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"jangle" poems
worlds converge in a papercup come, come you on the tambourine me on the harmonica let's make music without the adjectives let's live on the jingle-jangle of coins   tara na! this pavement is our carnegie; metaphors sans adverbs -- no illusions, no fantasies. you and me and this street -- dancing like gypsies on a prairie   later tonight, while the moon watches over we'll upstage the stars with **** adverbs & adjectives
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Mar 31, 2012
Mar 31, 2012 at 8:57 AM UTC
**** Adjectives
lightning bolt earrings; bangles jangle on dark wrists: an urban Gypsy.
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Sep 18, 2012
Sep 18, 2012 at 5:48 PM UTC
concrete stalker.
Hey, Mr. Tambourine Man, play a song for me, I'm not sleepy and there is no place I'm going to. Hey, Mr. Tambourine Man, play a song for me, In the jingle-jangle morning I'll come followin' you. Though I know that evenin's empire has returned into sand, Vanished from my hand, Left me blindly here to stand but still not sleeping. My weariness amazes me, I'm branded on my feet, I have no one to meet And the ancient empty street's too dead for dreaming. Hey, Mr.Tambourine Man, etc. Take me on a trip upon your magic swirlin' ship, My senses have been stripped, my hands can't feel to grip, My toes too numb to step, wait only for my boot heels To be wanderin'. I'm ready to go anywhere, I'm ready for to fade Into my own parade, cast your dancing spell my way, I promise to go under it. Hey, Mr.Tambourine Man, etc. Though you might hear laughin', spinnin', swingin' madly across the sun, It's not aimed at anyone, it's just escapin' on the run And but for the sky there are no fences facin'. And if you hear vague traces of skippin' reels of rhyme To your tambourine in time, it's just a ragged clown behind I wouldn't pay it any mind, it's just a shadow you're Seeing' that he's chasing Hey, Mr.Tambourine Man, etc.
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12.1k
Mr.Tambourine Man
Govan bar banter: Awa' with ye fankle eejits that blether to naw whit they dinnae naw crabbit, drookit moanin, drouthy yer Havers-yins! each unto their ane an' aye bin. Tell markers scoured an' crowned with glee "alas nae blessing naw bolt of wisdom will er'e to strike thee - tis poor soil an' loads o toil an' broken backs" Ach awa with ye! Fir me the skies an' tracks o wilds an' winds that curl yer lugs Hielan mountains glory summers toty story an' bonny lassies dancing - a gallus stoater! that’s fir me. Party racket in Da’s laden jaiket jangle change fir a dram an' enough tae get the Clockwork Orange hame - times hae changed a wee bit no? Seldom ventured tis seldom gained an' aw the while the wee bairns wail Still, life is yin what yin makes of that which drives the world that breaks yer back Remember love! ma banters free to give an' thats all the mare important when it costs so much tae live.
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Nov 5, 2012
Nov 5, 2012 at 8:20 AM UTC
Voices from the North part 6
BENEATH the flat and paper sky The sun, a demon's eye, Glowed through the air, that mask of glass; All wand'ring sounds that pass Seemed out of tune, as if the light Were fiddle-strings pulled tight. The market-square with spire and bell Clanged out the hour in Hell; The busy chatter of the heat Shrilled like a parakeet; And shuddering at the noonday light The dust lay dead and white As powder on a mummy's face, Or fawned with simian grace Round booths with many a hard bright toy And wooden brittle joy: The cap and bells of Time the Clown That, jangling, whistled down Young cherubs hidden in the guise Of every bird that flies; And star-bright masks for youth to wear, Lest any dream that fare --Bright pilgrim--past our ken, should see Hints of Reality. Upon the sharp-set grass, shrill-green, Tall trees like rattles lean, And jangle sharp and dissily; But when night falls they sign Till Pierrot moon steals slyly in, His face more white than sin, Black-masked, and with cool touch lays bare Each cherry, plum, and pear. Then underneath the veiled eyes Of houses, darkness lies-- Tall houses; like a hopeless prayer They cleave the sly dumb air. Blind are those houses, paper-thin Old shadows hid therein, With sly and crazy movements creep Like marionettes, and weep. Tall windows show Infinity; And, hard reality, The candles weep and pry and dance Like lives mocked at by Chance. The rooms are vast as Sleep within; When once I ventured in, Chill Silence, like a surging sea, Slowly enveloped me.
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3.6k
Clowns' Houses
BENEATH the flat and paper sky The sun, a demon's eye, Glowed through the air, that mask of glass; All wand'ring sounds that pass Seemed out of tune, as if the light Were fiddle-strings pulled tight. The market-square with spire and bell Clanged out the hour in Hell; The busy chatter of the heat Shrilled like a parakeet; And shuddering at the noonday light The dust lay dead and white As powder on a mummy's face, Or fawned with simian grace Round booths with many a hard bright toy And wooden brittle joy: The cap and bells of Time the Clown That, jangling, whistled down Young cherubs hidden in the guise Of every bird that flies; And star-bright masks for youth to wear, Lest any dream that fare --Bright pilgrim--past our ken, should see Hints of Reality. Upon the sharp-set grass, shrill-green, Tall trees like rattles lean, And jangle sharp and dissily; But when night falls they sign Till Pierrot moon steals slyly in, His face more white than sin, Black-masked, and with cool touch lays bare Each cherry, plum, and pear. Then underneath the veiled eyes Of houses, darkness lies-- Tall houses; like a hopeless prayer They cleave the sly dumb air. Blind are those houses, paper-thin Old shadows hid therein, With sly and crazy movements creep Like marionettes, and weep. Tall windows show Infinity; And, hard reality, The candles weep and pry and dance Like lives mocked at by Chance. The rooms are vast as Sleep within; When once I ventured in, Chill Silence, like a surging sea, Slowly enveloped me.
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48
Its faded pink parka, Stretched tight across its shoulders Even in the summer twilight, Crinkles, stale newspapers and plastic bags Cacophony with the rhythmic Thud of shopping cart wheels. Its rotten malt liquor stench-- Astringent ammonia sweat Runs in rancid rivulets down Decaying skin on decaying face. Pimples and pus and Meth-notched teeth. It offers a drink In exchange for change. My pockets jangle noisily, But I offer only empty hands.
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Aug 11, 2011
Aug 11, 2011 at 9:09 PM UTC
Animal of Liberty Park
I Dawn The greenish sky glows up in misty reds, The purple shadows turn to brick and stone, The dreams wear thin, men turn upon their beds, And hear the milk-cart jangle by alone. II Dusk The city’s street, a roaring blackened stream Walled in by granite, thro’ whose thousand eyes A thousand yellow lights begin to gleam, And over all the pale untroubled skies. III Rain at Night The street-lamps shine in a yellow line Down the splashy, gleaming street, And the rain is heard now loud now blurred By the tread of homing feet.
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3.2k
City Vignettes
When I said you could think of me as your therapist, I meant, could you leave the room and I’ll make notes? Allow me to turn Watching you leave Into a profession. Mind you, I’m pretty good at this job. There’s the creaking of the floor panels Under your converse, The jingle jangle of car keys In your back pocket, And the death-like glow of light bulbs Seeping through the door hinges Of when you exit. But you didn’t notice any of this. You hardly broke a sweat. Meanwhile, On the other side of the room, My tears are stars And the sound of your departure Has me painting Galaxies On my cheeks, Turning my chest into steel Until you’ve convinced yourself That God locked this heart in a cage. Don’t worry (I know you don’t), I am built for this, For your soapy self Slipping in and out of my life. And it will happen again. See? I have my notepad with lists of Heartbreaking theories and Scientifically correct ways Of sending you off. And when I will, Know that it’s just What every good therapist does.
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May 18, 2015
May 18, 2015 at 6:45 AM UTC
Therapy
the jingle jangle of those things you dangle from neck stretched thin with shiny things call me a magpie call me a baller a shot caller a hip hop drama starter kicks so fresh they came from the produce section this flash of blood diamond on my wrist costs more than the home I don’t have if I hit the switch I could make that *** drop… got my obnoxiously huge candy painted cans on my head so I can only hear the ads I want and these threads reek with so much swag the sweat, blood, and tears of little brown and yellow people I couldn’t give a **** about dropping three hundred on my mall haul and they have the nerve to ask me for the rent sounds system off the hook plasma on the wall more **** than an abandoned lot more thoughts forgot than cops in krispy kreme with a water gun and ski mask for when times get hard me and my friends are going to blow two months salary on lap dances and blow job fantasies “Aint that new track dope?” “Yeah” “You heard it?” “Naw, but they were talking about it on world star” this floatation device is going to be too heavy and I am going to drown in all of this fly fresh to death
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Mar 27, 2014
Mar 27, 2014 at 12:28 PM UTC
Bawlers
Soup should be heralded with a mellow horn, Blowing clear notes of gold against the stars; Strange entrees with a jangle of glass bars Fantastically alive with subtle scorn; Fish, by a plopping, gurgling rush of waters, Clear, vibrant waters, beautifully austere; Roast, with a thunder of drums to stun the ear, A screaming fife, a voice from ancient slaughters! Over the salad let the woodwinds moan; Then the green silence of many watercresses; Dessert, a balalaika, strummed alone; Coffee, a slow, low singing no passion stresses; Such are my thoughts as -- clang! crash! bang! -- I brood And gorge the sticky mess these fools call food!
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Dinner in a Quick Lunch Room
I display my collection of skeletons openly on my wrist Only employing their usage if someone carelessly insists They jingle, jangle, clack My bleached bracelet of many bones Clattering and bumping into each other Waiting for a black corner to call home I wear my assemblage of dancing skeletons on my wrist Dangerous they are Besotted with madness   Sometimes I simply cannot resist Taking one, two or perhaps three and giving them a toss Calling secrets from their crafted tombs Time, deeds and scars Glittering jewels of a humans emotional wall So if you see me with bones around my wrist Cease your scheming despot take heed and desist Lest I take another one of these skeletons and give it a toss And watch your dreams descend into that they call The long walk. @ copyright Tammy M. Darby April 11, 2018.
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Apr 11, 2018
Apr 11, 2018 at 8:43 PM UTC
Skeletons
Since we met in this life we’ve been so together The trees and the sky will tell you, just ask them Since, frankly and completely as one Searching our souls, discovering each other and ourselves Loving, living and learning with no effort at all Moulding our life to divine goals, elements exploring Each day we grow, smoothing our rituals and tasks Simple, small, understated and beautiful Yet enormous, devastating and wonderful I’ve never been clearer in mind nor more ordered Serious or intended, structured yet mesmerised and dreamy Child-like pleasures our little hearts Honestly, knowing you has given an exclusive season of patience A crown of peace with measures of muted resonance My emotion and behaviour jangle with excitement Gaining speed and velocity as our developing love fertilises everything we do If any part of me was withheld or absent it was without cognisance or most importantly intent I was always here totally, loving you with an undivided heart Building our future and having the truest most delightful life Such destiny within two earthly beings, such kismet But no..earth is not from where we sprung No logic or contract by human standards but from cosmos and celestial forces Stardust, moonbeams, sunlight and energy Our future is viridian, cobalt, alizarin, ultramarine, carmine... Colours drawn from a bow of happiness with arrows of true love Thudding into our hearts every single moment Rainbows of kindly sparkly crystals reflecting each tiny emotion Willow tree flexibility, cool streams of pure clear water whisper in our ears Look to your soul and to the memories of our short time together Begin to believe that life is so very good ,so treasured like us Darling Jan my complete lover The wife I’ve always had, true soul provider, custodian of my heart Clearer in the transformation from Jan and Max to a ‘whole’ inseparable By anyone or anything for all time and eternity.. Even better knowing that as always Now even more.....I’m all yours
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Feb 3, 2010
Feb 3, 2010 at 12:22 PM UTC
All Yours
Since we met in this life we’ve been so together The trees and the sky will tell you, just ask them Since, frankly and completely as one Searching our souls, discovering each other and ourselves Loving, living and learning with no effort at all Moulding our life to divine goals, elements exploring Each day we grow, smoothing our rituals and tasks Simple, small, understated and beautiful Yet enormous, devastating and wonderful I’ve never been clearer in mind nor more ordered Serious or intended, structured yet mesmerised and dreamy Child-like pleasures our little hearts Honestly, knowing you has given an exclusive season of patience A crown of peace with measures of muted resonance My emotion and behaviour jangle with excitement Gaining speed and velocity as our developing love fertilises everything we do If any part of me was withheld or absent it was without cognisance or most importantly intent I was always here totally, loving you with an undivided heart Building our future and having the truest most delightful life Such destiny within two earthly beings, such kismet But no..earth is not from where we sprung No logic or contract by human standards but from cosmos and celestial forces Stardust, moonbeams, sunlight and energy Our future is viridian, cobalt, alizarin, ultramarine, carmine... Colours drawn from a bow of happiness with arrows of true love Thudding into our hearts every single moment Rainbows of kindly sparkly crystals reflecting each tiny emotion Willow tree flexibility, cool streams of pure clear water whisper in our ears Look to your soul and to the memories of our short time together Begin to believe that life is so very good ,so treasured like us Darling Jan my complete lover The wife I’ve always had, true soul provider, custodian of my heart Clearer in the transformation from Jan and Max to a ‘whole’ inseparable By anyone or anything for all time and eternity.. Even better knowing that as always Now even more.....I’m all yours
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36
i've learned how to smell the circus i've watched a black mongrel turn into a weasel tonight the moon's nickname is crooked betty and the stars are bleeding adam's apples shining like a volcano i wield a hacksaw and terrible excuses my mouth is wet with jingle jangle and situational confusion everything is temporary.
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Feb 3, 2012
Feb 3, 2012 at 11:58 PM UTC
untouchable
Revel in space, yet not darkled, still the **** and span of things that breeds airlessness; The trees are evenly cut, and their overgrowth seems like a forethought. Where I am from, we eat fish with our bare hands and our furniture, from bodies of sandalwood, crushed with the scent of peregrines. The morning makes you conscious of space, and altogether the height of trees syncopates to a nauseating stillness. In the awning hours, leaves punctuate the ground – the cicada with its machinistic song prowls, spills like water from a broken vase toppled by me years younger, raw, agile, deftly windless,   wounded in love, lovingly wounded, perhaps if there is a word for it, then let me have my way, easily fraught with its meaning:    a casualty. Sometimes the timeworn folks would light cigarettes underneath the canopy of a mango tree to banish ants and send them back   to their queens – roosters in their wrinkled stations croon in stasis, a song for the somnolent. I become what the seasons evict. Constancy. Rearing weight and gravity from nocturne. Tears are communal. They make us aware of the weight of the Earth. Somewhere, a funebre stilts through the silence, and the jangle of little pieces spells out fortuity, men in huddles mending pain by the sleight of hand, a toss of a card, spinning in its imaginary axis: fate,    feigned and fine-tuned to belief that it is controllable, a variable, or a tabulation marred by frailty. From where I am from, people stride through the streets naked, soldering baskets filled with fruits gossamer from the harvest, children suckling their mothers, the music of sweeping metastasizes throughout the afternoon, and the same clouds contort themselves to afford wry proposition: it is a day tender with wonder, its allure overwrought, its sheen unremarkable.   The funebre leaves with a necessary abundance of absence. All the leaves depart from their mothering boughs,   collapsing on the dreary back of the loam like penitence. Like how once when you were young, you tinkered with the fresh scab of your wound and felt the pain confine   itself there, a part of you, that has now healed, but is still       available for the world to break once again.
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Jan 30, 2016
Jan 30, 2016 at 4:47 PM UTC
A Funebre In Plaridel, Bulacan
Revel in space, yet not darkled, still the **** and span of things that breeds airlessness; The trees are evenly cut, and their overgrowth seems like a forethought. Where I am from, we eat fish with our bare hands and our furniture, from bodies of sandalwood, crushed with the scent of peregrines. The morning makes you conscious of space, and altogether the height of trees syncopates to a nauseating stillness. In the awning hours, leaves punctuate the ground – the cicada with its machinistic song prowls, spills like water from a broken vase toppled by me years younger, raw, agile, deftly windless,   wounded in love, lovingly wounded, perhaps if there is a word for it, then let me have my way, easily fraught with its meaning:    a casualty. Sometimes the timeworn folks would light cigarettes underneath the canopy of a mango tree to banish ants and send them back   to their queens – roosters in their wrinkled stations croon in stasis, a song for the somnolent. I become what the seasons evict. Constancy. Rearing weight and gravity from nocturne. Tears are communal. They make us aware of the weight of the Earth. Somewhere, a funebre stilts through the silence, and the jangle of little pieces spells out fortuity, men in huddles mending pain by the sleight of hand, a toss of a card, spinning in its imaginary axis: fate,    feigned and fine-tuned to belief that it is controllable, a variable, or a tabulation marred by frailty. From where I am from, people stride through the streets naked, soldering baskets filled with fruits gossamer from the harvest, children suckling their mothers, the music of sweeping metastasizes throughout the afternoon, and the same clouds contort themselves to afford wry proposition: it is a day tender with wonder, its allure overwrought, its sheen unremarkable.   The funebre leaves with a necessary abundance of absence. All the leaves depart from their mothering boughs,   collapsing on the dreary back of the loam like penitence. Like how once when you were young, you tinkered with the fresh scab of your wound and felt the pain confine   itself there, a part of you, that has now healed, but is still       available for the world to break once again.
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44
With the nickname glow worm A jingle jangle jungle flunky Experiment gone completely wrong Radiation Monkey Ran out of the backdoor This monkey on the lamb Glowing footprints across the floor Running fast this lab rat See him in the hills at night Swinging wild amongst the trees Don't get too close cause he might bite Radiation Monkey With the strength of 20 men He started robbing grocery stores They say he has the brightest grin Banana smudges left on doors Where they lift his fingerprints Taping off of the crime scene Geiger counters loudly tic Radiation Monkey A menace to society This florescent ape that's escaped A radiating personality Waiting for you to make his day Wanted posters all over town Doubling up the bounty They'll take him live or in the ground Radiation Monkey Lessons lived are lessons learned Latch the windows, bolt the doors Mistakes are made then hard earned For stupidity there is no cure In the lab behind those doors Is where genius and crazy meet They might lose a few but they'll make more Radiation Monkey's
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Jan 23, 2020
Jan 23, 2020 at 12:59 PM UTC
Radiation Monkey
. Silver charms on an anklet ****** as her foot stamps down once, crossed dainty in front of the other, and her hands start a slow ascent. From hips up into the air in the nonchalant action of the flame, arcing a half circle about her waist she turns to face the assembled crowd. A tabla starts a sleepy beat and the sitar player awakens, or returns from a meditation, readying himself for his introduction, to blend a melody of the Moon with the woven movements of dance. The beat increases and four taps signal a change in the rhythm. The following note is punctuated by the tinkling of the charms and the first strum of the sitar, sending music to the starry sky. And her hips sway in gentle waves as her hands mimic the lotus flower in cups of dreams above her head, and the anklets jangle a soothing sound. The wrists twist and move graceful, delightfully twinned with the neck of a swan, and her body sways like a leaf in the wind to the melody from ages past. The tabla starts a frantic beat as the sitar player lets fly, his new unrestrained chords dilute the night with ecstasy. And she dances in her trance, skin shining with the dew of reflected joy, her lithe body telling the story that began before the dawn of time. A crescendo summons the dance to end and silence fills the void, but far into the deep dark night silver charms on an anklet ****** © Pagan Paul (01/09/17)
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Sep 2, 2017
Sep 2, 2017 at 7:04 AM UTC
India
*In owl-moon night when doors are closed in shut out light lanes breathe morose He carries the weight dead in drunk sleep in chilled night’s sweat of tightened grip On side of street men burning logs seize some heat as need too dogs But he must run errand of hell till job is done moon’s face goes pale Jangle hand’s bell veins swell up taut marks frame frail battle hard fought From lane to lane his stone feet roam till rests his pain on pavement home!*
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Jul 25, 2014
Jul 25, 2014 at 6:40 AM UTC
Owl-Moon Night & The Rickshaw-puller
The jingle-jangle of pills, in a bottle, now in the trash. The honey-sweet scent of liquor in a glass. The eye-searing shine of an untouched blade. The Cheshire cat grin of a boy who doesn't know my name. Life, Should come with a CAUTION sign.
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Aug 12, 2014
Aug 12, 2014 at 2:45 PM UTC
trigger warning.
In the jingle jangle jungle When the jumping jackals jive, All the leopards like a-leaping And the lions look alive; Watch the wary warthogs writhing As they waggle and a-wiggle To the drumming disco dancing Of the jingle jangle jiggle!
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Aug 27, 2014
Aug 27, 2014 at 5:37 PM UTC
Jingle Jangle Jungle
stone ground mustard Venus burns. She's not concerned that constant falling and orbits, elliptical - are the same thing. Her eyes are deaf. My eyes adapt to the pattern that rattles the chain of events. my Spartan theories dangle in dubiousness. I find a trap, and call it Seattle... for i see cattle - grazing a state of mind; north, north west of what God meant. washing tons of pocket lint by hand. chewing their cud in the dark. meanwhile - outside the ranch... My eyes refract. ***** and un-twink in the black lacquer that came - with the oblique miracle. they sustain things that would sunder a doll-eyed bovine to ever breach The Fence. my hardened arteries jangle like numinous. I pine and snap ruinous barbs from Death's prattle... for i see battle, razing the Grace of Time more at war, than at our best. more - bereft of what Reason defends. tossing guns at bullets by telekinesis. [ undefined ] i come from where i've never been. you were there. and ewe were there; fleeced and bleating in the snow that fell as soon as shearing ceased. i recall, you were never there. but remember passing you by... shilling an ocean roar you swore you'd plucked from a Seashell - salvaged from the divine dry sockets of Poseidon's skull. you were hawking your unawares. i played a flute made of question marks and glass drum skins. i went where my stride was inclined, and never where i went to. i never arrived by approaching the destination. only by always being somewhere else till i got there. i came from where i'd never been and - ain't been Nowhere since. but i'm sure i pass through There ever since.
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Aug 6, 2013
Aug 6, 2013 at 3:12 PM UTC
I Come From Where I've Never Been
stone ground mustard Venus burns. She's not concerned that constant falling and orbits, elliptical - are the same thing. Her eyes are deaf. My eyes adapt to the pattern that rattles the chain of events. my Spartan theories dangle in dubiousness. I find a trap, and call it Seattle... for i see cattle - grazing a state of mind; north, north west of what God meant. washing tons of pocket lint by hand. chewing their cud in the dark. meanwhile - outside the ranch... My eyes refract. ***** and un-twink in the black lacquer that came - with the oblique miracle. they sustain things that would sunder a doll-eyed bovine to ever breach The Fence. my hardened arteries jangle like numinous. I pine and snap ruinous barbs from Death's prattle... for i see battle, razing the Grace of Time more at war, than at our best. more - bereft of what Reason defends. tossing guns at bullets by telekinesis. [ undefined ] i come from where i've never been. you were there. and ewe were there; fleeced and bleating in the snow that fell as soon as shearing ceased. i recall, you were never there. but remember passing you by... shilling an ocean roar you swore you'd plucked from a Seashell - salvaged from the divine dry sockets of Poseidon's skull. you were hawking your unawares. i played a flute made of question marks and glass drum skins. i went where my stride was inclined, and never where i went to. i never arrived by approaching the destination. only by always being somewhere else till i got there. i came from where i'd never been and - ain't been Nowhere since. but i'm sure i pass through There ever since.
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32
The glint of a gold coin discarded and under a hedge. The unmistakeable ***** and ****** of the shrapnel congregating at the bottom of my pocket. I can find any combination of currency in a lovely jingle jangle of metallic discs. The cashier slips me a note and some change on top which spills onto the counter. A 10 pence piece tries an audacious spinning escape morphing into a ball. The change rattles again as it all settles at the bottom of my pocket after dropping in the new recruits. I slide the discoloured crinkled creased five pound note into my leather wallet nicely nestling next to a ten pound note. I love the  smell of ***** money!
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May 22, 2015
May 22, 2015 at 3:14 AM UTC
***** Money
12:53am,  January 3,2025 New York City <> *A Traveler notates these words to my attention, but only because I make myself a convenient target, for truthfully, it is addressed to one and all, to the royalty of:* We, *who speake out loud, to all those who ***** these damp woods full of wet words, that spring up overnight, ripe for the plucking, there for the taking, an exacting where & when they did not even exist the twenty four prior* These purloined overnight creatures are white and  black *lettered truffles, like the pages on which we inscribe, the letters raw, exquisitely tasty, shaved, measured in grams, but only when shared with others, in the privacy of our open minds, after being spooned from within us with exquisite care upon the pages that decorate our lives, sprinkled with great care and cunning*… *but when consumed, our five senses rage with aromatic pleasured pain, for these letters, so tiny, so powerful, grow only when combinatory, individual bitty granules, but when leavened, they enhance, provoke!, they sauce, the* flavors  of the ordinary *of our experiences, creating the extraordinary when interacting upon our five robust senses* *for without the spaces of delineation, our jumbled words are but the random jingle jangle of the sounds of night winds, rustling a tune pleasant but incomprehensible* *Here I take your leave, with the liberty taken for speaking in all our names to a Traveler who so succinctly captures our work, the glue of our interactive Us, Our,* Collective of Individuality
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Jan 8, 2025
Jan 8, 2025 at 9:20 AM UTC
For Traveler: “We write the words, You fill in the spaces”
12:53am,  January 3,2025 New York City <> *A Traveler notates these words to my attention, but only because I make myself a convenient target, for truthfully, it is addressed to one and all, to the royalty of:* We, *who speake out loud, to all those who ***** these damp woods full of wet words, that spring up overnight, ripe for the plucking, there for the taking, an exacting where & when they did not even exist the twenty four prior* These purloined overnight creatures are white and  black *lettered truffles, like the pages on which we inscribe, the letters raw, exquisitely tasty, shaved, measured in grams, but only when shared with others, in the privacy of our open minds, after being spooned from within us with exquisite care upon the pages that decorate our lives, sprinkled with great care and cunning*… *but when consumed, our five senses rage with aromatic pleasured pain, for these letters, so tiny, so powerful, grow only when combinatory, individual bitty granules, but when leavened, they enhance, provoke!, they sauce, the* flavors  of the ordinary *of our experiences, creating the extraordinary when interacting upon our five robust senses* *for without the spaces of delineation, our jumbled words are but the random jingle jangle of the sounds of night winds, rustling a tune pleasant but incomprehensible* *Here I take your leave, with the liberty taken for speaking in all our names to a Traveler who so succinctly captures our work, the glue of our interactive Us, Our,* Collective of Individuality
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36
The cause of ignition is inconsequential, no trigger to let loose the hammer- Only, I become a passenger, a **** cur. Softly as a dancer, on swells of change, undulating to the jangle and clink of lives being unlaced, splayed apart  in bitter irony, displaced into objectivity. You take it personal, as if, I am just a faltering piece of personality. Dropped like salt in the Devils eye, I'm just over shoulder- needing the fall into comforting familiarity. I'm unfeeling, mute and defensive- peeling self back to where we merge. At the base I know I am one but cruelty makes our hands feel like four. I am my own dark passenger depersonalized, sloughed off in stress and bound in unrecognizable life.
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Apr 20, 2013
Apr 20, 2013 at 4:33 PM UTC
DPD
The door is shut. She leaves the curtained office, And down the grey-walled stairs comes trembling slowly Towards the dazzling street. Her withered hand clings tightly to the railing. The long stairs rise and fall beneath her feet. Here in the brilliant sun we jostle, waiting To tear her secret out . . . We laugh, we hurry, We go our way, revolving, sinister, slow. She blinks in the sun, and then steps faintly downward. We whirl her away, we shout, we spin, we flow. Where have you been, old lady? We know your secret!-- Voices jangle about her, jeers, and laughter. . . . She trembles, tries to hurry, averts her eyes. Tell us the truth, old lady! where have you been? She turns and turns, her brain grows dark with cries. Look at the old fool tremble! She's been paying,-- Paying good money, too,--to talk to spirits. . . . She thinks she's heard a message from one dead! What did he tell you? Is he well and happy? Don't lie to us--we all know what he said. He said the one he murdered once still loves him; He said the wheels in wheels of time are broken; And dust and storm forgotten; and all forgiven. . . . But what you asked he wouldn't tell you, though,-- Ha ha! there's one thing you will never know! That's what you get for meddling so with heaven! Where have you been, old lady? Where are you going? We know, we know! She's been to gab with spirits. Look at the old fool! getting ready to cry! What have you got in an envelope, old lady? A lock of hair? An eyelash from his eye? How do you know the medium didn't fool you? Perhaps he had no spirit--perhaps he killed it. Here she comes! the old fool's lost her son. What did he have--blue eyes and golden hair? We know your secret! what's done is done. Look out, you'll fall--and fall, if you're not careful, Right into an open grave. . . but what's the hurry? You don't think you will find him when you're dead? Cry! Cry! Look at her mouth all twisted,-- Look at her eyes all red! We know you--know your name and all about you, All you remember and think, and all you scheme for. We tear your secret out, we leave you, go Laughingly down the street. . . Die, if you want to! Die, then, if you're in such a hurry to know!-- . . . She falls. We lift her head. The wasted body Weighs nothing in our hands. Does no one know her? Was no one with her when she fell? . . . We eddy about her, move away in silence. We hear slow tollings of a bell.
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The House Of Dust: Part 04: 02: Death: And A Derisive Chorus
The door is shut. She leaves the curtained office, And down the grey-walled stairs comes trembling slowly Towards the dazzling street. Her withered hand clings tightly to the railing. The long stairs rise and fall beneath her feet. Here in the brilliant sun we jostle, waiting To tear her secret out . . . We laugh, we hurry, We go our way, revolving, sinister, slow. She blinks in the sun, and then steps faintly downward. We whirl her away, we shout, we spin, we flow. Where have you been, old lady? We know your secret!-- Voices jangle about her, jeers, and laughter. . . . She trembles, tries to hurry, averts her eyes. Tell us the truth, old lady! where have you been? She turns and turns, her brain grows dark with cries. Look at the old fool tremble! She's been paying,-- Paying good money, too,--to talk to spirits. . . . She thinks she's heard a message from one dead! What did he tell you? Is he well and happy? Don't lie to us--we all know what he said. He said the one he murdered once still loves him; He said the wheels in wheels of time are broken; And dust and storm forgotten; and all forgiven. . . . But what you asked he wouldn't tell you, though,-- Ha ha! there's one thing you will never know! That's what you get for meddling so with heaven! Where have you been, old lady? Where are you going? We know, we know! She's been to gab with spirits. Look at the old fool! getting ready to cry! What have you got in an envelope, old lady? A lock of hair? An eyelash from his eye? How do you know the medium didn't fool you? Perhaps he had no spirit--perhaps he killed it. Here she comes! the old fool's lost her son. What did he have--blue eyes and golden hair? We know your secret! what's done is done. Look out, you'll fall--and fall, if you're not careful, Right into an open grave. . . but what's the hurry? You don't think you will find him when you're dead? Cry! Cry! Look at her mouth all twisted,-- Look at her eyes all red! We know you--know your name and all about you, All you remember and think, and all you scheme for. We tear your secret out, we leave you, go Laughingly down the street. . . Die, if you want to! Die, then, if you're in such a hurry to know!-- . . . She falls. We lift her head. The wasted body Weighs nothing in our hands. Does no one know her? Was no one with her when she fell? . . . We eddy about her, move away in silence. We hear slow tollings of a bell.
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It's not the shy flowers that beckon it's the distraction of perfume. A predetermined breath designed to confound the senses, drag you to your knees, excite olfactory receptors, jangle neurons, axons, dendrites, wow you with silken notes of milk and honey, no.....musk, no.....warm vanilla, no..... (attempts to translate their fragrance would dumfound a dictionary) Then, Parisienne sabonettes come to mind, in limbic wafts spilled from a half open box. copyright © Caroline Grace 2011
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Oct 1, 2011
Oct 1, 2011 at 7:41 AM UTC
The scent of fresias.