Submit your work, meet writers and drop the ads. Become a member
Dan Hess Feb 2014
Happenstance to the melancholic gives leave the sin of pride.
Inbound reconnaissance tells not the bearer of influence.
Squeamish at first: a foreshadowing of calamitous bonding.

A space between the mark of corporeal and the ethereal; a stringent hiatus
That which rattles the concrete foundation of morality is scarcely a malleable recourse.
Regret stains the unfounded soul: an enigma of ephemeral perforations.

A separation of the unmitigated humanities; misandry topples the writhing snake.
Impact; a cleansing of the maker's flaws integrated solemnly.
Complacency arrests the administration of the abhorred; unbridled is the autonomy of a guru.  

Ambivalent giftedness burdens the reliant and haughty.
A flick of the tongue brings forth the cinema mortem.
Castaway: alone to wade in the sea of obscenities.

A temporal causality allows no mourning to abscond.
Negligence is not the enemy, but indulgent wrath.
Hesitant: a stroke of qualia begets the end of a maiden.
Robert C Howard Aug 2017
When the arc of his watch hands  
reached the top of the hour
Sam pushed the throttle forward.

Engine 138 thundered
out of Blossburg station
like an iron dragon
breathing smoke and steam -
whistle shrilling over the Tioga valley.

Powered by coal
the train carried coal
to the waiting city of Elmira
where Sam would press his mother's hand -
perhaps for the final time.

The wheels churning iron on iron
across Pennsylvania farmlands,
turned like other wheels before
moving settlers west
to break its ready earth -
wheels beneath his grandfather's oxcart
turning toward Lycoming's verdant hills.

New wheels now carried America
to urban landscapes
drawing us like electro-magnets
to streetlamps - factories - dry good stores -
new crops for a modern age.

Elmira’s silhouette expanded on the horizon.
and Sam pulled the train in on time -
brakes screeching through billowing steam.

His wife, Jenny and his sister's Sam
came in a horseless carriage
with Zoe, Marie and Edward,
children now grown at their sides.

They all gathered by Hannah's bed
now approaching her final hours
soft voices and fragile smiles
cradled the truth beyond all telling:

Time, ever advancing
like the hands of a fine old watch,
holds us all in its circling sway

© 2006 by Robert Charles Howard
0o Sep 2015
It was loveless, lost and seldom planned,
Penned obtuse in steady hand,
We dreamed aloud as old men lied,
Then took their place as old men died,
And lay with what hope we could ration,
Drawn away in stiff staccato fashion,
To another dismal city street,
Holding on with trembling feet,
As time still breaks us, all we know,
Keep faith in loss and letting go,
This sacrifice, once worth the cause,
Now only good for cheap applause,
But maybe somewhere chance still carries on,
To catch on to us before we’re gone,
As we color outside limits and lanes,
Seeking freedom from these rusted chains.
Steven Fried May 2015
Not heartless, heartbroken
not manipulative, not terroristic

Not heartless, heartbroken
the fields of grass sway bright blue and green
under a red sky weeping
horseless, loveless, alone.

It’s not an unerring path
it’s a wounded warrior pierced by stalactites
huddled cold in the winter
a man searching, and hurting, and crying

Better to have loved
to have splintered
to have shattered
to have hurt
than to remain
the King
of Pluto.
Pain
Proctor Ehrling Nov 2019
Left hope behind
Abandoned fights
All vicious signs
Of savage plights

Felt like a flea
A parasite
All savage plea
To savage plight

Oh Sisyphus
Exhausted might
Lay in a hearse
Oh savage plight

Heathen in prayer
God-given right
Sign of the lair
Of savage plights

A crimson snow
And eyes of white
But don't you know
These savage plights

By Doom's own herald, God's own **** creatures all collide
Like ole rye barrelled, seasoned to withstand savage plights

Let woman cry
Let man be scorned
Let savage plights
Shut closing doors

He'll will stay frozen
Heaven forlorn
The savage chosen
***** of Babylon

Live off of plights
All but one savage
Dragged day and night
Your horseless carriage

Call it a burden
That is your right
One thing's for certain
It's savage plights

With mind so prurient
Give humans blights
From West to Orient
Come savage plights

Dorian-like picture on the wall, too mild a fighter for a knight
Was God-forsaken, after all, dealt sole with and to others each a savage plight
It's rare for me to actually write something complete and not an on-the-spot random blabber. Here it is. Decipher it at your own leisure.
Brett Jun 2021
I sit on the seat of a silent hill, watching hope stripped bare
Like tender flesh ripped from the bone. Where do I go from here?
The words in this world, are poisoned with pain.
Even the ink on this wrinkled page decays, like
Receding waterways that turn rivers
Into mass graves. Every frontier turns to a last bastion.
No decadence can dress the dead. Sunken souls
Weighed down by boots of lead. Work and worship.
Open plains become a purgatory for the horseless.
I search.
Barnabas Smith Apr 2011
My aglets are wearing thin
from the miles crossed
by the traversing of my soul
rivers run in valleys unseen
and unheard of from the
cockpit of horseless carriages
fair Columbia boasts of beauty untold
ancient Gaia all the more
Psyche prevails
topography of the mind
vast and uncharted with room
for leviathans and behemoths
lurking in the recesses of our soul
my aglet is wearing thin
Jupiter can never measure
Neptune can never fathom
nor Hades bind
the content of my character
I have perceived mysteries unheard
before a quarter past
awake from slumber
your aglet is wearing thin
Jon Tobias Dec 2012
You look like a fire escape in a dress
Flower patterned
Sunday's best
I don't have to fall so hard anymore

The first night I held you
I dug your neck into a trench
This body was not at war with itself

Your shoulders are battlements
Your chest a drawbridge
I am waiting
Horseless
For you to let me in

I know you are so much softer than that

Lay across me again gorgeous
Let me sleep under your strength
The excersize was to describe a location and write about it like it were the safest place in the world without using words like safe or sanctuary. I could not for the life of me think of a place I felt safe. I wrote about a body instead. This is called a sanctuary poem.
Hal Loyd Denton Jan 2012
Night Rider
This is just a trip an excursion if that is alright it will weave in and out of the past the present and the
Imaginary its purpose a ripple in time for each of us a breather a drift time pressure to great and
Bothersome take this temporary exit off the beaten path into the rugged raw world of to whom some
Called savage. The story picks up with a brave mounted on a great paint coloring that is most identifiable
With Native American tribes. The place a large encampment tepees stretch for a mile down this high
Mountain meadow the rider’s duty ride the perimeter of this congress of souls that have made this
There sheltering land for the moment because they follow the dictates of nature its rhythms and
harmony they skillfully read they are at the front of this wave the human instrument that nature
displays her docility her range of emotions show in the lines of this people’s faces. The drawings on
Their ever movable homes tell the stories the time when the great storm came but the deliverance
provided by the great Spirit is depicted nature is their natural guide but it too has a master a benevolent
one then the drawing of the great battle the loss was evident on many tepees horseless rider the burial
altar built high offering this sacrifice of suffering and loss earth is bound in a struggle all who journey
here will shed tears and know sorrow but from agony tortured spring a new generation streams forth
Replenishing and building the future and in only such lovely ones can the separated be truly honored
And preserved. The village banks their fires against the night wind the rider rides on they nestled the
village up to the mountain on the north side to hamper the winds as they continue their endless quest
to dominate and wreck any or all disturbance your job take the advantage when you can the mountain
Not only is beautiful and the pine and lone coyote howling at the sorrowing moon is a well rehearsed in
much rendered paintings. What refreshing when the wind caresses the pine and its aromatic scents
Permeate with thick layers and cloak the sometime over powering affects of people in close quarters.
The west end how beautiful the arroyo what idyllic quarters for our fine mounts with out them we
would be impoverished our food would be in short supply if we had only deer and antelope but with
the horse the mighty Bison serves us with his rich bounty. Sadly this life is gone from the great plains the
mountains and the cliffs and the mesa country sometimes it is strangely carried on the wind I hope you
found it as a refreshing breeze that cleared a little bit of the clutter out of modern life. When heaven’s
Portal opened for Churchill he spoke these words I paraphrase as eternal night beacons I can hear the
Bugler blowing those mournful taps they invade and pass over innumerable army forts and fortresses
in life camp must be broken but take heart know this the same bugler who blows taps will sound revalee
at the eastern gate.
J Apr 2017
Quinquennium, two moons ere midsummer's eve
Amore entombed; clandestinely, I cleave
Haunting, daunting, even on waking eyes
Grateful, I was, charnel did not suffice

Atop tower of spice, my Star ensconced
Horseless carriage scorched the road, innards conched
Sworn meeting's ripe with anticipation
Longed to see this friendship's progression

Bulwark stood guard, nigh foot of the mountain
Levee treacherous affection, contain
Celestial sight roused earthquakes in this chest
Released the dam, alluvion that is best

Thy beauteousness, a marvel with purpose
Ineffable, even with grand verbose
Wise and fair, thoughtful eyes, smile, oneiric
Prithee, grant pardon this humble lyric
He worked in a great Department Store
As the window dresser’s mate,
Carting mannequins, wigs and clothes
From the back through an iron gate,
The store room piled to the roof with props
And the bolts of coloured drapes,
Was dark and damp, and a single lamp
Traced shadows through coats and capes.

The store stood over a hundred years
Was red brick to the core,
And towered above the other shops
Right up to the seventh floor,
They said there were gargoyles on the eaves
That would spout when the gutters filled,
And a Griffin standing with evil claws
That would leave a brave man chilled.

The buyer sat in a closet room
Where he’d watch the assistants work,
And call them in for the slightest sin
If he caught them trying to shirk,
He would warn them once, would warn them twice
He would warn them three times more,
Then send them packing to personnel
Way up on the seventh floor.

Nobody ever came back from there
Not even to punch their card,
Their coats and hats were collected up
And thrown, tossed out in the yard,
The beggars hovered around out back
When they heard the buyer roar,
‘Get your faggoty, skinny ***
On up to the seventh floor!’

Peter Peeps had been sound asleep
In the window well one day,
Trying to quell a head of Moselle
He’d imbibed, with Martha Hay,
A girl that worked on the second floor
With a line of maiden bra’s,
He’d had as much of a chance with her
As a flight to the planet Mars!

The buyer came to the window well
And he saw him sound asleep,
Then yelled, ‘Get up to the seventh floor,
You’re finished, Peter Peeps!’
So Peter sighed, and he took a ride
On the escalator up,
Higher than ever he’d been before,
His heart in a paper cup.

On the seventh floor was an old oak door
In a passageway filled with gloom,
A flickering gaslight either side
As he stepped through, into the room,
A metronome was ticking away
In a long, slow measured swing,
When a man in an old Top Hat approached,
‘Are you looking for anything?’

‘They sent me here to collect my pay,
Is there anything I should sign?’
‘You’ll get no pay from the Firm today
But you’re here, so now you’re mine!’
Peter backed to the old oak door
That had latched as he came in,
There wasn’t a handle on that side
And the man was looking grim.

‘You’ll never get out of here again,
You’ll have to work for your tea,
I’ll fix you up with a ledger, here
It’s eighteen seventy-three,
The seventh floor is a time-warp that
Was set when the store was built,
And all of you shirkers end up here
While you’re working off your guilt.’

He showed him the rows and rows of desks
Like a mid-Victorian link,
With everyone filling the ledgers in
With a pen they dipped in ink,
And there was Roger, and there was Ann
And there was Fiona Shaw,
He’d watched them once, all weaving their way
On up to the seventh floor.

The windows looked down onto the street
But it wasn’t a street he knew,
There wasn’t a horseless carriage there
And the other shops were few,
‘What if I smash the window here
And jump on out to be free?’
‘Then you will be buried before you’re born
In eighteen seventy-three!’

Peter Peeps looks out on a world
That had gone before he knew,
Then turns the page of his ledger back
To eighteen seventy-two,
There are rows and rows of figures there
That were written before his day,
But the one thing that he’s smiling for
Is the arrival of Martha Hay!

David Lewis Paget
Andrew Kerklaan Sep 2014
Sitting quietly amongst the noise I travel on the horseless steel caravan
  
Seeds of guilt are planted and they cultivate restlessly in my mind...
  
Burning ignorance
  
Even as I scribe it plagues me!
  
My own anarchist desires as unique as an army lemmings  
"How original..."
  
My tongue is made of lead and my saliva mercury bullets
  
Unable or perhaps just unwilling to shut my yammering noise box, it spews relentless, babbling idiocy into my life's endeavours...
  
Acting as a veil it blinds me to reason
  
...While the caravan moves on there is a stench that lingers
  
It reeks of week old **** and staggers like a sightless drunk; it's almost pitiful... If it were not so pathetic!
  
Scanning the horizon my ever watchful eyes peruse the faceless sea for our fearless leader but with the subtly of a weak minded fool he effortlessly avoids my gaze
  
(Surely he too is without answers...)
  
...The droning hum of the noise becomes deafening and it hisses like a television out of focus...
  
In my crackling static camouflage, waiting for uncertainty, I will vanish.
  
A subway shadow chasing the midnight train
--
A solemn traveler without a name
Also posted on DeepUnderground
Chelsea Chavez Jan 2016
all of my hearts feel injured
out of each mouth a separate tedium

unaccounted, all unaccounted

the ticking of this tongue flat and gross
in the stupor of days and-

and you are dead in the East

pale horseless East

freckling

falernum soaked feathers
for fathers
fatherless East, now

and farther

over the terminating sea

you have left me, here

and how sick I have been
how unimaginably quiet my bald mind can be
I touch my own forehead, lest I forget myself

I do not even recall, who I am talking about

I find myself in the strew of night, ineloquent
and helpless

how easily, I flicker
not even a copy of myself
Delilah Feb 2017
Sometimes I get up and walk, hoping that I will be lucky enough for some stranger in the street to grab my shoulders and shake me awake. But the city does not give me the validation that I am there. The machinery is too big. We all trek sidewalks while colors conduct buses and horseless carriages. Where else do I exist other than in a flash of eye contact with a stranger? It’s quickly forgotten in a space called later and it can take as long as a minute.

Gears in gadgets briefly remember the certain touch of their match’s square angles and the time between their touching is named “experience before comprehension”. This is the foreplay before language’s conception.
Robert C Howard Sep 2015
When the hand of his timepiece
reached the top of the hour
Sam pushed the throttle forward.

Engine 138 thundered
out of Blossburg station
like an iron dragon
breathing smoke and steam –
it's whistle shrilling the Tioga valley.

Powered by coal
his train carried coal
to the shops and homes of Elmira
where Sam would press his mother’s hand –
perhaps for the final time.

The wheels, churned iron on iron,
across Pennsylvania farmland
just as yesterday’s wheels
moved his grandfather's oxcart
to their new family spread
alongside the Williamson road.

Newer wheels carry America
to urban landscapes
attracted like electro-magnets
to streetlamps – factories –
five and dime stores –
new crops for a modern age.

Elmira’s silhouette breached the horizon
and Sam pulled the train in on time -
brakes screeching through billowy steam.

His Jenny and his sister’s Sam
had come in a horseless carriage
with Zoe, Ed and Marie -
children now grown at their sides.

They all gathered to Hannah’s bed,
now approaching her final hours.
Soft voices and fragile smiles
cradled the truth beyond telling;

Time, ever advancing
like an ever-turning wheel
holds us all in its circling sway.
Sam was my gg grandfather.  He was a railroad engineer who ran coal from Blossburg, PA to Elmira NY.  Ironically two of his brothers died of black lung disease working the Blossburg mines.
Daan Dec 2013
We lost our purpose, filled with shame,
returning, horseless, to where we came
from, what I've heard, some mysteries
have fallen and words were broken down.

When she is around I feel like the clown
dating back from long ago, history's
ill remembered stories still told today.
I would make it all undone, if you say

so I will do so, all if it could change, strange
how during I was so proud and sure
but now I cry out loud looking for a cure.
Walking around, gazing upon the sky,

why did I have to act, with sorrow, is this my
best as possible? Because then I fear tomorrow.
Caught up in the moment, decisions created to fail, chosen and experienced
not the best idea.
Vehicle Island

While the owners of parked cars at the seaside
sat in overcrowded restaurants and was served
by sweat dripping waiters the cars started and
drove in a neat formation into the sea.
A mass suicide that lit up the sea for hours, but
more cars came and they became an island
and when there were no more cars left, motorbikes
were used as top soil.
Up from this mess grew traffic cones filling the space
with stop signs and pelican crossings.
A bike, a fortune for a bike, the moneyed class said
and there were the street fights; “it is my bike no I saw it first”
the veneer of civility broke down.
When the populace stole the horses of the Gypsies
undelaying social hatred broke out; it was their right
to steal to defend their country and the Gypsies
horseless now had to live behind tall walls this because
prisoners don’t need cars.
From Pennsylvania to Oregon

Broken, painful, and haunted memories.
Shuffling through items to determine their fate.
Burning my skin, my cheeks, why did I keep those memories for this long?
A relief fills my central nervous system as I draw out the infect capsules laying waste to my body.

Sweet, romantic, and familure memories.
There is only so much space on my horseless carriage.
Juicy to the touch, on my lips and tongue like a pomegranate, leaving me wanting more.
A sorrow fills my eyes as I pour out the dried flowers petals of lost loved ones.

The essentials: blankets, clothes, pots and pans.
The heirlooms: a dish set, jewelry, a dress, a bible.
Funny, I don't even believe in God.

My most prized possessions, my letters, my journals.
To remember a time past, many other lives that I lived.
My bread crumbs to remind me where I came from and how I got here.
Precious food for my soul to help me get up and keep moving forward.

From Pennsylvania to Oregon,
~Cheers
Bryant Aug 2018
You are crank driven
A horseless carriage
Claded in bright aposematic ineptitude
Lacking modern conveniences

Sacrificing ulna and radius
Endeavoring pathos paved pathways
Posthumous attempts to reanimate your shrill stridulating passions

A mouribund effigy; a jaded figurine
Cubits, densely compressed and saliferous
Swaddled in a presageful glow
Emitted from the baleful blaze of your selfish structures

A fate befitting Edith's Lot

The ruination sweats your skin and dampens your intentions
Thermal dermal swelling
Blistering your membrane
Leaving you immobile at the foot of the Elysian ladder
Each rung strutting arrogantly upward
Loftily looming
Casting shade on a endless maelstrom

I must maintain a certain stride
My gait in a perpetual state of evasion
Deftly dodging pothole and snare

The landscape scrolls behind my silhouette, but the earth below me is less than glacial
I am transfixed

Breaching the wall of the squall

Its ceaseless variants of gray baffle and blur my vision

A wicked progenitor
Casting an opaquing shroud
It's moisture osmotically fills you with dysphoria​ and self doubt
Polluting your saccharine mixture
A homeostatic response
Propagating morose bitterness throughout

Transmuted; lewd, crude, and shapeless
Seeking to encapsulate
Kurt Philip Behm Feb 2018
I rode the emotion like a horse
  until the shoes fell off one by one

Leaving me silent and alone

A horseless prophet on the raging sands
—desperately trying to harness the wind

(Villanova Pennsylvania: February, 2018)
Neglect precedes
Abuse
Busted wagons mostly go downhill
Horseless
And often driverless
Too
But sometimes
Depending what passenger do
Busted wagons have been
Known to come through
Third Eye Candy Jan 2020
You’re tightrope-Jelly...
full of beans on a string.
Strapped to molasses
like a garden hose-
to a Roman aqueduct.
Clogged with hollows
and a perfect
expiation...

charming the blood
out of a Blarney Kidney
where a Stone donkey
kicked Thee.

your stars are without proof.
but they got you for a song.
horseless stables unstable now
for the lack of your glad feet
upon the glunk of your casual
flaws.

I assume that you assume
and deliver clips of entirety.
with shards of bespoke Myth-
and cavitations that swell
the heady blink of a lunacy-
You could Kiss for
no reason.

the width of a sliver of peace
is the inverse of all Overtures!
plucky tinkers. affix fobs
to fluorescent apertures…
as to a chain of keys
to a chain of unbearable doors
and all your very much
Loveliness.

Who Is You Are?
I may ask your Self.
But the Echo in Here
Keeps asking me
“Who Am I?”

— The End —