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AE Nov 2020
Two withering souls
Lost in downtown fog
With their stories written in neon lights
And their destinies tied together
Gazing at each other
Through the reflection
Of blazing streetlights
In hidden puddles
Scattered around vacant parking lots
Dancing like ghosts
With honey on their tongues
A million longing words
Without ever uttering one
A sleeping city tells their tale
Of a longing moon and a loving sun
Ari L Apr 2016
Philippine terrain? Tree-dotted mountains
and palms against dazzling blue skies
white-hot clouds, carabao
wild grasses in South Asian sunshine
Birdsong and church bells
folktales, legends from ancient hills
and rice paddies mirroring the heavens
Seven thousand one hundred and seven
eyes breaking waves to catch the sun
glimpses of hope – a glory to come
silaw (Tl.): (n.) ray, glare
Gabriel Aug 2020
I didn’t get the memo
to evolve -
stop sticking my hands
into the fresh-fire,
as if some part
of my visceral mania
wants to ****** my knuckles
with the ashes of Prometheus.

Every day that I don’t crash my car
is a white-hot remnant
of the suffocation of boredom,
like my life is on pause
until I’m nose down in a gutter
or in a line that I keep trying to cross.

There’s evaporated acid rain
condensing within every hangover,
each time the sun
rises; I rip down my fingernails
climbing to reach it,
gasping down
at the pulsating impulse
to make something terrifying
out of paper maché
and broken bottles
and bruised ego.

In every grave, there’s an I,
subtly watching
for the apotheosis;
a moment of sickly-yellow violence
igniting once more
any excuse for a fight
for fame,
for a feeling.
Something I wrote for a first year university creative writing class.
ConnectHook Sep 2015
Men of Reason: bold, progressive
hammer wielders, depth resounders –
shout from the helm your Godless missive
as our Bible-lifeboat flounders.

Send that Flying Spaghetti Monster,
our imaginary friend,
to the myth-conception dumpster:
let the Bronze Age folktales end.

Make the idols bow to Science.
Your progressive task: to mock –
seek that end in brave defiance.
Down with the shepherd’s useless flock !

Laser-focused human reason
serves to clarify the matter,
strips the symbols from the season,
superstitious tales to shatter.

We, mere rubes in need of crutches,
simple children, willing tools –
must be rescued from the clutches
of the fables preached to fools.

Seamless garments, bushes burning:
are but schemes for fleecing sheep…
We are plebes devoid of learning;
rouse our silly souls from sleep!

Flood us with your noontide wisdom
decimate the weaker link.
Blow away our card-house kingdom
show us Christards how to think.

Then, like you, we shall no longer
cling to ignorance and lies.
Missing links make chains yet stronger,
dragging fairies from the skies.

We shall join you in assurance
that there is no great beyond
thus no need for fire insurance
clergy, staff or magic wand.

We shall celebrate together
joyful, freed from superstition
endless, godless sunny weather:
non-existent non-perdition.

Having thus improved the light
and magnified Man’s modern day,
God’s angels will expire in fright;
the Lord shall meekly fade away.
Gemini pen Jun 2020
Theme: "Laughter for  Breakfast"
A Duet by:
Bard Oluwateniola Adeniyi (Faderera)  
Fuad Opeyemi (Gemini)  

A free Verse Poetry
🚹🚺🚹🚺🚹🚺🚹🚺🚹🚺

Quite a yore,  when the snail crawl in the open
The birds fly,  oblivious of the stone
The heart so calm,
Not threatening to break out of the rib cage
Yore,  when we have peace as the housewife
And laughter for breakfast
💪Gemini💪

Days are gone, when we arise at the hissing of the vulture,
When we patiently wait for the owl to hunt silently at night,
Or joyfully await the folktales of the aged,
And enjoy the moment of moonlight chit chatting while playing 'ayo'
👊Faderera👊

The thunder might clash
Storm may roar,  
But the breeze of tranquil,
Still find its way to soothe the raging heart
Indeed,  laughter for breakfast
💪Gemini💪

When we assemble at the manor to celebrate our unity,
Wine and dine without fear of being poisoned,
When we dangle our waist to the rhythmic beats and get autem,
Or twerk our butts to the sound of the music and not get *****
👊Faderera👊

Days,  when the crop rose,
To kiss  the morning light
Plants welcome the dew with joy
Felicity is brought to us on a platter
And the heaven smile its grace down
💪Gemini💪

Gone is the time, when we fall to our knees or one's face to greet,
When we have eros love to opposite gender not same gender..
When we honour the church and respect it's doctrine,
When giving wasn't a problem and kindness wasn't scarce
👊Faderera👊

Time so long,  when smiles glint through the eye
Danger not friends with darkness
The chain of slavery,
Not tied to our neck,  living fully
In a house not haunted
💪Gemini💪

Long gone are the days, when the richest man is one with a shilling,
and a pence could earn quality education and utilities,
When feeding wasn't a life taking occupation
Or shelter a life threatening need
👊Faderera👊

Now,  lost to the feeling of nostalgia
Giving knife to demon of today
On knees,  begging to be euthanized
Oh,  long gone are this days
When we had Laughter for breakfast
💪Gemini💪

Now,a shilling amount to nothing; even a pence is worthless,
The leaders now dish out war and serve themselves peace,
Corruption is now added to the list on our menu,
Our food isn't complete without massacre,
Favour is now amounted to cruelty or being diabolical...
Alas! gone are the days when laughter was for breakfast
👊Faderera👊

©Oluwateniola Adeniyi™
©Pen of A true Gemini™

Do Rate this piece of Art 🎭 🎭
Sukanya Basu May 2018
Lyrics written on Church walls
Bashful lurking Lucifer,
Carved glazes of canker crawling on the mead
Drinking vile torments of men
Lucifer hath angel been
Spread wings of human fate
guided men on burlesque dives
through historic and futile rage
Drawing on lost and regained have never been thy aim
For jeopardy in art's name is nothing but a lost game
God and man and Vinci guise
And letters of un-earthly paradise
And decades of poetry sinned
To unmask man through lyrical films
Morte, life, determining naught
Empty pages of science and draught
Realms of here and realms of there
Realms that thy heart found rare
Antonym of fright being scare
Is not what man learnt through time
And there as courage behooves and
Life draws you to her
Death seems close in the arms of beloved
Pain, man's secret armour
bellows courage with a fake accent
Coming of seasons and dawn and light,
Poetic romance fretful sight
World naught ready to love and cherish
Human cans't broil feel
April as thy knows
A heavenly soul of a year,
Brewing rose, carnations and dew drops in time
A certain cotillion towards the other,
A light breathing when eyes met
Beyond the language of the celestial walls
Eve and Adam through bright colour meadows
I see as thy eyelids quiver from haunts of past
And as night descends the maiden shy
With light prance of the lion he prances
Flesh by flesh swoon by temptation
Drops of naive lies
promises of eternity
Battles of Brunanburh
Horses line up to a steady flame
Fishes swim in fleshy rain
Draining mouth of Paris gates
Writing pages of descent
And on with thy fire of the month,
November rose in the wild grass of beams
Battle lost and won it seemed
On another hill a maiden swept her hair
Through rosy gleams and eye of glass
And smiled like the forbidden apple of fate
Jumped like the lion
left in dismay
songs of despair
An orchestra of pain
Nightingale of death bellows of wind
On sunday the fifth he had sinned
she had cried and shown the rose
cigarette and smokes
of nothing proposed
Flesh be thy crime
heart be thy muse
Naughts had been reflected
in thy abuse
Stricken the horror bladder
Rose with dismay
And to **** the canker
in whom the ***** played
Alone within thy celestial walls of God, Goddesses and fate
Questioning thy holy spirit
the mistakes thy made
Entrusted with athenian history
Women bearing dagger
Human sentiments are evil
Lucifer is the rightful dowager
It's him who sheltered blue
Evil is romance
hardly to swoon
The right and wrong and sadness grief
If they see world of poverty
And happiness a myth
And now trumpets of war
And experiences blithe
To see the world anew
whom is right?
If Lucifer the fallen angel saw
what was yet to see
God is a liar and heaven's a greed
Thy stealth steal within bosoms canker
hate, ****, juvenile crime,
Crime is the way
to drive horrors in time
Human history baffles thee!
Social etiquettes and manners of glee
Whom to fool and whom to wrought
The lamb, the tiger a hated must
Angels, demons painted square
whom to whom the battles were?
The right of man to sin and begone
are fated dramas of life and forlorn?
Brew the evil and feed thy good
Awake! Arise! never be fooled!
And sadness a step,
sudden and dark
Thy unending stairs to heaven abased
Lonely as autumn arises and leaves gather
Memories of child and man
Memories of fated hand
Thy walks through
Matured, mind of steel
Anguish concealed
A heavy sigh of a grown mind
Scorns the happy girl
And laughs over her dead pearls
Mind of a grown self
Visits Celestial walls,
The temple, the bed the wrongs
The right is a foolish girl
Inside her body the birth of a new world
the falls the laughs the pain the demands!
The gunshot of life
The circle of hope
And nursing and growing the cherub of flesh
Is they mother nature with a man of crest
The moon as it shines, shows horrors no more
But in thy heart, a maiden sad
To loose all she ever had
But to gain life
and knead love
To love love and to grow above
Lucifer reads bedtime stories
God saves the crown of glory
Life smiled and played along
Death for death
and finding songs
Growing up in lilac storms
She learned to battle and grow a home
Keen on her *** to bottle dreams
Milk and bread is new it seems
Tyranny with a ****** sword
Knives it's prey as it creeps from it's door
But in white she clad and drew the sword at hand
Tears as bows it drew
Battle of ages seen never so shrewd
The good plot for her
The evil shined
Who art evil or good
She painted blind
She called her demons risked her God
She became human is sad of all
Thy maiden story once again read
The man who left
Evil has no name
So good naught trust
for good is thee
Good is evil
That had been set free
Whom to whom
And what to name
Should haunt the grave
or visit a pray
For to pray is a prey
And grave is a paradise
Questions she darted
With wide eyes
I showed thee card where black and white
Rose to fame side by side
God is lucifer
heaven is hell
Man made tricks on walls
For stories to tell
Man is mortal
desires are innate
Soul is thy spirit that lies awake
Death of life is a soul that plots
Stays on Earth in shallowed knots
To be beyond and to see the light
Have naught done that
Life is a sight
Not seen to man, if realised is beyond
To trust in fame is all that is done
Meekly shown courageous sprout
To do good or evil is a judgement about
The religious amenities made by man
To shun Lucifer is yet in thy hand
To pray him is a choice thus
But to prey pray has been man's lust
Again memories squint of thy maid on the meadows
Flesh on flesh haunts thy skin
Shallow breadths and mortal eyes
Rise beyond skies they speak
What sky what ground
What lava and heavenly abode
To grow old in folktales
Aside dusky shores
Man knows all
Man knows good
Good of man
Is a questionable truth
Man knows evil
Man knows crime
Man knows nothing
He is lost in time
Man knows man
is what tale they should
Write on walls instead of evil and good
Evil might harm
And good might ease
But man does both
And later he grieves
For grief hath no church nor temple nor mosque
Grief is inside man's chest
Pumping through his *******
Of Eve's fool and Adam's greed!
Of the canker of the holy grail
Of the lies he feed!
Who art to decipher life beyond life
When life is tormenting
even in it's sight
Who death, desert or leaves the soil
Who plants and grows in thy turmoil
Who loves and cares and makes thy life
Who saves who draws and pushes knives
Who grows and finds peace in thy self
Who plots and fails and satisfies and helps
Who prays and begs and trust in him
Who prays and begs and trusts in sins
What the sins, what the truth
Human beings are born aloof
To end to grow to die or to be born
Man hath no power to tell of or scorn
Man is a flick
Man is a pride
Man draws wars
Man lies
Man brings flesh
Man grows thee
Man dies tomorrow
Man is me.
Martina Ngose Jan 2015
I am Marhteena
I come from a small village in southern Cameroon where people use kerosene lamps at night and store drinking water in large aluminium pots.
where neighbors share kitchen utensils on a daily basis and eat from the same bowls of soup with one another.
where children go to the streams in the morning to fetch some water for cooking and rake the woods for some firewood.
where women go to their farms to plant corn, yams and vegetables while the men tap fresh palm wine and tend the goats and pigs.
where children play under the scorching sun and eat roasted grasshoppers for lunch.
where children make their own toys from rafiagrass and abandoned wires
where children climb trees and hunt birds with their catapults
where children go fishing with small bowls and learn how to swim by themselves
where children sat around fireplaces at night to tell folktales and ancient stories
I am Marhteena, i come from a very small clan but these experiences have shaped me into who i am today
I AM PROUDLY AFRICAN!!!
Honeydrops Mar 2015
It all seem like yesterday
When we all gathered round your bed
Kneeling for blessings,benedictions
And warnings to live as one

It all seems like yesterday
When you will rock me with folktales
Stories of how you won my mum
And the blessings attached to you as one

It seems like yesterday
When your advise cuddles me in my blues
Re inspiring my soul
With it streams words of gold

It all seems like yesterday
That the devil took your breathe away
Leaving us with a hole
Scars like tattoos
As we mourn in silence
And here,
we standing all in a dark shade of glass
Black gowns,black suits,black tie,in the rain
Spreading our ashes over you bossom rest
Blaming the devil for the theft of a good life

Though your pictures glaze our hearts
Furnishing it with your radiant smiles
The memory of you
We continue to cherish
As we hold today a remembrance of you.
#dear dad#honor a good life with your likes#
Drunk poet Jul 2016
Find me my only chap!
I saw him play with the kaleidoscopes
Right here
He left for the telescope
Over there
I noticed his cap on the sofa!

He must have gone to the playground
He love Rollercoasters!
Where I my only lad?
Did he go to play in the woods?
I stereotype he's lost!

Who will call me mother?
Who will  listen to my folktales
When the moon is out to dance?

Sun please shine!
When my nation cries out!  please wind
******* back to her!
Stephanie Frank Apr 2017
Dinners under the chandelier
Meaningless chatter and happy laughter
The delicious smell of quesadilla
Drifting through the air from the counter

Grandma rocking in a corner
Little ones sparked before her
Marveling at her skill with the needle
Entranced by the music from Grandpa's fiddle

Stories by the moonlight
Folktales by the fireplace
Connecting dots with the starlight
Losing track of time in space

She never knew the word 'pain'
Then she felt the pain of death
Till the betrayal of Cain
Till she craved the high of ****

Now pain is all she knows
Pain in all forms and doses
Be it through bullets and blows
Or even the thorns of roses

She's grown so used to it
It's started to feel normal
She's grown so accustomed
Without it she's incomplete

As she sits near the cliff's edge
She dares to think of happier times
As she uses her foot as a wedge
She remembers the oven clock's chimes

She remembers mama's cookies
Her favourite was chocolate
She remembers papa's banters
And Nana's beliefs in fate

She recounts Grandpa's pipe
His delicious mixed smells of tobacco and old person
That must be where the crave started
Her crave for the high of forgetting

As the nostalgia washes over her
She dares herself to cry
She removes her footed wedge
And begins to fly

As she flies she feels nothing
Only an empty fortress
A fortress filled with echoes
Echoes of happiness
So here it is, my first piece this year. Hope you like it. Tell me what you think.
Frances May 2018
With anvils for feet, the snails may have moved faster, for their noose of anxiety wasn't pulled so tight. They may have covered more than to that of which I see, though the entire existence of their species  may have been as long as I may had been looking. I would shoot arrows of curiosity without knowing where the target be.
  Just as another fairy tale, relief on my feet was seemingly unimaginable, far fetched and unattainable. Like old change, seeds of a variety filled my pockets. The soil and sun were the only things I trusted. Reaping a sow would be a blessing unto me. After years of crawling, discovering, and disappointing wandering with wide eyes, the hills and peaks had shown as a distraction from the lessening softness of my now calloused hands. The necessity of rest was as strong as the need of a newborn baby's mid afternoon nap, but before the seeds are nestled, work mustn't cease. By every stem, petal, fruit, and butterfly, in the center of the valley of a vast bed of wild flowers would I hope to carry this heaviness no more. The desire for this comfort and caress lead me to find a sweet place to rest. For uncountable hours of wandering, only this would be gratification. I came upon a large patch of dirt as dark as midnight. With every handful of soil wriggling of worms graced my hardened palms. Only the ground saw me enchanted by the romance of its potential. The seedlings would be sung; "As you cuddle in the soil, remember that's where your roots will prepare, unto you this watering will fall, as you are all so loyal, I will be loyal to you, the air will give you care, let me lay eyes upon your beautiful hue, as the sun is what you will see, don't leave the soil bare, set yourself free". In the troughs like dried moats, each seed received a adornment of a kiss like that unto a child by their mother. Every hole doused like that of a spring sunflower, and burrowed into the sleeping dusk of dirt with the expectation of an awakening of a blossom. There, as one expects the rising of the sun, I would await the flowers arrival.
I lay suspended by the freedoms of a remote forest. Within the untouched, unadulterated altruistic scene of remoteness, the skepticism let drained. Knowing my skin may not be slaughtered by reaching thorns, I undressed layers of tattered threads. Most of what would freely escape from my lips were the enticement of belief motivated by bliss and enjoyment. Where my skin remained blushed and dewy from the days after the solstice of summer, to the later days of leaves saying good bye to the trees extended arms, and grass frosted by the baker of autumn, like a lightning bolt strikes at random, as did a stagnancy. The seedlings were viewed upon as the old dark witch from the town: cursed. It was as though they had stage fright and the sun was their audience.
I ask, "why, Lord? Has though forsaken my field? What must I bestow?". Concealed, like a feral cat, was the reasoning for this. As ritual as the church goers Sunday excursion, was my ritual of prayer.
Clouding in my mind happened with contemplation of a new pioneering. I knew this to be only a sliver of land off of the plank of fertile country side. Simultaneous  to this fantasy, a shadow danced in the corner of my eyes. Usually trust worthy was my vision, though it became a mystery. Fear not did I, as I turned to follow the darkness, I saw nothing forthright. It's reappearance came as a *****, but as one would in a sword fight, I followed the elusive figure within my eyes. It was as though there was an unsuspecting solar eclipse at high noon. The figure didn't remain hidden, and the dancing ceased. As a knight removes their armor to cradle a loving partner, he opened his cloak to reveal a man with the most poignant essence of freshly mowed grass, smoldering ashes, and a thanksgiving meal. These things were the quintessence of my childhood. His eyes, not beating, but, like a baby's glare, soft and forgiving, unlike the folktales my father told me. Did my eyes deceive me? Ensorcelled, I had succumb to this. Uncontrollably my eyes repeatedly vertically gaze upon him. I met no gaze, but darkness. While the remembrance of evening tide pull you further if not in recognition of its power, without choice, or fight, I had succumb to this. Weighed down by rocks you couldn't see, as though I was called to my knees. His presence eluded to a parental guide. When I lay there, as I become sunk in the soil, He advised me. "This acreage will be your ball and chain for entering this land. With out excavation, Intentions of leaving your possessions have inhibited exiting though you desire continuation. You must water it with your tears". My golden hair became brown with dirt, and my pale skin so dark, as I wept till the sun grew cold, and the moon graced me like a lullaby with soft illumination.
As a once saturated sponge goes dry, by every last drop, drained dry were my eyes, and the ground enriched. After the clock hit twelve for the 10th night, The reaper spoke again. He said "This land was mine. I set it aside, so those who have evil in their heart may not reap what they sow here, so it may not be robbed of its nutrients for something unwholesome. Within it's enchantment, the soil may only be fertile by those who will enrich it with passion. If you wanted to leave you wouldn't be confined, but if your heart remained, as would you. You will stay until you may leave with something beautiful. This priceless soil belonged to me, as this is where my betrothed had lain. The tables have turned because it has been sowed by a someone who has surrendered to me. Your patients serves you. My dear, The wealth is in your heart." His encompassing gratitude, and cherishment remained, as he had left. The grandfather clock sung to the flowers, as did I.
I was always told only the sun could bring beauty in life. I wore a black veil of naive belief. The garden appeared to always have been misted. The sun kissed my plants so gently, their blooms were welcomes to this realm, and the wind would make them frolic together like a colorful oceanic wave, but instead of dolphins peaking the dense surface, you would see the makers of the garden. Relentless pollinators made the perimeter buzz. You could see the twinkle and flutter of every dragonfly, lady bug, butterfly, and bee as their fluorescent wings caught the sun. Almost as though my life depended on it, like a bear in a cave of constant hibernation, I would nestle myself in this secret garden. Leaving here with nothing but flowers intertwined in my hair, and around my heart.
Erin C Ott Apr 2018
Alongside the girl who's a home where the heart is and a rooftop escapade all in one, I learned while wandering like a stray dog through a French chateau that old folktales believed salamanders were born of fire.

I’ve always felt as if fire is a cliche. It bites the hand that feeds it. Beautiful, but destroys. We’ve heard it before.

But, no one strives to be a cliche, and no one would like to be born of fire, either.

Too often, when we hack the head from the hydra of our family roots, another tragedy grows in its place. A salamander might have poison in its blood, and bloodline, ‘cause this family tree was uprooted long before I’ve ever seen it in its prime.

Sometimes, it’s hard to use the brimstone on your tongue for good when those with a right to be pessimists seem to drag you down, but think before you spit fire at the cinderblocks round your ankles, because even under a cockatrice’s gaze, they’re people too.

In those long weeks where high school looks like a desert, we somehow learn to never be more fragile than the skeletons, or the eggshells we're walking on. But I’ve since learned and swear by the fact that life and living are two very different things.

I can't make up my mind if this is all more apology or anthem, but if I can recommend one thing, it's this:

Allow the complexity of language in the simplest of words to forcibly beat your heart. You won't always hear the words you want to, the words that might keep a desert salamander alive, and that would do the same for you if there were someone there to say them. So grasp at straws. Hear poetic words now, and poetic words later, no matter how ragtag they may or may not be, intricate or beautiful, both, or neither, and everything in between and not. Plaster in the cracks of your atrophied heart from those nights where your mother slams every door and threatens to never come back, and dear god, make use of whatever words in this world there are that bring comfort through even that.

When the drudgery of life interrupts the sensation of living, presenting you with a rigged inkblot that just won't do you right, look, in the absolute worst of times, rather than up at a sky you've seen every day of your life, look down.

When the inconsistent blue that you've seen on every week of every month of every year fails you, do not search for life saving inspiration in what you've seen a thousand times. See the intricate patterns in the wood floors you walk on. I know it feels so often as if the beam from the lighthouse has already passed you by, but a crack in the pavement, a blemish, might just be the greatest joy of your day when you spot the flowers that still grow in spite of how they’ve been tread upon.

Then, scan your neutral horizon to see the little people. The unprompted kindness, the shy smiles, and the people who never quite know what to do with their hands, because I cross my heart and hope never to die young that they've felt this way too.

A person ought to mean more in life than in death, so for the love of your own self, feel, even in the darkest of power outages, for anything that's always out there.

And it’s true, autumn leaves cannot save your life in the long term, nor even will the smile of a stranger. But as long as you keep saving room for the simple joys that make your heart beat overtime, you'll have the first ounce of leverage it takes to save yourself.
This poem is dedicated to Leah, who helped me learn better than any cautionary tale that being cynical only yields about as much satisfaction as a cynic would honestly expect.
Dada Olowo Eyo Mar 2019
Moonlight activities, nostalgic,
The days of our childhood,
Looking forward, every evening,
To folktales, to those lores of old.
Growing up in the 1980's was a joyful time. NOSTALGIC.
Lewis Bosworth Sep 2019
Tightrope

I am a man
On a tightrope
Strung dramatically
Between two skyscrapers
Paradoxically above
A sandcastle and
Its moat

I am a man
On three legs
Walking between
Two mountains
Listing in clouds
And rain and
Gulleys

I am a man
On one leg
Airborne
Above peak and
Valley and climbers
Vertiginous vista
Below

I am a drone
A skyward glance
At myself
And the lost
Days of wasted
Journeys and
Folktales
Ryan O'Leary Feb 2021
A dead man is of no use
a dead pig is of some use
so why then instead of tall
tales fairytales and folktales
don't we have pig tales, well
I have one because I saw half
a pigs head with two eyes and
that, believe me, is not a Porky.
Bo Tansky Jul 2019
Now
Sugar and a little cream
Palliative potion of comfort
Elixir of coffered considerations.
Contemplated and envisaged
Morning brews,
Propositioning sunsoothes
Particles.
Helios sweeping mightlight across
The metallic movingmorn
Undulating nightlight.
Topaz infused
Daydreaming muse
Stirs the digested amnesic night  
Drinks to
  
Apollo offline
Drinks to
The empty holy grail of evening,
While Helios slept.
Hallucinating prophecies of fleeting images,
Succulent hopes of happinesses
Drunken inhaled trippy
Folktales
Of lore
And lay.
Oracled god of prophecy
God of healing
God of poetry
Healing lyrical music medicine
Hear my poemprayer
Hear my prayerpoem
Drink to
Elixir of life
Elixir of love lost.
Drink to
The elixir of a childless day.
Qualyxian Quest Jun 2021
It’s the birthday of poet Czeslaw Milosz (books by this author), born in Szetejnie, Lithuania (1911). He grew up in a Polish-speaking family. His father was an engineer for czarist Russia during World War I. The family traveled all over the country as his father helped rebuild roads and bridges. Milosz was fascinated by all the different religions in that part of Russia, from Catholicism, Greek Orthodox, and Protestantism to Judaism and pagan mysticism. He loved listening to village folktales about the Lithuanian lakes, rivers, and forests, and these tales later influenced his poetry.

The family eventually settled in Poland. Milosz studied law rather than literature in college because, he said, “There were so many girls studying literature it was called the marriage department.” In 1931 he co-founded a literary group that was so pessimistic about the future it was nicknamed the “Catastrophists.” The group predicted a coming world war, but nobody believed them. He worked for Polish Radio for a while, but he got fired when he let Jews broadcast their opinions on the air. Another radio station sent him to cover the invasion of Poland by **** forces in 1939. After the invasion he found a job as a janitor at a university, secretly writing anti-**** poetry for underground publications. He witnessed the genocide of the Jews in Warsaw and was one of the first poets to write about it in his book of poems Rescue (1945).

After the war Milosz got a job working as a diplomat for communist Poland, though he wasn’t a party member. One night in the winter of 1949, on his way home from a government meeting, he saw several jeeps filled with political prisoners, surrounded by soldiers. He said, “It was then that I realized what I was part of.” He defected in 1951, and made it to Paris even though his passport had been confiscated.

Most intellectuals in Paris were pro-communist at the time and they thought of Milosz as either a traitor or a madman for leaving Poland. The poet Pablo Neruda attacked him in an article called “The Man Who Ran Away.” In 1953 Milosz published a book about communism called The Captive Mind in which he argued that people were too ready to accept totalitarian terror for the sake of an imaginary future. He moved to the United States and began teaching at the University of California at Berkeley in 1960. He had mixed feelings about the United States: he wrote, “What splendor! What poverty! What humanity! What inhumanity! What mutual good will! What individual isolation! What loyalty to the ideal! What hypocrisy! What a triumph of conscience! What perversity!”

He kept writing poetry in Polish even though almost no one was reading it. His books had been banned in Poland and his poems weren’t translated into English until 1973. Then, in 1980, he got a phone call at 3:00 in the morning telling him that he’d won the Nobel Prize in literature.

Czeslaw Milosz said, “I have read many books, but to place all those volumes on top of one another and stand on them would not add a cubit to my stature. Their learned terms are of little use when I attempt to seize naked experience, which eludes all accepted ideas,” and he said, “Language is the only homeland.”
His contradictory statements about the United States are accurate.

And "Language is the only homeland". Spoken like a true poet.
Brandi the Brave Aug 2021
In Fall it's thick jackets, warm mugs of coffee or hot cocoa, fuzzy blankets, red noses, chills of the unknown along the spine and reading folktales.
Waiting for the Cold because I binge read my to-be-read list when it's too cold to go outside. Sometimes I go outside anyways because the smell of crisp autumn leaves, the shiver of curiosity, the tingling of knowledge flowing through the mind and the joy of embracing the mood-swings.
Waiting for the Cold because being bipolar means having grief that makes you relive the past, reevaluating friendships, and getting caught up in past moments.
AN ODE OF MY DEATH (Beyond Eulogy)

When my heartbeat fades, and silence claims
Your tears will fall, but were they there when I bore the pains?
A grand funeral procession, a slow mournfully, tearfully and dolefully pace
But where were you when I begged for a helping hand with a keenly gentle face?

In life's darkest hours, I cried out for aid
But your deafness left me shattered, and my soul betrayed
No comforting words, no guiding light
Left to face the shadows, alone in the endless night
I can't hear your emotional hymns and I can't  see your tears because I am deaf and blind to life

Oh, cruel world, where death unlocks your hearts
But in life, my pleas were met with cold, detached parts
You'll eulogize my fleeting days, with hollow praise
But I needed love, care, and warmth in life's desperate ways

A coffin adorned with flowers, a farewell show
A million naira spent on Izon Ebi's musical flow
But what of the tears I shed, the sleepless nights I bore?
Did you care then, or only now, in death's solemn score?

Not now, when my voice is stilled, my choice gone
Why did you wait until my final breath was drawn?
I longed for love, for aid and for care
Not just a dignified farewell, with empty air
Like the folktales of a crocodile tears

You weep for me, but what of those still alive?
Those struggling, crying, begging to survive?
Their heart beat with mine, their tears falling like rain that doesn't touch the ground
Do you hear their pleas, or only mourn the dead in vain?

Ouseibai Bright Ebi
30th/10/2024
The irony of life

— The End —