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Seán Mac Falls Jun 2012
Lovers entered a forbidden forest bower,
And as they stalked that range, with eyes glazed,
She offered up her hind. Now, with doe eyes,
Deep as his, deep in arousal's sleep, heels fell, 
As he knocked and pulled her dark honey hair 
And whispered, surrender, into wanting ears, 
Softly he drove his hunting command, homing 
To his huntress.

Her body braced, yet bade, with heat and vibrance.
Ruthlessly, he ****** his arrow deeper and then 
Once more and then again.  She bucked fiercely 
And defiant, goading his prodding lance ever more
Ever longer, and parting the pink lines of her white
Rose, he was, and once again, Prince to the dark
Dominion of her quarters.

In the middle of this carnal match they paused.
And looking into the forest beyond they saw
A yearling fawn, a feral Goddess, grazing still, 
Bathing in a vale, virginal, wholly unmoved 
By their act of venery, lustfully playing, in the innocent 
Leaves.  It was as if they were among her kin, a gentle 
Doe and a noble stag. From that moment on 
The human hunters did not speak.

Falling, again, rolling eyes were deep in arousal's sleep.
Her back was a crescent moon pocked and wet with dew.
He could feel her heart beating in time with his piercing 
Prong, her arching back glistened in the suns spittle
As it broke through the dark and vernal ceiling wood.

In the final shot her quivering buck lowered and broke
And a sound not heard, made a scene, a sweet murmuring
Shuddered and sank onto the floor of the forest leaves 
With her tale, taken and told, her breathless breath, 
Her nostrils cold and her heated and lanced openings 
Dripping, draining; here was a New World’s beginning.

Sated, solemn and softly quaking, his woman sweetly laid,
And now, doomed with her doe eyes, two lovers, fated, made;
She glowed, divine, like the rolling brook that mellowed
Slow, in the vine-dark and golden forest stable,
In Artemis’s wood.
M Salinger Jul 2018
A moment.

A line between
empowered
& defiant

holding within in it
the tenderness of our gaze

The night calls me
sometimes
tauntingly,
while sleep escapes,
sometimes
earnestly
to show me the truth
that day
hides

it calls deep within
my being,
like you

it resonates with
my darkness,
like you

Will you stay with me,
for a moment

of real honesty
& if you want,
silence

The valley of space there,
& between us
pulling me in,
like you

a moment of freefall
& endless endings
ours,
there to be
chosen

where we find
a way
to be suspended
in the
warmth between
you & I

I stand
on the sharpest edge,
below, the water surges
over the rock face
deep teal and chilling
a reminder that
beautiful
can also be
destructive

like you.

In awe and wonder
I'm trapped
in these
moments.
Inspired by the great beauty of British Columbia and how it's grandeur and imposing nature can be reminiscent of imperfect love
Jeff Gaines Mar 2018
Cardinal
Oh, Cardinal
You great scarlet bird.

You hop along my porch rail
But you don't say a word.

Defiant
So Defiant
Of nature's camouflage.

There is no way to hide
Your bright red entourage.

Orange
Bright Orange.
Your sharp pointy beak.

Gathers the worms and the seeds
All the meals that you seek.

Feed
Feed her.
This mate that you court.

Such a noble young man
You dance and cavort.

Sing
Sing sweet
You and your friends

I'll love your songs every morning
'Til winter comes 'round again.

Babies
Your babies
I'll meet them come next year.

When in the Fall, they'll alight on my porch
And bring my morning's cheer.

Cardinal
Oh, Cardinal
I'm so glad you're here, you see.

I knew your parents and now you have come
Singing just for me.
I live pretty far out in the country. The birds here are really awesome. I love to go out late at night and listen to the Barred Owl or spend an afternoon sitting in our back meadow to watch the breeding pair of Peregrine Falcons that have a nest in one of our Methuselah oaks.

But every morning as the sun rises and I have my coffee on the back porch ... the Cardinals always seem to be the early risers. Their songs begin with the very first crack of light. They seem to have gotten used to me, as they now land on my porch rail, pretty close to me.

They sing and court mates and sometimes, I swear, they just kinda bop around on the railing and watch ME!

They are simply beautiful and I LOVE having my coffee with them each morning!
louis rams May 2013
(7/2/12)

They came back from the war as defiant as can be
As if they had a split personality.
Tragedies had opened up the doors
To many things they never saw before.

Seeing homeless children roaming the streets
Women who didn't listen - would get beat.
Terrorist groups killing their own
Pipe bombs planted, ready to be blown.

Civilians scattering all around
Dead bodies laying on the ground.
Men, women and children in the square
On their knees saying their prayers
But to a terrorist they don't care.

Don't they realize that life must change
Nothing ever stays the same.
Families being torn apart
As death tears at their hearts.

Natural causes **** millions of people every day
Why are we letting war lead the way?
No matter what name for GOD you may use
When it comes to war - we all lose.

Look at the hospitals in a war zone
Children left with no skin and broken bones
People have lost many a limb
The war is getting worse - it looks grim.

YES! AMERICA has lots of imperfections
But people look to us for protection.
Our soldiers After seeing all the atrocities
They come back defiant as can be
To try to change the course of history.

louis rams
louis rams Jul 2012
(7/2/12)

They came back from the war as  defiant as can be
As if they had a split personality.
Tragedies had opened up the doors
To many things they never saw before.

Seeing homeless children roaming the streets
Women who didn’t listen - would get beat.
Terrorist groups killing their own
Pipe bombs planted , ready to be blown.

Civilians scattering all around
Dead bodies laying on the ground.
Men , women and children in the square
On their knees saying their prayers
But to a terrorist they don’t care.

Don’t they realize that life must change
Nothing ever stays the same.
Families being torn apart
As death tears at their hearts.

Natural causes **** millions of people every day
Why are we letting war lead the way?
No matter what name for GOD you may use
When it comes to war - we all lose.

Look at the hospitals in a war zone
Children left with no skin and broken bones
People have lost many a limb
The war is getting worse - it looks grim.

YES !AMERICA  has lots of imperfections
But people look to us for protection.
Our soldiers After seeing all the atrocities
They come back defiant as can be
To try to change the course of history.
Wade Redfearn Jul 2018
It isn't like that.
It isn't a left turn too early,
a lark awake at night,
thick brown light in an open field;
unpredictable: a bad or counter-miracle.
It is only wanton.

You know how it is
Suddenly, something trapped between your toes:
the world has a strangled voice, it is
unroofed. You want the comfort of normal walls,
normal light, normal noise; in your hand
is a hot brand you'd halfway use
to smith it back together
and halfway swallow.
I had different plans for this vacation
than destruction.

I had plans. You had plans. The earth
planned its axial tilt; the weather planned
its burning; we put aside too little water.
A few plants were familiar -
the ruined piñon pine I remembered from the placard.
One lonesuch tree that made a little niche
at a defiant angle into the air
and outlived all except its orphaning.
How we thought we could fare better, I cannot say.

Ten feet up by one hundred feet over:
one liter water per mile climbed:
fatigue. Fatigue.
The quiet supremacy of all these rules for living like
transit and occultation
refraction and dimness
exertion
hunger
peristalsis pulling down
huge loads of sunlight
into the ***** gully
like bread and meat.

You will not see the bottom
no matter how hard you look.

If blood I am, then what kind of blood?
Unsettled and unsettling. The circulatory system
has an apt name: sometimes I can feel yesterday's blood
in the same neurons, saying the same thing.
I have no choice but to repeat it.
Time sheds its significance.
I have no continuity:
I have rhythms.

The new day, on fire and sitting in the trickle
you held a golden fish in your palm
as if you had made it by will
and cupped, it circled in the valley of your fingers
and I ate from the vision of care.

Erosion: isn't that what made these furrows?
I beg it to unmake me
flat like a seabed and many fathoms green
where the sun will never reach me.

In the penumbra of your anger
I do not fear dying,
only dying unclean.
Heights are all the same.
They would all break me and none would enough.
The grasshoppers and gecko hatchlings
all die in their way, rubbed in the hot dry dust.
Parched, I gnash my stone teeth
and tongue of chaparral -
I am making a song to say
die with me
but smile at me.

Then I see it through flashes of temper,
frame by frame, like a fingertip behind a pinwheel:
a dream of something distant that is also true.
Dreams of freedom alongside dreams of dying.
Sid Lollan Apr 2018
Gentlemen of Courage and Ladies of Excellence,
Toast to stolen prayers with rarer player’s hands;
Soft in defiant laughter,
when drinking their wine from the bowels of brines

Sing along the Ballads of Heritage with Melodies of Exception;
Boast, not a breathe,
though sullen heirs ghost to fairer wearer’s air(s) of land—
A settlement of Rapture and Resurrection, arid, amid dirt and sand

and King and thy Kingdom sprout flowering tomb, and rosebud temple reach to the sky during the showers of spring
Devours the crescent Moon

in big pink petals of bloom;

A garden so fertile
it could look pretty in wartime—
with Gardeners of Courage and Laborers of Excellence;
(Lapse, not into digressions of Being and Essence
but hands in the soil and planting the actions of kingdom come,
       patient building of Spring Reign sure
as the flame, the architect of rising Sun is
(Daughters and Sons of kingdom came,
      the soldier in a land been conquered and named; abandoned
for the greenness of hope.
)May it never come, Be All The Same; (


be gentle, though whispering wind)

Seeds of Nextyear and the spores of Awhile,
carried by the Wasps and the Clouds
To the Gentlemen of Excellence and Ladies of Courage,
illuminated, eyes from the flora of stars faraway forest floor of foreign

      fears,
      as the hungry Owls of Time prepare a final feast—
      Consume the years between Here and Now;
      Watching from blank perch, among
      the Trees of Afterall; a place beyond expectance.
      Sing the branches of experience, to wake
      in Siren’s cipher; inelegant forms
      of waking,

ugly sleep on rocks of seabed; once was aboard a marooned skyline—

Those Who Are Will Be
again, again a serf in a wave of Time’s refraction. Neverending neverbeginning;

                          Those Gentlemen of Courage and Ladies of Excellence,
on the Day That Is, arrays of seers sayers doers displayers
optimists and pessimists, toast to them
        and their rarer player’s hands,
Boast they, not a breathe, though sullen heirs ghost
to fairer wearer’s air and land;
Laugh and howl and dine, they drink their wine
from disemboweled gourds
        of their own divine—
Warped, in jowls of hungry fix,
no feast they fear, for they prey to the Owls of Time.
Dorothy A Oct 2013
Everything faded to black. He had a hard time remembering just what the hell happened. He wasn't sure of downing some random pills from of the medicine cabinet-- his first attempt to end it all. Making sure he would not recover-- if the pills didn't do the job-- he had already devised the set up of the noose in his bedroom. Definitely, he didn't recall anyone cutting the rope, forcing him down to the floor.

Lacie joked with him. "Dude, you've got nine lives! You must really be a ****, fricking cat in disguise! That's why you'll eat those nasty tuna fish sandwiches they serve in the nuthouse! "

Chris grinned at her.  He had to agree. To refer to it as the psych ward at the hospital made it seem like more of a jail term, but calling it "the nuthouse" lightened up the severity of the situation. As grave and nearly tragic as everything  had become, it was kind of laughable to him.  He supposed he had more chances than a cat's fabled life. It all seemed so crazy that it must be funny.

Well, what could he say? He had flirted with death, but unwillingly managed to escape its grip. "Pathetic..."--he commented. "I don't not even know how to die well..."

Chris  eventually realized that he had been rushed to the hospital, but wished it wasn't true. Since then, everything was either a total blur or a bizarre state of mind . Even waking up in his room was like a remotely vague memory, almost like a long ago dream that might not really have happened.

Maybe, he was somewhat aware that his sister was screaming in shock and horror at the sight of him, shouting out downstairs to her boyfriend to help her. But the walls were turning red, a glowing scarlet- red, with an added fiery orange and yellowish-gold-- all joined together in pulsating embers. He was quickly losing consciousness. It was like some, bad acid trip. Not that Chris knew this firsthand, but it sure was like something he saw on TV or at the movies.

And now he was the star of the horror show.

Did he die?  Death was what he planned on, so waking up was not a relief, or a reality back into motion--just the opposite. It was as if being awake was the real nightmare, a delusional time when everything was not true, and was only an scary, offbeat version of the life of Chris Cartier.

The bad acid trip continued. He recalled hospital staff rushing about him, seeming like real people-- sort of. Then they morphed into fish in scrubs. From overhead, an IV was dripping into his arm. Tubes were shoved down his throat. His vital signs were displayed on a screen that made beeps and sounds, increasing the chaos and adding to the mayhem to his mind. Soon, the vital signs machine started talking to him that he was a "very bad boy" and other such scoldings.

He was thoroughly freaked out. If he was still alive, he'd rather be dead.

He wanted to run. One of the fish pushed him back down and muttered out undecipherable utterances-- like underwater gibberish . Then that fish used its slimy fins to inject him with a needle in his arm. The other fish circled around him like fish out of water--with opening and closing mouths-- as if gasping for air.

As they surrounded him as rubber monkeys shot out from the walls and bounced all over the room. On top of all this madness, the florescent lights above were flickering on and off, in sync to the wild music, like the drum beats of a distant jungle. It was one bizarre tangle of events, a freaky, crazy, out-of-control ride in which reality could not be distinguished from the animation and mass confusion. It was one overpowering ride that he would much rather forget.

When Chris got out of critical condition, he found out that he could still not go home. That would take a few weeks more. Dr. What-The-Hell's-His-Name assured him that he needed to start on the path to his psychological healing--just as grave as the physical--right here in a safe place.

It didn't seem so safe to him.

The enemy wasn't what was out there in the world, but the big, bad wolf was actually him. He had to be protected from the true culprit--himself-- and that was a mind-blowing concept. Just what did he get himself into?   

He never had been a patient in a hospital before. In all his twenty-six years, he didn't so much as even have his tonsils out. Feeling now like a prisoner,, he was still scared out of his mind-- as if it was day one all over again. When was he going to get out of here? Chris began to fear that they would never let him out. No professional had a definitive answer, as only time would tell of his improvement.

Man, why couldn't he just be dead?

His parents visited almost everyday, but it was of no reassurance to him. His mother always left in tears, and his father was lost for words. This was nothing new. When it concerned their troubled son, they felt inadequate to help him. The best his dad could say was, "Hey, Chris, we're pullin' for ya". That was of no comfort, whatsoever, like he was some fighter in a boxing ring that his old man had a bet placed on . His mom always clung to him as she said goodbye, like she needed the hug more than he did, saying to Chris through her sobs , "Miss you....love you". Her emotional state just unsettled him to the core, and he was worried for her more than for himself.    

At best, his outlook was grim. But then he met Lacie Weiss, and things started looking up.

Lacie was one of the quietest psych patients in the ward, always sticking to herself. But then he found himself sitting right next to her in group therapy, and they hit it off. He had no idea that she had a fun side. She usually looked apathetic and quietly defiant to society, a nonconformist in the form of a Goth, with edgy, dyed black hair, dark eye make-up and some ****** piercings of the eyebrow, tongue and nose. Her look was quite in contrast to his light blue eyes and sandy-brown hair. Chris never was into Gothic, viewing those who were as spooky creeps.  

It was obvious that Chris was scared and confused. Now although trying to seem tough and stoic, Lacie seemed so little, almost fragile, yet obviously trying to hide her broken self together. Petite and somewhat girlish in appearance, she was barely 5 feet tall. Chris was 5 feet 11 and a half inches, close enough to the six foot stature that he wanted to be. Only a half inch less really didn't cut it for him, though, even though his slim build gave the impression of a lankier guy. He would have loved to be as tall as the basketball players he so emulated. But such was life. He was never used to having the advantages.  

At first, Lacie never opened up, not to a single soul. Like Chris, she certainly acted like she didn't need this place, and nobody was going to help her--or be allowed to help her. As stony and impenetrable as she tried to be, group therapy it was hard to disappear in. Everyone was held accountable for opening up, and the leader was going to see to it.  No way, though, did Lacie want to crack or look weak in her turtle shell composure, in her self-preservation mode. So it was agony for her.

She first spoke to him, whispering loudly to him, onc,e in the group circle "This is all *******!"

Hanging with Chris was the one salvation that she had in this miserable experience. They both could relate more than he ever realized. They both really liked motorcycles and basketball. He had his own Harley, and it was something he loved to work on and go on long rides with it, his own brand of therapy.  In spite of how she looked, Lacie was also actually close to his age. He was twenty-six. and she was twenty-two.

They first broke the ice with casual introductions. "No, the name is not pronounced like Carter", he corrected her about his last name. "It is like Cart-EE-AY...... It's French".

"Yep", she replied. "Like mine is the same way, but as German as brats and sauerkraut,  Ja dummkopf?"

Chris gave her a weird look. She continued, "My mom's dad was from Germany, and I got my mom's name. Ya don't say it how it looks. You would say Weiss like Vice, but I couldn't give a **** how anybody says it. Nobody gets it right and original, anyhow." Her dark brown eyes flashed at him as she said, " But I think I like Chris Cutie, myself, better than Cartier.....cutie it is for me. Huh, cutie pie? "

Chris laughed hard. She was pretty coy for a die-hard Goth. She batted her eyes playfully at him and winked."You're worth being in here for, ya know", he told her, blushing, still laughing at her silly remarks.

She studied his face in response, all laughing aside. Suddenly, her mood turned solemn.  "I'll bet".

They began hanging out in the commons, walking down the halls for exercise, and swapping stories of their plights. Chris quickly found that she Lacie wasn't so steely and unapproachable as the day he first saw her.  And she discovered that he was more than a pretty boy.

"My parents weren't home when I tried", he told her one time after lunch was done. They were sitting in a corner, trying to be as private as possible. "Twenty-six years old...and I still live with them. Yeah, that's my life. I got a twin brother, and he's moved out and doing alright for himself. My sister's younger, is going to college. Wants to be a doctor".

Lacy didn't have any siblings to compare herself to. "Must be cool to have a twin", Lacie said. "I always wondered how that would be to have two of me running around! Scary, huh, dude?"

Chris shook his head. "No, it's nothing like that. Jake and I aren't identical. We are just a two-for-one deal...I mean  is that my parents got two babies in one, huge-*** pregnancy. Jake and me don't even act like twins. Half the time, I don't want to be around him."

No, it wasn't like his cousins, Adam and Alan, who were identical friends, mirror images, and best of friends. Chris never identified with that kind of brotherly relationship. He and Jake never dressed alike, or knew what the other one was thinking. And Chris felt that his brother always felt superior to him. He was the popular one. He was the ambitious one who landed a great job in computers, as a system analyst.  To add to Chris's feelings of inferiority, his little sister, Kate, had surpassed him, too. She was acing most of her classes, and boarding away at college. She was well on her way to becoming a doctor.    

"So if your mom and dad weren't around...who saved you?" Lacie asked. She stared into his eyes with such a probing stare that Chris almost clammed up. Just thinking about that day was overpowering.

"Uh...my sister and her boyfriend were hanging out in the basement. She was home from college, and I didn't know it. My parents were out-of-town. Our dog, Buster, was acting funny. He knew something was up..."

Chris stopped abruptly, but went on. "Kate, my sister, explained to me that she saw me in my room, getting up on a step ladder. She says she yelled at me to stop. I don't remember...but I guess..I guess I was going to do it anyway, and she wouldn't be able to stop me....stop me from...so I hurried up and jumped off before she could stop me."  

Lacie could almost picture it, as if she was there with him. She said, "But she did stop it. She saved you."

"Yeah", he agreed. "Buster started it all...barking, alerting my sister to come upstairs from the basement, and upstairs by my room...." All of a sudden, he felt so weird, like he was having an out-of-body experience.

"Hey, it's OK", Lacie reassured him. "It's over now. You aren't there anymore".

Chris started to cry, but tried not to. "If it weren't for Brian, Kate's boyfriend....she would not of had the strength to hold me up by herself, and cut the rope, too. I must have been like dead weight, and Brian grabbed a kitchen knife and told her to stay cool about it. Yeah, sure, like that could have been possible ! She was trying to keep the rope slack, while trying to save my sorry ****...and she was scared, shitless! "

Lacie opened up, too, relating her tragic past. She had an unbelievable tale, one hell of a ride herself.  It was amazing how detached she was when relating it, though. "Well" actually I got to fess up" "I'm not really an only child....I mean I am...but not really. I know that sounds weird---hey--but I am weird. Oddly unusual is the story of my life-- even before day one. "

Chris had no idea what she was talking about. "What are ya' trying to say?"

She added another surprising bombshell. "Also,  I have a two-year-old boy. His name is Danny. He don't see his dad--ever. The guy's a waste of space. Anyway, my mom has him. She can afford him more, and can do a better job raising him than me. Well, she does OK money-wise. Anyhow, my mom deserves him because she lost everything. And I mean EVERYTHING! Her whole fricking family practically wiped out!"

The shock that Chris had on his face-- his widened, blue eyes and open mouth were expected.   Most people had a hard time believing her.

She explained, calmly, "I mean she nearly died--way before I was born--in a car accident. And her two, little boys were with her in the backseat...and they died that day. "

Chris looked pale. "That is so awful!" he said, hoarsely, barely able to say it.

"Yeah", she continued. "Not a **** thing she could do about it, too. She was like in a million pieces. I know a part of her died right there and then, too. I just know it.  You know, dude, my mom was once really, really coasting along, just doing fine. A typical wife and mother-- a bit older than me now-- life was good. Her little boys were just cute, little toddlers--like Danny. I found out from my grandma that she was  pregnant, too, just a month or two. Nobody could have imagined it coming. She was just driving--doing nothing wrong-- when some idiot broadsided her.  I don't know if it was a guy or a lady, if they were jacked up on ***** or drugs, but they were speeding like a demon out of Hell. Her husband was at work and wasn't around."  

The boys were Benjamin and Gerard, but Lacie couldn't remember their names, for her mom could barely mention them without breaking down. It was an unbearable loss.

Chris was so horrified, amazed that Lacie related this like it was someone else's story. She was almost too cavalier about it.

"And they died ?!" he asked.

"Yeah....*****, don't it? Pure, pure agony. Downright Hell on earth. My mom had to learn to walk again. It took about year, I think."

"Oh, no! What about the baby she was supposed to have?"

"Miscarriage. Worse yet, the **** doctor told her she'd never be able to have kids again. She lost everything, man! Her husband couldn't handle it and left her. **** on top of ****, on top of more ****, on top of more. If it wasn't for her parents, and her sister's help, she would never have made it.

"But she had given birth to you, right? Or were you adopted?"

"Yeah, she gave birth to me. I was her miracle baby, and she didn't give a rat's rear end if my dad wanted me or not. He'd send her money, once in a while, but he wasn't really into either of us. Who cares though? She didn't give a **** what he thought. I was her baby. Truth is, before I came, she ended up slitting her wrists--just like me. What was the use? At first, there was nothing to live for. But now she has Danny.

"And you!" Chris quickly pointed out.

"Dude, are you kidding me? I have been NOTHING but grief for her, a real pain in her ***!"

Unlike her deceased, half-brothers, Lacie grew up before her mother's eyes, from a shy girl to a ******* rebel. Since the age of twelve, she would sneak drinks from her mom's liqueur cabinet. Eventually, she smoked *** and tried ******* and ******. Dropping out of the eleventh grade, she soon away from home, living with friends or boyfriends ever since.  Thankfully, she wasn't doing drugs when she conceived Danny. And her drinking wasn't as prevalent as it was in her teen years of partying and binge drinking. That didn't mean that her drinking problems magically disappeared, or that she was cured. Immediately, though, when she knew she was pregnant, she refused to touch a bottle, but it was just a white knuckle process that was effective momentarily--a band aid on a more serious wound. And going months without a drop of alcohol didn't deaden her urges--quite the opposite--as it only made her crave what she could not have. Often, her fears caught up with her--of especially becoming
ipoet Jul 2012
I have always liked,
Defiant Africans,

Nelson, Patrice, Kenyatta,
Martin Luther King,

Groovy black men,
******* with attitude,

But they intimidate me,
Black men.

Freedom fighters,
Bar room brawlers,

And I rise from sleep,
Sheened in sweat,

Running away,
Scribbling my number,
On scraps of paper,

On foreheads and trousers,
On outstretched palms,

And I’m breathing heavily,
Feeling stained,

Because,
That one there,

The white man in Navy uniform,
With hair on his *****,

I know him,

-conquistador-

He smells of garlic and grease,
And my black friends call me,
******, *****, *****.

Will he take the lion tooth offered,
Will he make the tribal dance?

-I can teach him to love the earth,
Teach him to plant his feet in, deep-

I ******* from sleep, supported
By thick, colonial, muscle.

I am forging steel,
Industrial iron,

I am engineering a white lover
Beneath the sheets, whilst

Apologising to freedom fighters,
Who call me ******, *****, *****.
Can't seem to put my finger on it, but love maybe a little defiant. I believe love try to be a reckless when it won't to be, how could you describe me meeting you? So you telling me that we met only by coincidence; or do dreams really come true?  Never in a million years I'll believe love will send me one of god most gorgeous angels, love keep trying time and time again to make me open up and let it in, but a constant fight keeps it out. I wish someone would have told me love is defiant to the end, because love again love wins.
Kelsey D. Cooley Sr.
Frustrated Poet Aug 2014
i feel like i am groping the wind
all i can see is pitch black
still i continue to walk
maybe i'll fall or stumble
but still i'll carry on.

i dont know what chance im grasping for
bu i continue to do it.
i discard the reason to stop
i know someday it'll make sense

people try to beat some sense in me
telling me its not going to work
but i feel there's something in there.
something great waiting to be unraveled

i'm still defiant
i am stubborn, yes
this is life.
not a game, nor a quest.

there's nothing pointless in loving.
the word futile is not acceptable.
D'Arcy Sahn Oct 2014
People assume I'm just black.
One drop rule, I suppose.
I guess I'm a black girl with a Starbucks addiction.
to write in this format you need to be clever
to write in this format you need to be clever
it takes a deal of smarts for a novice writer
it takes a deal of smarts for a novice writer
for a novice writer to write in this format
it takes a deal of clever smarts

the task is difficult attempt it with verve
the task is difficult attempt it with verve
let not it deter your will show it who is the boss
let not it deter your will show it who is the boss
with verve show it who is the boss
let not the difficult task deter your will

with a persistent quill defeat the defiant Paradelle
with a persistent quill defeat the defiant Paradelle
success is obtainable by grasping its nettle
success is obtainable by grasping its nettle
by grasping the defiant Paradelle nettle  
success is obtainable with a persistent quill

show the Paradelle who is the boss
with the will of your persistent quill
success is obtainable in this format
for a novice writer clever of attempt
let not the difficult task defeat you
be defiant by grasping its nettle
This is my first attempt at writing a Paradelle Poem....
--- Aug 2013
I will stand defiant
I will fight
I will never accept
A world that encourages
Celebrates
My self-destruction.

This world
I am not of it.
That is my decision.
auspicious Jun 2014
I heard the whispers of the wind when I walked through the path.
Every echo reminded me of misery, hurt, pain, disgust, lies, hates,
love.
I screamed in horror... I was scared to death.

"Please leave me alone!" they laughed as I begged.
I ran through the woods and found soft branches I can lean on.
I sniff and shut my eyes; not wanting anyone to touch me.
A squeak of noise escaped in the dark.

I heard a laugh... my heart dropped and fainted.

I was about to find my way out when a crow suddenly grabbed my leg!
It touched me.
It touched me.
It touched my everything.

I cried in hurt and pleasure.
It felt good but it hurt.
I tried to escape the touches of wings yet... I failed.

I was horrified. I was scared.
I was not able to let go.
The pain enjoyed each and every moment.

I cried in hurt and pleasure.
Disgusted of the ***** of grass and twigs; disgusted of myself.

It suddenly left without a word
and I lied alone... blood shattered from below.

*I was dead.
Jean Rojas Apr 2015
You can not **** the hummingbird
And think that there
Will be no repercussions

You can not silence
His lips
With the barrel of a gun

You can not bury his memory
By stonewalling and
Distorting the evidences

You can not erase his ideals
By destroying his name…..

Extinguish not his memory
By firing the shots,
It is an act that only
Fans the aching flame

You think he is forgotten
But he lives………
Healthy in the hearts of millions
You thought are but a few

Someday we will sing his song of love
Someday he will rise again, defiant!
Daring to fly, as high
As the burning sun
And you can not stop him
Or **** him once again

For the hummingbird shall endure
The compassion of men shall sustain him
And he will conquer this death
That you have inflicted upon him

So you can **** the man and his body
You can blow his face all away
You can trample him with your
Angry tyranny
But you can never, never
**** his soul!

The hummingbird defies you
The hummingbird lives on and on and on………
For: Captain Panfilo Villaruel
01 December, 2003
Adam Childs Jan 2015
In the forever winter landscape
Live gentle waddling penguins
While fierce forces conspire
All life brushed away
By unforgiving weather
But with an icy resolve
They all push back
Not with a Roar
But a little pitta patta
Of jolly dancing feet
As they happily bubble along  
With defiant hearts whispering
To the weather
With a nonchalance  
Disarming the Gods
   "we don't care"
With a silky soft defiant Roar
They potter on with their day
In a light hearted way  

Traveling through their life
They feel bound by limitation
Limbs retreating,, wings shrinking
Escaping from the weather
As the world places them
In a straight jacket
But they fluff out their
Love filled chests
A dash of yellow
On their cheek
Proclaiming I love who I am
As they slowly press into snow
Heart blazing with white fires
Busily they chatter
Nodding and bowing
To each other

Life pushes newly weds apart
As her ladyship is forced to abandon
Her man to the long winter's night
Left holding the egg
She looks back with a longing glance
Her heart torn
But in the blistering chill winds
And freezing cold air
A cool clarity is born
Where all passions are left
Under sheets of steely ice
And soft blankets of snow
Her task very clear
She pushes on

A trust between partners feels itself called on
Now fierce winds blow through
And into her face
As they now feel so far apart
She stops to take one last look back
And feels an impenetrable bond
Forged in their hearts
As her beak circles the sky
It is as though an arc
Of light is made
A silver connection
Binding them together
As they feel somewhere
In the eternal they remain holding hands

The aspiring father left
Holding precious egg tenderly
Left standing on cold ice
In blistering winds
Four months there left balancing
Treasure softly on his feet
Through the winter's night
Angry winds betrayed by the sun
Sting with a viper's vengeance
As temperatures plummet
-70 and dropping  
Cooperating together they huddle
For their very survival
Perfectly dressed in Tuxedos
Black like death standing on their back
White in front for the devotion
They show us in life
Reliant on each other
They spiral around together
And say
   "together, together we can do it"
As they silently sit through
The long winter's night
Letting go of their resistance
They release a godlike persistence

Over the horizon mothers appear bobbing
Like bubbles of thought bursting
From the flat transcendence
Fulfilled wishes appearing
New mothers pulled forward
By tickles of joy in their hearts
Leaping forward on their bellies
As they collapse in
Boundless devotion
Their hearts drawn forward
Skating along on their Love
They glide.................................
           and slides..................................
On their own pouring devotion...................
Effortless devotion..................................................
They almost fly on their
Unlimited Love

Effortless embracing tasks
Supporting new life
They are filled with the
Ecstasy of fruitful service
Later adults return to water
Float with a grace
Of a dancing ballerina  
As though fuelled by rocket fuel
They leave bubbles like smoke

As we delve into these
Vast fields of devotion
And see these jolly beings
Successfully spilling through
The dark winter's night
As they spread new life
I feel like the great God above
Totally humbled And can only
Kneel and Bow
To the beautiful penguin
VENUS62 Jul 2014
Do you want
to hear
a story droll?
About a dog
with a kind
soul

Outside,
that night,
I heard the winds howl
Inside
was the sound
of an intermittent growl

I opened the door and he
slipped out
Some time later, he
came back with a pout

Reprimanded he was
for coming back
with a muddy taint.
Remorseless,
head raised, he
stood there defiant.

“Okay, Scot!
Let’s see what you got”

He gently
dropped
his big scowl
and Out fell,
in my palms,
a baby owl!

Apparently he had
peeped far
from his tree hole
When Scot was
beneath that tree
sniffing a mole

Frightened but fine,
the owlet
was a bit choosy
So we went,
to put him back,
in his tree hole cosy!
Wordsmith Oct 2018
Day by day I fritter away
Upholding decorum as best I may
Meet me as you meet — reserved somebody
Leave me as you leave — dull nobody

Dreary, weary, listless, spiritless
A resting spirit clamours to emerge
Unguided, wild, free and seeking
Boldly defying reserved somebody

But how, just how do I unleash this defiant spirit
For it is to cross all conceivable limits
Oh but a mask, of course a mask!
The perfect accessory for this task!

Careless of propriety
Boastful of daring
Acting against my will
Or in tandem with it?

This mask — just now I can't discern
Ponder I do with great concern
Does it shield my identity
Or render truth to it?

So now just what fun in masks
One may ponderously ask

Masks, bring to life fantasy
Fantasy, a realm of our reality
Reality, wherein lies multiplicity
Multiplicity, within each individuality
This poem takes a different view on a mask. Does it shield who we are? Or does it allow us to be who we truly are?

Isn't it ironic fantasy too is part of human reality? A realm revealing psychological truths.

Masks addresses the various facets of a personality. Our fragmented identities. Multiplicity in individualities.

Halloween is round the corner. If you had the chance, who would be the Hyde to your Jekyll?
alessandra manco Jun 2014
once again,
curved fists and clenched eyebrows and your words are venom in my mouth
MY LIPS ARE BLEEDING, BROKEN THAT I'M ONLY TRYING TO HELP
little baby, little boy curled up in your accusations
he reaches a single finger, gnarled and unsure
your violence and insults and broken hands are turning him from boy to
m o n s t e r.

"you're the only one who understands me"
watch as my heart crumbles and falls into the ocean  in every single
way i've ever wanted to save you

i'm sorry
the telescope lens is still cloudy
i have to cut my knees and crawl back through the ******* dungeon
find my way through the bramble and glass and barbed wire
I'M TIRED OF GOING BACK GOING BACK GOING BACK
i want the safety
of the muted nest and momma's lemon tree
i promise
i won't eat all the broccoli
if you'll let me come home.
june first, 2014.
I hateth th' song of th' grass outside;
and t'eir blades t'at swing about my feet
like fire. How unfeeling all of which are-
did t'ey really think I wouldst ever be tantalised
by t'eir sickly magic? Such a gross one-
demanding, rapacious, parasitic!
Even I am fed up with t'eir proposals,
and ideas t'at t'ey fervently throw
in th' hope t'at t'ey canst corrupt my dreams,
my feelings-ah, yes, my sincere feelings,
and secure, t'ough imaginary, dreams.
Oh, and my comfortable desire as well!
My rosy desire-which at times canst tiringly
petrify me-ah, unbelievable, is it not? Th' fact
t'at I am so satiatingly, and daringly, petrified
by my own desire-and reproved by th' one
whom I am astonished at, praise, and admire;
How pitiful I am! How horrific and tragic!
I hath knitted my sorry without caution,
I was too immersed in vivid glances
and disguises and mock admiration.
Perhaps it hath been my mistake!
Eyes t'at blindly saw,
ears t'at wrongly judged!
Lies t'at I forsook,
tensions t'at I undertook!
Oh, how credulous I am-to vice!
Mock me, detest me, strangle me!
Stop my sullen heart from breathing-
as I hath, I hath spurned my darling-
oh, I hath lost my love!
How sorrowful, tearful-and painful!
And how I hath lost my breath; for cannot I stop
my feet from swimming and tapping
in t'is fraudulent air, gothic and transient
With poems t'at no matter how mad,
but nearly as thoughtful and eloquent,
I shalt still remain doleful and sad,
for my love for him is indeedst thorough-
and imminent; No matter how absurd he fancies
I am, and how he looketh at me oftentimes
with twigs of governing dexterity;
but most of all, shame.
I hath no shape now.
I hath lost, and raked away,
my elaborate conscience;
I hath corrupted my conciseness,
I hath wounded my sanguinity,
originality, and thoughts even, of my poetic
soul-of my poetic bluntness and sometimes
rigid, creativity.
I am an utter failure.
I am a mad creature; I am maddened by love,
I am frightened by virtue, I despise and reject
truth. I hath no sibling in t'is world of humanity,
ah-yes, no more sibling, indeedst,
neither any more puzzles of fate
t'at I ought to host, and solve;
I deserve nothing but fading and fading away
and give up my soul, my human soul-
to being a slave to disgrace
and cordial nothingness.
I belongst not, to t'is whole human world;
T'is is not my region, for I canst, here-
smell everything sacrificed for one another
and rings of delightful and blessed laughter
which I loathe, with all th' sonnets and auguries
of my laconic heart. Oh, I am misery!
I am evil, evil misery!
I, myself, equal tragedy; I am a devil,
a feminine and laurel-like devil-
just like how I look,
but tormented I am inside,
as a cursed being by nature and God Almighty
for never I shalt be bound to any love;
and engaged to any hands
in my left years and in th' afterlife outright.
I shalt have never any marriage within me,
any marriage worthy of talks, parties,
neither anything my wan heart desires;
like sweets with no sweetness,
or dances with no music.
No human love should ever
be properly conducted by me,
I am incapable of embodying
a unity, I am destined to be with me.
To be with me only-ah, as sad as it is,
as vague as how it sounds, or it might be.
O, and how I should love, emptiness!
Any loss should thus be romantic to me:
Just how death already is;
my husband is death,
and my chamber is his grave.
I shalt, night and day, sing to th' leaves
on his tomb,
ah-as t'ey are alive to me!
Yes, my darling reader! To me, t'ey are living souls,
t'ey open t'eir mouths and sing to me
Whenever I approach 'em with my red
bucket of flowers; lilies t'ey eat, ah-
how romantic t'ey look, with tongues
slithering joyfully over th' baked loaves I proffer!
T'eir smell of rotting flesh my hug,
meanwhile t'eir deadness my kisses!
T'eir greyness, and paleness-my cherry,
and t'eir red-blood heath my berry!
So glad shalt I becometh, and shimmer shalt my hair-
and be quenched my buoyant hunger-
beneath th' sun, with my hands, t'at hath
been aborted for long, robbed of whose divine functions
Laid in such epic, and abundant rejections
Brought into life again, and its surreal breath
But t'is time realistic, t'ough which happiness
shalt be mortal, as I perfectly, and tidily knoweth
and as I flippeth my head around
And duly openeth my eyes, I shalt again
be sitting in th' same impeccable nowhereness,
nowhere about th' dead lake, with its white-furred
swans, ghost-like at t'is hour of night-
Wherein for th' rest of my years should I dwell,
with no ability and desired tranquility
t'at canst once more guarantee
my security to escape.
T'ere's no door-yes, no door, indeedst,
to flee from th' gruesome trees,
t'eir putrid breath solitary and reeks of tears,
whilst t'eir tangled leaves smell strongly
of vulgarity and hate.
I hate as well-th' foliage amongst 'em,
grotesque and fiendish art whose dreamy visages,
with sticking tails wiping and squeaking
about my eyes, t'ough as I glance through
thy heavens, Lord, gleam like watery roses
before t'eir petals swell, fall, and die.
Oh-so creepy and melancholy t'ese feelings are,
but granted to me I knoweth not how,
as to why allowed not I am,
to becomest a more agreeable mistress
to a human-a human t'at even in solitude
breathes th' same air, and feels all th' same
indolent as me, by th' tedious,
ye' cathartic, morn.
Ah, and shalt I miss my lover once more
And t'is time even more persistently t'an before,
For every single of his breath is my sonnet,
and every word he utters my play.
He is th' salvation, and mere justification
I should not for ever forget,
just like how I should cherish
every sound second; every brand-new day.
My heart is deeply rooted in him;
no matter how defunct-
and defected it may seem,
as well as how futile, as t'is selfish world
hath-with anger and jealousy, deemed.
How I feel envy towards t'ose lucky ones,
with lovers and ringlets about t'eir palms,
so jealous t'at I cringe towards my own fate,
and my inability to escape which.
How unfair t'is world is sometimes-to me!
Ah, but I shalt argue further not;
I shalt make t'is exhaustive story short-
I am like a nasty kid trapped in th' dark,
without knowing in which way I should linger,
'fore making my way out and surpass her.
She is a curse-indeedst, a curse to me,
t'ough at th' moment she is a cure-but to him,
but she is all to forever remain a bad dream,
which he should but better quit,
she shalt subdue my light,
and so cheat him out of his wit.
She is an angel to him at night,
but at noon he sees her not,
she is an elegant, but mischievous auroch
with ineffectual, ye' doll-like and plastic auras
She is deceit, she is litter, she is mockery;
She hath all but an indignant, ****** beauty
She does not even hath a life, nor
a journey of destiny
She hath not any trace of warmth, or grace,
and most of th' time, at night
It is her agelessness t'at plays,
she ages but she falsely tricks him-my love,
into her lusted, exasperating eagerness;
t'ough colourless is her soul, now,
from committing too much of yon sin
She still knoweth not of her unkindness,
and thinks t'at everything canst be bought
by beauty, and t'at neither love nor passion
canst afford her any real happiness.

Ah, my love, I am hung about
by t'is prolific suspense;
My heart feels repugnant in its wait;
uncertain about everything thou hath said
As thou wert gentle but mean to me;
despite my kindness, ye' mistaken shortcomings
as I stood by th' railings th' other day, next to thee.
Ah, thee, please hear my apologies!
Oh, thee, my life and my midday sun,
a song t'at I sing-in my bed and on my pillow,
last week, yesterday, today, and tomorrow.
I am, however, to him forever a childlike prodigy-
shalt never he believeth in my tales,
ah, his faith is not in me,
but I in him.
How despicable!
But foolishly I still love him,
even over t'is overly weighing injustice
on my heart-
ah, still I love him, I love him!
I love him too badly and madly,
I love him too keenly, but wholly passionately.
I love him with all my heart and body!
Oh, Kozarev, I love thee!
I love thee only!
For love hath no more weight, neither justice
within it, if it is given not by thee;
I was born and raised to be thine,
as how thou wert created
and painted and crafted-by God Almighty,
to be mine. As I sit here I canst savagely feel, oh,
how painfully I feel-yon emptiness,
t'is insoluble, inseparable solitude
filled not with thy air, glancing at
th' deafening thunder, rusty rainbows
With thee not by my side.
I fallest asleep, as dusk preaches
and announces its arrival,
But asleep into a burdened nightmare,
too many fears and screams heightened in it,
ah, I am about to fallest from smart rocks
into th' boiling tides of fire beneath my feet.
I wake into th' imprudent smile of th' moon,
and her coquettish hands and feet
t'at conquer th' night so cold.
She is about to scold me away again,
'fore I slap her cheeks and send her back
to sleep, weeping.
I return to my wooden bench, and weep
all over again, as without thee still I am,
barefooted and thinly clothed amongst
th' dull stars at a killing cold night.
Th' rainbow is still th' rainbow,
but it is now filled with horror,
for I am not with thee, Kozarev!
Oh, Kozarev, th' darling of my heart,
th' mere, mere darling of my silent heart,
even th' heavens art still less handsome
t'an thy images-growing and fading
and growing and fading about me
Like a defiant chain, thou art my naughty prince,
but th' most decorous one, indeed;
thou art th' gift t'at I'th so heartily prayed for
and supplicated for-over what I should regard
as th' longest months of my life.
O, Kozarev, thou art my boy,
and which boy in th' world
who does not want to
play hide-and-seek in th' garden-
like we didst, last Monday?
Thou art my poem,
and thus worth all th' stories
within which. Thou art genial,
cautious, and beneficent. Thou art
vital-o, vital to me, my love!
I still blush with madness at th' remembrance
of thy voice, and giggle with joy and tears
over yon picture of thee; I canst ever forget thee
not, and sure as I am, t'at never in my life
I shalt be able to love, nor care for another;
thou art mine, Kozarev, thou art mine!
Thou art mine only, my sweet!
And ah, Kozarev, thou knoweth, my darling,
t'at the rainbow is longer beautiful
tonight; and as haughtiness surfaces again
from th' cynical undergrowth beneath,
I am afraid t'at t'eir fairness and brightness
shalt fade-just like thy love, which was back then
so glad and tender, but gets warmer not;
as we greet every inevitable day
and tend to t'eir needs,
like those obedient clouds
to th' appalling rain, in th' sky.

Ah, but nowest look-look at thee! Thy innocence,
t'at was but so delicate and sweet-
like t'ose bare, ye' green-clustered bushes yonder,
is now in exile, yes, deep exile, my love!
I congratulate thee on which, yes, I do!
I honestly do! For thy joy and gladness
doth mean everything to me,
'ven t'ough it means th' rudest,
th' eeriest of life; t'at I shalt'th ever seen!
But should I do so? T'at is a question
I canst stop questioning myself not.
Should I? Should I let thee go
and t'us myself suffer here
from th' absence
of my own true love-
and any ot'er future miracles
in my life?
I think not!
Ah, and not t'at there'd be
any ot'er mirages in my love,
for all hath been, and shalt always be-
united in thee! O, in thee, only, Kozarev!
For I am certain I love thee,
and so hysterically love thee only,
even amongst th' floods-ah, yes,
t'ese ambiguous piles of flooding pains,
disgusting as blood, but demure,
and clear as my own heartbeat;
I love and want thee only,
as how I dreameth of,
and careth for thee every night,
t'ough just in my dream,
and in life yet not!
Ah, Kozarev, I am thy star,
just like thou art mine-already,
I am fated and bound to thee,
and thou to me.
Thou art not an illusion,
neither a picture of my imagination.
Thou art real, Kozarev,
thou art real-and forever
shalt be real to me;
thou art th' blood,
t'at floweth through my veins,
thou art th' man,
t'at conquereth my heart-and hands,
thou art everything,
thou art more t'an my poem
and my delicate sonnet,
thou art more t'an my life
or my ever dearest friend.

Probably 'tis all neither a poem,
nor a matter of daydreams;
perhaps still I needst to find him,
t'ough it may bringst me anot'er curse,
and throwest me away
and into anot'er gloom.
Ah, Kozarev, thou-who shalt never
be reading t'is poem, much less write one
Unlike thou wert to me back t'en;
Thou art still as comely as th' sun;
Thou art still th' man t'at I want.
Even whenst all my age is done;
and my future days shalt be gone.
the art of poetry
    like any art
produces better work
when writers are not only
erudite but also smart

the lovers' painful state
upon loss or desertion
is voiced much more impressively
with less dramatic flourish
and more of the grate
that finishes the sword
at the old blacksmith's fire
where the hot flame of our desire
    thrown into water
with a defiant hiss
turns into deadly steel
ready to **** and ******
     friend or foe or lover
in our desperate search
     for exits from the mire

or take the unexpected loss
    of victory that seemed so close
    on a wild battlefield
when suddenly the hero's gallant steed
    falls victim to a hostile archers shot
and its proud rider is reduced to shout
"A kingdom for a horse!"
rather than holding a long monologue
    about the treachery of fate

in  short
less is oft' more
and lets the readers fill the empty spaces
with their own images and graces
And now I have another lad!
No longer need you tell
How all my nights are slow and sad
For loving you too well.

His ways are not your wicked ways,
He's not the like of you.
He treads his path of reckoned days,
A sober man, and true.

They'll never see him in the town,
Another on his knee.
He'd cut his laden orchards down,
If that would pleasure me.

He'd give his blood to paint my lips
If I should wish them red.
He prays to touch my finger-tips
Or stroke my prideful head.

He never weaves a glinting lie,
Or brags the hearts he'll keep.
I have forgotten how to sigh--
Remembered how to sleep.

He's none to kiss away my mind--
A slower way is his.
Oh, Lord! On reading this, I find
A silly lot he is.
Sometimes it feels so natural to let a man's hands run over my body, feeling every dip and curve and bump and bruise that exists.  It is almost as if his hands and his longing are physical manifestations of my new-found womanly confidence.  I have reached a point where I am comfortable in my own skin and ready to celebrate.  I want to celebrate like there is no tomorrow and do something a little crazy, a little stupid, live one more breath of this night and one more kiss of this dream.  Right now everything just feels so real and raw.  To feel a man's touch on a body still so young is nothing to be afraid of - it is something to cherish and hold dear, for it only happens a short while.

Sometimes it feels so natural to wear a short skirt and walk with a sway in my hips, each step with my heeled feet and long legs echo across the floor.  There is something in the reverberance that acts as a fire in my soul, the flames within as courage on the outside.  The sway of my hips work wonders as tickets to concerts, the pass to the front of the line, filling my empty hand with a full drink.  It is a drug of sorts and something that I cannot get enough of.  I take what is handed to me for the short while that it is available.  Wearing my short skirt and tall shoes, I sway my hips to the beat of a different drummer while I can.

Sometimes it feels so natural to drink to my heart's content and my stomach's contempt.  I drink to make the pain and the thoughts and the worries and the stress melt away as my body melts on the dance floor.  I become one with the music and one with the night.  Carefree and unconcerned I drink until it is dawn.  It feels so wonderful to live like there is no tomorrow with no regrets.  When I drink I drink to darken the past and brighten the future.  The sultry sway of my hips become the sloshing of a boat about to be capsized.  The running hands over my body turn into drunk fumbling and clumsy fingers.  But I drink while I can and enjoy while I can.

Sometimes it feels so natural to be so bad - defiant and strong and a will to do whatever I choose.
Sonia Thomas May 2017
I live on the inside more than the outside.
But, I allow the outside to get in sometimes.
I let the outside slowly caress the inside and ****** it.
Come out for a walk with me, he’d say.
Words don’t matter here. You can be who you want.
The inside, she’s soft.
She resists the brightness, she craves the cave --
The land of mirrors we’re walking through that she’s so used to.
Where it’s just us and our words and the magic we weave with them.
Outside, we grab *******, we grab attention, we grab,
We don’t differentiate between the sinners and the saints
We take and we take and we take.
Just like the song, just like the song.
We’re not here to fight. But, the inside, she’s defiant.
I hold my insides and weep,
I weep for the the land grabbing
My body is not mine anymore.
I am a slave to the outside.
The inside pulls me back in and we bulldoze through the Land of Mirrors.
We’re not alone anymore.
We’re a lot of voices.
We’re a cacophony.
We’re a chorus.
We’re a choir, raising our arms to the heavens.
Take me out, dare me to fight
I will write;
I am inside and outside today.
Grab what you can, extra extra this just in!
We’re crawling out of ourselves and dancing on the streets
to reclaim what’s mine and ours and yours.
Chelle Quezon Jan 2015
Why do I have this defiant heart?
It always go on its own will
It never obeys my commands
It doesn’t go with the necessary
The reason why it’s always bruised
As it bleed pure blood and tears
With a mixture of a baleful poison
That’s shattered in pandemonium
In its abysmal cliff
King Tutankhamun Aug 2018
Magick 13

My rhymes periglacial slash through foes ****** leavin' corrupted maxillofacial stay laced with the coco
Til my nose blow out nothing but deadly keys makin' monopolies at ease see my desert ease
Could make the devil freeze with the beautiful ephipanies laid though my flow cinematography ain't no fictions here G
My pedigrees been deadly since the age of three
First sips of Hennessy pictured a glare of my enemies stories of me biblically
Born a David killin' Goliath's society defiant
Knock down the orders in the cornered borders
Of the Jesuit I'm the black Pope
Elope to the celestials gods that rope
My mind hanging on to the highs of the ****
Better yet the marijuana sneaky as an anaconda
Once I tighten cells begin biting
Fighting tryna stay alive like Bee Gees
Fiendin' for my lost dynasties kin to Nefertiti since I ****** on *******
As a baby I got a taste of the universe thoughts deeper than a hearse words hurts exciting flirts beating all perks through my vengeful works
My alias an archangel leave the game triangled Titan mentality dribble like Cousy so you might loose me?
Sick with the tracks axe minds like Moses to the red sea  knockin' down Rome legacy
Back on top like the greatest plot dimensions traveler like Bishop
Capitalizin' land plots I be the Black Wieshaupt
Lucky Queue Nov 2012
You said you'd always protect me
And that you'd never hurt me
That you'd love me and hold me
And I was your precious.
But can you protect me from yourself?
My missing you and crying inside
Pretending to be stronger than I am
A defiant faerie, who wants no help
Pushed over and pushed around
I fight back and get up every time
Persist and hold my ground
But you still have yet to show mercy
Perhaps you don't know, but I
I am still subject to your blows and graces
And still defy those stronger
SO ANGSTY
This is me, Rachael.
I would die from a papercut and blame it on the finger.
I would argue with an eraser if the words didn't look right.
I would tell the moon to shine all day just to ******* the sun.
I see colours in my imagination; my dreams are wild and beyond comparison.
I tend to love too hard and quickly get burnt by the one I flew so high for.
I read too much and believe in past lives.
I forgive but don't forget.
My trust is willing but protects my heart like a guardian of fate.
I will be silent when someone talks ****, because I don't take fools gladly, and a wise man never responds to defecation of verbal ignorance.
I willingly argue my point in my head til you know I have analysed my response.
Nothing is taken lightly.
I would argue that the road is really hard and quite weary, and curse my boots as they hit the hallowed ground.
I am impetuous, I rush in, I seek thrill and danger.
Hedonism is my game; I play deftly with an air of mastery.
I am sensitive. As skin is to the weather. A gust of harsh wind could ******* away.
This is me; only a slight composition of who I am, and what I am made of.
And I make no apology.
PROLOGUE:

“’We must stop this brain working for twenty years.’” So said Mussolini’s Grand Inquisitor, his official Fascist prosecutor addressing the judge in Antonio Gramsci’s 1928 trial; so said the Il Duce’s Torquemada, ending his peroration with this infamous demand.’”  Gramsci, Antonio: Selections from the Prison Notebooks, Introduction, translation from Italian and publishing by Quintin ***** & Geoffrey Nowell Smith, International Publishers, New York, 1971.

BE IT RESOLVED: Whereas, I introduce this book with a nod of deep respect to Antonio Gramsci--an obscure but increasingly pertinent political scientist it would behoove us all to read and study today, I dedicate the book itself to my great grandfather and key family patriarch, Pietro Buonaiuto (1865-1940) of Moschiano, in the province of Avellino, in the region of Campania, southern Italy.

Let it be recognized that Pete Buonaiuto may not have had Tony Gramsci’s brain, but he certainly exhibited an extreme case of what his son--my paternal grandfather, Francesco Buonaiuto--termed: Testaduro. Literally, it means Hardhead, but connotes something far beyond the merely stubborn. We’re talking way out there in the unknown, beyond that inexplicable void where hotheaded hardheads regurgitate their next move, more a function of indigestion than thought. Given any situation, a Testaduro would rather bring acid reflux and bile to the mix than exercise even a skosh of gray muscle matter.  But there’s more. It gets worse.

To truly comprehend the densely-packed granite that is the Testaduro mind, we must now sub-focus our attention on the truly obdurate, extreme examples of what my paternal grandmother—Vicenza di Maria Buonaiuto—they called her Jennie--would describe as reflexive cutta-dey-noze-a-offa-to-spite-a-dey-face-a types. I reference the truly defiant, or T.D.—obviously short for both truly defiant and Testaduro. T.D.’s—a breed apart--smiling and sneering, laughing and, finally, begging their regime-appointed torture apparatchik (a career-choice getting a great deal of attention from the certificate mills--the junior colleges and vocational specialty institutes) mocking their Guantanamo-trained torturer: “Is that what you call punishment?  Is that all you ******* got?”

If, to assist comprehension, you require a literary frame of context, might I suggest you compare the Buonaiuto mind to Paul Lazzaro, Vonnegut’s superbly drawn Italian-American WWII soldier-lunatic with a passion for revenge, who kept a list of people who ****** with him, people he would have killed someday for a thousand dollars.

Go with me, Reader, go back with me to Vonnegut’s Slaughter-House-Five: “Billy Pilgrim has become unstuck in time . . .”
It is long past the Tralfamadorian abduction and his friendship with Stony Stevenson. Billy is back in Germany, one of three dingbat American G.I.s roaming around beyond enemy lines.  Another of the three is Private Lazzaro, a former car thief and undeniable psychopath from Cicero, Illinois.

Paul Lazzaro:  “Anybody touches me, he better **** me, or I’m gonna have him killed. Revenge is the sweetest thing there is. People **** with me, and Jesus Christ are they ever ******* sorry. I laugh like hell. I don’t care if it’s a guy or a dame. If the President of the United States ****** around with me, I’d fix him good. Revenge is the sweetest thing in life. And nobody ever got it from Lazzaro who didn’t have it coming.  Anybody who ***** with me? I’m gonna have him shot after the war, after he gets home, a big ******* hero with dames climbing all over him. He’ll settle down. A couple of years ‘ll go by, and then one day a knock at the door. He’ll answer the door and there’ll be a stranger out there. The stranger’ll ask him if he’s so and so. When he says he is, the stranger’ll say, ‘Paul Lazzaro sent me.’ And then he’ll pull out a gun and shoot his pecker off. The stranger’ll let him think a couple seconds about who Paul Lazzaro is and what life’s gonna be like without a pecker. Then he’ll shoot him once in the gut and walk away. Nobody ***** with Paul Lazzaro!”

(ENTER AUTHOR. HE SPEAKS: “Hey, Numb-nuts! Yes, you, my Reader. Do you want to get ****** into reading that Vonnegut blurb over and over again for the rest of the afternoon, or can I get you back into my manuscript?  That Paul Lazzaro thing was just my way of trying to give you a frame of reference, not to have you ******* drift off, walking away from me, your hand held tightly in nicotine-stained fingers. So it goes, you Ja-Bone. It was for comparison purposes.  Get it?  But, if you insist, go ahead and compare a Buonaiuto—any Buonaiuto--with the character, Paul Lazzaro. No comparison, but if you want a need a number—you quantitative ****--multiply the seating capacity of the Roman Coliseum by the gross tonnage of sheet pane glass that crystalized into small fixed puddles of glazed smoke, falling with the steel, toppling down into rubble on 9/11/2001. That’s right: multiply the number of Coliseum seats times a big, double mound of rubble, that double-smoking pile of concrete and rebar and human cadavers, formerly known as “The Twin Towers, World Trade Center, Lower Manhattan, NYC.  It’s a big number, Numb-nuts! And it illustrates the adamantine resistance demonstrated by the Buonaiuto strain of the Testaduro virus. Shall we return to my book?)

The truth is Italian-Americans were never overzealous about WWII in the first place. Italians in America, and other places like Argentina, Canada, and Australia were never quite sure whom they were supposed to be rooting for. But that’s another story. It was during that war in 1944, however, that my father--John Felix Buonaiuto, a U.S. Army sergeant and recent Anzio combat vet decided to visit Moschiano, courtesy of a weekend pass from 5th Army Command, Naples.  In a rough-hewn, one-room hut, my father sat before a lukewarm stone fireplace with the white-haired Carmine Buonaiuto, listening to that ancient one, spouting straight **** about his grandfather—Pietro Buonaiuto--my great-grandfather’s past. Ironically, I myself, thirty yeas later, while also serving in the United States Army, found out in the same way, in the same rough-hewn, one-room hut, in front of the same lukewarm fireplace, listening to the same Carmine Buonaiuto, by now the old man and the sea all by himself. That’s how I discovered the family secret in Moschiano. It was 1972 and I was assigned to a NATO Cold War stay-behind operation. The operation, code-named GLADIO—had a really cool shield with a sword, the fasces and other symbols of its legacy and purpose. GLADIO was a clandestine anti-communist agency in Italy in the 1970s, with one specific target:  Il Brigate Rosso, the Red Brigades.  This was in my early 20s. I was back from Vietnam, and after a short stint as an FBI confidential informant targeting campus radicals at the University of Miami, I was back in uniform again. By the way, my FBI gig had a really cool codename also: COINTELPRO, which I thought at the time had something to do with tapping coin operated telephones. Years later, I found out COINTELPRO stood for counter-intelligence program.  I must have had a weakness for insignias, shields and codenames, because there I was, back in uniform, assigned to Army Intelligence, NATO, Italy, “OPERATION GLADIO.“

By the way, Buonaiuto is pronounced:

Bwone-eye-you-toe . . . you ignorant ****!

Oh yes, prepare yourself for insult, Kemosabe! I refuse to soft soap what ensues.  After all, you’re the one on trial here this time, not Gramsci and certainly not me. Capeesh?

Let’s also take a moment, to pay linguistic reverence to the language of Seneca, Ovid & Virgil. I refer, of course, to Latin. Latin is called: THE MOTHER TONGUE. Which is also what we used to call both Mary Delvecchio--kneeling down in the weeds off Atlantic Avenue--& Esther Talayumptewa --another budding, Hopi Corn Maiden like my mother—pulling trains behind the creosote bush up on Black Mesa.  But those are other stories.

LATIN: Attention must be paid!

Take the English word obdurate, for example—used in my opening paragraph, the phrase truly obdurate: {obdurate, ME, fr. L. obduratus, pp. of obdurare to harden, fr. Ob-against + durus hard –More at DURING}.

Getting hard? Of course you are. Our favorite characters are the intransigent: those who refuse to bend. Who, therefore, must be broken: Paul Newman in Cool Hand Luke comes to mind. Or Paul Newman again as Fast Eddie, that cocky kid who needed his wings clipped and his thumbs broken. Or Paul Newman once more, playing Eddie Felson again; Fast Eddie now slower, a shark grown old, deliberative now, no longer cute, dimples replaced with an insidious sneer, still fighting and hustling but in shrewder, more subtle ways. (Credit: Scorsese’s brilliant homage The Color of Money.)

The Color of Money (1986) - IMDb www.imdb.com/title/tt0090863 Internet MovieDatabase Rating: 7/10 - ‎47,702 votes. Paul Newman and Helen Shaver; still photo: Tom Cruise in The Color of Money (1986) Still of Paul Newman in The Color of Money (1986). Full Cast & Crew - ‎Awards - ‎Trivia - ‎Plot Summary

Perhaps it was the Roman Catholic Church I rebelled against.  The Catholic Church: certainly a key factor for any Italian-American, a stinger, a real burr under the saddle, biting, setting off insurrection again and again. No. Worse: prompting Revolt! And who could blame us? Catholicism had that spooky Latin & Incense going for it, but who wouldn’t rise up and face that Kraken? The Pope and his College of Cardinals? A Vatican freak show—a red shoe, twinkle-toe, institutional anachronism; the Curia, ferreting out the good, targeting anything that felt even half-way good, classifying, pronouncing verboten, even what by any stretch of the imagination, would be deemed to be merely kind of pleasant, slamming down that peccadillo rubber-stamp. Sin: was there ever a better drug? Sin? Revolution, **** yeah!  Anyone with an ounce of self-respect would have gone to the barricades.

But I digress.
RAJ NANDY Jun 2017
Dear Poet Friends, the Sphinx remains shrouded in myth, legend, and History. Modern research by archaeologists and Egyptologists have revealed some of its hidden mysteries. My research has resulted in providing you with a short & a balanced view about the Sphinx, keeping in mind the short attention span of my readers. Unfortunately, I am not able to post the Illustrative photographs here which accompanies my Sphinx story. Hope you like this story, thanks, - Raj Nandy, New Delhi.
            
         THE MYSTERY OF THE EGYPTIAN SPHINX

INTRODUCTION
Towering over the Giza plateau facing the rising sun over the
River Nile,
The Sphinx stands defiant for over four millennia, braving the
vagaries of weather and marauding time!
With a lion’s body and a human head the Sphinx remains
shrouded in part myth, part legend, and ancient History.
While the date of its construction, and identity of its face
have intrigued scholars for many centuries.
Today I shall tell you about this monumental and magnificent
structure,
Which stands as an iconic symbol of Egyptian architecture!
Man fears Time since he forever remains as it’s bonded
prisoner in captivity.
However, only few hours of freedom are granted to him during
his earthly sojourn, to live and love life with impunity!
But Time fears the Pyramid and the Sphinx, as they stand
defiant with their raised head;
As miniature symbols of eternity which even Time dreads!

MYTHS AND LEGEND ABOUT THE SPHINX
Many controversies and theories abound as to the identity
of its builders during ancient times.
Some say it was built by the people who came from Plato’s
lost ‘Continent of Atlantis’, prior to the Egyptians, way back
in time!
Others say it was the ancient Zulus who had inhabited the
wet and rainy Giza region with its great lake.
Around 8000 BC, during the close of the Great Ice Age!
But with changing weather pattern the Giza region later became
a desolate and a deserted area.
Yet no records or hieroglyphs survive, to make things clear.
The name ‘Sphinx’ is said to have been given 2000 years later  
by the enterprising Greeks.
Since in Greek Mythology there is a Sphinx, but with a woman’s
face, a lion’s body and with eagle’s wings;
Which guarded the entrance to the ancient Greek City of Thebes.
To the Greeks we owe the ‘Riddle of the Sphinx’ which asked all
passing travelers the following question:
“What is it that has one voice, and walks with four legs in the
morning, with two during the day, and with three in the evening
time?”  - about which those travelers had no notion!
The Sphinx devoured all those who had failed to answer, till the
Greek Oedipus confronted the Sphinx and replied,
That the riddle had described the three stages of a Man’s life.  
Since he crawled on all four as a child, grew up to walk on two
legs.
But during old age used a stick which became his third leg.
Hearing the correct answer the Sphinx is said to have jumped
into an abyss killing itself!

THE  SPHINX PROPER  
Modern Egyptologists generally agree, that the Sphinx had been
carved out from a single mass of limestone mound, -
Which dominated the Giza plateau before 2540 BC.
Built by Pharaoh Kufu’s son Khafre of the Fourth Dynasty.
Khafre was the builder of the second largest pyramid standing
next to his father’s Great Pyramid of Giza.  
While the Sphinx stands on the eastern most boundary of the
Desert Sahara;
Six miles west of Cairo, on the edge of Giza plateau.
It is 240 feet in length and almost 70 feet in height, aligned to
the Pyramid of Khafre behind.
The Sphinx lies on its hunches guarding the vast ‘City of the Dead’.
Where pharaohs mummified bodies lie deep within the pyramids;
To facilitate journey of their soul to gain eternal life and be
resurrected,
To join the Happy Fields of Osiris the Egyptian God of after-life
and death.

Great conquerors like Alexander and Napoleon had stood
dwarfed before the mighty Sphinx.
But to Napoleon we remain grateful for our knowledge of
Egyptian civilisation among other things.
For it was his soldiers who had discovered the Rosetta Stone
in Egypt in 1799, with its  bilingual inscription.
Written in Egyptian hieroglyphs and Coptic Greek, resulting in
the decipherment of the Ancient Egyptian pictorial inscriptions!

EXCAVATIONS AND RESEARCH WORK
The Sphinx had been buried by the shifting sands of the desert
many a time during past centuries.
While periodic restoration work continues to preserve it for
posterity.
American archeologist Mark Lehner and his team during the 1970s,
had analysed the bedrock under the mighty Sphinx.
They found natural cracks and fissures, and also narrow passage
ways dug by early treasure seekers!
His team climbed all over the Sphinx like Lilliputians over Gulliver, -  while mapping its structure entire.
It was found the Sphinx had been subjected to five major restoration efforts since 1400 BC .
While Mark’s dedicated efforts earned him a Doctorate in Egyptology at the Yale University.

Mark’s research also concluded that the visage of the Sphinx was
once painted in red.
While traces of blue and golden yellow decorated the ‘nemes’, the
Pharaoh’s brightly stripped head dress.
Controversies rage even to this date, as to whose features the
Sphinx’s Negroid face did actually represent.
While the disfigured nose of the Sphinx has given rise to many
speculations.
Was it the Muslim Arab conquerors, or a fanatical Sufi Turk who had tried to destroyed it as a pagan symbol!
Today I recall that the mighty 1700 years’ old statue of the Bamiyan
Buddha in Central Afghanistan.
Which was destroyed during March 2001 as a pagan statue by the
fanatical Taliban!
  
Mark feels that in all likelihood the Sphinx’s face was that of Khafre, with whose pyramid the Sphinx stands aligned.
While those ancient architects had arranged the location of the three pyramids of Giza and the Sphinx in conformity with solar events, - while choosing their construction site.
A settlement bigger than 10 football fields at this site was excavated,
Where the Sphinx formed an integral part of Pharaoh Khafre’s building complex!
This ‘Lost City’ of Mark Lehner had barracks, workmen’s quarters and kitchenette.
While remnants of diets found suggested workers were perhaps
rendering national service, and were not slaves.
No iron or bronze tools were found, only crude stone hammers and
copper chisels lay buried beneath the ground.
These copper chisels had to be sharpened at the charcoal furnace
frequently, for executing chiseling  work with artistry.

SIGNIFICANCE OF THE GIZA COMPLEX AREA
Mark Lehner and other Egyptologists felt that the pyramids, Sphinx, and the Temples Complex of Khafre was thoughtfully arranged,
For linking solar events and harnessing the power of the Sun God  
to resurrect the soul of the Pharaohs after their death!
This transformation not only guaranteed eternal life for their dead king,
But also sustained the universal national order, passing of seasons, the annual flooding of the Nile, and their people’s well being.
During sunset at March or September equinoxes when the sun appears to sink into the shoulder of the Sphinx, -
“At the very same moment the shadows of the Sphinx and the pyramids
both symbol of the king becomes merged silhouettes.
Sphinx representing Khafre as Horus the revered falcon god, offers with
his two paws to his father Khufu incarnated as Ra the sun god, who rises
and sets in that temple,” – as the ancient Egyptian’s thought.
Unfortunately  Kafre’s dream was not realised, since the Sphinx Temple remained unfinished as now we get to see,
As the Old Kingdom of Egypt finally broke apart around 2130 BC.
The desert sand began to gradually swallow up the Sphinx, till almost a thousand years later,
Thutmosis IV cleared the area, and introduced cult of Sphinx worship during the New Kingdom Era!
Rest is history, which has been already covered by me.

     CONCLUDING THE SPHINX STORY
The ancient Sphinx as Egypt’s iconic art,
Has captured the onlookers mind and heart.
Buried deep within its shifting sand,
Lies many a secret still unknown to man!
The Sphinx still beckons out to me,
Perhaps one day I shall get to see.
Today the Sphinx stares out at a fast food restaurant.
As it now faces a full frontal urban assault!
The rising water level of the Nile, tourism, traffic, and
air pollution, along with many urban constructions;
Make the authorities to worry about its preservation!
The Sphinx beckons out to man from eons past,
What is that secret it wants to share with us?
Perhaps it is about Environmental Degradation;
And the urgent need for Global Preservation!
                                                   ­        -Raj Nandy
ALL COPYRIGHTS WITH THE AUTHOR ONLY
I refuse.
Driven waves by steady feet.
Metamorphic Rock soldier,
shaped by the wind,
but I am still here.
Evolution they fear;
I am my own.
My beaded drum,
I created its sound,
And so will move to
Its beat.
The Headed Index,
The Poisoned Voice;
The demons I
Have conquered.
They cannot understand it;
They cannot withstand it.
A force they cannot fathom,
Is a force they must destroy.
But I refuse.
Overcrowded BandWagon,
A Party of Four.
Tales of tails that fear their own
Direction.
I refuse.
Ryan Jakes Jun 2014
I call you for dinner
at the roast beef you glare
you sulk at the table
and kick at my chair
"I don't want it" you cry
"I hate veggies" you moan
but a young boy can't live on Mcnuggets alone!

You call me a meanie
you say it's not fair
to make you eat green stuff
"I won't eat it, so there!"

You hunch up your shoulders
arms crossed, lips shut tight
your stare is defiant
as you fight for your right
to eat what you want to
and do as you please
my 5 year old rebel
with scabs on both knees

You'll eat it eventually
and I'll secretly laugh
'cause round two is coming
I'm running your bath!
Life with a 5 year old is full of battles. Fun but very trying...
AJ James Oct 2012
In school I never understood
No, I never could
what the point of it was.
What is the point?

I learned about math and science;
Good God, why am I so defiant?
So call me lazy.
Tell me my IQ is below average.
Well here's an image:
I'm actually smart I just hate
being a slave
to the system.

I almost missed 'em.
But they caught me
and now they got me
and all that I intended to defend
is left on the side of the street.

I'm rebelling
while they're trying to compel me
to stay put in my seat
like a ******* robot.
Well, I will not.

I gotta break outta this prison
but where's my bailsman?
This is my decision
and I've chosen
not to be broken.

My mind will escape unscathed
while yours will continue to be lathed
by those mechanical words
that they feed to you like birds.
And what's worse:
Is that you eat it.
You accept them.
You swallow down that indiscretion.
What a burden
but I don't feel sorry
for you tainted mind
because you chose it
when I warned you
that they'd change you.

And now you've become a slave to their holocaust
and you're so lost.
You can't even think your own thoughts.
It's despicable.
And it's not permissible.

You're stuck in their Utopia
and you're praising their allah.
Well God knows, it's not right.
So you gotta ignite
all your original thoughts and morals
cause honey they aren't your idols.
They are so pretentious
and utterly blinded.
Stuck under their bibles
but they aren't angels.

Break free from the system
come join my anthem.
Let's start a rally
and get more allies.
Join me in my plea
to be all that we can be.
To stand for what we choose.
I promise we will not loose.
Beckon Nov 2017
The black names drip from our obituaries, sticky and thin.
You would think they would burn into our minds,
the brand of injustice against bound skin—
But a headstone is lost in unending lines.

It is horrifying.

Despicable.

How do we allow one man to **** another in cold blood?
Life spilled pours out in floods
Our men in blue drenched red
With the staggering numbers dead
And we sit back with “not all cops are the same”

Not every officer’s a killer but do you remember the names
Treyvon and Michael and Eric and Dontre and John and Ezell and Dante and Tanisha and Akai and poor little Tamir, who was still a kid,

Tell me what he did?

There is systematic opression and agression against a group skin defined
Where ****** is fine, it happens all the time, killers let off the line
Because of an oath that should bind
The oath they forget, the promise to protect, held up for all citizens except
The ones they choose to neglect

The badge not a shield but a riot ram
Against those that take a stand
And raise defiant hands
For the names lost in the clatter,

Black Lives Matter.
I have lost my mind in the violence. Or rather maybe it has stolen it from me. In any case there is an attempt at semblance, this need to make sense of the senseless. So many names are drip drowned in blood and how do centuries float?
Peter Bean Sep 2015
Here is a ******* poem.
I hope to God it rhymes.
It better be for a pretty girl,
Like I’ve done a million times.

A shameless poem to lure her in.
A song and dance to thee.
She took the bait and loves me now,
For a daily, nominal fee.

She rips out my heart,
Turns me bitter and loathsome.
I say to you now in a defiant tone:
Here is my ******* poem!
Yes it was after a breakup, but speaks more to relationships in general. And yes, as poets, we certainly use it to our advantage.

Liked this so much, I did a video: https://youtu.be/p2a4uPanLUk
Moments Before Oct 2012
Hummingbird engulfed in white emotion
basking in the nectar of her Bee Balm lips
machine gun beauty fights her naturals urges

Gives into the sleek huntress biting sexuality

She moves her tail on the way to the Sahara
reaching immortality in the mountain's amethyst
hair like smoke falls soft onto her shoulders
overheating creature mistress poetic justice

Her world boasts the henna of the orient
tongue in cheek a throne of firepower
as defiant as ancient iridescence
meet me in the swamps of genesis
battlefield thirst, she the fruitful feminist
http://aditya777.deviantart.com/   << More work inspired by Artists on deviant art, strong feminine sci-fi fantasy. Wala.

— The End —