(In some semblance of order)

(1967 to 1975)

kittens
carpet burns
fear
WGN presents “One-Eyed Jacks” starring Marlon Brando
my grandmother’s basement
slaps from my mother
fear
kicks from my father
fear
Nerf basketball
10CC “I'm Not in Love”
fear

(1976 to 1980)

sunny, cool, fall days
the woods on Sundays
tall green grass
raised red seams on a baseball
fear
Tickle Pink wine
the smell of hashish
the buzz of high tension wires
Stroh's beer, pull tab tall boys
the woods at night
the breeze through the car window
her breath in my ear
fear

(1981 to 1988)

“Footloose” starring Kevin Bacon
Michelob Light in bottles
extra spicy guacamole
fear
“Members Only” black jacket
para mutual wagering
*******
4 seam fastball
fear
the garlic taste of Dimethyl Sulfoxide (DMSO)
a 91 mph fastball
Feldene dissolved in Dimethyl Sulfoxide and applied to my skin via a tongue depressor
my 93.5 mph fastball
the roar of the crowd
fear
October
the swirling light and sound of a west Texas freight train at night in fog
Jesus Christ
fear

(1989 to 1999)

the anticipation of child #1
the birth of child #2
6 hours of uninterrupted sleep after child #3
an 8mm obstructed kidney stone
fear
morphine
fear
Vicodin
fear
sunny, cool, fall days
“The Road Less Traveled” by M Scott Peck
hydrocodone
fear
the woods in fall
thunder
******
fear
the woods in winter
the rumble of Niagara Falls
******
fear
Oxycontin
shame
******
fear
“Ruthless Trust” by Brennan Manning
the woods in spring
The Stanley Cup
fear

(2000 to 2004)

detox
nostalgia of my youth
photos of my children as children
hydrocodone
detox
fear
Jose Cuervo silver tequila
sunny, cool, spring days
Major League Baseball opening day
Jose Cuervo Gold tequila
fear
Chinaco Reposado tequila
the stench of pavement
Gran Patron tequila
the heat of pavement
Herradura Anejo tequila
detox
hydrocodone
fear
Marca Negra Mezcal
detox
AA meetings
Oxycontin
fear
Alice in Chains “Down in a Hole”
detox
nostalgia for opiates
fear

(2005 to 2007)

AA meetings
Camel 99's
her infidelity
fear
photos of my children as children
Camel 99's
the sweet, sweet voice of Martin Sexton
AA meetings
shame
regret
fear
Suboxone
regret
shame
fear

(2008 to 2010)

the tenderness of your touch
a king size memory foam mattress
the tenderness of your touch
Amerique Verte Absinthe
fear
discussions with the dead
the tenderness of your touch
Ray Lamontagne “Winter Birds”
the tenderness of your touch
ablution by Amerique Verte Absinthe
fear
visions of the dead
fear
visits from the dead

(2011 to 2014)

their forgiveness
AA meetings
Camel 99's
my inability to sleep
fear
www.hellopoetry.com
the tenderness of your touch
the tenderness of your touch
the tenderness of your touch
the tenderness of your touch
fear
Centenario Reposado tequila
regret
Tramadol in large amounts
regret
thoughts of you leaving me
thoughts of me being left alone
thoughts of you being left alone
regret

nothing
nothing
nothing

the words I have just written

darkness

fear

'let's walk to the ocean'
said the passing clown to the mime
it's quite a long way
expressed the mime
'yes it is?'
the clown replied
mime frowned
and they began walking...
clown in his big floppy red shoes
mime improvising as he went

at the edge of town they ran into a juggler
on the corner trying to pick up a few coins in his cup
clown asked the juggler if he'd care to join them
in their walk to the ocean
juggler said 'why not, things are kind of
up in the air for me right now'
they headed west toward the coast
clown had 5 boxes of Mike and Ikes...every flavor
in his red scarf on a stick
mime had plenty of slim jims
this would keep them fed until they reached their destination

several hours into their odyssey
a storm approached
a lone well drawn pine provided refuge until the storm cleared
as well as a snack and chance to learn of each other's journey
to this point
clown had done many things throughout his life
in pursuit of love, home and family
but he had failed in his search for a life he always dreamed of
and now this face of heavy make-up and big red nose would
hide the fact that he lived a life of constant sadness
mime had been a singer and worked for years to perfect
his craft... dreamed of making it to the big stage
but he refused to sing what they wanted him to sing and even though he had amazing talent, he was refused time and time again
becoming a mime would mean he'd never be reminded of the beautiful voice he possessed
juggler was a star pitcher known for his amazing fastball when he graduated college and was only days from signing a contract with the Yankees when a car accident damaged his shoulder so severely he lost his fastball
he juggles to keep his arm in shape in case his fastball ever returns
juggler asked clown why they were headed to the beach
mime was interested as well and produced the perfect look of inquiry
clown stood up...tossed the red scarf on a stick full of Mike & Ike's over his shoulder, brushed himself off and replied...
'why not?'

The air was brilliant, crisp and clean,
as he in walked in on a sea of green.
Kerry Woods, old 34,
at Wrigley field, his field of dreams.

Upon a time, old Cubs fans say,
He struck out twenty in one day.
He stirred some hope the “curse” was gone;
the hope that Cubs fans live upon.

The surgeon’s knife put hope to bed-
his blazing fastball all but dead.
He could no longer start in games,
As a closer he achieved some fame..

He journeyed there, he journeyed here,
At times, in flashes, it would appear,
That blazing fastball on the gun
that time and surgeons had undone.

We all come to that final day
when we can no longer play.
Upon the mound for one last time,
What would be Kerry’s final line?

He threw three strikes, the last one swinging-
Kerry had that fastball singing
When coach came out to take the ball
Cheers shook the ivy covered walls.

He held his young son in his arms
and doffed his cap to cheering fans.
Old 34 then disappeared
In the ancient clubhouse beneath the stands..

Once upon a time.
In a land far far away.
Their existed a rhyme,
About the greatest game ever played.
This is the said rhyme 
preserved from the acclaim the game has gained.
Passed on to generations about the game at it’s prime. 

A game that should be reclaimed from the fame its gained at the present time.
This game came from the brain of a person
who aimed to have the time of his life. 

Town ball was for all. In any season: spring, summer, winter, or fall.
Town ball was a ball for all: no despair, grief,  or strife, could spawn.
The rules were simple
Hit ball: bases touch all. 

Teams were never full. 
And the field could sprawl.
Everything was in play just like everyone could play.
No obstacle was in the way, no direction out of play.
Yet, according to the natural law of capitalistic America,
An evolution began to make money.
**** you Jean-Baptiste Pierre Antoine de Monet!!
You may have nothing to do with baseball, 

But you spawned the evilest idea of them all. 

That evolution is caused by natural law, 

and the evolution of baseball is the downfall of all that is America.
Baseball was at one time a game of fun; 

good times shared with one another under the sun. 

Eventually they agreed to decree the official rules, 

And it was not Abner Doubleday who would have the last say in history,
for that story is a myth that we should flee from like fools.
Instead it was Alexander Cartwright who penned the knickerbocker rules.
These rules spread to the rest of the clubs,
and eventually it was coined the New York game. 

No longer could anyone play but only the ones who could slug.
If you wanted to win, it would be a sin,
to put in the has been who brought the game shame.
This game spread during the civil war. 

In down time to escape they played for fun instead of being bored.
The game spread like never before,
and soon the game covered the entire eastern shore.
The N.A.A.B.B.P was formed and by 1867 four hundred teams were born,
and in 1870 the Chicago Cubs actually won!
They actually were good before 1908,
heck some people might even say they were great. 

I don’t mean to taint their slate or bait your hate.
I just wish to point out that its been some time since that date,
and you Cub fans still must await.
Meanwhile these gentleman clubs would compete in the heat,
for they wanted to prove they were the ones to beat. 

Yet promoters wanted money so they charged the food you eat.
Then they fenced in the meet.
No longer could you watch the teams compete from the street.
If you wanted to know who would defeat you must enter with a receipt
to show that you payed for your seat.
There you would meet, eat, and greet,
and keep track of the game on your score sheet
Eventually the wood frames turned to concrete

in order to hold more people inside their games.
And the players started to earn fame.
And eventually everyone knew their name.
No longer was the game a game for games sake,
instead it was meant to entertain the fame-craved.
All that matter was the money made at the gate,
and since then the game has never been the same.
Before players would score more and their would be less of a bore.
Fielders caught with their fingers the stingers thrown,
but for catchers that was absurd.

Before, fans would abhor to the idea of a fielder with a glove adorned,
but eventually the planted seed, grew steadily, and the fielders glove was born.
At first their was no web extended between the finger and thumb.
Because that would make it so easy to catch it would be just dumb. 

Yet, somehow the web spread and eventually it won. 

Now any *** could catch between finger and thumb
and the hand would not become numb.
This lead the dead ball era dread at the start of nineteen hundred.
And ego went to Owen Wilson’s head as he lead the league with triples.
Thirty six triples the record was set
and will never be broken it has been said.
But instead its embed into the unread
record book for others to go ahead and try to break with dread.
There were several reasons that lead to the dead ball.
First of all, the same ball was used until it started to unravel.
Second, was that you would draw a strike for every foul ball,
And lastly was the spit ball which would dance to any squall.
All these reasons made the pitchers un-hittable. 

And batters seeing their batting average fall
would take a bar crawl and bawl.
But then a savior came to us all. 

This man hit the ball so far that it would fall somewhere past Senegal.
The claims were esteemed that this man was best of them all. 

Yet, he was traded for money to fund a curtain call. 

This man’s name was George “the Babe” Herman Ruth. 

A pitcher turned outfielder because he was a great hitter is the truth.
The great bambino or Sultan of Swat,
nothing could stop him when he was hot. 

And he hit the dead ball era out of the park and it was forever lost. 

He had more home run’s as an individual, than any team,

Except for the Phillies who were good it seems.

Babe was the hit man

Pitcher he was no longer

The same change came

With this emphasis:
Babe Ruth symbolized what was

the rest of the game. 


They said pitch no more.
Sluggers are what fans adore
outfields became small. 


Power was the talk

Every team must have a guy
who hits with power. 


George “babe” Herman Ruth
and Lou Gehrig, the Yankee’s
became the very best.

Then the depression came and rained on the parade of the baseball game.
Yet, families with radio’s would listen to the games as a sort of hope. 

To escape from the world that they known. 

To escape to a game that reminded them of better days.
Then WWII came and stole away the players. 

Baseball’s talent level was now in multiple layers. 

and because of lack of talent Ted Williams batted over .400 percent
and Joe Dimaggio hit the ball again and again. 

for 56 consecutive games he hit the ball back to where it was sent.
Yet, eventually the players would return and baseball would mend. 

But not before the ladies got their own league. 

and men it did intrigue.
Is this for real?
Or a joke?
They would laugh.

Then they would choke. 

When they saw that this wasn’t just an act.
The girls continued,
“Everyone used to be able to play the good old town ball game!
“This is no longer town ball,” the men said, “the present game is not the same,
Instead its now played for money and fame.”

Oh how the good old days always change.

“Give us money” the women exclaimed,
“We’ll take your fortune we’ll take your fame!”

Some men said, “you complain! Its not the same,
you have to be good to play this game,
you can have your separate league if you need,
But this game of fame is only for white men of age!”

Oh how problems never change
Instead they always stay the same.
Yet, it wouldn’t be long
Before the trumpet would sing its song. 

That segregation would possibly end. 

Not for women but for African Americans. 

Segregation had always gone on. 

***** leagues rose up, but finally segregation’s time was gone 

due to a man named Jackie Robinson. 

And in 1947 he broke through with the Brooklyn Dodgers.
Because his team was convinced they’d make more money by Lou Durocher
Yet it came with its troubles because Not everyone on the team was happy 
And some fans were just down right ******.
Some teams such as our beloved St.Louis Cardinals even threatened to strike. 

They were not going to play if Jackie played because they had that much dislike. 

But Jackie and the Dodgers pushed through all the hate that spewed. 

Other players, managers, and fans  were rude, crude and would start feuds. 
Then they would brood every time Jackie’s name the roster would include.
But after awhile people would conclude that he was actually very good.
And after review others would start to include rather than seclude,

But this integration was long over due.
30 years till segregation could be totally subdued.
The lessons we learn are hard ones that is true. 

And it takes awhile for an entire nations perspective to take a different mood.
Now with baseball integrated the game be televised. 

This allows the money in the game to rise. 

The league now expands west; 

New markets they must test.
But hey! the players want some of this. 

They want to start a free agency. 

But this is the last thing the owners need! 

But the players want to be able to move between teams.

The players want money. Oh how things never change.
But the players got what want. 

They now can negotiate and the owners this does haunt. 

The game now is wrapped inside this twisted shame of money. 

Thats all any body wants so they find ways to scheme. 

Thus steroids came to the scene. 

Players now could be payed more if they played well. 

This meant that to hit the ball far, big muscles they would have to build.
In order to get that edge over everyone else. 

These players used steroids to get their help. 

Yet that was not cool with the public 
Because steroids put you at risk. 

They are dangerous at best,
and the league didn’t want to run the risk. 

Plus what about records that have stood the time test?
Are they going be broken now and no longer exist?

All because someone drugs themselves to have a bigger biceps and chest?
Someone please lay this all to rest! 

Baseball today is such a shame. 

Its boring with all of the commercial and pitcher change breaks. 

Something needs to change. 

Because its been turned into a sideshow. 

Thats the only reason why kids even go. 

To see the park, get hot dogs,
and baseballs that when put in the dark they glow. 

Then when you get home. 

you ask them what they remember about the game 

and they say, “I don’t know”. 

This game used to be interesting. 

But now I find my channels flipping. 

Even Golf is more fun to watch. 

at least they hit that ball a lot!
Baseball should but I doubt ever will, 

Get rid of all the pitchers it has to refill. 

No more pitching changes; That would increase the thrill!

Maybe players could hit the ball if wasn’t coming 100 mph every throw. 

and instead of pure talent pitchers had to use strategy,
of when to and not to throw 

That 100mph hour fastball.
Get rid of the sideshow. 

Then maybe kids would go. 

Maybe then we’d go back to being enthralled. 

Back when Baseball was actually Baseball. 

But I doubt it will because money is what matters now.
Sideshows make money so its always going to be allowed.
But I’d like to disavow
I’d like to dropout. 

I never really watched it much in the first place. 

but now I know of a better game.
Oh and one final thing to say. 

We should just go back to town ball. 

That game sounds so much cooler than baseball. 

You could really make some unique obstacles

Put in a fountain or maybe even a wall.
It just sounds like a lot of fun. 

I plan to play it this summer some. 

Everyone will be welcome. 

And we’ll have fun under the sun. 

And it won’t really matter who will win. 

Because its about having fun, building character,
and growing relationships
The end.

He'd just served up a dinger, 450 out...upper deck

His third home run that inning, and  he figured "what the heck"

He knew the hook was coming, first they had to make the call

Then the pitching coach would come out, before he had to give the ball

To the manager, all stoic, spouting rhetoric and then

He'd turn over the game ball, a kind of baseball zen

He'd come to learn this process,

He'd seen more and more this year

The time was getting closer

He'd have to hang 'em up this year

For five straight games he'd got the hook

Never getting to the third

And there was that team suspension

For flashing fans the bird

Frustration, more than anger made him vent and flash the sign

It was captured on the jumbotron, his finger.....8 foot 9

It made all of the sports reels, his finger in the air

But at 46, he thought, well....I really do not care

He was signed.. a bonus baby, out of Henderson N . V

He came up  out of high school in summer sixty three

His fastball, just untouchable...ninety miles per at least

And on opposing batters he would surely have a feast

He knew what he was throwing, was the best in many years

But at eighteen he was still surrounded by lots of big league  fears

In high school he set records, went to State, and led the team

He was the best left handed starter, Henderson had ever seen

He won each game he pitched in, hit for numbers, struck out tons

His team outscored opponents by at least three hundred runs

Scouts were out to watch him, every time he took the mound

And he knew this as he walked out, tossed the rosin on the ground

He chose to bypass college, heading to developmental ball

If he did what he was told, he be in Lakewood  by the fall

He got the call in August, saying "son, you're on your way"

"You'll be on the train this morning and tomorrow you might play"

So, he made his calls, told those he knew he was heading to N.J.

He was gonna set Lakewood  on fire, he was gonna have his day

He sat for weeks when he arrived, erratic was his stuff

"You've got to tame that curve ball kid, it's just not good enough"

His first start in September, he was nervous and concerned

What if I blow this chance and back to Texas, I'm returned

HE started off with two walks, hitting one then fanning three

He was feeling better, just what people came to see

After five innings they pulled him, with ten strike outs to his name

His team was up six nothing, he was gonna win this game

And sure enough the bullpen came on in and shut the door

And before the season ended he was winning three games more

That winter he went home again, and worked on his control

He knew what the coach wanted, he understood his role

Next spring down in  Clearwater he showed he had improved

So when the final cuts came down, up to double A he moved

It didn't take them long to find him burning up the mound

In fifteen starts, a hundred K's,  no one better could be found.

From here he went to Allentown, to AAA he'd go

Next move that he would make from here should put him in the show

He only threw 3 games down here, two big league starters down

He was called on up to the big time, and was starting....out of town

He only pitched an inning,  two thirds to be exact

He got lit up for 6 runs that night, hard to keep it all intact

He finshed out watching more games, than he pitched in but he knew

He'd be in the spring rotation wearing number forty two.

He met with mixed success at times never coming up real big

For as each year passed his fastball slowed and harder he would dig

His bonus money squandered, three wives gone, investmestments too

He bounced around the league a bit, hitting eight teams in succession

It was enough to do a weak man in, at least there's a concession

He was still up there, the show, on top, it didn't matter where he pitched

As long as he stayed healthy, he wasn't getting ditched

But one day he, on three days rest felt a twinge in his left arm

He pulled himself, and iced it, not doing any harm

But his pitching got erratic, speed was gone and no control

It was then he got the phone call...he was going to the hole

They moved him down to rehab some in AA across the state

He knew with no improvement that this would be his fate

Two years down here and then again, a new kid came along

Sorry, but you're going down...that was a lonely song

Two years and then he moved on back out West just to see

He knew he still had some heat...throwing nearly ninety three

But control...no way at that speed, slow it down...they'd hit him hard

Once he dropped it under eighty...all the batters...they went yard

But still he kicked around some, working nights, coaching some

Then he got the call from Joplin, got to see if he was done

He showed up fit, and did his best but still just couldn't toss

He'd get the speed but no control, the plate it wouldn't cross

The team was just a throw back, small market and little park

But inside he had desire, this place lit in him a spark

There never were too many fans, eight hundred at the most

But when he took the mound there, he could feel his younger ghost

On nights he wasn't pitching, he played first and coached third base

On other nights, he sat around and sold programs round the place

He knew that soon the time would come, he knew his bubble'd burst

He didn't throw as fast to  home as these kids did to first

But now, with the suspension, and him getting pulled five straight

He knew he'd overstayed his welcome, he'd been here far too late

"The ball...Jim, Jim, the ball....was all he heard coach say

He was already in the dugout and he wasn't gonna stay

He packed up and he left the park, left his rooming house as well

He had nowhere to go to, and maybe just as well

But the next year he was out there slinging just like Jim could do"

He was selling peanuts and some ******* jack at a ball parkin Purdue

The game is in his soul you see, it's part of who he is

Like Gherig, Ruth, Diamaggio, like Peewee and The Dizz

He owes his life to baseball. even though he stayed too late

"If he'd just controlled his curveball"...the kid...coulda been great.

Iridium fastball pitches
from Zuni serpent mound,
bottom of the 9th walk-off homerun
over 30ft diving moai.

Slide to home base in volcanic lava
to congratulatory ***** Gatorade bath
from Kubla Kahn forefathers,
chanting psychedelic clubhouse anthems.

Levitate from home plate
and land atop Pyramid of Cholula for victory dinner;
for since we’re all artists in our dreams,
true dreams never come true.

throw some ****** coal in this steam locomotive
fueled by drugs, fame, money, *******, and notierity
all them girls know its me,
and some think its Reid,
but they not in the game
muhfuckas know my name (Charlie Sheen)

all these ****** uppers in my nasal passages
can't handle this
parents goin through my phone and they check my text messages
they like - "riddle me this
all you do is talk about drugs and spittin game on *******
when you gon make us proud son
you sling dope but we aint seen one
penny - and we gettin sick of it
not because your raps are ill
but because you're selfish
clean your room, do your homework, and get a job
or you'll be homeless
suckin **** for crack
and you don't want that
then you won't be able to attack and conquer
Make some change - cause you're drivin me and your father bonkers
and your ****** moniker is Reid Donovan not Charlie Sheen"

Uh...

And i be like...
"don't fret Mom, urrbody love me
i'm a terrorist droppin bombs on these rap songs
and one day
i'ma be rich as ****
all because i'm a genius
ballin, swag my *** out like Josef Stalin
and i dictate, reiterating as I weave my words so great
too late, to stop my hostile take over
i'll show her, how to ****** peddle and be stellar
mean smokin green
well up, runnin these streets
watch me take over the world
cause the name I sign my checks with is Charlie Sheen
I be, conducting
noxious, fallout as I spit
cause my saliva is toxic
white *** *******
but i'm still hood rich

We gon take over the world
while I'm on my Charlie Sheen ****
watch me stand tall
high above all the rest
see me on national TV
believe they'll remember me as the best
stick me with a knife
and watch me bleed liquid gold
nationwide tours, sold out shows
winning - throw my fastball
three strikes - all the oppositions out
wolf gang **** them all

and you know I be on those strikes
cause I aint about them ***** - no
I'm Charlie Sheen *****

I'm gon take over the world
while Mac Miller's getting mad
you're only seventeen kid,
how you write **** like that
Its because
the only present I ever got for christmas
was a big box of swag
just messin take some lessons

man i'm jonesin
8 am, gotta hankerin for a fixin
call the operator cause i'm on a ****** mission
big dave answers my call
and I reach those outer limits,
all he says is press pound and i'll connect you to the mooooon

When girls ask me if I be on that Charlie Sheen ****,
I just tell em no - I AM CHARLIE SHEEN *****

They say
Words can leap off the page.
They say
Words can cut like a knife.

Come home from watching Lubovitch's dancers
Doing crazy eights upon the Joyce stage,
Rat-a-tat and seconds to bed tablet two-handed,
Some of thy words to keep, relish and visualize.
Tongue-taste delights, imagery dreamed, conceive'd!

Read four or five and I am
Crucified.

Anguish
Unrelenting - knocks planet Earth
Off its axis.
Star watching observatories call
NASA
"What's going on?"
But hey, they don't take the
Call
I don't make
Explaining soular word flares.

Anguish
Black and bold apropos.
Its asexual attendants,
Greet me, as I lay me down to sleep,
Souls inferno'd true confessions slap
Reality TV down to a pathetic joke.
Words, thorns without roses,
Bodies ready for extreme unction,
Punks puncturing peace with no punctuation,
Respite, none,
Spite, aplenty.

Google "sayings about words," thousands exist, pithy.
Amusing, insightful, but can't uncover any that relieve
Anguish,
the way needed now, for this crisis state.

Anguish.
Say it slow with your hands clasping your head,
The electric **** stabs connect your ears, but
Like water seeking release, head southbound to test the
Cavities of the heart's boundaries, probe for the
Satisfying silent ******* screaming weak spots.

Anguish.
Say it     r  e  a  l     slow,
feel the sounds of a summary of
Many other words, subsets of misery etc. etc.

The Aingsound,
Reminder of the dinging ringing stinking stingers,
Happy in their ***** work,
Here a hurt, there a hurt,
Everywhere a hurt hurt.

The shhh sound,
Is the bitter taste residue down sinister,
Ends in it,
No wash of the body or the mouth
Removes the endless shhh sound that is the exact
Opposite of a silencing hush.

I say,
I have words too.

Though I am not now,
Next to you,
You will hear my voice,
Out loud, out now, speaking
My words, recite or
Stop.

My words:

Feel just like those squeezing hugs parents
Give their kids when they are six seven and eight.
Hugs so tight the breath stops, but no minded,
For the message well received,
You are mine, my always, unencumbered,
Safely will this hugging touch see you through the night.

Foolish parents thinking those hugs unnecessary,
When children are "old," you know, like
Sixteen, seventeen, eighteen, when
Anguish
Needs defeating then, needs them hugs,
Now more than ever.

My words:

Are the arm unexpected slung fastball of simple affection,
Over and around a shoulder sent and spent,
A best friend's gesture that says, I know, I care.
A costless measure that measures in caring
What no precious metal could dare contend.

My words:

Are hands, a corps, a division of single soldiers,
Stroking thy cheek, caressing thy forehead,
Corpsmen coming for the wounded with comfort,
Antiseptic syringes, stretchers to take away
What needs taking away.

My words:

Are a neck architecturally designed to take your
Head, be a pillow resting place, your bird house to
Shelter or hide, as you need, see fit.
There is no rent charged,
Except for what I pay you in the coin of comfort.

My words:

Drum beating chest for your rest, each beat a
Message of connection, my beats purposed to
Remind you that thousands beats more yours,
So look up raise up refreshed head, to listen
For it's the song of steady, a reminder, a remainder,
So many much chances yet.

My words:

The drowning pools where anguish suffocates,
For it cannot breathe in a world of words of
Pure oxygen that resuscitate, filter, restore.
Each breath a clarification, each one  word speaking,
No more, no mas, done, enough,
Anguish
Extinguished, banished.

They say,
Words can leap off the page,
They say.

No, you try, you hear it, the voice clarion,
These new words that travel up thine arms
Holding until the until, no end demanded,
Awe and then some,
Some more,
Healing words, meant to be read back to me,
So I can rest knowing you've lesson-learned,
Homework done, cause it is your words speaking,
Out Loud!
My words,
Become words of yours,

Your words.

Last year's version of the mind-body problem:
my mind gives orders that my body won’t obey.
It’s a problem.

The body’s warranty has expired and
spare parts are scarce.  Plastic tubes
To help me drain have become part of my day.
So there’s still a will.  But sometimes no way.

I am now my sister’s age when she died.  
And some nights
as I lie down in darkness
there’s a moment of wondering
could this be the night
of the Great Reckoning
when everything I’ve said and done
goes mute and I am gone.

And crawling over me like a slow stain
is dread that everything important in life
has already happened. I remember some days  
less than my dreams.

But friend, not this tone!
Let us write a history of now.
Body and soul, stand up and shout
“Baseball road trip!”

Car:  check.  Best friend:  check.  Nostalgia for a simpler
time.  We can fake that one.
The red zigzags on our map turn into places:
Six ballparks in a week.
Detroit haze, gasping Chicago wind,
Milwaukee self-serve micro brew
Cincinnati chili and watering eyes,
Cleveland’s defiant self-love,
Pittsburgh’s Primanti brothers monstrosity sandwich—
Burger, coleslaw, and fries on toast.

The American dream tastes like fast food,
But the mystery lives between the lines.
Thwack of fastball into catcher’s glove,
Whock! of line drive into the gap,
Ball rolling free across the green
While the runner speeds for home.
Home.

Let’s keep going, friend.
There’s another bridge up ahead and
a ballpark’s lights shining somewhere in the dusk
of the upper Midwest and the open road
unrolls toward the setting sun.

Once (not that long ago, perhaps, though we likely know better)
The summers were languid, liquid things without end
Each day fully equipped with a high sky,
The blue so all-encompassing, so all consuming,
That lazy fly ***** seemed to disappear
As if God had scooped them up like so many routine grounders.
We played, in a field long since abandoned
To crownvetch and scrub grass,
Twenty one--five points for those *****
The celestial powers had bobbled
And we were able to catch on the fly,
Three points if we took it on the hop,
One if we safely trapped it before it rolled stone dead,
And so our Julys and Augusts fluttered by,
Every bit lazy and aimless as butterflies or knuckleballs,
With the exception of the de riguer tribunals
In which the assembled debated and determined
Where bounce ended and roll began,
Where shoestring catch was reduced to single-point trap.

It all came to an end, of course;
At some point, we crossed a line
(Undelineated but firmly established nonetheless)
Where it was no longer advisable to attempt this at home,
Mere joy no longer an acceptable substitute for proficiency.
Find something else to do, kid, we were told,
And the bats went to the back of the closet,
The gloves and ***** consigned to a spot
(Where we would surely remember to find them)
Behind some canned tuna and Christmas lights,
The fastball blurring by us now,
The field a warren of subdevelopments and cul-de-sacs.

And so you’d forgotten,
Or perhaps just suppressed, the whole notion;
There were, after all, a gaggle of coupon books
With return addresses from an ever-changing confusion of banks,
Sales on pasta and milk, other fees and foundations
Politely requesting ones attention,
So you couldn’t be sure
That it was really the crack of an old thick-handled Adirondack,
Or the comforting thwick of the ball landing squarely
In the pocket of a Wilson A-2000,
Yet when you wandered to the window and peered out,
There they were, looking straight up at you,
Waving their hands like childlike Prosperos
Gesturing to reveal some fairytale glen.  
Come on back, they are saying, and you go down,
Powerless to resist, even if you had wanted to,
Returned instantly, seamlessly to a time and place
Where a shout of I got it! I got it!
Was all the prerequisite or vitae that was required,
And you are unable to bring even mock-edginess to your voice
When you insist I got that cleanly on the hop.  That’s three points.

When, as a child, I thought about
a future to be planned,
I saw myself upon the mound
with a baseball in my hand.
I’d fantasize about the game
throwing at our garage door.
Fearlessly I toed the rubber
and reached down for something more.
I learned the basics of control,
a fastball and a slider.
If I could only get my curve to break
I’d really be on fire.
Through long summer afternoons
From sixty feet, six inches.
I’d shake off imaginary signs
and called my own dammed pitches.
There was a problem, I confess,
one troubling me greatly.
My fastball wasn’t all that fast-
It topped out about eighty.
I also stand at Five foot eight
and, even then, was hefty.
But I think I could have made “The Show”
if I had been born a Lefty.
Published today 09.12

I may never be a Nolan Ryan fastball pitcher,
But I can play any position the coach asks of me and I’m a helluva hitter.
Try to be a sponge in everything I do,
Resourcefulness, Adaptability and Work Ethic are your conquest clues.

So make every second count young person!!
Wear your heart on your sleeve..express yourself for all to see!!!
And as Dale Carnegie once said…Be the better person and don’t worry about anyone talking incompetence
Cause “Unjust criticism is often a disguised complement”!

-K.E. Carman
Dale Carnegie – How to win friends and influence people

Notes From The Poet's Nook: My Body Has Changed

There is this moment
When the mirror solicits an
Unwanted confess,
No tort or tortuous devices required,
The self-evident, undeniable.

It is almost as if someone punctuated your life with a
.

Traffic light. Stop. Red. Green. Go.  

Stop n' go.
Periodically.

But while you're momentarily waiting
Some convertible-rider boys pull up aside,
Whooping n' hollering,
Cause they like what they espy,
A woman, no more a changeling,
That excites their almost mature juices.

You call them idiots,
Flip them the eagle bird,
Smiling somewhere where only you and
Poets can envision,
That grin, a womanly gleaming,
Deserves a poem unto itself.

Other moments, other lights,
When time whispers kindly,
It's  now, today, is my-time.

Alone you go the drawer,
It's Bikini Collection Day.

Valuable space wasters,
Even that one, resident of the night table,
In the photo momentous,
You and the kids, on your lap,
Unchanged from the way you know it,
The one you swore forever keep.

Not to the trash they go,
After all, perfectly usable,
So drive to thrift store depository,
Where reusable dreams are stored,
And now future memories to be
Husbanded by someone else's husband,
On someone else's night table.

Got a mortgage, two college funds,
A ton of worries and a
Paunch, a gut, to hold 'em all.
Stand up straight, breathe in hard,
Still there, as if you didn't know, unchanged,
What ya gonna do about it?

You got too much stuff, no way it's the poet's fault!
Go to the couch  and bake a plan!
Cause that's why linguists gave us, maybe and tomorrow,
My fav word when rhyming sorrowful...

You see that child in the photo next to me?
In the baby seat, skeptical of all the cooing noises?
That look I treasure, for she be my genes,
My grand baby, who trusts no one but
Mom and Dad to pick her up,
Sensibly cautious, even tho I blow kisses
On her belly button, the one that says Press Here,
For raucous laughter and present-ed her 25% of herself.

Nowadays, almost two,
Her body a change machine,
Now she is a pusher, not a pushee,
Pushing Elmo in his carriage
Look me up, but see her.

Dressed to the nines, a Manhattan lady.
I missed that moment, too many came, coming.
Changeup and fastball
The only pitches in her repertoire,
So far, but if her dad don't teach her a cutter
**** right you smarmy left handed hitting boys,
Her Poppy sure as sht will.

Ok, you know me. Got remind myself to stop
Before I get dribble mouth.
Guess that's kinda of a
Momentous change for me,
But lucky for you,
I can still do it,
Write a poem 1,2,3...
5, 6, 7, times a day,
If that stops, it wail be
Because....something changed me permanently.



July 6th, 2013

It is like shaking hands with a bag of oyster crackers;
Joints sprained, ligaments torn, fingers fractured
And splayed off in several different directions
Like a weathervane that has had a rather nasty shock, indeed,
The whorls of his fingertips, the uneven rise and fall of the knuckles
Serving as a travelogue of a lifetime spent
In towns not quite ready for the big time:
Olean, Oneonta, Visalia, Valdosta, a dozen more besides,
A million miles on buses
Of uncertain vintage and roadworthiness.
Each scar and swelling, each uneven path
Between base and fingertip has a tale of its own;
The ring finger on the left hand first broken
By a Big Bob Veale fastball that was supposed to be a curve,
Later snapped again by Steve Dalkowski,
Who, drinking quite a bit by then
(When ol’ Steve had put away a few, he notes ruefully,
You didn’t want to hit him, catch him,
Or sit in the first few rows behind the plate)
Most likely never saw the sign
Indicating slider instead of high heat.
The index finger on his throwing hand?  
Well, that was from a foul tip in…Wellsville in ’59?  Walla Walla in ’62?
When you’ve bit up by the ball as many times as I have,
You tend to forget what you tore up when.
Ah, but no such problem with the right pinkie;
That was snapped one cold April night
Somewhere between Winnipeg and Duluth,
During a poker game when a backup infielder
Produced an unexpected and wholly inexplicable king
Seemingly from nowhere.

But those hands!  They were, in the lexicon of the scouts
(The same ones who labeled him
With the dreaded tag of “good field, no hit”)
Who trolled the sandlot parks
And high school fields of his childhood, “soft”;
Indeed, he could cradle a ninety-mile-an-hour fastball like an infant,
And, with the gentlest and most imperceptible of movements,
Turn the wildness of a nineteen-year-old phenom
Into an inning-ending third strike, and even now,
Two decades of bad lighting and jury-rigged equipment
Having turned the topography of his digits craggy and asymmetrical,
They seem as smooth and supple as they were at nineteen,
With all the strength and unsullied smoothness of youth,
As he grips and waggles an unseen bat
In the course of retelling
(In his one brief, glorious spring in camp with the big club)
How he doubled to the gap in right-center
Off none other than the great Whitey Ford himself.

Hard rubber plate there in the dust
and just beyond, a mound.
With difficulty Catfish turned
and paced the muddy ground.
Even with the walker
these few steps were hard indeed.
Shoulders weak, steps faltering
from Lou Gehrig’s sad disease.

The blue sky stretched above him
so infinite and vast.
With difficulty Catfish reached
back, deep into his past.
He did not think of trophies
or recall his perfect game.
Not at all about the millions
he once got to sign his name.

He was pitching for the Yankees
against men in Dodger Blue.
The World Series game on the line
some whispered he was through
His mind recalled each move he’d made
Each strikeout pitch he threw.
In Memory the fastball’s song
still sang out loud and true.
Like an old dog fast asleep
might dream that He’s still young.
Catfish thought about the night
His last Series ring was won


Soon, too soon, he’d be relieved
of ball, of life, of game
He’ be a plaque upon the wall
down at the hall of fame.
A few more weeks
and he’d be gone-
a casualty, nothing more.
The object now of whispered prayers,
This man fans once adored.

dirt clod sails
pitched wildly
from rough hands
glinting stone
peaks through
deadly in its camouflage ~

pressed wildflowers
fill pages
ruffled sundress
sparkling under the sky
surrounded by lush green
enjoying pleasantries
humming absentmindedly ~

erupting forth
the barely noticeable stone
sheds the brown suit
upon impact
landing with force enough to
split and blacken
crimson trickle
wailing banshee ~

sudden swiftness from near a barbeque
blows rain down
hostile wind flows forth
distant sirens fill the space
all quietly watched
the final collapse
of tired lungs /

A good fastball
is not achieved
without a good
changeup. That
is to say that one
must feel the circle
within his stretched
hands and gently
unravel her laces
with your fingertips;
before you simply
jam it up inside of
the zone as fast as
you can.

He’d always had the fastball.
It was, according to the second-tier phys ed teachers
And young, un-tenured math instructors
Who comprised the area’s high school coaching community,
Unlike any pitch they’d ever seen,
And the hapless shortstops and left-fielders
Who meekly waved in its general direction as it crossed the plate
Simply shook their heads, glared out toward the mound,
Or, in the case of one chunky red-haired clean-up hitter
From up in Clearfield,
Threw a bat at him in a mix of embarrassment and frustration.
(He’d simply stood on the mound,
Grinning as the piece of wood sailed harmlessly by,
And he’d yelled back in at their bench,
Listen you bunch of woodchucks,
There ain’t nothing you can do to me
With a bat in your hands no way no how.)

His success was uninterrupted, unparalleled,
With no taint of failure or adversity
(He’d always told the scouts who asked him to pitch from the stretch
Mister, when I’m pitching, ain’t nobody gets on base.)
And when he’d signed his contract,
Which included a bonus of twenty-five hundred dollars
(Little more than chump change to the ballclub,
But all the **** money in the world to him),
He’d figured it was just the first step
In an inexorable process to the big time
The possibility that he could be no more than an afterthought
Never so much as crossing his mind,
But though he had the fastball, it was no more imposing
Than several dozen other pitchers in the organization,
And it had the tendency to be straight as a string
On its journey to home plate,
Easy prey for players who had grown up
Facing good pitching twelve months a year,
And his other offerings
(The notion of needing a Plan B on the mound
Having scarcely occurred to him)
Were rudimentary and unpolished things,
Child-like roundhouse curves,
Change-ups which announced themselves
Long before they ever left his hand,
Plus lacked what the scouts and developmental types
Liked to call a “projectable body”,
No six-foot-six, no frame that spoke of growth and untapped power.
He still had the dream, but offered the big club little to dream upon.

He spent a couple of years in short-season ball in Upstate New York,
(In a small, down-on-what-little-luck-it-ever-had city
Where the right field fence
Butted up against a maximum security prison)
Cleaning up the messes in blowout losses,
Soaking up innings on cold, damp early June evenings
In places like Watertown or Little Falls,
Where the threat of frost lingered almost until the summer solstice,
So that those arms which were part of the big team’s future wouldn’t be put at risk, Spending his late mornings and later evenings
In any number of identical shopping malls, Super 8’s and Comfort Inns,
Bars named The Draught Dodger or Pub-N-Grub,
Where the women of one A.M. appeared to be intoxicating, glamorous,
But were all dark roots and crow’s feet
In the grainy light of early morning,
Pale tell-tale halos on the left ring-finger,
The redhead of Erie indistinguishable from the blonde in Oneonta.

He knew that he was simply a spare part, a body to fill out a roster,
But come his third spring with the organization,
He’d asked--begged, really--for another full season,
One final shot to make good,
But the farm director just sat back and smiled ruefully.
Son, he said after a seemingly endless pause,
We’re all pretty much day-to-day.
After a few weeks back Upstate
(He’d only pitched once, to one batter,
Who he ended up walking on four pitches),
A new crop of polished collegians and high-school hotshots
Were signed on the dotted line and ready to roll,
And one night, just before the team bus was leaving for Batavia,
He was called in to the manager’s office,
Where he heard what he had dreaded,
But knew was coming as sure as sunrise:
End of the line, kid.
We have to let you go.

So he went home.  
He’d laid low at first,
Dodging the polite small talk or wordless looks
Which all boiled down to What are you doin’ back here?
Eventually, he emerged from his old bedroom at home,
And if someone at the Market Basket or the bar at the Kinzua House
Asked him what went wrong,
He’d shrug and say he’d got caught in a numbers game,
Or it was politics--The guys they spend a million bucks on
get a million chances, Y’know?
But he knew that for those kids
Who had never been good enough to dream,
The notion that Bobby Rockett couldn’t make it
Said something about their own futures
Which was too bleak, too awful to contemplate.


A couple of weeks after he was home,
His official release arrived in the mail,
The ballclub’s logo all but jumping off the envelope,
Bold , bright gold star with one point tailing off
In a hail of inter-stellar dust, comet-like, into nothingness.
He hadn’t bothered to open it before he chucked it into the trash bin
(Though he almost immediately regretted its loss,
His playing career already a different life,
With few tangible bits of proof to prove he’d been someone, something.)
He supposed he’d go get a job at the mill,
Or maybe go into selling insurance with his dad,
And there was always a pretty good semi-pro league in Pittsburgh
If he got the jones to do some pitching
(Still, that was a two hour drive each way,
And somehow he never just got around to doing that.)
Some nights, just before sunset,
He would drive out to the high school ballfield
Glove and bucket of ***** in hand,
And, wearing a good landing spot with his battered spikes,
He would throw (the motion so easy, so clean,)
Pitch after pitch across the plate,
The knowledge that his velocity was more or less undimmed
Leading him to smile grimly, almost conspiratorially to himself
As throw after throw rattled the backstop,
Sounding for all the world like so many metallic crows
Settling into a grove of scrub trees on a late August evening,
The nights growing imperceptibly longer
As they proceeded inexorably toward autumn.

a stiff lesson in letting go.
a fastball to the chest.
an image of death
approaching on his warhorse.

got a lot to accept about catch
and release,
about the karmic patterns chasing me.

i'll eat my own tail before i acknowledge
history is repeating itself.
a recursive curse
of love unreturned,
rebirths.

dizzy at the sight of my own bleeding/bleating heart,
i howl in frenzy and
deny i was bit by a werewolf
in the new moon's dark.

am i as translucent,
as you are opaque?
does my breath feel like an earthquake
as i quiver at the sound of your name?

nowadays,
i am sure of nothing
more than my spinning.
your elusive grin
pins me to the wet dirt of august,
and dares me to chase you all over again.

a lesson in walking away.
a slow burn in the stomach.
a never-ending plummet
into this fever-dream's abyss.

I don’t know why.
I had you pinned to the bed
and you were finally gonna let me
kiss you. I wanted it to be perfect
so I got up to turn off the TV or
light a candle and I don’t know
what happened but I still haven’t
kissed you and you got married
in April.

The way you looked
at me: ***** and smug,
I haven’t seen anything like it
in years. I’ve subsisted on fumes.
It’s not easy concocting that
in a woman.
I tried to kiss you once before.
We sat on my porch.
You stroked my
hair. I leaned in.
You ducked out of the way
quicker than if I'd
thrown a fastball at your head.

You went back home to the South.
I commemorated my survival
by putting a black X through
each day on the calendar.
Love was finally going to happen to me.
Every day I was getting closer,
or further away,
I'm still not sure which.

I had a lot of dreams about you then.
I wanted them. If I couldn't
have you during the day, I’d make you
visit me in the night.
Once you were wearing
a sweater that gleamed like snow,
my lips touched yours like a bow
on a violin string.
We were both looking for clues,
for God or Fate to tell us what to do.
You crashed your car after you told me
on the phone your friends thought
we should be together forever.
You stopped talking to me after that.
I cried for three days and nights,
but I felt like I should've cried longer.
Tears came all the way from
the tips of my fingers,
the soles of my feet.
That grief was the last time
I knew how to use every part of myself.

I saw you next in a bowling alley.
There was some other guy
you were getting attention from.
He wasn't your boyfriend either.
You were so nice to me
that I knew it was over.
I wondered what God was trying
to tell me and decided He was
******* with me (a bowling alley!)
so I stopped listening altogether.

I haven’t had as much love
(or, more likely, ***)
in my life as I planned on.
I’ve withheld reservoirs,
waiting for the right girl,
my energy going into work,
leaking away in various diversions.
Meanwhile, she’s yet to show up.
It’s a hobby of mine,
entertaining suspicions
that she might’ve been you.

Once I sent you a message
saying I’d do anything
to make love to you.
That’s not exactly true,
but that doesn’t make it
a lie either.

I had a dream about you.
Someday my kiss
will land on your lips.

where did it go?
left in some boxed toys in a garage sale?
nah, it was left on school buses and playgrounds
trampled in the grime and dirt of too many fistfights.
tossed aside for the brave face that kept me alive for
another surgery…and recovery.
I tried to find it a few times
but too much time had passed
and little else had gotten better
I had moved on…unwittingly…unwillingly
moved into the territory of the adult
able to hold my own in a conversation
that should have been over my head
but was not.
I had discovered a different kind of toy
one that smelled like wild cherry bubble gum when first opened
one that was magnetic as it’s sounds unwound across my tape machine.
I tried to talk to people my age about my discoveries
They were too busy discovering their own wonders
like a pretty solid fastball...or even second base.
Years and youth gone
I lived alone
with notebooks, headphones, and cassette decks
content to leave their world for my own
a combination of riffs and words
that inspired me to use my own voice
to produce as good or better than the gods that lived
in my backpack.
I make my way…
and the old gods still ride along.

A ninety mile per hour fastball
Straight from the pitch
An oncoming pair of headlights
The crunch of my bones
As she shatters my walls
I thought I worked so hard to build

My blood on the pavement as I pour out
My battered and bruised heart
In all of its tiny pieces
She is needle and a thread
The stitch in my veins
The Paramedics won’t be here anytime soon

The last choked bit of air I’ll breathe
Will be full of you
A song I will never finish singing
But love the notes I’ve heard time and time again
They will call a time of death upon arrival

The road was your kiss and I wanted to be all over it,
So the rash is worth it
The skin grafts, my mistakes from previous times
I am patchwork at best, half a man, more parts to be used than a full package

My lungs were blackened from the smoke, but I’d give you them anyways if you asked, tear me limb from limb as you tell me you love me, brutally and with such cold tone

The metal twists my insides as I connect with the hood, my legs off the ground, kind of like how I feel when I’m with you, floating through the air, waiting for the fall.

The last cigarette in my pocket will never be burned, I never got around to telling you how I really felt. I knew the words, like a vice, would be poison to your lips

Sirens will line the street, the sole witness to a love letter unspoken in the rain, my blood washes down the ditch and soaks the grass. No one saw it coming

"This is a collect call from: 'Darlene Ryder', at the Nielsen County Sheriff's Department, press '2' to accept charges and be connected."

beep

"hello? Bill?...you there?"
"**** Darlene, how many times we gotta ******' do this?!", he threw his voice at her through the phone like a fastball wrapped in firecrackers.
"I dint do nuthin' wrong! they jus got sumpn' against me s'all!"
"uh huh, the **** d'you do, huh?
"the ***** had it comin', I was jus tryin' to have a few 'n relax then she come 'n talk 'bout how I was lookn' atter funny but I watn't- I was jus mindin' my own talkin' to Charlie. So all's I need from you is to get yer lazy, belly-picken', beer-guzzlin' hole fer a face down here and unpinch this ******' mess!" and hung up the receiver on her end of prison.
      The guards shoot each other a look then raise their eyebrows.  They'll be recounting this over beers tonight beneath the monstrous glow of 47 90" TVs in between attempts at the waitress young enough to be their daughter.  They'll shovel in the wings of a total of 18 birds drowned in hot sauce and butter before the sports bar stops feeding them.  Then they'll all drive home drunk with hot breath and testosterone like molasses, ending their nightly routine with their ***** in their hands and their pants around their ankles drooling at tiny glowing screens.  
      Long live the American gods of New Olympus.

I wasn’t sure how old he was,
I don’t think even he knew.
Age never seemed to matter much
On the days that Satchel threw.

He always had a ready smile
Especially up there on the mound.
And I’m sure he had more pitches
Than I had fingers to put down.

With time his fastball had slowed a bit
But it never seemed to matter.
He’d just reach into his bag of tricks
To strike out another batter.

He didn’t have an ounce of fat;
He was sinewy and lean.
He might have been a grandpa
But he could still pitch for my team.

Old father Time stepped up to the plate
In a match anticipated
Well you can check the box score, friend.
Time left ticked off and deflated.

There’s tale upon tale told
In praise of Washington’s Big Train
And the horsehide deeds of Old Pete
Shall be told often and again.
And honest Matty, the Big Six
Hurl’d more than a gem or two,
But they can’t match The Rainmaker
Tossed by Pittsburgh Dan McGrew.

He’d come by train from Keokuk
As green as a patch of clover;
And though he stood ‘bout six-foot-three
Weighed one-forty or just over.
He sauntered up to the owner
Mister Dreyfus? I’m Dan McGrew,
And I am the damnedest pitcher
That anyone has ever knew.

Old Barney found himself amused
By such a gangly cow-town rube
So the boss man and Freddy Clarke
Thought they’d have some fun with this ****.
There’s Wagner—can you strike him out?
His reply left them in stitches.
I reckon that won’t be too hard;
I should only need three pitches.

Oh, so your fastball is that good?
Skipper Clarke said with a chuckle
Don’t throw one, so Clarke said aghast
Can your curve make Hans’ knees buckle?
He shook his head, Nope, don’t throw that,
As he grinned like a wiseacre.
Got just one pitch, that’s all I need,
And I call it The Rainmaker.

They called the Dutchman to the plate
To knock him back to I-o-way
And he swung early and swung late
But couldn’t put one into play
And Wagner grunted, moaned and screamed
But found he couldn’t hit his stuff;
Whatever this Rainmaker was
It sure was plenty good enough.

He tossed the ball twenty feet high
Just a soft lob with a stiff wrist
And a slight twitch of his fingers
To give it just a little twist
Oh, it might swoop like a falcon
Or drift as softly as a dove
And often it would come down wet
From touching rain clouds up above.

The clubs in the senior circuit
Found themselves flummoxed by this lad:
He no-hit the Bees in Beantown
And drove the Cubs and Redlegs mad.
He hasn’t got enough to hit!
They growled in Brooklyn and Philly,
But his ledger said otherwise;
A gaudy twenty-six and three.

The final day of the season
Found the Buccos and Giants tied,
And no one doubted who would be
Taking the hill for Pittsburgh’s side
For New York, Matty took the hill
And both hurlers were simply great
Not one batter had crossed home plate
As the two clubs completed eight.

The Giants bench hooted at him
That beanpole throws like a girlie!
But he got Doyle to pop up
And then fanned Snodgrass on just three
The next Giant to reach the plate
Was the hard-hitting Red Murray
And John McGraw said Now he’s done,
Red will chase him in a hurry.

But Murray tapped the first pitch foul
And missed the second one outright
The Pittsburgh bench now taunted him
Good morning, good noon and goodnight!
McGrew than tossed one up so high
His catcher swore it clipped a bird
And then Dan strolled right off the mound
As not a soul uttered a word.

The old ballpark is long gone now
And those who toiled the same;
That pitch still lives in infamy
As does the pitcher and the game.
The Bucs have had other heroes
With deeds and feats of great renown
But they still speak of Dan McGrew
And his pitch which never came down.

(In memory of Glen Slater)

Ya stupid sonuvabitch, the place is deserted!
It’s gotta be a ******’ night game, ya ******’ mook,
But though the parking lot had the forlorn look
Of a down-on-its luck strip mall on a weekday afternoon,
There was just the hint of activity and indeed a game,
A friends-and-family affair with the Cubs,
Losers if not particularly lovable,
So we departed the ancient Gremlin
(Ostensibly painted cab-yellow,
Though festooned with enough Bondo and duct tape
To make it difficult to tell
Where car began and slapdash repair ended)
Strolling toward the deserted ticket window
To drop the two-bucks per for upper deck seats,
Knowing that we would find amenable ushers
Willing to let us move down to the boxes
After it became fully apparent
There was no last-minute influx scrambling off the 7 train,
And we sat in the sun-drenched field level seats
(Though its warmth a relative thing,
The rays’ angle and the decidedly April wind
Requiring buttons to be snapped
And collars to be turned upward)
Viewing the spectacle of two clubs
Dutifully and somewhat optimistically
Performing the rites of Spring, each nine knowing
There would be no October heroics in their futures,
Their first-rate plays and foibles
Gathering our appreciation or scorn
Between gulps of over-priced watery beers,
And as we sat in this unlovely stadium,
Looking for all the world
Like some Bunyan-esque chipped ashtray
Plopped down on an unprepossessing landfill
(The hopes and wistful dreams of this children’s game
Perched uneasily atop ancient sardine tins and discarded rattles)
We agreed that we would do this again,
But it never came to pass, as life its ownself
Rolled on like the cap of John Pacella
(Invariably flying off his unruly mop
From the effort of launching yet another fastball
In the all-too-vain hope it would find itself
Somewhere in the vicinity of the strike zone)
Tumbling brim over crown in the swirl of the breeze.

It is like shaking hands with a bag of oyster crackers;
Joints sprained, ligaments torn, fingers fractured
And splayed off in several different directions
Like a weathervane that has had a rather nasty shock, indeed,
The whorls of his fingertips, the uneven rise and fall of the knuckles
Serving as a travelogue of a lifetime spent
In towns not quite ready for the big time:
Olean, Oneonta, Visalia, Valdosta, a dozen more besides,
A million miles on buses
Of uncertain vintage and roadworthiness.
Each scar and swelling, each uneven path
Between base and fingertip has a tale of its own;
The ring finger on the left hand first broken
By a Big Bob Veale fastball that was supposed to be a curve,
Later snapped again by Steve Dalkowski,
Who, drinking quite a bit by then,
(When ol’ Steve had put away a few, he notes ruefully,
You didn’t want to hit him, catch him,
Or sit in the first few rows behind the plate)
Most likely never saw the sign
Indicating slider instead of high heat.
The index finger on his throwing hand?  
Well, that was from a foul tip in…Wellsville in ’59?  Walla Walla in ’62?
When you’ve bit up by the ball as many times as I have,
You tend to forget what you tore up when.
Ah, but no such problem with the right pinkie;
That was snapped one cold April night
Somewhere between Winnipeg and Duluth,
During a poker game when a backup infielder
Produced an unexpected and wholly inexplicable king
Seemingly from nowhere.

But those hands!  They were, in the lexicon of the scouts
(The same ones who labeled him
With the dreaded tag of “good field, no hit”)
Who trolled the sandlot parks
And high school fields of his childhood, “soft”;
Indeed, he could cradle a ninety-mile-an-hour fastball like an infant,
And, with the gentlest and most imperceptible of movements,
Turn the wildness of a nineteen-year-old phenom
Into an inning-ending third strike, and even now,
Two decades of bad lighting and jury-rigged equipment
Having turned the topography of his digits craggy and asymmetrical,
They seem as smooth and supple as they were at nineteen,
With all the strength and unsullied smoothness of youth,
As he grips and waggles an unseen bat
In the course of retelling
(In his one brief, glorious spring in camp with the big club)
How he doubled to the gap in right-center
Off none other than the great Whitey Ford himself.