Submit your work, meet writers and drop the ads. Become a member
Coleen Mzarriz Jan 2021
Slow, steady, and unhurried steps of her feet that almost floats in the air — while her body lies
on the couch of her old apartment. Her apparition was lost on the airy night of December.

Her feet turned cold and weary, her breath smells like fury and her heart grew solid and unsteady. It beats just the sound of the drum rolling, her pulse radiates of fear, and her lips shut and dry. She turned around and her body keeps still and sounds asleep. As if, it was a normal night and just and peaceful.

She flew right through the door and stroll around the street of Evergreen. It was silent and streetlights turned off. It was smokey and dark. The pavement seems boring and bleak—her dress swayed and the cold air seemed welcoming to her chest. She passed by several houses and happened to find a bookshop. It was vintage and awkward. Its structures did not seem appealing nor look like someone owns them. But she manages to get past through it and books welcomed her—like how ghosts welcome their favorite strangers.

She passed by some old and modern books, carefully slipping her tender fingers to its hardcovers, flipping through endless pages, and breathing the dusty nostalgic aroma of the '90s. “It never gets old,” she says. She flips and flips, flies through the stairs, and find more pages. Circles all the important words, digesting all the heartfelt quotes—this has been her dream.

Suddenly, the lights filled the room, her eyes closed and her heart is racing through her pulse. An unknown hand grabbed her and pushed her to the wall. “Who are you, young lady?” Said the man with a gritted teeth.

Slowly, the woman opened her eyes, and there in front of her revealed a young man with hazel eyes and the smell of strong coffee in his mouth. His aromatic smell of vintage soul and modern scheming look. She dared not to speak but the man in front of her just pinched her pulse hard and peered at her.

She dared to look at him, and they both just stared at one another.

“I- I just want to read books,” she pouted. And the man avoided her face.

“But this place does not exist anymore.” He cleared his throat and loosened his grip on her.

“I- I'm just traveling by,” she added.

“I know. I am too.” He said, avoiding her gaze.

“You're an apparition too?” The woman asked. And she waited for a proper response but he just gazes upon the empty shelf around her.

“To go back,” He whispered.

“Are you the owner?” She asked once again, hoping she will get an answer from a stranger.

“Go home or I might do something you will not like.” He turned to her and gawked.

The woman sighed and went home with questions and strange memories she did not know she has.

It was the second night of December and she floats in the air. Passed by several houses and went to the old bookshop. She continued reading books and the man found her again. But this time, he was silent and cleaning around the area. The woman smiled and tried to talk to him.

“What is your name, young man?” She asked. The man froze and stood there, stiff. She laughed and did not expect an answer. Rather, she went upstairs and kept reading.

“John,” He held out his hand this time, formally acknowledging her presence.

“Emilia,” She smiled. Both of them spent the night reading books and talking about modern literature...And philosophy.

On the third day of December, she did not wake up through her apparition. Instead, she woke up with a soul, feet's touching the ground, and a face that is mirroring her reflection through the mirror. She exhilaratingly went out to find the bookshop, passed by several houses but did not found where the place was. She went back to her old apartment and tried to locate the bookshop.

However, it was only an empty lot she found when she tries to find it by heart and soul. The disappointment was evident on her face and her heart beats rapidly—ceased brows and lips shut tightly.

“John?” She whispered.

“John?” She calls him out again, hoping he'd hear her.

She steps into the burnt-out place. It was only an empty lot with wild grasses scattered and a tombstone lying there, in dust. It was named after Emilia Blythe. Suddenly, a familiar arm hugged her from behind. It was John, and her tears swelled around her eyes—while her heart ache and memories flooded her mind.

“I couldn't save you back then, Emilia, so I went back from the past and live in my dream to see you.” He whispered with comfort and longing.

“It's not your fault, John. I am sorry I forgot about you.” She cupped his face and peck him on the forehead.

“We can work this out and live forever in my dream.” He said with pleading in his eyes.

“But I am only a fragment of your imagination, John. You can let me go. It's not your fault,” Emilia said with conviction.

“I am just a vintage soul, a wayfarer amid the longing dawn and I am a fragment of your imagination. This place exists but it's all in the past now, you can let me go,” She added and let go of his hands.

“Wake up, dear.” She bid him her last goodbye.

John woke up with his heart racing and hopeful eyes. The people around him gathered and created strange noises in which he got confused, he opened his eyes and saw familiar faces around him.

“Thank God you're awake!” An elderly woman hugged him and kissed his face.

“It's a miracle you woke up after five years, son.” He remember his Father's voice and held his hand.

“Where's Emilia?” He asked, hoping he'd get an answer.

“She's gone... Remember?” Her mother broke the silence.

“Like 10 years ago, son.” She added.

He went back to the old bookshop, where Emilia was there. He traces all the books she touched and flipped through the pages where she left.

It was old and aromatic. It was vintage yet modern. The good thing was, his parents renovated the bookshop while he was sleeping for 5 years. He went upstairs and found the section where Emilia was always staying. He scanned all the books and touched every single page of them.

He flips through the pages and found a quote there, it was written with a bleak ink,

“We will meet again,


your old vintage soul”

He smiled and ripped the page out, then the door clicked and the bell rang. He immediately went downstairs and greets the woman in front of him.

“Can I borrow books from section 5-” The woman was cut off when John hugged her. Her face was confused and red.

“Emilia?” He whispered.

“Uh, I'm Emily,” She awkwardly answered.

John laughed and gave her an apologizing look.
“You look like someone I know,” He said.

“Sorry,” He added.

“No worries,” Emily answered with a half-smile.

And they both smiled at each other.
Enjoy reading!
You are a mystery novel
I read over and over
You put up such a strong front
Yes, you're a hardcover

I am a good listener
Your stories make up for what I lack
Fragile and easily ripped apart
I am but a paperback
Elizabeth Kelly Jul 2014
The monsters don't hide in the closet, or under the bed, or in your head all full of juice. They roost. It's not their fault, following through with some innate longing they're called to.

It's a simple, impish existence, these monsters, who might prefer to be doctors or lawyers or sound designers for Alice Cooper or Rob Zombie or Blondie; alas they burrow and nest inside my ***** laundry.

A wise person might have said, "Take care, kiddo, and guard your head against the evil that so easily nestles there." I reflect on this through the cloudy density of my beer an wonder, could he have been right? Might I fallen intrigued, ensnared, by the casual taunt of an apple's dare?  

We climb the beanstalk for the giant only; the goose is second hand. The giant's defeat is the glory. It doesn't matter what the stakes contain, live or die, princess or mother or cow or land, as long as a marching band greets us at the end of the ride.

The monsters don't hide in the closet, or under the bed or in you head full of juice. They roost, and they can't help us themselves in a world full of books gathering dust on shelves overlooked where their hardcovers guard against  stray shells unloosed.
It's ok to expose children to halloween-type scary fiction. The world is a scary place, and to give them some fantastic monster-type literature, like Mary Shelley's Frankenstein or Bam Stoker's Dracula is a fun and guidable way to explain the real horrors of the world and familiarize them with the fact that we live in a place that is beautiful but often misunderstood or dangerous. It's not always that way, though, and books and literature can help ignite a different kind of passion in them that may, despite the fantastic fear in these books, provide a different sort of outlook that instills tolerance and peace.

I also believe that this was inspired by the fact that I'm housesitting and the refrigerator literally sound like it is talking. Because oh my god. Look out, that's the next one.
Jonathan Moya May 2019
The rain creates its own ballet
starting with a lone figure on a bridge
holding an umbrella in the fog
splashing teardrops with his feet,
doing jetes over the larger puddles,
until the wind inverts his shade,
plies turning to pirouettes,
approaches cascading to the portal
and the head of the street,
dancing to a cityscape beyond.

At the last turn they meet cute,
their outward canopies entangling
rib to rib, shadow to shadow,
a plastic bag covering hair and
half her face, soggy groceries
nursed to her chest, an oversized
purse dangling her wrist, pulling
her down, falling, wishing for
something, someone, anything
to stop the descent, the crash.

He catches her in perfect repose,
umbrellas twirling the pavement,
as he slowly lifts her to him just a
breath and heartbeat away,
their hands touching, a thousand
raindrops pulsing on and in them.

Her parasol dances away from her
over the edge into the swirl below,
his caught before flight is vigorously
shaken to form.  He stuffs fallen
apples and pears into the pockets
of his rain jacket.  She discreetly
stashes a box of tampons into
her coat’s hidden lining. The umbrella
is their only shelter as she holds
it over them while he carries her
in his arms to the nearest cover,
a bodega with a green awning.  

At the corner of the drizzling mist
a mother swaddles her boy
in the hems of her rain dress.
Unprotected singles cover
their heads with open hardcovers
or purchases clenched in plastic bags.
Couples step in unison huddled
under their vinyl domes.
It’s all a parade under black and white,
a synchronized rainbow of attitude,
adding  to the grand Romantic ballet
of bending, riding, stretching, gliding,
darting, jumping and turning to and fro.

The finale has the last drop crying
to the pavement, to the street,
washing the asphalt in its clarity,
a lachrymose river flowing down drains,
the mechanical traffic dispersing
the  rest in butterfly waves that
sends the ensemble to the edges,
leaving the coryphees alone, apart,
staring at each other in the evaporation,
waiting forlornly for the first trickle
to return and kiss their skin with joy.
Emmanuella Dec 2019
I’ve piled my books high.
Stacked them against the window.
He pecks
And he clucks.
He’s the greatest company!

I blow dust off the hardcovers.
He must think they’re sand dunes.
I’ve mountains
Of heaps
Over which he bounces and skips.

“Shoo! Shoo!”
He’s attacking me.
He seems plenty cross.
I guess he’s lonely.
But hey! So am I!

I haven’t been outside
In forever.
He hasn’t been outside
Since he flew in.
He must, like I do, like it here.

I read him a book.
He likes the tale;
The one of the windborne bird.
He seems not to like the one, though.
The one about the caged singing bird.

I read a book.
About sunlight
And moonlight
And about windows.
For that’s how they come in.

And I’m curious.
Curious enough.
And so I set about
with him flitting here to there,
picking, unpiling, unstacking.

Most books I shove into a trunk.
Some even manage to fit in the bookshelf.
I use it mostly for things.
Many things.
And a book or two.

The window.
This solitary window.
I open.
And there’s a flutter.
He’s gone.

But when I leave the apartment,
I always come back.
I always come back because I’m tired of walking.
So, I imagine that he will come back.
Yes, he will be back,
When he’s tired of flying.
Inspired by The character Lillian in Morris Panchy’s play: 7 Stories.
Not Lauren Aug 2014
they're all hardcovers and I'm just a paperback

but it's a metaphor, you see

everyone else isn't necessarily "hard," but rather definite, and they are wanted

I'm merely a paperback; easily ripped, torn, shaped, a 2nd choice, and forgotten in the back of a dusty, old attic
Courtney Aug 2018
I’m the hidden book,
Leather bound
Threads fraying
On the top shelf.
You like the paperbacks
And hardcovers,
Pretty titles
And modernity.
But please know
I’m collecting dust
and I deserve a chance.
Just this once,
Brush me off
And open my pages.
Read my story.
I promise I won’t leave you hanging.
empty seas Dec 2017
You are my saving grace
duct tape
the medicine that helps me bear the pain of stitching my soul
You are the teacher
with the most important lesson
how to become strong again
You draw me in
with conversations of fictional lives
that are just as important as our own
We share pieces of our souls through
hardcovers and paperbacks
in a way that makes me feel whole
repaired
less like shattered glass and more of a mosiac
Saving grace
the three syllable manifestation of
healing
                          and
                                                  happiness
This was made for my good friend a while ago. She's great, and actually likes my poems, surprisingly. She actually hung this on her fridge, which is super embarrassing, not only because it's bad, but because I misspelled some stuff in the original.
Rebecca Gismondi Apr 2016
that summer I tasted music for the first time
I loved a boy who said my knees knocked together like

commuters during rush hour
in his eyes were waves against Barceloneta
and

he slid lyrics in between my ribs at every traffic light

when we made love I saw sound
and

his breath coated me

like varnish

I dreamt I lost him between books at the Rylands;
sliding in and out between hardcovers
I found him soaking

in a clawfoot
masked in steam, coaxing me to slide in

there is a bustle of him in the square,
gradient beard and all

I visit it when we’re apart

despite the stone,
I feel his warmth
AJBusse Jan 2021
I value the little things
The way the sun bounces off trees
The way I smile when I get mail
The way dogs jump when you talk to them
The way people smile in crowded places
The way people drag their fingers across the spines of books
The way little kids go down slides
The way the air stings my throat in the winter
The way business owners call me "Love,"
The way people get excited when they smell candles
The way people dance when they eat good food
The way music sounds in good headphones
The way cats rub their faces on plants
The way hardcovers crack when you first open them
The way pages smell with fresh ink
The way your eyes glitter in the sunlight
The way you look at me
The way you love me
AJBusse
Micaela Jan 2023
I am from libraries,

from shiny hardcovers and worn paperbacks.

I am from the neighbor’s squeaky swingset,

Green seats, rusted chains,

The setting of a thousand shared stories and kingdoms.

I am from the cottonwoods,

The soft seeds soaring in the Kansas wind to tickle our noses.

I’m from mega-churches and minivans,

From Celinda’s small town and David’s many neighborhoods.

I’m from private-school indoctrination that kept me “in”

And a hidden identity that kept me “out,”

From bubble-wrapped protective prejudice and a distrust of progress and change.

I’m from the grief of spiritual deconstruction

And the joy of rebirth and new knowing.

I’m from suburban Wichita and lush Ohio valleys and downtown Oklahoma City,

From spicy, hearty chili and soft, sweet cinnamon rolls.

I am from the love and relief in my husband’s embrace,

From the choice to be who I needed when I was younger.

I am the new generation in my family — the safe space in the organized chaos.

I am from the hurt of conformity and the honesty of rebellion.

I flip through the leaves of my literature,

I listen to the leaves of the cottonwoods,

And I reflect and I learn and I accept

That where I’m from is nowhere near as lovely as where I’ll go to next.

— The End —