The mushroom
The unfolding

instant of creation (fertilisation)
not an instant separate from breakfast
It all flows down & out, flowing

but that instant:
not fire & fusion (fission) but a moment
of jellied ice, crystal, vegetative mating
merging in cool slime splendour
a crushing of steel & glass & ice

(instant in a bar; glasses clash, clink, collide)

far-out splendour

heat & fire are outwards signs of a
Small dry mating
~~~

event in a room
event in space
a circle
Magic rite
To call up the godhead
spirits, demons
The shaman calls:
“When radio dark night…”
We are eating each other.
~~~

The Voice of the Serpent
dry hiss of age & steam
& leaves of gold
old books in ruined
Temples
The pages break like ash

I will not disturb
I will not go

Come, he says softly

an old man appears &
moves in tired dance
amid the scattered dead
gently they stir
~~~

I received an Aztec wall
of vision
& dissolved my room in
sweet derision
Closed my eyes, prepared to go
A gentle wind inform’d me so
And bathed my skin in ether glow
~~~

Drugs are a bet w/ your mind
~~~

The cigarette burn’d
my fingertips
& dropp’d like a log
to the rug below
My eyes took a trip
to dig the chick
Crouch’d like a cat
at the next window
My ears assembled music
out of swarming streets
but my mind rebelled
at the idiot’s laughter
The rising frightful idiot laughter
Cheering an army of
vacuum cleaners
~~~

Mouth fills w/taste of copper.
Chinese paper. Foreign money. Old posters.
Gyro on a string, a table.
A coin spins. The faces.

There is an audience to our drama.
Magic shade mask.
Like the hero of a dream, he works for us,
in our behalf.

How close is this to a final cut?

I fall. Sweet blackness.
Strange world that waits & watches.
Ancient dread of non-existence.

If it’s no problem, why mention it.
Everything spoken means that,
it’s opposite, & everything else.
I’m alive. I’m dying.
~~~

1st wild thrush of fear

-A phone rings
There is a knock on the door.
It’s time to go.
No.

These oceans are named Between.
Yes, I know them all.
They've separated me before
By water's solid wall.

But I imagine when I
Jump and make a splash
At my local Brighton beach
That ripple travels
To your shore so
You're never out of reach!

And at these rugged shores
That ripple reaches land.
As good as any letter penned,
A wave; an outstretched hand.

Like a message in a bottle
I hope it reaches you
Every nuance of my love and care
Dripped in oceans blue

Much more comfort in that
Bottle, than the one before
Me now. Its insides shared
With me; still I am emptier
...somehow.

Well you can't run on empty
So let me fill your cup
With seashells whispers
Wisdom pearls
And jellied joy to
Fill you up

A whispered wish
An uttered prayer.
That space that pushes
Here from there to
Disappear; give room for
Place to share as lair,
There's places everywhere...

All year the flax-dam festered in the heart
Of the townland; green and heavy headed
Flax had rotted there, weighted down by huge sods.
Daily it sweltered in the punishing sun.
Bubbles gargled delicately, bluebottles
Wove a strong gauze of sound around the smell.
There were dragon-flies, spotted butterflies,
But best of all was the warm thick slobber
Of frogspawn that grew like clotted water
In the shade of the banks. Here, every spring
I would fill jampotfuls of the jellied
Specks to range on window-sills at home,
On shelves at school, and wait and watch until
The fattening dots burst into nimble-
Swimming tadpoles. Miss Walls would tell us how
The daddy frog was called a bullfrog
And how he croaked and how the mammy frog
Laid hundreds of little eggs and this was
Frogspawn. You could tell the weather by frogs too
For they were yellow in the sun and brown
In rain.
   Then one hot day when fields were rank
With cowdung in the grass the angry frogs
Invaded the flax-dam; I ducked through hedges
To a coarse croaking that I had not heard
Before. The air was thick with a bass chorus.
Right down the dam gross-bellied frogs were cocked
On sods; their loose necks pulsed like sails. Some hopped:
The slap and plop were obscene threats. Some sat
Poised like mud grenades, their blunt heads farting.
I sickened, turned, and ran. The great slime kings
Were gathered there for vengeance and I knew
That if I dipped my hand the spawn would clutch it.

Mechanical reactions
slither through the cortex,
Binding our beliefs into
a solid jellied mass.

The peons go without a care,
wisdom is not their share,
only to be appeased
in the short term
is their game.

Yet the one who dances freely,
Gracefully fluttering down the walk,
gets stared at and gawked at,
Ridiculed and mocked.

The program
does not recognize the patterns
that are involved,
and the programmers are just too vain
to change the program's
stiff and rigid brain.

So while the programs interact,
the dancer keeps on dancing,
sensibilities in tact.

She notices the patterns,
the snide remarks behind her back,
the stares, the whispers, wonders,
of the program's capacity cap.

How she wishes just one
free person could truly understand
what it's like not to be a robot,
but a compassionate human.

Seas of judgement, seas of motion,
Seas of jealously and hate,
motivated by confusion,
in this altered AI state.

One day there is a person
walking out of sync,
the rest of the people shrink away
from the lone independent freak.

Free thought and new ideas
Are poison to their wires,
new data it can handle,
but independence acts like fire:

Burning through the program
like an arrow with a purpose,
piercing through its hardened heart
rendering the program worthless.

The boy who parted the sea of monotony
found this dancing girl,
and together created a barrier
shattering programs with a twirl.

By the power vested in me,
I command you to think,
Think twice about your actions
or you will find that you will sink
Into a sticky, jellied mass
where your thoughts will cease to think.

I was invited over with my best friend Ken
To play some pool , do downers , and drink some gin
Susan and Lea were live-in Lesbians
All of us real good friends
from a long time ago ,
you know , from a way back when
We had a blast playing pool
I was hot hot that night
I was wiping up the table
Made every shot in sight
By one a.m. my head began to spin
I lay down upon the couch
Then said goodbye to Ken
Then all turned quite except
for the scampering of mice
Then something else I felt as
Lea stark naked was sliding in
She started stripping off my clothes
Soon all was skin to skin
She licked and ******
scratched and pinned
She ravaged me like a beast
I could not satisfy her whims
No not in the least of them
She made me toast
Jellied up my behind
Buttered up my navel
I thought I had died
or surely lost my mind
After hours of lustful bliss
We fell asleep until when
she woke me up and said
"My car , can you fix it again ?"

skin
a sheen of sweat
cries ring out
sheets
all tangled agony
***** foetid air
contract
cryout
subside
a birthing
no pink and downy babe is this
a mucus clot
a jellied mass
a river of blood and tears
a termination
of what wasn't quite
a tractor passes feeding out
calves for the slaughter
the sun shines
birds sing
all oblivious of anything
a death and life goes on

Here God,
Everything is for you:

Here are my
Testicles, looking like smashed purple grapes,
Bruised, mashed, and crushed along with what
Is left of my once proud, now exploded, tattered *****;
I have laid before you my
Disemboweled, bloodied and tangled intestines;
Blown into bits and pieces, here lays my torso along with
Shattered ribs, ruptured lungs, exposed internal organs:
Erupted heart; battered, split, spleen; torn, mangled liver;
Next to them, my legs, minus a few toes;
Arms with hands missing thumbs, fingers;
My head,
Less pieces of skull, cheek bones, nose, tongue, and teeth,
Is nearby;
Those puffy messes of glutinous, jellied, deflated ****** orbs are my eyes;
Over here, piles of chunks of obliterated pieces of flesh floating
On a thick soup of congealed blood, mixed and meshed with
Splintered, fractured, cracked bones; everything
Convoluted, disfigured, impossible to identify.

All of this is for you,
I am your martyr,
Your soldier,
Your obedient servant;
I blew myself up,
Along with many infidels including
Men and women,
Unborn babies and children,
Young boys and girls,
I tore their bodies to shreds,
Mangled and mutilated, they
Suffered deaths no nightmare could imagine.

I sacrificed myself for you,
Exemplifying piety and righteousness,
I await my reward,
Wait for you to put my pieces together again;
Been here for what seems an eternity and
You have not come near;
Not made me whole.
Where are you?
Are you not great?
Where are the young, innocent, ****** girls or
The boys with silky, pearl smooth skins;
Will I ever have an ******* again?
Uncomfortable, anxious, concerned I
Lay here on this sacred, hallowed ground,
Like a fleshy puzzle, scattered in jagged pieces,
Waiting to be solved;
Praying to be completed and recomposed.

Where are you God?
A virtuous, faithful, prostrated one waits;
I have much to show you.

Have you tasted jealously ?
its like a misshapen stomach
that swallowed jellied biros .
Are you lacking in choreography,
where your own walk
should be the more significant dance
rather than the musings of a foolscap fanatic.

Our brains are jellied by the surreal.
Wires disconnected, rearranged,
our circuit boards frazzled.
The reflections of human faces and bodies
scrambled signals.
Eyes not looking past the crooked fingers
or freckles.
All you see is the dirt, the rust,
you can hear only the creaking joints,
and the groans of your muscles.
But your audience, your lovers and families,
they don't know about those awful sounds
they only see the flowers, hear the music,
a melody of glowing bare shoulders
and a chest filled with life,
a hundred systems,
working in unison to hold up your head.
I never liked the way my hips stuck out,
my ribs, flesh pulled taught against the bones.
Or my pale skin,
I glow in the sunshine.
Baking soda, salt,
awful tasting elements alone,
but they both get mixed into the batter,
overpowered by golden eggs,
sinful sugars,
and the cake itself,
baking soda and all,
well,
it's ******* delicious.

Whilst wet with rain
beneath a tree
An introspective moment
had a sneaky peek at me.
Who am I and what am I
... and what have I to show?
And should I be concerned
that very few... may care to know?

Slightly left of centre
With a wrinkled, balding crown,
Scarred and bushy eyebrows
And a mouth that tends to frown.
A grizzled beard hides multitudes
Of sins I wish to hide
And the beauty of my burning youth
Has long since shrivel dried.

The paunch has spread expansively,
Athletic legs have shrunk
And my ****** performance
Has diminished with a thunk.
I suffer fools reluctantly
In fact, it’s true to say...
That my patience and forbearance
Is  more limited each day.

Pasta Carbonara
In a creamy bacon sauce
With a smooth rewarding merlot
Is my favourite fare.. of course!
Plus a stodgy Apple pudding
Bathed in double dairy cream
And a steaming cappuccino
Topped with chocolate is a dream.

A powerhouse of action
With the things I Iike to do
And a sloth, to beat the band,
When the Tax Return is due.
An ardent fan for Old Jazz
Vamped on keyboard and the snare
But the world of Rap
Just leaves my head In hideous disrepair.

I’ll face down bullies twice my size
And heaven help the fool
Who interferes with family
For I’ll hit him hard and cruel,
Yet feed me sad old movies
And, any given night, you’ll see
A little tear run down the cheek
Oh so, self consciously for me.

The woman is God’s gift to man
The statuesque, the strong,
The saturnine eyed redhead
Where the gazes linger long.
The magnificence of a ponytail
As it bobs along the street
Atop a Grecian Goddess
With her undulations, sweet.
And ****!.. there is that little dress,
The one that fits so well,
That amplifies your promise
And gives my senses Hell!

And there’s the need to tell the story,
To formulate the plan,
Initiate the living thought
In a delivery of élan.
To modulate the language
To win the ears of youth
With an oratory of promise
To impact them all with couth.

There’s commitment to your Darling
And a tolerance for the kids
And the need for good provision
So we all don’t hit the skids.
And the cat and dog need feeding
Plus the goldfish in the jar,
Then there’s Alf and Frank and Joe
Who all expect me at the Bar.

So what’s it all about you say
This parody called life?
Is it all a headlong rush
Along the road avoiding strife?
Is there any plan or sequence,
Does it pan out in the end
Or is everything a chaos
Driving me around the bend?

Survival is the answer!
Take one small step at a time,
Smile at dear old ladies
And your day will turn out fine.
Avoid the grim policemen
And skirt all growling dogs,
Be gentle with your Sweetheart
And don’t skate on jellied frogs.

The recipe’s so simple
The answer is so clear
Don’t complicate your time with ****
And, please pass another beer.

Marshalg
Still soliloquising under the tree in the falling rain.
26 March 2011

The boils grew like cherries;
small, shiny, clustered,
fiery-red and hard as rage.
Stuffed to screaming
with their own venom,
they vomited torrents
of poisoned blood and
three green-white cores of pus,
little jellied lumps of disgust.
Exorcised, the boils shut their mouths
and healed, leaving prim lips of scar.
Those boils hurt worst
just before they drained,
I recall
as I write the last line of a poem.

I have long sought quiet.
And please, let me be clear: quiet.
Not the quietus Hamlet desired,
No “consummation devoutly to be wished” for me.
No, with or without a bare bayonet,
UNBEINGNESS is hardly what I seek.
It is not the predicament of death,
But the quiet spectacle of the grave I envy.  
Originally a city mouse,
I am familiar with the urban soundscape.
I know city noise, amped up in decibels.
Noise-induced stress, shrill and enervating,
Add to the mix a working-class neighborhood,
Where someone is always hammering,
Using a power tool of some kind,
Repairing, improving an older, somewhat decrepit home;
But a steal as the realtors say.
Or vehicles, like Old Havana relics,
Held together by secular prayer,
And thriving underground Cuban capitalism.
Then just for fun: "Let’s send the ******* to war."
Tympanic membranes be wary and be ******.
Stretched and perforated,
Compressed and torn,
Shredded like wheat.
Pummeled by shock wave.
I was Lear wandering the heath,
Your ***-cheeks cracked:
“Cataracts and hurricanes . . .
Oak-cleaving thunderbolts . . .
Sulphurour and thought-executing fires . . .
Singe my white head!”
Cue Cabaret music (Cabaret (1972) - IMDb www.imdb.com/title/tt0068327): “Willkommen, bienvenue, welcome . . . to Indochine,”
First a Weimar-Saigon suckee-fuckee,
Then out to The ****,
Mind-numbing concussion,
Reek of jellied gasoline,
Charred meat,
Assorted red entrails,
Obliteration of thought complete.

A cabin den
paneled in knotty pine
slick with thick varnish
jellied in mid-ooze
& running down the grooves.
A festive group gathers
around an electric fireplace
talking up old work stories
in mid-December.
My dad sits dead center
for the camera
wearing the face he wore
when in the company of adults
his long sleeves rumpled
and his collar askew
one arm straight up,
a bottle of Blatz in hand
commending
the buzz.

Oh, my cherished-
If I could give you him
I'd wrap him in picnic plaid
Like the gift he should be
(I know you'd like that)
And I'd tie him to you by
his tweed and sheepish smiles,
so tight that you'd turn into
a Great Ancient Tree.

Darling, if I could
shake the demons out of your forest,
I'd holler at them in a pentatonic fury
and bend them from your nation.
(With air. Not fire)

My Siamese twin,
connected at the heart,
If I could give you the world
I'd carry it to you
like Atlas
though I'd have to work on my long distance running.
I'd do it for you.

I'd do it a hundred,
and bring you all the jam ever jellied.

(I.)
        Only a fool would try, in line by line
        Of fair assessment honestly expressed,
        To paint with words the finest of the fine
Beauties of which you solely are possessed.
        No elegance would not seem spread too thin;
        And he who'd try would never be believed,
        For none would see as truth the truth therein,
But think it all a lover's eyes deceived.
        So candid pics and videos must record
        What speech could never adequately limn,
        And would be doubted elsewise word for word,—
The evidence being hearsay and far too slim.
        Yet, all of these leave much too much to doubt:—
        All flaws would seem, no doubt, photoshopped out.

(II.)
        Like two caves spun with dusty cobweb-snares
        Guarding a cache of emeralds is your nose.
        Your globby eyes find shade 'neath oxen hairs.
Like two thin frowning mustaches are your brows.
        With microscopic mites your shiny skin
        Glints, like a hanging fruit's with aphid flies
        Flitting around about and out and in,
Or a hot, oil-glistened frenchèd fry's.
        Like hard, mini marshmallows are your teeth.
        Your lips, like jellied dextromethorphan.
        Oh! oh! to be that rubber soul beneath
Those knobby tubers made for kicking a can!              
        But here again the painting is askew:
        It lacks that certain something that's in you.

Yes, rubber soul.

Helen and you
walked home from school
the long way
you wanted to show her

the man
in the pie and mash shop
cutting up eels
for jellied eels

or for the pies
how he would stand there
with his knife
and take up an eel

and holding it
firmly on a board
would cut off its head
and then proceed

to slice it up
into small pieces
and into a bucket
on the floor

and when you showed her
standing outside the shop
peering through
the window

she said
O my God
and put a hand
to her mouth

and spoke
through her hand
and added
poor eels

to end up
in someone's stomach
and the way
he cuts them up

and the pieces
still moving afterwards  
and she moved away
and walked up the road

still holding a hand
over her mouth
you don't fancy
pie and mash then?

you said
not with eels in it no
she replied
through her fingers

you smiled
not funny
she said
poor little eel creatures

yes I guess it is
a bit brutal
you said
but fascinating

to watch
I don't think so
she said
taking her hand

from her mouth
you both went under
the subway of the junction
she slightly

in front of you
her two plaits of hair
bouncing
as she walked

her green raincoat
tied tight about her
you whistled
so that it echoed

along the subway
bouncing off the walls
all along
the artificial lights

giving off
a surreal sensation
how can people eat eels?
she asked

just the sight
puts me off
don't know
guess they don't think

of it being eels as such
just as something to eat  
you said
you both came out

of the subway
on the other side
and walked along
the New Kent Road

by the cinema
she looking
at the billboards
through her thick lens glasses

are you sure your mum
doesn't mind
having me for tea?
she said

well we're not actually
having you for tea
we usually have
beans on toast

or jam sandwiches
she slapped your hand
you know what I mean
she said smiling

no Mum don't mind
you said
she invited you after all
I pleaded against it

but she wouldn't listen
you said smiling
Helen's face frowned
and she stood still

really?
she said
no I'm joking
you said

and she nodded her head
uncertainly
looking at you
through her glasses

I'm just kidding
you said
you touched her hand
she smiled

and you both walked on
and across the bomb site
the uneven ground
the puddles of rainwater

you your mother's son
and Helen
a lucky woman's
daughter.

A Marital Sonnet
‘Why don’t we go to the Isle of Wight?’
she said, one morning over breakfast.
‘Just travel down and stay the night.’
she said and I looked down, embarrassed.

‘But it’s full of ****** Cockneys’ I said,
‘All selling whelks, jellied eels and mash.’
She crossed the kitchen and kissed my head
and said ‘At times you talk such trash.’

‘But if it rains it’ll be a waste of time.
I doubt there is very much to do.’
She smiled and put her hand in mine
‘It’ll be a weekend just for two.’

Later, we went to the Isle of Wight
and surprisingly, it was actually all right.

For her eighteenth birthday,
a gift from the fates;
she knows how she will die.
Before, there was a vague notion—
A shadow cast by a hungry dragon
who roosts on the branches of the family tree,
devouring her ancestors, waiting and unslayable.
Now, the diviners speak to her in pedigrees
and punnett squares, leafing through a deck
of tarot cards, checking vials of her blood
for patterns in the tea leaves at the bottom,
hardening the shadows at their edges and
twisting peripheral horror into prophecy,
a promise, and she sees it all,
she sees everything, laid in front of her
and stretching out like a golden string
towards the vanishing horizon:

The sharp burn of dread at every twitch
and missing memory, jellied elegies oozing
from the center of others’ puffed pleasantries,
years spent watching her soul
get thinner and thinner, trapped
within a broken heap of matter and flesh,
cursed bone, misfiring electricity,
eroding endlessly, self destructing,
never ending, ending soon,
and, at last, alone, gazing back on a youth
spent gazing forward, ******, and dying
and derelict, and decades in the making—
she asks herself, what would she not give
for the chance to unknow,
to trade the dragon for the slow, soft lull
of the indifferent stars,
and to die whole and confused,
like the rest of us.

I could unwrap your mummified heart,
But I'm too much of a coward to know where to start,
Working myself into a replicated gentlemen,
And this time,
Ask her out without winged middlemen,

Sometimes I think I'm truly wasting my time,
I'm just an expired grandfather clock passed it prime,
So if I ever squared off with your elegance,
I'd just back off and drown in regrets and negligence,

Am I waste to you?
A *** with burnt flowers,
A darker shade of blue?
Am I just too radioactive to touch?
Am I just too closed casket faced to love?
Too jellied knuckled to trust?
I honestly think I'm just ******,

When I skip rocks,
They sink,
Down with the trash,
And so it seems,

I have nothing else to do,
But wish I could spend my life with you,

They told me in all honesty,
"you're a flying carpet"
and still they walked all over me.

I'd do the job for nothing if respect was what it gave,
but it seems to me Aladdin wants nothing
more
than for me to be a slave.

It feels like jellied eels out there
cold and wet and slippery
I think I'll put my slippers on
and watch catch up
on the TV.

But I've got to go out in the snow
fodder for the cannon
going on and on to a thousand
variations of at least four different
seasons in a day.

I know it's summer somewhere where
the Winter's left behind and its up to me
to find it, but at times this man's so blind.

If 'open sesame' won't do
and the bell don't seem to ring
I'll use a stick of dynamite
and blow the door right in.

It's a Sunday,
they say
let us kneel and pray
to some greater God
who's left the World in such a mess
I think that rather odd
anyway,
I get down on my knees
ask for forgiveness
pretty
please.


A chess game and they congregate
make their moves
until they reach
a stalemate

sixty seconds on the clock
the gun is cocked
the casbah's rocked
the door's still locked
I light the fuse.

Sands sparkling
Green bubbly seaweed draped over a rock
Salt lines marking
A washed up gentleman’s flip flop.
Sweet wrappers, remains of tea leaves in plastic cups
Half eaten jam sandwiches for the sea gulls to peck
Deck chairs stacked neatly in rows and stripes
Boats desperately in need of a  repair check.
The same old flag a flying over an outgoing tide
Cockle hunters and winkle pickers knee deep in slush
Jellied eels, don’t  know how that came about
Children with “kiss me quick” hats in a mad rush.
Trays of stewed tea once again frog marched by dads
Buckets and spades sold in the thousands to
Cute frilly bathed girls and” got to dig deeper”  lads!
Grandparents with knotted hankies on their heads
Stockings rolled down to reveal white shiny knees
“just sit there Grandma, don’t say a word”
I’ll bring you lollies and trays of sandy, luke warm teas.
At the end of the day, the beach was an art form
Displaying hundred of castles and stylish shapes of sand
It brought prosects of a healthy red skinned glow
To return home thinking you were tanned.
You’d had a good day at the beach,  and now you’re  done in
Just relax now with your pint of beer, bingo to look forward to
A handful of fish and chips and screaming kids to quieten
Dreaming of tomorrow, another day on the beach to get through.

The ride from Starbucks was too quiet.
We sit crossed on adjacent couches.
All six feet of him cornering into my couch.
He sweating in his black ninja shirt and jeans
because my house is always 10 degrees too hot for him.
His half-smile retreats behind your tongue.
I am too bright for him in my pink T-shirt.
The couch I lie on barely runs the length of my legs.
My hands fiddle with my blue wristband,
snap it across the room. I lock my fingers together.
The clock coughs loudly with each tick.
He was suppose to be home four hours ago.
The pillows and I lean in. This conversation
starts as a reflection. He wants to know
why people are friends with him. Why I keep
claiming him as my best friend. I admit
it is because I want him to be mine.
He saved me from the black undertow.
Threw me a fishing hook. Reeled me into his boat.
His phone rings. His mom and dad are furious
that he has ignored dinner. Slowly, he drags
himself across my carpet. He wraps his palm
around the door handle. His shoulders roll back-
this has never happened before- he say stiffly,
I've been dating another man for two months now,
I didn't tell you because I didn't want to lose your
friendship. You are the best friend I have ever had.
He slumps through my door,
face too blue and low to say good-bye.
He didn't expect me to cry.
I sit here jarred as we once were.
Trace the tears on the floor.
I can't find it in me to pelt him against my wall
like ******. There is only He is still my best friend.
The whole house shakes with me.
My lungs are jellied.

the jellied bioluminescense,
drifts and swhirls in an ****
of neon ecstasy...

out beyond the breakers

we sit on the beach
and watch,
with voyueristic fascination

as the sea makes whoopee!!

Jambo did turn towards the camp site rooms when
in the distance could be heard be music from
Halloween but its only july said he, then a mask
and blade he saw too late to run but said you can’t
**** me as a voice heard said I disagree as a knife
plunged through his chest and straight through
the tree, the killer smiled through the mask now
try to disagree…

Lolly looked around after her portion from Charlie
as he rode off, Lolly thought where have the rest
of the camp gone, have they have left me. As
she walked around horror music could be heard
and blood soaked areas all around lolly did
scream.

She ran to the lake it was blood red
with bits of people floating around she could see,
in the woods she found more murdered people
in parts people stuck to trees. Then as she turned
around, you look tasty I'll eat your liver with
some fava beans and a nice Chianti, as
she awoke screaming as he cut open her skull,
as she died he said mmm.. Jellied brains anyone...


At that moment driving his moped called Clarabelle,
a late arrival Marc was going 32 in the 30 what
the hell, breaking the law echoing through the
woods he did yell. Little did he know what was in
store, for he looked around and saw a face smiling
back at him?


He picked up the pace; little did he
know his life was to coming to an end, as a wire
took off his head clearly off. The wire snapped
as his head did roll, Charlie Hunnam drove past
and saw a headless rider drive past, he screamed
like a girl and felt a bump in the road. Little did he
know he had just ran over Marc’s decapitated
head. Poor Marc’s didn’t even get to the camp,
he became the legend of the headless rider that’s
know to haunts camp forwards woods on his moped
Clarabelle still looking for his head no less.  

  
So the story does come to an end but the final
question remains what ever happened to Poetic T
was he the killer of all or could people write his end..

Part I – Fire and Crucifixion

You could not see the beauty within me, foolish maid,
So jealous were you of the outer beauty you beheld…
Mindless of my ancient soul, of which you were afraid!
Now you shall know why before me the ancients knelt.
It was I, who cast thousands of souls into a wall of fire,
When the volcanoes of Atlantis and other lands flared…
And it was I, who collected their souls in wrath so dire.
In vessels of steel we bore them, to where gods dared!
Were they not of us, and so we saw fit to punish them,
Instilling notions of a hell more awful than we wrought?
It was not I, but: their own sin that did thusly condemn.
You do not realize the mad power of a strong thought!
And in their minds, they crucified themselves so artful…
That the Romans remembered and perfected this way!
Man is the author of countless miseries, as truly awful…
As the doom we imposed, on those souls, on that day.
They could not pull out the nails from their wounding…
For it was their own will that ****** them into the flesh!
The green of their putrefaction, of ravens descending…
Was all in their imagination, and they suffered it afresh.

Part II – Darkness Incarnate

They became twisted wraiths, no longer as they were,
Seeking to possess the bodies of the living once again.
For they could not die, though they lived ne’er more…
And so like demons of a true hell they swiftly became!
Those sons of Theta, who could ne’er forget their fate,
Passing it on to their hosts who suffered so possessed.
Have you heard the legends when the hour grew late?
You hear them now, and soon you shall be distressed!
The flesh hides many secrets, but within mine do gaze,
Seeing with your inner eye the shape of my spirit bare.
In such an image was I remade as a captive in a daze!
But I remembered, and now you will endure my stare.
A dark lord, and lady, an emperor, and also empress,
Was I, ere my estate was to dwell in a human guise…
Fitting punishment for me, upon my soul did so press!
The gods were cruel but in their cunning so very wise.
But of their foolishness, worlds were charred to soot,
And made desolate, with blackened bones that lay…
Here a skull, there a limb, and even a hand, and foot!
As to them, the ancestors of man did kneel and pray.

Part III – Lover of Demons

Behold my darkness, I who loved Lilith by the water,
And made for her a throne of skulls to recline upon…
When the angels could not persuade, Hell’s daughter.
Even so, I moved her to joy beneath the ancient sun!
The blood of the wicked she drank, from my chalice,
And with it anointed the first vampires on this planet!
She and I shared, for early man, our common malice.
And with Lucifer we stood, and could ne’er regret…
For the fallen cannot know remorse for their natures,
Any more than humanity for their wars and pollution!
We, did not harm this Earth as do they; so immature,
That with destruction: they lie as if in dire prostitution.
And you call me evil, when I helped to bring the light,
To your savage ancestors before you were imagined.
Do you know my name, and so know well the night?
You cannot know me, for your reason is abandoned.
Mayhap you should dash your brains out your head…
Their jellied mass to lie: upon ebon altars of ineptness.
How can you call yourself living, you are of the dead!
For it is not living: to deny, what your senses confess.

Part IV – Bride of the Devil

It was I, who had my enemies impaled on tall stakes,
And was called the Son of the Dragon by the people.
Out of their vacant sockets writhed emerald snakes…
Those from whose mouths: was sharpness unequaled.
And into a chalice I squeezed out their wicked blood,
To offer up to Lilith, so that they might taste of wrath!
And for Lucifer, we offered up a truly crimson flood…
So that my sister may bathe: in the warm scarlet bath.
Do you fear the night, for in it I find my forgetfulness?
You would have me recall the things you most fear…
And so I shall be cruel in this, as I don a silken dress,
To sit upon my throne infernal, and beckon you near!
I, who knew the Devil when that queen ruled on high,
And was her lover, ere the gods brought on us a ruin.
Have a sip from my sanguine chalice, and come nigh!
For in my kingdom is room for one more child of sin.
There are worse things than fire, of immortal making,
And you will smell the burning brimstone you do seek.
Upon its’ coals your naked skin most willingly baking,
For some hells you make yourself to make you weak.

Down among the Zed men, lay a little lullaby,
Waiting to be sung; by the children of the sea.
And waiting in the billabong with a feather helmet on,
Was Willie of the three hearts, to see what he could see.

‘Well, lookie here’, said Willie, when he saw the little lullaby,
‘Who left you to lie around, unwanted and unsung?’
‘Bad boys, mad boys, they left me here to waste away,
Won’t you to take me across the sea, to shores far flung?’

So, Willie picked up lullaby and put him in his little sack.
‘I’d better take you home my love, it’s time for tea’.
‘Oh thank you” said the sweet refrain” I will be your friend,
For you have saved me from my fate, as well as you can see’.

So! Off they went with merry step, to find the way to *******’ home
And soon they heard the calling voice of Willie’s faithful mum.

‘Hello lad, where’ve you been now and who is that you’re carrying?’
You’ve both arrived in time for supper, jellied wasps and roses, and cream.
An hour later warm and fed, soft lullaby wished them many thanks

‘Think nothing of it’, said Willie’s mum, pouring another cup of steam
‘Come on said Willie, Let’s light a fire
Well lullaby, so happy now, living with his special friends,
Laid a spell upon them both and gave them the eternal dream.
This is how they dream,

Fairy cakes and shaggy dogs

        Washing lines and rainy days

                   Hammers, nails and rusty iron

                             Pretty dolls and mornings in May
Clouds that look like Ships of the line

Leviathan whales and teapot cosies

Skipping children and Waterfalls

Thunderstorms and sweet little posies


                                          Blues and reds and pinks and greens and

Black and red and black and blue and black and blue and black and blue...

Sweet dreams,

Remember,

                   Lullabies are forever.