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"grumpily" poems
Skin milky soft against golden brown light nudging you awake. Hair jet black against a porcelain complexion. Angular face throwing shadows onto my body as the sun licks it up. Grumpily turn your back. I see now, You are a morning flower m'love. You may not know it, and you may not like it, You're quick to bloom, and soon to wilt, I'm sorry I plucked you, I'm sorry I killed you, I didn't know you were but only a morning flower m'love.
0
Apr 24, 2014
Apr 24, 2014 at 3:50 PM UTC
Morning Flower
she posts her credentials privately, to just you, in the din of a currently popular university barroom and you dressed in your pick up best, plumes of all male grinning, reeking in thinking - oh yeah! va va voom, lucky laughs and liquor, cheap 3.2 Ohio beers on tap, come super highway fast via as my finger flick be wagging to an attentive bartender who recognizes, a new venture worth his investing in a newly forming gene pool of the collegial world of what you children can google as The Sixities you see, she says, she is minor famous, had two minutes in a movie called Woodstock, instantly recalled distinctively, which you honor with a dozen roses rising of very cool and a few daisies of wow so young, she's hitch hiking thru life, karma, ying and yang, Sagittarius and   Hesse's Siddharta, a little ****** break out back, our lives have intersected in Cleveland in 1969, and there is no question unanswered, your bed, is her bed, this night you puzzle yourself, memory recycler, why in 2015, you celebrate a one stand, a single strand excavated from the meta data of your brain tonight, from among a hundred lifetimes previous *Why Woodstock Woman Wonder and you do, why, wonder, have you stayed with me so long, that your face is indelible tattooed, easy extracted from ancient cells risen by this dawn's early light?* are you pining old man, are you dying old man, trying to write it all down before the insurance company grumpily has to pay up? this carefree woman, no, young forever girl, looking up to you asking where can she crash tonight, answered in a single guttural exclamation sensation, with me babe, with me baby fifty years later, crashing you, crashing with you, with roses and daisies that never died wonder where she is today, a grandmother multiple, or sleeping gone from an overdose of stuff you occasionally fooled around with, or are you spending another night in your tripping life, with another one night man* no answers given, but it is, it was, a single dot on the trail of dots and dashes, the existential Camus moments of of two ordinaries that intersected, however briefly, and you wonder, not why, but if, *Woodstock Woman, do you remember me? I need you to, I want you to, explain better why we are crashing together one more time* ~~~ August 20, 2015 5:32am nyc
0
Aug 29, 2015
Aug 29, 2015 at 1:05 PM UTC
Why Woodstock Woman Wonder/a one night man
she posts her credentials privately, to just you, in the din of a currently popular university barroom and you dressed in your pick up best, plumes of all male grinning, reeking in thinking - oh yeah! va va voom, lucky laughs and liquor, cheap 3.2 Ohio beers on tap, come super highway fast via as my finger flick be wagging to an attentive bartender who recognizes, a new venture worth his investing in a newly forming gene pool of the collegial world of what you children can google as The Sixities you see, she says, she is minor famous, had two minutes in a movie called Woodstock, instantly recalled distinctively, which you honor with a dozen roses rising of very cool and a few daisies of wow so young, she's hitch hiking thru life, karma, ying and yang, Sagittarius and   Hesse's Siddharta, a little ****** break out back, our lives have intersected in Cleveland in 1969, and there is no question unanswered, your bed, is her bed, this night you puzzle yourself, memory recycler, why in 2015, you celebrate a one stand, a single strand excavated from the meta data of your brain tonight, from among a hundred lifetimes previous *Why Woodstock Woman Wonder and you do, why, wonder, have you stayed with me so long, that your face is indelible tattooed, easy extracted from ancient cells risen by this dawn's early light?* are you pining old man, are you dying old man, trying to write it all down before the insurance company grumpily has to pay up? this carefree woman, no, young forever girl, looking up to you asking where can she crash tonight, answered in a single guttural exclamation sensation, with me babe, with me baby fifty years later, crashing you, crashing with you, with roses and daisies that never died wonder where she is today, a grandmother multiple, or sleeping gone from an overdose of stuff you occasionally fooled around with, or are you spending another night in your tripping life, with another one night man* no answers given, but it is, it was, a single dot on the trail of dots and dashes, the existential Camus moments of of two ordinaries that intersected, however briefly, and you wonder, not why, but if, *Woodstock Woman, do you remember me? I need you to, I want you to, explain better why we are crashing together one more time* ~~~ August 20, 2015 5:32am nyc
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104
Milka sat on her bicycle looking at you the Saturday morning sun was warm you'd just finished work and had met her by the bridge where we going? she asked we could leave the bikes at my place and go into town to the cinema you said what just sit there in the dark and not be able to see each other or such? she said we could ride to where I used to live and see the pond there where I used to fish? you said is it far? she said not too far she pulled a face can't go to my place she said my mother's home as she usually is no chance of being alone with you there she said grumpily mine is no good at weekends you said she looked at you her eyes gazing the old pond then it is she said and you began to cycle with her beside you back up the hill and by the farmhouse where she lived and along narrow lanes between hedgerows and birds flying out and the occasional car rushing by she beside you talking all the way about how her mother moans about her not doing this or that or not doing the chores properly and how her two brothers tease her about going out with you and how you needed to see a shrink and you smile knowing her brothers well then you're on the main road and a mile or so and you are there and go in by the back way along a narrow lane and into the woods behind the cottage where you used to live and along the narrow ride through the woods to the field and then the pond which is peaceful and the water is still and a few ducks swim there and birds sing from tall trees you rest the bikes against trees and sit on the grass by the pond quiet here you said we used to call this the lake who's we? Milka said my old girlfriend and I you replied where is she now? we don't see each other any more you said Milka said nothing but gazed at the water of the pond at the ducks there and looked at the fish just beneath the surface did you make out here? she asked now and then you said why bring me here? she said moodily it's quiet and we can be alone you said is that all? not wanting relive old memories with me? she said you gazed at her no of course not that was a different thing different love so you say she said should we leave then? you said she stared at the pond at the ducks drifting and the sunlight through the branches of tall trees no she said I like it here she lay down on the grass sunlight on her face her hands resting on her abdomen you lay beside her did you really make out here? now and then did no one see you? not that we ever knew you said she smiled risky what if someone had? we didn't think of that at the time bet you didn't she said what was it like the first time? it's history you said we're what matters now she nodded yes I guess we are she said and the sun shone bright through the tall trees and a bird flew by over head.
0
Jan 5, 2014
Jan 5, 2014 at 6:33 AM UTC
BY THE OLD POND.
Milka sat on her bicycle looking at you the Saturday morning sun was warm you'd just finished work and had met her by the bridge where we going? she asked we could leave the bikes at my place and go into town to the cinema you said what just sit there in the dark and not be able to see each other or such? she said we could ride to where I used to live and see the pond there where I used to fish? you said is it far? she said not too far she pulled a face can't go to my place she said my mother's home as she usually is no chance of being alone with you there she said grumpily mine is no good at weekends you said she looked at you her eyes gazing the old pond then it is she said and you began to cycle with her beside you back up the hill and by the farmhouse where she lived and along narrow lanes between hedgerows and birds flying out and the occasional car rushing by she beside you talking all the way about how her mother moans about her not doing this or that or not doing the chores properly and how her two brothers tease her about going out with you and how you needed to see a shrink and you smile knowing her brothers well then you're on the main road and a mile or so and you are there and go in by the back way along a narrow lane and into the woods behind the cottage where you used to live and along the narrow ride through the woods to the field and then the pond which is peaceful and the water is still and a few ducks swim there and birds sing from tall trees you rest the bikes against trees and sit on the grass by the pond quiet here you said we used to call this the lake who's we? Milka said my old girlfriend and I you replied where is she now? we don't see each other any more you said Milka said nothing but gazed at the water of the pond at the ducks there and looked at the fish just beneath the surface did you make out here? she asked now and then you said why bring me here? she said moodily it's quiet and we can be alone you said is that all? not wanting relive old memories with me? she said you gazed at her no of course not that was a different thing different love so you say she said should we leave then? you said she stared at the pond at the ducks drifting and the sunlight through the branches of tall trees no she said I like it here she lay down on the grass sunlight on her face her hands resting on her abdomen you lay beside her did you really make out here? now and then did no one see you? not that we ever knew you said she smiled risky what if someone had? we didn't think of that at the time bet you didn't she said what was it like the first time? it's history you said we're what matters now she nodded yes I guess we are she said and the sun shone bright through the tall trees and a bird flew by over head.
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172
I walked Auntie's dog Dancer across by the parade grounds while Auntie did the washing in the copper the dog kept near me as we walked looking back at me to make sure I hadn't got behind we saw Auntie's friend Milly with her 5 year old daughter Elsie Dancer stopped and wagged its tail and licked Milly's hand and Elsie glared at me hello Benny Milly said hello I said say hello to Benny Elsie Milly said Elsie stared at her mother then at me hello to Benny Elsie she said stiffly no you bad girl say it properly or I'll slap your backside Milly said hello Benny Elsie said grumpily hello Elsie I said politely as Auntie said I should what's your auntie doing? Milly said she's doing the washing I said o I see well do you want to come to our place and have a glass of milk and a biscuit? she said Dancer too? I said yes Dancer too she said Elsie pulled a face and we walked back to Milly's place the other side of the parade ground and we went up some black metal stairs and into her flat Milly went off to the kitchen with Dancer following   to get him a bowl of water and us some milk and biscuits how are you? I said to Elsie she stared at me like I was a bad smell then said hope you don't stay long I want to play with my dolls and don't want you playing with them boys don't play with dolls I looked at her trying to see if there was a little bit of a smile but there wasn't just her small lips shut tight and her eyes looking at me just come for milk and biscuits I said Elsie put her hands behind her back and walked off and sat on a battered looking sofa Milly brought us milk and biscuits and said to me sit on the sofa next to Elsie and I'll go get my cup of tea off she went and I sat next to Elsie and she moved along a bit from me and sipped her milk and clutched her biscuits in case Dancer came and ate them (which he would) Milly came back and sat down in an old chair opposite near the fireplace with her cup of tea well aren't you two a pair just like brother and sister Milly said smiling don't want him as a brother Elsie said glumly that's not nice Elsie what's got into you Milly said Dancer came in and sat opposite me and wagged his tail and looked at me for a biscuit I broke off a bit and gave him some and he took it gently and it was gone in the blink of an eye then looked at Elsie his head to one side gazing at her she broke off a bit and gave it to me to give to Dancer and he took it gently and then walked off and sat down by the fireplace good dog Elsie said Milly talked about her and Auntie and about her husband in Germany and my uncle in Korea I sat a bit nearer to Elsie as Milly talked and Elsie looked at me dark eyed and moody.
0
Feb 28, 2016
Feb 28, 2016 at 2:37 AM UTC
DARK EYED AND MOODY 1951.
I walked Auntie's dog Dancer across by the parade grounds while Auntie did the washing in the copper the dog kept near me as we walked looking back at me to make sure I hadn't got behind we saw Auntie's friend Milly with her 5 year old daughter Elsie Dancer stopped and wagged its tail and licked Milly's hand and Elsie glared at me hello Benny Milly said hello I said say hello to Benny Elsie Milly said Elsie stared at her mother then at me hello to Benny Elsie she said stiffly no you bad girl say it properly or I'll slap your backside Milly said hello Benny Elsie said grumpily hello Elsie I said politely as Auntie said I should what's your auntie doing? Milly said she's doing the washing I said o I see well do you want to come to our place and have a glass of milk and a biscuit? she said Dancer too? I said yes Dancer too she said Elsie pulled a face and we walked back to Milly's place the other side of the parade ground and we went up some black metal stairs and into her flat Milly went off to the kitchen with Dancer following   to get him a bowl of water and us some milk and biscuits how are you? I said to Elsie she stared at me like I was a bad smell then said hope you don't stay long I want to play with my dolls and don't want you playing with them boys don't play with dolls I looked at her trying to see if there was a little bit of a smile but there wasn't just her small lips shut tight and her eyes looking at me just come for milk and biscuits I said Elsie put her hands behind her back and walked off and sat on a battered looking sofa Milly brought us milk and biscuits and said to me sit on the sofa next to Elsie and I'll go get my cup of tea off she went and I sat next to Elsie and she moved along a bit from me and sipped her milk and clutched her biscuits in case Dancer came and ate them (which he would) Milly came back and sat down in an old chair opposite near the fireplace with her cup of tea well aren't you two a pair just like brother and sister Milly said smiling don't want him as a brother Elsie said glumly that's not nice Elsie what's got into you Milly said Dancer came in and sat opposite me and wagged his tail and looked at me for a biscuit I broke off a bit and gave him some and he took it gently and it was gone in the blink of an eye then looked at Elsie his head to one side gazing at her she broke off a bit and gave it to me to give to Dancer and he took it gently and then walked off and sat down by the fireplace good dog Elsie said Milly talked about her and Auntie and about her husband in Germany and my uncle in Korea I sat a bit nearer to Elsie as Milly talked and Elsie looked at me dark eyed and moody.
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155
Giant, gruff, grinning it grabs gratuitously at my body. Grumpily grappling onto my arm and throwing. I grasp at green air, I find only the graceless graininess of gravity. It, grunting, grips my insides and greases the ground with my grimy gremlins, my greatest, grueling torment.
0
Mar 25, 2013
Mar 25, 2013 at 12:42 PM UTC
Violent Gratitude
Anne rubbed the stump of her amputated leg. She sat in her wheelchair. I sat opposite wondering what it must be like to have one leg. Pull your skirt down, the nursing nun said, it's indecent to show off your leg like that. Anne stared at the nun. My leg hurts, she said, rubbing it, helps it. Where does it hurt? the nun asked. Everywhere even the toes hurt, Anne said grumpily. The leg has been amputated, so how can it hurt? the nun said, now pull the skirt over the stump, Benedict doesn't want to see your stump. I didn't mind, but I said nothing; I looked at the nun's black habit, her thin features, her pointed nose, thin lips. Anne pulled the skirt over her stump slowly. It's my stump, I should be able to show it to whom ever I want, anyway, Benny likes gawking at my stump, he does it all the **** time. The nun gazed at Anne in silence; then at me. Your manners need to be brought into line, young lady, if you were at my old school, you would learn manners or else. Anne sat back in her wheelchair. But I’m not at your old school, I’m in a nursing home after the butcher’s job the doctors did on my leg, she said. The nun's features stiffened. I looked at Anne and her tilted head and the hidden stump. There are many complaints about you, the nun said, from other children and the other sister nuns; we will report you to the nursing home authorities, the nun said. Anne said nothing, but looked at the swings where other children played. I sat looking at the nun, her hands hidden in the pockets of her habit. She walked off stiffly across the green grass. How about her, Kid, huh? I gazed at the walking off nun. Guess she was a bit annoyed, I said. So what, Kid, who gives a cat's *** what they think or say? I shrugged. Push me to the beach, she said, get me away from these penguins, Kid, off to the sea. So I pushed the wheelchair down the avenue of trees, anything for Anne, anything to please.
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Nov 24, 2014
Nov 24, 2014 at 7:01 AM UTC
ANYTHING TO PLEASE.
Anne rubbed the stump of her amputated leg. She sat in her wheelchair. I sat opposite wondering what it must be like to have one leg. Pull your skirt down, the nursing nun said, it's indecent to show off your leg like that. Anne stared at the nun. My leg hurts, she said, rubbing it, helps it. Where does it hurt? the nun asked. Everywhere even the toes hurt, Anne said grumpily. The leg has been amputated, so how can it hurt? the nun said, now pull the skirt over the stump, Benedict doesn't want to see your stump. I didn't mind, but I said nothing; I looked at the nun's black habit, her thin features, her pointed nose, thin lips. Anne pulled the skirt over her stump slowly. It's my stump, I should be able to show it to whom ever I want, anyway, Benny likes gawking at my stump, he does it all the **** time. The nun gazed at Anne in silence; then at me. Your manners need to be brought into line, young lady, if you were at my old school, you would learn manners or else. Anne sat back in her wheelchair. But I’m not at your old school, I’m in a nursing home after the butcher’s job the doctors did on my leg, she said. The nun's features stiffened. I looked at Anne and her tilted head and the hidden stump. There are many complaints about you, the nun said, from other children and the other sister nuns; we will report you to the nursing home authorities, the nun said. Anne said nothing, but looked at the swings where other children played. I sat looking at the nun, her hands hidden in the pockets of her habit. She walked off stiffly across the green grass. How about her, Kid, huh? I gazed at the walking off nun. Guess she was a bit annoyed, I said. So what, Kid, who gives a cat's *** what they think or say? I shrugged. Push me to the beach, she said, get me away from these penguins, Kid, off to the sea. So I pushed the wheelchair down the avenue of trees, anything for Anne, anything to please.
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114
On my way from the camel to the child I would like to be an impressive peacock! Some dandy! An Oscar. But what really happens is this: A Zen-master shows up and rips this aphorism apart: „Better to stick your nose into the galaxy,“ he utters grumpily, „don’t miss that beauty!“ And what a nice philosophy – I will take that opportunity.
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Jun 6, 2013
Jun 6, 2013 at 2:42 PM UTC
Hello Friedrich.
Stirred from my sleep By a knock at the door Awoke and dragged myself down the stairs Grumpily looked in the messy at my messy hair Stared and thought ‘it’s too early’ with baggy eyes Quickly changed to sweats and a T-shirt ‘It’s a salesman,’ I thought, ‘who cares.’ Peeked out the door with a fake smile Ready to listen to mindless chatter Blinded by the light filtering in I stepped back and flinched Re-opened my eyes I underestimated my guest It was you, looking dazzling as ever Messy hair and bright eyes Never thought I’d see this sight Threw open the door without a word Tackled you and fell to the grass Laughed and rolled around with glee You held my face in your hands Planted a single kiss on my lips And told me I looked as beautiful as ever.
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Jul 30, 2010
Jul 30, 2010 at 8:41 PM UTC
Of All Things to Say
I'd drive down that road still laughing at a joke, with the ghost of a smile on my face from seeing a friend's smile, grumpily silent after failing a test, grudgingly alright after a stressful lab. always on the road, headed home. I can complain about the heat and the south and the suffocation and the big, impersonal town till I'm blue in the face but it's where my house is, even if it's not home, and it's beautiful sometimes. I cross the intersection just as the light flashes yellow and in the rearview cars spill out where I've been not a second before. the action gets smaller as I get farther away. I am leaving, and everything is covering the ground where I've passed like nothing is different because nothing is different. we pass through intersections every day. we have to get where we're going. we leave things behind. sometimes we don't come back. intersecting lines that never cross again. parallells would be different; to not know what you're missing. members are stronger in tension than in compression. once in tension, always in tension. pulling separate ways destined to long from afar. we pass through. we cross over. sometimes we don't come back. I can't stand that.
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Jul 13, 2013
Jul 13, 2013 at 11:50 PM UTC
On intersections
This room gives me unhappy thoughts As I sit grumpily and down I never listen, all self-taught None make me smile even a clown Early I know but still sleepy My mind temps me to dream freely I should be there outside running There in the cool river swimming There’s a movement on the girls side Curiosity aroused inside Our teacher came all settle down Then called a name new to my ears.. Curiosity fills my dull soul I look up and my time slow A sudden bliss ignite my heart Oh, Monday not a bad start There standing in front of me This naked mortal eyes to see Young and innocent, an angel With a pretty charming name "Belle" A star fallen to the earth With a face that glows in every smile Her warm voice a sweet symphony What a thrill she's my new classmate..
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Oct 9, 2015
Oct 9, 2015 at 9:37 AM UTC
Act 5...
Stockholm Moira said grumpily I wanted to go to Greece but the **** war put a stop to that she was sitting with me in a small café she was in denim with a pink blouse smoking a menthol cigarette I like it here I said it's clean and the girls are nice and **** and I am not? she said staring at me her Scottish tones sharp as razors present company included I said smiling she didn't smile her lips were thin and her eyes were icy blue I think have Swedish roots I said she inhaled and looked away I’m fed up she said that Yank woman is getting to me with her talk of men and *** and how much she can have them eating out of her hand and I have to share a tent with the ***** why she can't share with the men in camp is beyond me I don't fancy her at all I said I should hope not Moira said I had you down as one with taste I lit a cigarette and watched her sitting opposite she sipped her *** and cola your brother said you were engaged I said what's that to you? she said nothing except I can't imagine you engaged to anyone well I’m not any more I gave him the elbow always after getting me into his bed after a night out what's wrong with men can't they just have a night out without *** guess not I said I drank my beer and studied her moody features anyway she said hope you're not expecting anything after this wee drink and smoke? I wouldn’t dream of it I said but I had but I didn't her well not at that time I had to wait for her mood to clear and her heart to soften and the Yank dame to take a hike to some guy's bed and I made plans but only in my young guy's head.
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Apr 29, 2014
Apr 29, 2014 at 7:25 AM UTC
IN STOCKHOLM WITH MOIRA.
Stockholm Moira said grumpily I wanted to go to Greece but the **** war put a stop to that she was sitting with me in a small café she was in denim with a pink blouse smoking a menthol cigarette I like it here I said it's clean and the girls are nice and **** and I am not? she said staring at me her Scottish tones sharp as razors present company included I said smiling she didn't smile her lips were thin and her eyes were icy blue I think have Swedish roots I said she inhaled and looked away I’m fed up she said that Yank woman is getting to me with her talk of men and *** and how much she can have them eating out of her hand and I have to share a tent with the ***** why she can't share with the men in camp is beyond me I don't fancy her at all I said I should hope not Moira said I had you down as one with taste I lit a cigarette and watched her sitting opposite she sipped her *** and cola your brother said you were engaged I said what's that to you? she said nothing except I can't imagine you engaged to anyone well I’m not any more I gave him the elbow always after getting me into his bed after a night out what's wrong with men can't they just have a night out without *** guess not I said I drank my beer and studied her moody features anyway she said hope you're not expecting anything after this wee drink and smoke? I wouldn’t dream of it I said but I had but I didn't her well not at that time I had to wait for her mood to clear and her heart to soften and the Yank dame to take a hike to some guy's bed and I made plans but only in my young guy's head.
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112
Watching trains? Lydia's old man says where abouts? Waterloo I tell him I smell beer on his breath as he sways on the step Lydia stands behind her old man gazing through the narrow gap between his arm and chest why watch trains? he asks me we like trains I tell him the steam trains he stares hard hands on hips this right Kid? he asks her looking down with glazed eyes yes Daddy she replies timidly ok Kid you can go but you boy keep her close keep her safe he tells me sure I will I tell him you'd better course I will he goes in grumpily walking slow down the hall Lydia looks at me her small frame seeming so under fed let's go then I tell her she lets loose a small smile and we go through the Square down the slope enough coins for the fare on the bus and maybe 2 doughnuts 1 coffee and 1 tea.
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Oct 6, 2014
Oct 6, 2014 at 1:41 PM UTC
TRAINS AND FREEDOM.
is oreny even an word remember child how grumpy of me demanding you you demanding me grumpily oreny what "poem" is this how dare we please forgive me ma'am i am an dedicated hole digger orneyer than any grumpy ol hole you done ever seen dug ? ... .. .
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Feb 1, 2018
Feb 1, 2018 at 1:32 PM UTC
grumpy oreny demanding