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Jesse stillwater Jul 2018
the Silence became
like an old lesson learned

a broken heart intones
a voiceless song
resonating a refrain of Silent echoes
in a voice that never heard a word
yet spoke so clearly ... lingering
in realms of subtle ambiance

soundless remnants
stacked neatly as
building blocks;  
another brick in a wall,
already too tall to see beyond—
growing like a bunker
without a sense of safe harbor

as the Silence became
time and space,
a stillness beset the melancholy air
as if a world without song
foreboding an unpredictable storm
beget vestiges of broken windfall,
reticent leftovers hushed after a gale

s i l e n t l y

an acorn fallen  — became a mighty Oak

a wind-broke twig — became a weeping willow

a neglected child — became mother nature's son

the Silence became
        a blind prophet —
in its voice held forth
smatterings of truth
and undertones of an unrequited
fool’s hope

the Silence became
a strong, abrupt rush of wind
uttering voiceless exhalations of breath;
a hovering dawn mist
    befallen after a summer storm—
surrounding all in all
bedewed in a feigned peace


... the unabated sounds of silence
become


Jesse Stillwater ... July 20th, 2018
Thank you or reading —
vircapio gale Aug 2012
on moonstone slab Manmata flames again
from out of ashes rises, gloating unfinality of Shiva's dance
reincarnate offering of endless Self
in Lakshmi's avatar
a fateful prince's heart to lance

and lanced his heart her visage did,
                                                     though with vaster pinions fully pierced was she, in depths
                                                          ­                                                                 ­                 without rivalry~

his lust was sharp to invite solitude,
but easy to conceal,
he imagined cupping her against him,
scoured memory of upward glimpse,
inch  by  inch
with added imagery, invention moulding her
beneath his grasp
from forehead curls along
glowing skin and eyes
to curving, palatially appareled ******* . . .
her open lips . . .  her hips
--but after, merely to dismiss
and even sleep a bit
and quip inside at irony
to be at mercy
of a girl in flowers
when he with arrows demons lay to rest
(though she would, within the selfsame hours lose her wits ;)

in cityscape descried the triad:
gold dome gifts for sky
in shining generosity
Mithila's people overflow with joy
exuding free abundance carelessly--
jewelry loosed on playful street
from overkeen embrace, is left to lie;
loss in ever-present wealth nigh obsolete

musth of elephant, froth of steed,
floral garlands tangle, line and mix
for clouds of honey-bees to lick their feast.
a bustling of virile acrobatic populace--
symphonic mux of chaos tressed,
metropolis of idylls coalesced;
drums, races, grinning faces flinging courtship,
smirking merchants under wigs
bathers splash exotic fish to flit and weave
while ballads sift for higher pitch of love

from elevated terrace ladies prance
and watching from an inner spire
the princess spies her prince--
emerald shoulders, lotus-petal eyes
Vaikunta hidden from their mortal sight
but straining recognition there,
a union ageless as the stars
inspired suddenly another first:
Rama's transfixed stare she feels and meets,
strangers locked entwining glances
--fated simultaneous-- electric heat   like
from a planet sparking for the taste of outer space --
the lightning burns its mark ensouled
in blooms beyond her ripe, anthophilous form,
verdant visions planted in the rays of light
between two instant loves
to slip inside the eyelid entrance
and evermore impregnate with a glory ill,
as separation wills,
to colonize throughout with other Being there
phantasmal yearnings of entrancing elegance
--from dawn of time instilled, akashic script
of binding hurt with joy in love's embrace
condemn desire to a writhing term
when not imbibing such togetherness
a worldless crypt preferred

and so as swift as gymnast flip to fall
the heart is gushing toxic lack,
epic ventricles the viscose tug
in fluid inspiration wrote of Sita's
sudden addict gnashing inner plight
while slips the sight interred within the crowd,
as if a sorcerer the cosmic sea to play her destiny:
the waves inside enraged to overwhelm
the sudden coral crust beneath the swell
an unmarked seaside's lavish drown unto the land
and reeling send this fragile ******
into wilting, her floral haze to drooping fell...
        in revelatory crash of passion's oceanic weight...
attendants pamper uselessly
--from swoon to mood irate
to wait until the next appearance of her mortal god
the only one to sate the shameless need
entwining up within a clenching wrack of milky fits
from bed to sweaty bed they take the burning maiden~
the outer sea inflow in calming dusk meant nothing to the agony of new romance
                       sequestered in hymenic fire, dawning brilliant
                                                       ­                                omni chakral pierce in rays,
                                                                ­                                                              tot­ality relentlessness
and therein descry a wholeness
  yet unregained
a hopeless birdsong careless as the wind
in caring strokes of pollen redolence
for forest ears an endless vibrate mate
of elemental ease the simmer float
upon the dukkha broil paths embroidery of karmic
cookery the godly recipe invoked,
gibed her without cease,
****** flare eternal guna coals to stoke
and spite her with their peace,
for her attainment only next to he
the moon communes the message blinding clear
amid the ghee her girls would light in care
to soften her despair -- but only aggravate her state --
and so by dim refracted moondrops set,
in only gemlight, Sita basks in pain
her gaze entrained by night obsessively
while overhead the crescent hook beams
freely in to fertilize her all-too-chastely girdle there,
petals wilting under body pressed to slab of stone
as mounting groan on groan intones her writhing questioning
of whomever he could be to cast her moaning so
a deity in maidenhead unwitting of such otherlife
left by endless, anthrocosmos' whim to ache, and alone
in wonder scream abandonment from aether poise
confusion reigning noisome nescient choice


















.
Manmata: the god of love, who Shiva is said to have burned to ashes with the purity of his contemplation
Lakshmi: Hindu goddess of wealth, prosperity (both material and spiritual), fortune, and the embodiment of beauty. She is the consort of the god Vishnu. She takes her mortal form as Sita in the Ramayana, destined for Rama (who is Vishnu's avatar).
Guna: an element, 'thread', 'string' or principle of nature; the three gunas are (sattva), (rajas), and (tamas)
Dukkha: suffering
Anthro-: as in 'human'

"The impact of the Ramayana on a poet, however, goes beyond mere personal edification; it inspires him to compose the epic again in his own language, with the stamp of his own personality on it.  The Ramayana has thus been the largest source of inspiration for the poets of India throughout the centuries . . . Thus we have centuries-old Ramayana in Hindi, Bengali, Assamese, Oriya, Tamil, Kannada, Kashmiri, Telugu, Malayalam, to mention a few."   -R.K. Narayan (whose prose version of Kamban's 11th c.e.Tamil --originally written on palm leaves-- i'm reading at the moment, and whose advice i've found myself compelled to follow. in no way am i an authority, but an amateur--literally--'in love')

http://hellopoetry.com/poem/ramas-inauguration-facing-the-murderous-gluttony-of-thataka/

http://hellopoetry.com/poem/soorpanaka-the-demon-as-kamavalli-lusts-for-rama-1/
LACS Feb 2011
She is a selfish girl;
She dreams selfish things.
She wants more from him;
She wants more than what he brings.

Dreaming of a change in him is a torture she bears;
Dreaming of something that cannot be theirs.

Do tell sweet boy,
Tell of all that you want;
Tell again
              and
                   again
        and      
again
        until your words run out.

She will be wanting to hear you speak those
slow
        rhythmic
                      dreams.

She will be wanting to hear your lips move with
love
       captivated
                       streams.

Until your thoughts have been impressed,
shifting from their former state.
And your thoughts have been professed
outward, instead of closed to their fate.

Your new ideals on life intone
And your mouth is speaking themes.
Those thoughts are now your own,
And they are her dreams.
The joy of a rhyme, it makes me smile every time.
Raj Arumugam Apr 2014
C
is confused, so a little complex
I mean, one moment it’s top of the range
glowing
in the hierarchy of vitamins
but next it’s a little abashed and low
in a student’s report card –
you know, C is not as good as an A
And so can you blame C for its mood swings?
Its agony continues:
one instant C is Calm, in another it’s a Curse


And you know it also feels a little wanting
a little under-stretched, not fulfilled
like not being able to complete
all the stretching exercises
its fitness trainer metes out
“O, if only I could be a little more yogic,”
C intones
“I’d be as composed as an O” -
but O no, that’s not to be

And don’t you start
on the indignant possibilities
of the letter C, for C has always aspired
you see
to be genteel, cultured and debonair
and curls with disgust if the uncouth
should use the letter  
to refer to any body parts,
be it that of male or of female
So, dear mortals, C should be left in celestial spheres

And so, in conclusion,
one Commandment I give unto you:
*Never drag C to ****** shallows
Do you C?
onlylovepoetry Apr 2019
don’t leave me!
(the leaving is in the writing)

she whispers in his ear,
after they’ve climbed into bed,
their tiring bodies both embraced,
soft sunken into, by, a familiar mattress,
after a sophisticates city night out seeing stars,
stars, human and astral,
city lights dusk heightened the vocal sparking,
singers singing songs of love from
radio days long ago

don’t leave me

she intones, a prayerful demand,
equally a command and a begging behest,
puzzling what prompted this pressed request,
spoken with urgency born in her breast

don’t leave me
drifting off and into his thin place,
but tugged back by this cri du coeur,
unsponsored and unwarranted,
nothing recalled that justly provoked,
a statement topping of anguish and fear

don’t leave me
he repeats in a rising questioning inflecting
puzzling riddling unbefitting a mellow-toning sleepy ingredient,
whatever do you mean, I leave you only
to dream, to purify, refresh and deep rest reset,
and return come morning with new poems,
what angst comes to stir this asking,
delaying my adventure to nightly restoration?

don’t leave me
repeated and repeated, dressed in urgency,
for I see the little things,
the wavering walk, the slowing of the thinking,
the walls, black n’ blue, whining about your into bumping,
the instant eagerness with which your body accepts
your voyage to dream places where
one goes and gone and must go unaccompanied,
some who are chosen and some who choose, not to return

don’t leave me
for the signs are ample, a certain weariness
dresses your face and crowns thy graying mane,
the slight labored breathing from steps once
bounded and leapt, the seeing and the hearing,
each slightly weakening, two orchestral instruments,
together off key and lessened in their triumphal vigor,
these words of mine, a royal guard,
keep them in your dreams

don’t leave me
minor missteps in the elongated negated of dying gracefully,
my tuning forks are sensitized,
and any slowing motion
both visible and hearable, and filed under inevitable

I will not leave you tonight,
my body warming as per usual,
your cold feet intruders indicate it’s you have left
for your own nightly visitors, occasional terrors,
you’ve woken me from my allotted sleep hours,
many poems now retrieving and in need of scribing,
while the fingertip digit flys across the digital keyboard,

I am more alive than I have ever been;
the leaving is in the writing,
each poem a steppingstone,

but the poems come fast and furious,
sometimes two at a time, the muses are bemused,
the prognosis is for thousands more and warn:

do not wear out your olive oil anointed forefinger,
the lubricated pointer of the way, wherein is contained

through that index
finger,
your body of works in the
“yet to arrive, yet untaxed filling station,”,
must be seen to fruition,
for it is only then that,
only love poetry
is ready for long lasting
eternal realization





5:36am 12th April, two thousand nineteen
Still Crazy Jan 2015
“A man is about as likely to ask for help for depression as to ask for directions, and for much the same reason,” said Real, who struggled with his own depression issues. “It's part of the male code, part of masculine culture.”

~~~

when they ask,

I say, parrying fast,
how you doing?

to the persisters, I mutter fine

which is 100% correct...



been fined for the accumulated

made-mistakes, wrong forks taken,

the weight invisible but the

body sags, nonetheless...



you know they know,

you know their thoughts,

why doesn't he snap out of it,

after all he is a man,

he has always been

what we needed,

why can't he

just go back to the person prior...



this code, is not law,

ten times worse,

genetic and culture passed,

double ******,

code so real, like the headaches,

the nightmares, that forbid equanimity...



not true,

we don't expect that of you,

thankful for all you have done,

but eyes betray,

a simpatico misunderstanding,

the instillers, can't take back

what they celebrated previous...



the signals everywhere, few ascertain,

cause the rule is never complain,

don't go near windows,

lest the sunlight diffused, offers no cheer,

but escape temptation ever on offer...



forgive yourself, someone intones,

but what infects my bones,

is non-responsive to the forget antibiotic,

which does not come in pill format



ask me for directions,

I will talk/walk you to your destination,

but when I'm lost,

I'm just a lost man,

who needs to do better,

forgetting is not in my DNA,

but lost is...choking on expectations

of being everyone's savior,

with no one to save you from yourself...
The needle falls down on the record, a thump deep in the bass, the speaker cone shakes and the sound ocean floods from my Serwin-Vegas...That alien who stepped out of the saucer in Close Encounters of the Third Kind decides to speak to Dreyfuss, and this is what it sounds like. This is the language of his planet, on the other side of a black hole in the Gamma region.

A ****** of crows, cold in the snow, muttering low, squeaking and squealing. Love taking on flesh and blood, suffocated by skin, now let's let the service begin. They sing their gut-hungry praises then flitter away.

Signifying nothing.

The priest places the wafer on the infidel's tongue. He lifts the cup to the liar's lips. A subtle glow emitted from a place slightly behind his head. He intones the Mass and tries to empty himself to allow the Holy Spirit to work through him as he ministers in the name of Jesus Christ to his congregation. The Spirit lifts up his voice to the sky and intercedes for my weak soul.

These chants are ancient, as old as the book of Genesis. These are the languages of the Mishraites or the Zareathites or the Eshtaulites. These are the tongues spoken by Zimran, Jokshan, Medan, Midian, Ishbak and Shuah. A language taught to them by their slave ancestors, excommunicated from the clans of Sarah, mother of the promised. A language used by Abraham himself, when he beckoned Isaac to the land of Moriah, making him carry the sacrificial knife soon held to his throat.

The procession moves forward, each recieving the body and blood in turn, enriched and better for recieving it. They walk like slaves submitting to a kind master they love to serve back to their seats in the cathedral, to wait, to get lost in the sacred relics and the sacred art scattered throughout this beautiful sanctuary.

And surely the Lord is in this place, for all that is good is from the Lord and this music is exceptionally good.

The chanting continues, now sung in the language of Baal-Zephon, where the king went after the Israelites, translated: "Wasn't there enough room in Egypt to bury us? Is that why you brought us out here to die in the desert? Why did you bring us out of Egypt, anyway? While we were there didn't we tell you to leave us alone? We had rather be slaves in Egypt than die in this desert!..."

These tone poems, written in the days of the Exodus, have a modern sound to them that is uncanny. Aliens who landed on earth in 897 BC bestowed gifts of prophecy and tongues to the individual members of the head's charge, and they are merely tools at the disposal of the leader of the aliens in their attempts to express themselves to the earthlings. No, there's no way any of us not from their planet could ever understand their language, borrowed as it was from the priests, Zadok and Abiathar in a meeting held on Mount Calvary the last time they landed on earth. The chord progressions are subliminally tainted with commands to relax, encourage a sense of floating, drift off with the thoughts that interest you most.

A looping tribal dance, recorded on site at a Buddhist monastary where the monks would mumble polyphonic OMs and the tourists would catapult their spirits through a needle's eye just to show that it can be done... Are they praying for rain? Or is it a rich harvest they petition the Great Spirit for today, their knees to the ground? The dance turns into an ****, bodies tangled up misplaced pieces of a jigsaw puzzle.

They **** the whale, and so we mourn.

They fester hate like a sore that won't go away, so we sing this lamentation. Translation: "The Son wants you...Hear things in the music that aren't there, only in your hammer struck head. Ring the living bell, ring the living bell, shine the living light, shine the living light...

They incite aggression, so we back off.

They treat the blind man with scorn and contempt, so we judge them.

They are good for nothing but fighting your wars, their stone hardened hearts too far gone to notice each life snuffed out under orders from ground patrol. So we pray for conflict. We petition the Lord for strife and dischord. Exterminate these burned-out husks of men before their 4 years are up.

They lay hands upon the genius and lock him in institutions with people who pull steak knives on strangers. They are afraid of him, so they put him away, in sweat-stinking padded cells or wrapped up nice and tight in a straight, mornings woke and hustled to the breakfast line. They extricate his confidence, thought pattern by thought pattern, and curb the flow of his intellect. They leave us to sing a funeral song for the postmodern society on the day when common sense is evenly distributed amongst individuals and Moral Law is accepted as fact by each and all. A dirge for each time you've ever been hurt by someone's words or actions. Our common denominator of heartache and sorrow. Divided about all other things, by necessity united by tears, wailing, howling at the moon, primal scream therapy and insomnia.

And now the church is empty. Angels lingering to usher the Spirit from the echoing halls. Silence and stillness brutal proof of God. Music from the other side of this life. Welcoming songs played at St. Peter's Gate. Stubborn prayers from those passed over, coaxing us through, waiting with scissors at the ready to slice the mortal coil. Believers bellys full of the body and blood of the Lord, digesting it at this very moment, letting the body do it's digestive work, preparing it for re-birth.
Terry O'Leary Apr 2013
Clouds, the clouds diffuse a sad and somewhat somber hue;
Wind, the wind bemoans her loss of reins and calm control;
Crows, the crows flee men of straw, sleeves slapping at the wind;

Grass, the grass defends with blades, impaling truant gusts;
Rain, the rain descends aslant from angry ashen skies;
Stones, the stones repulse the pearls, exploding tears of gloom;

Woods, the woods assuage the angst of misty brooding trees;
Leaves, the leaves desert their branches, dropping one by one;
Fields, the fields imbibe a quaff to quench an arid thirst;

Streams, the streams meander, hushed, to distant vapid shores;
Breeze, the breeze intones a tune, a mourning monody;
Sands, the sands, in chaos, dance across the dappled dunes;

Shades, the shades appear confused, alone in lurid haze;
Mice, the mice discern the dawn, their beady eyes ablaze;
Clouds, the clouds diffuse a sad and somewhat somber hue.
Jeff Stier May 2016
SUMMER MARCHES IN
(Movement no. 1)

It comes crashing down
like doom.
A martial fanfare
begins a long conversation
questioning fate,
arguing for the human condition,
and for death's open invitation,
which we dare not deny.

WHAT THE MEADOW FLOWERS TELL ME
(Movement no. 2)

Their blooming voices
are oboes and lush violins.
The sun is surely brassy bright
in the sky above.
Radiant alpine flowers
and woodwinds
from deep within their burrows
make the case
for a music well tended
and serenely fed
by sweet springs emerging from the depths
here below.

WHAT THE CREATURES OF THE FOREST TELL ME
(Movement no. 3)

The life force
tends to run amok.
Yet things do not fall apart,
the center still holds.

And though it is mundane -
pedestrian, at times -
we cannot deny the joy in this life,
nor do we wish to.

But know, traveler,
that submerged in every caldron of joy
is a small *** of darkness.
And it will find you
or you will find it -
not only because it is fated,
but for the sake of your sanity.

WHAT MAN TELLS ME
(Movement no. 4)

Here darkness sings.
Again the plucked string.
O Mensch!
You tell the tale!
You take this story
back to the mountain.

A woeful tale you bring,
but it is gilded with joy.

A chorus exalts your condition.
Deep is its grief,
but joy is deeper still.

WHAT THE ANGELS TELL ME
(Movement no. 5)

Bimm Bamm
Bimm Bamm
the children's choir
sweetly intones.
And what, pray tell,
do Angels have to say to us?

I've heard about love
I've heard about emptiness
I've heard about absence
without presence,
about nothingness and the void.

But I have never heard such singing!

WHAT LOVE TELLS ME
(Movement no. 6)

Sweet the air we breathe.
Pleasant the sights before us.
Words are stilled,
anxious thoughts banished.

There is nothing on Earth
or in Heaven
that disputes this sweet resolution
all the parts made whole
Nothing that could possibly
speak against it
(though French Horns will have
their interests heard).

But here it is.
The end.

O Mensch
come to your last and best
resting place.

Also sprach Gustav Mahler.
The lines "words are stilled, anxious thoughts banished" are borrowed from Bruno Walter's description of this movement. Herr Walter was as we know a great conductor and student of Mahler's.
Chris Saitta Apr 2019
You who have lifted up your sunburned face,
Long-told of peasant warmth and the forest tableaux.
Barefoot, you brought the book of hours upon dusty roads,
Ungoverned, little flower from Jeanne to Lourdes to Lisieux.
Our Lady, osculum pacis, the kiss of peace in wood and stone.

Burned out to those dusty eyes,
Now-empty look of rosework from the forest-fall of sunlight.
Medieval prayer, earthly-dim to its rafters of oak,
Come un-cinctured in ashen cloud of amice and alb,
And the murine blackness of plague-like smoke.

Birds that sit blinking at the winged fossil of intrados,
Pipe air through your own ribbed vaults, organum pulse.
Let the city rise in your vining voices—and hold the note.
The great ***** intones from the runs and pedal stops,
Along the turbid streets of the rue de la Cité to the empire of catacombs.

Beside his candle, the monk in sadness knows
All loveliness of heaven except his own.
Our Lady, every sunset is your faded candle hour of peace, for us to know.
Holy Father, so passes worldly glory,
Over the roofs of Paris like fire-scorned and leaden wings.
because love when cut,
lets loose
an empire of blood:

i have in my lips,
a treaty of oblivion—
releasing an embittered lemon.

in the throne of the sea,
waves repeat the crash
of perfidy.
by the mountains they ride,
the thick air of strobe.

rocks receive the genital fire
of lighthouses
exposing intones of shadow
one by one.

the beast maimed
behind the zither of trees
makes no sound like
  an aleph.

i herald the collusion of night
   and children
and weep at the solicitude of mothers,

because pines swoon in the dark
and with its hand, the gentlest war
   threshes the flesh and blood,
raining on us forever.

hostile eyes bypass the silence of things
  and lovers closing doors repeatedly,
disrupting the vale from its slumber.

   it is because when love is let loose,
it releases both of us — weary, inescapably ripe with the wind, looking
   for each other as doves do in flight,
  separate and obscured, opening gates;

                                           nightfall:
   the savage aroma of wood
       on the leaves that sway fervently
          tippling away from boughs.
Nat Lipstadt Jun 2013
How To Dress For My Funeral



black or white, hot n'pink,
lavender always a fav,
at a fun funeral rave,
lacy or plain, your choice,
tho clean would be nice,
won't matter to me very much,
the color of your underwear.
but do not fail to recall, the dead,
their vision keen, can see all!

funeral gravity rules to be strictly observed,
snickering and giggling to commence in the
back row, when holy pomposity gets uttered,
let it wend its way forward from the aft,
until y'all better be
laughing your ***** off

anyone who chooses to speak,
must commence with words,
"Did ya hear the one about"
or be haunted by my spectral shadow
tickling both feet at midnight, or,
worse yet, reciting this awful poem
in their head, like Henry the Eighth,
I am, I am

perhaps a hora dance might be nice,
a mamba line, butts,  holy rolling n'shaking,
past rows of rock n' rolling tombstones, guitar-playing
some Metallica,
while the rabbi intones somberly,
Let's get this party started, gad ******!

if my untimely hour should arrive in July,
I humbly request that flip flops be the ped-modality,
if January should be my season
of absence treasoned, use some reason,
please stay home, and let the paid professionals
suffer in fine phony, professional, seasonal frigidity

at the post partum party, should that occur,
I humbly repast request, barbecue be the cuisine,
in the hopes you all recall to place
a generous helping, repeat, generous helping,
inside my sauce- proof pine wood casket,
with extra napkins for the long trip ahead

now these are all post hypnotic, post breathing,
helpful suggestions, not requirements,
but honor or disparage, cry or vent,
curse or bless my perma-absence,
don't matter to me, as long as somebody
reads this manifesto at the festivities, first and last.
Rob Sandman Dec 2016
It's a beautiful day,birds singing as I'm walking Mill Lane,
listening to a few Me Fein Refrains,
I'm whistling,feeling pretty fine and dandy,
with my eyes red rovering all the eye candy,
when I hear it,brakes shriekin'-women Shriekin',
a mans voice-Hoarse, "Jaysus Someone do somethin",
I spin on me heel,eyes centred as ****,
wishing this was all a dream-A runaway Truck,
tires peelin' brakes smokin' rubber burnin',
A runaway load,it's not gonna make the turn and it's
THEN that I feel true terror in me soul,
I see a little boy playin' at the edge of the road
,
he's a sturdy little lad,stick in hand,
pokin' at the grasses growin' up from the path,
and he's right in the Path of the Truck from hell,

Theres no decision,I'm runnin' like a bat outta hell,
and it's then that I get a feeling it's a Lucid dream,
languidity covers me,no more screams,
theres a Figure in my way that's wasn't there the last breath,
then I'm literally starin' in the face of Death...
and I FEEL his thoughts as he turns blank Orbits,
on me and his words are like this "One Obit,
uary in my Ferry is my Task today,
do you really want to be the one who gets in MY WAY?(way way way),
and he can HEAR my thoughts,just as I heard his,
"get out the ******' way you long streak of ****!",
"you said one has to go,well that's fine with me!",
"I've got coins in my pocket if you need your fee!"
and with a glint in his eye and a plangent refrain,
he touches me centre forehead and declaims "NO PAIN"

Then things speed up and I'm off fists pumpin',
feet slappin' on the pavement head down, heart jumpin,
I'm not the Flash,but I can move it when I need to Run,
and the long drawn screech is a Hell of a starters Gun,
I'm across the road like a bolt from the blue,
grab the little Man and throw him,then BANG there I flew,
its all earth,sky,earth,then a terrible jolt,
but no pain as was promised as I come to a halt,
then his Mother is there(he's on her hip) and she's holding my(only)hand,
tellin' me theres ambulances and I'm gonna be grand,
but theres a Grand Piano layin' on my Chest,
and no pain,but to be honest here-I'm not at my best,
and just as I start to think of family and friends,
before Distress can manifest too much in my mind,
a tall RATHER BONY figure stretches out his hand,
and intones into me bones,"OFF TO THE NEXT LAND(land,land,land)"
Fell out of me fully formed the other night.
Raj Arumugam Aug 2013
the four monks are out in the open
meditating;
the prayer flags are flapping

“The flags are flapping,”
hums the first monk

“The wind is there,”
intones the second

“It is the mind that
is flapping,”

observes the third

“Mouths are flapping
is all what I see and hear,”

says the last


the frog in the grass
is silent
...based on a Buddhist story, from online...
Raj Arumugam Sep 2012
John’s going to be
a first-time father
and he calls the hospital
late in the night
and he screams into the phone:
“My wife’s going to deliver! Help!
She’s screaming! And she says something
about contractions! Help!”


And the duty nurse at the other end
with her cool voice intones:
“Tell me - is this her first child?”

And the anxious first-time father screams:
*“No! No! This is her husband!”
...another existing joke that's evolved into verse...in this, I've tried to make minimal changes to the  prose version - just enough so it becomes mine, and still true to its light-heartedness...
just like the midnight lark I rise each midnightto listen in delight to the sound   that I have grown to love.
for her words have grown on me intertwined inside my memories.
every night I need her voice to set the moment right.
just like the lark I am a servant of the sky bound toroam across my dreams.Her song intones me.
I am stronger than the leaves.
in a stiff summer breeze.
sweet harmony be my guide and lead me to the other side.my passage has been paid by the dreams before I’ve laid.but do not be affright, I dreamt of you tonight.
so sing me lullabies from you perch up in the skyand I’ll dream a dream so true, and I’ll only dream of you.that I’ll wake amidst the nightwondering why you’re not by my side.then I’ll heave a heavy sigh as my ears have been trained to find,your fervent song that forever keeps me hanging onto the last few precious moments, of a night that creeps along.so,  sing me a song o’ black ruby of the night.draw your inspiration amongst the starlit night.for dreams do come true as dreamers often pray,but on an on another day.  good bird I do praythat God will bless your wings, for without your holy sound my life would come unwound.  o’ poet of the treesyour verse sedates my mind to a gentle ease.in mediation ‘tis true that all I hear is you.o’ poet of the skies and singer of lullabies,
I dream dreams so true of me and of you- .  allow me to be frankof hiker of the leaves,  and drifter of the trees,may you play for mea song so seldom sung to the silver sliver stuck above.I’ve fashioned a dream today of which I wish to playbut I have no melody to accompany my fantasy.so songbird of the night, sing me a song so rightand let your symphony surprise the stillness of the night. in these words I trust you’ll forever know my loveas strong as the rushing tide pulled from the silver disc above.black ruby of the night like a thief you stole my heart,ransom off my being but keep my soul intact, this is all I ask.first sound I fell in love with your evanescence glowthat radiates to me as roses attract bees.your bittersweet melody invigorates my being.wind comes to tear the leaves from ceiling treesbut the roots hold fast and the leaves survive and my soul has crossed the tide.to dream a dream so true as dreamers often liein bunks made of trees to slumber through the tide. in your song I am free to think,I am firm in my beliefs,I am stronger than the leaves.2005-
Meagan Moore Jan 2014
Light illuminates
my dis-entombed thoughts
on gilded kite

prodding dust patina
mellow mote drifts lilt

hoping not to puncture the membrane
– I run –
attempted lift

fresh soil turns under foot
tread and gait escalate
pocked path reverberates
my insistence to avoid puncturing

Deceleration
Halted earthen assault
I ****** with machination the aerial apparatus
prior to complete stagnation

Decrepit deceit eschewed
Again – I run –
taut paper snap
sheet lift
weightless message intones
in knotted vertebrae, and closed palm

my chest lifts in unison
diaphragmatic sigh punched hollow
rhapsodic finesse

privy to atmospheric secret
my hand translates the ethereal
smooth fluttering undulations
oscillating tugs, dives, and slay

Calligraphic flourishes echo the linguistic menagerie
Byzantine illustrations
Pellucid canvas drunk with dye

Evinced in muddled thought
The ink bleeds down the twine
indigo echoes of entombed vein 'neath flesh

Translucent pulse haunts taut string
furling arc – tensed tissue
acrobatic hydrofoil
tugs – glides – taunts

Ostensible horror conveyed in clenched palm
The ether curtly responds
Swift redirect

Sliced palm
Tethered scream evocation
cochineal deluge concedes

Deep purple liquid clings
Congealing - between sodden twine and palm

Whispering currents furl saturated line
into fresh groove, disturbing the clot
The wound bucks as flotsam

Relentless onslaught
I yield -
I release you

Your ethereal message tattooed into my palm
Some things were ne'er meant to be restrained
Martin Bailes Mar 2017
Freshly bathed & shivering
in the cool weak sunlight
of the early morning
the boy returns
to his bed,

the quiet young couple
who sleep gently nearby,
prepare their first
sweet smoke
of the morning
as a string is drawn
back & forth inside
the chillum pipe
to clean it,

& then the hashish is warmed
so as to soften it before  
it's crumbled & mixed
with the tobacco from
a broken cigarette
kneaded in the
palm of the hand,

a small stone is placed inside
to anchor the mix yet
leave room for air
to flow & then
a damp rag is
wrapped around
the narrow end
to cool the smoke,

the woman holds the pipe
quite intricately it seems
to you at first but it's just
to create a space
so as to draw the
mix deep into
her lungs,

"Bom Siva Shankar"
intones the man as
she places her mouth
upon the joined hands
and draws that first
fiery draught
of purest black
Afghani hashish.

The chillum circulates
& the day has begun
as the youth of a
rejected Western World
envelop themselves
in the smell of dung
fires, incense, &
the Krishna chant
from the small
idol at the
corner
nearby.
dean evans Jan 2015
Oh, to be a sad balloon... and sail the wayward wind alone
To leave this troubled world behind, embark upon the vast unknown
Yet somewhere.. I can hear the soulful song that loneliness intones
I realize that there are things your heart, and mine…
could not condone
It seems that I may so escape my darkness.. in the shining sky
Perhaps to drift away in blue, where sorrow fails to underlie
I hope you realize, within my dreams… I never saw you cry
I rise to sad uncertainty, with cigarette and eau de vie

I wait for the approaching light, and hope to witness healing dawn
The sun however, fails to so provide what hearts depend upon
But I suppose the wind has seen to ordination .. love foregone
To leave my spirit resolute, embodiment of hope withdrawn
These thoughts that crowd my mind at times, have left me strangely ill at ease
Though I recall my dreams of love, do not misunderstand me please
My aspirations lie above, and there are many thoughts of these
Until my sorrow once again, arrives upon the savage breeze

To leave me here in desolation, endeavoring to soar the skies
To wonder, when will truth contend... dispatch the dread and dire lies
Can I have hope of happiness?... well I don’t know...but I surmise
My sorrow stands as barricade, for tears I’ve placed there in your eyes
So I aspire to ride the wind, out far beyond the waning moon
To leave disorder furthermost, where love and kindness
then commune
So I may know the many reasons, hearts were broken... much too soon
I bid farewell to radiance,
in a wretched ode to a sad balloon...

Dean Evans
12-31-14
Meagan Moore Jan 2014
Sitting – well, slouching
Parochial ticky-tacky chair distorting sprawled alignment
How does a piece of paper weigh so much?
How do I extrude a greater weight from it into another page?

Fumbling with knotted headphones
My eyes drop into the inked Times New Roman
The page intones my fumbling succinctly, “I try to find something, anything.”
What boyscout, boatsmen, or climber crawled in my bag and tied this interminable knot?
My eyes turn to the knot -
Still fumbling with the toner’s entombed dance

I grew up in this slouch, in this tangle, thinking in Times New Roman
Etching knowledge into or from 8 x 12 reams
Does the paper weight I feel in the paper’s request equate to the weight of a neural connection ascertaining chemical knots?
This was a response to a poem a guy in my class wrote. The line, "I try to find something, anything." was in his poem.
Raj Arumugam Sep 2014
1
Grisham John
my artist friend
is a sensitive chap
so a year after my wife dies
he gets me a date

2
Turns out at the restaurant
the woman walks up to me
like she were a floating jelly -
her left eye flying, her right eye sinking
her arms wild like horses
and her nose tripled;
each finger like a bullet
and she looks in all directions all at once

3
I call Grisham John on his cellphone
and I roar:
You paired me up with a hideous woman!

Relax! he intones
*You either hate 'em or love 'em -
that's how it is with a Picasso
This poem is dedicated to ME, one of the fellow poets here at HP...now it's time for me to zzzzzzz....
This is the final poem in my current series of poems on art...
Ryan P Kinney Jan 2020
The first Holy Book of The Word
In Nonsense we Trust

Assembled from pre-existing works by John Burroughs, Ryan P. Kinney, Jack McGuane, Cee Williams, Don Lee, Susan Grimm, Joe Roarty, Russ Vidrick, Dianne Boresnik, Mitch James, Tanya Pilumeli, Julie Ursem Marchand, Vicki Acquah, Terry Provost, Adam Brodsky, Lennart Lundh, Raymond McNiece, Hannah Williams, MaxWell Shell, Tim Richards, Ayla Atash, RC (Bob Wilson), Chuck Joy, Katie Daley, Solomon Dixon, Mary Weems, and Gordon Downie
Mostly taken as quotes during live poetry readings. Some stolen from other sources.
Additional content from predictive text by JM Romig, Linkin Park “Powerless,” “Saga of the Swamp Thing” vol. 1, T.S. Eliot, Amalgam Mythos, Kurt Vonnegut, Kevin Smith, and Psalms (chap.):13
Added original content by Ryan P. Kinney, Lennart Lundh, Barbara Marie Minney, and Gabriella Ercolani

“Lords Temple Basement Men,” it says on the door in a badly photocopied sign, replaced freshly each week. The original was built from torn up pieces of bootleg band vinyl stickers left plastered all over the windows of some teenager, surely passed into decaying adulthood long ago.

They gather in the bottom of an abandoned house in the heart of mostly warehouses. Something, someone long ago forgot to bull doze in the wake of morbid industrialization and the zeal to just get more men more jobs while giving them no life, no place to live. They built in their own obsolescence

A Man stands outside; half catcalling, half showman barker; daring, tempting, bribing people to worship with him. In paint stained torn jeans, long shaggy hair with the bald spot landing pad directly in the center of his head, and shoes barely hanging together on his feet, he bellows out The Word. Somewhere between slam poetry performance and theology lesson, he entices and seduces people to enter. Here, they do not call him Father, or Brother, just person:  Man.  “Hey, Man,” is how they great him.

“This is the original Church of the world's scraps.
The body of the body of the body.
Burning in the sun.
‘Me and my son were born in the sun,’ They say.
He is willing to do it.”
The Man says, in a soothing voice.

People enter a crooked doorway. The Man pulls the peeling door behind them, scrapping the ground as he does so, and leads his flock down the concrete stairs to the basement. They come to a dingy dirt gravel floor and spread out; filling the space like gas expanding into a cylinder.

Background chatter already fills the room with low whispers before the performance-service,
“I am happy to hear that you are safe”.
“I am not sure that you are”
“You will be missed.”

The Man steps upon his usual milk crate to open the service. He intones the Capitalist Mantra,
“God Save the Queen
Long live the King
Hail to the Chief
The Lord of all Lies”

And the people chant, “I will not kiss you. I will not bow. I will not bow. I will not be moved.
I love the idea of what I have to be”

Mama Evil steps forward to explain their purpose here,
“This is a strange, mad religious service. Everything is out of place, nothing and no one seems to fit together. We all gather here, but no one seems to-gether. This is less a sermon and more a discussion where the gospel is debated. The Word is critiqued, modified, disputed, and changes between its members at each meeting. At any time for no reason, people can interrupt The Man to deny, confirm, suggest, or challenge his statements. The group then decides on the next bit of gospel to be made up on the spot or if what has already been said is still the current phase of perspective. There is no central thought or plan, just a plan for thoughts. We, people, call this Faith. Our membership makes up a multitude. There are Baptists, Catholics, Jews, Muslims, Agnostics, Atheists, Satanists, Buddhists, Capitalists, hippies, goth kids, Starbuck’s sipping bloggers, just plain weird kids in the back working on their latest D&D campaign. We are just people. And he, is just a Man. The only interconnecting philosophy among us is, ‘Anything is possible at any time for any reason.’”
“As the recovering Catholic Kevin Smith wrote, ‘It’s not important which faith you are, just that you have faith.’”

The People are ready to receive The Holy Spirit and his unique brand of performance poetry,

“In the beginning, there was only The Word, a word. And then more. Which were collected into a story; The Story. And from The Story came creation.
And then came the questions. And The Question was man. Who are we? What are we? Why? Who am I?”

The Man explains,
“The whole point of The Word is to make up new ones. To defy God’s Word by creating ourselves.”
“Do you see the animal’s asking questions? Wondering who they are. They simply know that they are.
There are no fish in Purgatory. Only us.
The Garden of Eden is colonized by serpents
There was no place for the demons to go, but further in.”

A Hindu Yoga instructor rights himself from walking on his hands and decides to take the first initiative, “Puff the Magic Dragon says, ‘Jesus loves me, but I need to talk to a human.’”
A furry cosplayer responds, "I need to talk to a human."

A Wiccan Princess retorts, "Nature is not as inventive as she thinks she is; Neither is God"

The Man answers,
“We are a beautiful blasphemy to God’s word (because we question).”

“Heavy is the crown that wears the head,” says the child prince.

The Drag King quotes, “Psalms (chap.):13
You will tread on the lion and the cobra.
You will trample on the great lion and the serpent.”

"...And God teaches the cricket how to play his music," says the bookish-looking woman sitting in the corner, trailing off as she adjusts her literal Coke bottle frames.

A gym rat, wearing a holey muscle shirt, extends arm to point as he says,
“Humans begin as *******.”

“Humans are also stardust.
Which means we are golden,” replies the scientist

“I will show you fear in a handful of dust,” says the derelict businessman hobo hero,
“God made mud in his own image and we are the leftover **** that rose out of it.
And if all life is really God’s sacred mud, then every **** storm is God’s Wrath.”

The Man quotes T.S. Eliot,
“What are the roots that clutch. What branches grow out of this stony *******. Son of man, you cannot say or guess, for you know only a heap of broken images.”

"The grapes of wrath transmuted into the harvest of imagination,” illustrates the painter

The automaton states, “**** the earth, to make a certain sense of it all.”

The Man attempts to regain control,
“Some future digger after truth,
alien or human, kneeling with
trowel and brush at this grave,
will note in clear, careful script
the wonder that a people would
be so deliberate with the smallest
of their gods' creatures,
and so careless of themselves.”

A soccer Mom asks,
“They say I shouldn’t be so tired.
They say I should get a job.
They say I should get off this couch.
They say I shouldn’t be a blob.”

“It takes but one step to enter the grave,” says The Man.
“So much can be lost in crossing that threshold. How did your grandparents, born in separate countries, meet? Did your mother kiss your father first, or vice versa? These are questions we don't think to pose, but without the asking or other evidence, Death will redact the list of begettings. Are you prepared for that void in memory? Or have you made notes for your children to leave theirs?”

"My Dad keeps their honeymoon receipts in the family Bible,” says the Unknown.
“After Mom moved on, he would take the Bible off the shelf every evening after supper.  He would first stare at it for what seemed forever while pouring himself a huge tumbler of bourbon and lighting a huge cigar that smelled like month old underwear.  Eventually, he would open the gold clasp and raise the deeply cracked leather cover of the Bible and first look at the family history written inside the front cover in the delicate and intricate handwriting of Mom, before pulling out the well worn honeymoon receipts, which he would shuffle through like a deck of cards before spreading them out on the worn and scratched kitchen table like a kind of dead man’s hand.  Sometimes, he would weep quietly.  Other times, he would pound his fists violently on the table shaking the cans of beans and potatoes on the shelves above.  That is when I knew it was time to make myself scarce.  He never ever opened the Bible any further than the front cover, which made me wonder about the nature of the book itself.  I always pondered the same questions over and over.”  
“Is Bible a filthy word? Is it the animal? The Man, The Woman? Should we burn the book?”
“Is the Word filthy?”, asks The Man, “What are the filthy words? What are the power of Words mired in ****? Who do these words define? Who are you?”

Mama Evil commands a presence,
“****? ****? ****? *****? Broad? *****? Are these the words you use to define me? When that which defines me is the holy chalice, life's catalyst, mia figa, my ****: stand us all on our heads and we all look the same. Regardless of our skin color, or the shape of the bones in our face or the skin around our eyes or the texture of our hair, those folds of flesh, that tunnel to the precipice of the universe, that little happy happy joy joy button, these are what we all have in common and what the whole world simultaneously wants and reviles. It has that much power. A lexical reclamation is taking place. One that will lift up the collective feminine spirit instead of dragging it down to the depths of all pejoratives. ****! The taking back of all pejoratives is an essential part of the reclamation of the collective self-esteem of woman kind! She is a Hindu Goddess! She is the Roman Goddess who is the protector or newborn infants. She is cunctipotent. She is all powerful and creates and destroys the world with her blood sugar **** magic. She is the princess and savior of the Mahabharata, renowned for her hospitality, who willingly receives any traveler who requests food and lodging. She is that benevolent. Durvasas bestows upon her a powerful mantra as payment for that hospitality and with it, Princess Kunti has the power to call on any God in heaven to lie with her and she will bear a son then by the next day. When her husband is rendered sterile as punishment for shooting the Stag King as he mated with his queen, Princess Kunti bears three heirs for the kingdom. She saves the kingdom. She saves the day. She is **** magic at its finest hour and she dwells in all of us who have ever been slandered. So go on, you ignorant *******. Call me a ****. Only you in your infinite small stupidity are skint the knowledge that you have just called me a princess and a savior.”

A comic nerd asks, “What of Power? What is power?”

Mama Evil holds up a single flame, spewing from a cheap blue lighter in her hand. She asks, “What is the power of The Word.” Is it in the book? Or in the air.”

She answers, “The power to choose. Do I set the world on fire, or put out
the flames?”

The room goes dark as she abruptly steals The Man’s usual send off,
“The Word has evolved, my friends.”
Snap!

The sudden sound explodes through the reticent forest
Emanating from the grove of pine
It sends a warning to all woodland denizens
That danger is afoot

Her singular howl intones a chorus
That resonates throughout the forest

Metamorphoses begins
Her fragile spine slowly fractures
She lets out one last howl
Only to fall...unconscious

His golden eyes blaze with anger
As he gazes from behind a fallen tree

Cautiously approaching, he sees her lying motionless
Sans her white coat...no longer like him

He lifts his head back, takes a deep breath
And an urgent howl he sends far and wide

The desperate wail awakens a cadre of Ravens
Alerting them to their task at hand
Departing their perch, they go in search
Of the medicine which will save her

They arrive at the solitary cave
But not before the howl had echoed within

The Ravens encounter the just awakened medicine
Taking flight...the cadre leads the way
Thunder rages through the forest as paws strike the ground
Ravens swiftly lead Bear to their wounded friend

Finally arriving, Bear assesses the situation
Standing...she looks in wonder as to how this happened in their world
At her motionless friend
With her powerful paw locked in steel

That wonder was answered
As she looked into his golden eyes
She perceptively sees the work of a cabal
In setting the device

His eyes also show uncertainty
His black fur is standing on end
Intimating an urgency that Bear readily grasps
Medicine is needed quickly

Bear smiles
For she is the healer, the enforcer

A whitetail deer peers from behind an ancient cedar
As Bear, with her powerful paws, opens the trap
Bear licks the wound delicately
The wound begins to heal from the medicine

The power of Bear, and of Nature, is strong!

Bear places her giant paw over her, what seems like lifeless face
Color begins to fill her skin again as Bear gives medicine
An Eagle watches intently from above
As the familiar fur and body shape come back into view

For the first time, as she begins to awaken
The transformation is painless
Her once fragile spine has grown stronger with medicine
She drifts off

As her eyes begin to slowly open and come into focus
She sees a lone...silent figure

His golden eyes intently staring directly into hers
"I heard you howl", he said attentively
"I knew you would come", she replied, "U are always there for me."

Rejuvenated, she moved with assurance
Once again, feeling familiarity in this form

In her sheen coat of white fur, she now stood
Next to him, and his coat of fur that matched the raven's wing

They stood in contrasting, yet symbiotic fashion
He pulled her closer, and without making a sound
Gestured that it was time to move on...

(c) 2016 Shawn White Eagle
I have not written for some time, but often times events can inspire one to put "pen to paper", or, in this case, fingers to keys. :-)  I have reached back to continue a story I had left open ended some time ago, and doing the same this time as well.  I Love U Lobo :-)
Ryan P Kinney Oct 2019
Lords Temple Basement Men
The first Book of The Word
In Nonsense we Trust

Assembled from pre-existing works by John Burroughs, Ryan P. Kinney, Jack McGuane, Cee Williams, Don Lee, Susan Grimm, Joe Roarty, Russ Vidrick, Dianne Boresnik, Mitch James, Tanya Pilumeli, Julie Ursem Marchand, Vicki Acquah, Terry Provost, Adam Brodsky, Lennart Lundh, Raymond McNiece, Hannah Williams, MaxWell Shell, Tim Richards, Ayla Atash, RC (Bob Wilson), Chuck Joy, Katie Daley, Solomon Dixon, Mary Weems, and Gordon Downie
Mostly taken as quotes during live poetry readings. Some stolen from other sources.
Additional content from predictive text by JM Romig, Linkin Park “Powerless,” “Saga of the Swamp Thing” vol. 1, T.S. Eliot, Amalgam Mythos, Kurt Vonnegut, Kevin Smith, and Psalms (chap.):13
Added original content by Ryan P. Kinney, Dr. Benjamin Anthony, and Ayla Atash

“Lords Temple Basement Men,” it says on the door in a badly photocopied sign, replaced freshly each week. The original was built from torn up pieces of bootleg band vinyl stickers left plastered all over the windows of some teenager, surely passed into decaying adulthood long ago.

They gather in the bottom of an abandoned house in the heart of mostly warehouses. Something, someone long ago forgot to bull doze in the wake of morbid industrialization and the zeal to just get more men more jobs while giving them no life, no place to live. They built in their own obsolescence.

A Man stands outside; half catcalling, half showman barker; daring, tempting, bribing people to worship with him. In paint stained torn jeans, long shaggy hair with the bald spot landing pad directly in the center of his head, and shoes barely hanging together on his feet, he bellows out The Word. Somewhere between slam poetry performance and theology lesson, he entices and seduces people to enter. Here, they do not call him Father, or Brother, just person:  Man.  “Hey, Man,” is how they great him.

“Come in and be amongst our broken people (pieces).
Mingle with our shards.
See which cut is the deepest”

People enter a crooked doorway. The Man pulls the peeling door behind them, scrapping the ground as he does so, and leads his flock down the concrete stairs to the basement. They come to a dingy dirt gravel floor and spread out.
The people in the room greet one another, then swarm around one woman,
“You are a good worker.”
“You will be missed.”

The Man steps upon his usual milk crate to open the service. He intones the Capitalist Mantra,
“God Save the Queen
Long live the King
Hail to the Chief
The Lord of all Lies”

And the people chant, “I will not kiss you. I will not bow. I will not bow. I will not be moved.
I love the idea of what I have to be”

The woman swarm, Mama Evil, pushes her way to the front to explain their purpose here,
“This is a strange, mad religious service. Everything is out of place, nothing and no one seems to fit together. We all gather here, but no one seems to-gether. This is less a sermon and more a discussion where the gospel is debated. The (holy) Word is debated, discussed, dissected, compromised, altered, changed, shredded, reused, updated, recreated. It is burnt to cinders, then rises as a phoenix, built out of the broken pieces of all that was said before; what used to be true, but is now casually agreed to be fallacy. We, people, call this Faith. Our membership makes up a multitude. There are Baptists, Catholics, Jews, Muslims, Agnostics, Atheists, Satanists, Buddhists, Capitalists, hippies, goth kids, Starbuck’s sipping bloggers, just plain weird kids in the back working on their latest D&D campaign. We are just people. And he, is just a Man.”
“Dual Spirituality is a possibility. In fact, it is encouraged. Multiple realities are possible. Poly-spirituality is acceptable. The only interconnecting philosophy among us is, ‘Anything is possible at any time for any reason’.”

The People are ready to receive The Holy Spirit and his unique brand of performance poetry,

“In the beginning, there was only The Word, a word. And then more. Which were collected into a story; The Story. And from The Story came creation.
And then came the questions. And The Question was man. Who are we? What are we? Why? Who am I?”
The Man explains,
“We are a beautiful blasphemy to God’s word because we question.”

Let me start with a parable,
“Once upon a time…
There lived a shy little boy and a chatty little girl. Though the two lived really close they never knew each other. That was until one day, the girl entered high school. They met for the first time on the school bus. The boy eavesdropped on her and for the first time spoke to her. Although she was especially irritated, the boy responded. It was with those words that a lifelong love blossomed…
‘You love me, you just don’t know it yet.’

Through the many trials and errors of high school life they grew together. And so, They lived happily ever after.”
“…Except, she didn’t. In this reality, she ran off with a rich older man while taking care of his dying wife, 5 years after those high school sweethearts were married.”
Years later, he would lament,
“It started with a broken heart. Through the crack seeped liquid fire. It engulfed me, burning away all that I was. The flames shall purify me. Boil me down to my base components, and then rebuild me. From the ashes will rise a new entity.
Who am I?”

“What can we learn from this,” asks the Man.

The first interrupter states matter-of-factly, “You are fire. You are love.”
A tie-dyed burnout rants, “Love is fire, Man. It burns. But it also warms and protects… Praise Allah.”
“Amen.”
“Bless you my son.”
“Hail Satan.”

“The last time I hear my heart…” says the bookish-looking woman sitting in the corner, trailing off as she adjusts her literal Coke bottle frames.
Now with ignition to her words, she quotes, “The last time I hear my heart was like a galactic ******. The ****** that made you and touches everything you made. Faith is attempting to live as though we are loved.”

A Drag King high fives her and says, “I liked the galactic ******.”

A torn up, steel-studded, leather clad punk continues, “Promise me you will live…
For nothing…
But the next moment.
No forgiveness, no damnation, only the match I strike on the heel of my boot.”

And then the automaton asks, “What of the devil: the original corruptor, the source of all evil?”

A gym rat, wearing a holey muscle shirt, extends an arm to point as he half sings, “The devil is a wicked man and wears a suit and tie. The devil checked in at noon and asked us, ‘What is the sleep of reason?’ You woke the devil I thought you left behind.”

“The Devil is due; the Devils do,” coos his boyfriend, the semanticist-*******.

The Man answers, “Is not the source of evil the same as the source of creation. Is it not evil to be so selfish as to create, with no concern for how creation will change everything.”

The Wiccan Princess retorts,
“Creation can be bought and sold.
Motherhood is a commodity.
Venus is for sale.
The nativity is shrouded in black.

We've streamlined your desire.
She was only offering an apple anyways.
And filled in that hole in her heart.

Here, we give her to you totally domesticated.
This one is costly, but so worth it.

You never will be worth it.
Earn enough
Be enough

Taste the salt of her tears on your tongue;
the salt of the earth.
She refuses to wear this crown of thorns.

In the eyes of your maker.
You should be ashamed.
To look your Maker in the eyes.”

Mama Evil attempts to chill her blaze, “Dear, the Anger is caged. It is the custom to call children who go to war, men…children of war die like men.”

Their daughter, the littlest girl in the world, coughed. A runny nose explained it, she had the sniffles. Nothing to worry about normally, but here, now? Right now the end of the world was in front of her. Flying saucers were floating down to slaughter the entire world with burning laser jelly. She coughed and picked up a remote with a wheel shaped dial.
“i drank too much pop and i gotta ***.” She said to no one in particular.
She turned the wheel shaped dial and a chorus of voices sounded. The chorus formed itself into an immense wall of sound made of bureaucrats, lawyers and politicians from another dimension. The littlest girl in the world kept turning the dial and saw the bureaucrats wash over the saucers, sending them back into space. The earth was safe, the littlest girl in the world smiled in relief.
And coughed.  

“It seems where demons fail and monsters falter, angels may prevail,” her mothers laughed.

Still incinerated, a goddess queen shouts, “We are the granddaughters of the witches you failed to burn.”

The crowd jostles and pulses like a living being. They are moved by the words they have heard. A chatter rises from them, much like the midnight sounds of the forest. "Who does she think she is?" "She said it. She sure said it." "I'm going to tell Moira all about it." An old woman near the back takes a swig from a bottle of wine she carries under her coat before passing it to a young woman in front of her.
"From fire, new life is born, too," she smiles, a crooked twist of the lips.

Rendered speechless and impotent, The Man abruptly closes this meeting with the usual send off,
“The Word has evolved, my friends.”
Ryan P Kinney Oct 2019
Lords Temple Basement Men
The first Book of The Word
In Nonsense we Trust

Assembled from pre-existing works by John Burroughs, Ryan P. Kinney, Jack McGuane, Cee Williams, Don Lee, Susan Grimm, Joe Roarty, Russ Vidrick, Dianne Boresnik, Mitch James, Tanya Pilumeli, Julie Ursem Marchand, Vicki Acquah, Terry Provost, Adam Brodsky, Lennart Lundh, Raymond McNiece, Hannah Williams, MaxWell Shell, Tim Richards, Ayla Atash, RC (Bob Wilson), Chuck Joy, Katie Daley, Solomon Dixon, Mary Weems, and Gordon Downie
Mostly taken as quotes during live poetry readings. Some stolen from other sources.
Additional content from predictive text by JM Romig, Linkin Park “Powerless,” “Saga of the Swamp Thing” vol. 1, T.S. Eliot, Amalgam Mythos, Kurt Vonnegut, Kevin Smith, John A. Kinney Jr., and Psalms (chap.):13
Added original content by Ryan P. Kinney, Eli Williams, and Kadie Good

“Lords Temple Basement Men,” it says on the door in a badly photocopied sign, replaced freshly each week. The original was built from torn up pieces of bootleg band vinyl stickers left plastered all over the windows of some teenager, surely passed into decaying adulthood long ago.

They gather in the bottom of an abandoned house in the heart of mostly warehouses. Something, someone long ago forgot to bull doze in the wake of morbid industrialization and the zeal to just get more men more jobs while giving them no life, no place to live. They built in their own obsolescence.

A Man stands outside; half catcalling, half showman barker; daring, tempting, bribing people to worship with him. In paint stained torn jeans, long shaggy hair with the bald spot landing pad directly in the center of his head, and shoes barely hanging together on his feet, he bellows out The Word. Somewhere between slam poetry performance and theology lesson, he entices and seduces people to enter. Here, they do not call him Father, or Brother, just person:  Man.  “Hey, Man,” is how they great him.

"God not only loves a sinner, he prefers them.”
“Come to my parish. Sinners only”
“The lostness of the found, the blindness of the seeing, the spirituality of the atheist, the silence of the spoken.”
“The Covenant of the Sacred Heart.”

People enter a crooked doorway. The Man pulls the peeling door behind them, scrapping the ground as he does so, and leads his flock down the concrete stairs to the basement. Some newbie looks nervously into the stairwell.
From the rear, a maternal voice coos,
“You will be used to the treatments.
Don't worry about it.”
They come to a dingy dirt gravel floor and spread out; filling the space like gas expanding into a cylinder.

The Man steps upon his usual milk crate to open the service. He intones the Capitalist Mantra,
“God Save the Queen
Long live the King
Hail to the Chief
The Lord of all Lies”

And the people chant, “I will not kiss you. I will not bow. I will not bow. I will not be moved.
I love the idea of what I have to be”

The maternal voice steps up to explain their purpose here,
“This is a strange, mad religious service. Everything is out of place, nothing and no one seems to fit together. We all gather here, but no one seems to-gether. This is less a sermon and more a discussion where the gospel is debated. The Word is critiqued, modified, discussed, and changes between its members at each meeting. At any time for no reason, people can interrupt The Man to deny, confirm, suggest, or challenge his statements. The group then decides on the next bit of gospel to be made up on the spot or if what has already been said is still the current phase of perspective. There is no central thought or plan, just a plan for thoughts. We, people, call this Faith. Our membership makes up a multitude. There are Baptists, Catholics, Jews, Muslims, Agnostics, Atheists, Satanists, Buddhists, Capitalists, hippies, goth kids, Starbuck’s sipping bloggers, just plain weird kids in the back working on their latest D&D campaign. Dual Spirituality is a possibility. In fact, it is encouraged. Multiple realities are possible. Poly-spirituality is acceptable. The only interconnecting philosophy among us is, ‘Anything is possible at any time for any reason’.”

The People are ready to receive The Holy Spirit and his unique brand of performance poetry,

“In the beginning, there was only The Word, a word. And then more. Which were collected into a story; The Story. And from The Story came creation.
And then came the questions. And The Question was man. Who are we? What are we? Why? Who am I?”

The Man explains,
“The whole point of The Word is to make up new ones. To defy God’s Word by creating ourselves.”

The first interrupter asks, “How do you say No to God.”

The Man answers,
“You don’t like The Question. You are The Question.
We are relearning how to get lost, hoping to return to the birth of The Word.
Worship yourself and serve only humanity.
No one made you.
You created yourself.
It’s all the same story. The Story of I.”

“We are a beautiful blasphemy to God’s word (because we question).”

“How do you say No?
You don’t.
By understanding there is no such thing as,
No, I can’t. Only I won’t.
It was.
It is.”

A torn up, steel-studded, leather clad punk responds,
“we see others as they are
we see ourselves at every age
and all at once”

And the Man once again responds,
“All that we can think. All that we can imagine. All that we can write, paint, create, feel. All of this is real; somewhere. Depends on which universal perspective you are tuned to. Don’t like the current program playing. Change the channel.”

The professor sitting on the floor, shoeless, begins to riff,
“Yes, this is like that piece about imagination being the genesis of other worlds. About how imagination, all thought, is really tapping multiple frequencies from other universes. Our imaginative creations spawn, tap into, and play back all alternate universes in a non-linear time sense. Cause and effect are not in sequence. All that we think, all that we can come up with creates new worlds, but also accesses those already in effect and plays them. We create worlds that already existed by the time we come up with them in our imagination. They were already there and human minds are organic quantum analog receiving-broadcasting devices. We randomly switch channels with nonlinear frequency, simultaneously, and with varying signal strengths of each universe. We receive, but also feedback into a greater signal. So, we unknowingly create these universes, while also being fed from our own creations. Never, in order. We are the Father and the Son. Our own creators and creations. Our words are the genesis of all the other worlds, but also speak the gospel of the programs already in progress. All that we can imagine is as real as we can conjure.”

A black goddess queen asks, “Then, what do you call God?”

The Man retorts,
“You don't need his name, because you remember the man.
The idea of a memory of a man.
Perhaps the idea is better, stronger, more important than the man.
The idea of a man.
Sometimes, people are the absence of themselves.
And the absence of man is God.”

The semanticist-******* unzips its mask and chimes in, “When you name something you separate it and take ownership of it. We never name ourselves. So I ask you, what is your name? What do you own?”

A tie-dyed burnout rallies a battle cry protest chant,
“Who's the Boss?”
“You.”
“Who's God?”
“You.”
“Who are you?”
“I am (me).”

Another voice screams from the crowd, "I'm a monster, I admit it."

Like a rolling wave, the chatter once soft, “I’m a monster” becomes a chant. Faster and faster the adrenaline rises up, the voices rise up, thunderous shouting fills the room, threatening to burst through the walls and escape into the sky. No longer fearing what others might think they raise their fists and beat their chests, unleashing the monster they tried so hard to hide. Shrieks and guttural instinctual roars, animalistic crawling and seething anger, move through the crowd like a pack of wolves ripping apart a coyote.
The screaming voices spill out,
“God has left long ago and has taken no pity on the lonely wanderer.”
“We are not Abraham or Jesus. We are forgotten.”
“We are the forgotten demons pushed out of Heaven.”
“Or maybe we never belonged there in the first place.”

The maternal voice returns, feeling the scorch of the unrequited emotion, seeks to soothe, “Thus mollified she goes, harsh words forgiven, down highways in the dark by demons driven.”

The Man, the original instigator, adds more fuel to the fire,
“And what drive does she possess that we do not?  To seek out, to be blind to the trapping of the darkness within this corridor? We must look and see how we too can move past the shame and blame of others.  To move past the trappings of our own guilt.  To take within ourselves, our demons, true, but take and guide and build the new.  A new life that we can’t ignore, and when we fall, we feel the scorn.  We feel the bad faith and lies that keep us entangled in the want-to-be-with, the fear to be-without. But we also have a fear to be, to exist in the place of a true “self” and live out our dreams. Though time keeps happening, we remain stagnant, we remain in the place of an inauthentic being, a being-for, not a being-with.  We must seek to be-with.  To be-with our demons, our past, and our temptations toward the dark, toward the place in which the I becomes.  To be. To exist. In this.  That is the place where the divine can breathe.  Though we must remember to always embrace change, for everything is temporary, including our own pain.”

Having spent all his feeling and words carelessly and frivolously, The Man abruptly closes this meeting with the usual send off,
“The Word has evolved, my friends.”
Kellin Sep 2018
through the thickening
vespers
the clock on my wall
whispers.

tick-tock. tick-tock.
intones
the passage of time
drones.

inhale. everything
slows.
exhale. the exchange
shallows.

heartbeats mimic,
tick-tick.
become erratic, stutter,
t-t-tock.

through the indigo.
down.
gradual motion.
i drown.
Alex Jan 2014
I do not wish to be someone whose hate colors the intones of her voice, fills the abyss behind my eyes and overflows through every little action.

I want to be someone known for their kindness, their grace and humility… but most of all… known for the way they love with all their heart, sincere and hopeful; always looking on to a better tomorrow.
Ryan P Kinney Jan 2020
The first Book of The Word
In Nonsense we Trust

Assembled from pre-existing works by John Burroughs, Ryan P. Kinney, Jack McGuane, Cee Williams, Don Lee, Susan Grimm, Joe Roarty, Russ Vidrick, Dianne Boresnik, Mitch James, Tanya Pilumeli, Julie Ursem Marchand, Vicki Acquah, Terry Provost, Adam Brodsky, Lennart Lundh, Raymond McNiece, Hannah Williams, MaxWell Shell, Tim Richards, Ayla Atash, RC (Bob Wilson), Chuck Joy, Katie Daley, Solomon Dixon, Mary Weems, Cat Russell, and Gordon Downie
Mostly taken as quotes during live poetry readings. Some stolen from other sources.
Additional content from predictive text by JM Romig, Linkin Park “Powerless,” “Saga of the Swamp Thing” vol. 1, T.S. Eliot, Amalgam Mythos, Kurt Vonnegut, Kevin Smith, and Psalms (chap.):13
Added original content by Ryan P. Kinney, Mitch James, Ellie St. Cyr, and Evan Spooner

“Lords Temple Basement Men,” it says on the door in a badly photocopied sign, replaced freshly each week. The original was built from torn up pieces of bootleg band vinyl stickers left plastered all over the windows of some teenager, surely passed into decaying adulthood long ago.

They gather in the bottom of an abandoned house in the heart of mostly warehouses. Something, someone long ago forgot to bull doze in the wake of morbid industrialization and the zeal to just get more men more jobs while giving them no life, no place to live. They built in their own obsolescence.

A Man stands outside; half catcalling, half showman barker; daring, tempting, bribing people to worship with him. In paint stained torn jeans, long shaggy hair with the bald spot landing pad directly in the center of his head, and shoes barely hanging together on his feet, he bellows out The Word. Somewhere between slam poetry performance and theology lesson, he entices and seduces people to enter. Here, they do not call him Father, or Brother, just person:  Man.  “Hey, Man,” is how they great him.

“But when your empty heart is weighed”
"What are you really worth?
These people call this Faith,
bring them to my table
the next bit of gospel
I wrote on a napkin”

People enter a crooked doorway. The Man pulls the peeling door behind them, scrapping the ground as he does so, and leads his flock down the concrete stairs to the basement. They come to a dingy dirt gravel floor and spread out.
The people in the room greet one another, then swarm around one woman,
“You will be used to the treatments.”
“I am not sure that you are.”
“You will be missed.”

The Man steps upon his usual milk crate to open the service. He intones the Capitalist Mantra,
“God Save the Queen
Long live the King
Hail to the Chief
The Lord of all Lies”

And the people chant, “I will not kiss you. I will not bow. I will not bow. I will not be moved.
I love the idea of what I have to be”

Princess Mommy steps up to explain their purpose here,
“This is a strange, mad religious service. Everything is out of place, nothing and no one seems to fit together. We all gather here, but no one seems to-gether. This is less a sermon and more a discussion where the gospel is debated. The (holy) Word is debated, discussed, dissected, compromised, altered, changed, shredded, reused, updated, recreated. It is burnt to cinders, then rises as a phoenix, built out of the broken pieces of all that was said before; what used to be true, but is now casually agreed to be fallacy. This Faith makes up a multitude. There are Baptists, Catholics, Jews, Muslims, Agnostics, Atheists, Satanists, Buddhists, Capitalists, hippies, goth kids, Starbuck’s sipping bloggers, just plain weird kids in the back working on their latest D&D campaign. We are just people. And he, is just a Man.”
“As the recovering Catholic Kevin Smith wrote, It’s not important which faith you are, just that you have faith.”

The People are ready to receive The Holy Spirit and his unique brand of performance poetry,

“In the beginning, there was only The Word, a word. And then more. Which were collected into a story; The Story. And from The Story came creation.
And then came the questions. And The Question was man. Who are we? What are we? Why? Who am I?”

“I am the mask wearing the man of eternity. In me, you see the face of history. A history we make up as we go.
The God of fallen leaves, leaves us... waiting for eternity to begin.
The Prophet Vonnegut says, ‘The question echoes back through time and disappears.
History. Read it and weep.
Tonight is a verb.”

From the crowd come the First voice, reading from his screenplay, "I was the table of contents, a footnote... running away from the beginning of the book. Perhaps no one knew we were living happily ever after until the book was over."

The Mallrat replies,
“Of all the words of Mice and Men the saddest words are ‘It Might’ve been.’
No need to despair
It was
It has
Somewhere else
Your soul is saved
All that Might’ve has already happened. ‘

“We are charming little liars,” retorts The Man, “We are a beautiful blasphemy to God’s word.”

The comic nerd slowly whispers, “All is truth, but every man is a liar. Sell me another artificially-derived slow suicide.”

A scientist cleans his glasses as he recites, “A world full of smoke and mirror nonsense -
It’s a religion of smoke and mirror nonsense
Only The Word is true and we make it up as we go.
In Nonsense is strength”

“So it is spoken, so it is true,” The Man energetically agrees.

An alien voice asks choppily, “Touch me
if you want to
believe in me
and the nothing I know”

“Sing the praises of the Holy Unknowing,” croons The Man, “We know nothing, therefore, we know all.”

And then, he drops into a haiku,


A bi-gender beauty asks no one (for permission), “Let me sling a little freestyle verse,

I'm steeple chased because some animal church wants to make me foxtrot in tempo with the braying boy
Pinnochio wants to make me hog its slops like Pigpen McSomething grateful and dead.
A fountain of youthful talent chemically imbalanced.
...with a grey skull full of He-man."

"Look at him!" they say.
"Give him a gun!" says another.
"A bomb!" a third spurts.
"Shows us your trigger finger!" they yell.

"My little boy," Princess Mommy whispers below the rush of gruff voices, her words staccato.

They answer her, "So I CAN taste the infernal darkness,” as the crowd falls silent

Princess Mommy chides them, “We know there is a sweetness in that which we cannot see. We know there is danger in that which we cannot hear.
Our bodies shake, our minds quake in anticipation of his words. It is almost time.”

The Man speaks again.
"Surely it is known, my brethren, that we are the Third Coming, the Breaking of the Seventh Seal that will signal the end of our oppressors. When we emerge victorious from the fires of battle, there will be no value left in the binary. No twos, only two or more. The Old Ways shall perish. We will shake off the chains, pull out the nails from our hands and feet, and the world which rejected us will rise anew under our leadership. Surely, it is known. Surely, it has been spoken. Jesus themself is at our back, and therefore we shall not fail."

“What a wealthy country, but no one’s coming to pay my bail,” sings the rainbow man, “They’re bragging they own my soul.”

"I don't want to bother anyone with my prayers,” prays the bi-gender person, secretly proud of leading the riot.

Sensing it is time to take to the streets, The Man closes the meeting with the same send off,
“The Word has evolved, my friends.”
berniiie Jul 2015
One of the many pleasures in life
is knowing that there’s heaven and hell. I cannot remember what
you look like, just that
today’s my own personal

Life-*****-and-I-Want-to-Die Day (which means
tomorrow I will
love my life and want to live forever).
The astrology department reports an explosion
and that people should stay indoors
to avoid tunnel vision.
My star sign says

I will be torn in two directions today – I should
hire a private investigator to count my steps. I wasn’t
going to feel happy for myself but
now I’m stumbling my way out of the bar
with only five dollars in my bra.

A beakless raven hops past
against the dying of the light
and intones
I am the poet Dylan Thomas
risen from the dead:
advancing as long as forever is

I promise I will be ok.
david mungoshi Apr 2016
a thoughtful little frown
on his face like a crown
the little boy's cute words
waft gently from his lips
as sweetly he intones:
grandma when you go
how will grandpa know
how to get to where you are
grandma, tell him the way.
his words are like the cream
oozing out of a sweet spout
into life's waiting receptacles
as out of the mouth of a babe
words about demise come forth
Wk kortas Jan 2017
Marriage is, the priest intones, sitting hunched over his desk
Like a card sharp trying to figure if he can fill an inside straight,
Not unlike love itself, the deepest and most beguiling of all mysteries,
And I repress the urge to snap To you, certainly
(The man has, after all, said no to the pleasures of the flesh,
Though he must be at least slightly aware of their existence,
As his gaze often returns to the telltale swelling of my midriff.)
He is, you have to suppose, right in terms of the big picture,
Because love is certainly ******* complicated:
For the good father, it’s the ecstasy of the saints,
The little bit of that he taps into with the sip of the wine,
The dutiful nibble of the wafer.
For some of us, it’s a ***-for-tat bargain,
Me scratching your back and you scratching mine.
Then again, it’s your mother weeping over coffee
(Judiciously augmented with an additional kick)
At three in the morning when you finally work up the nerve
To tell her what’s what and what will be down the line.
More often than not, the whole thing
Is like walking through a blackberry patch,
All thicketed and maze-like after years of neglect,
And you end up tired, *****, and scratched all to hell
To get to some berries that likely aren’t at all sweet, anyhow.

Still, the show must go on:
The congregation must have their white dress
(Folks came from out of town, after all,
And the uncles on my mother’s side
Have kicked in for an expensive and utterly pointless silver service)
So I walk down this aisle as devoted cousins beam from their pews
And various great aunts wear their fixed smiles
In various shades of red and disapproval
As the organist (near ninety now,
Flubbing notes and missing pedals,
Her tempo unnaturally adagio)
Fights the wedding march to a draw
I have fixed my mind on playing my part as best as I can,
Giving my brightest high-school-yearbook smile
As I run through rice and whispers,
Double-timing it to the back seat of Uncle John’s tank-like Continental
(Long and black as the ride at the end of our days)
To ride to the Legion Hall at the edge of the village,
Where I will dance and shine, and blithely toss the bouquet
For brides are beautiful
And brides are holy, holy, holy
Yet in the midst of my revelry I chance to look upwards
Toward the stained-glass windows,
And the light waxes and swells until it is nothing but a glow
Which threatens to engulf everything in its path.
SN Mrax Jul 2019
In a half-round room, the air cooler thunders and drones.
Someone snores gently, someone else shifts restlessly, now and then.

The day was hot until a downpour came.
The roof is still standing.

This is a poem about an uncomfortable, unremarkable day.
A day of love, a small child.
Another day of married truce.
A day of distant familiarity, distant warmth, fading and waning,
trembling hands reaching
into the closet for the bandaids.
A day of impatience
mostly set aside,
leaving room for hope
to re-enter,
with its needles
stabbing slowly,
hour after hour,
maddeningly...

So then hope is set aside,
forcefully.
The needles continue anyway, though dulled.
One does not sleep, as usual.
The little child sighs, and shifts; sheets rustle.
The drone intones.

I remember the mirror and color that once kept me company; I can see it there outlined in the dark.

Through the window, a line of lights in nearby windows.
There are those awake in the light, and those like me, awake in the dark.

All is well, well enough, all will be well.
All is distressed, rough heart, looking up at the dark,
the great absence, which has
generously filled this leaky, dented cup
time and time again--from time to time.

I have a path, again, at last.
My youth leaks away.
I drink from the cup of love--it keeps me awake--
and it isn't long before my mouth
finds something missing.

So I write a rough poem.

There was a man, my patron saint--
I twanged the strings and we both cringed but then
I couldn't unstrike the sound--
so we kept cringing--well.
Fortunately that's far away now,
and the echoes have faded.

Who I am, who I pretend to be, who I think of myself as, how people seem to see me--these flash in and out,
like card tricks almost. My self-belief is probably
the least real of them all, though made up of truth.

The tide ebbs now (yet still pregnant with current) but
only one thing has changed: I no longer despair.
The earth's call to my body now is natural.

And now the time for thought has ended,
taken away by the little child.
The needle falls down on the record, a thump deep in the bass, the speaker cone shakes and the sound ocean floods from my Serwin-Vegas...That alien who stepped out of the saucer in Close Encounters of the Third Kind decides to speak to Dreyfuss, and this is what it sounds like. This is the language of his planet, on the other side of a black hole in the Gamma region.

A ****** of crows, cold in the snow, muttering low, squeaking and squealing. Love taking on flesh and blood, suffocated by skin, now let's let the service begin. They sing their gut-hungry praises then flitter away.

Signifying nothing.

The priest places the wafer on the infidel's tongue. He lifts the cup to the liar's lips. A subtle glow emitted from a place slightly behind his head. He intones the Mass and tries to empty himself to allow the Holy Spirit to work through him as he ministers in the name of Jesus Christ to his congregation. The Spirit lifts up his voice to the sky and intercedes for my weak soul.

These chants are ancient, as old as the book of Genesis. These are the languages of the Mishraites or the Zareathites or the Eshtaulites. These are the tongues spoken by Zimran, Jokshan, Medan, Midian, Ishbak and Shuah. A language taught to them by their slave ancestors, excommunicated from the clans of Sarah, mother of the promised. A language used by Abraham himself, when he beckoned Isaac to the land of Moriah, making him carry the sacrificial knife soon held to his throat.

The procession moves forward, each recieving the body and blood in turn, enriched and better for recieving it. They walk like slaves submitting to a kind master they love to serve back to their seats in the cathedral, to wait, to get lost in the sacred relics and the sacred art scattered throughout this beautiful sanctuary.

And surely the Lord is in this place, for all that is good is from the Lord and this music is exceptionally good.

The chanting continues, now sung in the language of Baal-Zephon, where the king went after the Israelites, translated: "Wasn't there enough room in Egypt to bury us? Is that why you brought us out here to die in the desert? Why did you bring us out of Egypt, anyway? While we were there didn't we tell you to leave us alone? We had rather be slaves in Egypt than die in this desert!..."

These tone poems, written in the days of the Exodus, have a modern sound to them that is uncanny. Aliens who landed on earth in 897 BC bestowed gifts of prophecy and tongues to the individual members of Sigur Ros, and they are merely tools at the disposal of the leader of the aliens in their attempts to express themselves to the earthlings. No, there's no way any of us not from their planet could ever understand their language, borrowed as it was from the priests, Zadok and Abiathar in a meeting held on Mount Calvary the last time they landed on earth. The chord progressions are subliminally tainted with commands to relax, encourage a sense of floating, drift off with the thoughts that interest you most.

A looping tribal dance, recorded on site at a Buddhist monastary where the monks would mumble polyphonic OMs and the tourists would catapult their spirits through a needle's eye just to show that it can be done... Are they praying for rain? Or is it a rich harvest they petition the Great Spirit for today, their knees to the ground? The dance turns into an ****, bodies tangled up misplaced pieces of a jigsaw puzzle.

They **** the whale, and so we mourn.

They fester hate like a sore that won't go away, so we sing this lamentation. Translation: "The Son wants you...Hear things in the music that aren't there, only in your hammer struck head. Ring the living bell, ring the living bell, shine the living light, shine the living light...

They incite aggression, so we back off.

They treat the blind man with scorn and contempt, so we judge them.

They are good for nothing but fighting your wars, their stone hardened hearts too far gone to notice each life snuffed out under orders from ground patrol. So we pray for conflict. We petition the Lord for strife and dischord. Exterminate these burned-out husks of men before their 4 years are up.

They lay hands upon the genius and lock him in institutions with people who pull steak knives on strangers. They are afraid of him, so they put him away, in sweat-stinking padded cells or wrapped up nice and tight in a strait, mornings awake and hustled to the breakfast line. They extricate his confidence, thought pattern by thought pattern, and curb the flow of his intellect. They leave us to sing a funeral song for the postmodern society on the day when common sense is evenly distributed among individuals and Moral Law is accepted as fact by each and all. A dirge for each time you've ever been hurt by someone's words or actions. Our common denominator of heartache and sorrow. Divided about all other things, by necessity united by tears, wailing, howling at the moon, primal scream therapy and insomnia.

And now the church is empty. Angels lingering to usher the Spirit from the echoing halls. Silence and stillness brutal proof of God. Music from the other side of this life. Welcoming songs played at St. Peter's Gate. Stubborn prayers from those passed over, coaxing us through, waiting with scissors at the ready to snip the mortal coil. Believers bellys full of the body and blood of the Lord, processing it at this very moment, letting the body do it's digestive work, preparing it for re-birth.

This music is a hand reaching out and over the chasm of being to grab and pull you into another reality for a few moments. For a few moments you will experience the world from the viewpoint of Jon, Orri, Georg & Kjartan. It is an exhilirating sensation, coveted by all.

This music is the voice of Thor, the cries of Aphrodite, the sins of Baal, the dreams of Pontius Pilate, the sound of coyotes cuddled in a cave, wailing at the moon. This music is the war of the worlds. It's release. ******. A little death. Afterglow then off to sleep. Waking to Philip Glass, inspired to listen to him by Sigur Ros.

The needle is yanked from the record and silence and stillness return to claim their divinity.
Wk kortas Sep 2021
He was, to be sure, very impressive indeed,
His bearing and carriage not of someone on his way
As much as one who had truly arrived:
Sleek, self-assured, possessing the calm of one
Who fully understands just how powerful he is,
One who has not embraced the company culture
As much as self-immersed in it,
To the point where it has so permeated his structure
That is hard to tell where he begins and it ends.
And yet, there is something unsettling there,
The odd non sequiturs, disturbing enough
In their utter and unconscious wrong-headedness,
But even more so
In the motorized, perfunctory method of their delivery,
As if it were obvious that it is we who are clearly incorrect.

Some three hours of drive time away,
Past any number of Holiday Inn Expresses,
Past numerous faded and shuttered Catskill resorts,
A handful of people carrying standard-issue banker’s boxes
Containing the detritus of twenty or thirty years of work
Exit the vestigial office the company maintains in its birthplace
(Only there as a nod to history, a sop to the locals and legislators.)
We hate to lose good people,
The HR person who drove up for the occasion
Intones solemnly to a handful of reporters
Who slouch nonchalantly in folding chairs
Scattered about a small, Seventies-wood-paneled conference room,
But there are certain market inefficiencies at work,
International incidents, kinks in the supply chain,
Other anomalies the forecasting tools
And business models couldn’t have foreseen
.
And as he speaks, one of the newly superfluous
Wordlessly enters her car, pointing it homeward,
Across the sluggish, ice-clogged Susquehanna traversing  a bridge Commemorating a giant of cash registers and calculators.
betterdays Jul 2018
the smell of used books
and years of young love
wafts through the
airconditioning

it is quiet, but not silent
with mumured questions
and conversations being
puntuated by electronics

still there are heads bent
in the pursuit of knowledge
some deep, some philosophical
some kardashianesque.

i sit in comfort, in a nook
breathing in must and thought
and ponder the quest for knowledge

the tour passes by, the guide intones;
there is over 46 kilometres of shelving
in this library, each shelf stacks six high.
just under two hundred computers
and of course access  to wifi...this is
the hub of  knowledge and should
well become your second home

i smile as i watch the bright young things
in the nook across  from me,  
devour  the knowledge of each others face
learning diversified....
I desperately clutched
(the Peanuts stuffed animal) Woodstock
to help me absorb shock.

What invisible agent
provocateur née ghost in the machine
sinister force hell bent
to rob me of every red cent,
whereby checking account
incurred major dent
(albeit figurative) required
yearly vehicular ownership event.

Unavoidable collision course
with money woes does frankly zap
proud owner of car will soon
find her/himself on penniless track
after salesperson (usually a man)
intones memorized commercial spiel,
and won't shut her/his yap
until quota of cars sold
guaranteeing bear hug wrap
courtesy company president
gifted bonus and vacation to escape,
(albeit temporarily) rat race trap.

Yours truly crafts (courtesy poetic license)
mine trademark prevaricated write
crowing, invoking, and lamenting malfunction
advertises, enunciates,
and intones game over
(by Tracy Lauren Marrow,
otherwise known as Iced-Tea),
whose claim to fame 1. rapper round rhymes;
2. fleet (truckload) of motorized
hot wheels (burning rubber)
quite a fiery sight;
3. check engine light advertisement
especially fluorescent hubcaps
that glows (like the
pulsating nose of Rudolph) at night.

Most recent experience (mine)
dealing with problematic
"check engine light" tsuris,
taught me helpful object lesson
after bringing our 2009 Hyundai Sonata
to Norm's Save Station
(earlier today 8/24th, 2021)
551 Gravel Pike, Collegeville, PA 19426,
which mechanic on duty
informed me that within Pennsylvania
said mechanical setback NEED NOT
be troubleshot if car driven less than
5000 miles per year.

— The End —