Etréstles parapsychological regression in Kímolos:
Theoskepasti church, due to its position, could easily be recognized by invaders during their raids. However, according to a legend, the church was veiled by dark clouds of fog and became invisible as soon as the raiders approached. Due to this legend, the church received the name "Theoskepasti" from the Greek words "Theos" and "skepazo" which mean "God" and "watch over" respectively. So the name is 'Veiled by God'. According to another tradition, when a stranger once managed to enter the church and tried to steal the golden candle, divine power cut off his hands. Also if it is veiled by God, so it is divine for Creation that will begin with the synchronization between both latitudes of the Cyclades and the Dodecanese.
After staying with Kanti, they went from Theoskepasti to Hellenika, located in Dekas Bay on the west coast of KÍmolos. Here in the necropolis and ruins of ancient tombs, they would make up part of the new humanity in the creation of the Duoverso, which will exist from Mycenae and Cyclades next to the small islet of Agiоs Andreas, also being part of the city. Many ruined tombs can be seen from the hill on the edge of Ellinika, with some ruins still in the sea between Kimol and Milil. In the proximity of Psathi, on this island located on the southeast coast. Kímolоs Chοrá is 1 km away on the hill above the Psathi port, from here you can see the foreign ships that try to come to the Bay towards Hellenika, for the advent of the Cinnabar and the scapulae that holds the Gates of the Necropolis, for effect of the avant-garde Trisomy, regenerating souls that will resurface with mutated more universal chromosome dyes, but with extreme longevity.
In the homily, an archpriest of the regional deanery will make pastoral criteria for this gesture, by virtue of the eminence of guiding them through the orthodoxy of the chapel to the Episcopal organization of the Vas Auric procession. It was already dusk and Etréstles was putting the homily utensils on Kanti's pony. Before incensing and lighting fires of laurel and rosemary from the fords of Leto and Koumeterium of Messolonghi, he would rotate in ellipses sprinkling crumbs of the most pure bread from Arcadia, on a gray Monday with hummus and bobota, to attract the vinegary souls that were in a state of catatonic, thus making it more esthetic or aesthesis to the reactionary reincorporation of the three courtyards in magnificent concordance with Rhodes. When the Archpriest begins the talk, you refer his prayers to the semi-inert matters that were made in communion with the chromosome dyes; with worms with forgetfulness of larger serpents that were planted waving, being in reality only worms that were astonished at the Archpriest exhortation in the ritual, that they circumnavigated universally with the destination of their elegies to celebrate from an ambo or pulpit, with classical Latin that uttered the archpriest the form was dies lunae, mutating it ****** to dies lunis by analogy with dies. On a dark Monday dies, but full of grace for the attendees, they would do the sermons, to interpret the alabaster courtyards that will lead to Tsambika. The first worms that were chased by Kanti, believing that they were games that emerge from the ground. Of whose ecosystem the earth was beginning to ignore it due to its annelid metamorphoses, appearing in the increase of texture, further beyond the grave of the same remains of doubt without sarcophagus, turned into sharp intestinal curves that were depressed breathing autonomously over massive folds of the acquiescent dermis of the oldest caste of the Hellenika subsoil. Being of distant origin from the Arcadias and its dissection, which silently followed the hummus and bobota, not to digest them with its suction cups, rather to surround them and delegate them to explore the surroundings that would encapsulate the soil with the proximity of the universe transfigured to the Duoverse of Vernarth, to phosphorylate and emit the wispy nitrogen fires before the Archpriest, Etréstles and Kanti disturbing by an arcane movement. Being a full act of herbaceous phagocytosis, they continued to ascend in the curvilinear procession, with their traces weaving together a timeless moment, which added to the sub-mythology and a finite sub-time, like single-celled procreating others that accelerated their physiognomy detached from their immateriality, towards a longer intake of organic material on the hummus of the bobota bread. Dropping with only clears wrinkles of the digestive world, what no cell has tasted ******, but rather, directly when breathing from Hellinika's lung lobes, comprised mostly of alabaster sheepskin, which were suspended even the bottoms of other colony of worms that sailed, to peer out towards the surface of the altar, where they regenerated the flow of the annelids.
Archpriest says: “The framework of the Vas Auric, arises from the nuclei of the medallion, being pending of a high presence of isolation. With high mobility between the tissues of the annelid amino acids, as new basal cellular functions, even though they are visible to Etréstles, and not totally for everyone yet. The image of the medal, in the classified functionality offers concrete, but microscopic information in a chronological way, possibly being the first in the function of the icon in its justification with the religious symbols and the manifestations of the divine and in the semantic even of the self-iconification , reading it in the Vas Auric, "What two men do not see, a man sees who does not see ..., what the creeping animal sees, a prisoner of its lack of vanity." Being epistemic images that provide knowledge beyond the sub-divisible organic matter of finite mortality towards the eternal other, contributing to the neural complex of tremors, in the veiled sensation that is lost between itself and that of their own bodies, being able to take them with their own emotions”
Panagia Theoskepasti
