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A Poem for Three Voices

Setting:  A Maternity Ward and round about

FIRST VOICE:
I am slow as the world.  I am very patient,
Turning through my time, the suns and stars
Regarding me with attention.
The moon's concern is more personal:
She passes and repasses, luminous as a nurse.
Is she sorry for what will happen?  I do not think so.
She is simply astonished at fertility.

When I walk out, I am a great event.
I do not have to think, or even rehearse.
What happens in me will happen without attention.
The pheasant stands on the hill;
He is arranging his brown feathers.
I cannot help smiling at what it is I know.
Leaves and petals attend me.  I am ready.

SECOND VOICE:
When I first saw it, the small red seep, I did not believe it.
I watched the men walk about me in the office.  They were so flat!
There was something about them like cardboard, and now I had caught it,
That flat, flat, flatness from which ideas, destructions,
Bulldozers, guillotines, white chambers of shrieks proceed,
Endlessly proceed--and the cold angels, the abstractions.
I sat at my desk in my stockings, my high heels,

And the man I work for laughed:  'Have you seen something awful?
You are so white, suddenly.'  And I said nothing.
I saw death in the bare trees, a deprivation.
I could not believe it.  Is it so difficult
For the spirit to conceive a face, a mouth?
The letters proceed from these black keys, and these black keys proceed
From my alphabetical fingers, ordering parts,

Parts, bits, cogs, the shining multiples.
I am dying as I sit.  I lose a dimension.
Trains roar in my ears, departures, departures!
The silver track of time empties into the distance,
The white sky empties of its promise, like a cup.
These are my feet, these mechanical echoes.
Tap, tap, tap, steel pegs.  I am found wanting.

This is a disease I carry home, this is a death.
Again, this is a death.  Is it the air,
The particles of destruction I **** up?  Am I a pulse
That wanes and wanes, facing the cold angel?
Is this my lover then?  This death, this death?
As a child I loved a lichen-bitten name.
Is this the one sin then, this old dead love of death?

THIRD VOICE:
I remember the minute when I knew for sure.
The willows were chilling,
The face in the pool was beautiful, but not mine--
It had a consequential look, like everything else,
And all I could see was dangers:  doves and words,
Stars and showers of gold--conceptions, conceptions!
I remember a white, cold wing

And the great swan, with its terrible look,
Coming at me, like a castle, from the top of the river.
There is a snake in swans.
He glided by; his eye had a black meaning.
I saw the world in it--small, mean and black,
Every little word hooked to every little word, and act to act.
A hot blue day had budded into something.

I wasn't ready.  The white clouds rearing
Aside were dragging me in four directions.
I wasn't ready.
I had no reverence.
I thought I could deny the consequence--
But it was too late for that.  It was too late, and the face
Went on shaping itself with love, as if I was ready.

SECOND VOICE:
It is a world of snow now.  I am not at home.
How white these sheets are.  The faces have no features.
They are bald and impossible, like the faces of my children,
Those little sick ones that elude my arms.
Other children do not touch me:  they are terrible.
They have too many colors, too much life.  They are not quiet,
Quiet, like the little emptinesses I carry.

I have had my chances.  I have tried and tried.
I have stitched life into me like a rare *****,
And walked carefully, precariously, like something rare.
I have tried not to think too hard.  I have tried to be natural.
I have tried to be blind in love, like other women,
Blind in my bed, with my dear blind sweet one,
Not looking, through the thick dark, for the face of another.

I did not look.  But still the face was there,
The face of the unborn one that loved its perfections,
The face of the dead one that could only be perfect
In its easy peace, could only keep holy so.
And then there were other faces.  The faces of nations,
Governments, parliaments, societies,
The faceless faces of important men.

It is these men I mind:
They are so jealous of anything that is not flat!  They are jealous gods
That would have the whole world flat because they are.
I see the Father conversing with the Son.
Such flatness cannot but be holy.
'Let us make a heaven,' they say.
'Let us flatten and launder the grossness from these souls.'

FIRST VOICE:
I am calm.  I am calm.  It is the calm before something awful:
The yellow minute before the wind walks, when the leaves
Turn up their hands, their pallors.  It is so quiet here.
The sheets, the faces, are white and stopped, like clocks.
Voices stand back and flatten.  Their visible hieroglyphs
Flatten to parchment screens to keep the wind off.
They paint such secrets in Arabic, Chinese!

I am dumb and brown.  I am a seed about to break.
The brownness is my dead self, and it is sullen:
It does not wish to be more, or different.
Dusk hoods me in blue now, like a Mary.
O color of distance and forgetfulness!--
When will it be, the second when Time breaks
And eternity engulfs it, and I drown utterly?

I talk to myself, myself only, set apart--
Swabbed and lurid with disinfectants, sacrificial.
Waiting lies heavy on my lids.  It lies like sleep,
Like a big sea.  Far off, far off, I feel the first wave tug
Its cargo of agony toward me, inescapable, tidal.
And I, a shell, echoing on this white beach
Face the voices that overwhelm, the terrible element.

THIRD VOICE:
I am a mountain now, among mountainy women.
The doctors move among us as if our bigness
Frightened the mind.  They smile like fools.
They are to blame for what I am, and they know it.
They hug their flatness like a kind of health.
And what if they found themselves surprised, as I did?
They would go mad with it.

And what if two lives leaked between my thighs?
I have seen the white clean chamber with its instruments.
It is a place of shrieks.  It is not happy.
'This is where you will come when you are ready.'
The night lights are flat red moons.  They are dull with blood.
I am not ready for anything to happen.
I should have murdered this, that murders me.

FIRST VOICE:
There is no miracle more cruel than this.
I am dragged by the horses, the iron hooves.
I last.  I last it out.  I accomplish a work.
Dark tunnel, through which hurtle the visitations,
The visitations, the manifestations, the startled faces.
I am the center of an atrocity.
What pains, what sorrows must I be mothering?

Can such innocence **** and ****?  It milks my life.
The trees wither in the street.  The rain is corrosive.
I taste it on my tongue, and the workable horrors,
The horrors that stand and idle, the slighted godmothers
With their hearts that tick and tick, with their satchels of instruments.
I shall be a wall and a roof, protecting.
I shall be a sky and a hill of good:  O let me be!

A power is growing on me, an old tenacity.
I am breaking apart like the world.  There is this blackness,
This ram of blackness.  I fold my hands on a mountain.
The air is thick.  It is thick with this working.
I am used.  I am drummed into use.
My eyes are squeezed by this blackness.
I see nothing.

SECOND VOICE:
I am accused.  I dream of massacres.
I am a garden of black and red agonies.  I drink them,
Hating myself, hating and fearing.  And now the world conceives
Its end and runs toward it, arms held out in love.
It is a love of death that sickens everything.
A dead sun stains the newsprint.  It is red.
I lose life after life.  The dark earth drinks them.

She is the vampire of us all.  So she supports us,
Fattens us, is kind.  Her mouth is red.
I know her.  I know her intimately--
Old winter-face, old barren one, old time bomb.
Men have used her meanly.  She will eat them.
Eat them, eat them, eat them in the end.
The sun is down.  I die.  I make a death.

FIRST VOICE:
Who is he, this blue, furious boy,
Shiny and strange, as if he had hurtled from a star?
He is looking so angrily!
He flew into the room, a shriek at his heel.
The blue color pales.  He is human after all.
A red lotus opens in its bowl of blood;
They are stitching me up with silk, as if I were a material.

What did my fingers do before they held him?
What did my heart do, with its love?
I have never seen a thing so clear.
His lids are like the lilac-flower
And soft as a moth, his breath.
I shall not let go.
There is no guile or warp in him.  May he keep so.

SECOND VOICE:
There is the moon in the high window.  It is over.
How winter fills my soul!  And that chalk light
Laying its scales on the windows, the windows of empty offices,
Empty schoolrooms, empty churches.  O so much emptiness!
There is this cessation.  This terrible cessation of everything.
These bodies mounded around me now, these polar sleepers--
What blue, moony ray ices their dreams?

I feel it enter me, cold, alien, like an instrument.
And that mad, hard face at the end of it, that O-mouth
Open in its gape of perpetual grieving.
It is she that drags the blood-black sea around
Month after month, with its voices of failure.
I am helpless as the sea at the end of her string.
I am restless.  Restless and useless.  I, too, create corpses.

I shall move north.  I shall move into a long blackness.
I see myself as a shadow, neither man nor woman,
Neither a woman, happy to be like a man, nor a man
Blunt and flat enough to feel no lack.  I feel a lack.
I hold my fingers up, ten white pickets.
See, the darkness is leaking from the cracks.
I cannot contain it.  I cannot contain my life.

I shall be a heroine of the peripheral.
I shall not be accused by isolate buttons,
Holes in the heels of socks, the white mute faces
Of unanswered letters, coffined in a letter case.
I shall not be accused, I shall not be accused.
The clock shall not find me wanting, nor these stars
That rivet in place abyss after abyss.

THIRD VOICE:
I see her in my sleep, my red, terrible girl.
She is crying through the glass that separates us.
She is crying, and she is furious.
Her cries are hooks that catch and grate like cats.
It is by these hooks she climbs to my notice.
She is crying at the dark, or at the stars
That at such a distance from us shine and whirl.

I think her little head is carved in wood,
A red, hard wood, eyes shut and mouth wide open.
And from the open mouth issue sharp cries
Scratching at my sleep like arrows,
Scratching at my sleep, and entering my side.
My daughter has no teeth.  Her mouth is wide.
It utters such dark sounds it cannot be good.

FIRST VOICE:
What is it that flings these innocent souls at us?
Look, they are so exhausted, they are all flat out
In their canvas-sided cots, names tied to their wrists,
The little silver trophies they've come so far for.
There are some with thick black hair, there are some bald.
Their skin tints are pink or sallow, brown or red;
They are beginning to remember their differences.

I think they are made of water; they have no expression.
Their features are sleeping, like light on quiet water.
They are the real monks and nuns in their identical garments.
I see them showering like stars on to the world--
On India, Africa, America, these miraculous ones,
These pure, small images.  They smell of milk.
Their footsoles are untouched.  They are walkers of air.

Can nothingness be so prodigal?
Here is my son.
His wide eye is that general, flat blue.
He is turning to me like a little, blind, bright plant.
One cry.  It is the hook I hang on.
And I am a river of milk.
I am a warm hill.

SECOND VOICE:
I am not ugly.  I am even beautiful.
The mirror gives back a woman without deformity.
The nurses give back my clothes, and an identity.
It is usual, they say, for such a thing to happen.
It is usual in my life, and the lives of others.
I am one in five, something like that.  I am not hopeless.
I am beautiful as a statistic.  Here is my lipstick.

I draw on the old mouth.
The red mouth I put by with my identity
A day ago, two days, three days ago.  It was a Friday.
I do not even need a holiday; I can go to work today.
I can love my husband, who will understand.
Who will love me through the blur of my deformity
As if I had lost an eye, a leg, a tongue.

And so I stand, a little sightless.  So I walk
Away on wheels, instead of legs, they serve as well.
And learn to speak with fingers, not a tongue.
The body is resourceful.
The body of a starfish can grow back its arms
And newts are prodigal in legs.  And may I be
As prodigal in what lacks me.

THIRD VOICE:
She is a small island, asleep and peaceful,
And I am a white ship hooting:  Goodbye, goodbye.
The day is blazing.  It is very mournful.
The flowers in this room are red and tropical.
They have lived behind glass all their lives, they have been cared for
        tenderly.
Now they face a winter of white sheets, white faces.
There is very little to go into my suitcase.

There are the clothes of a fat woman I do not know.
There is my comb and brush.  There is an emptiness.
I am so vulnerable suddenly.
I am a wound walking out of hospital.
I am a wound that they are letting go.
I leave my health behind.  I leave someone
Who would adhere to me:  I undo her fingers like bandages:  I go.

SECOND VOICE:
I am myself again.  There are no loose ends.
I am bled white as wax, I have no attachments.
I am flat and virginal, which means nothing has happened,
Nothing that cannot be erased, ripped up and scrapped, begun again.
There little black twigs do not think to bud,
Nor do these dry, dry gutters dream of rain.
This woman who meets me in windows--she is neat.

So neat she is transparent, like a spirit.
how shyly she superimposes her neat self
On the inferno of African oranges, the heel-hung pigs.
She is deferring to reality.
It is I.  It is I--
Tasting the bitterness between my teeth.
The incalculable malice of the everyday.

FIRST VOICE:
How long can I be a wall, keeping the wind off?
How long can I be
Gentling the sun with the shade of my hand,
Intercepting the blue bolts of a cold moon?
The voices of loneliness, the voices of sorrow
Lap at my back ineluctably.
How shall it soften them, this little lullaby?

How long can I be a wall around my green property?
How long can my hands
Be a bandage to his hurt, and my words
Bright birds in the sky, consoling, consoling?
It is a terrible thing
To be so open:  it is as if my heart
Put on a face and walked into the world.

THIRD VOICE:
Today the colleges are drunk with spring.
My black gown is a little funeral:
It shows I am serious.
The books I carry wedge into my side.
I had an old wound once, but it is healing.
I had a dream of an island, red with cries.
It was a dream, and did not mean a thing.

FIRST VOICE:
Dawn flowers in the great elm outside the house.
The swifts are back.  They are shrieking like paper rockets.
I hear the sound of the hours
Widen and die in the hedgerows.  I hear the moo of cows.
The colors replenish themselves, and the wet
Thatch smokes in the sun.
The narcissi open white faces in the orchard.

I am reassured.  I am reassured.
These are the clear bright colors of the nursery,
The talking ducks, the happy lambs.
I am simple again.  I believe in miracles.
I do not believe in those terrible children
Who injure my sleep with their white eyes, their fingerless hands.
They are not mine.  They do not belong to me.

I shall meditate upon normality.
I shall meditate upon my little son.
He does not walk. &n
WS Warner Feb 2012
Miscommunication
serendipity, anticipation,
blurred reality -
lost in the dialect
of a dream,
in pursuit
of Love
find callous irony;
subversion of desire
what's it all about?
to know and be known.

Mere seconds
of scrutiny
inferior,
I am shown.
Her appraisal
eviscerating
my warm flesh,
her tilted criteria
supplanting the interior,
voluble with
saccharine neologisms
and preferences
for the exterior.
(not mine)
Ironic was my
attraction to
her brain.

Lines, features
and symmetry,
image - the commodity,
aesthetics, the
currency
in this transaction,
cursory liaison,
incendiary,
collapse of the
insurgent ego -
there was no
us in the
the affair of
nothingness.

Bruised in
abasement,
I'm not the one -  
I thought I was.
Hyperbole -
the center
of delusion,
a curious
diversion -
avoid my life.

The allure of
the illusion,
transference,
the ordinary to
the romantic,
the perfect other.
Searching, the
absorbing project -
aquiring wholeness,
did she reject me?
I rejected me.

The escape into
fraudulent
sadness,
to mourn,
is to displace,
the disowned heart
by self is tragic.  
Should
I not mourn for
the one I'm
deferring?

Inside of me
It's safe,
to lament
the loss of
identity -
tension is agony
without resolve
sequestered,
in my pain,
self-imposed
familiar terrain,
upon retrieval,
awaking in
renewal,
mystery and destiny
providentially,
I am free.
jaleigh flippen Apr 2015
I cradle the thought of my soul deferring from my body, as if death were a newborn to be adored. as my efforts towards nurturing this ideal reach expiration, a broad emptiness conquers my internal being; and I fear I will drift through time unchanged. hear me, propellers are necessary in the water and legs on land- but I'm no ship, and I have ropes tying my born given feet to my hands.
in my opinion, overcoming the fear of your depression is the most important thing. im attempting to do just that, and this is myself putting it into words.
Brian Oarr Oct 2012
It was my best friend who asked me
what I'd choose to be in my next incarnation.
Honestly, she caught me completely off guard,
intellectually dumbfounded by a prospect
I'd never considered, nor felt I deserved.
That night I wracked my brain searching for
a suitable chakra from which to derive an answer.
I know she believes everything is renewed,
so, deferring to her convictions,
I chose a jaguar, as suitable for my solitary way.

She's always had a knack for surprising my existence,
deflecting the metaphysical, steering for spiritual shores.
I recognize this power she exudes, though she dismisses me.
The jaguar I'm evolving divinely subsumes her virtues,
is cognizant of the heroine from Mumbai ashrams.
I'd like to tell you I hear rumblings in the sky,
that there's a certain path beneath my feet,
but my destiny eludes all outward signs,
striving for that inner love that has no name.
jonchius Sep 2015
resuming textual trip
testing experimental procedures
visualizing model tsunami
augmenting facetious environment
catching abstract architecture
noticing rhythmic exchange
projecting subtextual database
airhorning reggae royalty
adding atypical party
resolving twitter question
noticing emotional mission
awaiting emotional dialect
installing metaphorical experiment
intensifying animated trip
displaying dynamic victory
programming abstract development
releasing emotional exchange
deriving fata morgana
glorifying referential sequence
intensifying facetious map
noticing harmonic trip
observing radical ratio
compiling nomadic message
predating google rebranding
reticulating facetious panda
using hyperreal feedback
exploring virtual panda
speculating graphic gallery
throwing mundane exception
targeting graphic experiment
replenishing emotional trap
localizing asemic animal
dropping rhythmic trip
propagating immortal experiment
displaying lowercase database
invading orange bubbles
crashing animated trip
running conceptual topography
remembering collapsed buildings
crashing hyperreal coverage
propagating hyperreal stipulation
finishing western library
envisioning neon tessellation
reciprocating network likes
processing animated device
releasing haptic quality
examining building seven
awaiting rhapsodical ratio
sampling death sauce
sensing lowercase clone
examining symbolic tour
processing potential development
encapsulating spatial lottery
displaying digital paragraph
reticulating theoretical source
perpetuating western paragraph
transmitting monochromatic structure
anticipating ambient quality
transmitting asemic environment
intensifying atomic quality
remastering history poem
keeping future light
hypothesizing eternal game
using future library
rearranging masonic language
transmitting masonic development
continuing ceremonial ritual
questioning party's legitimacy
deferring western coverage
finishing asemic hypertext
mollifying ostentatious presence
synthesizing allegorical icon
forming categorical unions
sketching app wireframe
programming immortal repository
second week of September 2015
Nat Lipstadt Jun 2018
dedicated to E.B.
a man of faith
~

the-third-of-three-of-thee queries,
ask this poet anything variety pack,
3 permission-granted non-deniable answers,
though somewhat unsurprisingly,
the demands are the common deeper commonality,
yet finds the poet
flat footed, tongue raveled, searching
repeatedly for le mot juste, answers he doesn’t prefer to task,
by asking himself ever
directly

fingers and tips knotted,
their cooperative sensation severed,
unprepared to answer
deferring, with a weakish,
“it’s buried in plain sight in the
thousand + poem answers resting here
for a someday funeral oratory anticipatory”

all the tired, tried and refried and endless recycled responsa tossed into a barrel of formaldehyde;

in dissolution, perhaps the solution?

numerous are my recorded “dialogues,”
verbal battles with spirit authorities,
plenty of cursing and finger pointing
and not of the Sistine Chapel variety;
mutual forgiveness for human and supreme  errors,
not always, hardly ever,
on the tabula rasa menu

but you think
a principle, responsum est constituta
(from the principal, the answer can be derived)
therefore, yes, he must be...

but
the poet replies faith in what,
meaning he has the surety of none

then!
the phone rings and the poem begins:
in a voice of heretofore unknown register,

<•>


“I am the highest authority
none greater

I am but and only the first creator;
my touch operates at the spiderweb level,
the muse of muses,
present in the first grazing garden of lips,
the cacophony clarity of the avians swapping stories
in the early morn,
my worldwide alarm clock,
the wafted word,
breeze born when any poet stumbles on what comes next,
I am scented cherry blossoms, the breath in the iris newly come, and quickly gone,
the spiders web
where there yesterday there was none,
I am the first poem,
and will be the last

the new skin neath the scab,
the cooing of a grandchild that
sun melts hardy men grizzled who think
there is nothing new under the sun

the counter movement of every wave that shushes,
requesting global silence,
even when no human present to applaud

I am the smile upon the surgeon exiting
the operating room,
his right hand of confidence,
the arm draped upon a strangers shoulder
who weeps unabashedly for
undisclosed reasons that do not matter

you ask the poet
is he a man of faith
a bewildering query that obtains
diffident daily responsa, for the very question
is an ever changing variable

easy come and easy go
for what is faith but a traveling circus,
a summer day, forgot as it melds with next,
faith in?
me? hardly...

who could sustain a belief in the invisible hand that is the breeze between blades of grasses where the snowflakes will later accumulate as if nesting

even faith in himself
is a passing cloud,
a short term rental

but in that instance
he is faithful personified
for he “discovered”
the next word to close and complete,
the poem that did not exist prior

thus faith stored and restored
he believes once more if but for
a seconds-long knowing a defining of
faith

  thus he is neither solved or dissolved;
yet, is resolved to keep getting
closer to that completion
that affords him, or any poet,
to own the faith that affords belief
jonchius Sep 2015
forging sagacious epoch
activating neural station
escaping hokey-pokey jiggery-pokery
transcribing ineffective fragments
digesting bear news

opposing usual exhaustion
deferring oxter reference
cascading style sheets
containing double readings
mumbling lorem ipsum
locating moose jaw

enforcing meticulous patterns
deconstructing vertical centering
manifesting additional destinies
deleting !important statement
craving sleep paralysis
receiving cryptozoological vibrations
lightning fast collapse

distracting tunnel vision
culling deadbeat sequentialists
overanalyzing twitter analytics
acquiring arbitrary relevance
spinning ping-pong sign

floccinaucinihilipilificating
floccinaucinihilipilificated
floccinaucinihilipilification

interjecting ****** holophrase
minifying conventional language
securing downpour refuge
admiring octopus chandelier
resuming party music
taking mental trip

encountering ersatz telesthesia
denigrating bygone grudges
maintaining elevated composure
ignoring neurotypical haters
eliciting cryptic emotions
foreshadowing triple crown?

experimenting acrostic restriction
noticing ubiquitous "threes"
aggrandizing loyal legion
favoring ursine narratives
finding oblique resilience
yielding orchestral undulations
the first week of June 2015
Rhianecdote Jan 2015
Seems like everyone's
looking for replacements,
the lost and left
huddled together
seeking their placement,
anAtomys standing static
but the field is magnetic,
bonds are bound for
the making and we
take it with ease
not questioning if
we're faking it,
and in fact instead
of friends we're
lining up
potential enemies.
Is it all just
overfamiliarity?
Is the attraction just distraction?
Force filled friendship
or true connection?
Full of heart
or cardiac arrested development
trying to drown
out the loneliness and rejection?

And if so how long will it last?
How strong is the net cast?
Is it holding us together
Or are we just caught up?
Deferring inevitable dejection,
only a matter of time
before detection and
we're exposed for
the fraudulents we are?

Or have soul mates been found?
Lovers been crowned ,
best friends and brothers
who will always be round?
Better things coming together
replacing what's broken?
Truth lying in the unspoken.
Filling vacant places
like liquid frozen.
All In good Time?
But can you Trust in time
when it ultimately brings
atrophy and erosion?
Or Will these laws
be undone by devotion?
Logic replaced with emotion?

Possibly...

But enough philosophy
my replacement bus is here.
Public transport ponderings
Vernarth was ready at the threshold of the validity of the constellation of Orion, barely a hundred millionths as indicated by the Duoverse in his Cosmogonic amphiboly, and sensitive to physical space with the Kli vessels that he carried on his back that were in the proximity of the Loop of Bernard as the Omission nebula as the exponential hemicycle in the center of Aurion's oculus waiting for Vernarth and redistribute its molecules at 518 light-years or 440 Parsec, with the diameter that will be reflected in Patmos of more than 300 light-years condensed with the element of Hydor or water from high space over Aurion. Vernarth, united by the fragrant hand of the Mashiach, could carry it when he moved away from the Opistodomos and the remains of incandescent lagoons of supernova materials that surrounded them to accelerate the mass of the Iridescent Nimbus that Vernarth would carry, and the Mashiach as a sentinel of his Purgation. already defined whenever the simultaneous explosion of the Super Nova with Patmos becomes effective, and the Terrestrial World in impulsiveness that admonished him under the right shoulder blade in the skinny hollow of the arm that was getting rid of the oscillometer right at the original entrance of Betelgeuse, and when Vernarth remained alone in the frontal altitude chamber to take off towards the cosmogonies of Eridanus to tune into the Ptolemaic astral. The Sybilla who acted as stellar consort would be Herophile with overtones of expansion and her brilliant metric mass that would take her through Betelgeuse Orionis allied to a multifunctional instrument such as the entrance Aulos, expelling hydrogen-like an Ace in 240 harmonic scales, and sounds of light that they boomed towards the Pleiades and the Milky Way where it would be the supposed first state of paradox where Vernarth would utter: "Give me a little Gála and I will be more than Zeus". This is where he will experience the diarthrosis of his synovial joints in the process of Hyaline cartilage, allying himself with the two bones and synovium to hunt down the Trapper Aurion in advance to wake up from the feared defenseless world that he feared since everything he abandoned despite having his Purg discharged, he kept sensing that if nothing would work for a lost world. Here Vernarth would hold Alexander the Great's first childhood vision as an infant at Péla using his scapula with the force of rubbing discs at the Olympiad making the sky his Odyssey-encrusted Constellation of whips, and sullen Hellenistic being by May in the amber trunk trapezoid and in each hand a Xiphos and Dorus.

The pathologies were at the forefront with dexterous inclinations of his Kopis to the west when he throws it and the whistle of return makes him see that the meteorites reached as far as his gaze could observe the latitudes of the Tyrrhenian. He takes his bronze-brass cudgel with the corrosive breath, filing the odysseys on the concupiscent ******* of Eos, Goddess of the dawn, opening the heavens of the eager natives of Gála, by sipping raw milk from the right edge of the corner of her upper lips before the first dawns of the world, when Eos would be in grains or grasses that brandished from the bronze club that Vernarth waited for before leaving Gaia, or rather the fertile land of Patmos that officiated at him. Mega hectares appeared that threatened Enopion's revenge, disturbing his eyes that shone in Hesiod's striae by advocating for him in the Duoverse where all deities would be annulled but his psychic ramifications as stellar humans would be covered by the action of Helium gas. In this way Vernarth was already bidding farewell to Saint John the Apostle with his rounded eye set on the shine of both pupils between Mintaka, Alnitak, and the third shine of his pupils united in communion with Vernarth when arriving sideways at the pale shine of Alnilam (The Three Mariah) fourth star to follow in Orion as the brightest of the three on Vernarth's neck like a necklace of precious pearls. In this way, he climbed the steps to measure the slow brilliance of the immensity of the celestial solstice that raised him with the expedient Sun that also led him towards the twelfth lunation of the celestial vault attached to Pléyone in his bolometric oceanic matrix, which will arise between the stellar limitrophe between the Canes Mayores and Menores, and a priori in the measurement of the eye of Aurion always harassing the Pleiades. The intrigue will be reborn for the second time from the Duoverse's momentum that Vernarth will have to leave in the biosphere oscillation wasteland of Prometheus already freeing himself from life in community, and from an extreme sensitivity of major psychic connections that will flow throughout the immensity of inaccessible time. , on the atmosphere of the earth like bronzes that twist in the necks of the oxen that urinate on the endowments of the Barnard Loop, and its polyphonic magnetic exciter, on it the ***** of Orion falling on the poles as flagrant Amphibology. The Kanti Steed and the Aorion nebula to the beat of a waltz will ionize chemical portents of ions free of electrons, on the neutral molecules of Betelgeuse to propagate in the nerves of the shoulders of the bronze club ad limit of harmonious praxis, and net compromise by supplying steps to the nebula and art of the Duoverse that shows the primeval daily days as in his alchemical armband, germinating astral Lynothorax and axillary armpit that held him in his maximum club, cutting down roots of Olivo Bernar after Barnard's Loops in between of fugitive stars that go regimented in their ionized bleeding esplanade, like Stellae Novae that transfers astronomical cults in the formation and pretext of going through the darkness to sleep near his parents Poseidon and Euryale, acclaiming him near the gramineous fields to paste him with explosive clay on the portfolio of such a smiling face drunk with Ionian wine, in precedence of the disemi nar by the new and expandable Duoverso, Vernarth was already on the last steps of the stairs similar to that of Florence in the Medicea Laurenziana as well said to feel alive when going to paradise next to the Messiah who came to pick him up. But at times electrifying residues would vanish over his field of vision in small beams or flashes, which would prevent him from moving forward to the last stirrups without looking back where all the Birthright was watching him for one last time.

Sitting on the edge of Andromeda, Zefian was waiting for him to meet him in his dark chamber, since the most intimate and primordial causality of his metaphysics emerged from the bases of the reason for all things that should exist, before everything was created and that it has never had pre-eminence as it is in this case of the parasitic chamber of Zefian in the company of the Auriga, which also came to wait for him in the calash running wild as prescribed by the Duoverse in the structures of luminosity in the midst of this colossal inter-planetary chamber, between molecular agitated points that will venture through the axon of infinity longitudinally unpredictable for light-years even though it is so. The thermal outcomes of superheated remnants over the entire luminosity will speak of the catastrophe, and of the inherent emptiness in the eyes of the eternal hothouse very close to the supernovae that can only strengthen the fusion of the space disks of the Universe-Duoverse long before the explosion between Orion and Andromeda. The axes of time will be dislocated between both astral components in this dissonant chaos that will contract with Vernarth's levitation whenever he has stepped on the last step before entering the Hydor chamber in every dark portion of the Universe, making both constellations the ferrule or ring that will yield to the underbelly of Betelgeuse, dispossessing the boasts of the appropriate Commander Hetairoi of his Lynothorax to resist the ravages and turbulence of the Apokálypsis, which brought the immense loads of matter that discharged all its constant energy through the circulating nuclear power plants, and tangents that caused galaxy changes pierced by Hetairoi Aorion clods satirizing expenses for retracting the galaxies below Soldier's precept and super homeostatic mass attracted from their distance on astronomical scales of 2.5 million light-years.

The galactogenic galaxy made use of great prominences that would cover the greater proportional that is outlined in Andromeda of the strands of the Universe adjacent to the spiral that rolls on the underbelly, deferring to telescope sections, and the gravitational field to execute its nocturnal translation like the Hyperdisis Galaxy that collects the bubbling of the belt in conjunctions of minor stars making star mechanics by exaltation, and magnetic disorders creating other leading atmospheres in those detached from the cord of Andromeda, the Milky Way, and Orion. Vernarth was still holding on to the transparent hand of the Messiah while he was climbing the ascension steps to Hydor that would transport him to travel with him through the globular clusters, they will form the perfect delay in transfusing the lineage and not another, in this way the Lynothorax or bleeding pectoral de Vernarth continued to flow from this polynomial tractatum between all area subjugation guidelines, and refinement of the sagittal profile of Hyperdisis in the inter-galactic reversible staked Duoverse.

Lenticular to irregular above the nails of the trapezoid, it spread towards Aurion's right armband, sequentially making the centric radiogram hiccup, despite taking advantage of interstellar matter to self-generate its own transmission light, this made it refrain from emanating the hybridity that came out of its body by vibrating above everything that expelled from its center towards the right rectitude of Orion, thus making the multiplied speed of containing itself of both parts of the null hemisphere of its free will when verifying that it never existed, that it was only an illusion of doubtful matter that would soon Go away like gasified water on the galactic repulsions that would settle on Patmos as devotions of Skalá, and Astro-omegas that would be adhered to the Xiphos and Kopis, who were still united to their being rather in the contour of the perimeter of his soul two meters floating like invisible quantum universes. The totality of everything was inciting the fields of omega-stars that would begin to advance after becoming visible from the spur of the sword that became denser with the viscosity of the Hebrew Adom, which trickled from Orion to Hellenic lands as an Omega age for Vernarth which is conceived early when it carries Hecate's Kleidia or keys to the Omega world towards the proto-galaxies that provide ultramarine loaves, knowing that the Milky Way and Andromeda come so close in their stellar mass that they can collide in a few million light-years. The Duoverse of Hyperdisis was predicted in the visual reality of a fusion of change to interact with each other as it dismembered but re-transformed into the new theoretical core of the Duoverse as a large Black Hole embedded in the center of Patmos. In such a way all the inhabitants began to worry when phenomenal masses of warm air that began to take on the appearance of the Universe plagiarized each other generating incoming earthquakes, not affecting the Opistodomos or the Primogeniture, nor the crowd that was waiting. of all the monstrosity of monks who were grouped kneeling on the top of the Profitis, floating the shattered shaggy skein parts of the Himation. As it was dyed in the albi-color of Calígine, demonstrating the darkness of the intrinsic terror of whoever plows later to free all the succumbed who fell throughout Greece and Judah, exposing all the origins of appearance from the internal now in the converted Universe that was reimplanting itself in the helical of polarity, and bifurcating by pretexting all the reincarnations and polishing the stagnant cessation of darkness towards a luminance that could warn them and observe where their feet could move, sheltered from the monumental litter of calorimetry, and chromatics that was linked in romances trivial with the residuals of the angel shark galaxies where Aurion's progenies will deliver in candelas per square meter: LV waking is the luminance, measured in Nits or candelas per square meter (cd/m²).

• F is the luminous flux, in lumens for the Andromeda triad, the Milky Way, and Hyperdisis in conjunction with Orion. From here Vernarth will supply all of them as the one who will dwell in it in the preface of his Fables of Calígine with the following: "Ex Calígine Chaos: ex Chao et Calígine, Nox, Dies, Erebus, Aether", which transliterated means "Of Darkness: Chaos. From Chaos and Darkness: Night, Day, Erebus, and Ether", Decreeing the (Burning Darkness) before Chaos as flow F, is he also the only one who divinized this abstraction, conferring a proper meaning to the word. And then make of the normality of dwelling in the darkness that is the irrevocable opulence of the desire to maintain the radiance of all the forces that devour eternity. From the remote aces came dark families of flying Lepidoptera Ditrisios, lined up with countless other species that carried dimensional eyes that will be devoured by ocelli or giant eyes that come from the chaos of Vernarth's Caligine to appease the effects of ultraviolet rays, which started from the Nimbus Iridescent creating a layer of protection between the new dimension of the twilight of flight that was already beginning to ignite from the Aurion's scaly fingers.

• dS is the surface element considered the triad Kímolos, Rodas and Patmos. While Vernarth is distracted, he manages to dissipate the twilight of the inverted Erebus between Eleos and Ezis, personifying Clemency and Sadness, where they border the worlds that are not yet riddled with chaos or Calígine, who exalted himself over Erebos with the redemption of Eleos, who was getting ready to swallow the sadness of Ezis. Therefore Kimolos, Rhodes, and Patmos will consolidate their hegemony of unalterable lands where Eleos' piece of clemency will bring the support that makes Ezis's faceless portent, close to the hybridity of the Itheoi gods, in the Transversal Valleys of the Horcondising, with the Norns and generosity of Apollo who had given them after long stays in Hyperborea as female spirits once again as advocacy and imperishable protection of the legacy of Smintheus's travels by providing the company of Dísir, Uror, Verdandi, and Skuld as a female entity, of the past, current and future that should occur by order of Skuld. This will allow the three to unite with the Ds to merge the three as a complement of three female entities that will safeguard all climate change on future disasters in the Dodecanese.

• dΩ is the solid angle element, from Vernarth Omega and the origin of the Duoverse. From this premise, the worst of Vernarth's fears was to let go of the Messiah's hand and fall into the anger that blushes even Hetairoi Hero from Deimos, when the night reverts to the rest of the demons and the night adopts those who go perceiving in Vernarth that perhaps he was holding hands with Ares for the battle alongside his brother Etrestles, under the orders of the savagery of the metaphysical engines of panic. From this vision, Vernarth manages to open his eyes with the desire to show those who were watching him and to be able to show that he was aware of being a prisoner of his emotions and escaping from himself in the illustrious suffering of thousands of arrows, which ran around him like fleeting meteorites to the flat field of Tisiphone's revenge. The luminances became and became colors that were molecularly twinned with disparate tones that were capable of differentiating them, and at the same time nullifying the power of obscuring Vernarth's countenance to take his right hand and take the arrow to break the darkness that was lunged at him.

• θ is the angle between the diameter from Andromeda and the Milky Way (2.5 million light-years), Nemesis or Ramnusia as the retributive coercion of disobedience, being aware Vernarth became more and more of a being adopted by balance Nemesis for balance to command him to his senses before entering the field of limpidity of his soul in transit to liberate himself from all the chained who used to be happy, but sad that no one acclaimed them except Aionius Itheoi of Vernarth who translated the messages that from now on will move diametrically from Andromeda to the Milky Way, without any of these two portions being invaded only under the order of Nemesis, and Vernarth abiding by the retributive justice of The luminance that can be defined from the radiometric magnitude of the radiance without more than weighting each length of the wave by the sensitivity curve of the eye. Thus, if LV is the luminance, Lλ represents the spectral radiance and V (λ) symbolizes the sensitivity curve of Vernarth's eye in the underbelly of Betelgeuse, spilling plasma and magnetic bruises on the galaxies and Eyes of Orion.
Meanwhile, it manifested itself as a personal universe, not excluded from time and space for a metaphysical causality that will not be able to compose the mentality that is measurable in the joint senses of a Zig Zag birth from this same calígine emerging from another creature of self-observation and see the physiognomy of the anti-material and mass Universal Horcondising. From which we pre-exist to waste of science that models the system of energy and matter in causes of ancestors with which his life and ours that were propelled furtively. Gravity made great paternity in Vernarth's active Biomass, being in the Dodecanese and cosmos in the verification of curvature that makes us with the moon of its romantic astrophysical swings and exaggerated geometry of a Zigzag.

We are versatile multi-dynamic mass that expands simultaneously in the void that pauses in the Nothofagus Obliqua of Vernarth's Horcondising, and also of time2-space2 that have not been attributed to the origin of the stars that move irregularly in Zig Zag, for their immature componential that is clearly of Aramaic blue light from the Pealim of the Abba, circulating with bullets movements skimming the air of the grasses attracting the attention of the entire order of the hypnotized universe, making appear before them the duplication of the universe itself; in Duoverse, which is the recently shaken Universe and of gratitude in the distribution of nearby galaxies that are keys to the paleo kosmous already arranged in macro waves, which are percentages of the spaces of the Tri-solated energy fields, which interact with the phylogeny of the Mashiach in Gethsemane, lying now in a stagnant decomposed future, in a frozen present specific to the peri Kosmous. Its final station is to wager the Zig Zag Universe on the temporal middle Ages chrestomathies re-expanding in qualities of gregarious Sub-mythology, already settling here in Archangels to activate. The implosion of gravity has procreated worlds of visibility of magnanimous astronomical longings, in some fractions of time in Zig Zag by millions of fractioned light-years, as an irregularity that resembles the measure of everything quantifiable, being omniscience or not acquiring the hexagonal of the primogeniture of the fragment since Jerusalem goes to Bethlehem, where the Davidian prism whose Original is attributed fractal in form.

The personification of longevity was trapped by Geras, always escaping from the obfuscated universe or temperament that could be represented in humanity that relied on the antigens that served as support for the reversibility of every hero like Vernarth, who tried to glorify himself in the fullness of life in Heraklion or in the sand that was dyed red-azure when the soul of Alexander the Great would rise together with Vernarth with the Mashiach. The fractal beating line of the Mediterranean towards a vein resembling the rhinestones of King David to the Ziziphus of the Messiah simulating to be irregular symmetrical formats, to build gems in thorns of landscapes that basically subdivide into similar conical funnels, to then be randomly displaced towards its central point shared with King David's five o'clock Incorruptible crown, recursively reiterating it in each square until the eminence of the desired detail was reached in the curve that joins the landscape to Bethlehem and then to the Baptistery of the Shepherds in its hexagonal base, figuring to be the sleet in the final Crown of Rejoicing falling on the top of the roofs "Doroteo or theological gifts" in which the Mashiach's stable of Kafersuseh burst and agonized in the abstraction of the One-Dimensional Beams with foreign eyes, and own tissue eroding to mortal frowns that can be seen with their divine eyes in our own likeness, and of the planet n failed to increase the size so unknown and analytical in this peripeteia of the implosive ideology of the bubbling of the Verthian Duoverse.
The nature of the snowflakes in Bethlehem are natural fractals detailed in their nature, and in the natural infinity that here was envisioned from the new privileged world for self-similarity in speculative functions of Vertnarth, by intervals in each space of shadowy fences, bringing accelerated courier bulbs from Gethsemane in intermediates of olive trees transformed towards other humans.“Their correlation is infinite with reversible observable time, and paternal belonging to mobile gagged echoes of a space that is obstructed by Vernarth, in such a monograph and integers among the fractional integers "Finite is the curvature between the path that walks through the thickness of the Duo-Universe as an alternative of Zigzag and Duoverse energy, which is unleashed to our subconscious observable orb, and what a great beacon reflecting eye that ignores and prescribes extreme distant and focal parts of the One Dimensional Beams of Kafersuseh in Ein Karem. The Duoverse is the rehearsal Universe that the Mashiach had before coming to the Holy Land, provided by his form of Hyperdisis escorting him from Betelgeuse Orion, changes of arduous colors in gradient and Avant-Garde, for limits of perspectives and verbally of amendments of physical fields framed by an external gravitational means. The macro waves are exposed to matters not contained in the abrupt changes of the Mashiach optical selection with the One-Dimensional Beams, attracting selection crystals to atomize them in reaction disturbances, and recreation of multiform plasma saviors of Christian astronautics, examining the double of the macro waves and equation of them on the axis of the universe converted into Duoverse, already in millions of light-years, they will continue in the Duoverse, to reconvert from ectoplasm with large margins of assertiveness. Cartography is the error correction of the current universe, getting lost in the second thousandths of figures that separate us from the Universe, but all being more than time…!, remaining at the expense of the wick of the Cirio with all its electro-matter” Having already established the sub-mythology, Hestia appears after having slept a great dream, when she appeared before Vernarth in Tsambika she was seen changing size, when she was six meters away she looked tiny and when she was already two meters away from him It looked monumentally enormous, but with a versatile physiognomy, therefore it was already appreciated in the last steps with its domestic figure of a goddess that emanated light-years disserted by chimneys and its rooms. The critique of immanence that would happen, would pre-exist the perfectible plan for the Zig Zag Universe and Hyperdisis as Hyper-Hestia, bringing torn words for those who were approaching the main altar of the Vas Auric, which consisted of the great ratio of the proscenium in the Teodora vicinity of Tsambika, between Clairvoyance/Judgment for Wisdom/Meditating constant mechanisms according to the cosmological constant, leading perhaps to the beginning of a decade and third universe called the Triverse. The oscillation of all these fantasies was observed by Vernarth, but he knew that he would have to collide with this finally, already precipitated by temperatures that acted on the average of the normal range, therefore it was imminent to mutate him into the proselytizing provisional Duoverse, which moves backward between the lights vertiginous of creation. Immediately afterward, the Universe has torn apart and lost among those around him, establishing units of millions of years of compressed light from the piccolo Aulós, which Hestia carried in one of his pale hands, his prytaneion was lighting up with the flames of the heart of fire and passion of consanguineous love, "Prytaneum", paving the light in the clarity of the faith of the owners of farmhouses that were founded when they arrived in Tsambika in search of the Vas Auric, acclaiming with the omphalos stone that marked the navel of the world with defiance wandering to the island of Delos in the daily warmth of a spring afternoon in Rhodes. She is a woman with veils over her face always walking to and from her home unscathed in the house of foolish or vestal virgins, there is no Hestia, only perhaps there are some similar ones who were staying in the cold fire of her climacteric losing fertility after his father swallowed them, and then they were expelled from himself regurgitated in flaming matches from a blessed house full of indemnity, giving the Duoverse another category calculated with angles never contained vibratingly sliding between distances that discount minutes of Hestian space for such a corollary of approaching to its finitude and inaugurate the sub-finite,  which will never be a source of terminus in a disconcerting end of time not finished flush with the physical equation. “This consolidates the Duoverse in Duouniverse, expressed in figures that moderate the length of a physical state before it is consummated and restarted in a process that does not end (sub-infinite).

Vernarth was a few meters from entering the Nimbus, when suddenly his soul darkened and his panic flared..., suddenly he felt a scream from above and below he saw how everything was made of rubble. Courage blinded him, not wanting to observe what the evident end of the world and rubble intended to consume him if he said goodbye to his most beloved beings, until the lines of infinity approached those of the earthly world, intending to eliminate all traces of his family lineage. In this way, he begins to run through his hands the reflected Hydor of colors that pierced the skylight of austere words. He manages to see Calígine del Apokálypsis farther from the mist, detached from all gravitational force, only being able to see his mother among the smoke, who was coming up by a ray of light, Vernarth tries to free her from that moment of expiration but does not reach the synchrony of catastrophe in what pretended to be from the hand of Eris as the disagreement that did not allow him to put his survival weapons in order, believing that this instance would not allow him to ****** her from the goddess Eris, if he could believe that it was inevitable that his mother Luccica became a granite coat of arms, after the dark night that threatened to unravel her from her flimsy solid state, and then crumble to the ground turned into the ground that was crushed from roots that postponed it to be consumed by the gift of the light of life, and end of a light that is visible in all the roots of the earth when consumed by the infinite that vanishes in the existence of all being.

Vernarth, when a moment of clarity allows him to see his mother, tries to rescue her, realizing that his father Bernardolipo was with her, between them they would try to redeem them from the spread of Nix and Calígine, who behaved with great pain by mocking the edges of the Ether that they received Crono, they could not be victorious in arriving in time to rescue them, if from the harmony of a troubadour of the Mashiaj he observed him see if he would return with him to enter. They became visible in their parents as they contended before an avoidable awareness of this indivisible event with the aggressor words of hindrances and generations of millennials who anticipated the omega of everything in the lower part, under the feet of their parents appearing insignificant one (w) that precedes and succeeds the beginning of a beginning based on the end of a beginning a thousand times more than a threshold based on hundreds, appropriate to the metric unit of the numeral Myríaz = ten thousand, three times more than the Falangists, one thousand less than the Peltasts and three thousand fewer than the horsemen, total thirty-seven thousand fewer than the fighting forces in Gaugamela out of a total of forty-seven thousand, under the myriads of the Myriaz of Phalangists undermined by their Xiphos in the area of the right calcaneus of each faithful man under his command before facing the Achaemenides. During this period, Vernarth took extreme steps to rescue them and stop the numbing effect of all organic matter, not being able to rescue them, only granting them in the image of each one when they began to turn stone from feet to head until the fragile solidification of their eyes. when for the last time, they looked at each other only making it clear that it was a belated rescue gesture. The omega was ineffable even beyond the omicron, being Omega and Micron in the warfare primer of initiation of its cause within the prophetic in all the necropolis of lowercase omega (ω), towards an Omega that reaffirmed the raised hand in Saint John the Apostle to rewrite the Apocalypse twice, having to be the same but with the voice of Vernarth commanding the ten thousand Phalangists that made up the intergenerational gaps, more than mimicked alien ancestors. In such an effect, as is known, the Duoverse opened the skylights with its sheathed pillars and with the strings of tetrachloride of chlorine in solid angles of Ω in what was Virgo institutionum/Aurion, an entity that interfered by projections and leaks that converged in the strut of the omphalos of his heavenly father dealing in frequency and bloodless of immortality, consisting of an auxiliary being towards the planes of subconscious reprogramming and perspective. With its arms raised in each claw, a sword raised to pierce the vanishing point between the spaces that were ascribed, under the solid projection from an observer that inhibits and limits the biomass in all the aqueous filter pastes and lumens, towards the throne of the angelic guardian of Avant-guard by stereotype and sclerosis of Zeus of dissociated physicality, still being an amorphous entity with magnitudes pulverized between numerosities of Pi and Aureos, fading without area or volume.

Saint Jerome of Estridón: “Vernarth, I come from Bethlehem to help your life because I have detected the subsuming of the chains where your parents made the alliance from where your life has been erected from Sudpichi, Transversal Valleys in the temple that bears my pseudonym. The only rune that will determine that your parents can remain united, is through the action and direction that has been consecrated to me. No dead language will unsay what a dead soul cannot interpret. Our Mashiaj has entrusted me to free the languages that have conspired at night, and low luminance where Calígine has been uncomfortable seeing me knowing that it is my favorite environment, the memory of the chains want to incarnate in the stones that surround your parents, but  they are typical of a response that I will get to conclude by urging your mother and father to recognize that here they made the alliances, ordering, and reconciliation of your world that concerns us all in endless dictates to be agreed, I know very well that the point has not of allowing your atonement to have been prevented by this cosmological affront, here are the transverse Valleys in the favorite place of the Spirits lie the treaties that will move my greatest interest to re-marry your parents from the true chains of the complacent scholar, thus all the vastness that afflicts you will belong to your servant Jerome”

Vernarth replies: “At your service, his majesty, here I have been since dawn arriving at the town to meet them when they contracted their marriage. I know I shouldn't be here, rather I know that decades of inquiry had planned it that way. Of such conviction that their chains were anointed from the heights of the Kanthillana whose partiality emits the partials close to your direction? As is known, my very extensive walk through these dusty paths must recognize that the personality and nobility of its burial mounds will strengthen my presence so that everything that is incomprehensible if it is brief by making it neighbor to my reason”

Saint Jerome of Estridón: “everything has been planned like this, and as time drags on I know that your wounds burn in my epistolary like Latin and Greek voices that reluctantly direct me to your aid. Everything is beautifully comparable, and first to what should not be said..., but to do to the genre that above all it practices, the second to one of the ways with the above all that it practices "
By the reverse of the expletive to the insurmountable destiny, Vernarth takes his hands and Saint Jerome withdraws them telling him that it was not time for greater vain for the equivalence of minor desires to please him if he had not appeared before him. It shows him to celebrate him and to want to make of him the permutation of his golden polysemy or interpretation of the world's Apokálypsis by not changing his axis of change, by redirecting them to stated comfort interests. Namely; the leaders of the world in their world of annulled freedom of will to practice following as they please when interpreting the Apokálypsis only as a revelation, and not as a destiny that exalts the senses and compensation that will reconquer the consistency of the nature of the Apokálypsis that adheres to humanity as golden that will consolidate humanity fearful of its own ******* and excess of greed, just as it was just a few steps before entering the Temple of San Jerónimo in Alhué hand in hand with Vernarth already fully healed of his Lynothorax pectoral. They go to the ambo and Saint Jerome essentially takes out of his pockets chaff that was from the escape of the mass of stone that had not yet finally hardened, allowing them to generate a mystical sermon so that their parents return to the nave of the temple in person to surpass farther from the spring of awakening of the Kantillana requesting the unification of the ashes of his father Bernardolipo and Vernarth, to rescue his mother from a poor abundance, and is transposed by the metaphor of the life-giving spirit. Immediately afterward, Saint Jerome pours the chaff of his parents all over the surface, a great noise is produced, the doors and windows of the temple are suddenly closed, and his parents can be seen walking along the central row of the nave, where fiction could testify that everything was a fantasy, rather a great testament that would exhibit the union of two juxtaposed flanks prior to an invaluable crossing of smiles and flowers that fell from the upper altar on their crowns, they came holding their arms like open borders with the procedure before the harsh reality of a metaphor made real in the future of two beloved shepherds who crossed the limbo of their fingers, with the ferrule or the act of engendering rings of family procreation. The crosses of Lisbon and Saint Jerome resembled the monograph in beats of her wealthy feet that were consistent with the nubile gesture of her lips and then released with all frenzy towards the meeting of her beloved Vernarth, the three of them dancing together on the central pinnacle of the obese light that sheltered them, meaning from the testamentary Hebrew the Aleph on the way to Sudpichi after the Raphaca “Healing” ceremony until the diastole that adheres between the middle of the gap that was produced when the three confronted each other and the word “Heth” again He was bent over to take them like gigantic camels to meet his relatives and ghosts that surrounded him when observing the heights of Kanthillana at the assent of all this.

Because of all this similarity, the tribulation from Patmos was raging with very strong resistance, leaving totally clear of the conditionals of the flint or flint, which enveloped the parents, began to fade from their bodies while it was recomposed of seven elemental forms in relation to the transcription and identification of the three as a family trunk enormously of its exegetical possibilities. Tangent to the transcription, and if it is the case identification of the names that we stick to reunion and redemption of their parents, like all anthropology that was chained to the figures and characters that cordoned off the top of the temple when the three met they hugged and held hands as a sign of illustrative demonstrations of never surpassing oneself. Beginning with the compensations in the fullness of the tables, and completion of all the facts that showed that nothing of language escapes what an eye can observe; that is to say, as long as there is a speaking light, it will always be necessary to listen and then observe in the presentation of the mechanics by the lines that expressed the figures, which were increasing the number of letters that were possible to decipher; called stichometry or measurement of the lines in the texts that Saint Jerome that they were ordering to order a vade mecum or memorandum of this unbridled situation, which in any case had to simplify it whenever it is indicated for the reading of three beings that would meet in what literal of four spirits articulated in the continuum, in such a way that Vernarth added his bilocation to this symmetrical experience to meet again with the Mashiach who awaits him on the third step before entering the Iridescent Nimbus.

His parents will be the co-princes gathered on the Supichi road bound for the Horcondising, where Vernarth all Austral Winter Solstices will come to ask his parents for an audience in the Kanthillana Heights where they will summarize the exact day, that everything happened from a Thursday to a Sunday in the first hour of the most certain Saturday in which the twelve unnatural candles will be incorporated into the Duoverse from the branch of the Raedus Codex, specifically from the Antiphon that accompanies them to the compromised one, and sinuous height that was misted by the mist of snow, and vehemence that was perceived in the greatest regulars of Spílaiaus, having a ring of lights as if such were a gesture of Jerome and everything that was named in the concordance that could be confusion that slipped from the metaphysics of new space by beginning. From such a root emerges the Eta or value number and Vernarth symbolized as  N times from "8" to the entire value of the figure of 800 "w" or Omega, which will be the values of figures and numbers to predispose the alternation of the visits that will take place. to have with his precursors each Solstice, after alternating with the Elves of Archimedes, and to cross with them the manifestations that made him lighter than air, as could be expected before the imposition of everything that he imagined to sleep to the badly gestated world that had been altered, even with a remote Faith that symbolized the decisions of Saint John the Apostle by disposing of the salvages of the vestiges that had been destroyed in the physiognomy of a cause that proved more eloquent than a mere revelation that was never believed which would awaken from its very Semitic superlative. In this case, the allegory surpassed the prototype of all curly visual language that emanated from Vernarth's decision for the humanity that needed him, on the one hand, Saint Jerome already resolved, and Saint John the Apostle in the division of two events of the same story that It was melting into the complexity that would be unspeakable for two Saints in the middle of Vernarth, demonstrating that he had taken them with all the power of the force that is capable of pulling and manipulating until arriving at the darkness of the senses where all understanding and reasoning fall asleep. only allowing the silence to take them in the ellipsis recently emanated by the Nothofagus that were walking on the flaccid snow, the three went with graces of faith and satisfaction, Saint Jerome escorted them with everything healthy that made the incomparable awakening of two latitudes explode who managed to revive in invisibility, after resisting the latent verbigrace of the Apokálypsis that showed that the incomparable topic denoted the ma Greater resistance to everything destructive and Omega with the only subjection that only the verb "Love" does. They reached the icy and stinking gases similar to what Santa Rita de Casia emanated, which at the same time would be dividing breakers like those declared by the Corinthians about the Israelites when they were blinded by the radiance of Moses. The same would happen in the veil of little snow that was left behind his last steps when everything was white as a growing incident that would be attached at once to Patmos and Sudpichi, as well as Kanthillana and Olympo. He says goodbye to his parents and they carry their impulsive agreements to meet on the next Solstice together with Saint Jerome and Spilaiaus on the plateau.
Genesí of  Apokalypsis
Nat Lipstadt Oct 2015
measuring the small pieces of daily endeavor,
the small bites of how I stay a survivor,
taking each moment and weighing its value,
upon the scale of my cupped hands,
living in ounce and grams,
deferring the pounding poundage of
what ails, haunts, curses us to an
existence of forever indebted dementia

in downsizing life to first cup morning coffee,
a passing sensation of another's hand grazing,
a message from a friend that brings tears and joy
so much that there is no distinguishing either,
this is is how I get thru the onerous calculations
of all that I fear.

in a small fist of
firsts and seconds,
I grasp and hold on
till the next one comes along,
my next handhold on the sheer cliff with no top,
that we are forced to conquer with our first waking breath

and I thank anyone who cares,
anyone who understands simply
these words, the small comfort therein,
when we acknowledge as we are loath to do,
that the permanent curses of our lives,
cannot ever be erased, nor put or washed away

but from a new flowering, a ciel blue
tapestry colored, happy tainted
withe pure white cumulus,
in the photo of my grandchildren entwining,
in my backyard garden in a city of concrete lines,
in overlooked surprises under the bed,
these are the amuse bouche, the little tastes,
the amusements upon our tongues
that give me just enough to hold on and wait,
welcoming the next one with even slower measuring
so that I can log just one more stitch of hope upon my skin,
a teaspoon of, an eighth of a cup extra,
of comfort, of the pleasures of existence

I think of long ago captures, old poems,
and write this and them down
free formed
as they come,
waiting not for any editor of life
to improve. upon them,
from and in their own cracked shell
I see and share,
the nut of value within

sometime I guess but do not upon it dwell,
that we will see each other once again,
and when in taking each other's current measurements,
measure ourselves not
against each other
but our growth within and
for each other

and now I sip my coffee and weep,
a grown man,
writing in the dark,
of loss, of love,
of lost sons,
of the
sun-rising
colors that demarcate dawn
as the time between,
between black nighttime bitterness
and the fresh yet to arrive, works in process
moments
that will uncover and soon tremble in their delight,
and say another day to come, another
moment
to measure and savor,
one more instant
in your mind that proved
you
can measure
up


~~~
6:42 am
Oct. 23, 2015,
by the early morning light
of a New York City palette
I write this for the poets and friends here who have
welcome trespassed upon my heart with
their sadnesses, joys,  losses
and in  their sharing,
make me measure better and desirous of
tomorrow
Michael W Noland Apr 2013
I freed
A sea urchin
Lurching
Over my *******
In aversion
To my excursion
From the hurting
Sleep
Unearthing
The trees
Of a life
Dangling
From the branches
Shaking
With the cannons
Blasting
In the distance
Of my resistance
To the betterment
Of my belligerence
Toward the kids
To unnerve them
From the bliss
Of ignorance
Into servants
Of science
Deferring
The gods
To appliances
And silencing
The violent
Tendencies
Of stupidity
Into ridiculously
Clever things
That inspire
Laughing
All while
Mapping out
The world
Anew
JV Beaupre Feb 2021
In the beginning there was procrastination,
and I can't wait to start putting that off.

To begin or not to begin that divides us all.

Deferring action never increases entropy,
and lengthens the life of the universe.

Completion happens once, but delay has no limit.

I'm not dithering, just exploring all the options.

This "beginning" poem has just been hijacked by hesitation,
and dragged down the rat hole of reluctance.

Oh well, there is always tomorrow.
One can always say, my muse took a snooze.
Sia Jane Jan 2015
Mary Jane

Wrapped in cellophane
her body an empty cavern
an embodiment of losses
tastes of bitter Mary Jane
Holland.

Baby miracle of life
a stab in the dark
a twisted knife
to the heart, breathe
Me.

Life had stained her
a reflection upon,
a broken glass mirror
a blue mooned
Sky.

Tornado fires; paper dresses
deep volcanos filled to the brim
ashes & dust
tears bring pain
burns holes in
Skin.

Cleansing comes
blood oozing out
attacking this monster
living inside
python green eyes
Robotic.

Dancing with demons
poisonous addictions
hells aftermath
skulls, crossbones
signify splintered
Souls.


Yours for slaughter,
surrendered in this wasteland
my mind created
when you were first
Gone.

Butterflies cover *******
love hearts & roses,
form tattoos across,
my spine, enviously decorating
this bare form, one alive, one
Ghost.

Drink me up, make it quick,
**** me dry, dear Carmen
please don't cry
it's all an alibi, one that
Sings.

A lullaby; a secret way out
how tranquil it leaves me
a baby lulled to sleep, I
call you Mary Jane
Holland.

My lover, my life,
it's nothing more, I
am at one, with stars we name
in this infinite
Universe.

If I am a star above
& you are named as one too
we will never be lost
wrapped together, conceiving
Constellations.

That is why I want to sit
with you, on the roof
top of my car, out in the abyss
of my surroundings
&

Stare above, sing a lullaby
of my love, count those stars
until claimed & soothed we fall
into the slumber of love.

Only a cloud can carry
& awake anew to
the rising of the sun
an abstraction deferring
multifaceted realities.


© Sia Jane
Challenge write from my first workshop class.
while luxuriating in the boughs aching
to imbibe solar raiment golden this summer like
february twenty first two thousand and eighteen
when old man took a mandatory brake

from mister sun spilling forth
unseasonably balmy temperatures
equated from this human drake
swallowed hard taking

respite delighting, holistically
lolling (nar gagging) obliviously par
taking paradise magical optical pulsations,
a desperate need to succor dehydration

that found me relinquishing
a coveted reading nook and cranny,
this explanation not "FAKE"

excuse withholding appeasing,
an unrelenting paroxysm
watering parched palette
**** ceded to abend
imagination immersion

linkedin radiant nirvana basking (like a robin)
while feeling spell bound by this warm weather
unseasonably tropic teaser came to an end
drew the analogy how indomitable

joie de vivre kneading love intend
ding, sans partaking draught found wealth
between bounded pages doth mend
moe so than any medication

(akin to placing a wager sparring rivals)
desire for on par,
when body needs replenishment of fluids

thus...deferring self
for healthy pleasant liquid to slake
in an effort to curtail parched mouth
felt as if being scraped

by a lab bot tummy sized rake
thence entire corporeal being
didst shimmy and shake
analogous within mine

so many dozen square feet parameters
thee earth didst quake.
thence upon gulping sweet pineapple juice
(to evade dole drums)
a poem yours truly decided to make.
JDK Apr 2017
"Beauty is in the eye of the beholder,"
Said the blind cyclops in his customer review,
which is filed in the Physically-Disabled-Yet-Still-Insightful folder of our Customer's Reviews.
A folder seldom perused by our super,
who seems to prefer deferring all menial mentally-unstable issues to those who are new to the feild.

I hesitate to inform them that "field" is the type of word that I've always been notorious for misspelling.
More or less, a poem about nothing meaningful.
He is Fire
Fire like mine

Fire I could have been
Fire I should have been

Woulda, Coulda, Shoulda

He didn’t waste time
He didn’t waste his fire

looking for love
in clubs
in gyms
on-line
Everywhere in-between

He didn’t waste time
He didn’t waste his fire

getting his heart broken
getting cheated on
deferring his dreams for a fantasy crafted by others

He let his fire shine and burn
I hid mine away
the only heat felt from mine was by proximity
the only light that shone from mine was in comparison to shadow

He would never be like me
His fire is not like mine

He is smart enough to not bother with things that would take away
He is smart enough to protect his fire from the water
He would never fall in love with it

He is
not me

His fire is
not mine

His fire is
Better

His fire is not as hot as mine
He can selectively burn with his
mine can only be contained by that which would try to destroy it

I don’t regret me
I don’t regret my fire
that is not the point

I want to protect
him
his fire

The way no one protected
me
my fire

© Christopher F. Brown 2018
If you have in mind to give someone a gift
Love or just anything to bring a cheer’s lift
Don’t defer do it now before it’s too late
A time may come bitter to leave you in regret!

Don’t keep deferring a gift by pondering over it
Or thinking it can further wait in time’s endless pit
Tomorrow it may so happen that the one in mind is gone
Without ever having your gift leaving that work undone!

If you have in mind to gift someone a thing or two
Keep it not in abeyance make the now its time to do
Next time is a long time so it may never leave your heart
You delayed the gift too long and chance was swift to depart!

Once the wish grows in mind to give someone a gift
Hurry for tides may change sands may go for a shift
Do it now get it done and treasure the receiver’s smile
So you don’t have to regret the rest of your walking mile!
Shipley Aug 2017
Lately my vision of the future has been hazed with excuses that flow out of me like some form of muscle memory. Refused to answer the door for opportunity because of the fear I have instilled in me. And so I'm sitting here, deferring what could have been, for a comfortable life that should have been temporary. Watching other friends run past me and overlap me, making the end seem further than it should be. Letting myself dodge the responsibility of taking the risk to be a better me, so that I can say I tried without actually doing anything. But I'm sick and tired of all these excuses. I'm dumbfounded that I even let myself excuse this. And I'm shocked that I thought I couldn't do it. But, nows the time to prove to myself that nothing will stand in my way. That, no matter how long it takes, my future will no longer be grey. That, I can be stronger than who I let myself be. Because in the end, the only person who will benefit from this, is me.
Jennifer Beetz Jan 2019
You nearly dropped me
to my knees, somewhere
between those two valves
holding all of my blood
between you and your
trumpet call of ******
and rusty notes, I did
I did as I pleased

My parenthetical ******
you and your aborted mission
as if my heart and soul were
so much real estate,
a mere commission of
your concubine mentality
and a big ol' wrench in
your alternate reality
you did, you did
as you pleased

I defended your every atrocious
deed, you there, Herr Panzerblitz
standing with your chest out and
your thumb in the air testing
the breeze

I deferred to your omnipotence
like a good villager and even
in the shadow of each turned page
I deferred to your made up history
quelling my each and every fit
of rage

Deferring to all that was yours
was as easy as deferring my life
as a whole held in the fat of
your fist as you slowly lost
control

I am chopped in half by
the parentheses of your grip
half a woman who has found
her running legs and sliding
far and away from your
parenthetical head trip
Annicole Apr 2014
The voice of my soul is soft and quiet,
Undemanding and reserved.
All-wise and all-knowing,
but also all-deferring.

She sits in patient silence,
waiting upon me,
as I skirt to and fro
clashing and clanging through life.

The voice of my soul is gentle,
forgiving, and unjudgemental.
She knows what's best, but does not boast,
instead, hoping I'll choose right.

The voice of my soul is sometimes sad,
when I ignore her again and again.
Not despondent, but denied
I push past the tears I see in her eyes.

The voice of my soul grows sometimes louder,
when she has given me plenty of time.
When she sees me wearing thin,
and sees unrelenting warning signs.

The voice of my soul is the voice of a friend:
Compassionate and caring.
She loves me still, despite my flaws
and constant neglect shown toward her.

I can learn a lot from the voice of my soul,
how to be calm and patient and caring.
She has so much to offer, so much to share,
Just waiting for the chance to begin.

And so, on this day, I'm pleased to proclaim
A change in patterns henceforth.
In gratitude, I humbly aquiest
to all spoken
by the voice of my soul.
WL Schuett May 19
Truth hidden in lies

Satan in the books on fire.

Haunted by the educated smoke

and the whispers of knowledge

lost in the wind .



Frightened by the empty soul

who’s facing eternity alone .


Slithering evil in snakes eyes

lightning crawls inside the nerves

welding eyes open in terror.



Confessions of sleepy loneliness

In the restless path that follows

the smoldering residue

and ashes of literature.



Demons in the shadows of dreams

Roughhanded angels deferring

to the resplendent ones

who propagate lies

and burn our books .
Dennis Willis Jun 2019
This latest
*******

offensive

This latest
self-styled angst

not even

a direction
when i need
a sacred direction

saving for

deferring to


no
no
no

There is a lot
to be filled

fill
I starve
Whit Howland Nov 2021
Not to be
confused with deference

an affected
ingratiating gesture

of regard
to another's wishes

but yet a disagreement
of opinion or something else of note

and
so we don't grow old

going around on this
conversational tilt-a-whirl

I'm willing to make a concession
and settle this issue

by deferring exclusively
to you
An abstract word painting. An original.
Lawrence Hall Jul 23
Lawrence Hall, HSG
Mhall46184@aol.com

               Encounter with an Aging Hippie Benedictine Tertiary
                                    at the Church Door

The old man’s tee said QUESTION AUTHORITY
In the narthex, where we lay our scene
(Shakespeare lay his scene in Verona, but this was not Verona)
I joshed about deferring to seniority
For he was a tertiary Benedictine

He raised his quavery voice as best as he was able
To squeak that all teachings can and should lay
Upon some sort of philosophical table
And then he rattled his walker and clattered away

I do not know what any of this might mean –  
But I think I was dismissed as a Philistine
Chapter 9:  Big Brothers, Big Sisters, Friendship & Mentoring

On the first day of school, every first grader was assigned a ‘big brother’ or ‘big sister’ from the 8th grade.  These were our designated guidance counselors and caretakers during the entire term of the first year.  This was something the 8th graders took seriously and a responsibility that not every 8th grader was given.  If you were lazy or irresponsible, this honor would go to someone else.  The care of these younger children was a serious matter, and you treated the 1st grader in your charge like your younger brother or younger sister at home.

You duties entailed number one, making sure that they had a safe way to get to school.  If both of their parents worked, a rarity, you would try, if it wasn’t too far, to meet them at their house and walk them to school.  Most students lived within walking distance. By today’s standards, the 30-minute walk many of us had would seem too far away.  Back then, the walk to and from school was one of the highlights of our day.

It was on these treks, back and forth, that you oftentimes experienced your greatest adventures.  You would try to find a new, and shorter, way each time and always different from the one you had taken the day before.  In reality, there was only one way home, but we dawdled and zig-zagged, and cut between different houses, so it always seemed like our navigation was different.  Every one of us fancied ourselves as Meriwether Lewis —blazing new trails for others to follow.

When walking home with one of our ‘charges,’ it was straight home by the quickest and safest route. In the morning, for safety, we tried to take the pathway that would have the least car traffic so our younger ‘brothers’ and ‘sisters’ would be safe and not afraid.

Once at school, we helped them put away their coats and get their desks in order.  We also asked them if they were having any trouble with their ABC’s or numbers. If they were, we would work on those things on our way to and from school.

Once ensuring their safety, our next most important job was to instill in them a knowledge of what would be happening over the next 8 years.  What better example could there be than 8th graders who were completing the journey, and in 9 short months would be graduating and heading off to the various high schools that served our area.

We reveled in the success of these younger charges, as they learned to read and eventually count as high as 100 before their first year would end. Often, they would paint us special pictures, depending on what we liked, and based on the stories we told them.  These became some of our most prized possessions, and over 50 years later, I still have mine prominently displayed.  

What we did, more than anything else with these little people, was share.  We shared our time, our laughter, and our concern for them, and were rewarded with love and admiration in return.  Yes love, the kind of love that needs no reason or explanation, one that is given freely and without asking, and a love once received that was so special that we couldn’t wait to give it back in return.

                                 It was a love we shared

We loved watching these little kids going through the same magical process that we did and hearing Sister Rita Marie tell the same stories, with the same inflection and emotion in her voice, as when she had told them to us so very long ago.  They also got to share, through the power of her instruction, the knowledge of what true value was in life.  She taught each one of them in a special way that was tailored for their own individual needs, emphasizing always that what was given away would come back 100 fold, and how to be a true friend.

We reinforced the same lessons to our young charges at recess and on the way home in the afternoon. We knew they would again hear the same things from their parents over dinner that evening (does anyone remember family dinners), and the chain of connection that we shared would only solidify and get stronger.

                        We Really Were ‘Parents In Absentia’

Like the relationship between parents and their children, the accomplishments of these little ones, and their occasional misdeeds, reflected on us.  We took great pride in their victories and we suffered with them when things didn’t go well.  They struggled, they learned, and they played together, all the while knowing they would never be alone.

               It All Worked Because We Were Willing To Share

This willingness to share didn’t happen by accident or osmosis. It was handed down, and then taught, in a system run by highly principled women who knew its intrinsic value and what it would ultimately mean for all of us.  

Whenever I meet another person who went to parochial school, or in most cases any public grammar school during the 1950’s, there is an instant kinship and connection.  After 15 minutes, we usually end up finishing each other’s sentences and marveling at how identical our upbringings were.  No matter how far removed our childhoods were geographically, it made no difference. The lessons the nuns taught were universal in their message and roadmaps to a better life.

What gets shared among young children today?  The desire for more of what they couldn’t get enough of yesterday — and will still yearn for tomorrow?  In the abject isolation of a destructive video game, or violent TV program, they withdraw further and further inside of themselves, missing much of the beauty that is only brought out by others. In the absence of cell phones, I-pads, and video games, we personally got to know each other, and in many, if not most cases, those friendships we made are still strong today. It takes another human being to bring out the best in you, and vice-versa.

              Not A Machine Or Unfeeling Scion Of Technology

The obesity of today’s younger generation is caused by inactivity and a series of lazy and uninformed choices. It is driven by a search for temporary comfort and gratification at the expense of their health and self-esteem.

I’m sure, looking back 50 years from now, we will have discovered that diseases like Obesity, Diabetes, Autism, ADHD, and Anxiety & Depression, were all at least partially caused by an inactive, poorly nourished, and degenerative lifestyle.  

We couldn’t build a bird house, assemble a scrapbook, or put together a model airplane without the glue or adhesive that held it all together.  We faced many challenges and obstacles on our journey toward 8th grade, but we encouraged each other, respected the rules, learned to laugh at ourselves, admonished the stragglers when needed, and most importantly — did it together.

The Glue We Had Was A Set Of Core Values That Proved Their Worth When Times Got Tough




Chapter 10: TV & The Messages It Held Inside

My generation, the Baby Boomers, was the first to be raised, at least in part, by television. The magical gray box held wonders beyond compare for a 5 year old fixated in its presence. You would marvel at the places it would take you, as it became your special nanny, while your parents were off tending to the chores in the ‘real world.’

Like all mediums of information, The T.V. was neither inherently good nor bad.  That depended on the intention of the programmers behind the camera. As young children, we experienced the final result, and in 1955 that result was almost always good.  The messages the T.V. brought were mainly those of accepted, time tested, family values, and our parents were comfortable and confident letting us watch by ourselves.

Back then, the message always ended with the good guy winning and the cowboy wearing the white hat saving the day.  The one’s wearing the black hats were always the villains, and implicitly we knew this when they first appeared on screen.  The good guy’s stuck together in our T.V. shows, and the bad guys were those who didn’t hold to the accepted social order (values) and wandered off in search of self-interest by breaking the law, creating havoc, and usually getting caught and then punished by shows end.  The message of these early shows reflected the shared values we had as a society and only served to reinforce what we were already being taught in school and at home.

I can remember my mother and father coming into the living room as I was watching re-runs of the ‘Our Gang Comedy’s’ from the 1930’s.  They were among my very favorites, and my parents would sit down with me and watch them too.  They would then relive all over again their childhoods during the Great Depression and tell me over and over how much that series meant to them when times were so tough.  The characters were called ‘The Little Rascals’ and had names like Alfalfa, Spanky, Porky and Buckwheat and always got into some kind of mischief.  They usually got caught, resulting in their acknowledging the errors of their ways, and learned a great lesson in the process. In many ways, they were as much a ‘morality tale’ as any told previously or since and a stark contrast to what the negative on-screen ‘entertainment’ provides for our kids today.

According to film historian Leonard Maltin, “Our Gang put boys, girls, whites, and blacks together in a group as equals.”  To be equal, we had to agree upon and share in what makes us that way.  Back then we had no problem doing that.  

                                             As equals  

‘Our Gang’ was comprised of some upper middleclass kids, but mainly poor and black kids all playing together. In playing and seeking out common goals, they set aside any petty or surface differences in their pursuit of adventure and fun.  They may have come from different economic or social circumstances, but they realized, when playing together, that that’s all that they were. The magic and the adventure of the task at hand superseded any variation in class, color, or social standing. They had much more important things to do than worry about petty differences and spent all of their time playing, planning, and conspiring as a group.

                        They Had More Important Things To Do!

The images on T.V. came to us in black and white, and the messages they carried inside were black and white too.  No confusion or embarrassment in trying to be ‘politically correct’ like today. Their messages were linked both spiritually and ethically to the ones we learned outside when the T.V. was turned off.

Shows like Lasssie, Rin Tin Tin, Gene Autry, The Lone Ranger, Howdy Doody, and then Superman, all came with a message that if the right choices were made, good would triumph over evil.  We felt better after watching these shows, and again our parents would often break away from what they were doing and watch them with us.

                            Another Thing We Shared Together!

With our decoder rings and coonskin caps, we cheered for our heroes on the 11 inch screen.  We knew that they might struggle for a while, but in the end would always win the day. They let us know that the same thing applied in our personal lives as well.  I remember going to see Gene Autry in Northeast Philadelphia when I was 8 years old. Gene Autry, along with Roy Rogers, were the biggest cowboy stars of my young generation. Gene had his horse Champion, and the Son Of Champion, with him at the outdoor demonstration.  

Gene took the time to walk the entire crowd and tried his best to talk to every child who stood outside the corral.  His questions to each kid were always the same … “Are you doing good in school?” and “Are you listening to your mom and dad?’  I left that day knowing that my on-screen hero was real, and the things that he told me, and encouraged me to do on his program, were things he believed in his heart.  I also knew he had served his country bravely during World War 2 when many stars in Hollywood hadn’t.  He represented the best of all the things, and we all wanted to be like him.

Our on-screen heroes also encouraged us to have piggy banks and to save our penny’s, explaining to us the magic of doing the right thing every day (saving) and how quickly it would add up.  They also reinforced that good things take time, and that immediate gratification was the imposter of the short-sighted. We filled our piggy banks by having paper routes and redeeming used soda bottles and didn’t ask our parents for the money, knowing that they hadn’t asked theirs.  

When that bank got so full, that it wouldn’t accept another dime, you  knew you were the wealthiest person in the world, or at least on Rockingham Road where I lived.  Your parents proudly accompanied you to the local bank where you had opened your first passbook savings account with your name on it (Mom and Dads too).  At birthdays, and holidays, you might have some relatives who wanted to ‘invest’ in your future success by making your passbook even heavier with the magic it contained.

Every kid in the 1950’s knew the story of ‘The Tortoise And The Hair,’ and understood that it was by continual effort, not just a grandstanding initial burst out of the starting blocks, that true progress was made.  It was the choice of putting aside the temptations of the present, and contributing to something larger and more important, that they taught us on T.V.  We all knew that the value in saving, and planning for the future, would override any temporal persuasion and allow us to eventually accomplish much bigger things.

                  Again, These Messages We Got From Our T.V.’s

Just think of the symbols and messages that exist on T.V. and in Video Games for kids today.  Violent action figures that continue to **** and maim, basing their success on how much damage they can do.  These violent messages reach children today at a young and impressionable age. Unless parents are conscientious and extremely vigilant, the young child is damaged severely before he or she is even given the chance to understand that the world can, and should, be a different and more uplifting place.

Occasionally, our T.V Shows would deal with tragedy and even death, but it was presented in a spirit of hope and renewal and a belief in the future.  I remember how I felt watching ‘Old Yeller’ when the dog was shot after contracting rabies while defending the boys from a wolf and had to be put down.  I was sad for days until it slowly started to sink in.  The message was that sometimes life isn’t fair, but we can be, and that doing the right thing in certain situations was the hardest thing of all.

                    And That Made It All The More Worth Doing!

Rin Tin Tin, a tan and black German Shepherd, was my personal favorite.  He was the troop mascot in a cavalry unit, and Rinty was always saving some trooper from an Indian attack or rescuing someone who was either lost or being held prisoner in the American West.  Rin Tin Tin embodied the moral message that the army and the settlers shared in common, and he proudly served to enforce these values when called upon by his master.
Rinty was both loyal and obedient, courageous and brave …traits we all tried to emulate in our everyday lives.  

He also knew the difference between right and wrong because that is what he had been taught.  We all loved and wanted to be like him and trained our own dogs to be at least partially as heroic and adventuresome as Rinty was.  As I got older, I always had German Shepherds as my personal dogs.  In real life, they share most of the qualities, and nobility of character, that Rin Tin Tin personified on screen.

In many ways, we love dogs so much because of the purity of their character.  They are totally loyal to their masters, and would in most cases die in the protection of those that they love. They often give up their own interests, in the pursuit of deferring to their masters, and want nothing more than to serve something, or someone, they see as bigger than themselves. They truly are man’s best friend!

                  And T.V. Portrayed Them Exactly That Way

Whether watching ‘Sky King,’ ‘Sgt Preston Of The Yukon,’ or ‘Daniel Boone,’ I never saw any cross-legged kid, sitting in front of the T.V., confused as to what the message was in the show he was watching. We all cheered together, laughed together, and cried together, based on the plot at hand because we all shared in the values within the message that was showing on screen.  The good guys were always good, and the bad guys always bad.  No matter how desperate the situation got in one of those shows, we always knew that good would win out in the end.  It was in this spirit, of sending a positive message of hope, that the T.V. shows during my childhood were at their best.

Imaging what a young person watching a show today, laced with *** and violence, must be thinking.  He or she can’t help but come away from that show diminished and in less control of themself than before. The only value in T.V. today is one shared by the parents.  Many parents today use television and I-pads to keep their kids occupied, and out of their ‘hair,’ while they check their emails and watch even more violent and sexually explicit programming thinking, in error, that they are spiritually immune from its negative effects.

If you have children of your own, and no parental controls on your T.V.’s, … then shame on you.  If you allow your children to watch T.V., play video games, or with I-pads, at their friend’s houses without the same controls, then I echo the sentiment.  Children grow up fast enough as it is without having the very core of their childhood ripped away from them by these violent and destructive electronic pariahs.  In many ways, T.V. — and its electronic counterparts — are the great progenitor of the downward moral spiral that we seem to be on.

My head is neither in the clouds nor do I live in a world of fantasy … in most ways I am a realist.  The realities of the world today I am all too familiar with, but I am unwilling to anoint them with unlimited power over our children in a capitulation that there is nothing we can do to fight back.

When young children, and teenagers, bring guns into our schools, with mass murders and suicides the result of their misguidance, what does this tell us about their state of mind and what they see when they look into the future?  As young children, we had heard the stories about Nagasaki and Hiroshima and the devastating results those two bombs caused.  We also knew they were dropped with a higher purpose, and in the end saved lives.  Invading Japan, which would have been the only other alternative, would have resulted in many more lives being lost on both sides.  We understood their purpose, and we also understood the difference between self-protection and preservation and wanton destruction and violence.

As horrible as it was to think about what those Japanese went through in Hiroshima and Nagasaki, we understood why it had to be done.  I don’t think anyone, including the confused and misguided young person with the gun in their hands, understands why someone enters a place of learning and starts indiscriminately shooting at everyone and in all directions.  A person like that can’t share the same value for human life that we all like to believe we share.  A person like that has had their moral barometer and compass shattered inside them. They are running sociopathically amok — devoid of any empathy for others — or sense of right and wrong.

People like this don’t just happen. They are created in an environment of abandonment, moral confusion, and despair. In many ways, the Columbine shootings were done by someone feeling even more helpless than his unfortunate victims did on that sad and tragic day.  

The television of today puts kids in these violent and destructive situations on screen.  If they are left unsupervised, the lines between fantasy and reality can easily become blurred, and over time these negative images pile up inside of them until one day the pressure becomes so great that they snap, hurting not only innocent victims, but themselves.  

Our TV programs in the 1950’s were an extension of our parents, our teachers, and our religious instructors.  They were a positive reinforcement and the best example of what the medium could be.  As has been said many times … “Art is a reflection of the society of its time,” and our time (in the 1950’s) was reflected in the most positive and uplifting light by the things that we watched.

What eventually happened to TV is what happened to our society in general.  By not sharing the same value systems that created those great programs, we’ve allowed our world to become polarized and divided with our heels dug in. In our misguided defense of what is politically correct, we have allowed the perpetrators of wrong to sit equally, and sometimes as overlord, at the table with those who are trying to do the right thing.  

To make matters worse, through misguided legislators and organizations like the ACLU, we pass laws and give legal rights to the creators of this violent and perverted programming.  As the famous comic strip character ‘Pogo’ said in the 1950’s …
    
                   “We Have Met The Enemy — And He Is Us!”
P P Poet Aug 25
washing away the grimes of time

hot shower, no visible need,
yet, find myself, feeling covered,
by the grime of another wastrel day,
the excuses, the rationales of the
United States of Rationalization,
in a civil war, my reflection accepts
the ****** casualties, pieces of me,
could not deny, my-they-my-responsibility's

all cry out explain how and why,
we came into existence, and deferring,
told them, read my poetry

— The End —