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In praise of Eliza, Queen of the Shepherds


See where she sits upon the grassie greene,
        (O seemely sight!)
Yclad in Scarlot, like a mayden Queene,
        And ermines white:
Upon her head a Cremosin coronet
With Damaske roses and Daffadillies set:
        Bay leaves betweene,
        And primroses greene,
Embellish the sweete Violet.

Tell me, have ye seene her angelick face
        Like Phoebe fayre?
Her heavenly haveour, her princely grace,
        Can you well compare?
The Redde rose medled with the White yfere,
In either cheeke depeincten lively chere:
        Her modest eye,
        Her Majestie,
Where have you seene the like but there?

I see Calliope speede her to the place,
        Where my Goddesse shines;
And after her the other Muses trace
        With their Violines.
Bene they not Bay braunches which they do beare,
All for Elisa in her hand to weare?
        So sweetely they play,
        And sing all the way,
That it a heaven is to heare.

Lo, how finely the Graces can it foote
        To the Instrument:
They dauncen deffly, and singen soote,
        In their meriment.
Wants not a fourth Grace to make the daunce even?
Let that rowme to my Lady be yeven.
        She shal be a Grace,
        To fyll the fourth place,
And reigne with the rest in heaven.

Bring hether the Pincke and purple Cullambine,
        With Gelliflowres;
Bring Coronations, and Sops-in-wine
        Worne of Paramoures:
Strowe me the ground with Daffadowndillies,
And Cowslips, and Kingcups, and lovèd Lillies:
        The pretie Pawnce,
        And the Chevisaunce,
Shall match with the fayre flowre Delice.

Now ryse up, Elisa, deckèd as thou art
        In royall aray;
And now ye daintie Damsells may depart
        Eche one her way.
I feare I have troubled your troupes to longe:
Let dame Elisa thanke you for her song:
        And if you come hether
        When Damsines I gether,
I will part them all you among.
spysgrandson Oct 2016
her parents would have nothing to do with the z,
naming her Elisa Beth

which few got right in her 65 seasons, for their habit
molded an EliZabeth every time  

we presume it mattered not to Elisa, Elisa Beth, because she was
born blind and deaf

her record of birth got it right, but her social
security card did not,

the checks were cashed by caretakers, who cared not
whether the letter snaked or zagged

her parents' obits also claimed they were survived by
an only daughter, EliZabeth

when she "met her reward," some two years past
there was no legacy in print

save a death certificate, which again blasphemed
her appellation with the alphabet's final figure

but on her gravestone, curiously, she was Elisabeth once more,
though what flat, mute slab could even such a score?
Elisa Laura Sep 2012
~ Aurora Borealis

Under the arch of a starry sky
With a temperature well below zero
I touched your soul with my warm hands
Like an round aura, you reflected the universe
Of our love...

A labyrinth of roads that lead
In stardust, your thoughts whirl as
Small particles, and with pure reflection
My Aurora Borealis you're so beautiful, robust
And longing…

I take you into my warm cabin
Where we drink hot chocolate
The icicles are in your unshaven beard
I find you charming with your red hands
I'll warm you up…

The cold wind makes cracking our wooden hut
And along the windows shrilled the sound
In contrast with our warm fireplace
The crackling of the wood is divine
I look at you…

My Aurora Borealis, you are so handsome
With your thick winter coat still on,
As purple and green sparks reach our
Living room, where your dark hair glistens
I kiss you…

It will never be really dark
In days of love, where light shines
And see your reflection sparkle
Where I could rest by your presence
I am with you…


~ Elisa Laura


© 2012 E. L.
La frente apoyo en la vidriera...
el cielo azul se engalana
y en la fúlgida primavera
canta su canción la mañana.

La mente inclino a lo más hondo
del alma en campos del Ayer;
y marchito miro en el fondo
todo lo que vi florecer.

Soplan auras primaverales
dando más vigor a los músculos.
¡Aquí las brumas otoñales
y el silencio de los crepúsculos!

En el parque crece la yerba
bajo el radiante resplandor.
En el alma todo se enerva
al paso lento del dolor.

Y evoco alegres ilusiones,
campos azules, abrileños;
la juventud con sus canciones
iba entre rosas y entre ensueños.

Fulgurante el cielo reía:
¡Cuán hermoso era el porvenir!
Vino la tarde en pleno día
y todo comenzó a morir.
La frente apoyo en la vidriera...
Verdes árboles, sol radiante
¡Juventud!… ¡también primavera
Fuiste del corazón amante!

¡Días que el alma triste evoca,
alba rosada del amor!
¡Boca que buscaba otra boca,
polen que va de flor en flor!...

En jardines primaverales
las libélulas entre aromas;
rosas rojas en los rosales
y destilando miel las pomas.

Y van surgiendo en un ensueño
amores de la juventud.
Pasan con el labio risueño
en concento de arpa y laúd.

Entonces... retoño y retoño
en los rosales a la aurora...
¡Como lenta bruma de otoño
la tristeza bajando ahora!

En el alma, al ensueño abierta,
algo de antiguo trovador,
y de la vida en la áurea puerta
con sus promesas el Amor.

De la luna la luz de plata
brillaba en el barrio desierto,
y una canción de serenata
subía al balcón entreabierto.

Pendiente la escala de seda
de los barrotes del balcón...
Del pasado ya sólo queda
un rescoldo en el corazón.

Paseos bajo luz de luna
por alamedas de rosales;
dos bocas que el amor aúna
en claras noches estivales...

Entonces... cantos, alegría,
juramentos de eterna fe;
y ahora, gris melancolía
del dichoso tiempo que fue...
La frente apoyo en la vidriera:
en el parque, vestidos blancos,
y amantes en su primavera
bajo los pinos en bancos.

Primeros versos a la amada,
cantos primeros de ilusión...
Son hoy cual queja desolada
en el fondo del corazón.

Tú, flor de la tierra nativa,
de los ojos fuiste embeleso.
Sólo a tu boca, rosa viva,
le dio la muerte el primer beso.

Cuando se recuerda el pasado
hay un deseo de llorar.
¡El árido camino andado
si se pudiera desandar!...

Sombras doloridas que vagan
y esperanzas muertas deploran:
Astros que en tinieblas se apagan
y voces que en silencio lloran!...

A la claridad matutina
fragante erguíase el rosal...
¡ya sobre el agua gris se inclina
la amarilla rama otoñal!...

Una palabra... un juramento...
¿era verdad o era mentira?
Mentira o verdad es tormento
cuando sola el alma suspira.

Se abría a la luz la ventana
en un radioso amanecer,
la ilusión decía: «¡Mañana!»
y el corazón dice: «¡Ayer!».

¡Mañana! ¡Ayer! Polos remotos...
lo que es dolor y lo que salva.
Claros sueños y sueños rotos,
gris de la tarde y luz del alba.

Y el Amor, que en sombras se aleja,
el alma dice: «¿Volverás?»
Y como una lejana queja
se oye en el pasado: «¡Jamás!»

La hiedra fija sus raíces
aún bajo nieve en la piedra.
Recuerdos de días felices:
sois del corazón... ¡siempre hiedra!
Aromadas rosas de Francia
en los casinos y en el Ritz;
Rosas que dais vuestra fragancia
en Montecarlo y en Biarritz.

Reservados de restaurantes;
de vida de goce ansias locas;
El áureo champaña espumante;
temblando de ósculo las bocas.

Nerviosa espera la cita,
Penumbra de la «garconniére»,
Fausto a los pies de Margarita
En el rosado atardecer…

Otra... Extraño acento de arrullo,
honda nostalgia en su mirada,
y severo siempre su orgullo
en su dolor de desterrada.

Su imagen el pasado alegra,
y fijos en la mente están
su traje blanco y su capa negra
en las carreras de Longchamps.

Días lejanos de estudiante,
embriaguez de ideal divino,
El corazón, rosa fragante,
en noches del Barrio Latino...

Midineta bulevardina,
boca roja, frente de lis,
Incitadora, parlanchina,
jilguero alegre de Paris.

Y del «cabaret» la alegría...
¿Era del Rhin o era del Volga?
¿en su vida un misterio había...
¿era su nombre Elisa u Olga?

En otra, del vuelo al arranque,
mirar nostálgico... y ¡pasó!
Muchas veces junto a un estanque
soñando la luna nos vio.

Tú, mejicana-parisina,
de cabellos como aureola
de luz de sol, y habla divina
entre francesa y española.

En la tristeza de un suspiro,
lejos, a la orilla del mar,
una margarita aún te miro
melancólica deshojar.

Húngara triste, flor bohemia,
De ojos miosotis de Danubio:
¡cuán adorable era anemia
En marco de cabello rubio!

Tus pupilas vagas de Isis
fingía decir un adiós;
Y casi exangüe por la tisis
caíste en golpe de tos...
La frente apoyo en la vidriera...
Un claro sol el cielo dora,
riega rosas la primavera...
El otoño en el alma llora.

Se oye como una voz que ruega,
como un gemido de laúd...
¡Es en la tarde que llega
el adiós de la juventud!
A collaboration between SG Holter and Elisa Maria Argiro

Hesitating here, silent edge of this dark forest,
I look beyond me, warm in the white fog.
Seeing your heart, now residing deep within
the ancient wood, is to know it is blessed, loved.

Silver tongue resting now in golden silence.
Palms of soul upon moss and brittle bark.
Animal song; scent of beasts approaching unafraid.
Fierce peace. The opposite of a machine.

In the rising sap of silent trees around us,
our deeply beating pulses listen, dance,
smiling kisses at the shining stars, new planets.
Eyes open, anima and animus press tightly
And distance is no more.

"What language is Yours,"
I ask the still growing giants of
Green.
"Silence and its sister tongues
Such as leaves dancing with the
Breeze," they reply within the
Gap between soft sounds and
Softer ones.
So we speak through breaths
Exchanged, of nothing.
Two souls afloat upon the stream
Of Union with All.
What is Cosmos,
But "home"?
Never a visitor.
Never a stranger.
Nowhere has anyone ever been
Lost, or
Away.*

Humming your essence into my veins,
in tune with the wordless languages
of green lives and wind, listening
among delicate flowers, sleeping here
on the forest floor, wakeful and awaiting
the next sound of your voiceless voice,
wind words blowing
through my long, curling hair,
feeling the intention of your
untouched touch,
at home, just being.
Copyrighted by ©SG Holter and ©Elisa Maria Argiro
(as a collaborative poem)
A collaboration between Elisa Maria Argiro and SG Holter.*

Dear feather. You fell on my heart.
I keep you on my person now; pocket held;
An eternal companion.
As beautiful as you, I remind my
Thoughts to be.
I wake up as Buddha every day.                  
Peace is the corner stone of my breathing.

Dear Last Crescent Moon,
adorning Lord Shiva's brow,
smiling toward Morning Star
enjoying her sweet presence
in clearest predawn light.
She smiles too, drifting into feathery sleep.

Birdless flight, unclenched, un-
Clung to.
With this dew drop in my palm
I need no ocean to swim in.
How can Life's castle, with its wars and
Tragedies, hide within its
Towers of                                                          
Nois­e such quiet chambers?
Paper sails, bamboo, emerald waters.
Single feathers rest even when
Airborne.

From your outstretched palm,
sweet taste of morning touches
my tongue, oceanic dew drop
sharing itself across floating time.
An offering holding the last shining
starlight of this new morning. Drifting
now through limitless space,
finding words in our common language
on your yellow paper sails, we gaze down
from these towers of our ancient dreams,
emerald water below us waiting to catch
the falling feather.

Dear insight.
Light as the wind itself, you
Floated; fell on my heart.
Merged with heavy memories
Like paper balloons rising;
Tsunami of kamifusen
Render my whole being
Weightless.
Third-Eye-Hindsight sees me
Remembering nothing with
Bitterness.
One or a hundred lifetimes
Wandering.
Finally now,
Even waking hours feel like
Dreaming.

Dear Wisdom, Guardian Planet,
Buddha's radiance shining.
Thousand-Petaled Lotus
is now your own effulgent mind.
Smiling, eyes closed, feeling the
glowing kamifusen of magenta,
scarlet, turquoise, and yellow
floating above us,
we swim so deeply, diving down
into these warm emerald waters,
winking at the luminous fishes
dreaming all around us.
Copyrighted by ©SG Holter and ©Elisa Maria Argiro 
(as a collaborative poem)
spysgrandson Sep 2013
he slammed his cup on the counter  
not to get anyone’s attention
though his cup was empty  
I couldn’t stop staring at his eyes  
of course they were bloodshot  
and of course he stank of nicotine
and of truth that he said could not be found
in the bottom of that coffee cup or bottle of gin  
though he ****** up both  like…
hell, I can’t compare it to anything  
and he would think a simile was a waste of words
he told me of a lover he once had, Elisa  
with hair so long she sat on it  
and a thirst as ravenous as his  
which led her to an alley in South Chicago
where the ***** or the H put her to sleep
for good, and how he buried her in Peoria
in a hard freeze, beside her brother
who got killed in Phu Bai, by “friendly fire”
but Bukowski laughed through his tears
when he heard that ****, “friendly fire”
and he filled his glass again,
with Bourbon I guess--I wasn’t at  Elisa’s
numb mother’s house that day
and when he lost another ****** lover
to a drunk driver, he didn’t say anything about irony  
just said, ****, it hurts to be close  
and he didn’t trust this happiness ****
because it didn’t last, but pain, hell,
you can count on that ******* and if he leaves,
you can make some up on your own…  
the waitress filled our cups to the top
so there was no space for the cream  
I sipped slowly to make room
he took a swig that had to scald his tongue
but I could not tell, for he was already on the death
of lover number three, sitting there with me  
waiting for him to stop the foul flow of truth
An uncanny 60 degree afternoon.
Light generously pours itself in through the bathroom window.
Smoke dances around her, as everything should. She takes a drag.
"I haven't done this in ages," she says, in a serene voice we haven't heard in ages.
"the smoke is prettier."
What was prettier was the Victorian structure that once stood by the window. She glances sentimentally at the sacred remains.
But now she has more room to breathe, now she has light.
An illuminated limb brings itself to a pair of carnation pink lips.
She takes another drag.
Lexander J Sep 2015
Treasure is but a wanderer's lust
seeking utopia amongst the cosmic stars
it's year 2025, humanity's golden age of technology,
and a little white spaceship sets off to colonise Mars

nicknamed Nova 2, she boasts twin light-speed thrusters
polarised windscreens and a body of pure ceramite -
with a whoosh and a deafening bang
she smashes the sound barrier and streaks through the night

[#WHAM! BAM! FLASH!#]

at twenty-two hours they pass the moon
avoid a cluster of meteorite and space debris,
venturing deeper and deeper into the abyss of nothingness
their minds awestruck, their weary souls free

faced with a darkness that was un-shiftable, heavy
the danger of this mission increasingly daunting,
the longer they ignored their fears
the more the alien wilderness became haunting

what if they suddenly stopped dead
hit a snag or ran out of power?
They only had limited supplies
and the absent sun grew hotter and hotter by the hour

with the silence incessant
the sound of their own voices was obtrusive, grating,
food disgustingly vile, water going warm,
pressure steadily rising, there were concerns of the pilot fainting

--// "CALLING ELISA STARR TO THE CABIN PLEASE." //--

Elisa Starr was the cabin's dutiful cleaner
she'd clear away the astronauts *******, and occasionally mop up their sick -
for most of the crew had adapted to the lack of gravity
alas a few individuals hadn't been as quick

only 3 months in and the air had already grown stale
smelling of faint excretion and sweat,
aching and tired, she was always wiping down the interior windows
as the condensation steamed them up wet

what was the point in coming to space to slave away
when she could just do it on Earth;
once a valued member of society, a highly respectable mother of three,
surely this gruelling slavery she didn't deserve?

-//-----//-

The glowing red sphere of Mars approaches,
their destination finally (finally!) in range -
Earth was dying and this is a chance for us to start again

but isn't it already clear that we'll never change?
Guss Jul 2016
To Whom It May Concern:

I have been an artist since birth
but clearly not genetically.
My mother was a dentist’s apprentice,
while I was in the womb.
My father was a quirky astrophysicist
and still amidst the devils,
he is yet to find himself.  
I on the other hand make sandwiches.
I make sandwiches,
I take photos,
and I write the things that I sense
or that I think I know.
Very simple.

I have never been one to understand the American dream, but I do respect my need for it.
I knew the idealistic trend of the Internet very well,
as I was raised in Silicon Valley,
but the phrase “From rags to riches”
never really penetrated my questioning soul.
--------------
Instead,
I found that the world was my oyster
and I gregariously lived my life in the pursuit
of one-dollar oysters.
I have watched the seasons change.
I have known the plight of love
and I’m even wise enough
to lead my heart by it.
Elisa would tell you.
--------------
I have gawked at knobby shadows
falling on a wall traced out by a winter tree
and then been entranced by the odds
that I might be the one
who sought out that beauty
having been there to see it too.
But more so,
I have seen births.

I have seen the vibrancy from which life unfolds.
And I have seen the clenches of deaths fingers
wrap around the neck
of my most honored and beloved people.
I’ve seen beautiful cities fall prey to oversaturation,
I’ve watched the crashing waves
of the Pacific Ocean **** in pollution,
I’ve seen fires blaze through
the mountain sides of Santa Barbara,
and I’ve watched the shoals bats that fly
at the twilight summons from underneath bowels
of South Congress Bridge,
which is never bad.

I’ve made friends,
and I have made enemies
both of which I love.
I have been sick
then been healthy
and respect the values of their lessons.
Some of the other things I’ve seen
I’ll admit are unimportant.
--------------
But I still watch the trickling patterns of rainfall
and ponder at their stories.
I still squint at the gleam of the ocean
and beg it to tell me its origins.
I will always gaze at the sky
and I ask for a gust that might make the hairs
of my arm tingle with delight,
or nostalgic sorrow,
or anything at all.

I’ve questioned everything but what my mother told me.
Not until I turned eighteen, did I start that.
I’ve built batteries out of vinegar, aspirin, pennies
and copper wire.
I charge the insight of my peers
by poking and prodding.
I can braid hair,
I can hop scotch,
I can play the juice harp.
I fight for the underdog.
I fight for the tormented.
I speak for the scolded,
the hated,
the sad,
the abused,
the forgotten,
the forsaken,
the foolish,
the sinning,
the begging,
the beaten,
the overworked,
the shy,
the lost,
the hungry,
the bilious,
the old,
the gruesome
and the dead.

I feast on alcohol
where there is no other sustenance.
The rhythm of chagrin bounces in my chest,
as a drum would beat
in a symphony of regret.  
But I strive on
as if it was a sacrifice to the holy aliens
that made the Maya sacrifice too.
This is my blood.
It gushes from my blue veins
as I apperceive the meaning of that throbbing pulse.

I know the consequence
of the truth behind our movement.

A world founded on humanity,
imperfect and failing at all.
Life in this universe must be special.
It’s the stardust in our physical,
human elements that makes this magic true.
We ooze with the likeness of nothing else.
Our ancestors welled up with stardust
and DNA from somewhere else.
Our sweat, made up of passing galaxies,
dripping tears of organic thought
into the trickling river of time.
That alone must be something
to capture an imagination.
¡Qué hermosa es la ciudad, oh Contemplado,
                    que eriges a la vista!

Capital de los ocios, rodeada
                    de espumas fronterizas,

en las torres celestes atalayan
                    blancas nubes vigías.

Flotante sobre el agua, hecha y deshecha
                    por luces sucesivas,

los que la sombra alcázares derrumba
                    el alba resucita.

Su riqueza es la luz, la sin moneda,
                    la que nunca termina,

la que después de darse un día entero
                    amanece más rica.

Todo en ella son canjes -ola y nube,
                    horizonte y orilla-,

bellezas que se cambian, inocentes
                    de la mercadería.

Por tu hermosura, sin mancharla nunca
                    resbala la codicia,

la que mueve el contrato, nunca el aire
                    en las velas henchidas,

hacia la gran ciudad de los negocios,
                    la ciudad enemiga.
No hay nadie, allí, que mire; están los ojos
                    a sueldo, en oficinas.

Vacío abajo corren ascensores,
                    corren vacío arriba,

transportan a fantasmas impacientes:
                    la nada tiene prisa.

Si se aprieta un botón se aclara el mundo,
                    la duda se disipa.

Instantánea es la aurora; ya no pierde
                    en fiestas nacarinas,

en rosas, en albores, en celajes,
                    el tiempo que perdía.

Aquel aire infinito lo han contado;
                    números se respiran

El tiempo ya no es tiempo, el tiempo es oro,
                    florecen compañías

para vender a plazos los veranos,
                    las horas y los días.

Luchan las cantidades con los pájaros,
                    los nombres con las cifras:

trescientos, mil, seiscientos, veinticuatro,
                    Julieta, Laura, Elisa.

Lo exacto triunfa de lo incalculable,
                    las palabras vencidas

se van al campo santo y en las lápidas
esperan elegías.

¡Clarísimo el futuro, ya aritmético,
                    mañana sin neblinas!

Expulsan el azar y sus misterios
                    astrales estadísticas.

Lo que el sueño no dio lo dará el cálculo;
                    unos novios perfilan

presupuestos en tardes otoñales:
                    el coste de su dicha.

Sin alas, silenciosas por los aires,
                    van aves ligerísimas,

eléctricas bandadas agoreras,
                    cantoras de noticias,

que desdeñan las frondas verdecientes
y en las radios anidan.

A su paso se mueren -ya no vuelven-
                    oscuras golondrinas.

Dos amantes se matan por un hilo
                    -ruptura a dos mil millas-;

sin que pueda salvarle una morada
                    un amor agoniza,

y Iludiéndose el teléfono en el pecho
                    la enamorada expira.

Los maniquíes su lección ofrecen,
                    moral desde vitrinas:

ni sufrir ni gozar, ni bien ni mal,
                    perfección de la línea.

Para ser tan felices las doncellas
                    poco a poco se quitan

viejos estorbos, vagos corazones
                    que apenas si latían.

Hay en las calles bocas que conducen
                    a cuevas oscurísimas:

allí no sufre nadie; sombras bellas
                    gráciles se deslizan,

sin carne en que el dolor pueda dolerles,
                    de sonrisa a sonrisa.

Entre besos y escenas de colores
                    corriendo va la intriga.

Acaba en un jardín, al fondo rosas
                    de trapo sin espinas.

Se descubren las gentes asombradas
                    su sueño: es la película,

vivir en un edén de cartón piedra,
                    ser criaturas lisas.

Hermosura posible entre tinieblas
                    con las luces se esquiva.

La yerba de los cines está llena
                    de esperanzas marchitas.

Hay en los bares manos que se afanan
                    buscando la alegría,

y prenden por el talle a sus parejas,
                    o a copas cristalinas.

Mezclado azul con rojo, verde y blanco,
                    fáciles alquimistas

ofrecen breves dosis de retorno
                    a ilusiones perdidas.

Lo que la orquesta toca y ellos bailan,
                    son todo tentativas

de salir sin salir del embolismo
                    que no tiene salida.

Mueve un ventilador aspas furiosas
                    y deshoja una Biblia.

Por el aire revuelan gemebundas
                    voces apocalípticas,

y rozan a las frentes pecadoras
                    alas de profecías.

La mejor bailarina, Magdalena,
                    se pone de rodillas.

Corren las ambulancias, con heridos
                    de muerte sin heridas.

En Wall Street banqueros puritanos
                    las escrituras firman

para comprar al río los reflejos
                    del cielo que está arriba.
Un hombre hay que se escapa, por milagro,
                    de tantas agonías.

No hace nada, no es nada, es Charlie Chaplin,
                    es este que te mira;

somos muchos, yo solo, centenares
                    las almas fugitivas

de Henry Ford, de Taylor, de la técnica,
                    los que nada fabrican

y emplean en las nubes vagabundas
                    ojos que no se alquilan.

No escucharán anuncios de la radio;
                    atienden la doctrina

que tú has ido pensando en tus profundos,
                    la que sale a tu orilla,

ola tras ola, espuma tras espuma,
y se entra por los ojos toda luz,
                    y ya nunca se olvida.
La mujer que tiene los pies hermosos
nunca podrá ser fea
mansa suele subirle la belleza
por totillos pantorrillas y muslos
demorarse en el *****
que siempre ha estado más allá de todo canon
rodear el ombligo como a uno de esos timbres
que si se les presiona tocan para elisa
reivindicar los lúbricos pezones a la espera
entreabir los labios sin pronunciar saliva
y dejarse querer por los ojos espejo

la mujer que tiene los pies hermosos
sabe vagabundear por la tristeza.
Jair Graham Jan 2017
One million dollars in between her fingers,
Chipped blue nail-varnish.
A cigarette; a tired frowning mouth.
Black denim jeans.
A petrol station, expensive perfume on her neck.
A flower patterned halterneck, a bottle of liquor.
The faded sun hides behind cloud bodyguards.
The woman is alone at midday,
The breeze is cool, the alcohol is sweet, her tears are hot, the mascara runs black.
She's tired; is she lonely?
She's lost, but a lone hunter.
The girl is beautiful, mid 20's with dark rolling hair and freckles.
The girl is tragic.
She wipes her eyes and leans back against the red brick wall, half concealed in shadow.
She eats an apple.. takes of her worn leather sandals,
Sits on the hot dirt, then the rainclouds come.
Rain falls and chills her clothes and skin.
She applies pale pink lipstick and calls a taxi from the payphone.
......
White peonies, 300 or more.
Dark oak coffin.
A lady in a grey fur coat, an embroidered handkerchief.
Tears, blonde hair, the smell of hairspray.
A young couple with dark eyes and bronze skin, their hands grasped.
'True Colours', a male pianist, stained glass, high ceiling, arches.
Loneliness.
Heartache.
Loss of friendship.
Aching.
Hopeful,
Fingers crossed.
Will love enter and lightning strike some wonder into the girl-woman's life?
.......
She holds her sister's cold porcelain-white hand, stops a moment to take in the tattoo of a shallow in black ink.
Elisa,
Gone.
29 years old.
Always one year between them but there might as well have been 20.
It's been four months since they met for coffee out near
the motorway where Helen was working at the time.
A golden locket; Helen places it around her sister's slim neck.
My very dear friends and wonderful, international tribe of poets:
When I first joined you all last August, I was in a time of deep solitude, culturing inner silence.
It became an ideal time to make real progress with my writing.

The part I had no idea about then, and that has become such a treasured part of my life, is the growth and blossoming of new friendships with many of you!
On June 2nd, 2016, just over a month ago, I felt to open back up to the world around me.
After all that immersion in transcendental bliss consciousness, life began presenting me with beautiful new opportunities, which has in turn lead to the most fantastic job I have yet performed, in which I am able to express and employ all of my particular set of talents and abilities.
Hence, then, my long absence, and my enormous, growing admiration for those of you who have families, jobs, and also contribute excellent poems here!
May the force be always with the poets, the writers, the thinkers, the artists... all the good and sincere well-wishers of our dear world family, and of our precious Mother Earth.
Blessings and light to us each and all,
Elisa Maria Argirò

(I have just re-written this poem that speaks to my present frame of mind, and thought to offer it again in this context. ~ EMA 2016)*

Eyes of Light

Momentarily, two eye-shaped
places in these thick grey clouds
stared directly at me, and there it was:

"Always be truthful.
Always be kind."

Just that.
A reminder.

Slipping down into the place
beyond all words,
feeling knowingness
seeping
into my bones,
residing in quiet bliss,
at home
in my own authenticity.
©Elisa Maria Argiro
Nat Lipstadt Jan 2022
the missing accents (in a poem composed in French)

~for Elisa Maria Agiro~

are neither missed nor lost,
are neither essential nor essences,
for the heart of the poem dazzles!
for the life well dreamed, dazzles!
the simplest truth needs no spices,
life, it is glorious, the glorious spark
of god, living and breathing within us,
no matter the language, no matter
the accent, that is our mission!
Nat Lipstadt Jan 2023
Poetry seems to perform hypnosis, the found rhymes and assonance and anaphora enacting an enchantment, a bewitchery; it seems to be giving subconscious advice. Get ready! You must change your life.”

Elisa Gabbert is the author of five collections of poetry, essays and criticism, most recently “The Unreality of Memory & Other Essays.


~~~

Tue Jan 2024, 2023 8:33am

<>

Or it may not,
but know, core know, say it out loud,
write down by hand in pen,
this poetry thing
is addicting
and dangerous


Sadly,
I am an addict,
Not a recovering one,
for the infection
has no cure,
no vaccine,
and amputation
does not help


Sometimes, for a time,
it goes deep,
it is living while you believing,
and disbelieving
sometimes, for a time,
it got bored and travelled on


Not how it works

almost every sub surfaces,
the innocuous are not innocent,
a quick retort, an unfocused hazed memory
trips you up
and down on the sidewalk
a familiplace,
you return/go


and back on Boogie Street,
no need to find a dealer,
they find you
and the new curse word of modern times,
“use your words!”
fates but does not sate,
and you think to yourself,
the quieter time was fine,
but this pleasuring release,
the bewilderment
the urging and the purging
of poem after poem after poem
is the hell you love.
poemsbyothers Sep 2020
The Pandemic in Six-Word Memoirs
“The world has never felt smaller.”

By Larry Smith
Mr. Smith is the creator of Six Word Memoirs.

Since 2006, I’ve been challenging people to describe their lives in six words, a form I call the six-word memoir — a personal twist on the legendary six-word story attributed to Ernest Hemingway: “For sale: baby shoes, never worn.”

I’ve found that some of the most memorable six-word stories arise in the extremes — during our toughest and most joyous moments. So over the past several months, I’ve asked adults and children around the country to use the form to make sense of this moment in history: one person, one story, and six words at a time.

Not a criminal, but running masked.
— Stella Kleinman

Every day’s a bad hair day.
— Leigh Giza

Home ec: rationing butter, bourbon, sanity.
— Christine Triano

Cinemagraph
Can’t smell the campfire on Zoom.
— Melanie Abrams

Deserted crowded Manhattan, my own island …
— Elisa Shevitz

Eighth hour of YouTube. Send Help!
— Leela Chandra

Cinemagraph
Messy hair, messy room, messy thoughts.
— Lily Herman

I regret saying, “I hate school.”
— Riana Heffron

Read every book in the house.
— Francesca Gomez-Novy

Cinemagraph
Never-ending, but boredom doesn’t faze me.
— Lily Gold

Required school supplies: screens, screens, screens.
— Darshana Chandra

Won scrabble; smile breaks through mask.
— Abby Ellin

Cinemagraph
Tuning out parents, under my headphones.
— Lukas Smith

This is what time looks like.
— Sylvia Sichel


Bad time for an open marriage.
— Rachel Lehmann-Haupt

Cinemagraph
Sun-kissed lips? Not kissed this year.
— Twanna Hines

Avoiding death, but certainly not living.
— Sydney Reimann

Social distancing myself from the fridge.
— Maria Leopoldo

Cinemagraph
Dream of: heat, limbs, crowds, concerts.
— Amy Turn Sharp

Teacher finding inspiration through uneasy times.
— April Goodman

Slowly turning into a technological potato.
— Jad Ammar

Cleaned Lysol container with Lysol wipe.
— Alex Wasser

Cinemagraph
Hallway hike, bathtub swim, Pandora concert.
— Susan Evind

Numbers rise, but sun does too.
— Paloma Lenz

Afraid of: snakes, heights, opening schools.
— Michelle Wolff

The world has never felt smaller.
— Maggie Smith

Cinemagraph
How do you make sense of this moment in history?

Share your own six-word memoir in the comments. We’ll feature some of our favorites in a future article.
https://www.sixwordmemoirs.com/
judy smith Jul 2016
For some designers, fabric is the starting point of their collections. For others, it’s their initial sketches. But for Edda Gimnes, it’s neither. Or actually both.

The Norwegian born, London College of Fashion graduate begins by creating graphic drawings executed with her left hand though she is right-handed, and which possibly adds to their naïve charm. Blown up across canvas or reworked in fur, these drawings, inspired by an eclectic collection of found vintage photographs and objects, animate her living fashion cutouts. While this approach earned her more trouble than praise as a student, it has now paid off, earning her the 2016 Designer for Tomorrow title, sponsored by German specialty store chain Peek & Cloppenburg and its online shop Fashion ID, and this year under the patronship of Alber Elbaz.

Although Elbaz, who is recuperating from pneumonia, was not allowed by his doctors to fly to Berlin for the June 30 DFT show held during Mercedes-Benz Fashion Week Berlin, he was nonetheless most perceptibly present. Jury members all remarked how his hand — and his eye — could be felt in the cull of the first 15 finalists. Filmed the night before the show in Paris, his video welcome to the five finalists and the audience couldn’t have been more personal.

Watching the live-stream of the show, and together with the eight member jury board choosing the winner, Elbaz said he saw a lot of potential in Gimnes. “She captured my imagination and I’m keen to find out how her talent will evolve,” he said. The young creative will soon be meeting Elbaz in person, a trip to Paris to meet the designer the next step in the one-year sponsorship program.

Design competitions, like wine, have their good years and bad years, and this year’s DFT crop was especially strong. The other finalists included David Kälble, whose cross-cultural South African-inspired collection mixed fur trims and cable tie fringes; Elisa Kley’s ultra linear compositions; Marc Morris Mok’s geometry in motion (and Sponge Bob footwear) ideas, and Ancuta Sarca’s plasticized fashion wardrobe.Read more at:http://www.marieaustralia.com/long-formal-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses
Elisa Holly Aug 2018
The older I get the more I question whether I have ever truly loved someone.

A year ago, I would have said I did. I stumbled upon this intoxicating feeling of being found. Seen even. ACCEPTED. I saw him as my savior, rescuing me from my demons lurking in the shadows.

It was beautiful the way he looked at me, all knowing. It threw me to my knees. He knelt with me, kissing every indiscretion and ugliness. Praying this would never go away, I willingly surrendered my soul as he sensually sang his love for me.

With each refrain, I found myself converted. Obliviously, giving away my pearls to swine.

Like with every mere mortal, deception is too hard to keep hidden. Shattered with the reality of his facade, all that surrounded me were the demons I was running from.

My fears of his sins confirmed I had been rejected in my most vulnerable state, leaving me with nothing but shame.

A year later, I sometimes think of him and his silver tongue. I think of the flowery lyrics he lured me with and one line. This one line that led me like a lamb to the slaughter, "I would watch grass grow with you, Elisa."

I no longer question why I followed him, because I know.

His soul was broken like mine, just in different places. And as we held each other for redemption, his jagged edges left me bleeding.

Did I ever really love him?

That's the thing with false gods and reckless believers; you love what you think you know: deliverance.

Did I ever really love any of them? Or, did I love the promise of Heaven?
Mateuš Conrad Mar 2019
.mmm... yeah... that time when i was paranoid about my neighbour killing my cat, and when i went into a cemetery and hacked off a slab of a grave? that time? ugly? mmm... matti... my my... which part? dating? is that like... an english "thing"? can we just bypass the whole fiasco and dive right into the ***? no? good... well... with so many freedoms allowed to govern women, who subsequently tend to want to tame governing man... how about... you tell me what to do, once you hand-cuff me? oh... right... well... here's to the guillotine... anti-immigration... the rights of bulgarian prostitutes... or... whatever you feel like: making up your mind about.

masochism... not listening to the radio...
and turning on
the youtube socio-political commentary...

when...
  Ashley Elisa
could have met Economic Invincibility.

me?
       fold, poker, down,
and a sing-along...
   with a fiddler on the roof staged
take on being amused...
  from the petty jew...
to akin a king solomon...
well: neither of the two could
be held in equally high esteem...
could they?

    but's that's my variant of
masochism...
turning off the radio brimming
with song,
and instead...
(jerking off doesn't seem
as bad)...
listening to "advice"
on the youtube.
Started from wuhan..
Took thousands of life.
We stared the news,
People were dying...
Bodies were lying.
Shortage of spaces ...
with huge boulder of cases
Hotels,stadium many big malls
turn to massive wards.
Then it crashed down worldwide....
With millions of cases.
Fatality was getting high,
Reducing supplies...
Doctors were on duty
whether it's USA, spain or Italy.
Then it started getting extreme...
Trying to put India in its claw.
Lockdown & social distancing were
Only two options....
Other than solution;
which was vaccinne to all.
Police Department without even thinking,
entered the situation in order to reduce the panic.
They danced, they sang,even distributed the food packets,
They even punished the people who tried to break this hope.
Religious places & trusts ensured our trust in humanity.
Not only adults or elders but children taught us...
Fund is fund whether its pennies or millions.
We can lose the LOSE but not the hope.
Sanitize your hands, sanitize your thoughts...
It's not good time to get into a religious war.
Don't be afraid of being tested....
Because it only needed some smear of your blood or dna...
From your hand or  from your nose using a wooden stick with snab like a ear bud which actually tickles & make you laugh....
Like a blood test or you can also called it in a fancy way i.e "ELISA".
Secure yourself like your credentials information...
Some IMPORTANT things which we should do to help these doctors, officers, garbage cleaners & most importantly us: -

Sneeze in TISSUES OR  ELBOW to protect your hands.

Wash your hands until the genome is miscarried. i.e about 20 sec.

Put on your mask & sanitize it regularly like you wash your clothes regularly.

Now mask is the newest member of our clothing styles.

We all know this won't work to stop it....
All we need is a vaccine.

But as  human & most importantly as a stubborn LIFE, we wont let ourselves down..

This fight we will took it last until the HUMANITY rise.


                                      ~Rajput Adarsh
Mateuš Conrad Mar 2019
the **** is there to
                     complain about?

   grand nose,
ashley elisa
   what some
                would call:
          picasso's...

what, with one nostril
being larger
than the other?

with one side
of the nose
having more prominent
cartilage?

   i forgot both
the existence of *******
and eyes,
just looking
at your nose...

   so well hidden in
some of the videos...
but one...

the **** is twitter,
and the new gab,
and dissenter?!
   i "forgot"
to use twitter to begin
with...
the alternatives?
   ffansi-ceilliau
           (fancy *******)

can you see the picasso
stipend
for: having arrived at
the over-exaggerated
shadow upon a face,
which, now,
made apparent,
begins with the nose...
and one nostril
smaller than the other..

i'd love to buy the ****
about liberated women,
angst ridden males...
commentaries...
   and...
to be frank,
i never left an anonymous
comment,
doubly honest:
i rarely used up
a presence in the comment
section of any internet
page...

   i just visited a *******,
and came back,
and...
    wouldn't come
back for any worth
of keeping
a focus on a variation
of "preservation"...

          i'm not worried...
transcending
the categorical darwin initiative...
competing with...
some other alternative...
akin to me,
akin to the virus of ebola...

    say, Kant, the ideal bachelor...
attempitng the feat of:
forgetting to be bored...
  
           i guess i had to be born
with an inhibited ambition
to forward
   my, "self"...
        and what remains?
guess-work...
        something given an a priori
   stature
for the status of life:
   with no, or any, lacking,
a posteriori focus
   to, "keep up with the lineage";

some people fall asleep with
books in their hands,
as if i were anywhere near
providing a rigid rubric
of words,
        
             there's this,
as there's also some Tolstoy,
labour of dross...
  and what's to be kept
of the repeated jargon...
   just when you thought
people would care,
you play-back the scenes
of the same people,
playing a game of nuace...

          can we just leave it at:
i forgot to give a ****?

— The End —