vanity requires no response,
And makes a welcome of indifference.
(And I Tiresias have foresuffered all
Enacted on this same divan or bed;
I who have sat by Thebes below the wall
And walked among the lowest of the dead.)
Bestows one final patronising kiss,
And gropes his way, finding the stairs unlit . . .

She turns and looks a moment in the glass,
Hardly aware of her departed lover;
Her brain allows one half-formed thought to pass:
‘Well now that’s done: and I’m glad it’s over.’
When lovely woman stoops to folly and
Paces about her room again, alone,
She smoothes her hair with automatic hand,
And puts a record on the gramophone.

‘This music crept by me upon the waters’
And along the Strand, up Queen Victoria Street.
O City city, I can sometimes hear
Beside a public bar in Lower Thames Street,
The pleasant whining of a mandoline
And a clatter and a chatter from within
Where fishmen lounge at noon: where the walls
Of Magnus Martyr hold
Inexplicable splendour of Ionian white and gold.

      The river sweats
      Oil and tar
      The barges drift
      With the turning tide
      Red sails
      Wide
      To leeward, swing on the heavy spar.
      The barges wash
      Drifting logs
      Down Greenwich reach
      Past the Isle of Dogs.
                  Weialala leia
                  Wallala leialala

      Elizabeth and Leicester
      Beating oars
      The stern was formed
      A gilded shell
      Red and gold
      The brisk swell
      Rippled both shores
      Southwest wind
      Carried down stream
      The peal of bells
      White towers
                  Weialala leia
                  Wallala leialala

‘Trams and dusty trees.
Highbury bore me. Richmond and Kew
Undid me. By Richmond I raised my knees
Supine on the floor of a narrow canoe.’
‘My feet are at Moorgate, and my heart
Under my feet. After the event
He wept. He promised ‘a new start’.
I made no comment. What should I resent?’
‘On Margate Sands.
I can connect
Nothing with nothing.
The broken fingernails of ***** hands.
My people humble people who expect
Nothing.’
              la la

To Carthage then I came

Burning burning burning burning
O Lord Thou pluckest me out
O Lord Thou pluckest

burning

IV. Death by Water

Phlebas the Phoenician, a fortnight dead,
Forgot the cry of gulls, and the deep sea swell
And the profit and loss.
                                A current under sea
Picked his bones in whispers. As he rose and fell
He passed the stages of his age and youth
Entering the whirlpool.
                               Gentile or Jew
O you who turn the wheel and look to windward,
Consider Phlebas, who was once handsome and tall as you.

V. What the Thunder Said

After the torchlight red on sweaty faces
After the frosty silence in the gardens
After the agony in stony places
The shouting and the crying
Prison and palace and reverberation
Of thunder of spring over distant mountains
He who was living is now dead
We who were living are now dying
With a little patience

Here is no water but only rock
Rock and no water and the sandy road
The road winding above among the mountains
Which are mountains of rock wi
Jackie Mead Dec 2017
Prince Simon, Prince Jason and Princess Sophie lived a regal life.

Slaying dragons and battling witches by day, monsters and zombies by night.

Each day brought adventures new, trips on boats and to the zoo.

One particular day when feeling bored, Prince Simon decided to explore.

Down to the basement, he slowly sneaked, quietly to take a peek.  New adventures he did seek.  
Simon decided to explore.
A rickety old wardrobe he did find and suddenly an adventure sprang to mind

Searching in the wardrobe what do you think he found…

“Come on Prince Jason, Princess Sophie too, come into the wardrobe and look what I have found
A snow globe, all beautiful and round”, “shake it Princess Sophie what do you see a festive setting with us three.”

Climb into the wardrobe pull your dress in tight, we are about to take flight.
Into the wardrobe all three did climb, and soon the wardrobe started to rock and shake, getting higher and higher and faster and faster it suddenly left the ground.

“Where are we going” shouted Princess Sophie, “destination unknown” said Prince Simon, “no change of clothes” Prince Jason asked, “not this time” said Prince Simon, “we are fine as we are, I’m not sure if were going that far”.

Soon enough the trip had ended, and the wardrobe landed on the floor, Prince Simon, Prince Jason & Princess Sophie opened the door and set off to explore.

This new land they had found, had lots of white snow all over the ground and white snow in all the trees.
Prince Simon, Prince Jason and Princess Sophie fell to their knees, delighted to see such a lot of snow they started to make snowballs and began to throw them at each other, laughing and wheezing with delight, they took aim and threw with all their might.
30mins later and wet through they weren’t sure where they had landed or what they had come to do.

They began to start looking around when on the floor Prince Jason found some footprints that looked quite small, not as big as horse or as small as a mouse, Prince Jason thought they belonged to a reindeer, all three of them began to cheer.

They set off following the small footprints until they found themselves on top of a small hill looking down the hill they could see a Fairyland Grotto, sparkling and white a sheer picture of pure delight.
They looked around to see if they could find a map, which would show where all the stalls were at.

Princess Sophie was the first to shout, “let’s take a tumble down the hill and check under the mat of the first Chalet to see if that is where the map is at”

All three agreed and tumbling to their bellies did roly poly down the hill, the first to come to a standstill was Prince Simon who looked under the mat and found the map was exactly where they'd thought it was at.

Prince Simon, Prince Jason and Princess Sophie looked excitedly, the very first stop was at the Toy Factory.

Situated to their left they entered the doors very slowly, then took a deep breath as they did see hundreds of Elves making toys in all their glory.
Working hard to make toys of wood and of metal too, from board games to cars, puzzles to bikes the Princes and Princess could not believe their eyes.
The Elves were working very fast and all the toys they made were sure to last.
The Elves were delighted to have company and agreed to stop and have a cup of tea, with all three.
Cups of tea and plates of cakes, mince pies and scones were soon assembled, and hurriedly eaten. The children were delighted to be having tea with the Elves, couldn’t help themselves but ask, do you know if we three are on the Good List or the Naughty?

Ha! Ha! Said the Elves wouldn’t you like to know but we still have several weeks to go.
It isn’t until the last minute the decision is made, so Santa asks that you are good all year round and not just today.

Once tea was over the Elves did say that they could move on to the next stop which was to groom the reindeers, feed them too and clean the stable of their smelly poo.

The children laughed and giggled they really were excited they exited the Toy Factory and went next door, the reindeers were in a stable and the children started to explore.
They were joined by the Head Groomsman a very elderly Elf who had a long white beard, moustache and hair and a pointed hat upon his head.

Prince Jason asked the Groomsman if they “could feed the reindeers please?” Princess Sophie was so excited she started to shout and wheeze “Please Mr Groomsman, Please?” “Can we feed the reindeer a carrot and some milk too? I don’t mind if I have to clean up his smelly poo”

Prince Jason and Prince Simon were not too sure and began to walk backwards towards the door, ready to make their escape should it occur that they had to clean the stables for the reindeers.

Mr Groomsman began to laugh, his belly began to shake, “it is OK young children please come in, you can feed the reindeers a carrot and milk, then brush them clean, you don’t need to clean up anything else, that is the work of the younger Elves”

The children were delighted and ran into the stables, first the Head Groomsman gave them a brush and showed them how to groom.
Next the children gave each of the reindeer a carrot and saucer of milk, smoothed the reindeer some more then the Head Groomsman said, “I hear that the three of you are expected next door, where Santa awaits to hear your list, don’t keep him waiting you do not want to miss the chance to speak” “Today will be the last day for a while, as he is working hard to bring a smile to every child’s face on Christmas Day”.

“A few rules before you go:
“Talk quietly and real slow, if you talk too fast or begin to shout you will not make sense and then you may miss out.
“Ask for Toys or Books or sweets, maybe socks for your feet but do not ask to solve world peace, Santa is always working on this, but it is very hard as you can imagine and takes more than one person.”
Ask for things for your mummy and daddy, your brother and sister, thinking of others is a good trait and will please Santa, now run along be good children and don't be late”
One last thing before you go Rudolph is looking forward to meeting you today, but his Red Nose is poorly and won’t come out to play, so please don’t tease or laugh or wheeze when Rudolph Nose does not come shiny and bright “

The children promised the Head Groomsman they would behave, said farewell and went on their way.

Next door to the Stable Hut resided Santa’s hut before they knocked on the door Prince Simon looked at Prince Jason and Princess Sophie and began to implore “let’s think about what we are going to ask, we don’t want to fail this task”

The three children stopped and put their heads together and slowly they began to say which each thought would be a nice surprise for their Parents to open on Christmas Day.

Prince Simon said, “for Mummy that’s easy she likes dressing up a new scarf and gloves to match her coat”
Prince Jason declared “for Daddy a book or cd for the car”
Princes Sophie sighed and said, “for Granny and Nanny a new duvet for their beds”

All three agreed it was a good list, Prince Simon stepped up to knock on the door.
Slowly the door opened and revealed the room inside. Santa was sat on a chair with Rudolph by his side.
“Welcome, welcome, children” Santa cried, “come in, come in don’t be shy, don't stand there  it’s awfully cold outside”.
The children entered and dutifully closed the door, waiting patiently for Santa to speak.
Santa called them by their names and asked if they had a special gift they would like on Christmas day.  
The children became quite shy and uncertain what to say.
Again, Prince Simon, Prince Jason and Princess Sophie put their heads together to agree what would be best when Santa laughed and said, “I was only putting you to the test”
Of course, I know what each of you would like but it depends on whether you’ve been Good or Bad
The children started to pull a face and looked very Sad, they weren’t sure if they had behaved well enough throughout the year.

Santa decided to put them out of their misery turned to each of them and said:

Prince Simon – you have attended school every day you could, you’ve completed your Maths Homework, made a book rack out of wood and in addition your Teacher has been pleased to say that you are cheerful every day.  

Prince Jason – you too have attended school every day that you could, you’ve excelled in English and Sports.
Your Teacher is delighted to have you in her class and you can easily cheer everyone up with one of your hearty laughs.

Princess Sophie – finally you have attended school every day excel in English and Ballet
Your Teacher is happy to have you in her class and trusts you to help new pupils orient their way around the school on their first day.

These are very good reports, but we give the final say to your Parents, so let’s see what they have to say:

Prince Simon – our eldest son makes us very proud he studies heartily and never is too loud.  
He looks after his brother and sister and includes them in his fun, he really is a very well-behaved number one son.

Prince Jason – our middle child is fun to be around, he never gets too angry, always makes his bed and doesn’t let his intelligence go to his head.
He takes his studies at school seriously and hands his work in on time, he really is a well-behaved middle child.

Princess Sophie – our youngest child, has a little bit of wild but not too much, just enough to keep us on our toes that is for sure, she makes friends easily and always has a smile for everyone to see. she really is a well behaved youngest child.


Santa sighed, “I wished all children had these same reports, for certain if you do nothing naughty in the next 10 days your names will be on the Good List come Christmas Day”.

The three children cheered and wanted to ask what presents Santa had in mind but decided to decline, the three children decided to wait and be surprised.

All this time Rudolph had sat quietly by Santa’s side not saying a word and trying not to look at the children he really didn’t want to be noticed or heard, he wasn’t feeling right, his usually very Red nose did not come shiny and bright.
Princess Sophie noticed him out of the corner of her eye, ran to kneel by his side and put her hand around his neck lovingly declared “You are our very favourite reindeer”  
The Two Princes joined Princess Sophie and sighed and said “Rudolph have no fear that your nose is not Red at this time of year, there’s ten days to go before your nose is required to light up the way for Santa on Christmas Day”
If you rest and hydrate it is not too late and your nose will be right and shiny and bright for Santa on Christmas Eve night”

Rudolph was delighted and gave the children a nudge and a sloppy kiss to their ears, all three children giggled sillily.

“Now, now”, Santa said, “you have been gone a long time, you really should return home, your Mummy will be worried about you and that will never do”

They climbed into the rocket and, set the destination to their home not quite a million miles below.
As they approached their home, the roof started to open wide and the rocket began to slow, the ride was nearly over they did not have far to go.
Very soon the wardrobe landed safely on the floor, the children were exhausted and ran to open the door; out they fell full of excitement and looking for their mummy, The Queen.
Princess Sophie ran out first excitedly shouting “Mummy you never guess where we have been, we’ve been to Lapland to See Santa’s Hut and Rudolphs Nose which did not light and a Head Groomsman who was a real delight, plus all the Elves took tea with us too, we really did have fun, can we go again next year”.
“Slow down” Mummy smiled and said, “it’s getting late, it’s almost time for bed”.
If you run along to your room, get dressed for bed and clean your teeth, I will be along in a while to read you a story and you can tell me all about your trip to Lapland today, I can’t wait to hear what you all have to say”
Mummy closed the door and said “Good Night sweet children, sleep tight, say your wishes with all of your might, may all your wishes and dreams come true for you on Christmas Day”
A big thank you if you read this to the end, I hope you enjoy this seasonal story, it's a work in progress but let me know what you think.
Merry Christmas everyone ☓
David Barr Dec 2013
The Kingdom of Morocco has a rugged mountain interior which reminds me of the British meal of mince and potatoes. But hold that thought, and examine our seemingly superior Western legislation. Just like the pickle, the dynasty of death is a brazen festival percussionist who is celebratory in her bitter and gustatory inevitability. Jizyah is that taxation which is imposed upon those who fail to conform to those expected societal norms. Although we have the status quo, one cannot help but wonder what happened to the rectitudes of individuality and paradoxical equality? So, where do we go, oh navigator of the great and mighty West? Marrakech or Rabat? I have no concrete awareness of where solace is to be found. I am lost! Therefore, I can only offer the following direction: Contemplate the ever-changing intricacy of the dunes in anthropological amazement and acknowledge the sky at night. Allow the celestial pole of the North Star to speak to your deep uncertainty. Our purpose is openly displayed if we simply open our heart in the midst of our Bedouin oasis. That, my friend, is the essence of being psychosocial.
Molly Hughes Dec 2013
There is nothing more unsettling
than a teenage Christmas.
The coming of age
when adults find their inner child again
and you have to try and get rid of yours.

11 is fine.
Part of you still believes Santa put the presents under tree.

12 is also okay,
just a little less pixie dust stirs in the stomach on Christmas Eve.

13, 14 and 15 are tricky.
You don't want to look babyish by getting too excited,
so you shrug it off and ask 'Santa' for a mobile phone,
a laptop,
a TV,
until by 15
you ask for the most 'grown up' present of all.
"I just want money."
The words burn your lips and tongue like acid,
a yearning for the sensation of a gift you can unwrap
tugging in your rib cage.
You can't buy that.

16, 17 and 18 are Christmases tinged with nostalgia.
Little ghosts of the younger you run down the stairs on Christmas morning,
feet clad in slippers and Power Rangers pjyamas askew,
whilst you follow in procession,
almost a funeral.

It's not that you don't like Christmas.
It's not that you don't love your family.
It's not that you don't feel a fire light in your belly when you bite into a mince pie,
it's not that the battered Christmas videos your family replay each year don't still make you smile,
it's not even that you've gotten too old for it all.
Have you?

Slippers and tiny fists batter against advent calender doors,
begging you to open them.

When you're 19  you do.
You let them out and let them rush to rip open their presents under the tree.
You let them eat their selection box first before dinner.
You let them cry when the Snowman melts
and you let them laugh and not mock heave when your father chases your mother with mistletoe.
You let the ghosts become holograms you can play in your mind like a projector and slides,
no longer a need to leave holly by their graves
but a chance to remember and smile.

You let them be happy.
Merry Christmas everybody!
Jackie Mead Dec 2017
Mince Pies and Clotted Cream go together like a dream.
Like  Jelly and Ice Cream
Like Green and Red are Christmas colours
Like Crackers go off with a bang
Like Christmas lights all shiny and bright
Like Carols sung at midnight
Like children waiting excitedly to see whether they've been good or bad
Like every special Christmas you have ever had
Like Christmas Pudding with pennies inside
Like a shiny new bike taken for its first ride
Like train sets set up for hours of play
Like joy and excitement on Christmas Day.
Simon Clark Aug 2012
CHRISTMAS PARADISE

The table was filled with lots of things to eat,
Mince Pies, Stuffing, Turkey and many other meats,
A candle in the centre to flicker out its gold,
A special time for all of us to cherish and to hold.

Everyone pulls a ******* and wears their hats with pride,
As they sit around the burning logs warming all inside,
But through the window they can see a chestnut skating on the ice,
It tries to break through the frozen sheet to a Christmas paradise.

The singers are singing their tunes of Christmas dreams,
So that everybody's hearts and eyes can gleam,
The ribbon that will lie stretched out across the floor,
Will be forever engraved to our minds and deep within our core.

From every house along their street giggling can be heard,
And silent prayers are spoken but God hears every word,
To sprinkle merriment upon their place if only for one day,
So that they can celebrate Christmas in their own special way.

ONE ENCHANTED DAY

I looked from the window on a misty Christmas morn,
The fog was thicker than it had ever been before,
It was cold and quiet and all around my house,
Nothing appeared cheerful not even the decorated tree,
The fairy she looked glumly down,
And the baubles hung their heads in shame,
The tinsel draped all carelessly among the fading lights,
Above the fire there stood one solitary card from someone I once knew.

Around the foot of my Christmas tree not a gift awaited me,
Santa forgot to visit and it all seems so lonely,
I was beginning to despair that this was just another day,
But along came an angel and this she said to me,
I'll give you a tree with decorations so bright and a mantle full of cards,
If you'll enjoy this special day with every inch of your heart,
And so now my Christmas is full of cheer, saved from heartbreak and despair,
I thank the moon and all the stars for my one enchanted day.

SANTA HOPPED ONTO HIS SLEIGH

Santa hopped onto his sleigh with his sack of treats,
Working hard and happy to deliver to the streets,
He carried with him gifts of gold, gifts of card and gifts of cheese,
In answer to the kiddies� wishes for around their Christmas trees.

Santa hopped onto his sleigh pulled by Reindeers strong,
There was Comet and there was Blitzen on his journey long,
Rudolph led the team of merry deer, his nose a shiny red,
While Santa glided down the chimneys - the children still in bed.

Santa hopped onto his sleigh running as fast as he could,
With Donner, Dancer and ***** he knew they'd do what they should,
Old Dasher and Reindeer Cupid flew Santa to the skies,
So that to every little girl and boy he could bring a surprise.

Santa hopped onto his sleigh with thoughts for everyone,
He knew he had to finish soon as he saw the rising sun,
High into the clouds they soared leaving only a jangling bell,
Removing all traces of his presence so that no one on Earth could tell.

SPARE A THOUGHT

As you sit there feeding your face full of seconds and thirds,
And opening gifts that you may not deserve,
There is a place where Santa won't go,
The doorways and steeples with people freezing below,
They only know its Christmas because the streets are so bare,
But on this day of happiness - who will show them some care?

So spare a thought this Christmas, spare a thought please do,
Spare a thought this Christmas for those less fortunate than you.

As we sit here laughing and falling asleep before the screen,
And eating lots more pudding - some with extra cream,
There is a place where Reindeer won't tread,
In the shelters and the hideaways filled with loneliness and dread,
They heard about a Christmas in a "once upon a time",
But on this day of indulgency - who will put their own greed on the line?

So spare a thought this Christmas, spare a thought please do,
Spare a thought this Christmas for those less fortunate than you.

As you secretly think of the things Christmas didn't bring to you,
And thinking of seasonal games for you to play and do,
There is a place so lost that Santa cannot find,
Just a box of cardboard where hope gets left behind,
They were told that Christmas was just around the corner,
It's a day that never comes - who will stand and be more than a mourner?

So spare a thought this Christmas, spare a thought please do,
Spare a thought this Christmas for those less fortunate than you.

So spare a thought this Christmas, spare a thought please do,
Spare a thought this Christmas for those less fortunate than you.

STOCKINGS

Timmy had a stocking hung from his bedroom door,
He wished that it be filled with things he'd never had before,
Maybe a toy soldier beating his drum,
Maybe a model sailor drinking his bottle of ***,
He hoped for a motorcar that could speed around his house,
Or maybe a cuddly toy the image of Mickey Mouse.

He hoped that Father Christmas would bring something for his mum,
Maybe a freshly baked cake or something filled with plum,
A brand new box of magic tricks for my brother Sam,
And a gift for dad to show how grateful I really am,
And Timmy hoped that his dog wouldn't be missed out,
Cause Rover would be sad and blue on Christmas day, no doubt.

Timmy was always thinking of others not only of himself,
That�s why he left a small token for Santa on the shelf,
There was plate filled with cookies - the ones with the choc-chip,
And there was some brandy to keep out the cold - just a little nip,
He also left a bag of many little snacks,
For all the hungry reindeer that'd help fly Santa back.

THE MEANING OF THIS CHRISTMAS

As you huddle beneath your Christmas tree,
Amidst a flame of warmth,
Opening presents, sharing presents, and sharing laughter too,
Remember the meaning of this Christmas is love and joy - peace, happiness for you.

Try to know the story of a baby that was born,
In a manger bed from a woman pure as snow,
Her husband he watched lovingly,
As he calmly cooled her brow.

On that starry night three wise travellers appeared,
Bearing gifts of golden wonder,
Without a need for return,
They sought only a moment with a new life that to this Earth He placed.

And now two thousand years away,
Let's try to recall the message of Christmas,
As we fill our plates with plenty - turkey and chocolate treats,
Singing carols and dancing alive with glee.

Try not to be contented with an overwhelming greed,
Look within your heart and see what you really need,
Is it music? Is it toys? Is it the latest craze?
Learn to embrace a loved one without a possession haze.

Hear the silent footsteps of the men, who travelled all night,
See the snowflakes drifting down from the heavens above,
A reminder to us all,
The meaning of this Christmas my dear, it must be love.

THE ROBIN

Is it the distant whisper of a thousand tiny bells?
Or is it the carolling that tells us when it starts?
I wish for the knowledge from many wishing wells,
I now know when Christmas arrives from the beating of my heart.

It's the day when first you see a robin perched upon a tree,
When you hear his little chirping from a snow covered branch,
You'll see his red breast moving in time with your heartbeat so free,
Be it snowy, be it wet, be it sunny, be it cold - I'll know from the robin on my ranch.

He comes my way each Christmas week and settles in his nest,
It's then I'll know that my sweet family will arrive,
And bring with them such hilarity that makes me truly blessed,
So I raise up my eyes to God and give thanks that I'm alive.

THE SNOWMAN COMES TO LIFE

Little Josephine spent yesterday outside,
She darted through the streets feeling snow under foot,
Her face shone out delight; her smile couldn't hide,
Nothing could ***** the blanket of white not even the blackness of soot,
So she found a silent spot, a space open wide,
A place to build her snowman, where he could always stay put.

She built him high and tall, as tall as her legs would allow,
She made him round and whole with a face that looked so proud,
Now the snow had settled down, it lay upon the bough,
She drew his eyes from coal and a mouth to laugh aloud,
She gave him nose of carrot, hat and scarf but darkness fell and go, she had to now,
She told the snowman she'd return tomorrow, this with crossed heart she vowed.

Home she ambled to her sleepy room to lay down her sweet head,
In her silent sleep that night the wondrous dreams she had,
She saw her snowman come to life and dance, not sit, around instead,
She watched him smile and seeing him fly - it all just made her glad,
In her books and stories a tale like this she'd never read,
She knew it was a dream yet she wasn't sad, the visions she saw were good - not bad.

Little Josephine returned the very next day,
Her snowman was gone the sunshine was here,
Her eyes welled up - her tongue no words to say,
The hat and scarf still on the ground showed nothing was to fear,
For in her mind she knew he'd visit - he would find a way,
If he couldn't get back inside, she'd made memories to recall each and every year.

TWO LOVERS HOLDING HANDS

Two lovers holding hands across the table,
Share this Christmas time,
Something simple no fancy foods,
Not concerned with wine,
They focus on the laughter, on the pleasure of this day,
As their smiles intertwine.

They take an elegant candle and place it in the mud,
They light the wick and out its fire shines bright,
There material belongings for which they will not care,
As they rest their heads on the carpet of endless white,
Holding each other tight they'll gaze beyond the stars,
Nothing will matter as their souls become one this Christmas night.

Two lovers holding hands for eternity,
Sharing each Christmas time,
Something precious and something true,
No concerns for design,
They focus on the sharing, on the wonder of each day,
As their lives will suddenly be defined.
Written in 2004
Dreams of Sepia Oct 2015
My unrequited golden dove,
you are a merchant banker
them bloomin' groovy bars
are sad tonight

but given the chance I wouldda gotten
cash & carried
& spent me porridge knife
loving your mince pies

had I not known
you'd treat me golden dove thus
& yes, been your trouble & strife
with all me Horse & cart.......

I know, not smart
I know, not smart


Translation:

( In English tis not a very impressive poem... it's just amusing how you can make cockney rhyming slang into a poem, so I've been experimenting.... I really want to send this to the guy I'm unrequitedly in love with actually... & leave him (hopefully)confused & in the dark as to what I wrote....mostly I just really want to call him a ' merchant banker' e.g ' ******' & get away with it!! xD ' ******' is a particularly offensive term to use when referring to a man!)

* My unrequited love
you are a ******
them ****** stars
are sad tonight

but given the chance I would have gotten
married
& spent my life
loving your eyes

had I not known
you would treat my love thus
& yes, been your wife
with all my heart

I know, not smart
I know, not smart
Cockney Rhyming slang  is a rhyming slang that comes from East London.....I'm just learning it/discovering it for myself for fun.....
Mateuš Conrad Jan 2020
to willingly listen to some russian punk...
they call themselves:
Sierpień - well... Sierpien -
нь is floating around somewhere -
august... август....
perhaps the ****** word "rhymes"
with sierp (i młot) - sickle and hammer...
pień? trunk - stump of wood...
etymological fascination...
august where no emperor augustus
ever stood... unless a Kaцпer...
sier(p) - sickle
(p)ień - stump of a freshly cut tree:
or trunk...
hence the birth of a name
of a month: harvest the trees...
and we are talking about a russian
post-punk goth-punk band...
almost more congested and less
atmospheric the cure...
old kaц the hangover comes in and
says something with a mirror
and fog...
but i'm sure... living under the much
despised (ras)Putin regime would
never give you such music...
look at the people of the...
look at the free peoples of the western /
hinterlands!
no... thank god the view count is only...
what? 3,880 views...
it's an oyster affair...
Sierpien - Cмeрдит дo caмых звeзд (2016)...
people can still produce art of this sort?
is a (ras)Putin required? really?
democracy per se...
power-struggles from among
the populace...
ever hear the petitions of schizophrenics
in the western lands?
a holy grail status for some...
the "nuanced" *****...
or bilingual...
but this album current saved me from
a despair... a friday night is happening
somewhere... and i'm more than happy
to not be there...
i don't even know what's popular
in terms of music in the hinterlands...
the bellybutton of the world: London...
doesn't exactly spew out pointers
to digest what's new and pop with
the crowd...
how long did it take me to hear about
psy's gangnam style?
a good half a year... but then it was already
playing on repeat...
perhaps not in a way that...
once upon a time... Microsoft wanted
to use R.EM.'s it's the end of the world
(and i'm feeling fine)
for an advert...
and R.E.M. refused...
i can't exactly see any use of an advert...
but for the past decade...
perhaps... the outliers of dubstep:
distance, vex'd... burial...
10 years have passed and i don't even
know what music people listen to...
like i said... i'm listening to something...
only about 4K people also listen...
notably in Russia...
i'll translate...
śmierdzić do samych zwezd... gwiazd...
smerdit do samych zwezd...
10 or so years later i'm at this point...
there's no need to invoke Ms. Cмeрц
but it almost never figured for me...
ц somehow borrows from щ...
that's of course ч is related to ш...
to stink of **** up to the stars...
that's how the album name,
"sort-of" translates itself...
in the past 10 years...
this is probably the sort of music i should
be listening to...
i would somehow abhor myself
being the fully integrated western mongrel...
allowing my soul to die and
this language to dictate the fashionista
dictums "from above"... like a good puppy...
origins mostly focusing on...
Lebanon... the old Raj...
i honestly did think that: the de factor default
implication of the word: integration was
to speak the language...
this is not the great h'america where
you'd call it an alliance to a patriotism...
this is england... where people are not
exactly responsive to the word patriotinism...
and whenever it is used...
it's the ugly word nationalism...
so... this is not an extension of thinking
that can be "accomplished" akin to somewhere
in h'america...
this is england talking to itself in me...
or rather... me... looking at england and trying
to find the sort of footing for a tango...
born 4 hours shy of warsaw doesn't help,
either...
still... as names go...
no one was a cooler name for their capital...
come on... war-saw...
beats washington d.c. -
but... loon'don... that's mighty close...
all the democratic arguments aside...
i'm listening to these political commentators...
and i'm wondering...
what sort of music are they listening to?
i'm still looking for a playlist
i inherited that included bands like...
it's dire to even begin to name them...
the best i found are still...
demdyke stare... and that's not really
being pretentious... vomito *****...
but "once upon a time" music could make
a man stay up into the stillness of the night,
far beyond the night,
he might have sometimes glimpsed
a new unfolding as he would go to bed
from the graveyard shift with
some neglected words being seized...
i've just skimmed through u.k. top 40 chart...
i can't relate...
i can understand just having the vote...
but to have the vote...
and be left... in this barrage of...
i understand that man is a political animal
and somehow social...
but a vote is enough...
no wonder good culture hasn't "happened"
in the past 10 years...
i don't like being informed of culture
via the prism of: it's all or not political...
i don't like being
polarised i don't like being politicised...
all i have is one vote...
and i'm nearing 34 and seeing how...
since i haven't already used it...
it's pretty much a redundant affair...
as long as the status quo is there...
as long as there's a status quo...
and there's the shady bureaucracy cushioning...
but how can one expect to find
a tartar stake of sustenance...
when everything resembles an english
sunday roast: with the beef being over-cooked
over, way over well-done?
the meat is butchered twice...
once as the cow... second time as a piece of roast!
i'm not fond of criticism...
bad... i know as a foreigner but also as
a citizen... only the pakistani grooming gangs
are sacred cows in this, this whittle english...
past allegience to soviet russia?
because, what? russian post-punk takes
my fancy...
one! one benefit of a doubt...
justin bieber's jazzy interlude in:
love yourself... and that's it...
i decided for the: leave me alone button...
and for all the vitality of the western ways
i'm left either the window-licker prized oscar
nominee or some lethargic melancholy prone:
a decade on and a decade without
the better part of me...
i somehow own about 10 pairs of shoes
but every time i only walk in single pair...
until they are worn,
until i can almost imitate:
no borrow metaphor from the african
continent... my second mother siberia...
and the indo-europeans and whatever tag!
tag it necessary! caucasian and la la land...
this was political... before it even started...
even whether there was a demand for my vote...
the tide came, the tide went,
i wasn't given so much as a sniff of civil rights...
my civil rights had to be political rights:
in a redundant format best described:
as a vote... opinions first, vote later...
by then the vote is already a confirmation
of how many more ***** will sink
to this level of: humpty-dumpty...
a culture can thrive when power is clarified...
there's no culture when the only
despotism is the finding the lost
in the labyrinth of bureaucracy...
since i base my focus via Kant... yes...
these are idealistic words...
because idealism is - the already focused on
status quo... and again...
the status quo... perhaps even stasis qua!
- but i'm not listening to current music...
from a "certain" place that once could
salvage the rest of the world of bodies
with its beacon of soul...
not "current" as in: where meat is more mince
than steak...
it's all fine and dandy...
to have the provisions at your disposal...
but you can't expect an annual supply of carrots...
or meat... to feed the mouth that neither
opens, nor bites, nor chews,
nor swollows, not ******* saliva
for the premature process of digestion...
you can't expect this most perfect supply & demand...
something has to be missing for
the soul to have... the realism of the fact
i am bound to a robotic / unconscious body...
what conscious decision do i have...
over the already calibrated heart?
the delusion that the brain... is somehow...
freed from what?
psychological metaphysics?!
i have an automated digestive system...
and an automated ****...
i don't exactly know when i'm going to ****...
but i do **** - and with so much pleasure so...
that i would forgo all homosexual exfoliations
for the mere pleasure of...
easing a **** out of that ******* bang hole...
than allowing a vaselined cockrel in...
quiet a disgust pecker of high ambitions...
when it comes to enjoying
massaging the prostate muscle when sitting
on the throne of thrones...
i am trapped in an automated body!
the only aspect of me agreeing to evolutionary
biology is to invoke the soul...
as something ex "nihil" in coprus...
from "nothing" in body (intact)...
hello intellectual safari of the thesaurus
and the synonym chasers...
from under the Iron Curtain...
once more... thrown under the Silicon Curtain...
but there is something in me that
allows me to escape the already well oiled,
this well calibrated body... shy of being
merely treated as baggage...
there's something that allows me to restrict...
when i will **** out a full bladder...
from time to time...
but this is still oh so mechanical...
the fickle nature of man's own self interests:
the only mirror i could find
to compensate the complexity
of deus ex machina...
i'll last 10 minutes with a swollen bladder...
until i give way...
that's when i know that i am rebelling
against the mechanical nature of this body...
- nonetheless the conversation run down
a different route...
i want to be, as i once was...
politically starved... give me the vote and lace me
with civic duties... minding culture...
don't give me this politico journo-*******...
this spare straitjacket of "opinions"...
opinions that do not hone in on a dialectic...
but a dichotomy...
while under (ras)Putin there was a resurgence
of post-punk... brutalism debauchery...
in the vest of the west...
do i really have to give gil scott heron over?
see? what power do i have?
i have.... a chance to glimpse how a culture
can thrive... musically...
no... oh no! no Vlad... you're not getting off
that easy...
Tchaikovsky - 1812 Overture...
tell me... as a cat might look you in the eyes...
and cats do... when you find it uncomfortable
to lie... a cat will look you in the eyes
when it knows the agony of you telling
the truth... too frequently...
now... tell me...
of the 1812 Overture...
how close was Tchaikovsky teasing...
plagiarising... la marseillaise?
oh i think: this close ||.
i still don't know: listening to classical music...
is supposed to make people,
"somehow" smart?!
- just like Beethoven hides / licks /
alludes to the crescendo of
ode an die freude that is to come in the 9th symphony...
lots of crashing plates and banging
templates of cooking vessels in between...
a crescendo is almost like...
but not quiet... no... it's never exactly a chorus...
but Ode an die Freude is revealed
in a subtle way somewhere in the vicinity
of the genesis of the 9th...
i'll ******* duel over this remark though...
if it takes blunt knifes and spoons...
so be it...
negate: Tchaikovsky's 1812 Overture does
not allude to La Marseillaise!
*****, test me! i swear to god -
you tell me this russian кaцaп is not alluding to?
what sort of culture are to speak of,
as citizen... if we have to be...
worthwhile less the already invalid vote...
and more the sway-ghost-vote of...
ditto-heads and less and less...
i remember when i would start a conversation
with girls on the basis of: so...
what music are you into?
has... the don mclean prophesy come true?!
the only music is the democratic opera
of the inability to hush competing interests
of the less than homogenous, cerebral hive?!
wow! believe me when i state:
i would truly rather shun my state of being:
stunned!
to me... people have forlorn to "worry"
about petty, ahem... "petty" cultural worries...
this political transfusion, verbiage,
look... a broken arm of a word that used
to resemble pref-                 ending in
the loose limb that ends with 9...
scary language... informal language...
not exactly the english standard: terse /
whimsical... "way-hey-hey-ha-witty"...
hardly anecdotal: mein herr kapitan!
oh but this is certainly a cultural desert...
i'm still doing my best to shake off the 20th century...
what's it called... what's it called...
you are... ah! 20th century inheritence...
not that i'm by any measure a man
of the 20th century...
come the year 2000 i was still a mid-way
between child and man...
2020... 34... i am a 21st century man...
as i also have circa 10K of student debt to pay off...
but this is england...
a chemistry degree gets you nowhere...
i always fancied the Leibniz route...
a garbage man... perhaps "the librarian"...
the street-cleaner...
10K worth of pounds of debt...
paid? when one earns over 15K per annum...
bless ol' england... this debt will be written off
after 30 years...
i really wanted to find a job akin to being
the street-cleaner...
i wouldn't even mind... seeing as how i could
come home and write a rhythm
of a crooked guitar... perhaps doing some work
in the industrial sector...
the scottish widows' h.q. roof, near st. paul's?
i did that... well... part of the team...
industrial scale roofing...
whatever... this is not going to become
"yet another" autobiographical sketch...
a degree in chemistry led me nowhere...
some lucky fist-first-think-fewest landed
their english B.A.s and:
"the authorities" would never let them starve
having... their poo'ems better read...
oh i wish i could think without having
itchy fingertips and what words i want
to say when i however have to say the mundane
formality of the everyday...
i'm the sort of jack spicer *******...
that i cannot work with this lexicon beside
what's always greeting me with a welcome return
of surd applause...
i can't speak the everyday language
of the everyday -
even my punctuation is suspicious -
an *****-nilly I.R.A. bad device...
i can hold the hounds of bark, leash, girdle and muzzle
until they finally find the dog...
but not until i have feasted upon
the blank canvas that will never see any colour...
but this x-ray of hiding faint hues
working in the subtle grey-of-no-grey area
that comes with these words, these bones...
i have to drink...
to find these words... and an echo prior
to the cave... this being the cave after i heard
the echo... even among drunks i couldn't
speak such words, such sentences...
under them the drunks cower...
and... this is the better part of a friday night...
i best exclude myself to this page
of rummaging... because even if i drink...
i wouldn't find a conversation among the drunks
to compliment this! to compliment this
with an immediacy of a dialogue -
a shared experience...
better i write this... and wait for a delay...
better i wait for a delayed response...
in the quantum sense of:
when observed a wave... when not observed...
a particle.
science as this cohesive orthodox litany of
dogmas to undermine religion...
science is more vogue than religious dogmatism...
science is modern...
it will only and has only succumbed
to modern finicky... vogue... science is...
hardly a... blind sighted hive brain-drain focus
of the replicas and clone surds nodding...
this language... would never be spoken among
the drunks...
i hardly think it would or even does:
deserve a stage... perhaps only if i wore face paint...
if i were truly an entertainer...
but these words deserve more than a stage...
they deserve an: umbratempus...
zeitshatten... a time-shadow...
cień czasu... (время тень)..
regurgitate something to me, akin to:
T4T (oliver baez bendorf)...

see! i knew нь was floating around...
it comes... back... full circle.
Mateuš Conrad Nov 2015
why doesn’t english phoneticism diacritic the non-trill r, or why doesn’t it diacritic the non-harking h? i wonder... where’s all the nation’s intelligence gone to... investing 650 billion in the ant mound that’s london? the politics blame it on the eastern european... ‘never blame it on the chinese or the arabs... they have the investments to come with boom & bust coordinates of new york’s 1920s hopes... followed up with depression.’ but oddly enough no recession in poland... perhaps because the poles have all the salt and lost all the dollars’ worth of edible mince pie (while the irish only lost ***** in hazelnut hangover forgetfulness on the titanic minding the class system of who got the lifeboats) - **** me, i’ve turned into a welsh longbows’ man with the famous V of agincourt... i’m not even welsh... but i’m assuredly an abacus: count to two sheep flights of suicide and towing two snorkel sneezes worth of bubbles before dozing off; ah... the celebrated humanity.*

that’s how it works... the r that lost the wheel and the ballerina twirl,
and the rolling-on requirements of a diacritic mark,
since all the available ones are inadequate,
and the h needs surgery to be honest...
it’s hardly a hay stack... as is the gnome eager to learn
about gnosticism and u-boats...
but did i tell you this one story that might
make you laugh?
in my post brain haemorrhage psychosis
i bought a martin & co. acoustic guitar for £600
while trading in a mandolin i bought cleaning toilets
in an edinburgh nightclub getting more than i expected
from a **** groper... sold for £25 second hand which i didn’t take
and just left it there due to honour
(who'd empty ****** in beer bottles from a toilet
getting harassed by a gay
in order to buy a £70 mandolin to play
only one song and then sell it for £25 and take the money?!)...
no, really, the english r needs diacritic markings
to distinguish it from the other european arms and arses
fidgety.
so this martin & co.’s guitar i bought
and took to my ex-girlfriends house...
which i left outside... and... oddly enough
in a guitar sheath the guitar suddenly spontaneously
decided to itch and break up...
my ex-girlfriend’s father said the cold did it...
he was always the handyman to break things...
then i started to head-**** the guitar until i managed
to weave a hole in it to sound more hollow...
so i fixed it in the end... a blind man could play it...
my ex-girlfriend’s father ended up as a nutcracker in
the mental health unit for a month while
england rejoiced when the pantomime season came along
in the local theatres - plates were thrown and dogs were walked...
like tonight... me in cognitive conversation:
‘hey stranger’s dog across the street, why you pausing
tail waggling and pavlov ready for a treat
and trying to imbue a french revolution’s cause off the leash?’
religiously you're reversing the due pundit of prayer
for the thing suffering... christianity almost feeds
the notion of prayer unto the continually suffering...
you wouldn't see prayer so easily given to
zeus ******* hera on the chair... would you?
pathetic, even morbid perverts of poverty
******* out the blood from the man...
if he deserved it he deserved it... it's not so easily
grecian polished into the realm of the undeserved...
the classical philosopher inquired: the gods exist...
but why are you sacrificing animals for their existence?
the modern philosophers inquired: the god exists...
but why are you sacrificing your emotions for their existence?
i will not sacrifice a goat on the altar...
but that was easier given the fact you're feeling
such sibyl s & m with that thing dangling on two planks of wood;
didn't i write of the malachi heresy...
the heresy that invaded monotheism and said
john smith postcode *** *** from the 21st century
will always be john smith from london from the 16th century?
malachi's heresy concerning the reincarnation of elijah
decisively spoke of the fractioned hebrew god... it spoke of 1
as 1/2, 1/3, 1/4, 1/5, 1/6, 1/7, 1/8, 1/9 etc.
i can't believe that... like hegel equated in
the book marx digested and rebelled against, i = i,
malachi you propagator & instigator of christianity and islam!
malachi! to the greeks & romans with you tied to st. paul!
(even allen ginsberg mentions this equation
in one of his poems: i am i, old father fisheye that
begat the ocean, the worm at my own ear,
the serpent turning around a tree;
kant and 0 as negation, hegel and the equals sign as being,
naturally ≠ has to imply non-being);
not building idols of forearm and knee for worship is what islam
got away with replacing them with the worship of words...
i'd hate to worship that night idol dictated by a man
who couldn't read... it's almost like a crow hunching
next to a statue of ramses ii about
where r a m s e s trivialised the six pack of the abdomen
there were the letters r a m s e s without definite form
to concern the suckling of favourite idol mantras...
idol holy word hum hum ham ahead of you...
thou shalt knot the casual reference of muhammad
in the corner shop for thou shalt not offend
the goosebumps sensation i feel when i hear the sounds...
MAKE THEE **** A HOLY **** WORDED & WORSHIPPED!
ARSES IN THE AIR GENTS... WE'RE GOING TO HAVANAH!
and so it was... the only fear of death i have
is to have lived to being aged 72... and then died;
death sooner... death... sooner!
my parents die i'm moving to the true england, up north,
to liverpool or manchester... **** the southern fairies
from dubai... i rather move to the faroe islands to be honest...
and **** a dozen orcas for a fry-up and the digestion of winter...
i rather **** time occupying the space in greenland
among the icy chinese known as eskimos;
i'd fit in among the føroyar kindreds... i love the doom & gloom
and hate the sun & tan of globalisation's adventures
with advertisements and juggling tourism
among terrorism's fictive narratives.
Mateuš Conrad Dec 2016
you know what i find funny? the phrase: i could eat you. juxtaposing vide cor meum against... this is the part where punctuation marks are never collision prone diacritical marks... but then again, there's that dietary joke... i could eat you... dependence on your bones not being properly disavowed within a langoustine broth... and there you are: a grey area mindful of Stalin... *****! i'm trying to humanise ******, stop interrupting! where once a moths' flutter, later a rainbow in the nacht! mind that niqab... nicht would mean nothing. some insinuated cappuchino, some cackles... some said cutie-pies invoking rouge cheeks... every time i watch these culinary shows i get thinking about cannibalism to counter veganism... and then i laugh... i don't want to find stinking socks and political correctness as "my way, did it to suit Lascaux cavern graffiti"... i preferred wanking than keeping up with women... it's the song i heard before lambs stiffened and muslims became muslims, and falafel was mince... ******, get under the hosepipe and you're there, all freely gagging for the fizz... a touch of tinsel... vide cor meum... return of policy... as half-heartfelt kaleidoscope returning to define a rainbow... i love that phrase given the palette opportunity... i could eat you. it's the demonic encouragement that solidifies the stench into what's to be seasoned properly... i don't know.. the phrasing: i could eat you sounds more formidable in delayed practice than: i can **** you... plus the gazpacho... which means: Batman ate cold cauliflower soup and slurred to slurp the question: but it's cold? Baldwin replied: it's supposed to be! they said orthography as a rigidness of aesthetic, i said... that's questionable whether any is applicable, given we're talking about graffiti.

i got tired of sensing other people's jealousy,
and tried to love them,
which ended up to be as much as a matrimony
toward one woman, ambition-bound
to incarnate the matrimony of swans...
  and the poor old ******, left to fantasy in
his days as a widower...
   every time i look at a lonely swans
i try to duck-quack the thing into existence...
            but there are variation of marriage...
a west london accountant can speak terrible
crap against an ethnicity i try to not identify with...
but i am courageously borne from,
    and therefore have to express some affiliation...
as a matter of principle...
  i rather not, but iu must, even though i sprechen
a host tongue... and am, therefore,
embedded with claims of socialite elitism...
                 but then i compare...
and these these comparisons are the due phrase...
Marilyn Manson's *a minute of decay

is a chance to hear the bass guitar overpower
           the drums... a bit like a culinary pistachio
moment in a risotto...
   i want room to breathe in!
     i want vaughan williams' fantasia on a theme
by thomas tallis... i sanctify the need
   for prokofiev's lieutenant kíjé's suite...
(dots are optional, the syllables aren't,
a classical dot above the iota might revel in
being the defining moment of tonguing /
dissecting a word... but it doesn't have to be so)
i need air to breath in, a moment to whimper...
why do the **** love Chopin and not Liszt?
   a bid ******* odd... i don't like either Chopin
or Liszt... because as Kaiser Yoseph said
in amadeus... to many notes...
and i agree... vivaldi made violins into cherub
       pumpernickle sparrows -
you danced, you joyed, you came across St. Vitus' dance...
   you were doing arithmetic as concord speed
within a framework of even (white) and odd (black)
numbers... once you played the nocturnal Fabergé -
someone suggested you move the ******
  goose to the Hermitage, and frame it!
why are the Japanese are the only Europeans in Asia...
      never mind, they just are,
hence they compete for playing Chopin like they consider
sushi to be a culinary exception of the tartar -
minus the influence, obviously, hence the stress to
impose Chopin... but never Liszt... odd...
          template virtuoso and you think of Liszt
than you might conjure Chopin...
           better than that... conjure champagne
bottles blundering to the volcano's worth of fizz...
still... the Japanese are a curiosity...
first of all: they abide by Chopin and chopsticks
not being utilised when gobbling sushi...
   they have the ambassadors of kimono,
samurai, origami, karaoke, bonßai (zye, rye),
          Fukushima... Hiroshima... yep, that place
were stanley lee derived the concept of x-men...
          still, they have permanent ambassadors in
opur midsts... words that can't be "translated" due
to etymological puritanism...
       finally the Portuguese sailed away, and founded
Brazil on the promise of an infinite supply of toothpicks
from the Amazon -
or? hai sensei!           hatch that with the catchphrase:
     kajagoogoo: shy-shy, hush-hush, eye-to-eye.
          we're storming the labyrinth right not,
and i still can't believe that poetry revolves around
the rhythm of rhyme... play any ping-pong, lately?
     no wonder poetry is a peacocking dollop
of clogged-up cow dung... it's just asking
for a *****-slap in a playground.
           but why Chopin and not Liszt?
the **** are what Napoleon was to the Duchy of
Warsaw... they love that arithmetic of
a pebble-dasher's *******...
       wet dreams... some authentic curiosities of
civilisation still have them... i wouldn't recommend
listening to them recounting the fables, personally...
i'd listen in on the succubus jerking them off...
  and just recently i was walking the deaf streets at
night with a bottle of beer and felt the bottle
of beer almost being tugged from my hand...
  and some say that eating a woman's umbilical-chord
is what's necessary to live as a man to later
sing some aria; or like drinking a pregnant woman's
**** will ensure you don't become myopic...
             i don't like Chopin,
i don't like Liszt either... i want a room, and a chance
to breathe... at the end of the classical expression
summarising the wind, we had a return
to the rooting in Africa... earthly delights
and a grumbling stomach in need of feeding,
  jazz did the work for us, jazz still had
an orchestral element to add a Lacan of all things
worthy of deconstruction...
       but then the French came along and shoved
fondue into our ears... and we said
alight with an eureka moment... pop!
             n'ah... the moment when the bass overpowers
the drums... i really have this wild fascination
with the bass guitar...
                 because i don't get Mozart,
and i do think that Handel did much more than
even the sacrificial lamb that Beethoven is...
                  listen... poetry doesn't have to be
music... rhyming is ping-pong anyway...
but as long as you feel in debt concerning music,
the music will come on its own accord...
today i was rattled by a mix of dub (without a step)
and beck's odelay... cruise-missile dylan...
give or take...
      well, given the italicised pr.s. (pre scriptum) -
much later an aged blonde boasted about snorkeling
******* and young ****... and missing out
when she teased me coming back to her abode...
           moth steals from a butterfly,
butterfly never turns into a daisy...
                       you're still a **** and i'm about
half of the total worth of being a ****...
which makes as equal... or queue more.
           variably condoned to be synonym with
mosque...  but i said mannequin...
     it's this **** with the five a day....
Christendom mentioned fruit & veg...
Islam mentioned variations of a murmur...
   is prayer classified as fruit, or vegetable?
you're as bewildered as i am...
   i too thought tomato is a fruit...
turns out it's a vegetable...
primarily due to basil, feta, and the mediterranean.
               herring belong in the baltic,
******* attempting that sort of ballistics...
ask about the relationship between
              a. yan sobieski
         b. ******
                    c. window on arabia (vienna,
counter st. petersburg) -
     oh you'll get many thanks...
sure... you'll end up becoming assured
that dogs don't need petting, but training,
and that you have to make all friends bound
to be kenneled, because they won't learn otherwise;
it's a bit sad...
          for about a minute...
                   you tried being peace-abiding,
peace-mindful...
   you wanted to state compassion...
  in the end people need a slap... or as 2000 years of
history proved... a crucifix.
One day the skies opened up with snow
And one lost elf did not know where to go
He kept going in circles, around and around
But the skies kept putting more snow on the ground

He found himself in a Winter forest, dark and deep
He thought he heard the dead trees start to creep
He imaged eyes gazing like a terrifying light
Or was it the reflection where everything was white

The poor little elf was starting to get very cold
He wish he had stayed home, like he had been told
As more snow fell he began to shiver and shake
So scared that snow monsters might come awake

Suddenly a sound made the poor elf start to yell
He had heard a ringing, a sound of a bell
Then he saw a jolly fat man dressed in white and red
With reindeers that pulled him sitting on a sled

He offered the elf to come and sit by his side
Then they shot up into the sky, it was a special ride
The jolly fat man took the elf home to his mother
He was so happy when he shared the story with his brother

So every year he leaves mince pies and a drop of red wine
Something special for the jolly fat man to dine
He now stays in when it snows, whenever he can
And the once lost elf always remembers that jolly fat man



copyright Chris Smith 22nd December 2009

Merry Christmas to all on Hello Poetry
Words Echo Jan 2015
Watching her cook was like watching
a duck in water. Making use of the old
utensils and cookware of the hotel kitchen
she made a meal with an eclectic mix
of elements she had pondered over breakfast.
Sauté, mince, sear, season:
these words flowed from her lips
like a second language in time with the
steady chops on the cutting board
and I was mesmerized when she
moved in perfect rhythm from stirring
the mushrooms to flipping the
sweet potato hash into the air;
tasting and adding more olive oil
to marry the idea on her palate to the
reality on the stovetop.
Tom Orr Nov 2012
Steam escapes the surface
Of infant mince pies.
It spirals upwards, dancing
Into the winter haze
Where headlights, opaquely visible,
Fight the fog.

The mist flurries atop the frozen pond,
Over brittle leaves, half caught.
The deer nuzzles in frosty thickets,
Searching the winter veil
For stray nut.

‘neath the tap my hands endure
The bitter cold of winter’s water;
But happily I return to my window,
And cast a gaze once more on winter Britain.
The fire leaves a smoky essence,
A homely smell.
December come.
I

The Owl and the *****-cat went to sea
  In a beautiful pea green boat,
They took some honey, and plenty of money,
  Wrapped up in a five pound note.
The Owl looked up to the stars above,
  And sang to a small guitar,
'O lovely *****! O ***** my love,
  What a beautiful ***** you are,
    You are,
    You are!
What a beautiful ***** you are!'

II

***** said to the Owl, 'You elegant fowl!
  How charmingly sweet you sing!
O let us be married! too long we have tarried:
  But what shall we do for a ring?'
They sailed away, for a year and a day,
  To the land where the ****-tree grows
And there in a wood a Piggy-wig stood
  With a ring at the end of his nose,
    His nose,
    His nose,
With a ring at the end of his nose.

III

'Dear pig, are you willing to sell for one shilling
  Your ring?'Said the Piggy,'I will.'
So they took it away, and were married next day
  By the Turkey who lives on the hill.
They dined on mince, and slices of quince,
  Which they ate with a runcible spoon;
And hand in hand, on the edge of the sand,
  They danced by the light of the moon,
    The moon,
    The moon,
They danced by the light of the moon.
Louise Johnson Oct 2011
Thoughts are running through my mind,
Trying to make me look behind,
Why are these thoughts intent on hurting me?
I've become distant from friends and family.
"Why is this?" My thoughts scream in disgrace.
But the smile is still stapled to my face.
Until my thoughts mince the words that I had feared.
I know this now, my thoughts are geared.
They're geared on causing me so much pain.
I can not take much else again.
But as all this is happening in  my head.
I smile like I didn't hear what my mind had said...
andy fardell Dec 2011
ohhhhh..... santa be good to me this year
ohhhhh..... santa i love your fluffy beard
ohhhhh..... santa i sent you my big list
ohhhhh..... santa i sealed it with a kiss

on Christmas eve the big man knew he had a job to do
he'd worked all year to fill his sacks and bring some Christmas cheer
his elfs and freinds had wrapped and wrapped until it was all done
now santa's night is nearly here its time to have some fun

ohhhhh..... santa be good to me this year
ohhhhh..... santa i love your fluffy beard
ohhhhh..... santa i sent you my big list
ohhhhh..... santa i sealed it with a kiss

Now children listen did you do good and be a star shine bright
Now children listen did you do good so santa comes tonight
he knows you know the ones that show a love and care for him
its santa's secret so he says ....rudolph lets begin

ohhhhh..... santa be good to me this year
ohhhhh..... santa i love your fluffy beard
ohhhhh..... santa i sent you my big list
ohhhhh..... santa i sealed it with a kiss

** ** ** a mince pie please as santa leaves his sack
and dont forget the reindeers food or we wont be back
a tipple of sherry and a note ...saying thanks a lot
see ya next year santa says chimney up i pop

ohhhhh..... santa be good to me this year
ohhhhh..... santa dear i look
ohhhhh..... santa yes yes yes yes yes.. pressies all around
ohhhhh..... santa love ya lots and lots ..kissy kiss kiss kiss
Olivia Kent Jan 2014
Found a discarded mince pie.
Left under the spineless Christmas tree.
Picked it up and ate it.
It was still in the box.
The date said fresh and fresh it was.
Yum, she thought let’s eat.
Was so delicious, yes it was.
Enjoyed it oh so very much.
One problem with her mince pie sweet.
The pastry crumbled, what a mess.
Sweet reflection of Christmas.
So recently passed.
When on her own she had a blast.

The turkeys are fed up.
Only one or two remain.
Said goodbye to all their friends to breed and breed again.
Thanks given for their friends.
Waiting for next Christmas to visit.
(c) Livvi
Mateuš Conrad Dec 2016
it's scary what people want to hear,
i feel, nothing at all, to be honest,
whenever i think of fame
i feel all famous people speaking the words:
don't become even by our standards moderates...
szlafrok: bathrobe -
              szuja: lizard-like-homeless person -
then again chattering ratty too -
does that mean: if i write i'll
get a penny for a structure where a brick is
worth just as much to the letter, the word
           or the line or the paragraph?
                  cukier: sugar...
   for every brick i'll get a penny's worth?
      writing discourages you from dreaming...
only the most adapted
                   who get encouraged by
   advertisement and who fake writing will ever get
the technicolour coat of Joseph...
         writing erodes your perspective of dreams,
it actually censors your ability to do so...
    i hear them, make novels from their body-language...
        and get an itch... nothing finicky... just
barring without baritone...
      poet's alphabet st. - barring without baritone...
antinomy of anecdote... false impression memorisation,
nothing rubric bound nothing alphabetical,
         nothing Pythagorean...
      antinomy... and there was me thinking of
antimony...                  there's no cascade of the sound
encoding of b or of a...
    there's the alphabet... and then there's
the dictionary... na na mmm, ma ma nun..
                    so cool with it, fit-bit....
      or should i claim you a toyo-bot?
           a ******* Hamleys' jack-in-the-box
     chuckles?
            either way... it's all a strategic **** -
or a macaque - or mà-cá-qé!
         herald the surgeon!
             grave a in the first syllable?
a delay... let's term yhwh as surd invocations -
           mà! (and yes, exclamation marks
are part of the necessary progress -
   unless you'd prefer anti-German anti-compound
allocation of a word to be turned into syllable mince...)
         mà! alternatively that's non-ambiguous -
what's ambiguous is the second syllable...
   mà!... cà!     màcà!        it's almost like holding-off
*******...          màcà!
      and then there's the qé!        or for optical reasons
as well as for reasons for the priestly monopoly
written as macaque - my-khaki-haka...
  (haka is a dance in rugby by the new zealanders,
   and khaki is diarrhea brown, diluted brown) -
   it's almost Spanish in a sense, huh?!
   well, because it's not exactly queue -
  or: que(h)? i.e. qweh?
well yes, it's a monkey, a tiny little bonsai
of a gorilla... cute... funny... loves tea-bags
and sugar... great company on a hot Kenyan night,
gets pestered with slingshots by the courtesan
   "bodyguards" of a tourist hanky-panky free whiskey...
  the time those kenyan entertainer girls
came up to me i sorta wished to play the
white-guy-****-history-joke...
stood my ground, went to sleep on one of the lounge
chairs one night... could have been stolen by pirates...
and i kinda wished it, but it didn't happen...
   still, the application of diacritical marks to
define syllables... the grave mark above vowels is
a bit like "holding back"...
         for some reason i first wrote mà-cá-qé...
but i realised... the avalanche only comes with
the acute marking above eh!....
        grave markings means restriction, a holding back...
and by this i mean that when the acute stress is
added, no number of optically adequate spellings
can erase it...
     in this case qé for what's encoded as -que -
   and still the four surds appear whether invited or
uninvited - softened laugh, eh? as in the asphyxiating
form of breathing, and then relaxed: ha ha ha ha!
       then again, i'm wrong,
they call them macaque: ma-ca-qac....
         so as a good revisionist does:
                grave and acute without a macron:
      má-cà-qàc - ma-cac-cac - not ma... ca-que!
   macaque!          Fawlty Towers and Mánuèl...
i know... nothing - hairspray romance,
and a horse called dragonfly...
   macaqué! olé!              
                          mácáquè -
    for the love of u - or parabola...
                 truth be told? i'll never know!
why? because no one taught us the rules of how
or when to apply such demands!
   let alone semicolons or commas...
                   macaque - barbarism sentenced to:
ma       ca              qak
                or simply my kayak...
**** me... it's still a monkey whether you like it or
not taking a **** and calling that chocy part of
its inverted intestines' toad-stool.
  let's just call it a mácàq monkey... because
the -ue suffix is just getting unbearable, like
an umbrella unfolded in one's **** -
   and applying diacritics to a suffix of pure-vowels
is beyond missing an ******, and making
rationale (the part where you miss stating an olé -
the part where rational is elongated into rationál
or the non-diacritical addition of -e)....
and then they worried why people never punctuated
correctly... maybe because people never applied
diacritical marks that they went beyond,
and didn't punctuate correctly?
                       humpty-dumpty hmm hmm:
                   eggs St. Benedict's, and a falafel Sunday!
me? trying to invoke a vocab that transcends
the ******* cool, however condescending i can be,
without trying or eating rye bread to boot,
    and then wear a balaclava calling it a Gucci neckwear,
drinking rather than throwing Molotovs.
Michael Hoffman Dec 2011
We can make this edible
without utensils
In a strange, menuless kitchen
Well, can you not make a salad?
Take a cucumber of memory
Slice it so thin that none of the recollections hurt anymore.
Mince some olives so fine
Their oil leaks onto the cucumber like OK.
Add the pulsing flesh of bright red tomatoes
But don’t slice them
Just squeeze them with your hand
Until they explode like wet epiphanies
And dare to dice a garlic clove
Without turning your nose away
As invisible olfactory reality
Assaults you with truth so pungent
That ECT would pale in comparison
To that very assault on your boundaries of understanding
And then toss the whole thing
Watching how it changes color and texture
And just when you both start to get hungry
And you both want to cry
The 50 minutes are over.
Steele Jan 2015
Confession: I have no idea how this whole challenge thing got started.
Whoever it is, I hope you like my contribution.
For your reference, I'm made of different things than when I first arrived.
Back then I was broken hearted,
writing retribution.
But just when I think I'm getting ready to move into the next chapter of my life,
The man I was before comes in and the recipe is ruined.

Ingredient the first is of course the man I was before.
I'll admit, he wasn't all that bright, and a bit of a know it all and a bore.
but according to every guide who helped him open newer doors,
"He has so much potential!" So let potential simmer for about a minute before you add in Life. But be honest for a second. Life's a cold, disdainful *****.

Ingredient number two was life, but it's far too large and full of emotion,
so grab your knife and cut a smaller portion,
mince, and mix it with a few one night stands.
Sprinkle in some daddy issues.
Add a dollop of fairy dust, and prepare to bring the tissues.
Next comes epilepsy, pill bottles to your eyeballs,
death, and loss, and missing parietals,
cheating, beatings, midnight meetings
with guys who will sell you memory loss for a few hundred bucks.
Caution: This recipe calls for zero *****.
Add them in at the risk of ruining the mix.
Let it simmer and boil with rage,
and eventually your mixture will break it's cage;
He'll run away, start over fresh somewhere, and lie about his life to all who ask,
then slowly, he'll open up to strangers over the internet, and bask
in the complements his poetry gets him.
Then he'll get a job like a real person,
and his cold dead heart will begin to tick,
like clockwork, which he'll be obsessed with,
and he'll start clocking people for money instead of kicks,
and be paid for it.
and get laid for it.
(because come on, why else do people become athletes? To get ripped.)
His life will, briefly, be a fairy tale,
and he'll believe for a moment that his old life has called it quits.
This is a crucial moment, don't **** up the recipe like I did
Because then...
if his old life finds him.
his runaway streak is over.
See, if it doesn't cook all the way through, food poisoning is in order,
and he is poisoned once again but that cruel *****, Life,
and his life becomes again a game of "Pick-up-sticks"
as his old life comes crashing back, and then, stage left, ENTER *****!
She finds him.
and before you know it too much Life was added to the mix,
he says "**** it" once again,
opens up for just a moment more,
***** up his rhymes, and moves out of his apartment,
packs his bags, says his goodbyes, and pays his rent,
then leaves to close more potential doors, lost and disillusioned.
Too much life came back too soon, before he was ready to be served.
Too much life was added in, and while you totally can say h'orderves
without saying "*****", life's a *****, so you add too much more,
and the recipe is ruined.
My life on a page. Bye guys. Time for me to disappear again for a while, and move on. It's been fun.

Addendum: Nevermind. :)
Adasyev Jan 2018
***
Hřejivé paprsky zimního slunce
házely do sněhu stříbrné mince.

U sněhu se třpytí zelená tráva,
je jako pobřeží,
jak nějaká mapa.

Prorůstá tím sluncem úplně tiše.
Tak v lednu může růst zelená tráva.
16. 1. 2018
TC Apr 2013
Scuzzy film on a scalding riptide,
Bare sinew woven like scaffolding,
Catcalling as warm-and-fuzzies
Mince by like so many exposed marble legs
Passing construction sites.
Crimped by a polaroid viewfinder,
I sit alone and click-click-click
With folded memories in my pocket.

Let me just set the record straight:
I’m still in love with our contrails,
But you can go **** yourself.
We were helter-skeltering kids
Rivulets of caustic devotion
Sweltering down our skeletons,
Fly away with me again, please
I’m seeing synonyms for you
In every ally-cat hymnal
This gutter throat can sputter out
Seeing scarecrows bound by wicker muscles
Shivering in a windfarm
Powered by all those doors you slammed
Snapping together like worn
Rubber bands warm summer hands --
Dance with me, you were
The most perfectly human
I've ever felt.

Is that Listerine rolling out of your mouth
In waves of empty bottles once meant for me?
Off of your shoulders like a cape,
A swindler, eyeing you
Like you’re trying to sell me cutlery.
Exchange glances that are
Trailmix crumbling between couch cushions,
Rubbing shoulders with waspy relief,
Tendrils of comfort had me gripped by the biceps
Spread eagle like a petrified starfish
Till I lashed out at you with bullwhip arms
Because my own back had been too hard to reach lately,  

Mirrored
Ad Infinitum.
Your tongue looks like a mirror,
Stick it out at me,
We always did look more than alright together
People stared on the subway,
Called us starry-eyed without a trace of irony.
Back in the day when you made me happier
Than something I don’t even have a metaphor for,
Just happy. Happy needs no metaphors.

I still check my reflection every once in a while
Never know if we’ll collide again anyway,
Best to be prepared but instead I
Drift aimfully towards a catacomb of eyelash wishes
And equally corny ******* I never believed in,
Still don’t,

It was getting at us, though,

Rubbing sandy fists down to the core
Instead of holding hands
Crunchy apple shell
Skin friction,
Bite the seed,
1,000 angry pomegranate teeth,
Chapped lips like crustacean shells,
Aligned like eye-freckles
Me looking like an unused punching bag,
You somewhere off in the distance,
A fading marble of plasticine light
On my wavering horizon.

Because yeah, you broke my ******* heart
You were novacane cruel and selfish
And so immature it stunned me
But you also taped it back into my chest
On the day we met so I guess we’re even.

It’s funny, already I can’t quite remember your voice,
the shape of my name in your mouth,
how you laughed,
but every word  you ever said
is still carved onto the back of my hand
like a roadmap towards all the ways
you showed me how to love myself.

Still rubbing them away with your scalding riptide,
All those words you said about forever,
Now just shackles,
So gladly did I submit to yours,
I still hate those ornery devices
Even now when,
They’re curled at my feet
Like broken wings.
Mateuš Conrad Sep 2016
yes, i know he said he was a vegetarian, delicate counter-priesthood prince - a manner of vegetarianism that expressed an abhorrence of the practice of Eucharist, i too think the Eucharist as a metaphor is a bit porridge: i.e. yucky.  but as Wagner said to him: up north, either you eat meat or you lose the plot (loose - ß - again, not scharfes S - but die scharfes'zart - sharp-tender - already prerequisite of what sharpening omega meant for the w); mind you: salt & pepper to taste according to your own palette - if you're not a sugar ****** you won't over-salt the sauce... and you certainly will not overcook the pasta, halfway between dreadlocks and poodle hair: desirably experience bound al dente, and here comes Socrates with his knowledge of al dente: me no muffin! true that... like all these excess sugar breakfast cereals - ******* the outside, soft inside... or like the idea of ants having an exoskeleton... that's pure culinary theory - al dente exoskeleton; did i already mention salt and pepper to taste? yeah, the beef stock cube is salty, but not salty enough, given the already unsalted meat and vegetables: i cook, i take care of a toddler - Nietzsche keeps bragging: cooked by a cyclops.

who would have thought that a personal
revision of mama Italia's classic
could end up being so tasty;
Nietzsche is the foremost diner in my humble
abode: i just like the way he says:
who let woman into the kitchen?!
that's right, i deviated from the standard recipe
of mama Italia's cooking for papa don
Giovanni - honestly? in lonely times at
university when everyone was into ******
ad drunk debaucheries, and ****** fancy dress
parties? Aria Giovanni saved the day...
just look at the classic beauty, plump as a plumb
in between two cream bergs - such
exfoliation... where's that daddy long-legs
on the catwalk... come on! shove a malteser up
her *** like a suppository escutcheon - i'm sure
the salad leaves will keep her starving even more,
or walk her in Gucci with a drip-pole -
intravenous therapy while on the job -
but can you believe what only a quarter of a teaspoon
does to the Bolognese sauce recipe?
wonders... you don't add the carrot, or the celery,
among the vegetables you add button mushrooms,
and the three colours of peppers -
onions and garlic (a lot of it) as standard -
oregano, rosemary and thyme too,
some Italian five-spice - but the fennel seeds!
the fennel seeds! after i learned to cook i see
ready meals are diabetics in disguise,
and restaurant foods as defunct -
what? we're all expressing our capacity to
make choice, apologies if you made the sort of
choices you now hate... hardly a reason to
complain about my exercise in freedom,
i don't blame you, i'd have chosen differently
if i were you too... but there we go...
i'm cooking Bolognese from scratch because i like
to tickle my sense of smell and the buds of
the palette garden, i look at the sauce and
write fiction: the plot thickens...
                                                     and that's the great
3 minute microwave sequence on the other
side of the spectrum... because we're all so *busy
-
busy bees and that's merely the generation Y
dads getting hormonal treatment from tending to
babies - choices choices choices -
                                                          oddly­ enough
the mediocre work that goes on in those glass
shards - by comparison, the default argument is
pretty obvious: i too would have not invested
in caring for art, or as i once said:
you can't get good art and raise a family -
you can create good art that will support the family,
you'd end up being a great technician,
an artistic engineer - the standard model of bridges /
already in your head - is refining yourself
via plagiarism - you end up plagiarising yourself -
but come one! a quarter of a teaspoon of fennel seeds?
well, i'm not talking cumin seeds...
or maybe it was the turmeric powder that
coloured the onions yellow while frying?
2 tablespoons of garlic - for sure, enough garlic
and we're already talking Dracula -
~5 strips of bacon too -
                                          no, not necessarily involving
carrots and celery - why be boring?
this is me in my furore days in an organic
chemistry class at university - back to the esters
and perfumes, but this is raw, it's analytical
chemistry, it's nothing synthetic -
birds and the bees and some hippy buckles over
a giant butternut squash - which is why i find
people who ably memorise and recite poetry
are the same people who probably write polemics,
and do the peacock verbal dance for a woman
in a restaurant - rather than give her raw grub
of your own calibre - 1 cube of beef stock
dissolved in water - simmering for about 40 minutes,
tomatoes chopped - obviously tomato puree -
500 grams of mince beef -
                                                ever think that poetry
could reinvent journalism and also the way of
writing recipes? FENNEL SEEDS! that's what goes
in first, you roast them in chilli infused olive oil -
let them sizzle for a bit - and yes,
you pour some oil into salted water where
you'll be boiling the spaghetti - the oil means the
spaghetti won't stick together, plus pouring
oil into a saucepan of boiling water is the other
famous pastime of chemists... the former?
watch paint dry. i'm pretty ****** sure i missed something,
like mama Italia missed something to keep
the recipe a secret - well... there's Parmesan cheese
to garnish and fresh basil -
                                                and if i were raising a family,
i wouldn't be listening to the dead skeleton's album
dead magick... oh sure, the reward would be:
i'd have a little crowd at my funeral, some gibberish
about how many people knew me so well... but really
didn't... the whole street profession...
                i never got the idea of solitude and how it
might be sad from the Beatles' Eleanor Rigby song -
don't know never became an impressionable counter -
oh yeah, Darwinism helped! it helped a lot
in creating a world view, a world view that said:
don't touch this ****... leave them to it:
these people are more influenced by opinion columns
of newspapers than philosophy books -
in England, where, i dare say, the daily telegraph
is actually respectable, as is the guardian -
and the central of the two opposites? tickling
tabloid, i call the times posh tabloid, because it is
a posh tabloid: i like the way fame
desired for sales becomes toilet paper
the next day... or the newspaper on the street
that gets the footprint on the plastic surgery escapades...
love it! mm, yes darling! lovin' it!
Gerry Sykes Dec 4
The grey ghoul masks, tan mummy wraps,
    black witch's hats and corpse green Frankenstein faces
    haven't hit the bottom of the bin before
mince pies jockey for a place beside the hot-cross buns.
Halloween and Christmas are squeezed together
    tighter than a coin’s width.

Tinsel boy band advent calendars
    sell 24 chocolate milestones
    on the road to obesity.
Supermarkets offer a sanitised Christmas
    religion rinsed away
    like bacteria on a chlorine washed turkey.
They trade a childless nativity like
    pies without mince;
    sultan-less fruit cake;
    plum-less pudding;
an unstuffed winter holiday roast.

People wonder where our culture has gone:
      we sold it for a midden
      of conveniently packaged banality.
Reflections on the commercialisation of Christmas and the loss of cultural capital that results.
Midden - a ******* tip
Juliana Jun 2013
Tighten your braces with yellows,
UV lights in police cars,
your high socks and new crewnecks,
steep all your worries in the cellar air.
The kitchen crew necks you,
steps over your extra vertebrae on the floor.
Exchange Red Sox caps and collaged cards for
iron oxides and spare joints,
an apology gift for the knees of a Titan.

Gilt neckties and stockings
hard hits over first base,
infrared silhouettes waving goodbye
slip on the steep porch stairs.
Your personal marching bands
sleep in shopping carts.
Your postcards lost in the Andes
written in purple pen --
everything’s smells like guilt.

Harts stagger behind
stags that hope to tiptoe around your toes,
scouting the suites in South America.
Back roads hastily swept under dining room chairs.
Necklaces of burned out light bulbs,
players sock the suited callers.
My bird house is empty.
Your world map is crumpled,
stuffed into the left ventricle of my heart.

Knaps of your wrist bones
fill the endnotes of my biography.
Bottlenecked bus loops and
windsocks left deflated in broom closets.
Your left hand in my kitchen sink,
catches my pressed shirts,
your clothesline melts into the sidewalk like lightning.
Bracelets on marble sculptures.
After you, I need a nap.

Littoral instructions spelled out in sand dollars.
Purple sunflower seeds caught in my turtleneck,
ghosts of eyelashes begin
to whisper wishes,
sockets for wrenches and ankles.
Blue hair braces for the midnight smiles,
the low tide of flowers,
the daily newspaper full of ocean currents,
your lips were too literal.

Lumbar dimples and goose bumps,
the rubbernecking waiter waited for the lights
rubbing his eyes.
Your playful dialogue
makes my plate shake.
Your safety is never on,
eyebrows marking my fifth disappointment.
I usually hate piano solos,
your voice is unstable, charred lumber.

Mince the pages of the dictionary
to make kindling for your irises.
Necklines defined as jade stamps
at the bottoms of the Chinese paintings
above last year’s birthday card.
Connect the dots to see the ruins of Rome,
your arms after the final battle,
crude stitches on undone sweaters.
Your pockets still full of dinner mints.

Canvass the imprint on the inside of
your leg from where the stitching folds over,
your jeans, unwashed in my laundry hamper.
Still overflows from knee socks and potted plants.
Microwaves compressed into my glass of water
the high tide seashells in your pantry facing
your ego in mason jars on shelves.
You’re tired of white board marker promises,
your skin a poorly cleaned canvas.
Homonyms everywhere. First and last word of each stanza. Enjoy :)
Who, or why, or which, or what, Is the Akond of SWAT?

Is he tall or short, or dark or fair?
Does he sit on a stool or a sofa or a chair,
                or SQUAT,
        The Akond of Swat?

Is he wise or foolish, young or old?
Does he drink his soup and his coffee cold,
                or HOT,
        The Akond of Swat?

Does he sing or whistle, jabber or talk,
And when riding abroad does he gallop or walk
                or TROT,
        The Akond of Swat?

Does he wear a turban, a fez, or a hat?
Does he sleep on a mattress, a bed, or a mat,
                or COT,
        The Akond of Swat?

When he writes a copy in round-hand size,
Does he cross his T's and finish his I's
                with a DOT,
        The Akond of Swat?

Can he write a letter concisely clear
Without a speck or a smudge or smear
                or BLOT,
        The Akond of Swat?

Do his people like him extremely well?
Or do they, whenever they can, rebel,
                or PLOT,
        At the Akond of Swat?

If he catches them then, either old or young,
Does he have them chopped in pieces or hung,
                or SHOT,
        The Akond of Swat?

Do his people **** in the lanes or park?
Or even at times, when days are dark,
                GAROTTE,
        The Akond of Swat?

Does he study the wants of his own dominion?
Or doesn't he care for public opinion
                a JOT,
        The Akond of Swat?

To amuse his mind do his people show him
Pictures, or any one's last new poem,
                or WHAT,
        For the Akond of Swat?

At night if he suddenly screams and wakes,
Do they bring him only a few small cakes,
                or a LOT,
        For the Akond of Swat?

Does he live on turnips, tea, or tripe?
Does he like his shawl to be marked with a stripe,
                or a DOT,
        The Akond of Swat?

Does he like to lie on his back in a boat
Like the lady who lived in that isle remote,
                SHALLOTT,
        The Akond of Swat?

Is he quiet, or always making a fuss?
Is his steward a Swiss or a Swede or Russ,
                or a SCOT,
        The Akond of Swat?

Does like to sit by the calm blue wave?
Or to sleep and snore in a dark green cave,
                or a GROTT,
        The Akond of Swat?

Does he drink small beer from a silver jug?
Or a bowl? or a glass? or a cup? or a mug?
                or a ***,
        The Akond of Swat?

Does he beat his wife with a gold-topped pipe,
When she let the gooseberries grow too ripe,
                or ROT,
        The Akond of Swat?

Does he wear a white tie when he dines with friends,
And tie it neat in a bow with ends,
                or a KNOT.
        The Akond of Swat?

Does he like new cream, and hate mince-pies?
When he looks at the sun does he wink his eyes,
                or NOT,
        The Akond of Swat?

Does he teach his subjects to roast and bake?
Does he sail about on an inland lake
                in a YACHT,
        The Akond of Swat?

Some one, or nobody, knows I wot
Who or which or why or what
        Is the Akond of Swat?
Sin Mar 2016
I met this geezer down the frog
Who said mate you gotta have a butchers
So we went into the rub a dub
And I couldn't Adam and Eve it

There before me mince pies
Stood a treacle all sugar and spice
She was a bleeding treat
For this London boy with sore plates

For I had been walking for quite a while
But now I was beginning to smile
Watching her with a pigs ear in me mitts
Boy I was chuffed to bits
Mateuš Conrad Jan 2016
did i tell you about that orca (killer whale)
that killed a killer white (shark)?
yeah, flipped him on the stomach
inducing a conscious sleeping position
of the shark, belly up... the ****** orca
drowned the shark.

dear daffodils counting to only sixteen
springs, why blossom why bloom so soon?
lemmy was part of something better
than his solo project... no one really talks
'bout his solo crazy train antics,
so why talk lemmy why talk ozzy os' burn
and simply dismiss hawkwind & black sabbath?

oh -
       *na kraju nocy i u progu dnia
       kogut  na dachu pieje
       w głowie sie kręci
       da na da na da
       gorączka znów szaleje.


given all that, imagine a seal on a drift of ice,
a stowaway of a berg,
then imagine why, it's seeking a monastery,
there are four orcas beneath the mirror surface
of the water, in formation, like horses
to the gallop of a wind's flute eolides,
and they're moving in, dipping with tail
fin exertion of some reflex spasm -
and the mini tsunami created suddenly
tilts the seal's monastery and the seal plops
into the depths... where it's only an old
cloth rag soon to be mince.

p.s. i denounce the polish diacritical mark
over o to make u (ó) as not diacritical at all...
it's an aesthetic mark, and yes, it does look pretty.
Bardo Aug 2021
When I think back now to when I was little (to when I was young)
The words "I love you" I don't think were ever spoken, not in our house anyway (now I could be wrong)
It would have been something silly to say
That was something you'd only hear in a Hollywood movie
Between glamorous movie stars, glamorous people
It wasn't part of our reality
If you were feeling anxious about something and needed comforting
You'd be told not to worry, that you were being silly
You'd be given a hug maybe or 'a treat' something nice
Usually something sweet, a biscuit and a hot cup of sugary tea or cocoa
A chocolate sweet if there were any
You'd be allowed to stay up late and watch the late shows on TV
Me! I was always a terrible worrier just like my Mom
Food most often was the comforter, the soother, the remedy to all
(Some say our relationship with food is the closest relationship we ever have in Life).

Yea! I don't think the words "I love you" were spoken where we grew up
Our parents they loved us as best they could
But they didn't have the words, the words to say it
It was strange...it was almost like they were forbidden to.
Of course, you could love your neighbor alright and your neighbor's neighbor
And your neighbor's neighbors neighbor's neighbor
And all the feckin' neighbors in the whole feckin' world
But the one thing you couldn't, you mustn't do
Was love yourself, this was the Big No No, the Big taboo, the Great Evil
It was the one thing you must never do,
And every Sunday at church, the priest way up on his pulpit
He'd never tire of telling us
How evil and selfish and bad the Self was
And all the bad things it got up to
Yea, your neighbor was always better than you were
Put your neighbor above yourself always
Love your neighbor and you'd be alright
That was the message loud and clear.

                               2

So, so we got treats instead of words of love when we were little
On Friday nights when Dad would come home from work and the pub
He'd always have with him lovely Apple Turnover buns
And a bag of crisps for each of us
And so, we'd all sit there together in the evening in front of the telly
After the maelstrom of the school week with  its lessons and scary teacher
Trying so hard to understand and get your homework done,
And despite all we'd laugh and enjoy the TV shows
And this... this was Love, us all just sitting there with our buns and munching our crisps just watching the TV together
Knowing we belonged and that we were loved kind of...as best they could
And that we had a couple of days off, days of freedom
Before we'd have to go back to school again,
It didn't get any better than this.

And when we'd be going down the country to see our Uncle John
My Dad would always stop off to visit a pub
And he'd get us a Club orange and a packet of crisps
It couldn't get any better than this... this was Love
The lovely sweet taste of that fizzy Club orange juice
And those wonderful salty cheese and onion flavoured (potato) crisps or maybe salt and vinegar flavour
Or later on, lovely smokey bacon flavour,
As we'd sit there Dad would be talking to the barman or some of the locals
But we didn't care what was being said, it didn't matter to us
It didn't get any better than this
This was heaven... this was Bliss.

Sometimes during the summer months before we could get summer jobs
Maybe it'd be raining outside and we'd be stuck indoors and bored
But then Mum would up and say "I know I'll make some chips"
Now Mum's chips were really something special, they'd be lovely big chunky potato chips, hand cut
And maybe she'd have beans in tomato sauce with them,
And maybe there'd be a good film on in the afternoon
Well, this was it, nothing could top that, a good film and a plate of Mum's big chunky chips and beans
Sometimes she'd even make these lovely mince beef pies
With minced beef and flour and onions, salt and pepper on them
And they were really something else
It couldn't get any better than this... and this... this was Love
(I can still remember the kind of meals we ate
And my Mum in the kitchen, and my Dad).

                            3

It's how people grow up in the end I suppose
They find someone inspiring, some teacher or book that makes a strong impression on them (if their lucky)
Or a partner who broadens their horizons, makes them question things and expands their vision of life and all its wondrous possibilities
But what if you don't find those good books, those inspiring teachers
Those voices that'd offer you a better vision of tomorrow and what this life could be
What if you only found bad books, bad books purporting to be good
That'd rob you and leave you lost and desolate, fearful and confused
What if some of your teachers turned out to be alcoholics
That some even done away with themselves
What if the people you met were even more lost than you were yourself...

And you'd go to a job interview and the man, he'd look at you and say
"So, what are your aspirations in Life, what are your values, your goals, where do you see yourself a few years from now ?"
And you'd look back at him blankly, Aspirations! Values! Goals!
What are these words, what's he talking about...
What am I looking for in Life ?
To have some fun I suppose...maybe (if having fun was still legal now as an adult)
Fun!!! Whatever that was now ?
Or to get drunk and stay drunk, escape this grim world I'm in somehow
What am I looking for ?
You tell me...I don't know, what is there
For all I knew I may as well have said
"A Club orange and a packet of crisps".

                              4

Now the faces they have all faded away, the voices too, have all gone
There's only me here alone in this room
It's Friday evening and I've got a readymade dinner from the supermarket
Just need to pop it in the oven for a few minutes
And I got a Dvd from the Dvd store,
So I sit there and eat my dinner, I savour every bite
But still it doesn't last very long
And I can lick my plate but it doesn't make any difference
I can lick it all I like
But I can't make it last, and I can't bring them back again
Those people that are gone;
And the food, it doesn't taste the same, doesn't taste as good as it tasted back then
And the movies too, their not like the ones we used to watch...

When I die it'll probably be like that movie Citizen Kane, at the end his last words "Rosebud"
The name of his beloved childhood sleigh
He used slide on in the snow,
I'll say on my death bed "I too have a memory of Love and Joy, Yea!
A Club orange and a packet of crisps".
A strange write this, life through a foodie's eyes. Another rather melancholy write (or wonderful delicious melancholy write LoL). I love the sad ones, they crack me up every time, take me to deep places within, they take you on a journey. Club orange is a lovely brand of fizzy orange juice over here (like Fanta) and a bag of crisps are potato chips fried wafer thin that'd come in different flavors. Very sugary and very salty and bad for you LoL.
mEb Jun 2010
I glanced fancily upward, taking quick notice at the 5 bladed ceiling fan that had always resembled the most crooked demeanor. Dust had been caking on her old worn blades for decades, building towers of particles of all sorts on the oak finish wood she was given at the factory she was produced in. Without the slightest mince of doubt, I would confirm China to plead the fifth. Shaking, this fan has never shook it had not been used since last summer. I heard ear splitting low toned roars as if boulders were forming an army only to be dropped from high jacks in the clouds. As I figure, these trains that run through this nearly vacant ghost town were shifting from one track, to one of the other six sets. Young, lying amongst my spring filled bed, the roars should have terrified most kids, but for me that signified life in a lifeless, sub-cultured society. Those roars had put me soundly to sleep.

My dark brown, small gritty eyes received a bit of that ceiling in them on the average August day of trains and mirages down the road. Determined to productively put this tired body of mine to good use I begin to scramble around the house for handy-man looking objects. Hammers, wrenches, nails, these things are hard to come by with two females under one roof alone. A ******* child I am, but ever long have accepted that. Luck had struck my view as I finally found myself in the parasitic garage infested with cobwebs, and every insect relevant to Kingdom Animalia. Running with all of these essentials may not have been the smartest decision, but hesitantly, in abrupt nature, I stopped. The roaring had been a continuous cycle of low blows against the hot sona air. It seemed like pendulums gaining momentum the closer it rose. I thought so keenly at the fact that a single human pair of ear drums should not rightfully pick up such low, non chromatic scale frequencies without crouching helplessly in fetal position.

Running to the front gate, mounted and bound by wires and steel, setting foot on the end of the premises of my humble abode, I felt utter desperation for everyone around me. The neighbors, sons, daughters, mothers, fathers, all our town’s elders that had been scornfully slothful over the years, were shifting about frantically. Leaping in panic-like modes into there vehicles. Into other neighbors vehicles. My mother, that had been off working four towns west, away from the commotion, makes the predicament that I will do just the same. But I boycott her judgment…as always.

The day had come. Finally, a vacant ghost town of my very own for merely minutes seemed like the longest, most eventful lifetime I had fulfilled. How badly the urge set upon my mind to grab wooden spoons and the biggest stew *** in the pantry I could possibly find. Just to gain and take name of my own sound while the calm was at its most content. For that piece in time, I would cherish every second. To warn no living thing, just me and the atmosphere, that I am here. I am the only one here. I am every characterized town in one. I am the law, I am the doctor, I am the city inspector. I blink as I erase my silhouette from this illusion. The roars are now visible. I can see how white and violent there pitches are. I see every color in the nearing explosions because the whitened bomb bends and blends them all together, and holds them firm. They begin to paint the sky gracefully on its pale blue canvas on the mid-august summer day.

I grab my essentials of handy-man objects that I almost lost feel of. Slowly returning to the home I know best, I intended on removing that dust covered fan and I did. Without ever knowing any father figure I would give him that fan, the only token of my existence he would submerge over. I own up to the simplicity and humorous thought of doing everything without him.

Reminiscing back to when I was young, lying amongst my spring filled bed, just as I am now. I thought, the roars should have terrified me like the town, but for me that signified life in a lifeless, sub-cultured society. The roars had put me soundly to sleep.
SweetJacksonFan Jun 2014
 you would not want to meet

 is not worthy of a greet

 is rather offbeat

 thinks he is so elite

 is a man incomplete

 is very far from sweet

 is full of conceit

 is riddled with deceit

 secretly plays Trick or Treat

 manipulates the Balance Sheet

 knows how to deplete

 has a business that's not concrete

 risks being beat into mince meat

 is a ***** rotten cheat

 does it in the backseat

 likes to turn up the heat

 is not too discreet

 knows how to mistreat

 probably has smelly feet

 I imagine, would secrete gleet

 is the type to *** on the toilet seat

 is a glutton that is not shy to eat

 has a large carbon footprint with his flashy car fleet

 undeservingly always gets a lovely hotel suite

 forever gets granted the nicest plane window seat

 the movie, received tweet after tweet

 the man, was also not short of a tweet

 is enough to make me bleat

 should go into retreat

 whatever you may think, did not reach a great feat

 cannot avoid the Hot Seat

 will get very downbeat

 will suffer absolute defeat

 will become obsolete

**Then God will press delete
21st June 2014 @ 02:26

Do not glorify immoral behaviour.

Alternatively, you can try chanting my poem while beating your chest as demonstrated by Matthew McConaughey in the movie.
st64 Jul 2013
oh.have.the.heart.to.welcome.a.stranded.soul

1.
If you’re given the jolly gift of a green ribbon
Would you use it as a link to answers
Or to hang your pretty neck?

2.
If a tree has been yearning to the sky for more than sixty years
Would you now stub out your ciggie in its folds
Or embrace its giving energy?

3.
If such books have been written many millennia ago – saying a multitude
Would you shut your ears to debate and follow blindly
Or respectfully ask bold questions?

4.
If a man kneels repentant in the dust to wipe your shoes
Would you offer a hand up
Or trample on his fingers and spit on his bent head?

5.
If the insipid cashier annoys your sensibilities
Do you leave it unattended
And later sickeningly vent and shout at the wrong one at home?

6.
If a once-beautiful cat lies dead in the road
Would you let your rapid wheels contribute to its *messy mince

Or do the ***** job of humanely scooping away its remains?

7.
If a powerful dream comes mayhap to honour you
Would you ignore its seemingly-confusing message
Or follow its signals (in a maze)  to certain life-enhancing enrichment?

8.
If constant calamity touches your being on stretched resources
Would you keep popping those three sublinguals with alarming ease
Or try to surrender and accept the pain under arborescent canopies?

9.
If an old woman suffers a stroke in the heart of festivity
Would you refrain from visits while sending easy bouquets and fruit-baskets
Or take the time to help her struggling steps to the toilet?

10.
If the moon shines tonight on your wretched suffering
Would you hurl silent abuse and curse its half-light
Or glance up to catch perchance the echo of your deepest wishes in the air around ...?


you.can’t.honestly.say.that.it.matters.not
for.it.touches.you­.too




S T, 16 July 2013
something to be said for intrepid wayfarers out there ....rock on!

:)




sub-entry:  hide

face the wall
go
stand in the corner
don’t want to see your shame
hide your eyes

how do you hide a wall?
easy…. see right through

close the shutters
and hide light in the mind:
escape

but not so easy to protect
a floundering candle.
B Young Nov 2015
All us children of the Millennial
awaiting an omen,
seeking out the last augury,
weaving among the boomers
who present us with a forgery.

Stay strong, my children!
We are the last missionaries,
the last lost lovers,
are the rarest breed indeed,
above us a genuine gospel hovers.

Stay authentic, my friends!
Set out with unmatched veracity,
imperfection glistens these days but,
we see through the deceiving fog with rectitude,
we refuse to be mislead.

Steer the course, my children!
These maps made for us yield no
sensible shape or design when traced,
we forge our own compass.
Forgetting north south east west,
undulating inwards with a steady pace.

"We are the lovers, we are the last of our kind, so hold my hand and keep your chin up and I swear we'll be just fine."

We desire no recompense, only truth.
On sour soiled presidential soliloquies we muster strength again and again to chew, repeatedly breaking a tooth.

With roots above and branches below,
we capture our affections in nature's photo booth
but,
furrow our brows in a sordid mirror reflection.

Stay clean, my sweet princes!
Dart ahead to meet me and my words I will not mince.

Hold steadfast to the healing hope hovering above our masts,
steer this ship with steady hands,
fear not the undertow.

A voyage which is long and treacherous,
but this is no ship of floating fools.

Be proud, my children!
We have sailed successfully into the millennium,
leaving in our wake the outdated value systems of the past.

We are the strong
We are the brave
We are the lovers
The last of our kind
Pea Jul 2014
Mince me
Mince me
To small pieces
Small, small, tiny pieces
From toe to head
From toe to head
From ******* toe to head
I need to know the agony
I need to know hell
I need to suffer more, more
Most
So I could write about it
So I could write about it
So I could write about it
And make hearts bleed
And make faces waterfall
And make hearts bleed
And make faces waterfall

— The End —