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Michael DeVoe Feb 2010
There is a man at the coffee shop I frequent
He sits in the same corner in the same sweater
And hasn't missed a day since I've moved there
I've never seen him order a coffee, but he always has one
Never seen him eat, but he isn't small
And all this man ever does is take notes
He's got a pocket size notebook
A twenty five cent pen and a mustache
And the only time his hand stops writing
Is to take a drink of coffee
He's not normal
I could tell it the first time I saw him
He writes like chipmunks eat
Keeps it close to his face
I hope one day I'm flipping through case studies
And find his
It'd be about interactions
Or communal relationships
Or some fancy way of saying strangers don't talk
They only judge from afar
It'll have won whatever literary prize they give for that kind of thing
Changed the way people thought about each other
Books will be written about the book he wrote
And his little notebooks and twenty five cent pens
Will sell at auctions for thousands
But that's wishful thinking
He's different
I knew that the first time I saw him
I've gone through a lot of scenarios
Character development for a novel
A series of short stories derived from first impressions
Of everyone who comes in
A poet without a laptop
Maybe even a hit list
But he's unusual
I knew that the first time I saw him
This isn't something normal people do
He isn't making believe
He's making friends
I imagine he hasn't had too many in his lifetime
He's probably not been very good at it
So now he's just making them for himself
Taking notes on their likes, dislikes, interests, hobbies, occupations
Eavesdropping the CIA would be jealous of
All so that after closing time
He can go home to his studio above a repair shop
He pays for with social security
And have conversations with them
I can picture his closet full of clothes
Male, female, juniors, adults, maternity
He talks to an empty space on the other side of the room
“Hey, how's your day?”
He takes off his clothes puts on a dress
Walks over to the dead space turns around and says
“Good, hey you look sad is everything alright?”
Takes off the dress, puts his clothes back on
Walks back across the room
“Yeah, it's just that Gary works in engineering, I had him pegged for a dentist”
Changes again
“It's okay, people aren't always what they seem,
Besides I like engineers better than dentists”
“I know” he says back to her
“That's why I think he'd be perfect for you”
“Oh no, no more blind dates”
“Yes I'm serious I think he's the one for you”
“I do so bad at these things”
“Well I'll just have to ask him for you, are you available tomorrow night”
“I guess”
He changes into a third set of clothes,
Then a forth,
A fifthAnd before the sun comes up
There's been a marriage
A hockey game
A lecture on physics
And little Tim had a cello recital
He's dangerous
I knew it the first time I saw him
One day Nikki won't answer his phone calls
Sam won't have a new lecture prepared
And he'll come back to the coffee shop
And make them,
Teach them a lesson,
Exact revenge,
Or maybe he'll just throw away their outfit
Either way ****** is just a mind set
He could win an Oscar for his portrayal of any regular in here
But they've all disappointed him a time or two too many
He's not that different
I've learned that over time
He's got more friends than I do
But none more alive
A collection of poems by me is available on Amazon
Where She Left Me - Michael DeVoe
http://goo.gl/5x3Tae
g clair Feb 2014
Ears hear, eyes read, mind processes, heart feels, tongue speaks and/or  hands type/sign or motion.

The cycle was set in place with creation.

In a forum such as this, people share and those of us in this cyber coffee shop read.  

A miracle is communication, and the degree to which the speaker/writer/artist needs to be seen and appreciated varies.

To some, the need for recognition trumps his perceived need to create.

To others, the appreciation seems the icing on the cake of their heart's musings.

Others may be embarrassed in the spotlight, but still appreciate the attention.

Nevertheless, the miracle of communication, the cycle and mechanism through which man can share his art, as well as the wonderful freedom to connect and respond as freely as one chooses is often overlooked.

Taken for granted...abused, neglected, uncelebrated.

We can appreciate simply or we can use this communication to receive, process and question and learn things about other people, their experiences, thoughts and beliefs.

Their input serves to stimulate our thinking and either shut us down and turn us away, or send us on adventure of mind and spirit.

Words  have the power to excite the soul and find reason for existence.

They can also hurt, stemming from situation, temperament, past hurts internalized, or out of misunderstanding.

Our own vulnerabilities/sensitivities from past violation of our boundaries  leave us open for hurt. Lack of boundaries...a cause for so many problems in communication, and yet....poetry seems to invite us in for tea, to make us feel understood . Comments welcome. We hope people are nice. I hope people are nice. ( steps aside from podium) You all seem nice. I close with these words.

I truly appreciate communication, especially through this comment feature and the channel ( my laptop)  through which it exists, not simply the internet.

I direct all thanks to my parents and ultimately my husband, my lord and my maker, the one and only Supernatural Jesus Christ. ( nod to guy in the plaid shirt over there, who also goes by Jesus). Almost done. The following a poem I wrote about what I had thought to be a bully, but truly my own bullheadedness.

" Shooting The Bull"

Once owned a Ford Taurus though often it's said
a Ford on the roadside is probably dead.
I never let stuff like that go to my head
I know how it is to be down.
Ran my hand over the gun metal grey
if it was a horse we'd have galloped away
but the oil was blackened and so that fine day
I decided to take it to town.

My husband was known for mechanical skill
took pride in his work, though I battled his will
I knew he was right about everything, still
I wanted to have my own way.
It was his contention that I was a pain
he often made comments that seemed so inane
I knew that he thought I was lacking a brain
at the technical end of the day.

He said he would change it the next Saturday
still I thought to myself,  "There's a much better way
at Jiffy **** service is good, and they say
that it takes them no more than ten minutes".
Five minutes to get there and five minutes in
they offered to clean up my ***** engine
I gladly accepted, and paid for the gin
or whatever that mixture had in it.

Back at the house, feeling quite satisfied
a little bit nervous on account of his pride
but the Taurus can't wait, 'cause what if it died?
and think of the money we saved!
Well he wasn't at home, so then I could relax
I got dressed for work, while rehearsing the facts
then drove to my work, and in one hour max
the Taurus it bucked, then it caved.

Squeaked into the place where my money was earned
I called him and naturally he was concerned
we had it towed out, I felt angry and burned
now I needed a brand new transmission.
I try not to dwell on the past or road ****
we all have our issues, they bother me still
I'm often quite stubborn, and always a pill
but once in a while now, I listen.
Mateuš Conrad Sep 2018
. like some pop canadian psychiatrist might, lecturing males about *******, unlike some lars von trier... let's just say that i can understand of jerking off having been mutilated, oh, sorry, circumcised, having an improved impetus for the opposite partner... sure... love the lecture... a male's missing ******* is compensated by a couch with extra pillows of a woman's ******... i get it... one problem... one thing lecturing males on the dreaded degeneracy of *******... could this famous canadian psychiatrist, cool off, and lecture females about their exhibitionism? no? not real? ****... i took the alternative route jerking off... took to fine art nudes, and selfies women take of their cleavage... i might be a sore jerking off loser... but she's the ******* exhibitionist.

ever walked down a desolate road,
with only cars whizzing past.
and no pedestrians?

ever walk and stop,
under a street lamp,
exasperated by the stealth of rainfall,
slow...
   airy, almost floating,
like a myopic cloud covering
your eyes?

ever walk into an alley beside
a baptist church...
ease up, take a ****...
and then drench your hair in
rain (water)?

ever glide over the sheen of
concrete covered in
wetness that soil would
otherwise, hide, and ingest?

the temperature is still there,
can't get sparkles,
guess i have to settle
for squid liquid glee of
the cement...
give it three months...
the paparazzi will glitter
the mundane cement gore...

and then walking down
a road, downhill...

             /
            \
             /
            \
            /
           \

i might have been drunk...
but i was going / left to right,
nd \ right to left,
spectating the rainfall
under each street-lamp...

  **** me... what a beauty show...
like watching someone
spin candy floss!
  
i squinted my eye...
   un-squinted it...
    mezmo...

              better than an l.s.d. trip...
   auburn come autumn air...
a slight fragrance of decay...
        french puff pastry...

slow rain,
like a postcard enclosed in
an envelope...
    like carbonated water...
a gesticulation of imitating
fizzy, in terms of air...

     pure... magic...
so i did what no other drunk does,
walked down the street,
a ******* zig zag parade:
  
             /
            \
             /
            \
            /
           \

  or Z... x6...
            the linear aspect implying:
i paused, and admired...

              just a little rain,
and all the streets were empty...
what space...

by the way...
   is Budweiser truly the king of beers?
my local supermarket has started
selling
            asahi...
         well, technically liquid amber is
evening sun, not morning sun...
but seriously...
        Budweiser?
the, king, of beers?
   if they stopped milking the Chinese,
injecting rice fermentation...
then... maybe...
         Budweiser is the ******* beer...
yak ****...
         it's akin to the story of
of: pork because of bacon...
   bacon is crap...
       pig head and cranium terrine...
  or pork kabanossi...
         but i give the h'americans
bourbon...
god i can't resist...
   do all brothels "stink" of
Kentucky bourbon?

         every time i open a Kentucky bourbon
i am reminded of having visited
a brothel...
    and the kissing like
oral ***...
                      perfumes! perfumes!
perfumes!

   floral patterns on the lips
that pucker up to vines and needles
leaving them shut...

     **** me... even the *** beer has
a story, rather than a kingly stature
behind it...
   karakuchi...

or as one must summarize:
i got to the brothel for a hard-on,
i go to the cinema for the pseudo-acting...
your chiral female to example...
limp **** and i might as well
be eating ****...

          and then there's Californian Punk
of the 1990s...
           which?
does British politics even exist?
to make a punk mooo-v'eh-ment?
           i brought the cows,
but forgot the cow-bell
for Nazareth's hair of a dog...

     as we know it...
punk died in California in the 1990s...
punk ist tod...

come to think of it...
no one does blogging when testing
alcohol...
  ****... and it would be censored...
if someone should do a social media
type of critique,
getting off his *** when drinking
an asahi beer,
of a whyte & mackay whiskey...

      here's what it could look like...
in writing.
Mateuš Conrad Mar 2019
matt
did you get my reply? i hope you did, i had written approx. 5, and all of them deleted... i hope i allowed myself a justifiable response with this one:

how about solipsism? solipsism is an elevated term for autism, isn't it? me? personally? i love cats, but they have a tendency to become inexhaustive economists of curiosity... i wasn't implying autism as an insult, i was implying a more crude word, synonymous with solipsism, and there is no shame in that to begin with. i like cats, because i own two, and i'm most content, when i can allow myself the time, to allow them the same time, to be left alone. cat, solo... dog + man + tail waggling + throw a ball... i better post this reply before i allow this reply, to become deleted... with all the prior 5 that have been, and me, having to post the alternative, "revision".

i.e. i rather imagine autism to be in need of having an elevated status of being designated by the term: solipsism... how can i make myself elaborate? point being, i don't want to... i too am confined to a strict vocab. fixation for the purpose of expressing language, that mitigates, bypassing, shrapnel wording of: one category fits all, conjunction words, which, i find, I, to be akin to, when categorised as: AND to begin to confine oneself to, the subsequent rigor of nouns.

i hope this doesn't end, or begin as, an apology... by autistic i was imply solipsist, i wasn't implying the retrograde slur of ******... if there's any god, it's in the disinhibited self of the autist, readily plucked, by... no basis for either a selfish, or a selfless act... i'm over-wording this, but... point being... i needed to settle myself in a posit, above the current cultural norm of the troll... which has nothing to do with autism, or as i like to call it: solipsism, diminished to a slur of: automaton...

i hope you can make lite reading of this... i concede, i attempted to make more than necessary, and conciliatory scribbles... if in any way i redeemed myself, i hope you'll concede to entertaining, accepting my apology.

Jules  22h
My only issue was that your poem seemed to make Autism synonymous with stupid or any other derogatory term. However, seeing as that wasn’t how you meant it, I apologize. I’m a bit defensive as my brother has autism

Mateuš Conrad  22h
that's perfectly understandable, given the circumstances, i am hardly surprised... i'm still here if you want to continue past the initial shock-tactic of testing the waters with me, obviously we can change the subject and not stand, metaphorically: with knives pressed against each others' throats... there i was, thinking i'd reply diving into the subject matter for no, necessary clarification / added depth... but it's the least i can appreciate from your cordial response, as to, at least, appreciate a change in the subject matter, so that, both of us, can return to feeding off a sentiment of: being left, less, uncomfortable; which implies that i have to instigate the question to change the subject matter... hmm... speed-dating-esque trivia... movies, paintings, music... literature... ah... kind of blue, miles davis, my english teacher told me, that if anyone in the classroom didn't own this album by the age they were 30... there was something wrong with them... in my then paranoia, i bought the album, and now own it on vinyl... somehow... i find that there's something more wrong with me, owning it, than not owning it.

Jules  22h
Favorite movie- Mamma Mia, favorite painting- amazing piece by a local artist, music- currently obsessed with the Beatles, favorite book- We all fall down. I’m thoroughly impressed about how reasonable you are being given the circumstances, and after reading a few more of your poems, I can tell you are a good person

Mateuš Conrad  21h
oh come on... mamma mia?! and not something akin to west side story?! who's the local artist? i only access to a London base, and, that requires a networking schedule i'm not going to equip myself with; and i'm hardly surprised by how understanding you are of me, and i do wish to pay more compliments to you, but... i feel that that would overstate me taking liberty in me not incurring an over-simplified stance of my own liberty towards you... remember, i'm one person in writing against a blank, and another person to conjure forth a reply... against a canvas, that is a readied flesh of my own flesh, bone of my own bone, i can see the antagonist in the compounded state of, the sacrosanct state of lingo... i can be a ******* against a blank canvas, but, obviously, when i am to begin with a clarity of an addressee, i cannot consider staging a variation of something, inhospitable, as a Kandinsky-variation to suit myself... Jules, you can never become something akin i treat a blank sparring estate i perform in writing without, something you are already established with, concerns equivalent to my own predisposition being unchanllenged / or, rather, undistrubed. the beatles... i'm trying to find something of a vinyl collector's "beginner's luck"... i'm too into prog. rock music... EP album experiences, akin to: king crimson's debut: in the court of the crimson king... serves me right, for not getting into Mahler... or Eric Dolphy jazz... so i turned the blind eye, and moved toward pagan music... wardruna... hedningarna... in extremo... garmarna... faun... heilung... esp. the last... i have never wished to visit the Faroe Islands more, than, after listening to their music.

Jules  21h
Mammia Mia is my favorite almost solely because of the memories attached to it. You certainly are a unique person

Mateuš Conrad  21h
i agree, i'm a sucker for super trouper and money money money, i'm waiting for a Tina Turner musical, to be honest... don't worry, i've looked into some of your comment sections... i cannot alleviate the blatantly bogus comments that are worth nothing more than an immediacy to make antagonism... i can't, i wish i could, but.... it's either this variant of an outlet, or a punching bag... i'm as unique as you find me to be... but when i just see "demands to conform" to an otherwise unnatural behavior... i don't like behaving in a counter-cordial fashion... you understand me? if there's no need to be bogus, why begin to bother being so? i hope we can remain lodged into partial nuances... and continue this discussion, beside tomorrow, i.e. whenever you feel like to preserve it, which, i hope... you will strip away more of your anonymity... but even if that is to not be the case: i thank you for the compliments... but from having inspected the immediate comments... you are a most tender artifact worth double the inspection's curiosity with a shy eye... and until i take myself to rest, and slumber, i can only leave your with these words... i wish the world was more welcoming than i allow you to believe it to be. if you can ever forgive me, i can only hope you can, by bidding me a goodnight, and welcoming me back into the discussion, within the confines of a tomorrow.

Jules  20h
Goodnight, my hopefully future friend. Poetry is definitely one of the best outlets. I definitely understand that aspect of you

Mateuš Conrad  20h
i hope to entertain you here, once more, and all the future that can be shared between the both of us. let me see you tomorrow, and scrap a beginning of a conversation with you, once more toward a focus of a beginning... and see how many minutes this allows us to entertain an amnesia of: beginning with today... how about that? i'll take to sleep, and hope, to grin... i actually re-read what i wrote: and figured... if i was being all-too despotic in securing pedantry... but then... if you took to complimenting me, i have to compliment you: tender soul... scouting the merger of sight and the hybrid coast... tender petal... why not? who is to obstruct me telling you this? lever... beside the said and into what's thought... tender petal... what a Scouser would call pet, i'd call petal... or... heavily implied: stagnant Bismarck stipend... if it be too much to ask... write me more than under the scrutiny of below the already given minus, of the 10 sentences. come at me as a punching bag... just as an experiment... i want to be the new vanguard... experiment with being uninhibited.

Jules  19h
Even the way you talk is extremely poetic. I appreciate how you took the time to try to talk everything out to prevent us from having any bad blood between, and I see know that you didn’t mean any harm from what you said. Thank you for being so kind about it all. I sincerely hope we can pick up this conversation again tomorrow as I feel we are on the road to a promising friendship. I’d be happy to write more per text, but for the sake of experimentation, I’m intrigued to see if you could try to talk in a little less of a formal dialect

Mateuš Conrad  1h
trying to bypass a formal dialect will be hard, as we're too fresh into our patchwork of setting boundaries, rigid as that might sound, and the current climate, to me, you're a slab of marble, not a statue. this sort of friendship, you're talking about, requires us to keep a modest concern for language, which, awfully, is riddled with diatribe excerpts... how we will transcend this, is, well, concerned with both of us to decide... i'm starting to entertain the fact that you have an autistic brother, since i'm learning to be panicy-picky with my language... i too had an ultra-autistic "friend" back in high-school... and i would constantly retrieve a blank-state response from him, i.e. i was looking at less a person, and more: a labyrinth. how i'll transition into a more informal use of language, i'm unsure how that will take place, Jules, we can't exactly share experiences, we can only avast ourselves, on what will pursue its own noumenon characteristics of stated language. at present, we only share a commonality of language, i'm bewildered by stating something informal... i wish i could, but i'm only allowed an "aggrieved" presence to your wish for: informality, slang, holding-hands type of escapism. i think that, with regards to your wishes, we'll have to settle for a sediments' worth of unravelling, like me, you're too trying to escape the puddle's worth of being immediately "concerned" with the comment section... we'll need to find commonality... from yesterday, i can tell you: i had the beatles faze when i was leaving the years attributed to my teens... then i found it really hard to find new music, outside the realm of bands akin to tool, the neo-progressive rock bands... but i see your point, my language is the sort of formal, that stages a lack of intimacy, but this is an ontological-high-jump, given your reply, and emphasis on friendship... you will have to curate me, moving forward, since i will be unable to moderate how, me, interacting with you, will be adequate to have finally said, something informal, by your standards of scrutiny. time, i will first have to see some of your idioms to change my dialect; i'll begin, i'll tell you where this was written from, Romford, Essex, England.

Jules  1h
If we are to move forward as friends, I have to express my feeling on the autism topic. First off, Autism is a spectrum that ranges from high functioning to low functioning. 30% of people with autism are in fact of average or higher intelligence. Some of the most famous scientists including Albert Einstein were in fact autistic. It is not synonymous with simple or stupid in any way, shape, or form. I dislike that you said your friend seemed to be less of a person because he had autism. However, I understand that you’re misconceptions weren’t meant in a malicious way

Mateuš Conrad  51s
so how can i move forward to establish a less informal dialect? i wasn't focusing on the details of the stated condition, i know that i'm handling something as fragile as an egg in terms of what words i employ, and that i might seem astoudning, in having not contra opinions on the matter beneath the impersonal "facade"... but you were asking about how to make our interaction more uninhibited, if we're going to lecture each other about infringing on delicate matters... i wasn't implying the person in question was less of a person, i was implying he was more of a person, by resembling a labyrinth, i didn't take any personhood from him, i simply reattached it to a metaphor, of elevated complexity, of a labyrinth: i was lost in attaining a mutual comprehension of a shared experience with him... what's so bad about that? i only mentioned something in passing, since your's, was the original "concern"... you asked me how we could continue in a less informal manner... this reply will not answer your original "concerns"... what if i were to say: i'm schizophrenic? what then? you'd lecture me on... all of your knowledge on the matter? if we're all going to interrogate each other... thus... then you have a misconception of schizophrenics... akin to john nash... personally, i don't understand how you'd think i'd be primarily focused on something said: intended to be relegated to: in passing... guess what... i'll send this and...

      BLOCK

               i'm basically rummaging
through porcelain...
  i was ****** off one writing
platform for no reason...
   being ****** off from another
is not on my wish list,
from a very, simple,
lack of reciprocated
       feed of understanding;

   oh i know when i see minor *******,
some liking it to micro-aggression...
i chose a fox as my totem,
learning from a 2015 "debacle":
it looks innocent at first,
    but then spirals out of control;
the more i sieve through
this construct known as humanity,
the more i chose to remain
hidden.
   - and for all the worth
of the tabloid press...
   this is where i'll reign, myself
included.
Nat Lipstadt Jan 2014
Dreams of a Child
Created: Jan 23, 2011 5:44 AM
Finished: Jan 30, 2011 4:23 AM
Posted here  Jan 2014
Warning:
a very, very long poem, but within , I promise,
there is a precise stanza about, for you.  
Take it as my gift.
Let me know which you took home to play.

~~~~~~~


Some poets care not
for the
discipline of rules,
laws of punctuation.

Why bother brother,
with putting poems
in antiquated jailhouses,
prisons of vertical bars,
or afford the reader,
the courtesy of horizontal lines?

Question and quotations marks
these day refuted,
as a Catcher In The Rye
conspiracy symbology of big lies,,
political interventionism,
to the creative, most natural
right to be crude.  

Inconvenient impositions,
symbolic flailings, of an
over regulated civilization
in the throes of declination

Punkuation is but a
societal annoyance to
today's creative geniuses,
periods, commas,
nothing more than
a pause to think -
who needs 'em?
when we want to stink
up the atmosphere with vitriols
of half truths and inhuman
but oh so gleeful,
concentrated disparagement
of any person worthy of
nationwide late night mocking merriment.

Such free spirits, vivid animations,
within me do not reign,
though upon occasion,
boy got permission slips  
for breaking bad by invention
of an occasional new word.

New words, white truffles
vocabulic incantations,
my own cupcake creations,
meant to burr, or purr,
their tasty meanings, always,
were readily apparent.

Sometimes we rhyme,
sometimes  we can't;
doth not a reading of a
poetic periodic table
of rants, chants
love poems, and paeans
to a shhhh! pretend,
overarching, poesy ego
require some minimalist format?

How I envy you,
kind observer,
possessor of literary powers
untoward and untold,
delicate touches of a fingertip
rule and rue
poetic invention.

You can zoom away or in
for a closer examination
of unscripted revelations,
incinerate them like an
yesterday's newspaper,
thus demonstrate contempt for
less-than-historic ruminations,
as time has done before.

Witness the crumbled ruins of Ozymandias,
king of kings,
and how the critic's machinations
with a dash of tabasco time,
his works, now museum pieces,
in the Tate Modern's room of
Laughable Human Aspirations.

Don't panic, sigh or groan,
kind observer,
infection inflictions,
content of discontentment,  
ancient whinings that the publisher
long ago listed as discontinued,
will not herein unfold.

What has all these mumbled asides
to do with the Dreams of a Child?

Apologies prolific I distribute
for this long winded profligate prologue;
and even for prior invasions
of your contemplative fantasias,
but my intention certain:
**** out the weak chaff eaters,
feigners of faux interest,
who stanzas ago deserted us,
this confessional lore.

These prior lines conceived
to mislead and deceive,
to refer and deter
send away, the hangers-on
who litter our lives,
with whimpered falsehoods.


So, we begin anew:

Today's lecture entitled
Dreams of a Child
were formatted on a silver disc;
this communication's originations,
seedlings of block
roman black letters
on background of cleansing white,
re things that jar me in the night.

Easy slights that waken
from a fitful, pitted rest,
mental paintings
natured in gem colors,
tourmaline auras,
and vibratto hues
of blue zircons.  .  

I have never lain upon the couch,
in the inner holy of holies,
where one whispers
to the Father Confessor
an original composition,
subject, title and inspiration
of said unique origination,
decidedly of one's own choosing,
roots of the essay's telling,
harvested in the root garden
of one's dreams,
where grow herbs,
spicy ones,
flavors of childhood.

The lush and wooded smells
of a forest of childhood scars,
and it's concomitant
putrefying, fruited rot,
awoke and brokered
a stilted, tremulous sleep.

Went to bed a a man
of modest success,
of modest scenes,
a bond trader, who trades
exactly that:
his word, his bond,
his blessing to his
deal constructions,
all of which, ended with an
irrevocable cri of "Done!"

Yet like you,
I am oft undone.

Dreams.

In truth, not dreams, but
spectral moments of
our lives relived,
a melange of ancient lyrics,
taunts of childhood abusers and
peer humilators
who could
teach the CIA
torture techniques
of WORD boarding, par excellent.

Angelic faces of human ****
that birthed in me a holy duality,
anger and a,
love of words,
my vaccination serum.

Granted a love of
human kindness
from teachers who cherished their
high and mighty tight
to publicly humiliate,
knowing full well
that human laws could not
attempt to have them
justly incarcerated.

Where, where were
the supervisors
who let me be spit upon
in the back seat of a
Fifty's station wagon,
by the brothers of
a sainted dead shepherd?

I am still eight,
sitting on a stoop in the
modest side of town,
towel in hand, so handy,
to wipe the tears shed
for cause,
for the car-pool of suburban boys
who "forgot" to pick me up for
Sunday swim night.  

In high school,
in the back row,
I silently ******
the juice of a Sarte lemon and
essayed a term paper,
upon multiple mirrored
reflections of a man
called Camus.

As another self styled, only living
teenage expert
on "alien nations"
received with pride and trepidation,
a sentence of Ninety Eight,
on my term paper,
but the pedantic predators
deemed it an accident
for I, was  inscribed in their
Upper East Side
Coda of Prejudice,
as merely,
"just" a
man of USDA,
B grade quality intellect.  

Hand me downs
I did not get
as I was the
younger, sole brother,
but worn lint lines
of humiliation
when and where my pants
were "let down"
to accommodate growth spurts
were my growing marks of Cain.

Those growth lines
were economic reality signs,
and were rich fodder for
childhood monsters,
Scions of Income Superiority
who lived in ranch homes in
two car, color tv garage slums,
wearing band new Levis.

In the Sixties,
time of my unsilent spring
wore a cross of
teenage hood,
my hair,
worn long,
Jesus style

Worn with labor pride,
for it was
Made in the USA,
I was a most conventional
revolutionary.

In the parochial jail
of educated guesses,
where society's lesson plans
of all that was bad
were O so well taught,
I was apart, ahead,
of Our Crowd,
but not too, radically.  

But a spiteful
Principal of No Principle,
deemed my locks a
disruptive influence,
so to exorcise my rebel streak,
so to crucify his "Jesus Freak,"
so to exercise his diminutive spirit
a pompous uber man,
he had me shorn
like a sheep,
thrice
in just one day,

He loved his full employment
of his pharoic entitlement,
The Educator's Power of Abuse,

I was so denuded
of human strength,
the Italian barbers of the
East 86th Street subway station,
wept for me,
their cri du coeur,
Angels in Heaven did hear
and from God
did dare demand
an explanation!

He roared in manner celestial,
"Is he not my child too,
and if he be treated
in style *******,
it is purposed and willful."

Pornographic compilations of
slaps across a child's face,
I've got plenty
of and in My Space,
should you care to
add your own,
down under,
got plenty of room
for all comers    

In a Facebook world,
I pride, not pretend,
that having fewer "friends"  
is my honest and true
reflection of who I am, and,
life lessons learned -
quality, not quantity.  

Victims of discrimination
can be most discriminating
in matters of
human games, associations.  
****** or word,
lack of taking care
is not heart healthy.

Tried to forgive
the despotic progenitors,
of some of that which
is good within me
that, irony of ironies,
they can claim the title,
creator;

Tried to give them
what I had gotten -
from the happy malcontented  
evil spreaders,

That grace, grace is
the only methodology,
an inestimable but
valuable lost leader,
the only way
to survive on
this planet of
hardtack and
caste striation.  

Though still quick to anger
at the cutters and denigrators
I am quick still to
confess my own failings, and forgive those
of plain and honest folk.

Unfortunately, kind observer,
you had to share my brunt,
syllabic Iwo Jima battles
of a decaying verbal moonscape
to reach the denouement,
for now we have,
mostly arrived

Most likely you too
have long ago
deserted me like
so many others,
no matter,
this modulated breath
was born and released
from my heaving chest and
as I knew it,
know this:

My Absaloms
where ever you be,
presumably and hopefully in hell,
I give you thanks
and a mini bar drink
of absolution.
a tin medal of appreciation,
for the
Marked Improvement
you inadvertently nurtured
in this restless,
voyagered soul.

My ancient enemies
till now, be advised,
forgive and forget
was and has not  
fully formed
in my penitential template,

Unlike your natural capacity
for cruelty and mean
birthed unto you
in your third rate
genetic melange,
forgiveness is taught
in a Master Class
at a famous school of Ethical Drama,
that I did not attend

Though resident in
a better place,
my root garden,
the bitter herbs you planted
still grow but,
are welcome in sweet brotherhood,
until the selah days
of just one flavor.

Though the universe's expansion
is of a pace such that
time and space definitions
will stretch and warp
and need be
refined, replaced,
the governing principle here.
need not be rephrased.  

For goodness
from evil
doth come
and should your
evil spectres
once more try
for resurrection
in my benighted
dream world.
you will find the doors
locked and barred,
upon them a sign
not verbose,

**Done.
Whew.
bobby burns Feb 2015
in the somatic nervous system,
acetylcholine (ACh) stimulates skeletal muscle, causing contraction

action potentials
in the 8am physio lecture,
the biggest on campus
crammed with nursing majors,
and health science hankerers,
public health preachers,
OT saints and angels

amino acid NTs: glutamate (+) GABA (-) aspartate (+) glycine (-)

the prof wrote on a distant whiteboard
too many complained about being lost
she made a joke about feeding *******
to mice for her neuroscience research

amines: serotonin (-) dopamine (-/+) norepinephrine (+/-) epinephrine (+)

STEM-dominated
when i'm just looking
to drop my roots
and press that
good earth into
the spaces between
my toes and
under my nails

but the grounds are a garden
of biodiversity from clippings
gathered by migrant habit-clad
founders more than a century ago

the soil is fertile            it is temperate
there are water filters in most residences

there is enough here for me
*(+) stimulatory (-) inhibitory (+/-) stimulatory or inhibitory depending on the type of receptor to which it binds.

there are two types of summation: spatial and temporal.

in spatial summation, many presynaptic neurons fire to a singular postsynaptic neuron.
in temporal summation, a single presynaptic neuron fires sequentially to a postsynaptic neuron.
Mateuš Conrad Feb 2016
i find the crow more eloquent,
more treacherously abiding
a fulfilment of aesthetic investigations
when walking, the crow
more beautiful than in flight,
unlike the sparrows' comic grounding,
with its epileptic quick-step twitchy
caoutchouc trot... poetically drawn
as: huh?! huh?! chirp. huh?! huh?! chirp;
really quickly.

the only way to transition back into
the humanities from learning science,
******* p... chemistry and physics,
from these two into the humanities:
because you wrote a high standard
sociology essay plagiarising trying to
beat the anti-plagiarism logarithm
imposed... and that camus' l'étranger
also written to a 1st in the degree hierarchy...
the only transition from the sciences
to humanities is with philosophy,
which is a qausi-humanism...
mind you... edinburgh is the last gothic city,
and scotland the only place
where university can be like high school,
diverse, equipping you with many choices,
you can major chemistry, but understudy
computing, french, history, sociology, etc.
so in the background you have my favourite
theorisation: friedel-craft's alkylation & acylation /
effects of substitution on the beneze ring properties:
ortho (β) / para (ν) directing goups...
meta (π) directing groups... ipso (α) directed
at dislodging the algebraic *x
already attached...
i was never going to write cute poetry...
lessons in  inductive effects of σ-bonds orientation
controlled by resonate (of) π-bonds...
the faustian myth continues without cute goethe rhyme.
Danielle Shorr Mar 2015
Woman is a title that comes with too many consequences shoved into the spaces between each letter. I have worn it proudly, not fully understanding the heaviness it carries, or exactly what it means. I still don’t.

Summer camp teaches me how to shave my legs when my mother neglects to. I am eleven, with hair on my skin barely long enough to pull out when my bunkmates coach me on how to erase it. "Boys don't like girls with prickly bodies," my counselor tells me confidently. I soon understand that to be woman means to be bare, stripped, and clean, always. Being woman means catching the changes of your morphing body before anyone else can point them out.

I am raised to keep secrets. We call the parts of ourselves that we aren't supposed to talk about private. I learn to be silent in more ways than one.


Haley is my best friend. Together we uncover the mystery of womanhood untold. She loves a boy two years older than us and gives herself to him in his parked car outside her house during one of our many sleepovers. I listen as she confesses the details to my eager ears. We learn more about *** from each other than we do health class.  The information given out is too much and not enough at the same time. We are taught enough to do it, but not enough to ease our unknowingness.

Condoms are given out for free. Tampons are not.

Virginity was a concept we were told to maintain from early on. At 14 I want to get losing it over with so I do, with a boy two years older, in between his childhood sheets. I am high enough to blur the details, but not high enough to forget it happens.

I learn how to cauterize undesirable memory with substance, the way too many women do.

When a sophomore girl comes to school with a broken face, everyone is quiet. We all know about the fight, the pushing down the stairs, the bruising that swelled violently like her love for him. "I think he's even hotter now," I overhear someone say.

The first boy I ever love treats me like ****. I let him because that's how it works in the movies.

I love a straight girl with curly brown hair and a smile too much like summer. She kisses me and then tells me about whatever boy she is pursuing that week. It confuses me to no end.

Mia meets her first love when we are 17 and gives him all of her too soon. When he dumps her, I come over ready with a box of popsicles in hand.

We play with Polly Pockets well into our teenage years. The dolls live out dreams impossible for us to reach.

I realize vulnerability is not an option, but something we are born wearing.

A friend shows me how to keep my keys peeking through my knuckles at night. I hold them through scared fingers as I navigate the side streets necessary to get home.

Mom buys me glitter covered pepper spray, "because it's cute." I know her unsaid words and what she really means. "There are too many bad people in the world to not be cautious, you can never be too careful."

When a girl I don't know well is attacked in a back alley by strangers, we sit nervously the couch and talk about the terrifying reality, how bad we feel for her, and how awful it must be to go through something like that.

I call my best guy friend immediately after someone I know takes my body without permission. I explain the details to him of what happened, still shaking from the shock of it. I wait for his response, hoping for open arms ready to hold while I shatter. He sighs and says, "you should have been more careful." I don't counter. I shower three times in a row, tuck myself into the same bed where it happened, and pick up the cracked pieces of myself in the morning. I tell no one else after that.

**** is the punch line to too many jokes.
I don’t laugh.

In an anonymous thread, I read as people discuss the topic of ****** assault. My eyes lose count of how many times strangers say, "just because you regret it, doesn't mean it is ****." I have seen doubt ******* too many faces hearing the stories of survivors with dull eyes from telling theirs over and over again to people who will never believe them. Their truth is taken with a shot of uncertainty.
They ask, "Why survivor? Why not victim?"
They say, “It doesn’t **** you, you’re not a survivor.”
I want to answer that survival is a choice made in the aftermath of destruction, that we either chew our way through the broken glass or swallow it whole, letting it break us from the inside out. I want to say survival is not as simple as we didn’t die. Survival is consciously refusing not to.
Instead I say nothing.

I know girls with too many piercings and tattoos because they had run out of room on their small bodies to let out any more anger. I watch darkness fill their skin with its reminder, young girls who know pain all too well.

A man on the street calls out to me. I shake my head quietly because I'm afraid of the bomb my response could set off. I have seen too many ticking men explode for me to want to fight back.

I learn about abortion when I am too young to understand it, too self-centered at the time to try to imagine the fear of unwanted growing inside of her. I have grown to understand the importance of choice.

A guy tells me that if a woman has *** with more than five guys in her lifetime, she's a *****.

Someone I hook up with shares with me about how his friends audio record their girlfriends during ***. He laughs, I shudder.

"Guys don’t like it when.."  is a tip I hear almost daily.  

School dress codes mark my shoulders unholy, my shorts too miniscule. I am sent to the principal's office in 10th grade when I refuse to change into a top that doesn't show my lower back. I ask what my body did to have to learn this kind of shame. I am suspended for the rest of the day.

Beauty pageants teach me that perfect woman is exactly what I am not.

My ex boyfriend calls me a ****.

My other ex boyfriend calls me crazy. I’ve learned that crazy is synonymous with “she had an opinion that did not align with mine.”

In my college lecture we talk about the origins of hysteria, remembering how women in history had their voices twisted into insanity. I think about how often “calm down” is used as a modern-day-tranquilizer.

Us weekly tells me every week, in one too many advertisements, how to lose weight.

My campus paper posts an ad for breast augmentation deals. "Get spring break ready."

The size of my chest is too much a reflection of my brain’s capacity.

Being woman means too much in a language I do not fully understand. It is skin and bones, it is raw and blood, it is a mouth filled with words unsaid, it is fear and worry, it is an unspoken connection between us all, it is 75 cents to a dollar, less for those of color, it is censored body, it is *******, it is being too much to handle, it is being equated with less, it is we are the same but we are not treated so, it is we are human in a world we call man’s, it is we have been struggling under the waves for centuries, it is not drowning, it is still swimming, always
Elvie Libby Mar 2015
Lecture me once more about my inability to see outside of myself.
How I'm selfish for trying to be selfless.
Write a poem about your inability to see outside of yourself.
Convince yourself you aren't as self-centered as the rest of us.
Classy J Nov 2016
**** had me torn, **** had me scorned; I'm one of the few people who knows how it feels to have on a crown of thorns. Scars on my hands, scars on my feet, had so many plans but they all are now obsolete. Beaten outwardly and inwardly, never had the liberty to be anything more, just a lamb in a world full of carnivores. I am not a God; I am just a man that constantly gets beaten by a rod. The rod of guilt, the rod of shame, I'm starting to wilt, and I got no one left to blame. Faking smiles while dealing with depression, dead on the inside, and barren outside by all the oppression. Just a frame for the bigger picture, maybe instead of focusing on fame, I should've focused on the scriptures. No I don't want to hear your lecture, not here to be a fisher of men, my structure is fine enough dear sir.

Now in conjunction let’s us say amen, let’s us stop with the pretend, this is our time to amend our past mayhem. Bruises on my skin, bruises on my bones, trying not to tailspin, trying to control my hormones. You don't need Sherlock Holmes to figure this **** out, there is no need to doubt, that it is not fun being treated like an expired trout. Can't you see these scars? Oh yeah that's right you to busy looking at the stars! Scars opened up by unlocking the wrong doors, scars piling up from all the years of being treated like a *****. Scars won by wars, scars from running through the fire, scars from peer pressure, and scars from all the held back tears.

So many scars, feels like I’m not even human, yeah I swear I'm an alien from mars. 'Hey, people have it worse than you', well that may be true, it's all relative until it happens to you! Do you know what I've been through? Do you know what it's like being in an environment of lions, when you're a caribou? That's right you have no clue, the worst thing some of yawl ever faced has been the flu. Where-as there is me, who no one takes the time of day to hear or see. Where-as there is me, the one everyone tried to treat because they thought I was a disease. Where-as there is me, and only me, nothing more than one of those 'natives' or in this case 'Cree'. Can't you see my scars? Were you not listening to these bars? Do I have to drop down on all fours for some exposure? Cause when you need help I am one of the first ones to be your boulder.

They say pain won't last, they say that I can get over it in other ways other than constantly getting smashed. Some say that the forecast will clear, that there is nothing to truly fear except for fear. Some scars don't heal, some leave you with Ptsd and if something sets you off you can relive that pain wheel. I wear my scars like they a badge, not prepared to throw it in the trash. My scars make me who I am, it's just another thing in my program. My scars help me relate with others with the same scars, it helps me realize that I'm not the only one dealing with these scars.
There in the road lay a free-minded crustacean.
Turned out to be no more than a wayward piece of insulation.

.
.
.

“Please allow me to introduce myself; I’m a man of wealth and taste”
Turned out to be no more than a man cleaning up basic waste

.
.
.

Good morning fool…
I said to myself.
Reaching for the uniform on the bottom shelf.
Spent a few minutes putting it on,
Insuring the curtains weren’t fully drawn.
Stood a minute posing before the glass…
A man bellow presented himself as a colossal ***
So I dropped a loogie just over the edge
Poor aim left it hanging from my window’s ledge
                              
                            ­  .
                              .
                             ­ .

The streets were swarmed with the innocently vain,
Looking for regal alleyways to make a social gain.
Marching through the “Slickers” campus,
Watching the bobbing of books holding tidbits on the hippocampus.
.
A new year comes.
The freshman student runs.
Princeton ushers in a new breed;
Teaching that blue is the only blood to bleed.

                                                         ­   .
                                                            ­.
                                                            .

­As I stumble towards the school,
Can’t help but feel I’ve been made to feel the fool.
Snickers jab at my waning pride.
Preppy children always seem so snide.
Overhear a remark mocking my attire,
Said by an ascot wearing boy filled with mire.
Left the path for ivy coated building.
An hour later, the day’s dwindling.

                                                     ­                                 .
                              ­                                                        .
       ­                                                                 ­              .


A teacher stands at the front of a classroom.
A man at the back sweeps with his broom.
The professor,
Proceeds with his lecture.
Spreading misconceptions on malformed events.
The man at the back cleans the covers on the vents.
There, a question is put toward the crowd.
The janitor in the back answers aloud.

                              .
                         ­     .
                              .

I shouldn’t have opened my ******* mouth!
Who cares if bigotry’s still relevant in the south?
People glare in mocking jest.
Blankness sits on the faces of the rest.
I’m only here to pick up the trash,
A job I use to make some extra cash.
They all have money for a proper education.
There’s no time for me, and my financial situation.

.
.
;
Michael R Burch Jan 2022
This is my modern English translation of Paul Valéry's poem “Le cimetière marin” (“The graveyard by the sea”). Valéry was buried in the seaside cemetery evoked in his best-known poem. From the vantage of the cemetery, the tombs seemed to “support” a sea-ceiling dotted with white sails. Valéry begins and ends his poem with this image ...

Excerpts from “Le cimetière marin” (“The graveyard by the sea”)
from Charmes ou poèmes (1922)
by Paul Valéry
loose translation/interpretation by Michael R. Burch

Do not, O my soul, aspire to immortal life, but exhaust what is possible.
—Pindar, Pythian Ode 3

1.
This tranquil ceiling, where white doves are sailing,
stands propped between tall pines and foundational tombs,
as the noonday sun composes, with its flames,
sea-waves forever forming and reforming ...
O, what a boon, when some lapsed thought expires,
to reflect on the placid face of Eternity!

5.
As a pear dissolves in the act of being eaten,
transformed, through sudden absence, to delight
relinquishing its shape within our mouths,
even so, I breathe in vapors I’ll become,
as the sea rejoices and its shores enlarge,
fed by lost souls devoured; more are rumored.

6.
Beautiful sky, my true-blue sky, ’tis I
who alters! Pride and indolence possessed me,
yet, somehow, I possessed real potency ...
But now I yield to your ephemeral vapors
as my shadow steals through stations of the dead;
its delicate silhouette crook-*******, “Forward!”

8.
... My soul still awaits reports of its nothingness ...

9.
... What corpse compels me forward, to no end?
What empty skull commends these strange bone-heaps?
A star broods over everything I lost ...

10.
... Here where so much antique marble
shudders over so many shadows,
the faithful sea slumbers ...

11.
... Watchful dog ...
Keep far from these peaceful tombs
the prudent doves, all impossible dreams,
the angels’ curious eyes ...

12.
... The brittle insect scratches out existence ...
... Life is enlarged by its lust for absence ...
... The bitterness of death is sweet and the mind clarified.

13.
... The dead do well here, secured here in this earth ...
... I am what mutates secretly in you ...

14.
I alone can express your apprehensions!
My penitence, my doubts, my limitations,
are fatal flaws in your exquisite diamond ...
But here in their marble-encumbered infinite night
a formless people sleeping at the roots of trees
have slowly adopted your cause ...

15.
... Where, now, are the kindly words of the loving dead? ...
... Now grubs consume, where tears were once composed ...

16.
... Everything dies, returns to earth, gets recycled ...

17.
And what of you, great Soul, do you still dream
there’s something truer than these deceitful colors:
each flash of golden surf on eyes of flesh?
Will you still sing, when you’re as light as air?
Everything perishes and has no presence!
I am not immune; Divine Impatience dies!

18.
Emaciate consolation, Immortality,
grotesquely clothed in your black and gold habit,
transfiguring death into some Madonna’s breast,
your pious ruse and cultivated lie:
who does not know and who does not reject
your empty skull and pandemonic laughter?

24.
The wind is rising! ... We must yet strive to live!
The immense sky opens and closes my book!
Waves surge through shell-shocked rocks, reeking spray!
O, fly, fly away, my sun-bedazzled pages!
Break, breakers! Break joyfully as you threaten to shatter
this tranquil ceiling where white doves are sailing!

*

“Le vent se lève! . . . il faut tenter de vivre!
L'air immense ouvre et referme mon livre,
La vague en poudre ose jaillir des rocs!
Envolez-vous, pages tout éblouies!
Rompez, vagues! Rompez d'eaux réjouies
Ce toit tranquille où picoraient des focs!”



PAUL VALERY TRANSLATION: “SECRET ODE”

“Secret Ode” is a poem by the French poet Paul Valéry about collapsing after a vigorous dance, watching the sun set, and seeing the immensity of the night sky as the stars begin to appear.

Ode secrète (“Secret Ode”)
by Paul Valéry
loose translation/interpretation by Michael R. Burch

The fall so exquisite, the ending so soft,
the struggle’s abandonment so delightful:
depositing the glistening body
on a bed of moss, after the dance!

Who has ever seen such a glow
illuminate a triumph
as these sun-brightened beads
crowning a sweat-drenched forehead!

Here, touched by the dusk's last light,
this body that achieved so much
by dancing and outdoing Hercules
now mimics the drooping rose-clumps!

Sleep then, our all-conquering hero,
come so soon to this tragic end,
for now the many-headed Hydra
reveals its Infiniteness …

Behold what Bull, what Bear, what Hound,
what Visions of limitless Conquests
beyond the boundaries of Time
the soul imposes on formless Space!

This is the supreme end, this glittering Light
beyond the control of mere monsters and gods,
as it gloriously reveals
the matchless immensity of the heavens!

This is Paul Valery’s bio from the Academy of American Poets:

Paul Valéry
(1871–1945)

Poet, essayist, and thinker Paul Ambroise Valéry was born in the Mediterranean town of Séte, France, on October 30, 1871. He attended the lycée at Montpellier and studied law at the University of Montpellier. Valéry left school early to move to Paris and pursue a life as a poet. In Paris, he was a regular member of Stéphane Mallarmé's Tuesday evening salons. It was at this time that he began to publish poems in avant-garde journals.

In 1892, while visiting relatives in Genoa, Valéry underwent a stark personal transformation. During a violent thunderstorm, he determined that he must free himself "at no matter what cost, from those falsehoods: literature and sentiment." He devoted the next twenty years to studying mathematics, philosophy, and language. From 1892 until 1912, he wrote no poetry. He did begin, however, to keep his ideas and notes in a series of journals, which were published in twenty-nine volumes in 1945. He also wrote essays and the book "La Soirée avec M. *****" ("The Evening with Monsieur *****," 1896).

Valéry supported himself during this period first with a job in the War Department, and then as a secretary at the Havas newspaper agency. This job required him to work only a few hours per day, and he spent the rest of his time pursuing his own ideas. He married Jeannie Gobillard in 1900, and they had one son and one daughter. In 1912 Andre Gide persuaded Valéry to collect and revise his earlier poems. In 1917 Valéry published "La Jeune Parque" ("The Young Fate"), a dramatic monologue of over five-hundred lines, and in 1920 he published "Album de vers anciens," 1890-1920 ("Album of Old Verses"). His second collection of poetry, "Charmes" ("Charms") appeared in 1922. Despite tremendous critical and popular acclaim, Valéry again put aside writing poetry. In 1925 he was elected to the Académe Francaise. He spent the remaining twenty years of his life on frequent lecture tours in and out of France, and he wrote numerous essays on poetry, painting, and dance. Paul Valéry died in Paris in July of 1945 and was given a state funeral.
Along with Paul Verlaine and Stéphane Mallarmé, Valéry is considered one the most important Symbolist writers. His highly self-conscious and philosophical style can also been seen to influence later English-language writers such T. S. Eliot and John Ashbery . His work as a critic and theorist of language was important to many of the structuralist critics of the 1960s and 1970s.

#VALERY #MRB-VALERY #MRBVALERY

Keywords/Tags: Paul Valery, French poem, English translation, sea, seaside, cemetery, grave, graves, graveyard, death, sail, sails, doves, ceiling, soul, souls, dance, sun, sunset, dusk, night, stars, infinity
Blue Flask Jun 2015
Its the second long looks that **** me
the wandering eyes in chemistry lecture
we locked eyes for what felt like nothing
it never would be long enough to reassure my mind
its always just enough to cause a panic attack
but never enough to make me stop
randomly
looking around
to just look in your eyes again
and not feel ******* nothing
Alice Kay Apr 2013
I don't currently feel like giving anyone a lecture,
so I'll try to put it simply.

If you keep setting your mind on the negative,
you will never be anywhere near positive
and you will never be better (which, I might add, you say you are try to do)
and you will end up alone in life and even more miserable then you are now
(or say that you are) and then you might actually end up where you think you are heading now (dead)
April 28, 2014 turned out to be more than a beautiful day,
and yet more hilarious, I should say.
  After a long day of hard work, as usual I headed to
LDC to prepare for my evening lectures.
I majestically moved to my lecture room about 7;00
which was unusual because I always made it more earlier.
Upon reaching late, I looked so confused
and I grabbed a seat to keep me calm.
Trying to concentrate on the learning,
my mind was disrupted as I couldn't bear the noise
that came from the surrounding
this attracted my attention and I decided
to excuse my self for a moment.
As I moved gazing out;
I saw people had gathered near
the most influential department in every sector
(toilet) and to my mind I thought it would either be
mob justice or a strike.
Though this has never happened at LDC
because it would be news worldwide.
Ignoring that, I saw someone weeping like
“I need this money”; as I personally approached them.
Oh no...she cried; I have to do it again.
Lost in the confusion, As I turned back to go for my lecture,
someone shouted …it is true, they are out….
Obviously, by that time I was out of the lecture
and I didn’t mind the statement in motion,
but when I gave it a second thought;
I camouflaged without hesitation.
Then I decided to draw closer only to see,
there were sheets of paper.
This was really unusual as it caught me off guard.
Results..! My eyes almost
run out of the sockets through the spects.
Well for those who had failed,
I only thought of Fangil mande
who had just resigned 2 days back,
both situations stood painful I didn’t know
where I belonged at the moment.
I drew even closer only to be relaxed
by my name that appeared in M…showing
I hadn't passed, (but I had rather excelled).
My friends were all around as I turned
in excitement thinking about who I could tell first,
obviously whoever was around had known.
But this didn’t stop me from bearing a huge smile on my face,
only if people knew how my heart was dancing
the famous ‘calypso’ dance, and just by the side
there was a post indicating gowns on sale.

I immediately jumped into one gown
and moved gently like a lady walking down the Aisle,
while all my friends clapped and laughed excitedly
as if I was going to give them gifts, all for my achievements.
Then my buddy Jason taped me
and said ‘I have something to tell you’.
Oh no it wasn’t like I imagined,
It wasn’t graduation day, I was just taken up by the moment;
in shock of my excellence.
I smiled and moved away
‘Thank you Lord’ is what kept on my mind whispering
you are a genius and so I moved a way
in flames of happiness.
Lorem Ipsum Nov 2017
It doesn’t matter why I was there, where the air is sterile and the sheets sting.
it doesn’t matter that I was hooked up to this thing that buzzed and beeped every time my heart leaped, like a man whose faith tells him:
God's hands are big enough to catch an airplane

or a world,

doesn’t matter that I was curled up like a fist protesting death,
or that every breath was either hard labor or hard time,
or that I’m either always too hot or too cold
it doesn’t matter because my hospital roommate wears star wars pajamas,
and he’s nine years old

His name is Louis

and I don’t have to ask what he’s got, the bald head with the skin and bones frame speaks volumes. The Gameboy and feather pillow booms like, they’re trying to make him feel at home ‘cuase he’s gonna be here a while

I manage a smile the first time I see him and it feels like the biggest lie I’ve ever told.
so I hold my breath
cause I’m thinking any minute now he’s gonna call me on it
I hold my breath
cuase I’m scared of a fifty seven pound boy hooked to a machine, becuase he’s been watching me, and maybe I’ve got him pegged all wrong, like

maybe he’s bionic or some ****.
so I look away.

like I just made eye contact with a gang member who’s got a rap sheet the length of a lecture on dumb mistakes politicians have made. I look away like he’s gonna give me my life back he minute I’ve got something to trade, I **** near pull out my pack and say


Cigarette?

but my fear subsides in the moment I realize Louis is all about show and tell. he’s got everything from a shot gun shell to a crows foot and he can put them all in context like:

See, this is from a shooting range and

see, this is from a weird girl

I watch his hands curl around a cuff link and a tie tack and realize that every nick knack is a treasure and every treasure’s got a story and every time I think I can’t handle more he hits me with another story. says:

See, this is from my father. see, this is from my brother. see, this is from that weird girl. see this is from my mother. it took me two days to figure out that

that weird girl, is his sister.

took him about two hours today after she left for him to figure out he missed her.

they visit every day and stay well passed visiting hours. because for them that term doesn’t apply. but when they do leave Louis and I are left alone and he says the worst part about being sick is you get all the free ice cream you ask for. and he says the worst part about that is realizing that there’s

nothing more they can do for you. he says:

Ice Cream can’t make every thing ok.

and there’s no easy way of asking and I already know what he’s gonna say, but maybe he just needs to say it so I ask him any way. Are you scared? Louis doesn’t even lower his voice when he says

**** yeah.


I listen to a nine year old boy say the word ****, like he was a thirty year old man with a nose bleed being lowered into a shark tank, he’s got a right to it and if it takes this kid a curse word to help him get through it, I want to teach him to swear like the devil was sitting there taking notes with a pen and a pad but before I can forget that Louis is nine years old he says:

please don’t tell my dad.

he asks me if I believe in angels,

and before I realize I don’t have the heart to tell him, I tell him Not lately, and I just lay there waiting for him to hate me. but he doesn’t know how to, so he never does.

Louis loves like a man who lived in a time before god gave religion to men and left it to them to figure out what hate was.

He never greets me with silence. only smiles. and a patience I’ve never seen in someone who knows they’re dying. and I’m trying so hard not to remind him, I’ll be out of here in a couple of days, smoking cigarettes and taking my life for granted. and he’ll still be planted in this bed like a flower that refuses to grow, I’ve been with him for five days and all I really know is Louis loves to pull feathers out of his pillow, and watch them float to the ground, almost as if he was the philosopher inside of the scientist ready to say that its gravity that’s been getting us down. but the truth is

there’s not enough miracles to go around kid,

and there’s too many people petitioning god for the winning lotto ticket. and for every answered prayer there’s a cricket with arthritis, and the only reason we can’t find answers is the search party didn’t invite us, and Louis right now the crickets have arthritis

so there is no music.

no symphony of nature swelling to crescendos, as if we bent halo’s into melodies that could keep rhythm with the way our hearts beat.
so we must meet silence with the same level of noise that the parents of dying nine year old boys make when they take liberties in talking with heaven. we must shout until we shatter in our own vibrations then let our lives

echo, and grow
echo, and grow
echo, and grow

Grow distant.


grow distant enough to know that as far as our efforts go we don’t always get a reply. but I swear to whatever god I can find in the time I have left I’m gonna remember you kid. gonna tell your story as often as every story you told me, and every time I tell it I’ll say see,

there’s bravery in this world

there’s 6.5 billion people curled up like fists protesting death, but every breath we take has to be given back, a nine year old boy taught me that.

so hold your breath. the same way you’d hold a pen when writing thank you letters on your skin to every tree that gave you that breath to hold.
then let it go. as if you understand something about getting old and having to give back
let it go like a laugh attack in the middle of really good ***

the black eye will be worth it.

because what is your night worth without a story to tell, and why wield a word like worth if you’ve got nothing to sell. people drop pennies down a wishing well as if the cost of a desire is equal to that of a thought. but if you’ve got expectations expect others have bought your exact same dream for the price of the hard work, hang in, hold on mentality, like I accept any challenge so challenge me
like

I’ve brought a knife to this gun fight, but other night I mugged a mountain so bring that **** I’ve had practice.

Louis and I cracked this world wide open and found the prize inside because we never lied to ourselves, never told ourselves it would be easy or undemanding.
so we sing in our own vibration and dare angels to eavesdrop and stop midflight to pluck feathers from their wings and write demands on gods hands

take the time to catch you

so that even if god doesn’t, it wasn’t because we didn’t try.

I don’t often believe in angels, but on the day I left Louis pulled a feather from his pillow and said this is for you,

I half expected him to say

See, this is the first one I grew.

-Shane Koyczan
Shane L. Koyczan is a Canadian spoken word poet, writer, and member of the group Tons of Fun University. He is known for writing about issues like bullying, cancer, death, and eating disorders.(Wikipedia)
Autumn Apr 2014
The fiery red light was staring into my soul.
There was nobody around...
So naturally I hit the gas.

Looked up in that rear view
and some crazy blue lights were ashinin'.
Then came my swerve of shame to the beckoning curb.

My friend to the right kept his cool
While mowing down on two cheese burgers
As he ate, I shook with a casual fear.

The talk with the police was brief
I handed him my license and registration
and he skipped back over to that cop car.

I sat in fear
he ate burgers
we waited

My boy the police came right on back.
he gave me the blissful news.
NO TICKET.

He began the lecture of eating and driving.
that's when my little burger eater chimed right in.
"Sir, I was just handing her a pickle"

I confirmed the statement.
And next thing I knew I was rollin the streets again
Lucked out.
Jenny Gordon Oct 2016
...and I'll give you half an ear.  
[L9:  Robert.  And sent a pic when returned.  And yes, I loved him, shame to say.]



(sonnet #MMMMMCMXCI)


Where gloaming filters out in greyish thence
And fading halflight, children's voices trail
Some barking canine as no birds detail
Calm whispers whose soft breath tugs at me hence
Likeas to stay my footfalls with that sense
Tis now, and here.  Ne stars yet in blue's veil
Except the evening star alone oer pale
Dead houses, and how sunset burns low.  Whence?
Indeed.  He's gone to Burning Man as twere
Or some take off that, romance forfeit too,
Else I'll wish for a date with each in poor
Excuse, how's that?  The problem is...that you
Are not here.  What are cool winds' murmurs?  You're
Who gives dusk romance.  Tell me that you knew.

23Oct16c
Hi.  Mebbe I'll share my diary pages again when I feel reckless.  Like how some date proceeded or whathaveyou.  Don't hold your breath waiting.
MdAsadullah Dec 2014
Long ago, on my
unpatriotic ways,
with anger patriots
turned ablaze.
They ill-treated me
with words of abuse,
even classes on patriotism
was of no use.
One day patriotic
tonic I drank.
It made all the difference,
to be frank.
Now professor of patriotism
I've become.
To hear my lectures
many patriots come.
And before my patriotism inspires
enemies of North and West
and before my nationalism
they easily bear and digest
and before Chinese
people of the North
have understood my
patriotic lecture's worth
and before their Olympians
represent Nation of mine
and before we get medals
in abundance this time
and before Pakistanis
decide to turn traitors at once,
inspired by my patriotic views
and my eloquence
and before Indians use golden
words for me to describe
and before my name
in history they inscribe
and before people start
giving me much respect
and before my big and
large statues they *****
and before my replicas
and dolls are put on sale
and before I start competing with
likes of Gandhi and Patel
and before this poetry
becomes too patriotic to comprehend
with slogan 'Jai Hind ' this patriotic
poetry must come to an end.
This poem was written when few of my friends were questioning my patriotism.
ryan pemberton Sep 2012
i used to look out
the car window
and sonic the hedgehog
would jump from car to car
and swing from streetlights
to keep up with us
on long car trips.

later, i played i spy,
i'd pick a cow
or something.
cows are not as interesting
as sonic the hedgehog.

these days i'll read a book
or listen to a lecture
or sleep the whole thing
through.
it's still not as interesting as
sonic the hedgehog,
but i'm 19 years
old.
Lawrence Hall May 2017
Liturgy in Time of War

I will go to the altar of God
To God who gives joy to my youth

ENTRANCE ANTIPHON

The dawn (evening) is coming, another hot, filthy, wet dawn (evening).  Let us arise, soaked in sweat, exhausted, to speak with sour, saliva-caked mouths, to meet the deaths of this day (night).

GREETING

In the name of Peace in Our Time,
For the Hearts and Minds of The People,
For the Land of the Big PX
For round eye and white (black) (brown) thigh,
I greet you, brothers.

PENITENTIAL RITE

All:

I confess to almighty God
And to you my brothers
That I have sinned through my fault
In my thoughts and in my words
In what I have done
And in what I have failed to do,
And I ask Blessed Mary…

But how can I ask Her anything now?

My brothers,
Pray for me to…

But how?
Priest: (But there is no priest)

KYRIE

Lord, have mercy
Christ, have mercy
Lord, Lord, have mercy on us now

Have mercy, Lord, on a generation
That sits smugly in college lecture halls
And protests endlessly in coffee shops
The war they hear, see, on T.V., for free
Justice and peace by the semester hour
Like, y’know, peace, love, Amerika sux
Play the guitar, ****, apply to law school

Have mercy on us
Who crouch behind sand bags
And clean our weapons
And protest nothing
And **** in the heat
And die in the hear
And throw ham and lima beans away

GLORIA

Glory to God in the highest
how many bodies yesterday?
And peace to His people on earth
Vietnamese? Or us?
Lord God, heavenly King, almighty God and Father
ham and lima beans?
We worship you, we give you thanks, we praise you for your glory
Doc, I can’t go home to my wife with this clap
Lord Jesus Christ, only Son of the Father
cigarette, canteen cup of instant coffee
Lord God, Lamb of God, you take away the sins of the world
******* magazine
Have mercy on us
relief behind the sand bags
You are seated at the right hand of the Father
i rot
Receive our prayer
i want to be clean and dry
For You alone are the Holy One
clean and dry.  just once.
You alone are the Lord
why do they chew that?
You alone are the most high
you mean the betel nut?
Jesus Christ, with the Holy Spirit, in the glory of God the Father
incoming!
Amen


PRAYER

A

Father, you make this day holy.
Let us be thankful for
The many little joys of
This day, for life, for
The chance to worship
You.  In the end, bring
Us to you, so that we
May be cleansed of mud
And sweat and filth and
Guilt, and live with you
In peace forever.

B

Father, just get me through
Another day of this mess.

LITURGY OF THE WORD –

FIRST READING

From the Intensive Care Unit, NSA DaNang

A twilight world
Of neither peace nor battle
And of both

A man world
Embracing life and the grim death
Both

Peering into infected wounds
Night building shiver
Down from the black sky flares float

Broken bodies from the war somewhere
Eyes of a shattered nineteen-year-old Marine
Staring at the door to Yokosuka

PSALM

A Song of Descents

I cast down my eyes
Into the mud
Into the blood
It seems cleaner than death and drugs and casual ***
Drink Coca-Cola

I turned my eyes away from you, O Lord
And made this
Build this
Came to this
Samantha and Darren on Bewitched

Have mercy on…but how can we ask?  How dare we ask?

SECOND READING

Old Man, Viet Nam

Old man, a dog is barking at your heels
Old man, with the tired, weathered face
Are you afraid to turn around and deal
This dog a kick, to put him in his place?

Or is it, old man, that you’re just too tired?
Just too tired to turn and show anger
Just too tired to have your temper fired
Beaten by years of contempt and danger

Where are you going, trudging so slowly?
What are you thinking, behind those tired eyes?

Probably not about ham and lima beans

GOSPEL

In the Cold White Mist

After an all-night run on the river
Our boats arrive in the village at dawn
Dawn is never cold along that rive
Along that steaming, green, hell-hot river
But the mist is cold, the grey-green dawn mist
And after the engines are cut – stillness
Foul brown water laps at the mudding bank
Sloshing softly with fertile, smelly death

In the cold white mist

The boats are secured, and watches posted
We step off the boats and onto wet land
And follow the track into the deep mist
It becomes the street of a little town
A dairy lane along which cows slopped home
And where dogs and chickens and children
      played
Bounded by carefully swept little yards
And little wooden houses with tin roofs

In the cold white mist

But some of the houses are burnt.  The smoke
Still hangs heavily in the whitening mist
The lane is littered with debris.  A lump
Resolves itself into a torn, dead child
Across a smaller lump, a smaller child
Their pup has been flung against the fence, its
Guts early morning breakfast for the morning
      flies
We smoke cigarettes against the death-smells

In the cold white mist

Beneath a farm tractor rots a dead man.
When they – they – had come at sunset
He had hidden there.  And they shot him there
A man with bare feet and work-calloused
      hands
His hair is black; his teeth need cleaning
They shot him beneath the village tractor
His blackening blood clots into the mud
And our lungs choke in the white mist of death

In the cold white mist

White mist.  The path disappears into it
Smoky skeletons of little houses
In which there will be no tea this morning
No breakfasts of hot tea and steaming rice
No old widows to smile in betel-nut
No children to mock-march alongside us
Pointing at our ******* boots, and laughing
At us, for wearing shoes in the summer

In the cold white mist

They are dead and rotting in the white mist
On the edge of the jungle on the edge
Of the world, here along the Vam Co Tay
And the people pour out of their houses
To greet us on the fine summer morning
A corpse across a doorway, another
******-doubled across a window sill
Still another strewn down the garden path

In the cold white mist

The other patrol doubles back to us
And they tell us that the Ruff-Puff outpost
Must have been overrun the night before
He had heard their radioed pleas, and had
Run the river at night to get to them
And the ARVNs had fled through the village
And the VC had stormed in behind them
And it was knife-and-gun-club night in town

In the cold white mist

A little girl is the lone survivor
She looks may six.  Cute, except for the
Bubbling, *******, bayoneted chest wound
We patch her, and tube her, and use suction
Sort of like fixing a bicycle tire
And in the wet, gasping heat take her back
With us downriver, where a charity
Hospital leaves her on the steps to die

In the cold white mist

It will be our turn again tomorrow
Not a one of us died today.  Today.
But a village is gone, burnt and rotting,
Soon to disappear into the jungle
Along the green Cambodian border
Up some obscure river.  Up there.  Somewhere.
A few hundred people.  Their ancestors’ graves
Will fade with them untended, forgotten

In the cold white mist

Radio Hanoi might blame it on us.
But maybe not.  We made our report and
Nobody really noticed; no one cared
The talk is of the VC battalion
And where it has gone, and where it might go –
Maybe into death under an air strike
“And you guys better get in some sack time,”
Says the C.O. as he turns to his maps.

In the cold white mist

HOMILY

I’m scared, and I want to go home.  I don’t care any more about justice or fighting Communism or winning the hearts and minds of the people.  I can’t think about all that right now, because I’m scared, and I want to go home.
I don’t care about truth or loyalty or bravery or honor.  If Miss March were here she wouldn’t get cold, but she sure would get sunburnt.  And in a few days her skin would start rotting.  Then nobody would want to see her in the **** anymore.  
I’m scared, and I want to go home.
Up the Vam Co Tay, everyone is scared, everyone is tired, everyone is sick, everyone could die: sailor, soldier, officer, priest, farmer, fisherman.  Everyone rots in the wet heat.  The skin bubbles and flakes and peels, and is pink again, to bubble and flake and peel again.  
I’m scared, and I want to go home.
I’m Doc.  I’m a scared, stupid kid with an aid bag and a few months’ training.  But I’m Doc.  I’ve got to fake it.  I’ve got to be cool and calm because this other kid with his guts hanging out will probably make it if I don’t ***** up and if the dust-off from Saigon can get out here now.
I have an old dog at home, and my folks write and tell me she sleeps outside my window at night, waiting for me to come home.  Someday we’re going to run and play in the woods and fields again.  She’ll bark and run wide circles, and dare me to catch her.  I will laugh under the autumn leaves.  But now my nights are glaring darkness, fits of sweat-soaked half-sleep, then sirens and falling glares and falling mortars, and then the Godawful racket of all our engines of destruction.  There isn’t any use in all this.
I’m scared, and I want to go home.

And I don’t want any ham and lima beans.

CREED

We believe in the Land of the Big PX
In presidents in suits, and generals,
In makers of economic strategies
We believe in flak jackets and .45s and peace

We believe in swing ships and dust-offs, yes
In the dark, green omnipresent Huey
Eternally begotten of technology
Blades to rotor, windscreen to machine guns
Made, not begotten, one in being with us
Through it all things are transported to us
For us men and our hunger and our hope
It comes down from the skies
By the high power of technology
It was born of the long assembly line

For whose sake are we crucified today?
Who suffers, and who dies and is baggied?
And on the third will arrive back home
To be neatly packaged in stainless steel

But not in ham and lima beans

LITURGY OF THE EUCHARIST

Preparation of the Gifts

Celebrant:

Blessed are you, Lord, God of all creation.
Through your goodness we have this cheap Algerian wine to offer,
Fruit of the vine and work of human hands.
It will become anaesthesia for our souls.

People:

Blessed be…we just don’t know

Celebrant:

Pray, brothers, that our sacrifice may be acceptable to God, the almighty Father, to somebody.  Maybe.

People:

May the Lord, or the baggies, accept the sacrifice we offer with
our own burnt hands
For the praise and glory of…of what?
For our good, and the good of all His Church.

PRAYER OVER THE GITS

Little green cans, and I don’t care
Little green cans, and I don’t care
Little green cans, and I don’t care
Air cover’s gone away.

EUCHARISTIC PRAYER

Preface for the Monsoon Season:

Father, all-powerful
And ever-living God,
We do well always and everywhere
To give You thanks
Through Jesus God our Lord
Even with diarrhea
thanks
When the mail doesn’t come
thanks
When we rot
thanks
When the heat ***** at our brains
thanks
When the mud ***** at our boots
thanks
When the horror ***** at our souls
thanks
We’re alive
thanks

SANCTUS

Holy, holy, holy, Lord, God of power and might
The bunkers are full of blood and death.
Hosanna in the mud.  Blessed is he who comes with the mail.  Hosanna in the mud.

EUCHARISTIC PRAYER

The Kien Tuong Province Canon:

A sailor is silhouetted against the dawn
Along a steamy river
Mostly helmet and flak jacket
Above dark plastic gunwales

The sailor has lost his New Testament
But there’s a ******* around somewhere
Naked, willing women –
Miss March wants to be an actress

He also carries an old plastic Rosary
To touch occasionally
While whispering a hurried Hail Mary
He hopes She understands

Those who in bell-bottoms and head-bands
Fight Fascism
In Sociology 201
Will never forgive him

A sailor is silhouetted against the dawn
This day he is to be elevated
His body broken and his blood shed
For you and for all men

OUR FATHER

Our Father, who art in Heaven
this ain’t it
Hallowed be thy name
Thy kingdom come
this ain’t it
On earth as it is in Heaven.
Give us this day…
not ham and lima beans
And forgive us our trespasses
as we shoot them that trespass against us
And lead us not into ambush
But deliver us from evil

SIGN OF PEACE

Peace on you.

AGNUS DEI

Lamb of God, you take away the sins of the world: have mercy on us.

Lamb of God, you take away the sins of the world: have mercy….

Lamb of God, you take away the sins of the world: grant us peace.

Priest:

(But there is no priest)

People:  

Lord, I am not worthy to receive you,
But only say the word and I shall be killed.

COMMUNION ANTIPHON

They ate, and were not satisfied
They killed, and were not without fear.

PRAYER AFTER COMMUNION

Lord,
If we do not get out of this
Make some sense of it to those who remain
May we go home.  Home.  Or if not,
Take us unto you, in mercy.
Home.  Where you reign, for you are Lord
Forever and ever.  Amen

BLESSING

May you walk on grass that does not explode
May you sleep without rot
Without fear
May you never see or smell ham and lima beans again.
May you live
May you play with puppies
May you find forgetfulness
May you find peace
In the Name of Him who took your death for you

DISMISSAL

This is to certify that____is Honorably Discharged from the____on theday of____.  This certificate is awarded as a testimonial of Honest and Faithful Service.

CLOSING HYMN

Old men, smoking in the sunshine
Exiled outside the doors of life
Old uniforms, old pajamas
The chrome of wheelchairs, shiny, bright

Inside, polished wooden handrails
Line the hot, polished passages
Something to cling to on the way
To the lab, to x-ray, to death

And more old men, shuffling along
In a querulous route-step march
From Normandy, from The Cho-sen,
From the Vam Co Tay, from the deserts,
Past the A.I.D.S. ward and the union signs
On waxed floors to eternity

Portions previous published:

“Closing Hymn” is from “Outpatient Surgery – Veterans’ Hospital,” Juried Award, Houston Poetry Fest 1993

“In the Cold White Mist” is a Juried Award, Houston Poetry Fest 1991

“Old Man, Viet-Nam,” was published in Pulse, Lamar University, 1982
RaySlev Sep 2012
So there is this pyramid.
We learned about it last week
This guy, his name was Maslow...is Maslow
maybe he is still alive. I'm not sure.
I don't even know his full name....I''ll probably do really well in this class, by the way.
So, Maslow, he came up with this pyramid.
A pyramid of physiological need. Ineresting right?
I think it is pretty interesting.
The bottom of the pyramid, the biggest part, contains the things you need the most.
Air, water, food, sleep...you get the idea.
The next part says saftey and security.
In order to live a fufilling life you need...
air, water, food, sleep, saftey and security.
Pretty simple
Then, this guy Maslow, he throws this ******* into the mix...
on the next level of the pyramid he puts love and belonging.
Love and belonging?
A necessity?
I have only lived about 19 years of my life
and I think it is safe to say that I have never loved.
Not really loved anyone.
I love my mom, I love my dog.
I hope that is the kind of love that Maslow is talking about or else
....I am not fufilling my physiological needs.
So I'm a little ****** up, yeah I could belive that.
To top this **** off.
Maslow throws Esteem and Self-esteem on the tip top of this pyramid.
Well now Maslow...hes really making my day
I got none of that either.
So here I am taking some notes in class and
Maslow makes me realized that I'm a pretty incomplete person.
Right here, in the middle of my Psychology lecture
surounded by at least 300 other incomplete people.
Just my thoughts, not really a poem.
Norman E Carey Jan 2012
And so, aherem, the nano, rrmpph rmphh
Of 21st century ahem thinking will be er
En, en aham eroom  neurological medicine
So that topsoil tch tch avat ahem growth
Will er er ahumph outstrip human thinking
If only aratonkamaroon we learn the
Hem, haw, ar argch lessons of the past.
To trust,
Let people in,
Relationships.
That's what he said.
That psycologist with
Grey hair
Thinning,
Just like my relationships.
Lonely, hating, loathing myself,
Pain being controlled by addictions,
Shame,
My same shame increases the circles,
Addictions,
Running circles in my head--
Wanting to draw circles with a knife.
STOP THINKING.
My circles of friends growing smaller,
Isolate as the weather becomes cold,
My heart, iced, caged,
No trust, no love.
No one could love me anyway.
Right?
Wrong way thinking through this thick head
Makes it worse.
Wearing through my thin soul,
This pain, pleasure?
No. Run run away from this,
Soles of my shoes thining,
Just like the grey hair--
The psychologist's head.
Trust, love, relationships.
No shame in mistakes.
Let people in?

I always thought I never needed that.
But I was always so wrong.
Thousand minstrels woke within me,
"Our music's in the hills; "—
Gayest pictures rose to win me,
Leopard-colored rills.
Up!—If thou knew'st who calls
To twilight parks of beech and pine,
High over the river intervals,
Above the ploughman's highest line,
Over the owner's farthest walls;—
Up!—where the airy citadel
O'erlooks the purging landscape's swell.
Let not unto the stones the day
Her lily and rose, her sea and land display;
Read the celestial sign!
Lo! the South answers to the North;
Bookworm, break this sloth urbane;
A greater Spirit bids thee forth,
Than the gray dreams which thee detain.

Mark how the climbing Oreads
Beckon thee to their arcades;
Youth, for a moment free as they,
Teach thy feet to feel the ground,
Ere yet arrive the wintry day
When Time thy feet has bound.
Accept the bounty of thy birth;
Taste the lordship of the earth.

I heard and I obeyed,
Assured that he who pressed the claim,
Well-known, but loving not a name,
Was not to be gainsaid.

Ere yet the summoning voice was still,
I turned to Cheshire's haughty hill.
From the fixed cone the cloud-rack flowed
Like ample banner flung abroad
Round about, a hundred miles,
With invitation to the sea, and to the bordering isles.

In his own loom's garment drest,
By his own bounty blest,
Fast abides this constant giver,
Pouring many a cheerful river;
To far eyes, an aërial isle,
Unploughed, which finer spirits pile,
Which morn and crimson evening paint
For bard, for lover, and for saint;
The country's core,
Inspirer, prophet evermore,
Pillar which God aloft had set
So that men might it not forget,
It should be their life's ornament,
And mix itself with each event;
Their calendar and dial,
Barometer, and chemic phial,
Garden of berries, perch of birds,
Pasture of pool-haunting herds,
Graced by each change of sum untold,
Earth-baking heat, stone-cleaving cold.

The Titan minds his sky-affairs,
Rich rents and wide alliance shares;
Mysteries of color daily laid
By the great sun in light and shade,
And, sweet varieties of chance,
And the mystic seasons' dance,
And thief-like step of liberal hours
Which thawed the snow-drift into flowers.
O wondrous craft of plant and stone
By eldest science done and shown!
Happy, I said, whose home is here,
Fair fortunes to the mountaineer!
Boon nature to his poorest shed
Has royal pleasure-grounds outspread.
Intent I searched the region round,
And in low hut my monarch found.
He was no eagle and no earl,
Alas! my foundling was a churl,
With heart of cat, and eyes of bug,
Dull victim of his pipe and mug;
Woe is me for my hopes' downfall!
Lord! is yon squalid peasant all
That this proud nursery could breed
For God's vicegerency and stead?
Time out of mind this forge of ores,
Quarry of spars in mountain pores,
Old cradle, hunting ground, and bier
Of wolf and otter, bear, and deer;
Well-built abode of many a race;
Tower of observance searching space;
Factory of river, and of rain;
Link in the alps' globe-girding chain;
By million changes skilled to tell
What in the Eternal standeth well,
And what obedient nature can,—
Is this colossal talisman
Kindly to creature, blood, and kind,
And speechless to the master's mind?

I thought to find the patriots
In whom the stock of freedom roots.
To myself I oft recount
Tales of many a famous mount.—
Wales, Scotland, Uri, Hungary's dells,
Roys, and Scanderbegs, and Tells.
Here now shall nature crowd her powers,
Her music, and her meteors,
And, lifting man to the blue deep
Where stars their perfect courses keep,
Like wise preceptor lure his eye
To sound the science of the sky,
And carry learning to its height
Of untried power and sane delight;
The Indian cheer, the frosty skies
Breed purer wits, inventive eyes,
Eyes that frame cities where none be,
And hands that stablish what these see:
And, by the moral of his place,
Hint summits of heroic grace;
Man in these crags a fastness find
To fight pollution of the mind;
In the wide thaw and ooze of wrong,
Adhere like this foundation strong,
The insanity of towns to stem
With simpleness for stratagem.
But if the brave old mould is broke,
And end in clowns the mountain-folk,
In tavern cheer and tavern joke,—
Sink, O mountain! in the swamp,
Hide in thy skies, O sovereign lap!
Perish like leaves the highland breed!
No sire survive, no son succeed!

Soft! let not the offended muse
Toil's hard hap with scorn accuse.
Many hamlets sought I then,
Many farms of mountain men;—
Found I not a minstrel seed,
But men of bone, and good at need.
Rallying round a parish steeple
Nestle warm the highland people,
Coarse and boisterous, yet mild,
Strong as giant, slow as child,
Smoking in a squalid room,
Where yet the westland breezes come.
Close hid in those rough guises lurk
Western magians, here they work;
Sweat and season are their arts,
Their talismans are ploughs and carts;
And well the youngest can command
Honey from the frozen land,
With sweet hay the swamp adorn,
Change the running sand to corn,
For wolves and foxes, lowing herds,
And for cold mosses, cream and curds;
Weave wood to canisters and mats,
Drain sweet maple-juice in vats.
No bird is safe that cuts the air,
From their rifle or their snare;
No fish in river or in lake,
But their long hands it thence will take;
And the country's iron face
Like wax their fashioning skill betrays,
To fill the hollows, sink the hills,
Bridge gulfs, drain swamps, build dams and mills,
And fit the bleak and howling place
For gardens of a finer race,
The world-soul knows his own affair,
Fore-looking when his hands prepare
For the next ages men of mould,
Well embodied, well ensouled,
He cools the present's fiery glow,
Sets the life pulse strong, but slow.
Bitter winds and fasts austere.
His quarantines and grottos, where
He slowly cures decrepit flesh,
And brings it infantile and fresh.
These exercises are the toys
And games with which he breathes his boys.
They bide their time, and well can prove,
If need were, their line from Jove,
Of the same stuff, and so allayed,
As that whereof the sun is made;
And of that fibre quick and strong
Whose throbs are love, whose thrills are song.
Now in sordid weeds they sleep,
Their secret now in dulness keep.
Yet, will you learn our ancient speech,
These the masters who can teach,
Fourscore or a hundred words
All their vocal muse affords,
These they turn in other fashion
Than the writer or the parson.
I can spare the college-bell,
And the learned lecture well.
Spare the clergy and libraries,
Institutes and dictionaries,
For the hardy English root
Thrives here unvalued underfoot.
Rude poets of the tavern hearth,
Squandering your unquoted mirth,
Which keeps the ground and never soars,
While Jake retorts and Reuben roars,
Tough and screaming as birch-bark,
Goes like bullet to its mark,
While the solid curse and jeer
Never balk the waiting ear:
To student ears keen-relished jokes
On truck, and stock, and farming-folks,—
Nought the mountain yields thereof
But savage health and sinews tough.

On the summit as I stood,
O'er the wide floor of plain and flood,
Seemed to me the towering hill
Was not altogether still,
But a quiet sense conveyed;
If I err not, thus it said:

Many feet in summer seek
Betimes my far-appearing peak;
In the dreaded winter-time,
None save dappling shadows climb
Under clouds my lonely head,
Old as the sun, old almost as the shade.
And comest thou
To see strange forests and new snow,
And tread uplifted land?
And leavest thou thy lowland race,
Here amid clouds to stand,
And would'st be my companion,
Where I gaze
And shall gaze
When forests fall, and man is gone,
Over tribes and over times
As the burning Lyre
Nearing me,
With its stars of northern fire,
In many a thousand years.

Ah! welcome, if thou bring
My secret in thy brain;
To mountain-top may muse's wing
With good allowance strain.
Gentle pilgrim, if thou know
The gamut old of Pan,
And how the hills began,
The frank blessings of the hill
Fall on thee, as fall they will.
'Tis the law of bush and stone—
Each can only take his own.
Let him heed who can and will,—
Enchantment fixed me here
To stand the hurts of time, until
In mightier chant I disappear.
If thou trowest
How the chemic eddies play
Pole to pole, and what they say,
And that these gray crags
Not on crags are hung,
But beads are of a rosary
On prayer and music strung;
And, credulous, through the granite seeming
Seest the smile of Reason beaming;
Can thy style-discerning eye
The hidden-working Builder spy,
Who builds, yet makes no chips, no din,
With hammer soft as snow-flake's flight;
Knowest thou this?
O pilgrim, wandering not amiss!
Already my rocks lie light,
And soon my cone will spin.
For the world was built in order,
And the atoms march in tune,
Rhyme the pipe, and time the warder,
Cannot forget the sun, the moon.
Orb and atom forth they prance,
When they hear from far the rune,
None so backward in the troop,
When the music and the dance
Reach his place and circumstance,
But knows the sun-creating sound,
And, though a pyramid, will bound.

Monadnoc is a mountain strong,
Tall and good my kind among,
But well I know, no mountain can
Measure with a perfect man;
For it is on Zodiack's writ,
Adamant is soft to wit;
And when the greater comes again,
With my music in his brain,
I shall pass as glides my shadow
Daily over hill and meadow.

Through all time
I hear the approaching feet
Along the flinty pathway beat
Of him that cometh, and shall come,—
Of him who shall as lightly bear
My daily load of woods and streams,
As now the round sky-cleaving boat
Which never strains its rocky beams,
Whose timbers, as they silent float,
Alps and Caucasus uprear,
And the long Alleghanies here,
And all town-sprinkled lands that be,
Sailing through stars with all their history.

Every morn I lift my head,
Gaze o'er New England underspread
South from Saint Lawrence to the Sound,
From Katshill east to the sea-bound.
Anchored fast for many an age,
I await the bard and sage,
Who in large thoughts, like fair pearl-seed,
Shall string Monadnoc like a bead.
Comes that cheerful troubadour,
This mound shall throb his face before,
As when with inward fires and pain
It rose a bubble from the plain.
When he cometh, I shall shed
From this well-spring in my head
Fountain drop of spicier worth
Than all vintage of the earth.
There's fruit upon my barren soil
Costlier far than wine or oil;
There's a berry blue and gold,—
Autumn-ripe its juices hold,
Sparta's stoutness, Bethlehem's heart,
Asia's rancor, Athens' art,
Slowsure Britain's secular might,
And the German's inward sight;
I will give my son to eat
Best of Pan's immortal meat,
Bread to eat and juice to drink,
So the thoughts that he shall think
Shall not be forms of stars, but stars,
Nor pictures pale, but Jove and Mars.

He comes, but not of that race bred
Who daily climb my specular head.
Oft as morning wreathes my scarf,
Fled the last plumule of the dark,
Pants up hither the spruce clerk
From South-Cove and City-wharf;
I take him up my rugged sides,
Half-repentant, scant of breath,—
Bead-eyes my granite chaos show,
And my midsummer snow;
Open the daunting map beneath,—
All his county, sea and land,
Dwarfed to measure of his hand;
His day's ride is a furlong space,
His city tops a glimmering haze:
I plant his eyes on the sky-hoop bounding;—
See there the grim gray rounding
Of the bullet of the earth
Whereon ye sail,
Tumbling steep
In the uncontinented deep;—
He looks on that, and he turns pale:
'Tis even so, this treacherous kite,
Farm-furrowed, town-incrusted sphere,
Thoughtless of its anxious freight,
Plunges eyeless on for ever,
And he, poor parasite,—
Cooped in a ship he cannot steer,
Who is the captain he knows not,
Port or pilot trows not,—
Risk or ruin he must share.
I scowl on him with my cloud,
With my north wind chill his blood,
I lame him clattering down the rocks,
And to live he is in fear.
Then, at last, I let him down
Once more into his dapper town,
To chatter frightened to his clan,
And forget me, if he can.
As in the old poetic fame
The gods are blind and lame,
And the simular despite
Betrays the more abounding might,
So call not waste that barren cone
Above the floral zone,
Where forests starve:
It is pure use;
What sheaves like those which here we glean and bind,
Of a celestial Ceres, and the Muse?

Ages are thy days,
Thou grand expressor of the present tense,
And type of permanence,
Firm ensign of the fatal Being,
Amid these coward shapes of joy and grief
That will not bide the seeing.
Hither we bring
Our insect miseries to the rocks,
And the whole flight with pestering wing
Vanish and end their murmuring,
Vanish beside these dedicated blocks,
Which, who can tell what mason laid?
Spoils of a front none need restore,
Replacing frieze and architrave;
Yet flowers each stone rosette and metope brave,
Still is the haughty pile *****
Of the old building Intellect.
Complement of human kind,
Having us at vantage still,
Our sumptuous indigence,
O barren mound! thy plenties fill.
We fool and prate,—
Thou art silent and sedate.
To million kinds and times one sense
The constant mountain doth dispense,
Shedding on all its snows and leaves,
One joy it joys, one grief it grieves.
Thou seest, O watchman tall!
Our towns and races grow and fall,
And imagest the stable Good
For which we all our lifetime *****,
In shifting form the formless mind;
And though the substance us elude,
We in thee the shadow find.
Thou in our astronomy
An opaker star,
Seen, haply, from afar,
Above the horizon's hoop.
A moment by the railway troop,
As o'er some bolder height they speed,—
By circumspect ambition,
By errant Gain,
By feasters, and the frivolous,—
Recallest us,
And makest sane.
Mute orator! well-skilled to plead,
And send conviction without phrase,
Thou dost supply
The shortness of our days,
And promise, on thy Founder's truth,
Long morrow to this mortal youth.
Shashank Virkud Nov 2011
So I went to the campus today, for the first time in a long time. I smoked cigarettes outside of the the lecture hall with some kids from the eastern block whose names I could barely pronounce. They were talking about McCarthyism in a language I couldn't understand - snippets in English - an American history exam. I cut class again, for a reason I can't quite trace, just lost sight of it all I guess. Or maybe I was wishing it could have been a little easier. They never gave us a course in what it means to try, you know? It just seems as if the only thing that stops us from doing the things we love is a fear of failing at them. Thinking about this on the walk home made my head sick and my heart sad, and so sleeping through the rest of the daylight seemed like a good way to get by.

I met up with the friend, later in the evening, he was at the local venue. He had his hands in his hoodie and his Adidas were swinging over the side of the stage, head bobbing, and rhyming in time to the beat of an electric bass drum. I asked him to buy me a beer and he slid his last two dollars over the counter like he always does when he notices my lower lip quivering. I didn't ask him about the doctor's and he didn't ask me about my black eye. I told him to tell me the story again, the one about the cool kids he met in the East Village and he did, he told me about the whole encounter in the snow, with the lights, and how badly he was shivering. I smiled that type of smile, the one that ends up with your lips curved the wrong way and wished I would have went with him.

The waitress that hates me gave me a ride home again so her uncle could close the place down. I offered her one of those Ukrainian kids' cigarettes that I swiped but she said no thanks, and I was glad I had more. She knew this wasn't going to be the last time she did me a favor, the way my track record was but I like to think she doesn't mind too much. I invited her inside but she said she had to run, maybe next time. She told me to try and hurry up and finish school so I could give her the world, and then she giggled and winked at me before she sped off. Back to bed, I had a long day of bullshitting myself ahead of me when I awoke.
Kelly Bitangcol Oct 2016
Every person in this world has a name. Of course, the first thing in life that makes us all different is our name. Or names, perhaps. I know someone who has four names, Marie France Antoinette Anne. I’m friends with someone who has 3 names, Eivram Jan Heaven. Even though 3-4 names are probably hard to have, it’s kind of amazing because it adds a lot to your singularity. And the best example of them all are two names, my best friend’s name is Khelsy Gayle, my eldest sister’s: Christina Andrea, my other sister’s name is Francesca Julia and my name is Kelly Denise. And we all here, don’t even bother to deny it, has a nickname. My best friend’s name is Chellsie and everybody calls her Che. Both of my classmates are both Joshua, and they only have one name, so my teacher, in order for us to not be confused, decided to call the one who has a surname that starts with C, JC and the surname that starts with D, JD and until now we still call them by those names. And in some cases, we pick nicknames by different choices. My eldest sister’s nickname is Zoe and my other sister’s nickname is Franny because my mom loved JD Salinger so much that she named my sisters from her favourite fictional siblings. Maybe my mother wasn’t expecting me, so she didn’t name me from an iconic literary character, or a famous philosopher. Instead, she called me with a nickname that I will be known till the day that I die, it’s called ‘Keidy’. And, to be honest, I hate that nickname. But hey, I have no choice. Or we can all be known for the things that we did. Daenerys Targaryen has a lot of names, Mother of Dragons, Breaker of Chains, Protector of the realm and so on and so forth. Or you can be Arya Stark, who is  No One. An example of a name that people force to be known as but they will never achieve because she will always be Arya Stark of Winterfell.

You see, names are wonderful. It's a proof that everyone in this world, is different. And what a magical thing it is, living in the same world with different people who have different views. And to mention, same views. We all here share same views, and maybe, some of us here even share the same name.

But in every woman’s life, we share the same names. People call us with names that we don’t even have. Each of us have been called or will be called these names.


You will call us, doll. You told us we have so much cuteness in us and we are as beautiful as dolls, and we don’t have any problem with that. Little did we know that some of you don’t really admire our beauty but instead think of us as toys. Toys that you can control, toys that you think would do everything that you want. You will teach us what that we should do, you will teach us what to say and how we should act, you will teach us everything like you own us. And after we do everything that you told us to you will call us good girls.  Good girl,  continue following me.  Good girl,  get ready for more, like we are toys. But of course, you will not call us toys because girls and toys are the same for you, right?

We were taught to be clean, we were raised to be pure. That chastity is the most important thing that every woman should have. And for sure, you all want our purity, but when we disagree like we were taught to you will call us prudes. ***** for choosing who I open up to. ***** for not letting you inside my temple when I am the landlord making choices.  ***** for saying no, because your ego is far more important than my consent. And when we say yes, you will call us *****. Choosing what to do to your own body is a not a thing you should do. Expressing your sexuality is a sin to this world when you’re the one who does it. A woman’s pleasure, is not a real thing. Because we’re not allowed to have one, because we are known for giving one. We are known as ******, as women who are not clean and pure. Who spend their lives offering their bodies like they're the only thing that we can offer. You will shame us for being filthy and disgusting when you’re the reason why we are here in the first place. We are here to pleasure you, to give you what you want. But when we are the ones who would like to experience it, the world suddenly goes mad. We should not experience any pleasure but they can all the time. And when we finally speak for what’s right, our names will suddenly become *******. A ***** for speaking up, a ***** for doing the thing that I should have done ages ago, a ***** for fighting back. A ***** for being strong to be able to remove the tight grip of your hands to my mouth that has been keeping it shut, a ***** for removing the word ’silence’ in my vocabulary, a ***** for being brave to destroy the power that have kept me powerless for a long time.

Woman, I agree that we should be called names. We should be known as fire, a fire so powerful that can lit up the entire world, and burn you for playing with us the entire time. We are warriors fighting for the right thing, warriors that are strong enough to combat all the wrong doings. We are magic,we can do things that everyone never expected we could. Our mind, is the most beautiful place anyone will ever come across.
We are women, and that one word, is more than enough to make people know our value. Woman, the next time they will call you names you do not approve of, tell them. Woman, the next time they lecture you with the things you should do knowing you have your own decisions in life, **** them with your independence. Woman, make them tremble when they realise you are one. Woman, prove them all wrong. Woman, the next time they belittle you; do not let them.
prose free verse feminism women misogyny sexism
Blue Flask Jun 2015
Slump your shoulders
Listen to the professor’s drone on and on
Feel the eyes of her boring into the back of your head
Slump forward
Stop listening to the lecture on chemistry
Fight the urge to look behind you just to make sure she is doing anything
Lean back
Fight the urge to scream at the professor
Slowly put your head in your hands because you don’t know what else to do
Head hangs low
Give the appearance of listening
Sit back and try to breath and just don’t do anything odd or weird for the love of god
Steve D'Beard Nov 2012
Empty skies embrace
Sparse cloud formations
The blues fade and overlapped hues
Sparkles crested in fickle delight
Lazy outstretched yawns of natural light
Sun’s glare glazed under Moon’s appearance
Embossed against the translucence of blue space
Everything up there is calm today
No rush or race or interference
Gentle indifference drifts to the West.
Staying dry for us

The beautiful simplicity of being Sky.

Stop and look around.
Cyclists trickle on painted pathways
Student groups pontificate about life
and the lecture they should all be at,
Lunchtime sprawls and *******
never ending spurts of schoolchildren
delirious for sausage rolls and E numbers.

Everyone in a rush to be someone
Going somewhere with purpose,
and yet,
Be indifferent
to each other.

The bland complexity of being modern People.
Nigel Morgan Aug 2013
Today we shall have the naming of parts. How the opening of that poem by Henry Reed caught his present thoughts; that banal naming of parts of a soldier’s rifle set against the delicate colours and textures of the gardens outside the lecture room. *Japonica glistening like coral  . . . branches holding their silent eloquent gestures . . . bees fumbling the flowers. It was the wrong season for this so affecting poem – the spring was not being eased as here, in quite a different garden, summer was easing itself out towards autumn, but it caught him, as a poem sometimes would.

He had taken a detour through the gardens to the studio where in half an hour his students would gather. He intended to name the very parts of rhythm and help them become aware of their personal knowledge and relationship with this most fundamental of musical elements, the most connected with the body.

He had arranged to have a percussionist in on the class, a player he admired (he had to admit) for the way this musician had dealt with a once-witnessed on-stage accident that he’d brought it into his poem sequence Lemon on Pewter. They had been in Cambridge to celebrate her birthday and just off the train had hurried their way through the bicycled streets to the college where he had once taught, and to a lunchtime concert in a theatre where he had so often performed himself.

Smash! the percussionist wipes his hands and grabs another bottle before the music escapes checking his fingers for cuts and kicking the broken glass from his feet It was a brilliant though unplanned moment we all agreed and will remember this concert always for that particular accidental smile-inducing sharp intake of breath moment when with a Fanta bottle in each hand there was a joyful hit and scrape guiro-like on the serrated edges a no-holes barred full-on sounding out of glass on glass and you just loved it when he drank the juice and fluting blew across the bottle’s mouth

And having thought himself back to those twenty-four hours in Cambridge the delights of the morning garden aflame with colour and texture were as nothing beside his vivid memory of that so precious time with her. The images and the very physical moments of that interval away and together flooded over him, and he had to stop to close his eyes because the images and moments were so very real and he was trembling . . . what was it about their love that kept doing this to him? Just this morning he had sat on the edge of his bed, and in the still darkness his imagination seemed to bring her to him, the warmth and scent of her as she slept face down into a pillow, the touch of her hair in his face as he would bend over her to kiss her ear and move his hand across the contours of her body, but without touching, a kind of air-lovers movement, a kiss of no-touch. But today, he reminded himself, we have the naming of parts . . .

He was going to tackle not just rhythm but the role of percussion. There was a week’s work here. He had just one day. And the students had one day to create a short ‘poem for percussion’ to be performed and recorded at the end of the afternoon class. In his own music he considered the element of percussion as an ever-present challenge. He had only met it by adopting a very particular strategy. He regarded its presence in a score as a kind of continuo element and thus giving the player some freedom in the choice of instruments and execution. He wanted percussion to be ‘a part’ of equal stature with the rest of the musical texture and not a series of disparate accents, emphases and colours. In other words rhythm itself was his first consideration, and all the rest followed. He thought with amusement of his son playing Vaughan-Williams The Lark Ascending and the single stroke of a triangle that constituted his percussion part. For him, so few composers could ‘do it’ with percussion. He had assembled for today a booklet of extracts of those who could: Stravinsky’s Soldier’s Tale (inevitably), Berio’s Cummings songs, George Perle’s Sextet, Living Toys by Tom Ades, his own Flights for violin and percussionist. He felt diffident about the latter, but he had the video of those gliders and he’d play the second movement What is the Colour of the Wind?

In the studio the percussionist and a group of student helpers were assembling the ‘kits’ they’d agreed on. The loose-limbed movements of such players always fascinated him. It was as though whatever they might be doing they were still playing – driving a car? He suddenly thought he might not take a lift from a percussionist.

On the grand piano there was, thankfully, a large pile of the special manuscript paper he favoured when writing for percussion, an A3 sheet with wider stave lines. Standing at the piano he pulled a sheet from the pile and he got out his pen. He wrote on the shiny black lid with a fluency that surprised him: a toccata-like passage based on the binary rhythms he intended to introduce to his class. He’d thought about making this piece whilst lying in bed the previous night, before sleep had taken him into a series of comforting dreams. He knew he must be careful to avoid any awkward crossings of sticks.

The music was devoid of any accents or dynamics, indeed any performance instructions. It was solely rhythm. He then composed a passage that had no rhythm, only performance instructions, dynamics, articulations such as tremolo and trills and a play of accents, but no rhythmic symbols. He then went to the photocopier in the corridor and made a batch of copies of both scores. As the machine whirred away he thought he might call her before his class began, just to hear her soft voice say ‘hello’ in that dear way she so often said it, the way that seem to melt him, and had been his undoing . . .

When his class had assembled (and the percussionist and his students had disappeared pro tem) he began immediately, and without any formal introduction, to write the first four 4-bit binary rhythms on the chalkboard, and asked them to complete it. This mystified a few but most got the idea (and by now there was a generous sharing between members of the class), so soon each student had the sixteen rhythms in front of them.

‘Label these rhythms with symbols a to p’, he said, ‘and then write out the letters of your full name. If there’s a letter there that goes beyond p create another list from q to z. You can now generate a rhythmic sequence using what mathematicians call a function-machine. Nigel would be:

x x = x     x = = =      = x x =      = x x x      x = x x

Write your rhythm out and then score it for 4 drums – two congas, two bongos.’

His notion was always to keep his class relentlessly occupied. If a student finished a task ahead of others he or she would find further instructions had appeared on the flip chart board.  Audition –in your head - these rhythms at high speed, at a really quick tempo. Now slow them right down. Experiment with shifting tempos, download a metronome app on your smart phone, score the rhythms for three clapping performers, and so on.

And soon it was performance time and the difficulties and awkwardness of the following day were forgotten as nearly everyone made it out front to perform their binary rhythmic pieces, and perform them with much laughter, but with flair and élan also. The room rang with the clapping of hands.

The percussionist appeared and after a brief introduction – in which the Fanta bottle incident was mentioned - composer and performer played together *****’s Clapping Music before a welcome break was taken.
Kunzite Hewitt Aug 2010
First, I would like to introduce Grayasety. She was a young girl, had soft strands of medium-short caramel hair, and she had green-blue eyes that looked like miniature earths. She was indeed a pretty girl and she was of average height, and had a healthy body. She also had a slight southern drawl; her mother was from Texas. She loved going on boat voyages as her father was the captain of a ship named Gray Asety, named after Grayesty, so she was often training to go on voyages.
                  One morning, just like any other ordinary morning, Grayasety left her house for the next-door stable with her baby sitter, Kinberly, which was part of her father’s crew.  Today was the big day, the day when Grayasety was going to go on a voyage with her father as an official crewmember. Today was Grayasety’s 13th birthday; today was the day when she was old enough to work on her father’s ship! Therefore, she gaily whistled and skipped along the road. It had always been her dream to work on her father’s ship, and today, finally, her dream was coming true. When she got to the stable she blew her small, pink whistle that, to human ears would make no sound, and like every morning her best friend, (which had the ability to morph into animals) trotted tiredly out of the stable in the form of a beautiful brown mare. The huge animal yawned and said, “Morning Kin!” And then addressing Grayasety she said, “ Well, well, little missy what do you want me to be today?” Today Grayasety wanted Mila to be a green parrot, Grayasety was obsessed in the color green, and Mila had reluctantly obeyed, the trio set off for the fresh smelling bay.
Kinberly, and Mila worked on the Gray Asety. Mann Forumest, or Captain Daddy as Grayasety called him had met Grayasety’s mom working as a crewmember on the Majesty, a steamboat. Grayasety’s mother, Magnolia Scott Forumest was the assistant cook. They married, but kept their jobs until one day when Grayasety was about five, the Sea Bandits, a notorious group of pretty woman stealers, kidnapped Her mother.
                        While on sea, Grayasety shared a rather large suite in the ship with her father. In the Bedroom were two desks, one big and one small, and in the corner was a bunk bed, the top bunk badly painted in green and the bottom bunk still bearing its natural mahogany color. Grayasety was sitting in her little green desk, scribbling madly in her deep green diary. Grayasety *** a liking of scribbling and those who have know her long enough could read her scribbles like one would writing. She could read and write although she was nowhere near a strait A student.
                   After a while Grayasety decided to bother her father and, forgetting to switch into her lime green boots, shinnyed up the main stairs to the deck in her faded fluffy mint green slippers. Mila, perched comfortably on Grayasety’s shoulder, started telling her that she was wearing her slippers when Grayasety shoved a faded green pacifier in Mila’s mouth; Grayasety often did this to keep Mila quiet.
Mila, not enjoying the dusty, stale taste of the pacifier unhappily decided to keep her mouth shut until Grayasty got in a better mood. In truth Grayasety was in a marvelous mood and rather liked shoving pacifiers in Mila’s mouth. As the girl got closer to the deck, she started to hear chanting from the kind crew. She especially heard Kinberly’s familiar raspy voice chanting,” Laaa dee daaa, the Gray A rolls along,” and as she emerged to the *****, wet deck she noticed that her father was talking to someone else already. “Botherin’ will have to wait some,” she whispered to Mila. Then she took the pacifier out of Mila’s mouth and scolded,” why didn’t you tell me that I was still wearin’ my slippers eh? Wanted to make me look like an idiot?” Mila simply rolled her eyes.
                    Right then, Captain Daddy, apparently finishing his conversation, came over to the pair and said affectionately, “How are my darlings doin’ today?” Mila especially enjoyed this for Captain Daddy always gave a loving stoke on her back and a whole chocolate chip cookie if he had one. Although Grayasety always stole some of the cookie Mila was happy enough with half. Grayasety, on the other hand was happy with a whole cookie so she begged Captain Daddy to give her another one. Captain Daddy gave her another cookie but chided her not to steal any more from Mila.
                    After the lecture on not stealing other people’s food, Grayasety clambered up the crow’s nest and almost knocked over Franz, a tall, but gaunt boy a couple years older then Grayasty getting in. ”Anythin’ unusual yet?” asked Grayasety hopefully. “Nope,” answered the calm boy quietly. ”Hi Franz. Do you have any cookies?” asked Mila mockingly, Franz just laughed and said,” If I had any I would of eaten it by now! Gray, can you get me somethin’ from the kitchen?”.
                   Grayasety got Franz a basket of food and got her self the same amount; Grayasety was basically always hungry, and had a little picnic on the roomy crow’s nest. After they finished their meal Grayasety decided to let Franz rest and did lookout. Franz had a small room to himself, which was about the size of a normal bathroom with all the stuff taken out. In the corner was an old, squeaky army cot and next to it was a rotund desk with a stack of blank paper, a jar of Indian ink, and a fountain pen laid precariously on it.
                    Franz was quite a writer and he spent his free time eating, sleeping, or writing and unlike Grayasety he actually wrote not scribbled. He was working on a story about gargoyles that came to life at night. It was an interesting story, really. He would of loved to stop working on the Gray Asety and go get his books published but he stayed for his family was a poor one and needed his help to make a living and also, Captain Forumest provided free paper. And, his daughter was the first friend he ever had; Franz was convinced that she was the best one.
                   Grayasety enjoyed being on ships. She liked feeling the cold air rush through her hair and she enjoyed the great view of the vast sea that surrounded her. She even liked the feeling of being so small compared to the humpbacks that swam by. She thought that the ship food was good, and she felt that the sea was truly where she belonged. Grayasety was very cranky when she was not at sea, (though she did like their big, ocean green house), so her father tried to include her on as many voyages as he could.
                     Captain Daddy, or Mann as I will call him spent most of day in a booth on the deck. He often worried about his daughter’s mental health (even though it was completely unnecessary). He talked to Grayasety’s doctor about this and Dr.Metalos, Grayasety’s doctor, gave them a list of mental deceases she could have, but none of them seemed like some thing she would have. Mann was sure that his daughter did not have one sickness; Much Too Much Time At The Sea Syndrome. If any one knew where Grayasety belonged it was Mann and he knew perfectly well that his daughter would go insane if she wasn’t at sea for too long. For one thing she preferred to sleep on her uncomfortable bunk at sea rather then on her fluffy green bed as soft as a feather at home.
                        Right then the ship did a tummy- flopping lurch and knocked off the map and compass from Mann’s desk, which interrupted his thoughts for a while. Below deck Franz’s desk toppled over, and Franz accidentally made a long and ugly scribble across his writing and on the crow’s nest Grayasety was having trouble standing up and she almost vomited right onto Kinberly’s hair. This was rare for Grayasety for she lived on the sea and was used to lurches; she had once survived a shipwreck, which explains her golden earring on her right earlobe.
                   That night as Grayasety lay in bed Mann quietly crept out of his bunk and scurried up the stairs to the deck. He wanted some time to himself. Ahead was Cape Horn; a very dangerous place where so many ships had sunk it could fill the biggest port in the world, but more personally, this was near the Sea Bandits main head quarters, 8 years ago the beautiful Magnolia Scott Forumest was captured here. Even though it was impossible in the foggy mist, Mann tried to make out the cave that marked the entrance to the headquarters. Only few people knew this entrance, and publicity stated that it was a “mere mystery” why most captives were capture near Cape Horn. Mann felt a chill run down his spine and then he thought he felt someone’s hand grab his shoulder. He looked down and saw what he dreaded most; a hand tinged with brown firmly held his shoulder.
                      Grayasety woke up feeling wonderful but apparently Mila didn’t. She kept screeching something about Captain Daddy being kidnapped and soon she found that what Mila had just screeched in her ear was true. She stormed into Franz’s cabin and told him what she discovered and they soon agreed to do what no one else wanted them to do; steer the boat right into the Sea Bandits’ headquarters and take back what, and who was theirs no matter how hard it could be.
                      Grayasety had Franz steer the boat and she herself navigated, Kin was lookout and the rest of the crew helped out. Franz dropped the passengers off at Puerto, and Mila morphed back into a human; what she really is, and helped out. Separated from the frenzy, Grayastey was quietly thinking to herself. She wondered why the Sea Bandits captured her father. They were well known for capturing pretty woman but not average looking men. Just then she heard a knock on the door. “Grayasety?” said the raspy voice of Kin. “There ya are. I just thought ya might wanna know why ya daddy was captured.” “Can you please tell me,” asked Grayasety, trying not to sound too eager. “Well rememba when ya daddy would be gone when ya woke up at mid night an’ I told ya that he had gone to the store to get some groceries? Well if you had thought some you woulda noticed that the store was closed.” Grayasety interrupted Kin in mid-sentence and said irritably, “Of course I rememba. Just get to the point Kin!” Kin flinched at Grayasety’s frustration and mumbled,” Well ya daddy was a spy. One of the best ones at that. He did all he could to stop organized crime, an’ he specialized in the Sea Bandit’s. They captured him ‘cause one less police the better for them.” Grayasety sat with her mouth hanging wide open. She never imagined that her father was a spy. But now every thing made sense. “ Sorry I didn’t tell ya before. Ya fatha simply wouldn’t allow it.” Kin apologized. Grayasety managed a squeak and then Kin left her.
                      After she repeated this to Franz and then Mila, Grayasety went down to her bedroom, she hated having to be near Her father’s belongings but she hated having people see her crying much more and cry she did, leaving her father’s mattress a soggy mess. Then she decided to clean that mess up for if they rescued her father she was sure he did not want to sleep in a soggy bed. Noticing it, she picked up her dad’s picture of her dad and mom’s wedding and became suddenly aware of how much she looked like her dad. The hair, the eyes, the quirky grin, every thing. Her mother had soft blonde hair and violet eyes that almost made you smell the pungent smell of lavenders and had a beautiful smile with bright red lips. All in all she was the most beautiful woman Grayasety had ever seen. She almost made Grayasety feel jealous.
                     “Hey! Gray. So are we gonna bring any weapons? Kin was a whole chest full of ‘em!” Said the distinctively low voice of Franz. “Well, I dunno. I suppose we should bring a couple guns. Always nice to be well prepared.” Replied Grayasety.

                     Franz was on lookout when the carrier pigeon came. The note it had on its leg was from Mann. It said:

Dear Grayasety and friends,

Do not come to save me. I’m with my wife in their dungeon but they want you guys to come too. You see, I’m like a bait. You’re the fishies. They want to erase all traces of the Forumest family. That means they have to dispose of those who would remember them. I will manage okay. Kin, Please take Grayasety and Franz home and forget about me for you and the children’s sake. Grayasety, I love you. Dispose all of my belongings and try to tell yourself that Kin is your mother. Believe me. It’s all for the better. Franz, I meant to tell you but your parents caught tuberculosis and died the other day. Your sister committed suicide soon after. Please take care of Grayasety.

             Mann

                    The trio stood silent for a long moment and then without warning Franz burst into tears, and scrambled to his cabin. Kin and Grayasety looked at each other sadly and went to their cabins themselves. Grayasety tried to sleep that night but images of Mann and her mother strapped up in chains kept her staring into the darkness with wide eyes. She reached over and got her personal music player, trying to distract herself but after a few seconds she turned it off again, for she could not bear listening to the lyrics; “It’s past midnight and something evil’s lurking 'round the dark” of Michael Jackson’s “Thriller”.
            The next morning, Mila and Kin steered the boat near the cave that marked the entrance to the Sea Bandits secret headquarters. Mila then morphed into a seagull and flew into the old, damp cave. From a safe distance Grayasety and her crew awaited Mila to return with some news. After swooping into the creepy cave Mila found the opening to the headquarters and perched on a ledge near it. There, she morphed into a rat, and scurried up into the opening.

                 After crawling along several hallways, Mila came across a steel door bolted very firmly marked “CELLS”. Luckily Mila was small enough to crawl under it. Scurrying along the bureau of prisons, Mila finally saw a cell with Mann and a stunningly beautiful woman captured in it. Mila slipped between the bars and trying not to gain the woman’s attention for fear that she would scream, climbed the steep hill of Mann’s arm to try to reach his ear. “Mann?? Don’t make any sound OK?? I’m Mila. I’m the rat on your shoulder. Kin, Grayasety, and Franz say they miss you a lot.” Whispered Mila. Then she saw a humongou
A short story instead of a poem, but I hope you enjoy!
Any corrections, edits, suggestions etc. and greatly aprecciated!
DJ Thomas Jun 2010
Her prized first bike
came out of a breakfast cereal competition.
Then sped her around London
from lecture to final examination.

Twenty years on it was replaced
by gleaming white and black carbon.
Bought, lacking in memories
faster, lighter with a baby seat for Bethan.

Fitness, a priority this year
swimming in the pool, open water and the sea.
Clare selected a running coach
cycling home at an ever higher cadence for tea.

Happy, with her performance
in her very first event as a triathlon novice.
A second, saw Clare pedaling faster
to race past fellow competitors with ease.

In her last competition she was pictured lithe
on posters promoting reactive sports glasses.
Winning a new Felt racing bike, seats in the VIP stand
for the Tour de France finish and her fit lasses-****.


My congratulations dear hero...
copyright©DJThomas@inbox.com 2010
Gaffer Mar 2017
It was great for a time
*** and wine
Wine and ***
Then commitment and open and shut curtains.
Special delivery of child made the bond complete
Six months down the line
Breast feeding was action watched from a distance
Intimacy was a tired look
The neighbours cat looked hot
Killed the lonely nights
Killed the commitment outright
Got to know the lawyer through rapid bank withdrawals
Weekly child visit watched over by Brutus
Bar visits watched over by the world's condemned
Special occasion became a twice yearly treat
Birthday and Christmas, bit of hate thrown sideways.
Then the new man.
Felt good for her.
Maybe some pressure off.
Maybe missed that lobotomy bar lecture.
Years dragged the hate forward.
Time moved on.
One day I wrote her a letter expressing my anger.
She wrote back in triplicate.
I wrote back in double triplicate.
She sent a thesis on men and *****.
Suddenly without thinking, we had dialogue.
After a while, we moved on from the anger.
We became human again.
I actually liked writing her letters and receiving them.
We never got back together.
But the letters kept us close.
Sometimes there would be a kiss at the end.
The little bit of love I probably never deserved.
I would mention it to her in my next letter.
Even an *** deserves a solitary kiss now and again.
The bar room lawyers would probably agree.
Wuji Seshat Oct 2014
I can lecture on the darkness
I’ve tasted shadows like burnt milk
I can lecture on the shadow

I’ve tasted her tongue-dried appetite
The way she cowers in fear
For what is new, in confronting change
I am older now, more fragile
Being had, enjoying how love decays

I’ve grown simpler in these hours
Dying, a bit each day
Though I admire great things that

Can somehow outlive their maker
Even if they have a false shine
As most human things do
And have a tinge of exaggerated
Self-importance, their relatively silly grandeur

I can lecture on the cruelty of men
And the sadism of women
Who care more for clan and religion

Than any real human goodness
We live in ignorant times
And the world is growing more illiterate
Each year, but that is not my affair
The disgrace of catalyst has yet to unfold
And how I shun the self-righteousness
Of the young, what they don’t know yet….
SES Jan 2014
beginnings
i see how we are.
We are cute.
We are "perfect" as everyone tells us.
But i see one problem.
i don't know how to love You.

i thought it would be easy:
after all my trials and tears,
i figured that i could love someone
if they loved me too.
Now i find that is not the case.
Now i find that even now i am still broken,
trying to keep from bleeding into Your own wounds.
Do i walk around on tiptoes trying to please You?
Do i hold my tongue while You hold me?
Maybe that is how i comfort You-
by forsaking my own.
Maybe i will grow to be this girl.
Maybe comfort is something that comes with the passing of time.
Time.
It always comes back to that.

After all,
i had my doubts.
God knows they were plentiful.
But now i look at You as if he stars aligned in Your eyes.
Your brown eyes.
How strange for me to like someone without eyes that remind me of water.
Water always brought me comfort as well as fear.
Maybe that is why i am always so drawn to them.
But now, as Your hands mesh with mine,
the world meshes with understanding.
Things seem...
okay.
That hasn't happened in oh so long.
i may have had spurts of happiness.
A period of contentment here and there.
Okay is a much different feeling.
But beyond this touch, how do i comfort You?
Do i touch the deepest parts of Your consciousness?
Will i ever touch Your unconsciousness?

i see our story.
i can picture it enveloping
days
or weeks
or months
of our lives.
And maybe that just makes me a silly schoolgirl.
But you know what?
This time,
i don't care.
Hurt me.
End up hating me.
Break me like i've been broken before.
But right now,
hold me like i am everything you have ever wanted
because i am starting to think
that you are everything i need.
i've given You more than anyone has ever had from me.
Do not make me regret it,
that is my one request.
i've never been happier.
Please don't ruin that for me.
Continue to treat me like a princess because as cliché as it is,
it's a worthwhile surprise.

The way i've fallen for You-
oh it's a mystery.
i lose all reminiscence of self-control with i’m with You.
i never expected the happiness that accompanies Your name.
i wasn't aware that i had the option
to be happy;
to heal;
to love.
But that's what i have now.
This is my life.
Who would have thought i could be this content?
This okay?
When i look at You i see someone i could fall in love with.
But that terrifies me.
Please don’t make me fall in love with you.
We're both broken,
but maybe we can temporarily heal each other.

i never thought i would mean
anything
to
anyone.
Why would i?
i am nothing special:
an average girl with impossible dreams.
i didn't expect You to treat me so wonderfully.
i didn't think i deserved that,
so i didn't expect it.
But You,
lovely You,
made me see that i deserve to be treated like the person You see me as.
You keep saying that You are worried that You could be treating me better,
well i am here to say that You have treated me better than i ever imagined
and i couldn't ask for more.
i never saw myself as being respectable
or deserving of love.
Yet somehow You saw me from afar
and decided You would be the one
to open my lifeless eyes.

update: I'm still learning to love
i am not used to these emotions and it scares the heart out of me.
i’m scared of happiness.
How ****** up is that?

But let’s go back to what i’ve said before:
“How do i make You happy?”
i was never going to be good enough for You.
How am i supposed to measure up now?

i know:
i’ll hide the scars
to protect You from worrying.
That’s my gift to You.
And i hope You never have the chance to say
“thank you.”
Could You really not see?
You are so easy to fool.
I could put scars anywhere on my body
and you would ask the same question
"did I do that?"
What a life it must be to not know
what the marks mean when they are right in front of You.
Think.
No, You didn’t do them.
And they aren’t cat scratches, darling.
Think.

i may scare You away
and i may not have the strength
to beg You to stay.
i’ll try to be better for You.
i’ll try to be the girl You see.
i’ll try to give You everything You need.
But I won’t let You in, let You know,
when doing so would just confirm
what i’ve been saying all along.
i. Am. Nothing. Good.

i will never be good enough for You
and i will always be crippled by the fear
of disappointing You.
Those are the fears i have never been able to
escape.
You don’t get it.
i am not someone that You want to love.
And as guilty as i feel about that,
i hope You always stay blind.

The melancholy’s dragging me down.
Please don’t let it drag you down as well.
i’d rather let you go that do that to You.
Today, i’m sorry that Your friends had to be the ones
to open Your eyes to how much of a mess i am.
But i think we are all kind of crazy,
not just myself.
And occasionally there is someone who matches Your unique flavor of crazy.
Oh and then things become magical.

i have found that people (me) are funny.
They crave love,
but reject it because they think they don’t deserve it.
What kind of strange sense does this make?
How odd to pick a person to give yourself to.
You.
i pick You to love me.
And You to hurt me.
You to heal me.
And You to break me.
i hate that You know me.
You know every inch of my skin,
but i’m still keeping the gates locked on my heart and soul
for as long as i can.

i am afraid that when this is all said and done,
i will despise all the little things i love about You.
i mean if we think in terms of reality,
this is going to end completely and utterly wrong.
There is no other outcome.
So is there really a point?
Why be happy now
only to be crippled by pain later on?
Can’t You see the pain in my eyes whenever i hear those words?
The way You romanticize death terrifies me.
So much of You is unknown,
so much of us is questionable.
But for now all i want is something of Yours
so that when i’m scared of losing You,
or ******* this up,
i can put it on
and fall in love with the comfort.

You told me one night in a low voice
(the one You use when You both remember or anticipate pain),
“i don’t want to be the mistake you made in high school.”
Oh love, i can assure You that i will be Yours.

Forelsekt (Norwegian): the euphoria you experience when you are first falling in love.
Words are strange and language is beautiful.
i think You have even described me in such a way…

at least i was Your first something
I had a panic attack yesterday
as I was driving you around.
I was stupid and don’t worry,
I know I deserved it.
I made a mistake
and we could have paid.
It was the first one I had had
in such a long time.
And the first one I had had
in front of you.
I think it may have been the first you had seen too.
I’m glad I could be your first something,
even something as broken and chaotic a panic attack.
But isn’t that what we are?
We’re both a whirlwind of broken chaos.

As the panic took over,
all I could think,
and what made it all the worse,
is that you must have thought I was insane.
“Did I make a mistake with this girl?
Everything’s okay now.
Why doesn’t she just calm down?”
Only crazy people panic for such a long time
(and it was; it was the longest attack I had ever succumbed to).
Only crazy people start shaking even once they’re safe
(although I am sure you didn’t feel all that safe).
Only crazy people so desperately grasp for air that is easily accessible
(even I can’t explain it).

Once,
I had a panic attack in front of a boy before.
And you know what?
All he said was,
“It’s no big deal.
Just calm down.
Why are you freaking out?”
But that’s paraphrased of course.
It happened months ago and after that,
I promised to save my broken moments for solitary
because I could not deal with someone whom I cared about
not caring about me.
But you didn’t do that.
You were kind and you were calm.
And yes a little confused,
but that’s to be expected.

You’ll always take care of me, won’t you?
You’ll always protect me, won’t you?
I’m beginning to see that now.
Who would have thought that anyone
would ever want to care someone
so **** broken to the very core?
Not me,
that’s for sure.

Thank you darling,
for you words
and your actions that prove to a hard heart
that maybe love is real.
And maybe someday,
I’ll feel it too.
I want it to be you I fall in love with.
But right now,
I’m still closed in my tiny, claustrophobic cell
that I constructed around myself for the past few years.
I built it up with every harsh word,
and every bad day,
and every painful moment.
But if anyone can push through it,
babe it might be you.
So again, thank you
for you.

for you**
Is it really 2014?
Wow.
I made it this far.
That may be my greatest accomplishment.
It hasn't been easy.
Nature is telling me no,
and well nurture has yet to be a kind, nurturing force.
How much farther do you think I'll make it?
I won't die of natural causes,
of that I am sure.
Someday I will become the murderer of my own soul.
I still have most of 2014 let to live,
but how will I life it?
I can only hope it brings better luck than 2013 showed me.
In 2015 I'll be dragging myself through senior year,
and then off the dorm rooms and lecture halls.
Do you think I can survive that too?
I barely know where I want to go.
I barely know if I want to be alive to choose.
So how am I expected to think about the future,
if I am unsure that a future is what I want?

They used to say I was so strong.
I am beginning to think that "strong" is a jinxed term,
like "best couple" or "most likely to succeed."
Strong.
More like "tired, lost, and uninterested."

I made a promise to a very nice boy,
and I intend to keep it.
Here is what I have to say to him-
I won't hurt myself anymore.
I'll do that for you.
Much of the time, I don't want to live.
I don't really see the point to it all.
I've never been good at life
and I don't enjoy doing things I am not good at.
But you I will live for.
When I am with you,
I can see why people appreciate this whole thing called life.
I'll live for the day to day things that make me laugh,
because we all know that it's the little things that matter most.
I'll live for hope and a future,
that may or may not involve you
but I kinda wish it does.
I think that would be fun, don't you?

I thought I was a lost cause
but then you swooped  in and changed that.
You changed me.
So thank you.
I don't think I tell you that enough.
I.
Am.
Grateful.
For.
You.
So yes.
I'll live for you
because you taught me an crucial thing.
While everything may not be great,
things can still be good.
Laying next to you,
I feel safe.
Life for me is mostly a torrent of hits and misses,
of cards that I wish could have been dealt further apart.
But my life with you is... good.

I will live for no loner seeing your face contort into a terrified expression formed around puppy dog eyes as you ask,
"no more, please?"
while you trace the cuts on my arm.
I will live for days spent in your room because somehow we never get bored
(and I get tired of people at an alarmingly fast rate).

I will life for you because simply put,
I am in love with you.
This is our story, ever evolving
Alice Kay Mar 2013
Just about now I could use a lecture

Yelling at myself for not moving on,

for not letting go,

for not being happy.
Marshall Gass Jun 2014
There's the whisper  of reasoning
skies eyed  for answers dripping down
each pencil pointed at that pinnacle
where the recent lecture sits
awaiting dissection into assignments
for next weeks five thousand word essays.

I marvel at this resilience to learn
to stumble upon grand new theories
of emerging technologies and the world beyond.

I ask some quiet questions
what do you want to be?

Sadly most of them want to  stalk Einstein
without working for it
Some want a ladder to the Fortune 500
others just want those two extra marks
to climb over the paddock fence of education
to a trench board, tassels and a degree
a job and free airline tickets
to strange destinations untraveled.
Only one quiet girl (with braces and a beautiful smile)
wants the assignment sheet. Others treat it like leprosy.


The day closes with her dream
intact. She will rise with the dawn.
Her brain sizzling with solutions
hair unkempt
her manners polished with progress.

I walk away each day
humbled by the same mould that
produces clones of Bill Gates. Always.

Author Notes

Optional
© Marshall Gass. All rights reserved, 9 days ago
Julius Dec 2013
How Dare You Tell Me - What Is Literature?
When I, waking pre-8:25 alarm, from some engulfing dream
Roll out of bed, read poetry when the day has hardly dawned
The wind surges through the crack in everything
Through my window, leaning and weeping
Screaming and tearing at me in Greys
Grays I've neglected in favour of Drakes
Socialising, absorbing this post-everything
Hearing echoes of Alex Turner
Soulful Amy drowned in Wine
The Magic Mushroom experiments of my early years
My late teens, which should have come earlier
Forced to grow fast to the sounds of Lennon and Kendrick

We live in a generation of not being in love, and not being together

When I first heard 'good kid, m.A.A.d city' I was still young
Because who told me what to expect?
Who told me but the Mothers and Teachers of the 80s?
The Bleeding Hearts and Artists make their stand
So Far Gone, falling free from the wall, unhinged
Leap of faith, like washing up the first cup in a student kitchen
Lemon drizzle flow and Drizzy seeping through every artery
A modern century, reaching 21 in 21

But back to the scene set to the Ice Age
Liverpool is my hometown,
London is frozen in memory, the pressure has us crash together
Our minds blend like time, concepts, musical genres
'Blurred Lines' - Feminist uproar defines this '4th' Wave
3rd Eye: We are living in the Future, in ignorance of the present
We are Generation Y, or Z, or just a generation of terrorists
Sages, Mystics, Heroes...

Sweeping winds through my window on a dreary morn
I read 45 pages of poetry because I feel like it,
Not because I have a seminar
University's red bricks fading away for me now
I'm just staring at a man's soul,
Attaching myself, this is why I write
I reach for the ceiling, in this small room
Yawning, the stretch of a new day
Going for gold (the sun, the stars)
Going for breakfast, alone downstairs with Paul Farley

As I stretch I look out the window
See four attractive, modern girls walking
(Probably to lectures, though it seems amidst the hour)
I can lecture too, with my arrogant, contemporary voice
I think - if they see me I will smile and wave, wink maybe
(Perhaps not, I am a feminist after all...is this ironic?)
These are products of angsty teen poem generators
They don't look, but I feel it may as well have happened
(I am in such a good mood I would smile at myself)

This generation seems to lounge in apathy
Girls in beanie hats, tripping off Raider **** (RVIDXR KLVN?)
Obey Snap Backs giving me Flash backs
I wish it was the 60s, I wish I could be happy
Trap is the new Rock and Roll, Prog-Rap is coming, sit tight
(Was this always about hip hop, girls etc?)
Am I as readable as Holden Caulfield?
Reading about John Lennon drinking Milk
I felt like Sylvia Plath on 10th February 1963
Well, I feel like Lennon on 11th February 1963
Am I even an '13 Ye?
Screaming 'R.I.P STEEZ', or 'Twist and Shout'
How far have we come now..?
When will we redefine 'Post-Modernism'
Or give this era a Literary title
Like PBR&B; or Indie
Like Blues or Jazz
Like the wind that rushes through my window and my follow up 9:45 alarm telling me I need to set off

— The End —