this will make sense in the end, or at least along the way... a modern version of the Ruben's judgement of Paris, although if you watch the debate, the mediator already insinuates the "confusion": to my left or to my right, ha ha, left to right, right to left, 1st 3rd 2nd... that's putting it mildly, if i were Paris i'd have given the apple of knowing to Hera, queen of the goddesses... naomi wolf... beauty is in the eye of the beholder... and your phallus in the hand of... mhmm... softer than the flesh of an oyster at the end of the day... they did say once in times just after Pericles: make my inner as beautiful as my outer, and my outer as beautiful as my inner... then take art as not representing images: or the "shallow" arguments... any man would have given the apple to the intellectual Aphrodite (karen straughan)... we all know that antigone darling is Athena: who speaks so little you start to equate wisdom to be a distant synonym of needing courage to engage with a plebiscite crowd... oh don't give that prize to her: she'll probably tongue-tie herself and will never be able to speak into a microphone, the intellectual Aphrodite knows all too well the conundrum... it's the cougar attired in crimson that fuels the whole debate... she doesn't need to have inner beauty, you phallus is already shouting 'sir! yes sir!' at the drill sergeant anyways... you take Aphrodite as a paradoxical beauty, namely that of long conversations and not long interludes of ******* and baking cookies... you'll leave Aphrodite confused... i once heard an English motto: don't take for a wife a woman that's too attractive... that wasn't intended to be within the bias of intellect, i mean a beautiful woman within the bias of being able to manage a harem of 72 male virgins... well **** yeah, artists leave clues, whether knowing or unknowing... they're working from triangles, poets end up writing from Δ, they obscure textures and antonyms of what appears to be monochromatic, we say: red, crimson, burgundy in x-ray confines... the point being: there's no intellectual debate to be had with someone representative metaphorically or not of Hera... you can't have a Parisian fashion week catwalk where you find dehydrated beauty on the outside and an anorexic ego on the inside... what you find in Hera is a volume (voluptuousness) on the inside, within which there's a leech libido that transgresses all demands for intellect... unless it's pistons-well-oiled orientated... please, read some Marquis... if you get an ******* having read a few of his works: you're qualified - or as i like to call it: neo-classical *******... ever masturbated over Bronzino's Venus, Cupid, Folly and Time? well, if you haven't i guess **** ******* and gang-banging is your outlet: mine are pictures of Aria Giovanni and Chloe Vevraire (googlewhack no. 3!): Chloe Vevrier... but if you're never done the Odysseus pokes fun at Polyphemus... yep: the ghost hand: nobody!


you know, you can cram a lot into a 30 hour "day",
which results in the complete erosion
for the capacity to dream afterwards,
to actually work from the unconscious and create
a subconscious medium vector that connects
to points of consciousness: 30+ hours awake,
however many hours asleep, and then awake again
for another 30+ "day" to digest...
the classical definition of the subconscious, in theory,
is that you get plenty of sleep,
and it's a bit like that schematic A x B (algebraic)
A knows x     and B knows x...
   something mutual acknowledgment
via the same schematic but
A knows x, B knows x,
A knows that B knows x,
A knows that B knows that A knows x,
   which is all very Aristotelian to be frank,
it's this hyperlogic of having to acquire
great technological feats and reduce such
complexities to cat-videos on the internet as
the Egyptian partake in the genius that actually
made it possible... the slogan goes
Moses, you fool! said Nefertiti...
    so B knows x and knows that A knows x
and knows that A knows that B knows x
and B knows it's not necessarily anywhere
alphabetically less, even though the French said
a, b, c... which was very imperial of them,
that's the imperial version of what the mathematical
imperialism proved with the English inches, miles
and furlongs... but in this French case of imperialism
it wasn't a e i o u, b c d f g h j...
            that's what 30 hours awake does to you,
you wouldn't think of alcohol as a party drink,
a social barrier deconstruct... after 30 hours
you're hoping to meet Vladimir Klitschko on your
way to bed... aye pleasing Cossack, give us a
smacker goodnight... one glove it filled with
whiskey, the other with naproxen and amitriptyline...
boom! k.o. snooze, baby:
you gotta love buddhist honesty...
at least you get to see the bright side of life...
  and if people start thinking that Kant was the harbinger
of ill fate... you obviously haven't met a necromancer...
it was only von Kleist for ****'s sake!
       and he had the American option of a suicide
pact with a terminally ill woman and a bullet from
a pistol in a ditch... you can't get more romantic than that...
and there i was, mid-afternoon, having done a few of
the household chores: the washing, the ironing and
cooking a two-course meal while my mother did
the taxes (seems only mothers understand their sons
these days... women my age?
   ever see David Attenborough describe Emperor
penguins? money was invented for women,
because it brokered the end of the brotherhood of man,
we became famished by feminine needs
and have reduced inherent sports in us (hunting)
to sledgehammer bashing entertainment...
i'm the "drunk" that would rather watch ten hours
worth of ping-pong that tennis...
    i don't know why they resurrect the Olympics
every four years, have a **** coverage of it anyway
and then go back to that Glaswegian diet
of deep-fried pizza and haggis... and i hope to never know,
maybe Sepp Blatter knows...
but that's 30 hours of being awake, and only not
able to relax, by writing...
                 you wouldn't see this sort of "abuse" of
alcohol anywhere in the world...
the Soviet sleep experiment is actually not that silly...
too much sleep can also make you feel the minutes
upon your wake as if you've been stung by a bee...
three of my all time favourite songs?
the stone roses'* i wanna be adored,
    chromatics' cherry,
and finally: i can be forgiven for having missed this,
i got into them seriously with the album aufheben
and didn't really move anywhere else,
the dandy warhol effect got me...
but this song out of obscurity, 20th century technology
translated into mp3 and then onto c.d. and then
back into mp3... a song from an album that doesn't
even appear on their discography...
the brian jonestown massacre's pol ***'s pleasure penthouse,
the song in question? fingertips.
so there's that three...
      but **** on me, i half expected android (2015)
to be like ex_machina (whatever year that was)...
same topic... what the difference between android
cyborg and robot?
                                  aren't robots the proper a.i.?
as in: in production, the thing that's not hand-crafted
is artificially crafted, because it is crafted to a large yield
of a product? isn't that so? i can't distinguish (as of yet)
the difference between android and cyborg, i guess
as a Latin man (a - z user) i have to condescend the Grecian
pompousness of demeaning Hebrews (original anti-semitism
originated in Greece, not Rome, the Romans gave
the Jews not elaborate architectural schemes to abide by
in honour of Octavian, but the supposed pride in Greek
thought, undermined what later science would provide
a Latin man with, given the translation of יחֵוָחֵ,
indeed variables... i once wrote a piece about
the two Adams... namely how אָ (alef)
and עַ (ayin) are prominent letters among consonants,
but no vowel kindred of Eve is equal...
or how Eve is covered in both mainstream Islam
and orthodox Judaism... and Christianity is
a Rastafarian dream for more jerky reggae reggae...
they never sing down with Rome, judgement upon
Rome... they always sing about Babylon...
well, polytheistic or poly-schismatic,
it's all Hindu from hereon in - apart from that
here's a very tiny heresy... is that yod he vav he
or is it yod he vav het?
         there is a difference, afterall:
he (ה)        and het (חֵ) obviously differ... oh!
xet!                   god this garden is a mess,
               i guess the fruit of knowing good from evil
was intended to say: till the land, deforest,
learn agriculture... that's good, the **** you do to each
other... well: that's hardly a tonne of grain...
but they so alike though, even when you apply a noun
to these two symbols!
  could have said he xet but instead it's known as he het:
no wonder the Hittites came along for a curious look...
mind you, had not a prominent Roman, a centurion,
asked for help... we'd be prudish in runic from the northern
invaders... so thankfully no one within the Roman confines
of encoding sounds didn't have the bright spark idea
of looking at the very tiny little island of Israel and that
four lettered word and how it became known
to say o = omicron, ε = epsilon and γ = gamma,
   and cutting those things apart leaving only letter
having done plastic surgery on the noun that denotes the
letter that's denoted by the symbol, rearranged it
and got the idea of εγo: ****** marvellous!
- this is not brian pallenberg's story about the pleasure
penthouse album...
but you know what really got me in those 30 hours:
day, night, day, night: a NHLF debate between
naomi wolf, karen straughan & antigone darling,
the part where karen makes the point that
once upon a time men who beat their wives
in Scotland were publicly whipped (dhaal,
straugan), and if they were beaten-up instead by
their wives, a plebiscite of good-wishers would turn up
at the house and apply the Freudian theory of
a castration to the man, bang pots and pans,
and then in public display him having to ride on a
donkey backwards, having to hold the donkey's tail
for stability...
     see that woman in red in that debate? a true political
man-eating beast of ***** readied in atom bomb
explosions... the one next to her isn't wearing any tights...
unconsciously you're thinking: i like her french freestyle
of not having shaved her legs... the smart one is wearing
jeans and she looks oh so desperate to get out...
    the discussion doesn't even enter the realm of ideas...
hen-picking is discussed... all poetry ascribed to language
is gone... is it politically correct to ascribe the sexuality
of female chickens with the word hen to women?
behind me in Blackpool stag-dos (dos? no does...
there isn't even a ******* spelling for that phrase...
hen-nights and the inflatable Juan)...
well obviously your mind is working out why you'd
**** the middle 'un right away... she doesn't say divorcee
which is so "unsexy" but say she's a mum twice,
a mum, a single mum... polly wants a *******...
her address is new york city? ******! i'm heading there,
right now! can a white guy use urban colloquial
in the suburbs on a piece of pixel paper, which he claims
is mere the cartesian extension of his thought
and disinterest in rhetorical skills? i hope so...
it's not like herr adolf wrote a disclaimer saying:
read this or a thousand volts up your ****!
that really was a constipated debate, plus the red was all
provocateur and peppered with "you know",
   and "i know absolutely nothing": there were no ideas
in the debate! whenever there was a chance to debate
ideas, the debate turned into a debated about words,
and what words to use: to simply brush aside any clinching
to a idea-debate... perhaps because feminism is
an ideology without any coherency of ideas, as stated
from the debate: a coherency of wording: and that better
be hen = an asexual chicken, rooster = an asexual chicken...
it's still a chicken kiev at the end of the day.
now? i might squeeze in another poem...
     but it would still be great to get any kind of analysis
comparing the movie android and ex_machina...
the only problem would be: both creators are men...
so that's gender-stereotyping already...
but hell! she gets to build a buggie that she directs with
a laser pen... so that's nice...
but i'd love a discussion on these two films,
given that the music in both films is very oomph!
thriller genre always had better music than horror...
horror music is too romantic... thriller music?
***** back-stabbing you whenever you think you're
going to get a comfortable 10 minute slot...
but it's there... aside from both robotic creators being male...
woman: ex_machina - out of the machinery of man
          ergo? deus, or woman as...
i actually have a problem with the word android...
the woman is a factor of playing the two men against
each other... the android actually find a mechanical
part of himself in the way the "human" talks to the woman,
while the "android" is prejudiced against the rigidity
of his ****** movement: unlike the "human" having
an intellectual rigidity... the woman plays the two against
each other... well, 30 hours no sleep...
  i'm doing the helter-skelter trying to throw ideas
by way of remembering the actual plot of the film...
this obviously adds nothing to the discussion:
meaning i probably gave away a "spoiler" -
but more the point, i need a refill and some fresh air
to breath, having farted into a leather chair for the past
hour.

by simply watching 'don't call me crazy'
with regards to mental health... a bbc3 documentary.

i find a few pointers, apart from the fact that i've learned
English to a standard that i could
be misjudged as a native, what with african psychiatrists
   and the history of England as  a postcolonial nation...
     the problems of premature depression
and other divergences from the "norm"
  (or is that a tu-dum tss... "the norm"?
i never know how to tell the joke a proper
way, so many jokes are mothered
by punctuation, i don't know
how many there are that aren't) -
so aside from that... the fact that i'm
faking being British... if you have any grievances
against me: you'd better me Ukranian
or Lithuanian... otherwise? *******.
yes, i know the Poles did terrible things,
Vlad wasn't the only person ready to
do sadistic **** on people by impaling them
on sharpened-wooden poles...
   and you thought the crucifix was bad...
but oh look... the artists inserted a peddle-stool
so he could stand while on the cross...
rather than actually: hang from it.
talk about a woman faking an ******.
then again: he was all kissy-kissy with
a centurion having cured the ravaging libido
of his "demon possessed" daughter who
had a hot bagel flirt under her skirt for him...
or as i say: **** a prostitutes
           **** for an extra ten quid: the sigma
of how many ***** that thing has seen
turns your tongue into a dagger...
that's where i have seen my salvation:
   not in the eucharist or degrading symbols
of a godly stature.
       no, the point is:
this misapprehension of where the origin of
thinking resides...
  the true materialists posit the origin of thought
in the brain... but, honey-bee, the brain
is preoccupied with its materialistic responsibilities...
to shoot adrenaline when bungee jumping...
why think it isn't already preoccupied with anything
but thought? the brain doesn't think
no more than the heart might... or your *******
wetted or your phallus becoming *****...
there's no point in ascribing thought to the brain,
even if you abstract the source of thinking
toward the brain as a *mind,
     the suggestion parallels what the brain does,
and what the brain isn't...
   as with the notion of god...
          ridiculous for most people:
or also ridiculous when man is taught to stress
his "individuality"...
                               both seem on equal footing
to be considered phantoms, but the individual is
more of a phantom than god...
                             and as Diogenes of Sinope found out:
you'll find god and the Archimedean eureka
quicker than finding an honest man -
who takes a candle at noon into a market square?
     ah: that famous lunacy...
but in the beginning the word was with god,
       yes, because when we started we only said ooh ooh!
and made those frightening monkey faces to
war off evil spirits and the Arabic third eye, evil.
   Darwinism created historical fiction...
           a bit like science fiction, but instead of looking
forward, historical fiction is looking back,
toward a time when people struggled against
the elements, and had no sense of having to think
given their actual pentagram equilibrium was tuned
into what was around them...
                   the senses could never deviate from
the world of shouting down a cave and hearing echo,
it's only when thought emerged and conceived words
   that the dubiousness of simple musing:
chicken or egg first? created auxiliary sense perceptions...
   we have left the sensual world...
           for we have "enriched" our lives with
thinking, the byproduct of which is what scared me
about this bbc3 documentary... that all mental
illness stems from allow thought to automate itself...
      in other words having no moral compass...
in other words: not having read a single book
   and learned a process of equating thinking with
narrating... as a sensible option to what others tend
to do (the innovators), and allow narration to be a void...
into which they pour all their thinking to
fill that void... with, say, Thomas Edison and the lightbulb...
Isaac Newton and gravity...
it's just scary that people can allow automated thinking,
     made even more evident that counters
the punitive transgender pronoun scenario
   that only focuses on the pronouns: he, it, she.
these youngsters in the documentary are dealing with
submitting to a pronoun focus of: i, it, you.
                      in some vague sense of a religiosity,
that they cannot allow cogito ergo sum into their minds,
a possessiveness of body, that later translates
into an identification with the mind: which is -
well, if you're going to posit the origin of thinking
in your brain, which isn't even there - you mind
as well posit the mind, seeing how the soul
is argued against primarily through our mortal condition.
   is the eye the window to the soul?
  and the brain merely a paraphrasing of that statement?
perhaps...
              but i wouldn't be too worried
             as Walter Benjamin was about art in the age
of mechanical reproduction... i'd be worried
that art is bound to the morgue of psychiatric institutions...
that art is not a term that suggest the origins of
   such ailments:
due the original lack of it in such places:
  but that that it was never there... and that finding
art can be therapeutic is why art can be scolded
               and establishment art is nothing more
than the pinnacle of us, having abused words,
waging fewer and fewer words, can't produce
    a work of beauty... merely a work that occupies
a space.
                art = space...
          that's the statement these days...
being oversaturated with scientific assurances has created
this insurgence of over-competence or making
art not art in a sense timelessness, as in Dante's
comedy isn't equal to space,
            but that it's equal to timelessness...
    or a statue by Donatello...
                          these days art = space...
because it's not going to be timeless... it was once
the iconoclasm in metaphor of: the lion of Judea...
          Lucifer as the morning star...
                         it will not be timeless because it
has been reduced to the establishment's aesthetic
of tracey emins' unmade bed... or
       damien hirst's the physical impossibility
of death in the mind of someone living -
i never said these things aren't art... some people
said cubism would never be art compared to
surrealism... but shove a triangle into Pythagoras'
head and you get some sort of mathematics...
              it's based on that principle...
what wouldn't work in the case of hirst would be
to put a cancerous tumour into a plastic cage...
people would associate it as some sort of atomist
representation of a nanometre worth's of some
larger thing... i do appreciate the fact that big
art works... it needs so much face to embody
the fact that you are to think about it...
                         and not to have a **** over it:
it's art that's anti-arousal and more and more
and more about how to juxtapose it in your mind,
always to abstract the brain as the mind
   and to never appreciate the idea of having
to source thinking as solely endemic to the brain...
the brain is busy, the heart is busy...
            we have perpetuated an outer-body
experience throughout our time since the time when
we first acquired the phonos of thought...
                 and it is a peculiar "sound", thought...
a dance memorable to actually having a hope in
possessing a soul... even after all sturdy things
shrink into the obsolete, and even vegetable.
but the piece i'm referring to?
     kinda paradoxical... given that a shark would
probably eat you... but then again counter-paradoxical
given the fact that most shark-attacks
     make the shark refrain from eating you,
but merely nibbling on you and leaving you alive
albeit nibbled on... maned... with scars...
so i get the part where the shark is in fact:
an impossible death to conceive... only for the lucky few.
  apart from the fact that the shark is caged
like a prehistoric mosquito lodged in amber...
              woodland gold, amber...
  that's the literal interpretation...
                                 but it's still a moving piece,
modern art isn't crap at all... it's just something you
don't get an ******* over...
            take any still life and apply a cognitively
based chemical reaction: stimulate a narrative...
in that famous phrasing, connect the: dot dot dot(s).
    become, in that almost ridiculous sense:
     a Sherlock Holmes... but all that died was about
a minute's worth of your attention...
this is what's fuelling revising a need for television,
big static things... my personal favourite?
that Tate Modern installation by richard holt -
hand on heart: about 3 times...
              i felt like a mosquito drawn into that:
ah the bright shiny light... 180º and a glass ceiling...
that's all it was...
                   art in the age of mechanical reproduction
has to almost ridicule man, or at least ridicule
the idea that he can become an individual,
    as was the ridicule of man that he could become
a god...
               sooner or later any attempt at individualism
becomes trendy, vogue, and magnetises and
monetises a need to mimic, replicate... one punk today:
20,000 punks tomorrow...
       /
           but that sort of mincing is mostly associated
by the bewilderment of our own success...
                           it's almost like a we're engaging with
a sabotage process: deliberately trying to undermine
ourselves by staging a variety of "anti-social" endeavours
we promised ourselves upon a belief in the "individual"...
      modern pieces of art debunk that myth,
it's that modern art pieces require so much space that
gave them the most adaptation prowess over, say,
a puritan's concept of art, as in a Turner painting...
           classical art can be put into a Florentine market
square and be passed by quiet casually,
because it provides an assurance - it forbids engaging
in an iconoclastic vigil, it's an assurance of the past
and how golden it was... but a modern sculpture
in a busy place where many people congregate
without first allowing it the asylum of an art gallery
and people will treat it as a chance to hone on it,
vandalise it, or steal it and sell it from scrap metal...
       modern art requires an asylum to be accepted,
an art gallery is an asylum where people with
good intentions enter and leave appreciating something
that, to the pleb, would get a rotten egg thrown at it.
    and as with regards to how i phrased something
earlier? how philosophy talks of the logos
     that doesn't see the phonos: or the dichotomy
between actual sound, and sound ascribed a
optically-phonetic disparity encryption:
deepened by a self-styled aesthetic of the "ruling elites"...
          and in the beginning the word was with god...
we're merely licking the toes of such a possibility...
         and just you try to bypass the orthodoxy of
encoding sounds with queer spelling...
                     you, in a sense, learn two-languages
with every single one you learn...
   how to say it and how to write it...
                              and then there the how you hear it
and how sometimes you hear different lyrics to
the ones sang...
                         a bit like the Chinese,
who, upon reading the English translation were
bothersome to get rich quickly after seeing
too many matchsticks in ideogram translated as merely
Li Po; i'd too go bananas and become frustrated
and retaliated by getting to Einsteinian grips with
the mathematical alphabet that bore Li Po... i.e. 1, 0
through to 9.
      ah yes... philosophy that doesn't appreciate
grammatical words, or in that sense credible for a biologist
not necessitating a genus to ease any argument,
to actually further it... or to play ping-pong...
   grammatical words are equivalent to the subconscious
given we tend to write some a sense of fluidity...
the unconscious? schematics akin to triangles...
  "images" or rather shapes...
                             beginning with Δ: isosceles...
later varied to the Γ triangle of Pythagoras...
          and as far as we got, a respectability to
not conjure up a square as worthy of encoding a sound...
nearest being the H... and that turned out to
be much ha ha ha.
                   still... i can't come to grips with these teenagers
in the bbc3 documentary talking about
automated thinking! i'm not denying it, i'm not
doubting it... it's just a question:
          how could such a pronoun muddle come about
that you discourage ownership of all your mental
activity? and instead leave a rampant kindred of an
abandoned snail's shell body to wreck havoc?
   it's almost like a a want to refuse to use words...
or encode words... rarely are people told
that the eyes are used as encoding organs...
                   but that the tongue knows no filters...
what the eye ingests... the tongue sometimes can't
digest... and vice-versus... that what the eyes digest
the tongue can't ingest: hence the rebellion
against contrary political ambitions -
   the ears? well: the ears are allocated the heart as
a partner... the tongue and eyes are entwined...
but the ears are allocated the heart...
                     you tend to feel words more than
hear them... because by the time the tongue
represses combining itself with the eyes to
that elevation of thought... your body becomes
autocratically synchronised to a sort of music
of heightened of unanimous response...
             well, it's not exactly a fetish watching such
documentaries.. iconoclasm in metaphor...
  i swear i wrote this before... how philosophy avoids
grammatical genuses... and how all too
ambivalent poetically equivalent nouns and verbs
are to hide our imperfections that precipitate from
art... iconoclasm / anamorphosis in metaphors...
                         camaïeu in allegory...
                   divisionism in pun...
                                       chiaroscuro in imagery...
gestural abstraction in onomatopoeia...
                     just some examples, and none necessarily
     convincing - as ever... this is my excuse
for i am always bound to say language is Alcatraz
   and my escape from Alcatraz is bound to metaphors,
fo

Floating above the rifts of apperception I glaze over the gaudy faucets of imagined vector thrusts in hibernation by the lucubration of space-time materialized crystal in the somber beats of fetched farrago of choice slices in delicate hums of hemmed balance rantipole only in ethereal importance but otherwise supersolid above the sprauncy vagrancy of dilettantism. We shout a clarion virtuosity so that the conclamation of neovitalism conjures upon a spell of lapse and regress a motive for further crystallization of epidemiology into harmony with syndicated admonition sleek in design and parceled into renown by feats of completion rather than slugabed gregarious fountains of wasted ingenuity bleeding from the vacuum of an empty hearth in a hospitable dwelling otherwise cleared of imperfection. Right now, I levitate with transcendence with an approximated eidetic memory that is the surgical vibrancy of renewal rather than the chameleons of hidden talents buried by the walls of Jericho sounding tocsins of alarm that the anointed favor of choice destruction is only an encircled rapture of rhapsodies of confluence found in axiomatic truths ribbed with the futtocks of seaworthy but cauponate recidivism into the donnybrooks of apocryphal revelation preceding the whimsical fall of cascading permanence just as gravity so ordained it. We breathe the life of the ethereal numinous spirit of isangelous repute because we navigate the exquisite cobweb of reconciliation to surpass all understanding in peace what would be a miscegenated carcass of war otherwise apart from the incidental apartheid of the drones of causality ignoring the antecedent reality too much to register fathomed streaks of preventive endeavor because of the scars of a scrappy schlep of the rampicks of ecbolic servitude to moth-eaten star-crossed lovers of the mean menagerie of gutless succor renowned only in tepid rejections of harbingers bequeathed in succession but ignored because of the procession of “Billie Jean” politics.

   The citadel aflame with controversy buttresses carnality by witless contaminants of hidebound scaldabancos of ineffable destitution so craven in eisoptrophobia for their hypostasized indolent fatuousness of capitulation that they are but a minor punctuation in the largesse of centuries to favor audacity in candor over the prevarications of catastrophe to dented human pride against humane dictates of theodicy in fatalism that predestination experimented with its own vaulted verve to find permanent solutions engraved in the agrapha of time to solidify the redintegrated truth of God’s divine stewardship above the quisquilous deism of former regnant centuries of blench and blandishment. We revolt at the specter of rot only when the effluvia of disgust elevates the visceral reality above the utilitarianism of recycled prim nuisances of noisome lineage that yet balk because they are bereft of attention but not a vacant talent and therefore should the subsidies of man surpass the ignorance of appearances he will shrug of the demur of the scrimshank and sharpen his scrivello in the service of redemption found through cultivated prowess of gardens beneath where rivers flow above a cubic centurion of embattled visages of the heavens becoming the rampart for the vestigial clarity of Secret Masters to foresee the bypass that heals decadence and rebukes the formalism of puritan endeavor to sweat with exhaustive patience over the gossamer intertesselations of a ripe reality rather than a groveled fragmentary world shattered too much by exigent metanoia to mount the crenellated catchpole of vigilant enmity towards the stew of listlessness found in epigone and farce more than in organic fortunes. We flip the upheaval of society to squander our proportionate degrees of wealth on the necessity created by dire quandary which enamors by interrogations of pulchritude the verisimilitude of participle ivory dalliance of etched canvasses of simultagnosia for the librations of the liberated rings of betrothed liberation despite profound lurches of the mistetches of ignorance presiding dismally over the hulked disdain of glamborge rather than resselenque.

     The winter is a poor porcine glut of ciconine swelters because the prickly obtuse recoil of the delopes of caution find their permeable balance with a sort of photographic photosynthesis that braves the dearth of reprieve for the reprisal of nostalgic deeds found in the docimasy of riveted reflections because the preordination of God is the superlative champion of the witeless grandeval protectorate of infinite concepts guarded from the parvanimity even of the most strident minds squabbling over the braseros and battues of history as though those funereal stains of lachrymose regret outweigh the traditions of vaunted human progress because they are finicky about importunate pleas of subsidiary injustice rather than fulminations of the modern rebuttal to the disclaimers of an uneven history that shepherds the doubts of nihilism into ripe fruition at the expense of very expensive moral rot for the codlings of urbacity and mendaciloquence used to foment that tribalism of totemic justice. We see in Penuel the wrestling match of specters and heroic giants documented on the ageless pages and we notice the ironic twinges of struggle that kneaded the propriety of gentilian privilege that ultimately fostered an insurrection against chosen bravado among those that sear with zeal beyond the yordim afflictions of yobbery because the Jewish heart is stronger than any calamity even if it departs from the reverence of the colporteurs of the integrated syncretism of the attempted monolith that beseeches polyphiloprogenitive growth in mindset rather than in testy abeyance of forbearance because of known scrutinies into the tropology of wilted facts remanded by curious historicity that crumples without disdain when we memorialize the erasure of scepsis by modern standards of thaumaturgy.

    The minauderies of growth are a repositioned tacit allegiance to the untold fanfare and hearsay immunized against the broach of facetious levity to buoy discordant hearts above fumatoriums of relentless ignorance because coherent masterwork can be cobbled without such lapidary toil and toll on sincere affectations of wizened brevity. The seismic precautions for the forefathers of incidental convergences between expectancy and crystallized history are an ironic intortion of priorities because the heralds and tribunes matched the peerless foresight with the gerrymandered figments of apartheid between the imaginary and the real so that the delicate synchrony of events could unfurl a riveting carapace from the shells of protection even in amiable squalor for its impenitent attrition on the volleys of sensible rumor becoming fashioned in covert bedazzled errors in judgment leading to the triumph of the eventual civilization over the futtocks of the burial of the former trekleador of zenkidu belonging to provincial cadasters found so tucked in the hedges that discernment of frikmag would be an indelible scourge on the biognosy of the diagnosed endeavors that elapsed into remediated circumstances that brave the depths of deontological violation for the breadth of apportioned loaves and two swanky fish earning a place among the miracles of transcendent liberation from articles of decree imperious by sardonic disdain becoming nullified by the histrionics of a delicately staged orchestra that cements human achievement.

       We relish the frescades of a ruffled autumnal reminder of flourish above pothers of the screed of admonition swamped by nostalgic backtracks in the séance with ultimatum of design and the impregnated and carnal lusts of a world pitched in darkness with guarded lambent lights fomenting a perjury against tact for the deliverance of freedom in tacit agreement with owleries that every bonanza be tithed in their favor regardless of hibernation of spoilsports or their subsidiary remarks on indelible quills of invented manufactured realities we crave with desperation rather than cower from in requited nescience urging us to depart from affairs and stagnate the loyalty of fealty above the limber of utility mobilized above levities for solemn remarks and rejoinders. Promulgated above the robotic rubble of staffage haywire in wiredrawn contemplative resonance of tremulous subterfuge vestigial but immediate to the yardsticks of reprehensible malarkey, is the barnstorm for erratic dimples sauntered by the saunas of shelter above the chaos of ruined ginnels for the gimcracks of auxiliary duty to service, is the glorification of the sultry intimations of legions of remonstrance in guarded decorum about sunken atrocities lapsed in memorial to the incumbent brunt of sockdolagers of justice returning revenants from the bridewell of historical internment. The symphily of orchestras to cineaste symposiasts of surquedry in impudence beyond the brays of betrayal is the aborning mythos of regimented perceptions of a world that when magnified by minutiae appears starkly contrast to the gapped gubbertushed reality of the average patron of the arts to such an extreme gulf of receptive understanding that the qualia are dovetailed only in the swink of careful kisswonks to certify certitude itself when all the fragments coalesce into subjoined harmony to the substructures of inherent conscientiousness. The miracles at work that are vesicles and vessels for the swage of imprint above the loyalty of the imprinted tribunes of the fluminous is how hidden protrusions can emerge so victorious over popularized glazes on the pastures of a farmed culture itching for timmynoggies of innovation but only finding the etched remarks of pristine imagos of heroism dwindling in motivation to surpass the imaginative leaps accustomed to a newfangled laziness that bedazzles the guzzle of crowds but not the discrimination of the crowded morass of incompletion found in mosaics missing enigmatic philters of intoxicated love for the profound. So to be intermediary as a custodian for artistry we must cozen the wheedled imaginations not of the relic but the archaeologist that discovered the embedded prisms of attentive scrutiny for glinting sunshine inherent in troves of surpassed excellence beyond parochial sympatric blandishment of donnism rather than a resselenque that floats above demeanor to usher the cosseted age of treasure above the glib brocards and florews of past success.

      Immanent to the provisions of God as decreed from a syncretic reconnaissance of the pitiable gulfs that separate boundless divine love from the clavigerous potential for scrappy sympatric affiliation to **** through the barnstorms of internal comestions of conflated priorities we are ourselves prismatic in the indulgence of a tasty life sprinkled with zest rather than tempered with the vengeance of retorted animosity that we knead the pottery of ironclad resistance to a metallic conduit of pruned fulminations of unguided intuition so that the natural accord supersedes the goad of materialism for the sustenance of antiquity beyond its heyday for vital gains against the tauricide of panic and frenzy. The linchpin of all realistic attempts at the sympatric symphily of civilization is a guided remorse through the torment of affliction that sizzles without anteric barbs as it measures through engrenage how to pilot the vehicles of prosperity through the minefields of contingency that invisibly bequeath new hurdles and inestimable obstacles that collude surreptitiously to fulminate measured controversy against the backbites of restrained equipoise created by polities of the macadamized fabric of a welded smithy of a universe that with ubiquity proclaims above the senseless the harvest of conjugal repartee in sensible pride against militant bastions of incidental prejudice for a careen against the flyndresques of danger and the flyndrigs of glaikery alike for a humane spurt of enlightenment to tower peerlessly in supervision of entelechy created by esemplastic unity in apolaustic purpose. We cannot be puritans engaged in a pilgrimage to a palimpsest of priggishness because the daring elements of adventurism are necessary ingredients to catalyze the supply-chain of the innate gluttony of ego-seeking endless balance with a natural sustained biognosy that prizes biocentric harmony above bibliognost scepsis so that the enthused can flock with liberty divorced from libertinism. The ultimatum is a war between hedonism wed with donnism against eumoirety and self-restraint and this battle will be waged on the indolence of a future of cordslave tethers to interrogation of privy conceptualism hamshackled by the gradgrinds into the neat nexility of precise conformity that blacklists the samizdat because the genizah profoundly twists the already jumbled jengadangle and provides a junediggle of procession and ceremony rather than pomp without substantial grit embedded in the showmanship of a reality in need of a fourth-wall.

        It is ironic how we bewrayed our stewardship of the planet as a plenipotentiary sentience waged against the vesicles of instinct but more fundamental to this tattered but pregnant psalm is that the stronghold of our future is the tenacity of filial duty to enthrone the household with husbandry and restraint as an emolument to divine justice that sparkles opalescent in its own redacted notions of gravity imperfect in the taradiddles of science but refined by the eclat of the combustible syncopation of a reiterative trope of realism combined with surrealist caprice to henpeck affectionate violation above inviolable screeds of blood sport rather than conjugal affections afforded to the brood and the feast of the flocks that rein supreme over all things but exert inclement justice over the cattle and chattel of civilization itself. The minkumpf against the sacrilege of a prioritized kosher is to abhor the suffering rather than embrace the penitence of perceived but specious sacrifice which is an ornery thorn on the stained conscience of the yobbery of both the apikoros and the obedient because to attenuate all suffering even of instinctual beings we anneal our hearts to a glorified compassion that supersedes the relegated relics of pushful genuflection by succedaneum of sacrifice waged against the docile whangams of otiose theodicy. The filibusters against the regnant complexity of regalia that is a sprauncy poivrade with terpsichorean flairs to transmute the intimations of hibernated perfidy into finicky transmissions for the riometers that accord orbific merit in a lackluster time enchant the rollicking audience of this auditorium of the prevenance of the conquered universe bracing for the camorra of the insipid entreaty of defalcated casuistry—the prominent exchequer in hoodwinked political agitprop that forges ironclad allegiances to flimsy facades of the verisimilitude of dignity with recalcitrant but incondite bruits of venom militant against secular apostasy—that the fitful arrivistes that swim in dire dearth will be welcomed into the reconciliation of all time with a tempered lurid glint of revelation bounded by sunken albatross of hype unbounded with a peace insurmountable in prestige rewarded only with the highest reservations.


    On 3-1-2020 when I penned my philosophy—even at a slowpoke margin of crafty precision above rapid empirical faucets of folly—I was entirely selfsame with the autotelic engravings of the smoldering aboriginal talents within that many can swing through by tenacity for enormous plaudit but a flagrant majority will apprehend with flippant scollardical tenets of rebuke and remain honest in their appraisal only in meek resignation of parvanimity.
Consider the postulates of rarefaction whittled into a vehement zeal against the prostitution of our species to the anteric cycles of residual molds of dingy spectacle mired by the tyrannical towers of supercilious squirms of revamped novelty rather than enhanced by the freebooters of dirigisme that borrow from time the behest of philandered flairs divorced from the cadges of secular instinct and enthroned by the qualms of engineered virtuosity that is stark, barren but peerless in its outstretched clamor for luxuriant sprees against the silentium of grandeval asylum incurred by the flippant filigrees of recalcitrant modernism endangered by the irredentism of the future upon the whimsy of the present-minded momentary glare of rapture.  This impending architecture of nimble but subservient endeavor is a pinprick rejoinder against the wernaggles of prepossessed fountains of configured animosity against the stapled heed of a modality of trayned invictive invectives against the plodding course of fustilugianation that swerves in apathy of autopilot junediggle to emanate the surrender of epigone to the raktendure of the synaesthesis of the attuned perception of all superimposed minutiae delegated by calculated design into a synclastic focus on veiled caprice that is vaulted above the choppy and sketchy verdure of remiss perception to stellar continuities rather than mundane knickpoints of stodged blurs that magnify syncretic qualia into baseline congruity rather than staid torpefied resignation of the visage of thunder without the pangs of the widely vituperated lightning that bequeaths all certain notions but flouts the tortious saboteurs of the prim trucage of brittle fundamentalism.

     As the flawed paragon of a picaresque youth punctuated by vibrant plumage of self-wrought tropophilous usucaption of remote groomed frontiers of desolate luxury but buoyant morale into the ballasts of a nimble usufruct that hikkles yet still against still-framed thilloire--fatuous in endearment only to the polity of the waterdrip of craven but gravid disingenuous flickers of lambent cloaks of perfidy—that earned its birthright by meditative fruition rather than prodigal tallespin of indolent frapplanks of a vicarious personage rather than an autotelic haecceity showcases the folly of heterodyne inclinations meeting an impasse of accidental dislodgement. The interregnum between the spurts and sprees of luxuriance is a staid pause between continuities of afforded parlance becoming stapled demographic solidarity affixed to a strident gallop of effortful pushes against the tenacity of the slumberous wicked hibernation of vetust magpiety without hieratical internment because youthful industry beats hackneyed bludgeons of wiseacres of a stilted manufacture of steamy nostalgia for lickerish moments that dignify but undermine moral virtues but splash anointed and sometimes disjointed favor upon the congeners to a rabid escapade of a heedless love frowning on the girdles of the prim balderdash of heralded jolts dim on levity and puffed with elusive contextualized control of libidinous serrated defilement because the crotaline **** outmantles the sweedled limber of exploitable folly. The cosseted reality of wheedled gourmands of continuous perception rather than the Gaussian blur of the protean invention of stitches in time that obscure rather than magnify the supernal levity inherent to most artistry is a linchpin of lenient gravitas that levies the lavaderos of ripe perception into annealment.
Excuse the bravado of the gait of winnowed forks in a bronteum for heralds of megaloscopy fastened to the macroscian reality of indelible filigrees of countermanded controversy becoming its best behest in the sempiternal flowering of burgeoned demonstration rather than illustrious overhang of drab slabs of manufacture rather than organism that should be interposed between the constellated concepts of both apperception and the aggrieved counselors to obtuse obsessions that are an improper tutelary for a designated reprisal of the once profane now immediately gratified by ramshackle tenets of a guarded sublimation of the tenets of post-modernism into a sustained force of the internalized tabernacle of haecceity shepherded into exuberance by the manumission of spirit from the ******* of purblind scalds of defamation that incurs the penalty of flippant privation. The refuge the Lord provides is not contingent upon the vagaries of deliberation nor the calculus of oversight but the remontant amaranthine glower of a listed deed becoming an eternal reminder that a dismantled and disjointed world fathoming only remorse rather than the trudge of gentility against the headwinds of brunt asperity will always flout the successor rather than atone for the failure of the imponent condition that constellates around rudimentary drivel grubbing the momentary out of avarice for allotted merchandise rather than glommed magnets to amoeba sentiments for the kisswonk of ulterior motive beyond dungeons of desperation that lurk ghoulishly with spectral frights at the disfigurement of morale created by errors askew rather than a contagion of righteous valor.

   Ask the heedful servant if the captaincy of reneged commitment owes homage to dutiful instruction or whether it is a balking corpse of necrosis accorded to the omphalism of brutish carnal repose in times of sedentary silt siphoned in spelunked rijuice for preordination is a predominant specter for a world scared scurrilous and skittish in a diatribe against the very notion of tribal screeds embedded in the sedimentary heft of traditionalism above the pother of vacillation commended to the apikoros but counterfeit fiat system of a ruddy governance without a supreme magistrate. Now lets venture into the territory of visagists as we envision the swanky subversion of impoverished and nebbich visions of oligochrome that fixates on belabored but dead notions of rigid propriety and levitate above those concerns with a querulous transcendence that never wernaggles about the profaned irrelevance of burlesque tropes of sidereal friction but instead memorializes the thermolysis of permeable endeavor above staid countenances of imposture that lurk in the shadowy penumbra of the connivance of persona above the archetype of the tutelary guardian spirit that through windlass and sometimes deliberation affixes nobility to even the pedestrian in order to assize its proper proportions to granular ironies expounded into megalography transformative by the very rivets of its supersensible existence and cohabitation with histrinkage among human taboos.

   The handiwork of a permeable race prone to exacerbated proclamations of prerogatives bulldozed by the rapid percolation of insoluble quandaries to the gripes of the feast of foofaraw sometimes shelters our otherwise regnant concern about the plenipotentiary God that observes all latent affairs without the paramours that conflate vivid carnality with appeased luxury and superimposes a crafty system of seismic shifts in rantipole dances with numinous flux rather than dissipated militant suppression of the fracklings of dissolute pollution which swirk in their dastardly desperado endeavors to corral the entire monoliths that guard each province into a winnowed rumble of rubble by tarnish of Tyre rather than by the upstart rejoinders of Canaan. Every creature which has the capacity to perceive language is afforded benedictions by the overhailing force of the hypaethral heights of superlative ingenuity founded in the bolted speculation of the endearment of all to tropological seesaws embattled against the hearsay of nyejays that contaminates the telmatology of the ecosystem of revivalism rather than buries the leaden debts of the disjointed revenants of past prominence into recycled irrelevance for posterity rather than for anything but a machination of a clockwork apple rigged for a rotten worm to swindle the sweet delicate tempests of unforeseen disaster to perjuries against financial solidarity.

The spinsters of sardonic drollery underscore the imminence of an incondite cutthroat collapse blackguarded by the hucksters of incontinence grubbing every fetched noisome notion and congealing a bonnyclabber of desiccated mildew that proves vestigial when the victors of time earn their joyous serenade to the pinnacle of the totem of jaundice slits in wavy endeavors for the participles of sejungible syntax of the ephorized furor to outlast the draksteng of droned dereliction manned by half-baked spies of ulterior recitals for imprinted vicissitude in supremacy in synquest for frizzlounges rather than the pedestrian circulatory system of careworn polity. We vaporize the petty hatred of sympatric regelation that neuters the virulence of motivated impediments to the draconian surge of asperity that sinks temporal haplessness as a regaled blasphemy that crowns only the ringed betrothal to spumid serrated halts in slick superstition that is a buggery to the idea of insectivores devouring the erratic chantage of germane germs that pauperize rather than even blind the deafened to be a crutch to vehicular homicide. Melismatic sennet is a dirigible of immense herculean sinew without the traces of vestibulary retches of kisswonked grisly tepid intimidations of eccedentesiasts by the radioglare of wizened corrugations in thanatism that exhort the avatars of narquiddity over the natural departure of revenant souls back to their temporary hostility to crass lifeless decarnate immediacy that slinks with foibles magnified by vertiginous heights of scollardical reputes rigged by the rijuice of the plackiques of meaningless spoils for swashbuckler bonanza borrowed from serrated vengeance exacted in prominence to provide false avenues of extenuation to malefaction that is confidant to the panopticon of exemplary dimples meager in the largesse of the composite realism of a sizable imprint on megalography that outlasts impertinent excuses for dangerous trout swimming against the mobilized selachostomous frizz of sharks gathering to avenge disclosure with insolence and gravid atrocity of incisive surgical evisceration of attempted depositions that falter by innumerable facets of countenance that belie ultimate realism and the perdurable construction of a sturdy hive of bibliognost revelry.

     Even with the blaring sennet of majesty inundating my piecemeal perception with the marstions of flarium that is an efficacy in a flaccid world of otiose pretenses limpid only in folly but contraplex in ironic skewbald skerries of grubbed destination that is the terminus of karezza despite the maledictions of vehement guarded betrayals that conjure up lurid noisome virility against the gamines and gallywows that populate interstellar fictions of virtu rather than mundane pragmatica that astound with the resselenque of contaminated skeumorphs of latent fracture belonging to a skeletonized ossified reification of farce above historicity in seemly seamless countenance with overwrought princely stature deserving integrity to ripples through sparkling opalescence. The vapid insularity of the self-contained mythos of appeased groundlings is based on the rhizic and rhizogenic fracklings destitute in predicative flares to swelter above stratospheres of the illimitable into the dwelling of the highest serenity inherent to the pacification of truth to neglect its egregious errors of mistetches of a ripened pachyderm of bravery in times of austerity and now a reclaimed notion of sempiternal charades swimming above the punitive draksteng of dranger that is enlarged by acclimated attempts at foiled raltention hikkling against its own superior forces of galvanized preterition to elide over screwball insanity of derangement in this virtual paradise of inhabited souls belonging to former times congregating on the pasture of the evanescence of now for all eternity having the optative condition of incarnation above the ferules of the stagnant brevity of oversight in heavenly realms by postulate but not confirmed by regal logic.

     The troponder of the flickered lambent niceties of polity is a countenance that piggybacks on simpered jostles of negligent engrenage to appease sworn enmities among beatific havens for certitude swarmed by the fisticuffs of darbied bridewells of desiccated drainage traversing the distant disdain for the gravel of cemented slits of stilted pragmatica that is a gavel of atrocious estoppel mediated by heroic heresiarchs against pitiable betrayal for forceful remedies in acclimated servitude to the groans and groaks of a life of remorse and dearth rather than the glut of luxuriance in forbearance to its own intorted mirrored ironies that etch infinity with every scrawled rejoinder to austere ploys of checkered rumbles of threat and exigency posed by the clairvoyant hypocrites who benefit greatly by the design of the omphalism above the frays and brays of corporate dogmatism slowly outmoded by vibrant plumages of heteronormative originality beyond petty chantage. A hesitation overcomes the bluster of bravado as the restive earnest concerns of tribulation beset the minauderies of divine affection to reaffirm the teachings of the Gospel so that future generations genuflect beneath the altar of the ultimate stroke of sociogenesis and the blood ransom of suffering that promoted the human latitude and liberty against incarcerated throngs of virtue over caesaraproprism accorded to genuflection beneath denarii rather than absolution by tether to the eternal vine of sensation of the supersensible entelechy of all valiant insurrections against defective polities and renewed policies.

     We thus seek a transdimensional bridge between the morphean virtu of rudimentary alchemy of propitiation divulged by leverage and the teeming rambunctiousness of fiduciary tribes to the ultimate duty of man to consummate the future of eternity even in slowpoke mannerisms that sidle through rigors of entelechy and assize the masterwork of tutelage above the circumforaneous entrenchment of glut above the mastery of the subtle subaudition that beleaguers an adept conflagration of harnessed human ignorance staid in the incarceration of exotic virtues of freewheeling sapience never vulnerary to hospitable concerns that entrenches the verisimilitude of a refracted justice to reign over the stultification of a primitivism inherent to man and not man alone.

stars
are the
centurion guards of night
wearing
battle armour
carrying
both shield
and spare
ready to fight

THERE ARE THINGS TO DO - LIKE GOING TO CAIRO,
SEEING THE STATUE OF JESUS IN RIO,
HE SAID TO ME: 'WHAT TOOK YOU SO LONG?
YOU HAD TO COME BEFORE YOU BECAME A CENTURION.'
THEN THERE WERE SOME PEOPLE TO SEE - OR MAYBE NOT,
IT'S EASY TO PRETEND ABOUT THOSE CONVENIENTLY FORGOT,
YOU CAN NOT FORGET - SOME THINGS STAY WITH YOU FOREVER,
IF YOU SAID THAT I WILL DENY YOU THREE TIMES - I WOULD SAY NEVER;
THEN I SAID THAT I WOULD PRAY FOR MY SOUL TO BE WHOLE,
THERE HAD TO BE COMPLETION - PART OF THE DEAL,
NO ONE WOULD KNOW JUST HOW I MIGHT FEEL,
MY OLD LIFE WOULD NEVER GO AWAY, SO THEY SAY
THAT IF YOU LIVE TO ONE HUNDRED YEARS OLD - YOU GET A FREE PARDON - STRANGELY FORGIVEN FOR EVERYTHING YOU
HAD DONE.

That second that slithers in
Beckoning forbidden fancies
As your lifeless figures lies in shadows
That eat at your lonesome soul

While he frolics among his virtuous games
Uninformed of the stains and bruises
You so carefully conceal beneath
Petty giggles and witty banter

This is what you so desired
What you long lost
When the others ripped your innocence
Limb by limb-
The purity which glimmers so brilliantly
In his golden eyes

That sincerity so eagerly falls at your feet
Yet your calloused hands reach
For the one who knew the girl
Before her brittle bones
Aches with sores and colds

The one who not only knows the history
But watched it unfold familiarly

i mean, i love your sanity, but
i need a drink; i learned more sanity from a cat
than i did trying to cure my eyesight;
if you think my parents did wrong
by giving me a proustian lifestyle
then i’m faust; polka dittoed devil usurps all
meanings, even the clever ones typed: chlorophyl.
well i'll be too many coo coo in pikachu for the orange
minding the size of the amazon
(and saying - there's a pain in my chest when laughing...
had i a heart i'd call it keith lemon) allowing
the "fashion statement" and instant grams of followers -
hey, it's called a ******* for a reason - let me
anally absolve you from prayer
and salutation of the crucifix... k k o.k.?

have you ever made a spider a Palestinian? i have, today, refreshing the paint-job on the back of my house, a whole family strutting away from fresh paint being applied (poets cure boredom, they simply don't know it), the cardigans erase & rewind, my uncle would be perfect with his age to work out the demographics - my age circuit, 30 and listening to the palette of those in full-throttle of the 1990s - anyway, refreshing the paint on the back of my house, not for dough, but for the sweat of my brow - learning i succumb to acrophobia on the ladder - but i did it anyway... i love phobias, they're not the fear, they're like a box of chocolates... you never know what will make you startle... it's not permanent, phobias shouldn't be considered permanent, they're too reflexive... and we all know that nibbling them in the reflective realm immediately suggests irrationality, not to a reaction, but to a continuum of a reaction: a ladder, a giant spider to boot. but i never watched a spider eat fresh paint... watched the ******* do the nibble on paint... ***** - a getty cardinal spider shooting paint pollutants with its leg, eating the Chernobyl cocktail, the rainbow melt in a puddle of oil spill... junkies everywhere; so that done, a beer and a quick look at the Olympics...

if table tennis was as relevant as table tennis -
i prefer table tennis,
judo is too cool too - classic Greek wrestling
with feet to match the hands -
i think in terms of the Olympics we're in
the Gobi desert - so many sports are shown only
once every 4 years, the once that don't make the dough...
i'd prefer the Olympics without the pop culture
exponents that keep us hungry for spectacles
during the 4 years apart -
hand-ball, Romania thrashed by Angola -
ladies first, of course,
and weight-lifting, weighs in at 48kg and lifts
80+kg... well Jihad John versus G.I. Jane...
a pretty match up... look, i came from a certain background
i won't be making politically correct statements,
if it weren't for my personal initiative i'd be scooping
grub from an industrial flat surface roof like my father...
i don't mind getting paid... i just love the fact that i will
and if ending up homeless, i have enough heart already
to start a religion, or something.
of course i'll miss my personal library of books and albums,
who wouldn't? i'll join the divorcee crew and it'll be
like it always was supposed to be.
but am i really that ridiculous? think about it,
i use ridiculous words in my vocabulary, after all i went
to a catholic school, it was bound to happen -
not true secular cool, sorry -
but is my usage of certain words completely penniless
more ridiculous in the form of an oligarch buying
a pearl entombed in a custard pie? of a yacht for a month
at Monte Carlo? seriously? if i utilise the words
Paraclete or Antichrist after just skimmed rereading of
a psychiatrist's religious venture in Jung's *answer to Job
am i as ridiculous as those barons?
i don't think so... i read that book like Flaubert instructed
concerning all books: read in order to live it -
a book is a transplant, some leave a heart, come a ****,
some a brain, some a pint of blood with a book...
i hope to leave the worm of hell licking your ear for a sloppy
Jim - read Jung... almost atypical German Christian
intelligentsia byproduct, neutral Swiss just after the second
world war... Freud read Nietzsche and so did Mussolini...
****** was very much Jung... it's a strange book...
we all know that the Greeks hijacked Judaism...
the Romans were like: whatever that meant...
shoved it into a cauldron of the prefix omni-
and attributed to the prefix geographies and geometries
all inclusive (herr deutsche came along though) -
but the Greeks hijacked the oddity of Judea at that
special time because they had scientific inclinations
rather than aesthetic inclinations of the Romans,
and they wanted answers... got **** all...
it's not the Jews that thought the Greek involvement
ridiculous, it was the Romans... hence the omni-
and -presence, -potency, etc. - the Greeks just had
those mythical names for ****... Logos, Sophia...
that's the funny thing with mythology and history -
the book of Revelation by the looks of it simply looks
like a redemption of Oedipus... mythology is a logic
of history where either none was recorded on papyrus
since no one required hush-hush intrigue talk and people
spoke to each other face to face rather than to a profile -
mugs and mustard seeds -
you can always buy the book, C. G. Jung answer to Job,
it's peppered with too much Greek, and very little
Roman care... the theological addition of a globalised world
(under monotheism, failed and thriving, whichever)
is bound to play the montage of omni- and simply add -
God = omnivocab - i have my limitations of words -
i had to censor or rather select a vocabulary in order
to process the interchanges to reach a conclusive churning
without an ultimate goal other than to preserve a continuum,
like Balzac boring everybody with the 19th instalment of
the human comedy. so after reading this book on religious
matters by a psychiatrists i'm sorta bothered...
i'm tripping... obviously not seeing any hyper-geometry
of your choice... i just think the Greeks did the most horrid
hoarding and looting know to man... which reflected
the looting of Byzantium and never reaching the Holy Land...
the barbarians never cared to be honest, they only
started caring when they started to castrate the boys
for the "holy" choir rather than circumcise them...
then they went Berserk... the book of revelation can only
mean the quantum mechanics of history, bound to
mythology - Oedipus was very real... the blackened
heart of Greeks even though Aristotle, Socrates, Plato...
that intellectual import and expression didn't help...
after all Eddie Gein gave birth to the latter part of the 20th
century pop culture... Texas Chainsaw... Haemorrhoid Hannibal,
House of a 1000 Corpses.. history and journalism
dismisses mythology, i dismiss journalism as simply
a hyper-sensitivity that keeps dialectics out of the picture,
a monologue of opinions... mythology just doesn't seem
that insensible given our perspective into history with Darwin
and millions of years ago with the sea-turtles... you know
how gossip works... it sooth the reality of it had happened...
because we prefer oysters and chicken thighs to digest than
the tales of Eddie, oh yeah... Fe Maiden... d'uh!
the Greeks looted the Hebrews to purge themselves of
Oedipus... the weakness came by keeping estranged with
Narcissus and iconoclasm... you want an extract?
bombshell blonde at your bidding -
assumptio mariae: mary as the bride is united with the son
in the heavenly-chamber, and as sophia, with the godhead.
basically Mary is a schizophrenic ****-child of lust
for a Roman centurion who makes the story of a ****** birth
her wish to bed-wet her son (Jesus) into joining **** John
and Toe into her ****** (***** *****, like her already)
in heaven - she thinks her body will **** her "******-birth"
son and her wisdom (Sophia is her alias, or nickname)
will **** god in the head. oh hell this is sacrilege -
i'm not afraid of it... boo! ha! caught you mouth dry with the
boogie man. so this is a psychiatrist reasoning his religion...
as i said, the Greeks had no omni- Roman put the **** back
into his boots before he starts river-dancing...
all these quizzical ultra-mythical words that the Greeks
used starting with the Logos and Hippocrates were attached
to the failed Platonism of the unconverted Damocles principle
and the tyrant succumbing to drink and never bound to
a sober wish for anything more - (i'm guessing his intentions
were laid with Nietzsche as source of discipleship) - in short
let's just say that Platonism failed in practice,
and it needed a populist movement, a redemption from
the curse of Oedipus came from Hebrew with the schizoid-birth,
Joseph bin Adam was: better bite that ****** of the cow-fruit
and remind her of the stoning practices around here -
oh it's all pretty much Eastenders around here, it's
not the ******* Vatican marble corridors, we're talking
Gaza dust sneezing while whipping the donkey's *** to
move along... split-mind: beautiful metaphor... premature
dementia, obviously misunderstood... if premature "dementia"
while so much creativity among the split-minded...
it's like all the zodiac signs became jealous of Gemini,
incorporating Gemini-Solipsism... well, i have a neck like a bull
and a *****-count like a charging bull... but the thinking
behind the 3.a.m. is kinda staggering... oh right, you want
more quirky clues from Jung's book:
- silvia loret
- maritza mendez
- aria giovanni             (get a hybrid and i'll believe in Disneyland) -
****, that ain't what i was going to write, never mind,
you get a chance to see the palette of what's fudge for
fucky-fucky sized 16+ and what the Renaissance men
knew would be better than duck-feathers in pillows;
- meister eckhart: gott ist selig in der seele
- puer aeternus: vultu mutabilis albus et ater
    (of changeful countenance, both white and black)
- pius XII's apostolic constitution (munificentissimus dei)
   words like muni-imus really make you train in
    grammatical arithmetic, don't they? playing doctor with
   them as to where to cut them for a aqua format of rivers
   is quiet like reciting a 5x table up to 30 (sometimes)
- oportebat sponsam, quam pater desponsaverat, in θalmis caelestibus habitare (the bride whom the father had espoused had to abide in the heavenly bridal-chambers): st. john damascene (encomium in dormitionem);

summa summarum?
Nietzsche answered Job... this is my answer to Jung as also an answer to Lot - **** your daughters, your wife turns into a pillar of salt... and i equate that as a precursor to the man of sorrows on the ****** crucifix - salt is a metaphor for misery (that's etymology for you); and the Roman phonetic encoding survived over the fates of Egyptian and Babylonian is precisely why the adopted son of Caesar later made his uncle's adopted nephew his successor - as with the four dogma canon gospels, we're replicas of the tetragrammaton... well... i was never confirmed, i'm one short of joining the god-men that came out from catholic school after choosing a name for themselves they could have changed not having wished to be known by the two names given to them by their parents... few did... i just ended up an acronym of Einstein: M C E.

try hard as we might
there was no
ignoring
the scratching
coming from the walls
and there was no
reckoning
to be had
with the things
crawling on our skin
but we laid there
together
all we had
each other
and my arm was around you
and your head was on my chest
as you softly slept
and in your dreams
the storm must've turned
the scratching of the things
finding its way through
the tempest inside
and i heard you
start to mewl
and whine
and cry out
from the dark place
down where your dreaming
had taken you
and so i raised my hand
from its home on your hip
and softly
smoothed your hair
away from your troubled
beautiful face
so near to mine
and i cupped your head gently
and i loved you
and you were quiet again and

everything

was

perfect

allowing for a two part volume
of Proust's À la recherche du temps perdu...
is unforgiving... it's asking a meat-head
to read such a body like exploring a woman's...
a gay-man's psyche is pretty much a woman...
or what a woman thinks in secret,
gay men merely vocalise what a woman does
not say... and yes, that a with a diacritical
mark... that grave above the a? the à?
it works like a comma... à! a surprise kindred
an eureka that's not really original,
an: ah! and then you say the rest of the title...
iconic pause: in search of lost time...
          it took me about five minutes to figure
that one out... lost time, but occupied a space...
  and so much political vanity is consecrated
upon the reverse.. ineffective space:
thus gained time... for all that protests are worth.

i know i go on about this a lot, surprise surprise,
i'm actually engaging in systematisation...
once you enjoy writing as much as walking
you get to reach a systematisation,
     it's a painful process, i'd never do the editing process
of a Hemingway... write something: shoot some
camels and reindeer and go back and revise a piece
of writing: drink a *death in the afternoon -
a shot of absinthe inside a champagne glug
or the modern: shot of Jägermeister inside a glass
of red bull... (yay-gay-mr.) -
                       or how do you make snakebite?
half a láger half a çíder - and a head of blackcurrant
squash... scoot meine good look.
  but diacritical marks are what punctuation marks
are... it's only that they've become elevated,
and unlike punctuation marks governing paragraphs
and sentences... they govern the words,
         they are syllable incision indicators...
  i mean: i don't revise something i've already written,
unless it's a spelling mistake... i just write
something new... it's sadistic in my mind's eye to
revise and revise a single effort of writing...
                i'd rather centralise a theme of the paradox
of re-, in the year 2018 i will still experience
the tetratempus - containing four seasons -
         and i will never return toward making a piece
of writing become a morbidly corrected statue...
     what's done is done, let us move toward another
circumstance of being able to acquire a new kind
of observation... i can't be a sadist in terms of also
being a perfectionist... i break a leg, i break a leg...
if i write a ****** poem, i'll write a ****** poem...
but i won't be bothered like human history has been
by preoccupying itself in forwarding the drama
on Golgotha Street...
    the newest addition to the vogue scene is a corset
paired with a waistcoat...
   the snooker championships are taking place,
and i says to my father: 'a bit like chess, ain't it?'
   'sure is', he replies, 'you have to think 3 moves ahead.'
and it is... a smart sport, actually the most intelligent
sport there is... ****** boring obviously,
unless you fake the boredom and think about angles
and triangles and Newton...
   and cover the game with such congestions of
pretending to hallucinate it all...
                or take to thinking about rebellious
Saturn spinning out of orbit and doing a Mike Tyson
to Jupiter...
          but it's very much like chess...
                   it's sporty chess... snooker is chess...
  and it definitely ain't pool...
         you could actually have a ******* on a snooker table...
while either doggy or missionary positioning on
the snooker table... so what are the odds?!
         but i'll tell you one thing... snooker beats golf...
i don't know why... but once colour televisions came into
existence: it made much more sense for both
spectator and commentator... and how dare you
not cling to the 20th century if you were born in it
to translate to the 21st androids how we experienced
an evolution of technology, that made much more sense
after what i just heard...
      so there's this woman in the U.S., and this is before
president-elect and whatnot...
  and she's 22, and it's all over vice news,
and she's scared, and she's a mother of a 1 year old...
    and then this picture emerges
(don't worry, it's not anything like playing the Sims
   and moving your Sim to play computer games
and seeing a wormhole, or the infinity mirror effect)...
and there's a scene when she's talking Donald Duck
to the child... there are no meaningful words being
said... merely sounds... onomatopoeias...
and yes... this makes perfectly good sense when
stressed as a cut-off capsule...
because Darwinism doesn't really provide much
history... Darwinism is a historical erasure:
the past 2000 years could have happened,
but not really...
  but it just fascinated me...
         when did we learn or who did we learn it from
given we were placed at so many different
plots of the globe and became convergent -
anyway - the woman is teaching the child
words via the onomatopoeia of a hoarse quacking
of a duck! i probably will not find an answer
(primarily because i'm not supposed to,
if i am to perpetuate what Aristotle taught, i.e.:
be wrong and continually circumstance being in awe,
given the mundanity that nonetheless
everything keeps repeating itself over and over again,
for sustenance, and you are not sustenance bound
as corrected by your language deficiency to
ever merge into an unconsciously organised module
that might also argue an ego) -
    but i wonder how difficult it must have been
to extract something beyond the minimalism of animals
that identifies a duck with a quack, a cow with a moo,
an serpent with a sss... a cat with a meow, a dog with a bark...
    i cannot conceive how difficult this explanation
will be... but given the timeframe, i'm more awe-stricken
by this than merely being awe-bound by the time-scale...
which becomes the least affordable option of being
struck by awe, because one becomes merely awe-bound
by it, and therefore apathetic towards such a time-scale.
       how did we suddenly extract an understanding
of an onomatopoeia to distinguish our own ontological
basis for making a sound by infusing a sound that
doesn't resemble us? when did the first ape bark like
a dog? but then again, looking at the canvas already
apparent to us... what was the point of such an adventure?
hippy culture says: monkey accidently ate a mushroom,
monkey suddenly was blown away and reasoned of
a higher purpose other than a tree and a coconut...
     mudvayne quotes the guy on l.d. 50...
what's the guys name... uggh! not Timothy Leary...
ah ****! Terence McKenna! that's it!
        am i high? nope... my respectability of argument
comes from the mystical properties of... whiskey.
hmm...      that rarely happens to people.
                   it's what's called being earthbound, or gravity
prone... sink like a skipping pebble across the lake...
          and like a tonne of lard.
             tomorrow i'll wake once more and still
think about how we encouraged the discovery of
onomatopoeia to teach our children the multiplicity of
sounds, and later deconstruct such a multiplicity to
create meaningful words that go beyond knock knock! jokes
and grunts and barking...
                     but i will never know the man who
created the fermentation process from potatoes to make
*****...
                or the guy who brewed the first pint...
or the guy that smoked the first marijuana bush ensemble
while clearing the land for a place to harvest wheat...
   all the fame that exists is simply scholastic...
  schoolboy fame... which is why so much attention
goes into becoming famous in school...
                        but still that woman teaching her child how
to speak by going down into the blobby-gurgling
  tongue of the toddler, stiffening it,
      and tightening the **** and bladder too...
  by talking Donald Duck to it...
                        i probably could have had a family myself...
but can you imagine someone writing this load of
******* and having a family? there wouldn't be any time!
           still (god, what a need to repeat!)
         how did we progress from saying ape-****?
surely if we started to imitate other animals they'd join us
in our need to usurp those ******* lions!
  lo and behold... we managed to pet dogs (so they were
in on it all along)... and cats (who came from Japan,
if **** sapiens came from Africa... cats came from Japan...
bonsai frocked and all) -
                            but you have to admit...
from what is written history, to what is history and
a gap in history going back to a similitude of form -
      you can write as much historical fiction as you want...
    and you'll never have to write a bestseller about
some centurion in the Roman Empire...
   or a quo vadis by Sienkiewicz (nobel prize winner)
for the depiction of emperor Nero...
                               ******* Sesame St. giggles...
still, the question beckons... if animals can behave in
an ultra-intuitive way as if fashioned by a telepathy...
then telepathy can only exist upon a very simple,
atomic, terse vocalisation of an identity...
   a dog barks... a man can bark too...
                                but we have completely lost our
intuitive talent (if it can be called that)...
          to have sacrificed intuition is to have created
cults or counter-intuitive hierarchies...
  so a 1000 blah blahs later i still prefer to write what
i like... than write what people "might" understand
and talk to a girl about...
                                     a bit like a woman discovering
you faked writing a poem 20 years into a marriage...
                  obviously the setbacks to boot...
                            dyslexia is an optical dimension...
no one dyslexic says a word they don't understand
a meaning of... dyslexia seemingly came from
finally having enshrined the "secret" to the monopoly
of writing sounds...
                          nonetheless... at the end of the day...
it's just too much history... there's too much of it...
            there was never going to be a world
where carpe diem ruled it...
                               it was a question how we clung to
certain things, within a framework of
                                             salmon dye omni:
sure sure... piglet pink and innocent for the rest
of our lives... once Darwinism pointed at the ape,
and once physicists dropped the bomb and the bang...
no day has had any significance at all...
   + the 24h news channels...           snuggle up to a hog
             and say: fog over Heathrow... all flights are grounded.

the chokecherries have indentified the intercontinental blues that
eyes have averted towards Cornelius
the Centurion
while in your study room
you've realized that "our godforsaken Titantic dreams were never rehearsed or disembarked but
they were countless overwhelming
excuses of cardinal
hotel bedroom visits and "advection"
from obscene
choices to orbit around old conditions "the inquiry of
a riddle extending its meaning"

- G

A plume should be a thing lovely and light
dancing violet as it's fanned
at the flanks of the blue
bird-of-paradise
who hangs limberly
to solicit a mate

It should curl
blinding white at the back
of the puffy Samoyed
prancing fancy to please a master
who also preens on the oval
of a sawdust track

It should flop
red at the top of gold-painted tin
helmet awry on the head
of an aspiring actor
who plays centurion for tips
outside a mobbed Colosseum

It should spray
as clear and cooling drops out
the copper mouth of a grass-snake
green hose uncoiled by
the sneaky dad who tickles
giggles from sweaty kids

It should flutter
gray at the tail end of a quill
bouncing to the frenzied
jottings of an anachronistic
frump who takes the pain to outfit
himself far too seriously

A plume should not be a thing of plague
riding currents kissed by taint-
sweet crude blasted from a wound
gouged in the crust
of a frigid deep to feed
our shallow lust for eases

It shouldn't choke

It shouldn't muck

It shouldn't tar

It can't help
poisoning that last pretense
we cared about anything,
be it plumed or not, but
the finality of
a bottom line

I used to think that I could drink and
water came for free,
that was silly, silly me
water
water is not free.

It's leased by Industry and now we have to pay,
I see the day will come when the next war's fought
with a water gun.

How strange to think that what we drink,
that stuff that falls down from the sky,
is something now we have to buy.

Very strange indeed.

"Democracy is the lesser of all evils."
Says the Liberal.
The Libertarian.
The Corinthian.
The Macedonian.
The Farrier.
The Squire.
The Stoic.
The Astronomer.
The Ornithologist.
The Eschatologist.
The Augur.
The Retiarius.
The Hoplite.
The Centurion.
The Governor.
The General.
The Senator.
The Orator.
The Assassin.
The Emperor.
The Ferryman.

Tube worms hellish creature
Centurion of pitch and isolation
No internal altimeter

Pressured to bake and cook life
Take energy from pressured light
Press and push and valve and close
Entrenched, in line to another world

A planet a dot, a dot a spot
a spot a rock, a rock a dot

Wiggle waggle struggle straggle
Life and death, dream and cot

It is hot down here
In passion of dream
and the brain can easily
Overheat

well... technically every ******* is an abortion,
i have it all the time, but when a woman has it,
esp. a Russian orthodox rich girl
it's time to call the Mamelukes
because "a mongol horde is invading",
there was nothing legally binding me
to alimony payments, no marriage
certificate, but my friend,
you meddle in other people's private life,
think you're the man with a career
in law but end up staging
your little: the judge, the jury the executioner
in your bedroom? FORGET IT!
you're just a lawyer, a scavenger,
you don't get to play the game 'who's your daddy'
so easily... you think you're allowed to provide
the architecture of a courtroom in your bedroom...
you're wrong.
take your little orthodox russian *****
with my ******* son and live a long life...
i asked her: i don't mind using condoms,
she said, ******* into me, i'm on
contraceptive pills... two apartments
in St. Petersburg and getting a degree in Edinburgh
you think she's poor? doubt it,
i'm not going to be a ploughing work-horse...
and forging your attempt to placebo the pills with lies...
all that feminism and still the russian
girls think they're killing a human being...
but like i said: the bladder and the ****
develop outside the womb, well brain too,
but the **** and bladder are more important
for the *****... what you're aborting
is just as much a tadpole as a fishy stink;
is your argument caused by the fact
that you gave the Star of Bethlehem to Jesus
and not Joseph because of Mary's fancy
for a centurion? it has to be! way-hey mainstream,
give it to the kid and you get Freud...
god i hate Freud... not because he's a jew,
it just made the whole being born a neurosis,
you need test-tubes, surrogate mothers, IVF,
two Elton Johns to not feel a stigma...
even if the world is harsh on you and you end up
living with your parents... mother *******!
if they all adopted the Caesarian technique of giving
birth there would be no Freud;
well say goodbye to Darwin with that...
obstructing the Caesarian intervention with Genesis quotes
will still produce heads sticking out of vaginas
and by god that's no Michaelangelo.

dis- (negation of) -ease can take up so many forms of expression, the likely venture in a coffee shop with espressos variants and mocha coffee, or the lattes and something else.

which hardly means Paul McCartney dreaming
up *yesterday or Robert Stevenson with dr. jekyll and
mr.vhyde - when the weaknesses of yours
express themselves naturally - you accept them -
the only riches are bound to health -
all others care nothing - take away the able body
or the mind - and you take social realities -
i remember running wild with Peter and Ciarán -
slobbering off car parks on people's heads with spit,
surviving mugging, getting underwear-wedged on
park fences - deciding to smoke *** aged 21 for
the first time - listening to Limp Biscuit while
playing pool and donning Samuel L. Jackson Kangoo
hats john otto, take 'em to the matthew's bridge -
****'s sake, the who?! long gone. moths frantic right now -
we walked the mall, the bought artefacts before
digitalisation took over - and the book was lost
among toilet-paper heaps - 'cos when you need
a ****** to wipe his **** you need to write a book -
to feel seminal and human.
like the way Ilford high-street changed from Jew haven
into Bombaystan - that Ilford is mythical -
clever cue to suit a hardened worth of wearing tuxedo -
Maggie in the Sky filled with Piggy-stockpile Metaphors -
white boy rap - coo or undo clue - the same
**** precipitates into brown men in autumn
salivated together with oak drop leaves -
so hey ***, how's my solo? good or not good enough
to churn a mirror scene at a party?
'cos the cool kids "hang out", i guess **** of butter either.
as abandoned poetics had it: ensure it rhymes.
but it was me Peter and Ciarán on the weekend -
hell-raisers before i started smoking dope -
oh come on! i just turned 30 i'm allowed slang -
it's not unruly to rule the rubric with some sentiment
without wish for retirement -
ah man, that ****** in South Park - Ciarán just
hanging there in mid-air - got a g-string to boot -
i have to admit, the smart ones in England got out
of the education system aged 16 - the dumb-*****
made it to university - connectivity came in even if you
excelled - the smart ones got out aged 16 -
dumb ones like us with immigration a surrogate
family of ideas kept it up to university level and received
jiggly-squat of **** to get bothered in encouraging
attention to the idea of society - gave up, rebelled,
started singing X Ambassadors' song like Christmas carols -
readying ourselves for our parents to die,
watching our parents watching their parents die -
readying for the squat - as i once said:
i know a place where i can bottle clean Evian water -
you have to pass the centurion guards that might
kick you in the head if you try feeding them your
hand rather than a sugar-cube... but that's fresh water -
some *** left a ceramic tomb where the stream runs
free. or the maxim from high-school:
take a picture... it'll last longer;
it doesn't matter, aged 18 through to 21 i was sticking
******* into my mouth to imitate a Roman rite of
passage -
just when Eminem came out -
and wrestling was a beehive with Kane and the Undertaker
and StoneCold - cheeky chic wahwah on the turntables -
but **** me that ****** on the park fence
by a centimetre missing Ivan the Impale(r)'s tactic -
at this point can come like an e-mail,
that @ stamp can **** itself... i'm ready...
it's the cinema that no one bothers with -
there for the taking - spitting on a man's head
from a car-park uppermost level -
getting ****** for the first time with white lightning
cider. Pete? lost his teeth, got a mother of a beauty's
worth of **** last time i met him in a pub -
Ciarán became a nightclub door gorilla -
well, you know my story -
it's hardly the twinning of the Krays -
although that was on the cards -
last time the high-school people were together
we were at the Beckton bowling-alley
jumping into plastered fake walls head-diving
until i broke the wall with a cranium of an elephant's
worth of horizontal canon-ball gravity propeller;
mind you, Beckton stinks of **** in the high
season of the recycling harvest - A13 via Barking?
i'm not too sure - i never bothered to learn to drive -
i took the Chinese route - bus stop wankers? sure.
bicycle wankers? tell that to the Beijing horde -
shame i boxed Ciarán's kidneys in once before
we were lessened in B-tech queuing to enter class.

before the sun sets, and i end up writing... i end up laughing; but you began revising the body with Abraham attempting circumcision of Isaac, thus you encountered the anti of your shepherd practice, in building a pyramid, since the two revisions met in Egypt with female genital revision, an what feminism called: a soft cushion naked **** readied for kept ******* of *****... you were already revising your bodies before science came and allowed you transgender orientation and plastic surgery... unlike the mandarins who wrote from the head down, you wrote from the genitalia up, but because you didn't start at the feet, you wrote from either sunset to sunrise, or sunrise to sunset of arousal or limp... limp or arousal... monotheism is so ******* disgusting... it precursors darwinism, a historical analysis that should have not emerged had man not revised the inadequacies of his genitalia... and left the disharmony of the sexes to accept an ethnic population of an excess of 1 billion: puberty riddled man, menopause riddled woman (e.g.); i've failed, i know, now the talk is of pseudo-******, anti-globalisation, global warming... hardly any revision to mind to resurrect a historical past.*

listening to the Boss,
bruce "the boss" springsteen,
" or the acronym a.k.a. or simply
the word alias, or dub-slang,
but then the sweet return of the Celtic Odyssey,
reminding sweet Dublin sirens
of their song rather than my Aegean drowning
pain... in such nights such laughter
as mine be given to an unheard
comfort of a woman's breast,
a truck-drivers' fable in stance against
arabian playboys... the hyphen of dislodging
caring for us men hardly internalising
a woman's deed of internalising violence
should the greek testimonies be true for Byzantine,
for such a man of supposed status
have internalised his peace with violence
as did Buddha with two billion of Chinese
and Hindus... no conquering of status...
but my life laughed at in the night...
the hyphen is a dislodging for us,
cowering before both Madonna and the Magdalene...
to incubate the ring of Belgian entrenching
in a war... so if in womanhood only a duality
why in man the sole precursor of Christ,
namely Oedipus, to one saved from the fates of BC
the sole inheritor of AD via birth 19 centenaries late?
if duality in woman why then a trinity in man?
why no resurrect something more revealing
than what 19th century allowed with Freud?
i once said that a loss of ******* made man warring,
then come unto me in Eden's form, wholly
dressed, and wear the clothes i wear as intended,
or succumb to St. Paul and other visionaries -
or go into battle that Napoleon in graffitied optometric
said to overcome awaiting St. Helena for stupor ******...
or as that Roman girl daughter of a centurion who
first did encounter a missing ******* in the pagan
world worthy of "casting out demons" as the lover of jeruslaem -
thus the revisions of monotheisms with censored
foreskins of prior Abraham the Pharaoh's brides executed
to a skin-cut... later then the male, competent
in boxing the other dead... indeed what apple
is in metaphor is merely ******* in reality,
of either genitalia... that woman came first in Egypt
and man a wandering tadpole later is true to Genesis;
and the story goes no further,
for all are now entrapped in an exodus of nations
with the genesis of globalisation.

Fearless he is, fearless he was, fearless forever now.
Less than half my age my first time he is
Painted planks first for the centurion Baptist Church
Promised to go fossil and crystal hunting when done as a reward
Beads of salty sweat drenching the tiny brow now
Arms sore and tired from the heavy coating
Minutes finally now of sunshine now squint your eyes
Rounding the corner can tell a new cut is due
Without a second thought found delight it the next chore
With passion, with precision, with intimacy it must be done
Doors unlocked shoeless we enter never wanting to desecrate
Hand in tiny hand he pulls me in all the quicker
Unfamiliar smells puts riddles ends mark on his face
Like a brave warrior he marches down to his own beat fearing nothing
Finds himself a level lower looking at all the music boxes
Sleeping boxes he calls them “They shine don't they daddy!” yes son they are
Questions of why no sight of little sleeping boxes now shatters my drums
Instructor confirms of such a thing then comforts his unbroken spirit
Like praying to his God saying “Those are the sad ones”
Opening another door closer he wins with me with his sincerity
One in the lock the other same one on the ring he sees’, unaware of the other side
I know what lies behind the other side of the keys hole
With uncontrollable anticipation I reach and grasp his hand to spin around
Eye to eye we lock in with one and another like looking in a mirror we are
Nothing can be heard no other sites can be seen as if we are one
“No need to be afraid Son, I am here with you hold my hand”
Double door swings open now exposing a lovely dress and shoes
Can tell she’s deeply loved and will be terribly missed
By seeing Saturn twice side by side
Looks of wisdom, in the gene pool,
By the tale, of having such silver hair
Delight in the sight I get my fill turn my eyes and saw him standing still
No fear in his face I knew he could do it, hoping now his Mommy won’t have a fit
Feelings of tremendous love rush through me like a raging torrent
Hugged my side and look, he never even cried
I’m getting my rhythm I’m getting my flow and look I still have room to grow
Took charge without even a prompt pushed the music box to where it should go
That’s my boy that’s my Son; even a stronger bond has now begun!

(CARSr. 5-12-12)

Carla,
Whom I love and regret in equal measure,
Told me to talk less and think only in the morning.
It’s unfair, she said, for someone with your demons,
To obsess past mid day.
You will only exhaust yourself,
Become dizzy from looking over your shoulder.

It’s the sparrow’s lunch you eat, she said
Afterwards you think only of suicide,
It’s your pathetic answer to everything.

You have a propensity, an absolute need to confess, Carla advised me,
You see sin as an obligation,
As a necessity to fuel your ridiculous notion of salvation,
Repentance is a shell game,
No sooner have you apologized for being yourself,
Than you begin sinning all over again.
Your quest for innocence is a self-selected Sisyphean task.

I told her I had no idea what she was talking about,
And that if she wanted to save me she had to speak in simpler terms.

Quit looking for the meaning in things, Carla said,
Life is lived on the surface,
What we really fear is not that we will die,
But how we will die,
I mean good god,
The insane Christians
Have us picturing death
With nails driven through our hands and feet,
Hanging from a crucifix,
Can you imagine the indignity,
While some low level centurion,
Stabs at us with a sword,
I mean really,
Hauling crosses up mountainsides
Being laughed at and scorned in our weakest moment,
The drama is laughable,
When the absolute truth is most of us
Will die peacefully in our sleep,
Gone without even knowing the party is over.  

Replace your metaphysics with a game of chess, Carla told me,
At least do psilocybin once in awhile
And have a genuine spiritual experience,
And she held up her hand for two more glasses of scotch,
Neat,
And lit her cigar.

They tried for years,
Perhaps to fill the boredom of a life-unfulfilled,
Perhaps to try to hold together their universal but tenuous bond-
Like leaves from the same branch of the same centurion tree,
They swayed to all the same winds,
Almost broke through the storm that was
her,
And then ultimately
His
torment.

And where did it come from?
Well nobody knows- not to this day
Can anybody say
Just where the fruit of her madness sow.

But it was as though one day,something just changed.




And at times there
was
even
Some  quiet lulls in the Symphony
Of her self-destruction
where,
Perhaps,
pray tell
  She (and so he)
Felt
Happy.


And so they tried,
For years,
Maybe out of stupid habit


Her name was Violet and she had always
Loved
The Element
That is Water.
The Ocean,
  Like a purification from birth,
Draws her back again,
still
A ritual
That some say cleanse the sins
Of the flesh.


And she has flesh,
Raging, burning
Insatiable flesh
That screams for the touch of another.
  But that scares her.
So she must create
Barriers around her heart


Perhaps to quell the fire
Of her absolute and inconsolable
Rage.
She had Irish in her blood,
Right from day dot.
It came from her
Daddy'
And those twisted genes
came
from that place of darkness
That neither her Mother nor Grandma can see.


Once upon a time...
There was a Prince
With a tussle of hair so long,
It dragged her up from the darkness.
He was the Dragon Side of her Rapunzel.


Violent Violet
  was her name...
And She
Was

A super-hero from Birth

Lisa and I finally tested covid-free! When we saw our results, we began an impromptu dance that felt like levitation.

Although my covid case seemed much milder, Lisa’s been nothing but supportive. Why just yesterday morning, before we tested, Lisa said, “If you test covid-free before I do, I’ll **** you.” She was holding a spork which gave the threat a specific gravity it might otherwise have lacked.
“Back off, Sweeny,” I said.

We worked the next day, masked - just in case - and I’d swear that Rebecca, my surgeon, almost smiled when she saw me. As funny as Rebecca is, off-hours, once she puts on that white coat - forgetaboutit - she goes to some other, humor-free zone.

That night, we went out to our favorite bar to celebrate our Lazarus-like resurrections.

In the club, as we were walking to the bar, Lisa asked me, “What if we get carded?” I gasped. Never, have I EVER been carded. To even suggest the possibility is to risk breaking a spell that has lasted since I was fifteen years old and first walked in the adult-bar world.

It’s not that I look old, I’ve been told I don't look 21 (although I’m almost 20) - but in dark, bar-light - I just look “right,” like I belong. And let's face it, no bar turns away college girls or charges them a cover - we’re good for business.

I put a hand on Lisa’s shoulder and stopped us in our tracks. “Turn around three times,” I said.
“Why?” She asked. “To break the god-****, bad luck, vu doo you just put on us!” I said exasperatedly. She shrugged and started to turn in a circle. Again I took her by the shoulders, “Counter-clockwise,” I instructed, “don’t you know anything?!” Once she’d broken the jinx, we were free to go on.  The next part can only be poetry.

Behind the bar were shelves of bottles, brightly lit,
with pastel glows that shame the merely silver moon.
Red rums, golden bourbons, begging you to commit,
elixirs that dull every pain and brighten every mood.
Give us your tired, your lonely, and like Houdini
we’ll invoke fun with mystical treats like martinis.

We were basking in those lantern-like glows, like tourists, in heaven, when a bartender said, “What can I get you?” How generous those words were, how open and inviting.

“What’s your name?” I asked, he was wearing a name tag but I leaned in and gave him my friendliest smile. It’s important to establish a personal connection - but you can’t get carried away. He might be gay and decide you’re trailer.

“Brian,” he said. Brian was talking to me, but then he’d noticed Lisa and suddenly, he couldn’t take his eyes off her (Lisa’s an adriana). This bartender wasn’t gay at ALL.

I handed him my black, Centurion, American Express card “Can we set a tab for us?” I motioned to include Lisa, “and please include a 30% tip for yourself.” I smiled. He smiled.
“Oh, and there’ll be a gentleman joining us as well (Charles).”
“Sure.” he said, as he swiped the card on his iPad, adding, “now, what are you having?”

I’m a bit of a bon vivant, where cocktails are concerned but tonight, we’ll keep it vanilla.
“We’ll start with a Cherry coke (for Charles) and,” I looked at Lisa for approval, “Two American Martinis?” She smiled, “Please,” I added, putting my card away.
The coke is psychologically important; it gives the bartender what’s called 'plausible deniability.’
“Do you have a menu?” I said, as he turned to go. “Coming right up,” he said.

We were on a rooftop terrace that overlooked the Boston skyline. To the left, there were tables enclosed in glowing, geodesic bubbles that changed colors and off to the right, a dance space where couples were dancing, and a DJ was spinning ‘Sorja Smith’s - Little things.’

Our drinks arrived and Lisa and I laughingly toasted our covid survival.
At that moment, at least, everything seemed right with the world.

He knew the secrets of this wood
He knew it should be shaped for good.
He was not sure that he approved
when the Centurion came
seeking a rood.

The grain was heavy and unforgiving
It was surely meant to serve the living.
Now a means of torture it must be
for some rebel rabbi from Galilee.

Whipped and scourged like a beaten dog,
a poor excuse for a son of God.
He staggered through the streets of the City
Cursed and reviled for few showed pity.

His grieving mother, one courageous friend,
and his woman stayed until the end.
Nicodemus helped to take him down
with my ladder he had brought from town.

Those who died with him fed the dogs
but the Rabbi did not share their fate.
His body was lain in a Hillside tomb
on Nicodemus' own estate.

What happened next depends on Grace
What transpired there on the third day?
Did the body rise or was it just misplaced?
Some will scoff while others pray.

I contemplate the rough hewn rood
Now to me it seems a stranger.
Was it used for good or ill?
The secret is held
in the hands of the Maker.

Georgia Sun relaxes in the fifth house
Hummers circle Florida sky from my shaded chaise
Blue Jays and Brown Thrashers lounge the
ripened Fig Trees , shadows walk the vegetable
gardens , nightshades ardent for cool , rainy reprieve
Crows muster high atop centurion Oaks
Bluebirds and Sparrows work the grass like -
two old time blokes as the ice melts away in -
a frosty *** and Coke* ......

Rows of rogue gladiators
Recaptured and crucified.
Muscles, grit and warriorship

Beyond that of any centurion,
Humbled, humiliated, spat upon
By the wine-greased gears of a

Machine the size of seized continents
And cultures crushed to crumbs
Within weeks -not centuries.

The stuff of contemporary tales and
Future feature films. Justice -not
Unlike poetry- is a purely man-made

Concept. But so very unlike the
Other; as frail in its mortality as
Man's own justless Self.

i'm not here to joke about the stance of creationism, i know that secular society admits to the pillar of atheism, a- i.e. without theology, but i mind to not be concerned with the bishop's mitre or the pope's ironic kippah - i just look at my library and think of aeroplanes, the creative process was there, these books are stones you can enter and stretch your feet up, the person in question is now a persona non grata, out of natural constraints, namely mortality and death; creationism is not so much about originating into what i call a limited readers' digest - you can hardly be creative citing only one book, why just one? is this trampoline worth jumping on? why not bungee jump with some other book into the abyss? aeroplanes, books, you see the **** thing stacked on a shelf, and you have to play the role: in the end there was sound, and the sound was with man, the only currency of rubric coherency among animal instincts and lack of insight to digress from seasonal stimuli like the grizzly bear nearing the end of spring preparing for hibernation, hence our insomnia; look, the book is like an aeroplane, and you're the delayed sound feedback, but the magic is the fact that there is no authority holding you back, you interpret it as you feel constrained by an idiosyncrasy when brushing your teeth, writing is the foremost expression of something about you being dispossessed, you write from the standpoint / angle of particular, but you write to reach the plateau of universality: obviously you will feel disgruntled should your particularity leave no tsunami or earthquake or an atom bomb of influence (you think i don't?) on the plateau of universality; and to sound ironically even more biblical than necessary: i will walk on the plateau of universality and i will only fear myself... let death take the valley and god with it... i'm talking about the deity of solipsism, akin to Sisyphus, namely Solipssus (Σoλιπφυς) - you're the delay and with origin (0, 0) coordinating what creativity once was, regressed and shut in the cemetery of Tartarus that the library is, the aeroplane in plain sight... whistle a tornado with your book of choice!

whatever the father intended for the son,
ex *ecce **** of pilate
and the washing of hands at the mosque
to fulfil the temptation prior to prayer -
Hemingway spoke of the centurion's
act of pity with the spear piercing the lung
in a chapter from the book men without women;
whatever the father intended for the son
came to pass, hence the inquisitions and
the sheep-herding conglomerate of the holy
populace, not a person, but a gathering,
the membrane of these church-going folks
required a blind Samson to shake things up -
bring the temple of petulant whims into
a standstill saying: enjoy the weekends and
the theme parks.
i could never become a performer,
we deem universality of the shades for each man,
i know entertainers have a immunity
like ambassadors when on stage -
the bass line from the new paul simon's
L.P. wristband is gratifying, minimalistic,
the way i like to claim all music
to imitate strippers, feng shui hits in the basket,
maybe... maybe... maybe.
and should poetry create an imitable orchestration
of all the musical instruments in a band
or orchestra through the onomatopoeia flute
sometimes adding a definite meaning
with words, so be it, but still, a voice to match
to an army of instruments coordinated,
it will be hard to create a concert hall audience
for encore and deafening applause -
you see the plot now, don't you -
poetry for the shy punching bags, poetry
neither for heroism or gambling, both
shared a womb and both shared a tomb;
but this auxiliary trinity i'm speaking of,
never mind the father or the son, we're trying
to encapsulate the holy spirit, or should
i say the zeitgeist - for it is a zeitgeist of
switching the years around at spring for harvest,
an hour forward, when a strange anomaly to
change dates - and the kingdom of china
didn't bow, nor india - even though satan
promised all kingdoms - these two didn't
bow and i am thankful for their stance -
so if the holy are to be left holy and unimpressed
by a lack of dialectical stimuli - holiness is primarily
a non-engagement with dialectics,
secondary to that the horrid synonymous approach
of treating the concept of sin as both immoral
and criminal... well... it can't be both,
i can understand forgiving immorality,
but forgiving criminality would only translate
as the unnatural collapse of the profession of law,
all the lawyers and judges would end up as hobos...
so watching a music program (on t.v. it starts well
near the midnight mark, so you want to be hip
stay up late, foraging on the internet solo will
not necessarily give you a wide range of chinese whispers
to gather new influences, stuck in the grunge rut of
the early 1990s, e.g.) - and it came to me,
creativity now a stasis, nothing is really changing
in terms of what's new, unless it be primarily in art,
new art and abandoned auditoriums of former trends,
digging themselves out of and into a cemetery -
so this zeitgeist has to be accounted for -
out of holy must come something destructive:
δημιουργικoς ψυχη (alt. πνευμα) -
             the creative soul (alt. spirit) -
the artistic community is in shambles over-reacting
to a lack of creativity in this world,
their atheism repressed, unimpressed, reveals
a hope for every new big bang a minute by minute contrast
of the whole inertia surrounding them -
but never did a single man provoke a question
that tailored all the answers - no theory of everything
could be a chauffeur for the ride -
so indeed when half the potential is asserted by deviations
in the obstructions via holiness and lack of
argument to represent a clarity, another half is lodged
in a constant strife to overladen immovable mountains
and inert stones with a spirit of creativity -
it's not a holy spirit, it's a spirit of desecration,
or constant creation with subsequent equal constant
destruction - i find this spirit of more interest -
this zeitgeist to be perpetuated, esp. since it existed
prior to a.d. in the realm b.c., and continues to be pursued,
more ardently, given the declining number of
worshippers in Anglican churches - the final abandonment,
which create a strange picture with Evangelical
ardency in what is deemed the most progressive country
on earth.

Go my husband, show the Romans how to die.

Poison will slip thru my lips,
As the gladeus slips your spine.

Go my love, give the Romans something to write,
Inhale the smoke, from the sacred Athenian grove,
The invaders burn where we were vowed man and wife.

Go my husband, show their might ~love is Etruscan,
That once ruled their tribe,
Look, the Roman General already wants a Greek wife.
And wants to spare your life,

Go,
Our love will make their spears sigh,
After defeat,
They run into their own swords, held by their trusted centurion chest high.
After defeat,
We run into each others arms,
For the last kiss on this side,
The enemy can know,
We gaze forever into each-other with death's unblinking eyes,
Go my love, show them what we value in life,
Preparing for the last tragic nuptial,  
To find each other through the dark death night.

When the fifth nib broke,
I knew what she meant to me,
Realization, seeped in like a season new,
For I knew how it was meant to be.

Her eyes,
Empty, like uninhabited shores
Her tears,
Silent, like unopened doors
Her lips,
Dying, like the spirit of a centurion’s corpse
Needed, only her dreams,
Set afree,
Like an unsaddled horse.

But who would ride
A  painted shadow,
A prisoner of pride,
For that’s how I mocked ,
My handcuffed bride;
And now watch me preach ,
Of Gods and Guilt;
To the bride who shook ,
The world I built .


When the fifth nib broke,
I knew what she meant to me ,
But when her fifth nib breaks ,
Will she ?

Three short ones from being a centurion
I met my next and the oldest one to date
Today makes number twelve. I got now, my first dozen.
Witnessing the frozen effect of your last breath
From across the room it was so clear
How wide the opening that your soul left behind
A silent scream they could not hear
Looking down into, I can see you’re now hollow
You grabbed ahold of my apple
And now it’s hard for me to swallow
Time pronounced fifteen twenty two
Time on my skeleton relic a mere six o four
In less than three to me you still felt warm
In a room, smaller than a college dorm
Snow globe by your side I just started to shake it
To start the raging blizzard that soon would begin to brew
I’m trapped in a white out, now what can I do?
Torqueing steel strings I held it closed
Packing cotton now I had no choice
I had to muffle the....
Silent sounds of your screams.

(CARSr. 8-13-12)

In you, I have found….

A peaceful happiness,
eyes to imagine in dreams
a calmness    by your soft touch
a warmth…
a sweet soul    to rock with me on a swing
someone
I have no fear of losing    or hurting.
Someone
to wander the trail that leads
   just into the woods
nowhere special, thousands of them on earth.
Someone
to listen to a bird’s chirp
and see the beauty in it like I do.
Someone
to share smiles with as we make faces in the clouds.
Someone
to hold onto in the darkest recesses of insecurity.
Someone
to balm my wounds and kiss with tears
to love, like love has never been seen.

                               ~

*Far off in the misty glow
of one centurion
distant show
of a bursting new star
all alone
another
her brightness
showed
to draw him nearer
near to her
and he was reborn
as a nebula all pink and red all showy
as gravity and space collided
they made love
in the heavens dark.

Lambasted by the bushwhacking shambles of potsherds burrowed beneath enchanted rhapsodies of sunken Earth lurks a might unleashed by the preemptive dirges of Heaven
Shattering the weight of mismeasure adaptive to apt remarks of conservatory stellar repartees gilded in the flombricks of insuperable gammon wed to the divorce between mammon and guardian treasure etched by revets of colorful nuance but colorblind fortitude chalky yet with scattered sound blinking in the wink of intelligentsia a thousand parsecs of understanding in milliseconds of orbit
The periphery of forgotten stars bereaved but informed of circular axioms of axiolative thermolysis bellowing stoked smokestack locomotives of hibernal clairvoyance dare to wonder beyond limited or enhanced pulchritude the denizens of thievery stolen in a flashbang grenade of a new Grenada of fustilugs gabbling in flushed rosy red tongues of frenzy or aplomb what lurks beyond centurion sentinels of robotic half-witted half-baked semi-cooked bludgeons of cruel insensate irony withheld by vulcanized drapes of curtailed curglaff fashioned by kneaded distance and suspended for heaved awakening at riometer’s knock barnstorming the crude churlishness of the foreign at trespass of the inane scaled down by infamies unstated and flanged to appropriate provisions of measure that conquest lurks behind recess and all is grafted from the callous pachyderm skin of absolution cozy to remedies but aloof from necessities of pang and Tang rollicking magpiety like a rotten pastime aged past its due.
Yet the batting average of the uncanny visitor undaunted by glaring photogenic record balks at precedent and aims to lollygag his chicanery roundhouse above the ricochet of enamor to whilded terminus at circular diamonds soaring illimitable skies boundaries to another nothing beyond the past of something worthy of pearls piggish in appetite for oysters to inhabit
Yet these cloistered vacuums between the pleonexia of the avarice of retches of chyme and the digestion of complete guarantors of shielded heterochrony wassail on dreams Titanic and sunken living repeatedly in revised stereodimensional waves of registry beyond fundus hijacked by towering dimensions ulterior to the profaned foresight of the wretched dimensions of reprehensible coteries belonging lost even when fetched by glimmers of the profound.
The riches of aberrant mobilized fleets swung into tether pole centripetal flictions of swarpollock surpassing credibility and peace surmounting mountebanks of petty finicky itches of cretaceous extinction mapped to qwersy frugal mathematical jokes recoiling at rebarbative manifest destiny belong to the records of soundracketeer trivialization of malleable gold fashioned from Whisky Bar encounters with goldmines ascertained in magic by the suspense of upholstered dramaturgy lurking beneath tall crestfallen visagists who toss and bandy about in tempests of curdacted flow emissary and envoy to flajousts emergent from the verdure of aboriginal machinery fumbled by human ergonomic chicanery espoused by asylum rather than touted as marksman prestige flippant by inordinate gavels ****** asunder into delignated copper-brass keys of foreboding prisons on sinking ships for counterfeit litanies of bogus warning meeting inclement poverty to a drawn sine in the sand vacillating on purpose but intransigent in declension.
Starlet gnashes of odontoloxia wavers of tangential tendentiousness escaping the orbit of enumeration by sly remarks surprising the elective prerogative for convergent autumn to skittish paces of fast-forward beating the brumal bears in their gelid lollygag reminders why the 2nd protects the 1st and the primacy of interposition is the immediacy of flexed muscular DeLoreans cavorting with fringes of unfurled destiny in flashbang instants between the space among malingered pauses among secondary waves of betrayal shift the curious rip tide of stretchgraves too ennobled for widescreen yet narrowly faint in their promontory illusions as mantelpieces of emblazoned scarlet A’s for nothing more than a tempestuous flair with stigma but simultaneously the realization of true dreamy blues escalating around tensions finessed into ****** before drooping into the droll 1850s as the balderdash of detriment belonging to the salvo of picturesque still-life expressionism dripping troudasque in antiquity with flairs of impertinence celebrated more by melodrama than by billows of industrial hinderbaggle toxic to the stated alarmism of trinkochre preventing treony by the warbles of songbirds hemmed in by bushwhacking galactic police forces of granted licentiousness for backbites in the feral canine drollery of aged literacy chosen over youthful foofaraw belittled by retches of attentive brevity rather than protracted obtuseness: neither ideal for the gravity of aborning centuries
Yet we dally in convergent esprit filibustering rhymed cadavers of cadence for prurience in ebullient parvenu damsels vacant from the setting but entranced by the galloping herds of buffalo formidable with warmth because of death and locomotive drive-by shootings Daphne wouldn’t miss.
Yet what Mission Impossible has a BioCyte worthy of henpecked ransom and detached villainy of a trespassed appendix bursting in the Young crowd much to the awakened dismay of the colored affront to black-and-white hubris finicky in oligochrome yet fainter yet than stellified bronteums burgeoning in generativity separated by inherent gulfs of heterochrony balking at submissions fished by loaves of interest in the hambasket of aswallone fractious to redshort individualism in the subhastation of Jurassic prowls of replication hibernal for millions of extinct permanence scowling only by the mandibles of crackjaw Samson yielding his jaunty hair to flummoxed Cutthroat Collapses trimming yardstick furloughs of pleckigger for demotic flavork above fishy warbles of tilted pretense vagrant to everybody simultaneously renowned for arrested cacophony but bridled by few examinations barnstorming teetotalers with haunted patrons of aged wine speaking redivivus in contemplation.
Measured glare radioactive to lizards beneath Mojo Grooves monikers fielding “fly away” as transcendental harpsichord anagrams filter through lavaderos of hackneyed nockerslugs berating illusion for conflation in the influx of dacoitage among Vikings who swim flanked by sonic blares of innocuous dolphins floating dead by the carnage of bloated whales and ridiculous spates of welter above conscience ragged with tetherball futility.
Sparring with engastrimyths sapping the sapwood of sappy banality for toonardical lullabies that pacify opposition more than the Pacific is internecine to volcanic tirades of seismotic jolts of burgeoned awakening I vanquish petty sneakthievery with the unspoken power of a Tweed that masquerades not on ******* but on virtual rhymes cascading throwaway brown-brick fifties collapse on Dagon armed with gnashing poise against guttural gubbertushed victimized flippant fantasias arrayed to brook the decrepit streams of my elevated retinue for staged intrepid barnstorms against phony assassinations to prove petty Edison powerhouses clairvoyant in even their specious participles of quantum irony decisive in fliction marveling at sensible conveyor belt beltways infested by sluggards of inferior hives contrary to every inclination of self-edified skyscraper invented by the mettle of industrious man
So swanky in boast but gingerly in insightful discretion I careen ping-pong victories into a plevisable fortune of Bubba Gump wealth and Fortune Magazine ostentation as the ringleader in Barnum’s neutered circus that never spays a single sword of creation in the barnacles of progeny and progress frogmarched by cruelty and vehement in suppositions of craven popinjay popples of a whangam metropolitan artifice tinsellated with angles of trim prance above suburban ecstasy in transcendent flash and peerless reaches of stratosphere above mundane plaid macaroni witeless in the sterling grace of foreign domestication of livable conditions abiding by aborning stardom.
Harriet Tubman flowers on the bedside of ****** seances of 70’s Parisian cafes gerrymandered by hobohemias of herculean heft squaring account with encompassed brevity in byword dazes with ***** futures yet to court the cordial consensus in dodged drafts of fumiduct riots bailing upon New York Time for 44th street colored incineration of an orphaned Africa embodied in a totemic titan with reninjuble peerless majesty compromised by a frapplank in immodest incisive harpricks of fumbled swerves against the original proclamations anniversary to Boston Indians revolting against Manifest Destinies magnified in incidental clarity by bestowed churches fuming with rampant clairvoyance tamed by the grisly realism of intermittent thaumaturgy swaddled by the reconnaissance of eventual warps blistering in milliseconds to overturn the ultimate row that the mire always wades through in impoverished egestuous profligate convenience of hamstring declension against chary mettle in scruples by elementary riddles in precise junctures of sanctity the bodewash of slick partisan gibes of a puppet show vampire avenging Sarah Marshall. Harriet Tubman is an overblow of subniveal pickets of defensive clarity to immemorial churlish katzenjammer of a protracted flux capacitor dynamos in abolished feral groves of bohemian legend rather than ignoble rhapsody flirting with apartheid’s chosen engineers whittling an indelible scourge of hatred rather than a revived simian immunity scalded with potboilers of sveldtang water scorching like Helsinki after Stockholm goes up in conflagration over bonanza of wednongue dative duress in impregnated purpose skanky with ministered drivel of doytined attempts to flicker a switch exorcised by the integrity of neuroscience besides an intransigence of exuberant interruption of warped logics of pataphysical coarse arenas for submerged vapid Yellow Belly Pie Slingers aimed at 7/11.
Broadside bruisers aim at fracked 80s heyday like a Hey Bulldog reminiscence on a quaint suburban joke of alien freebooters in Franc Swiss gloss swanky on the spot of frapplanks endless in retired liturgy of surpassed peace amicable to truces among the pragmatica of checkerboard pastries willful in array backing sentinels from rearguard hindsight to flank the motatory missiles of target from ransom built like fortress of immutable graves lost to the celerity of the outpaced spectral wonder of teenage flights and hegiras into recessive parsecs enamored by a stage-fright of recocted astral wonders plasma to the ears of a strange foreign abode hospitable to most heaved alacrity sidewinding into effigy and the crumples of used demise recycled twice by intrinsic spirituel flocks of engulfed eagles spooning the pristine littoral waters of precision in nexility
Stayin’ Alive cackles resound in the hallowed furrows of a neat daydream in a scattershot imagination screaming to make myths sticky pigment rather than imbroglios of intaglio filibustering cohesive firm firmaments flexing with windfall at princely surprises cobbled from chocolate-box chariots of brisk elation shoveled by the conglomerate of prim-looking star-crossed unbuttoned snoozes with glamour in the corsair sojourn beyond the space emergent from stardust tinsel and glowered vindication of self-engineered huffs of vulpine vainglory touted as preeminent above dodgy 70s swerve in the vibrant kantikoys of covert tenure and flickers of swandamo glitterati borne of triumphant dimples on immaculate refraction.
Yet lingering on the precipice of aboriginal unity in disjointed sejungible frames of vernal restive residence decaying with anthill colonies of demarche the cadence lost to gyrovague trinkets balks from corridors of Pacific  Avenue peace that is the cardinal to the priests feasting on militias of rentgourge evicted from their own leash of lease ruffled in the plumage of horizontal margins folded into origami zenkidu gullible on Raptor estrangement chained to the rhythms of parsed sparse rumbles of the rhombos without a complexion intended for sparkled starlets doomed to regular tides in swollen tsunamis of soft-spoken surrealism the providence of aimed dreams of drastic marvels beloved to impregnate a verdant cadence latent by faltered seamstress elopes flickering for caress in the duress of finesse.
The quaint drawl of scrabbled runes of rumbled rumination streaks like a quivered acerbic winsome peacock jagged in the parlance of henpecked peak beyond the reach of the highest teacher that ever had the privilege of tutelaries spawned born to teach in Steppenwolf rhythms of rugged heavy metal impeachment yet ripe enough to preach. The last juggernaut is vile bereaved of yets to become the blemish on risky flambeaus overrun by crackles fuzzy in written retch for sudden bursts of volcanic speech.
In the quagmires of serrated heavy leaps I stroke the frazzle as the choir reaps the grim proclamation gilded by sentinels of majestic Challenger Deep burrowing tunnels of coltish ploy dilettante to all his curated adoration that toys with the children of majestic modesty ever so fractious as to balk at the priggish calumny of retinues of the tired coy rampant in emasculated spayed days of stranglehold filigree geometry bent on noisome bleats prone to annoy
So I leapfrog the redundant hackencrude fawn of gripping spectacles of alpenglow summits on acid at dawn foaming with betrothed pumice on borrowed past from potentiated future belonging once to a man yet always bred to prefer fairer damsels sprinkled with a hint of germane Soy saucy to the Bossy promenade to an Islander born and bred.
Guilt like Gravity gilded into spacious trailblazed glory sent seminal and said loudly bowdlerized the pasture of hidden thickets in sparse backwater chavish remanded by fisticuffs of elapse travail in artistry fundamental to rhapsody in distant milky affection jangling high plaudits of auditoriums of the delicate audit bulldozing fraudsters colored by defected records set ablaze in seminal disco becoming cordial homes for shaken residue blushing in crude crass mass the inertia of the classy beyond recognition without flashbang clashes of cultural class glimmering to faltered waterdrips of palatial mischief in correct lens for froward recalcitrance of jittery stash hidden in dacoitage by the police that knelt on incinerated livelihood predicated on chauvinist cash for departed untouchable caste of radical haste too blinkered for internet barnstorms limited only to lurid copy-and-paste regimented for revolution damaged by the loneliest orchestra of refineries of an alien taste.
We crack skulls against ossified hulls riveted weakly to iceberg submarine bulge battled in wars past always to suppress greater travesty yet divulged that Barbarosa was an insider coup expunged by remonstrance against finicky postulate brayed from deranged heirs to a disease of relish quartered by blue danger dancing with shadowed emancipation librettos finkly in tripwire terms of routed inefficacy killjoy to seanced second guess prisms of rootless flimsy accusation wagered by pathetic overstatement in hypenstance trimmed by the crimson paint of a glowering silk woven from dramaturgy belittled by grasp if not by locomotive passerby pause wicked by subversion inclined not to dismay by oriented by nefarious rage of flagrant hapless scrimshanks in prowess sued by process and refined by progress never erased by a five-second glower by the sentinels of parlance intrepid by desiccation to supervised superstition bemused by abundant gray twists of turnverein pillory.

I read with passing interest
The death of the
Field Marshal’s son--
Manfred Rommel--
Gone at 84.
His father—The Field Marshal,
Had been given a choice:
Commit suicide or
Face a rigged trial
Charged with conspiring to ****
******.
If he chose the trial, they said,
They could not promise
That his family would be
SAFE.
The father,
Der Feldmarschall,
Bit into a cyanide pill
And died quickly.
It was Oct. 14, 1944.

Thanks to the sacrifice,
Manfred got to grow up to be
A three-term mayor of Stuttgart,
Where Daimler-Benz makes cars.
Manfred Rommel:
A postwar liberal Deutschland voice,
Supporting immigrants and Jews.
At 84,
Deader than
A dreadnaught.

Makes you wonder?
A fate worst--wurst--
Something worse than
Death?
Really the moment of truth
For any honorable man,
Self-defined by nature,
Molded by nurture.
Family:
The fountain & source
The tribe you belong to.
Family:  everything you are
When you get right down to
Where one’s loyalties
Supposedly lie.

Of course, you opt for suicide.
Wouldn’t anyone?
We are born into a net.
We must bravely defend the network.
Facing insurmountable odds,
Our duty is to hold on
Without hope, without rescue,
Like that Roman centurion
Whose bones,
Later excavated at that front door in Pompeii,
Steadfast & true,
That Roman soldier--
Vesuvius exploding,
A hard rain falling down upon him--
Died at his post because
They forgot to relieve him.
That is duty.
That is greatness.
That is thoroughbred pedigree.
An honorable end:
The one thing that
Cannot be taken from a man.
Unless, of course,
The times they are Orwellian,
And once again,
This time with feeling:
*“Do it to Julia.
Do it to Julia!”

Lawmen oversee the old day's hanging's,
Exit signs designed only for those who wear worn out tennis shoes,
Conquered,
Overcrowding as if only cattle can fit through!!!!

No salt nor pepper to design creation meals of home,
Fall is near,
Plumbings far to clogged,
Days passeth night,
As night begins to freight!!!

Wolves on the outside trade fur's with ferrel dogs!!!

Clenching of teeth siren off as oven's they bake,
They brew,
Country town folk with rod and ungodly staff they overtaketh and rule!!!!

Crises of all temptation,
Bleeders to readers,
****** deviants get out to put down their own indignations!!!

Desire all thou wilt,
Desiree's,
Empathies,
Chalkers, scoffers , doctors of deaths pill!!!

Read on,
Read on uneducated pillar,
For thy hooks art thy scrolls,
Thy eyeglasses maketh thou gnomes of such readings to bring thou thrillers!!!!!!

Fragrant destiny resistant to all microbial force,
Accusation's humbling,

Sovereignty is a mystery to us mortals!!!!

Dragon's slayed to stature founder's ditches of war dug out of centurion portals,
Wreaking architecture drawn out of mapped whirlpools lies,
Some groweth deathly,
Sweet talkers are refusing to trust their own worried minds!!!!

Black coated tuxedoed hosts delighting their own escapes,
Some window's stay open,
Some stay closed in the fortress,
This inescapable place!!!!!!

Tis,
This human landfill,
Dump,
Waste!!!!

i sometimes wish i could age to be old and modestly rich, and see my own face in the girls i might care to swoop under my monetary belt in order to see rejection’s expression (pst! articles aren’t used when a meaning is duo possessive / either what you expect or what you don’t expect doesn’t matter) of my youth... a woman’s ***-drive gives her ample time to live longer than man.*

it’s a ****** da vinci...
it’s so good
the only thing you
can do to it is.. graffiti it!
so you quote heath ledger
on the mona lisa:
'now i'm always smiling!'
he stole the fiction, heath ledger did,
he stole the fictive character
and committed suicide
because of it... heavy toll i say...
i sometimes wish more actors
took the character off the page
and into hades, as a way
to execute the relation of having
a father extinguished... that's classic that is.
me? *****? i think i got the
actor's part of christ... i.e. the antichrist...
and my crucifixion scene is in a sickbed...
and lasts too long like Tolstoy's war & peace
that no one reads...
and i sometimes get a sponge soaked with
wine given to me by a centurion,
or as i like to call it... some writing time
from the excesses of perspiration
doing the easiest of household activities
with the energy of someone aged 80;
no seriously, heath ledger stole the joker
from the realm of fiction and made it a reality
when hades dully acknowledged these
words to ring true:
telegram from the mediator of yhwh... heath ledger
is the joker... hades didn't reply and merely
gleed with awe like freshly oiled wooden flooring,
although a few dimples appeared on his face.

Who made the hawk so sad
in winter sky , etching it's loneliness
to my wandering eye ,
Noble upon the tallest elm
Steeped in curiosity , crying tales
of Cherokee , of Muscogee , of hunter
and warring party*

*What hand did color the Georgia dusk ,
with lavender blue oils and orange sunshine
traipsing centurion forest
With waterbirds following the lantern of
God home , through arable pastures , o'er granite domes

Nutmeg firma , fractured window abstractions -
of quivering pools , of desire abating thirst
Life giver , abundant wavering ripples finding -
grassy shore , tinseled in gold , copper , bronze -
precious metals , beads of sweat traveling rippled flesh , every -
desperate breath filling life's circuitry till its
conclusive end
Foot trails laced in dandelion , purple wire ,
terra-cotta stone , marble and granite
The birth of monuments riddled o'er the fescue -
expression , Bluebird followers , curt winged
purveyors of decay , August clod bank rows , barbed -
wire orderly plats , distant wavers of unrelenting sun-glow facing -welcome centurion lodges