how do you paint water, or clouds?

I could read poetry for the brief,
of my of remaining life, however brief,
and never be satiated, of love, and streams of water,
never stilled, always running in patterns that exist,
but for milliseconds, admired by clouds born in, of,
a moment of re-formation that is perpetuity long:
unending shape shifting, like the freedom of flowing water
currents, forming, reforming and unthinkable, nay,
inconceivable that human eyes or their spoken words
could capture their shiny white foamy essence

But of love, that we can do, paint, design, recreate its
endless loops of undulations, like the radiating circularity
of a pebble dropped gently to its burial sight in a quiet pond.

Humans know, understand and excel at clasping and grasping
at the synapsing of human cells from differing bodies: the
exogenous erogenous of human touch that like the clouds
and the water, who could paint that, who capable of capturing
said sensations that wrack and enliven the body with invisible
interior chemical reactions. I cannot. Thankfully better men and women have treatised  their entreaties to the powers of the universe and been rewarded with the skilled delicacy of weaving human tapestries, the milliseconds of connectivity, eclectic and electrifying of different currents and differing amperage’s forming and reforming like water moving, just  like the clouds changing in response to the externalities of wind and gravity and all the forces of nature that encourage us to study and stare at these flows, hoping to entrance them into standing still for but a moment, and instead, mesmerizing us into standing motionless for hours in awe of their freedom.

Love’s undulations too mesmerizing, and freezing us into
place, or alternatively caucus to run endlessly arms extending,
flying though not airborne , rocketing us upwards while feet never budging, but finding good wards, masterful metaphors to recreate and thus to share the fabulous mystery of this thing we know as love.


2:58AM
Friday
jul 22 (jewel 22) of the 23rd year of the 21st Century.


O.L.P.

I am sitting at a desk,
back straight, head forward, eyes open. Blink.
Economics melts into white noise as
supply curves become demand curves become supply curves, elasticity.
Water weeps through the crevasses of the windows and ceiling,
mocking my ever fragile existence.
Ankle deep in yesterday's cold forgotten words unsaid,
the lesson advances.
Demand curves become supply curves become demand curves, consumer surplus.
A single drop christens my desk and terror fills my long hollow eyes
as the ceiling mutates into a congregation of puddles.
Rain that felt of hydrochloric acid
dissolved the very flesh I tried to escape.
God is not so sweet when it comes to sinners,
confining me to the barriers of an insignificant wooden desk.
The class remains like mannequins,
indifference radiating from their plastic cores.
Supply curves become demand curves become supply curves, externalities.
The only witness to this nightmare,  
my last breathe finally deserts me.
I tense as the numbing waves climb up my spine,  
injecting lethargy in each individual vertebra.
Malicious tentacles wrap around my throat and water floods my collapsing black lungs.  
White noise consumes the entire classroom as I float in and out of paralysis,  
only to open my eyes. Blink.

It is the supply
Receipt of the followings
Ecological security,
Social and emotional security, and  
Economic security!
These supply are conditional
With the followings
Passion for naturalism and nature stewardship,
Care for humanism,  
Ready to co-exist with diversity,
And minimalism!
Total Cost for supply is
World with stable equilibrium linking to steady state
With additional taxes for negative externalities
And subsidy for positive externalities!

The vertical of the routing kinetics was far from the contemplation of the gods of the catastrophes, accepting that they had to save these souls that were tied before the inclination of the southern part of the island when it loomed in the height, related and when the lord He appeared to Saint Paul in Damascus for the reconversion of souls. Fury dried the air and became unbreathable as it exploded before the astonished gaze of those lacerated by the ins and outs of the earth, seeing that Saturn, Mars, and Jupiter came into conjunction, when the sun revolved around itself, accelerating its kinetics perigee. The misgivings took hold and the feet of all were static without, finding footholds in some astromethereology, to ask the archangels for the vindicatory fiery flame, far away in the arid atmosphere that Mercury produced when he wanted to abstain and block the unbridled Sun. The intense and changing winds emanated from the caverns, like micro hurricanes that constellated Aorion and Taurus. The darkness came out of the Pleiades from the dark Manes who envisioned the codes and omens for those who were not empowered by the claws when they aligned themselves in Taurus, and Mycenae anticipated said forecast in the Agios Andreas chorography, which on this occasion was trilocated, to resist in the same chorus of Patras, where the Apostle Andrew was announcing them between kings and generals. Everything argued from the veins of the meanders where it could be described that thunder came out from the clouds and that they were absorbed by the cracks preceded by the vigorous bells, and the bellowing of Vernarth as if they were in the hypocenter of the Arbela site, when all soldiers ran after other human species and Brisehal bellowed at them, emulating his master's senses of terror. The roar of combat was comparable to the convulsions of men running toward the lows of the earth, spitting foul-smelling whiffs from within. The galleries were hidden above and below the earth, the blows were overwhelmed by compact solid plates that flew over the lost earth, the Stymphans protected with their bronze wings the lacerated and Marie des Vallées, who in turn encouraged Vernarth who fought to protect Theus and Vikentios with Wonthelimar near masses pierced by the blast of the fiery wind. Some adobes were classified within the taxonomy of the brick that was fortified in the corners of the Hellenic temple that resisted with their flying buttresses when the parapet was raised, and they settled again after an undulating goal of venerable swaying to a Sybilla in trance. The waves ceased the high tide wind and the contrary Metelmi winds were made worse by any anger in the wreckage of a forge when the *** scarce to open the Apollo wasteland.

They all had to wait forty-five days, sheltered in the meanders. When the sea was collected after having overcome the masses of hydrosism, in any exhibition in front of anyone saying goodbye with inept imploration. Vernarth was possessed in some declines with the support of his donkeys, who had come from the Eclectic Portal to assist him in the face of this typology that only with them could he minimize. In the sixth version of his reposes, Vernarth gave them up due to the delirium of repentance, which revealed the image of the Twelve Apostles, before the scientists approached from Vernarth's Rhema who quantified the approach to austerities, which could not even be gathered in all the libraries of the World, not least in the insight of who can describe it extrinsically in the Parnassus or the Acropolis. The whole irrational focus was deified in the externalities of all the slight edges of the Milky Way, creating arcane incense fires in what is said of the trials adjacent to the springs of knowledge, to console the mourners towards a Tractatus where they will revolutionize the meanings of the signifier.

Zefian says upon emerging: “what collision affects the movements of the world when the body vibrates with confusion and not with emotion! The Fourth Sagita collided with Mercury and the Sun, everything took hold from the Aurion Belt, for them, the uneasiness is reflected in the death, by not resisting the rude speed of the ancient episodes, which in turn are in the geological testimonies from where all geological ethical matrix is born. As dignity is aquatic given its immense containment of the sinful solid, the solids want to get out of their penitentiary causes, with a habitual bustle breaking down in the valleys and mountains, which only the land contains and not the sea. When the ocean shakes, it lashes with the Aurion club at its antagonists, who could be imaginary or its own ethics that cross the seas and takes hold in amphibious larvics lands "

Zefian leaves and begins to order and incur in the surfaces that became tenuous and discreet in the labyrinth of the Tractatus and in the linguistic signs of retro life, which came to redeem their progeny that lay in the same spheres that the earth itself possessed, flooded with silt in the superimposed light of the fire as a collateral external factor that moved with all lightness, throughout the circular surface as if snatching the dynasty that the Peri Kosmous claimed, leaving it in the fractal of the nullity of the excursion, with the factorial of starting Relevant areas that do not tremble, until the soul of the world was in the trance of the same excursion, while time froze as inert matter, and real-time emerged from the thread of the excursion's digression when the mountains were not sinking, probably being so. ? That verisimilarly it would pre-exist after the final excursion where it showed its splendid chorography authentically intact.

When externalities are potent,
I ask myself.
Things never go my way
Anticipation is disappointment
In disguise.
And my hopes?
Instantly smothered into false optimisms
And the ashes;
They pile up,
They form a mound,
My rememberance
Of unjust and sighs.

One day, I too will become those
Ashes.

I have always been surrounded
By walls, by walls
They guard me and they disguise me
I am but a fetus
I am a fetus forcing myself to grow hair
To grow affections
To be human
Whatever it means to be human

But the forces of the external
They are growing stronger
And they have pounded me down
Those externalities weren't aware
That it was
Them
They caused it
Why question it
You caused it.

My fortress was build upon empty words
Hopeless faith
The unceasing optimism of a teenage idiot
I am an idiot

And I am an idiot
Because my fortress has an intruder
He has managed to unveil my true intent
Now I am a fetus
Exposed

I have been exposed
But his hands are around me
They are bringing me warmth and life
And for once
Once again
I smile

The intruder does too.

While I try to figure
Which is the trigger
And which the consequence,
A battle breaks out
Externalities cave in.
Simultaneity takes on a horrid meaning.
Anticipation becomes the catalyst
Of a demon that I created
But know not *******.

I forget where my comfort zone lies
In the sphere of my inability
To face, to do things all these years,
Or the realm I wanted to leap to.
There's no single-leap shortcut though,
I've been crawling all the while
With my head buried in the sand.

what does love look like the therapist asks
one week after the breakup
and i’m not sure how to answer her question
except for the fact that i thought love
looked so much like you

that’s when it hit me
and i realized how naive i had been
to place an idea so beautiful on the image of a person
as if anybody on this entire earth
could encompass all love represented
as if this emotion seven billion people tremble for
would look like a five foot eleven
medium-sized brown-skinned guy
who likes eating frozen pizza for breakfast

what does love look like the therapist asks again
this time interrupting my thoughts midsentence
and at this point i’m about to get up
and walk right out the door
except i paid too much money for this hour
so instead i take a piercing look at her
the way you look at someone
when you’re about to hand it to them
lips pursed tightly preparing to launch into conversation
eyes digging deeply into theirs
searching for all the weak spots
they have hidden somewhere
hair being tucked behind the ears
as if you have to physically prepare for a conversation
on the philosophies or rather disappointments
of what love looks like

well i tell her
i don’t think love is him anymore
if love was him
he would be here wouldn’t he
if he was the one for me
wouldn’t he be the one sitting across from me
if love was him it would have been simple
i don’t think love is him anymore i repeat
i think love never was
i think i just wanted something
was ready to give myself to something
i believed was bigger than myself
and when i saw someone
who probably fit the part
i made it very much my intention
to make him my counterpart

and i lost myself to him
he took and he took
wrapped me in the word special
until i was so convinced he had eyes only to see me
hands only to feel me
a body only to be with me
oh how he emptied me

how does that make you feel
interrupts the therapist
well i said
it kind of makes me feel like ****

maybe we’re looking at it wrong
we think it’s something to search for out there
something meant to crash into us
on our way out of an elevator
or slip into our chair at a cafe somewhere
appear at the end of an aisle at the bookstore
looking the right amount of **** and intellectual
but i think love starts here
everything else is just desire and projection
of all our wants needs and fantasies
but those externalities could never work out
if we didn’t turn inward and learn
how to love ourselves in order to love other people

love does not look like a person
love is our actions
love is giving all we can
even if it’s just the bigger slice of cake
love is understanding
we have the power to hurt one another
but we are going to do everything in our power
to make sure we don’t
love is figuring out all the kind sweetness we deserve
and when someone shows up
saying they will provide it as you do
but their actions seem to break you
rather than build you
love is knowing who to choose
           -Rupi Kaur

I wish they had told me what it was like
To have people devour your body, but
Pick around your mind
Like a painting that they found distasteful
But tolerated because it was visually appealing
Or a main course that they tried because they heard it tasted good

I wish that they had told me of regret and pain
And that they didn't think that charisma was in the sway of hips
But rather in the tone of the voice and the velvet of the words
Because I looked striking that night
But no one wanted to speak of externalities
But rather gawk like Tantalus at the apple

Your LIES are like warm melted butter,
Exiting gracefully from your perfect lips
Smooth golden liquid, bad for my heart.

You weave stories with finely spun fibers of half truths,
Intricately and expertly arranged in mandalas of deception.

Unaffected by the goings on of your immediate externalities;
Living in your conjured up paradise
Where you reign as ******* king and ****** queen
Plucking petals off your submissive sunflowers

is the room really foggy
or is it just my eyes?

I'm sorry
I know you're busy.

I will learn to walk
on my own.

What I meant to say was
could you please
help me walk?...

If I go
would you even cry?

I never know
if the externalities
cause my internalities
or vice versa.

Hold me more,
it makes the frost bite
reverse.

If we had the chance,
would you want me
to love you?

I'm sorry
I know that you are busy

I'm sorry
I love you.

I'm sorry..

Of Wernarth's three mirrors, the second was stationed at Cape Prassonissi; on wings of Prosas de Rodas who were waiting for him in Kímolos; silvering in the extreme south of the western Cyclades. Following him behind Poliegos, who is on Prassonissi. Knowing that here the irrationality of his antiscientific prose, channeling reform and august prose in Hyper-meditation, will take you through the aureoles of the industrial poetic volcanoes of gems, following this journey in the necropolis of Hellenika, in familiarity with the harpies. Before being sunk, the prose was found to the west of the island that Ellinika is mentioned today. Here is where Wernarth with constant suffering in his chest writes the prose in the necropolis of Hellenika, from his oratory vortex:

“I have to become a hidden ghost that closes the taverns, where it smells like a cimarrón of a trough of live gunpowder, of shelves of foreign implants, outlining parallels of Kímolos in its rigor that descends from Taurus. I must here, in these rigorous words of darkness, common in something belonging to the feather of a hummingbird in the midst of the storm of the brave steps that tell me to get to Prassonisi and the epigraph of the berries collected in the retreats of the defeated harpies, with a voice convinced of what makes them aware of the prose, more who compulsively covers them from the darkness where they are born with light and incipient accent. I have to build the intuitive of parallelism that sinks entire firmaments of poetry, rebuilding itself on itself."

"Here I am sunk that I am in the unknown... Seeing myself only in a few, who have to find me in their magnitudes and sanctities that sprout beyond Poliegos, who remain to receive me with bells and trumpets...

Here I am with everyone, some together with all the obeisances, and with each latch Aghio Andreas… of Saint Andrew jumping over all the crypto lines of Kímolos, husband of the daughter of Taurus, Sidis, noble and majestic inhabitants among the mansions of the abbreviation of the storms in Wahlheim, with a juxtaposed desire to inseminate *******, between Etrestlian creatures and the immateriality of the Hellenika necropolis.

Lotte, look over the abyss that unleashes the death of Young Greece..., but re-alive in the prose that sleeps in the chapters that are about to be redeemed from the powers of those who swallow figs on high tide east of Hermes, with two coins of gold in each hand without parliament...

Here is my storehouse, full of baskets to take to the gorges of Before Christ, reflected in the fountains of their undefeated anathemas and psalms with bulls and offices... in anarchies of loves lost in the struggles to redeem Hecate's heirs, of my harpy who looks at the second mirror...

The second mirror..., the aversions of passion, whose participle is anticipated in the corridor of all who attend to the din of their own grief, of which in noun was evidenced when Wernarth with her steed Alikanto went to Werther's funeral, on the day that in Wahlheim the graffiti of the gloomy mists, gave the noun to the prose and verb, to all the conditions of Wernarth's pain, pashkein "Greek suffering”...

On the other side of the Rhine estuary, reflections of the first two mirrors, there are cults of reversal shudders, congratulations that plague the taste bond with bitterness..., which lives close to the acrimony that transitions from sweet-bitter to bitter-acidic, to who treasures the goodness and salubrious premises of a good mirror full of composite pieces, and that have never been cracked….

Court of the three mirrors in the crypt of Werther..., says no more than regret, the acquiescence of the consent of the legal guardians, giving him for alive even though he is dead... “what hypothetical laws affirm a man who wears clothes of a living heart in a body that you saw a soul of irrational officialdom preexisting...

Seventeen angiosperm raptors flew from the high clarions with seventy-four of Wernarth's lamentations, sophisms of Greco-Germanic essences vinegar, in his hands of hoplite blood that writes illustrated verses of Aryan and Hellenic plant, of never cloudiness or Etrestlian logic, which she wanders alone through supposedly illustrative anti-romantic socio-bourgeois prostration in the lodge of the camaraderie of the wise foolish fingers and brave with their weapons of death, in her hands of prose that tastes like a pompous reading of loneliness and vagueness of abstract illogical but redeemed Picnic passion and expiration.

The verse gives to the stanza what is leftover in the poetry and what in the central verse arrhythmia of its cadence it gives to the prose, as a vital instinct..., with glory and literary destitution, that's how the grunts and eyebrows of the ejaculators of successful love fall under the insidious morality of Wernarth-Werthiana.

Here is the ill-fated light-dark episode of Rhodes, the ethical pandemic over the heartbeat, more than an ideo-logic, frustrated with poorly acquired logic in dialysis from other prose that is not sonnetized.

They are the spacious, multi-different, of theories that incriminate the verb to retentive of reactionary policies with a neat effect, of which effective life is to fall asleep in the silos of consciousness in a nap behind the back of the worst dream...

The purely assertive, with another the convictions of the extra-bourgeois class, with a certain tinge of drum major before the hated intelligentsia. Here is the new man, in the tremulous sound of others who identify with vital love, subsidizing understanding sapiens...

Wernarth destroys treasures, which do not fit in a storehouse, being part of what is leftover from the surplus, for true socialized and compulsive ones, in reflections of those who march with their heart of chaste origin, evolution, and withdrawal of Hellenic actions.

Here I am with my argument in humanity, with a bouquet of flowers returned to the sender..., we are or I am enlightened, if the dependencies of sunsets Werthians grow, with projectiles in our souls without leaving.

My delay does not exceed my progress, every day I am more reclusive of rational delay, and a simple voice that keeps silent so as not to wake the King! Here I am with my Greek roulette, one of its edges points in tragedy in the Dorus lances on the temples of the creator Wernarth, with dramas of thirst and passion, but having all the love of solitude.

I speak to the gods in their language, but they answer me with repeated nouns, I reiterate them with apothegms, and they slide me through their crowns..., who one of them does not know who I really am, that if I am more historical and comprehensive than themselves in matters of love.

I am Omni Wernarthian, I accompany those who do not sleep and do not tire because they are my pilaster, they are my bed when they wake up from my dreams resting in their dreams of utopia that calm the currents of the disguised Prassionissi temporal.

Whatever the rival destiny, it will not be to leave alone for the Lette, made piece and scarce, in the piece of a whole man that I carry in me, Omni Messianic, opposed to the distances that linens spend on whoever wears the gauze in the defenders of these little princes, who border on the pauperism of their wandering singer hormones.

My multi-versology, and urgency of oscillation, is locking the intruder, which undermines the one who offers and does not give pause to the one who symptomatically requires it…, Lotte; it annihilates the struggles of those who confine them to guilt and psychological-matriarchal authority.

I have to progress with overtimes, while the sun in Rhodes asks Zeus to illuminate me more, for an enthusiastic sentence to be his master and lord because he was before all of us who were his poet's servant subjects.

My successive oracles allow me to go further than close, I cannot get out, but nevertheless, vehemently, I slide through the winning marks of those who institute the freedom of a scientific love, to a divisive love, of eghotic economy, that shapes the iron delirium sacrosanct, and the composition of the reciprocated enmity.

I am vague, but with flammable passional decrees, of my nature as a wolf and single parent, in the shape of a man in a different personality, as a phobic wolf..., here is not to belong to this century..., reverted to an uncertain meditation...

The rule and formula of my love is the intensity that makes me abhorrent, if I lose my control, say, the world that I represent here ends... the truth of my maxim, as nothing fits in everything, I do not inspire what does not replace the whole…

I live in a half-realism, of entire externalities that make up the rules that make me a slave to austerity, that runs after simplicity…, I walk through clouds that only let me fall in the breaks of their metaphysical and rigid odes.

My basic involution is not intense; it is more than a stable system of poetic verbal sacredness, with great movement, of ethics that haunts the idiomatic devotees of the awakening of the renewed personality, but with open arms in limbo...

As an individual he foreshadows collective miraculous mysteries, contradicting the corrupt purpose of a man, who dies behind bars of his own acquiescent death. Greco-motor and promoter of systematic divinities, in the hands of magicians or millers with the instinct of a suicide ministry, even without being prepared, trying…!

Here is my dialectic, if I bring out the prosaic passion; it hurts me by giving me false lessons, only done in my field to work. Wernarth, is a believer, more believing in Werther; Lotte consul of disbelief, in the hands of the peasants to rub her abolition as a maiden, before the wiles with mendacious devotion on the harpoons of the suffocating victim...

Harpies are atheists, just as atheism martyrs them as immortal, even not giving it into the hands of their failures, Wernath enters Olympus with his steed, and it venerates him, and mythology opens its myths to him, and he despises them!

Because I have to commit suicide if here in Rhodes they sing the prose of Kímolos for me, happening at their table of superb menus and portents, with his novel that is graced with my lantern that gives the cause of light, before the storm is folly before a society Olympic.

My drama is hoarding and describing, the measurements in brief scenes, do not fill those that should not be measured if I fall in love with my creatures, they self-eliminate, before the boast of the ****** right - late Werther in chains.

I am not resigned to my agreement with Zeus to divide the world equally, but I will supply myself with cults and friends on the stage of the confinement, as a liberator exclaiming unharmed...

I am not lost in my revolution, I am percussion in sounds against my own trials, enraging myself at others with failed feelings, perhaps in a felt preparatory and not being, but aware of the outline before my bishop's departure.

My triumph is to share the enthronement with the Werthian world, over, and without initials or termination of legal conditions, with the goal of artistic lines, with the art of dialogue, with the tetra-winged Lepidoptera silhouettes, four times vivified.

My parapsychological regression between flowers and rose bushes I have not conferred on the augur, nor did I doubt an appendage of a microsecond device and divine inspiration, to conjure them to the last bastion of something or someone that cannot hold me back.

Idyllically, transit between the nobility and the plebs, in drama and comedy, but my explosion does not have to fear great distances, my parts being plagued in colorful themes and verses throughout the desolate world, burning in the embers of my beloved….

But my God, who is my everything today, made me have a colloquial friendship with my courting, but the imaginary…, she doesn't know… !, but I am still enthusiastic, I continue to venerate the possibility of making a mistake trying to be an enemy friend.

I bring rings in my pocket close to my essence, but a good part of that has a conflict of truth and fear, which accuses me with which finger I have to braid myself, and I accuse myself of measuring my words of seductive ruin and contrition.

Today it is up to us all to die because I will do it for everyone. I have to return due to the fatality of an imperishable reason, before a nebulous tutelage that germinates only in past springs, what a great conflict! But what a great solution, for someone who flourishes between loves and conflicts...

My ranks have deserted its worst category; it suffocates and does not move the feeling, only the heroic predestination, which moves my transit to Rhodes, between feelings..., for and from others, who will never be an award ruling, on my sword Xiphos!

The heroism of love is to go beyond the imperishable madness of anti-heroism, with the spirit of a clear heroine and undeniable jurisprudence of love before any pact with Leviathan..., it is to be hoped that they will not forget to make a copy of my Contract!

Of Wernarth's three mirrors, the second was stationed at Cape Prassonissi; on wings of Prosas de Rodas who were waiting for him in Kímolos; silvering in the extreme south of the western Cyclades. Following him behind Poliegos, who is on Prassonissi. Knowing that here the irrationality of his antiscientific prose, channeling reform and august prose in Hyper-meditation, will take you through the aureoles of the industrial poetic volcanoes of gems, following this journey in the necropolis of Hellenika, in familiarity with the harpies . Before being sunk, the prose prose were found to the west of the island that Ellinika is mentioned today. Here is where Wernarth with a constant suffering in his chest writes the prose in the necropolis of Hellenika, from his oratory vortex:
“I have to become a hidden ghost that closes the taverns, where it smells like a cimarrón of a trough of live gunpowder, of shelves of foreign implants, outlining parallels of Kímolos in its rigor that descends from Taurus. I must here, in these rigorous words of darkness, common in something belonging to the feather of a hummingbird in the midst of the storm of the brave steps that tell me to get to Prassonisi and the epigraph of the berries collected in the retreats of the defeated harpies, with a voice convinced of what makes them aware of the prose, more who compulsively covers them from the darkness where they are born with light and incipient accent. I have to build the intuitive of parallelism that sinks entire firmaments of poetry, rebuilding itself on itself.
"Here I am sunk that I am in the unknown ... Seeing myself only in a few, who have to find me in their magnitudes and sanctities that sprout beyond Poliegos, who remain to receive me with bells and trumpets ...

Here I am with everyone, some together with all the obeisances, and with each latch Aghio Andreas… of Saint Andrew jumping over all the crypto lines of Kímolos, husband of the daughter of Taurus, Sidis, noble and majestic inhabitants among the mansions of the abbreviation of the storms in Wahlheim, with a juxtaposed desire to inseminate *******, between Etrestlian creatures and the immateriality of the Hellenika necropolis.

Lotte, look over the abyss that unleashes the death of Young Greece ..., but re-alive in the prose that sleeps in the chapters that are about to be redeemed from the powers of those who swallow figs on high tide east of Hermes, with two coins of gold in each hand without parliament ...

Here is my storehouse, full of baskets to take to the gorges of Before Christ, reflected in the fountains of their undefeated anathemas and psalms with bulls and offices ... in anarchies of loves lost in the struggles to redeem Hecate's heirs, of my harpy who looks at the second mirror ...

Second mirror ..., the aversions of passion, whose participle is anticipated in the corridor of all who attend to the din of their own grief, of which in noun was evidenced when Wernarth with her steed Alikanto went to Werther's funeral, on the day that in Wahlheim the graffiti of the gloomy mists, gave the noun to the prose and verb, to all the conditions of Wernarth's pain, pashkein "Greek suffering”...

On the other side of the Rhine estuary, reflections of the first two mirrors, there are cults of reversal shudders, congratulations that plague the taste bond with bitterness ..., which lives close to the acrimony that transitions from sweet-bitter to bitter-acidic, to who treasures the goodness and salubrious premises of a good mirror full of composite pieces, and that have never been cracked….

Court of the three mirrors in the crypt of Werther ..., says no more than regret, acquiescence of the consent of the legal guardians, giving him for alive even though he is dead ... “what hypothetical laws affirm a man who wears clothes of a living heart in a body that you saw a soul of irrational officialdom preexisting ...

Seventeen angiosperm raptors flew from the high clarions with seventy-four of Wernarth's lamentations, sophisms of Greco-Germanic essences vinegars, in his hands of hoplite blood that writes illustrated verses of Aryan and Hellenic plant, of never cloudiness or Etrestlian logic, which she wanders alone through supposedly illustrative anti-romantic socio-bourgeois prostration in the lodge of the camaraderie of the wise foolish fingers and brave with their weapons of death, in her hands of prose that tastes like a pompous reading of loneliness and vagueness of abstract illogical, but redeemed Picnic passion and expiration.

The verse gives to the stanza what is left over in the poetry and what in the central verse arrhythmia of its cadence it gives to the prose, as a vital instinct ..., with glory and literary destitution, that's how the grunts and eyebrows of the ejaculators of successful love fall under the insidious morality of Wernarth-Werthiana.

Here is the ill-fated light-dark episode of Rhodes, the ethical pandemic over the heartbeat, more than an ideo-logic, frustrated with poorly acquired logic in dialysis from other prose that are not sonnetized.

They are the spacious, multi-different, of theories that incriminate the verb to retentive of reactionary policies with a neat effect, of which effective life is to fall asleep in the silos of consciousness in a nap behind the back of the worst dream ...

The purely assertive, with another the convictions of the extra-bourgeois class, with a certain tinge of drum major before the hated intelligentsia. Here is the new man, in the tremulous sound of others who identify with vital love, subsidizing understanding  sapiens...

Wernarth destroys treasures, which do not fit in a storehouse, being part of what is left over from the surplus, for true socialized and compulsive ones, in reflections of those who march with their heart of chaste origin, evolution and withdrawal of Hellenic actions.

Here I am with my argument in humanity, with a bouquet of flowers returned to the sender ..., we are or I am enlightened, if the dependencies of sunsets Werthians grow, with projectiles in our souls without leaving.

My delay does not exceed my progress, every day I am more reclusive of rational delay, and a simple voice that keeps silent so as not to wake the King! Here I am with my Greek roulette, one of its edges points in tragedy in the Dorus lances on the temples of the creator Wernarth, with dramas of thirst and passion, but having all the love of solitude.

I speak to the gods in their language, but they answer me with repeated nouns, I reiterate them with apothegms, and they slide me through their crowns ..., who one of them does not know who I really am, that if I am more historical and comprehensive than themselves in matters of love.

I am omni Wernarthian, I accompany those who do not sleep and do not tire, because they are my pilaster, they are my bed when they wake up from my dreams resting in their dreams of utopia that calm the currents of the disguised Prassionissi temporal.

Whatever the rival destiny, it will not be to leave alone for the Lette, made piece and scarce, in the piece of a whole man that I carry in me, omni Messiano, opposed to the distances that linens spend on whoever wears the gauze in the defenders of these little princes, who border on the pauperism of their wandering singer hormones.

My multi-versology, and urgency of oscillation, is locking the intruder, which undermines the one who offers and does not give pause to the one who symptomatically requires it…, Lotte; it annihilates the struggles of those who confine them to guilt and psychological-matriarchal authority.

I have to progress with over times, while the sun in Rhodes asks Zeus to illuminate me more, for an enthusiastic sentence to be his master and lord, because he was before all of us who were his poets servant subjects.

My successive oracles allow me to go further than close, I cannot get out, but nevertheless vehemently, I slide through the winning marks of those who institute the freedom of a scientific love, to a divisive love, of egotic economy, that shapes the iron delirium sacrosanct, and the composition of the reciprocated enmity.

I am vague, but with flammable passional decrees, of my nature as a wolf and single parent, in the shape of a man in a different personality, as a phobic wolf ..., here is not to belong to this century ..., reverted to an uncertain meditation ...

The rule and formula of my love is the intensity that makes me abhorrent, if I lose my control, say, the world that I represent here ends ... the truth of my maxim, as nothing fits in everything, I do not inspire what does not replace the whole…

I live in a half-realism, of entire externalities that make up the rules that make me a slave to austerity, that runs after simplicity…, I walk through clouds that only let me fall in the breaks of their metaphysical and rigid odes.

My basic involution is not intense; it is more than a stable system of poetic verbal sacredness, with great movement, of ethics that haunts the idiomatic devotees of the awakening of the renewed personality, but with open arms in limbo...

As an individual he foreshadows collective miraculous mysteries, contradicting the corrupt purpose of a man, who dies behind bars of his own acquiescent death. Greco-motor and promoter of systematic divinities, in the hands of magicians or millers with the instinct of a suicide ministry, even without being prepared, trying…!

Here is my dialectic, if I bring out the prosaic passion; it hurts me by giving me false lessons, only done in my field to work. Wernarth, is a believer, more believing in Werther; Lotte consul of disbelief, in the hands of the peasants to rub her abolition as a maiden, before the wiles with mendacious devotion on the harpoons of the suffocating victim...

Harpies are atheists, just as atheism martyrs them as immortal, even not giving it into the hands of their failures, Wernath enters Olympus with his steed, and it venerates him, and mythology opens its myths to him, and he despises them!

Because I have to commit suicide if here in Rhodes they sing the prose of Kímolos for me, happening at their table of superb menus and portents, with his novel that is graced with my lantern that gives cause of light, before the storm is folly before a society olympic.

My drama is hoarding and describing, the measurements in brief scenes, do not fill those that should not be measured, if I fall in love with my creatures, they self-eliminate, before the boast of the ****** right - late Werther in chains.

I am not resigned to my agreement with Zeus to divide the world equally, but I will supply myself with cults and friends on the stage of the confinement, as a liberator exclaiming unharmed...

I am not lost in my revolution, I am percussion in sounds against my own trials, enraging myself at others with failed feelings, perhaps in a felt preparatory and not being, but aware of the outline before my bishop's departure.

My triumph is to share the enthronement with the Werthian world, over, and without initials or termination of legal conditions, with the goal of artistic lines, with the art of dialogue, with the tetra-winged Lepidoptera silhouettes, four times vivified.

My parapsychological regression between flowers and rose bushes I have not conferred on the augur, nor did I doubt an appendage of a micro second device and divine inspiration, to conjure them to the last bastion of something or someone that cannot hold me back.

Idyllically, transit between the nobility and the plebs, in drama and comedy, but my explosion does not have to fear great distances, my parts being plagued in colorful themes and verses throughout the desolate world, burning in the embers of my beloved….

But my God, who is my everything today, made me have a colloquial friendship with my courting, but the imaginary…, she doesn't know… !, but I am still enthusiastic, I continue to venerate the possibility of making a mistake trying to be an enemy friend.

I bring rings in my pocket close to my essence, but a good part of that has a conflict of truth and fear, which accuses me with which finger I have to braid myself, and I accuse myself of measuring my words of seductive ruin and contrition.

Today it is up to us all to die, because I will do it for everyone. I have to return due to the fatality of an imperishable reason, before a nebulous tutelage that germinates only in past springs, what a great conflict!  But what a great solution, of someone who flourishes between loves and conflicts...

My ranks have deserted its worst category; it suffocates and does not move the feeling, only the heroic predestination, which moves my transit to Rhodes, between feelings ..., for and from others, who will never be an award ruling, on my sword Xifos!

The heroism of love is to go beyond the imperishable madness of anti-heroism, with the spirit of a clear heroine and undeniable jurisprudence of love before any pact with Leviathan ..., it is to be hoped that they will not forget to make a copy of my Contract!

If I ask myself

Who am I
          without describing
                  my name
                  job
                  family, friends
              externalities

I know

I am a soul
   manifested into this body
   blessed with the beauty of life
   the light and the darkness
   all make me

I am a soaring energy
ready to radiate

So are you

We are one

The vertical of the uncontrolled kinetics was distant from the contemplation of the gods of the catastrophes accepting that they had to save these souls that were ******* before the inclination of the southern part of the island when it was crowded in the height, similar when the lord appeared to Saint Paul in Damascus for the reconversion of souls. The fury dried the air and became unbreathable as it exploded before the astonished gaze of those lacerated by the intricacies of the earth, seeing that Saturn, Mars, and Jupiter came into conjunction, when the sun revolved around itself, accelerating its kinetics. perigee. The misgivings took hold and the feet of all were static without finding footholds in some astrometereology, to ask the archangels for the vindicatory flame, far from the arid atmosphere that Mercury produced when wanting to abstain and block the uncontrolled Sun. The intense and changing winds that emanated from the caverns, thus micro hurricanes constellated in Aorion and Taurus. The darkness came out of the Pleiades from dark hands that envisioned the codes and omens for those who were not empowered by the claws when they aligned themselves in Taurus, and Mycenae was ahead of said forecast in the Agios Andreas choreography that on this occasion was trilocated to the resistor in the same chorography of Patras, where the Apostle Andrew was announcing them between kings and generals. Everything argued from the veins of the meanders where it could be described that thunder came from the clouds and that they were absorbed by the cracks preceded by the vigorous bells, and the bellowing of Vernarth as if they were in the hypocenter of the Arbela site, when all the soldiers ran after other human species and Brisehal bellowed at them, emulating his master's senses of terror. The roar of combat was comparable to the tremors of men running towards the lows of the earth, which spit foul-smelling whiffs from within. The galleries were hidden above and below the earth, the blows were overwhelmed by compact solid plates that flew over the lost earth, the Stymphalos protected with their bronze wings the lacerated and Marie des Vallées, who in turn encouraged Vernarth who fought to protect Theus and Vikentios with Wonthelimar near masses pierced by the blast of the fiery wind. Some adobes were classified within the taxonomy of the bricks that were fortified in the corners of the Hellenic temple that resisted with its flying buttresses when the embankment was raised and settled again after an undulating goal of venerable swaying to a Sybilla in trance. The waves ceased the wind at high tide and the contrary Metelmi winds were made worse than any anger in the heat of a forge when there were few hoes to open the wasteland of Apollo.

They had to wait for forty-five days, all refugees in the meander, when the sea was gathered after having overcome the masses of the hydro-earthquake, in any exhibition in front of anyone saying goodbye with imploration. Vernarth was in a decline with the support of his donkeys who had come from the Eclectic Portal to assist him in the face of this typology that with them he could minimize. The sixth version of his rest Vernarth desisted them for causes of the delirium of repentance that showed the image of the twelve apostles before the scientists approached from Vernarth's Rhema who quantified the approach of the moralities that could not even be collected in all the libraries of the World, nor less in the perspicacity of who can write it in the extrinsic of the Parnassus or the Acropolis. The whole irrational approach was divinized in the externalities of all the slight edges of the Milky Way, creating underground incense fire in what is said of the tests adjacent to the springs of knowledge, to console the mourners towards a Tractatus where they will revolutionize the meanings of the signifier.

Zefian says upon emerging: “what collision affects the movements of the world when the body vibrates with fear and not with emotion. The Fourth Sagita collided with Mercury and the Sun, everything took hold from the Aorion belt, for them, the uneasiness is reflected in the death, by not resisting the rude speed of the ancient episodes, which in turn are in the geological testimony from where all geological ethical matrix is ​​born. As dignity is aquatic given its immense contention as a sinful solid, the solids wish to leave their prison causes with a habitual broken-down bustle of the valleys and mountains, which only the land contains and not the sea. The ocean, when it shakes, lashes its adversaries with the Aorion club, which could be imaginary or its own ethics that cross the seas and is made of containment in lárvic amphibious lands "

For me the years
have been factored
such couldn't be added
nor subtracted--

life could be viewed
from the serious or absurd
yet the same theme does pervade
much of it does bruise and hurt-

whatever the sages have said
I  surmise mankind is girt
by externalities beyond
its control-- so many fall on dirt-

I am glad to be a stoic
much have I contemplated
mindless of tears and fears
unfazed though unregarded.

Allow change to take over you
Melt into the tides of renewal

Allow the past to wash over you
Mend your heart
Reconcile with those who have hurt you

Nothing is worth more than your sanity
Your peace is a priority

Do not allow the externalities of this world to imprison
Your hope

Life is mostly unexamined
it's as though people live
more in constant strife
than being alive
externalities command
(' we have no choice
  but comply' )
the heart and its contents
are neglected and with time
disenfranchised
mindlessly set aside--

how the contagion infests
within the corporeal frame
it spreads far and wide
feelings so long detached
hardly awakened
or gentleness shed
even love grows weary
affections have long died--

survival
what an ugly word
when life is only butter and bread
but not counted as absurd-

where's the song
of joy and love?
where's the laughter
that should behove?

where's the poem
to sing of the day's sunshine?
where's the story
to warm the heart for a lifetime?

where's the embrace
of innocence?
where's the tenderness
to replace indifference?

where's the rapture
and kiss of youth?
where's the empathy
to wipe away the rude and uncouth?

where's the measure
of the sublime and good?
where's the optimistic cheer
to dispel the gloomy mood?

where's the generosity
to share and give?
where's the humanity
others' sorrow to relieve?

where's the surrender
to nature and its beauty?
where's the wonder
the harbinger of immortality?

at the last hour of night
by the lonely sea I ruminate
whose murmurs of man's misery
and his plight sigh and resonate.

In emptiness anchored
  all externalities fail to gird

Have a time of your life, this is your timeline)
Theres nothing new under the sun, said Emperor Haile Selasi's ancestor, The wise king Solomon the star of King David
In this kingdom of galaxies, life is not a rehearsal
For some mistakes theres no reversal
And pain is universal like the weather
(You have to be robin' hood, coz you have been robbed of your princehood of your dynasty),
(Thats just dynamics of life, dynamite comes in small packages)
Be at peace that you gonna get a piece of devine dividends
Coz the world is far from innocence
As above as below
Let thy will be done on earth as it is in heaven
The creator judges us for sin
We the people judge each other for crimes against each other
(Rise in peace in Sudan)
Be at peace like a monk coz he finds his from deep inside,
Connecting to spirituality tranquility beyond infinity
Do you think you can find sanity in insanity of confusion
Love is the law, unconditionally
Love thy neighbour even though they dont love you back
And dont get cheeky, turn the other chick
And just salam alaykum , halleluJah to Allah
Charity begins at home , even if they treat you like a charity case, on your case
Im not even gonna mention friends,
(Coz theres many different kinds,
Theres natural,  theres unnatural
An enemy of my enemy is my friend and a friend of my friend is my friend)

...We rebirth, also through baptismal
So when you go through baptismal of fire ,
Just more fire like a Rastafari
And let the inferno el nino deep inside erupt like a flood of lava
And scorch to ashes the demons in the depths of your deepest darkness
And rise like a Caterpillar of  a phoenix-dragon breathing fire
Dont take externalities to heart, (exhale)
But usher it like through the red sea, dont let it burn like Usher
Gold is converted through heat
And pressure makes diamonds
Dont reach for the body ,reach for the soul as that is the true being
As we are not in battle with flesh and blood but with evil , spiritually lurking from the shadows, in search to devour and destroy
Keep calm and steel-still in silence
Seek wisdom