Since thy first lady declare,
that we wageth war,,
and against obesity dare,
I will hunt the fat kid,
tho he affrights me,
the first lady did knight me,
and I succeeded in the grail,
and blood marked that trail,
but popcorn spilled from his pale,
giving my hounds the scent,
downhill like a wounded lazy dear he went,
The Behemoth,
who esteemeth my sword as straw,
to sip chocolate milk,
with burps defying Queen's law.
DAGGER against my spear of poplar
is ice-cream sandwich in hand of globular,
AND THAT SANDWICH DAGGER SHALL NOT REACH FAR
BEFORE MY SPEAR UNLEASHES HIS DYING ****.
but I must admit,
I fear the headlock in his sweaty pits,
I must keep a spears distance,
away from his buttery mits,
he has vanguished many knights into that hellish abyss,

My first lady biddeth,
I will not delay, I will not tarry,
to slay the fat kid,
and hire 12 commoners to carry.

2 condemned males serving life sentences in top-security prison inmates separated by wall and steel cell bars

INMATE 1 (burps loud coarse voice) i have this fantasy of being a hunted outlaw taking my 3 guns and ******* Ford truck driving north south east west robbing convenience stores bars banks people sharp-shooting car thieving running until my time is up like the old west firing pistols wearing a Stetson hat drunk smart-*** talking hanging with ***** bar girls forget about eating just burning a trail (holds metal reflective scrap in hand attempting to catch glimpses of inmate 2)

INMATE 2 (sits cross-legged on floor with palms up resting on knees) too many people are hurting and getting killed right now i imagine if there is a god i’ll bet he or she or it feels weary disappointed disgusted by human kind’s destructive nature

INMATE 1 so what

INMATE 2 i don’t know about you but i miss women their point of view play friendship tenderness nurturing intimacy physical beauty i long for love belonging a woman’s touch her attendance passion the hinge of her thighs licking ******* ****** crave its warm wetness taste smell texture even tongue dipping into **** in a way i’m a total gynephiliac or philogynist

INMATE 1 filojinist huh what are you a professor you ***** son-of-a ***** where did you learn to talk like that tell me professor ever **** on a perfect *****

INMATE 2 most women have some desirability i’ve known many but yeah there was one in particular i remember she was a beaut bulging pelvic bone cute floppy lips eager **** tangy gamey sweet salty flavor just the right amount of furriness lust response flow she’d reach for my ******* and i’d just keep working her getting her hotter taste her ***** taste her *** i was addicted to that woman’s ****** even though she treated me like trash perhaps it was simply an oral fixation or some subliminal need i don’t know our relationship lasted way longer then it should have guess i was kind of drunk on her downstairs

INMATE 1 i never was much of a cooch muncher (flexes arm muscles opens tightens fist) women are cows they give off too many odors plus they always want mommy control no matter how much or what you give them they always want more

INMATE 2 you don’t get it do you the connection between the moon oceans great mother earth fragrance of dirt aroma of rain female beauty you’re a misogynist gynophobe possibly misanthrope

INMATE 1 you use too many big words ******* i hear some women is like how you described yourself some women gets drunk on johnson and nuts

INMATE 2 what are you talking about

INMATE 1 i want to get hooked up with a ***** like that a ***** who’ll lick and **** my johnson and nuts all day long (hand goes to crotch squeezes)

INMATE 2 yes me too maybe we ought to ask ourselves why escapism into ****** fantasy and release is so profoundly vital to our existences

INMATE 1 what

INMATE 2 life sentence means no motive for rehabilitation no hope for redemption how much money does it cost to maintain each prisoner who pays the bills why keep us alive does society honestly believe we pace our confines haunted in regret yearning for inner salvation

INMATE 1 you think they should **** us

INMATE 2 i question the entire punitive system did you ever read Michel Foucault’s Punishment and Discipline the beginning will make you squirm or Franz  Kafka’s In The Penal Colony that horrific carving apparatus

INMATE 1 uuhhh what the **** are you talking about

INMATE 2 i don’t know i don’t understand why i’m locked up in here

INMATE 1 (runs fingers through hair) what crimes did they convict you of

INMATE 2 i tried killing myself so many times they put me on death row i should be free to roam or at worst case scenario sedated in an insane asylum instead they accused me of being a danger to myself and society they said i could injure other people while attempting to destroy myself i drove off a 6-story garage ledge onto a public street below

INMATE 1 is that why you’re in here you silly *** ***** driving off a 6-story garage ledge onto a public street below ain’t no crime hell just reckless driving

INMATE 2 the courts are ******* up judges think they’re celebrities silver-tongued thieving lawyers twist the truth the whole system is corrupted by bribes cover-ups secret deals concealed schemes personal gain collusion fear

INMATE 1 as for me i tortured ***** killed lots of people men women children you want to hear some tantalizing details like the time i ***** killed a mother and her 2 young daughters cut out their warm hearts and ate

INMATE 2 (interrupts) stop you sick animal please stop

INMATE 1 yeah you got a problem with that

INMATE 2 i couldn’t live with myself doing what you did i get skittish at the sight of blood

INMATE 1 you pathetic lightweight i want to stick my johnson up your tight hairy *** so bad (sniffs finger) i want to hear you squeal like a little girl

INMATE 2 sorry to disappoint you but i’ve got hemorrhoids

INMATE 1 French ticklers hell they just make ******* a more interesting sensation

INMATE 2 this is the rudest most repulsive conversation

INMATE 1 what you think you’re better than me just because you’re educated (finger picks nose flicks ****** at wall speckled with many ****** flicks)

INMATE 2 i didn’t say that perhaps morally more reserved why did you torture **** **** people

INMATE 1 it was fun made me feel powerful having control over another person’s existence hey i didn’t ask to be born blame it on my mom people are so ******* up life is a joke i was just trying to help rid the world of all its vermin

INMATE 2 there was a time when i would have considered you psychopathic but in this chaotic shifting flipped out world where reality mirrors fiction and when civilization is insanely vicious fraught with violence guns firing fires exploding extremism prevails criminals scoundrels lunatics govern gang lords rule the streets your murderous vices may serve as grounds for exoneration provided you conduct yourself intelligently you may qualify yourself as an ordinary survivor or possibly even reputable citizen

INMATE 1 what? you’re reasoning i’m normal maybe innocent you’re my main man tell me why you want to destroy yourself so bad

INMATE 2 i think human kind is a curse we annihilate everything and don’t seem to learn change instead we get worse our busy selfishness is a betrayal against earth all the creatures a betrayal against god as a kid the betrayal i felt i knew i could not reveal because it would be a deeper betrayal the neglect and punishment i endured i knew i could not make known because it would only add to the betrayal the rage i felt listening to lies i knew i could not challenge a million lies i did not know how to confront the frustration i now suffer pains me as long as i can remember in my mind i’ve always felt like a prisoner alone in a room no one is coming this twisted despair inside the body of person with suicidal tendencies found guilty sentenced to life incarceration in maximum-security prison doesn’t that sound like a double conviction

INMATE 1 wow interesting ok professor you’re putting me to sleep chat with you later

INMATE 2 you really ought to learn yoga

INMATE 1 voga? what’s that for

INMATE 2 an inner journey a light when other lights go out a way to stay grounded when gravity fails

INMATE 1 sounds like just another jail cell

A scuba diver, head first like a dolphin,
goes in to the ocean, 100 feet down
in semi-darkness finds this apparition
something beautiful to behold in motion,
really really big and mysterious it appears
gliding gracefully spewing wonderment,
inviting reverence from all kinds of marine life

Clearly apologetic, for being out of place,
though he has encroached, in to a world
though not far from the sea surface,
yet in a depth where human has no place
all his scientific temper got  evaporated
a simple villager now, gripped by wonder.

All he could think of anyone
fitting in to such magnificence
was God Almighty,himself.
"How do you do God?" he stutters,
aware that in plankton filled darkness
the mighty man is at the mercy of
the behemoth, looming large above.

The phenomenon in question,
"***** whale"as we know him,
smiles and burps happily "Fantastic"
then he dives 6000 feet down, looking
for a colossal squid, succulent to be sure
the whole reason for him to play God
at this depth for sea creatures that lose
bearing in the haze of challenging depths.

an average American
in a slept-in crumpled suit
stuffs today’s unread news
into holes in his shoes,
burps the taste of greasy chicken soup
sliding stale mission bread
down his gullet
regards two smelly
rag-tag ****** hobos
lapping the same charity meal
and realizes sadly,
the Bolsheviks may be right.

doug curry
may 4, 2012

i could tell you how certain stations on the London underground
smell, but i can't capture you this smell...
a bit like in that film Perfume: scents are lost over time,
with regards to places -
                            unlike the eternal pine forest...
or the zest of lemon...
                                         those are universal scents...
one could and humanity has: created a synthetic answer
and copied these scents... made synthetic tastes
a whole chemistry of a posteriori scents and tastes...
Kant and chemistry are a perfect combination...
given the classical schematic:

analytical                         analytical
a priori                             a posteriori
apples grow on               tomatoes:
trees and                          categorised as fruits          
carrots grow                    yet used as vegetables
in the earth                      the analysis being
since apples                     even though they grow
are a fruit                         on something: trees,
while carrots                    bushes, vines...
are a root vegetable,       analysis has found that
ergo?                                 they are better treated
all vegetables                   as vegetables rather than
grow in the earth            fruits, since one rarely cooks
while all fruits                 savoury meals with fruit
grow on trees                  yet the tomato is used
or shrubs                         plentifully in savoury cooking


synthetic                          synthetic
a priori                           a posteriori
■, ▲                                   in light of the given examples
(geometry)                        in the realm of the analytical
and the propositions       a priori: that fruits grow on
that come with                 trees or bushes
them:                                  there's the pineapple
e.g. c² = a² + b²                   anomaly:
or physics:                         pineapples grow on the ground
e = mc²                                (in the ground) like cabbage-heads
                                            grow in much the same fashion...

i always struggle with the a posteriori conceptualization...
in the original i wrote as can be seen above...
are tomatoes the byproduct of
analytical a posteriori knowledge?
i.e. they are fruits that are used as vegetables (used,
hell, even treated as such)... because you will not find
a tomato desert as such...
the classification of a tomato as a fruit:
given how it grows... would also invoke the cucumber
to be treated as a vegetable:
vegetables are not as juicy as fruits...
the flesh of the fruit is usually softer and certainly
more juicy... while the flesh of the vegetable
is more bulky and requires cooking and salt
to extract the juices oh a higher carbohydrate
concentrate of the fibrous nature...

pineapples... a fruit that grows like a vegetable
in the earth...
i like this "confusion" in my head...
i'm not going to clarify it...
            i leave this curiosity in my writing on purpose...
analytical a posteriori facts:
well... first having categorised the tomato as a fruit:
upon analysis... true: the tomato behaves like
a fruit... but upon analysis: after the fact:
it is better used as a vegetable...

         and the synthetic a posteriori truth about
the pineapple? then again: i know where i might be going wrong...
isn't synthetic a posteriori knowledge possible?
it's not as simple as the pineapple example
based on: fruits grow on trees while vegetables grow in
the earth... i can only find questions
on the possibility of synthetic a priori knowledge...
ergo? of course synthetic a posteriori knowledge
is possible...
    it's ingrained in chemistry...
what does synthetic a posteriori knowledge look like?

a chemist tastes a lemon... and he tries to replicate
the taste of lemon using chemicals...
he breaks down the chemistry of the lemon...
and? with due course... replicates the taste of lemon
without actually using a lemon!
he breaks the lemon to the basic components
of citric acids and whatever else is needed to replicate
the taste of lemon and grind it into a powder:
chemistry is synthetic a posteriori knowledge...
isn't it?

the examples i cited with the pineapples:
it doesn't matter that the pineapple behaves like
a vegetable when it grows...
apart from that sick idea of a Hawaiian pizza toppings...
pineapple? ham?! you what?!
that's not synthetic a posteriori knowledge:
that's just a ******* whim of bad-taste...
there's no actual synthesis of the pineapple growing
as a vegetable and the "ingenuity" of treating
it like a bad idea for a pizza topping...
the tomato: however... is a pristine example
of analytical a posteriori knowledge:
sure... it's categorised as a vegetable...
because of the way it grows... compared to actual vegetables:
but? you wouldn't allow the tomato
to be bitten into like an apple... you wouldn't bake
a tomato cake as you might bake a banana cake...
the analysis concludes: our knowledge of fruits is this...
and we have this vegetable: the tomato
that's a fruit... but it would be better suited
in being used like a vegetable...

synthetic a posteriori does exist... it just doesn't apply
to pineapples for the simply reason that they
grow like vegetables... they're still going to be fruits...
synthetic a posteriori knowledge is chemistry...
it has to exist because a pineapple is
not a synthetic a priori "idea" of TASTE let alone
virtue or however Kant framed it...

ugh... my first day back at Craven Cottage...
little ****** steward: i hate these hierarchies...
it's a petty army of high-viz. jackets...
   i wasn't the supervisor but i had some colts under
my "supervision"... i tried to smooth things over:
i did... in the end i wanted to see Fulham play
Liverpool... i spread the word around:
this is *******... they should have put us inside
the stadium...
   but... the weather was the loveliest and the Thames
was tide-out... two seagulls arguing...
in the shade: this part of London is truly mesmerising...
i love the smell of the Thames with the tide out...
in the shade under these mammoth-esque splendours
of foliage...
hell... i even managed to spot my first KONIK
(little horse)... that's slang for... those ******* that buy
tickets at the regular price... then hang around the stadium
and try to push the tickets at a hyper-inflated price...
the ****** was selling the tickets for £250 for two!
and this was after the first half finished!
i told one of the guys with a radio:
call this in...
                          i had to repeat myself about 3 times
before the management agreed to my concern...
they sent two spare police officers to the person in question...
he almost sold those ******* tickets...
one minute i see him pretend to tie his shoelaces
(he wasn't pretending) - his black cap
disappearing under the bushes... next minute:
wh'ah where?! ****** did a runner...
so he wasn't tying his shoelaces "on a whim":
he was about to do a runner...

                  that's ******* exploitation...
that's like: stealing... capitalism at its worst...
the ingenuity of crime: oh... but it's innocent crime...
it's i buy something for £30 but...
i'll sell it for you for £250...
                             now... it's not antiques! it's not a *******
van Gogh painting that has been lying around
for quite some time... gaining a repertoire and a reputation
as something good, worthwhile:
it's a ******* football match ticket!
hyper-inflation like under the Weimar Republic...
money good as "gold": "gold" as in winter fuel,
timber the new platinum!

after all: there was no real synthetic a priori knowledge:
chemistry is hardly a question of appearance,
water is clear, but so is hydrochloric acid...
what else is clear? sodium hydroxide...
                 chemistry was born from synthetic a posteriori
knowledge...
how many chemical experiments came as a surprise
a sort of anti-Eureka of synthetic a priori knowledge?
champagne springs to mind... lysergic acid comes
to mind: no one was actually trying to find these things...
e.g. they did not come about through analytical
a posteriori knowledge: they arose from
a dimension of the synthetic a posteriori knowledge:
by chance: by accident...

sure... i might be doing a ******-low-skill job right
now: and it is... i'll admit...
it's super **** sometimes:
most of the time my coworkers are either
over-bearing ego-maniacs fixated on hierarchy,
or they're lazy Somali youths...
or just plain-sighted Nimrods...
i sometimes leave my mind to wander...
that when i get the jerks in the feet like
i'm about to fall over... like for bearskin hatted
soldiers on parade...
but i leave my mind to wander:
it's not an insult if it's true...
                  no: when i was a roofer and fiddling
with inanimate things there was more focus
on the work to be done... dealing with people
is a crass differentiation from perfecting how an inanimate
ought to behave under your hands...
to turn a roll of felt into a water-insulated roof
with a roll of fleece and enough tar...
people are different: i'm sort of studying people...
gearing myself to hover in on children in schools...

if Leibniz preferred the profession of librarian
and a private intellectual life of par excellence...
i wouldn't think twice about becoming a primary school
teacher than being a secondary school
teacher of chemistry...
**** me: if drag queen hour is about to be imported
from America: i best (better) step in...
i just imagine: well... unlike a barren woman...
who has no children...
who goes into a profession akin to primary school
teaching... but then i'd arrive...
i know the obvious stereotype to battle:
PEDOHPILE! ha ha...
           Ava Lauren: just my type... plump...
full-bodied... probably the age of my mum by now...
that's my type...
i need something rounded of:
a 5.9 = a 6... just an example...
                
             but i let my mind wander... when roofing
you couldn't leave your mind to wonder...
i could... tell you of the specific scents in certain
underground stations... Baker Street? is that the one
with the Victorian arches, a station under the bridge?
i don't remember...
Putney Bridge is a beautiful station...
but today i took the route:
Romford via train... got off at Stratford... waited for a minute
for the central line...
(i love meditating on the topic of tubes maps...
there are only two important lines
in London... why? based on how many times
they intersect... the Central Line and the Piccadilly
Line... they only intersect at Holborn)...
travelled to Holborn... not sitting...
at each carriage there are these half-seats...
you're leaning back... standing-sitting...
i felt so relaxed... i gave way to the momentum
of the tube...
i was moving backwards and forwards...
head nodding... shoulders doing the mr. plastic-fantastic...
i almost tried to remember the remaining
tension in my body... the grip i had on a bottle
of water and a packet of tortilla wraps...
the rest of me was: freed...

when it comes to scents... that's one thing:
everyone knows it's a stupid idea to change tube
lines at Bank... why? well... Bank it connected
to Monument...
it's a city within a city: a London 2.0... oh oh:
yes it ******* is... never change at Bank...
anyway... as i was relaxing having closed my eyes...
i can tell you where the best sounds of
machinery exist in London?
between Liverpool St. - Bank - and Chancery Lane...
mind you... i cycle the route from time to time...
what's above? is not, what's above...
compared to cycling... this route is like:
watching the original Dune movie...
i'm strapped to a ******* earthworm...
or: being digested by one while listening to
the clag glug and clamour iron biting iron...
i sometimes do the "twirl" of the tube above
ground... just after Aldgate...
i head towards Brick Lane... toward Liverpool St.
prior to reaching Bank St.:

all the Piccadilly Stations between Holborn and
Earl's Court have this sickly sweet stench
about them... it's sickly sweet... it's: sickly sweet...

i remember back in St. Augustine's we had one
female primary school teacher...
some ****** proverb speaks the words:
woe unto you for having to care for the children
of others...
while i'm thinking: that would be a worthwhile challenge...
i don't want any of my own:
the fear of ******* them up more than
i was ****** up wears me down...
at least with the genes of strangers
i can send in an auxiliary covert party of my psyche...
who would i send in? the usual suspects...
Kant, Heidegger, Newton, Ezra Pound...
oh... the list is pretty long...

most probably Rumi hanging around with
Zhuangzi... Ovid and Horace...
ooh... terrible idea to start drinking whiskey
after binge-eating a watermelon...
the burps i'm getting back:
******* postcards from Uan Muhuggiag (Libya)...
i'm seeing camels double the number of their humps!
not good... absolutely no good

burp... ooh... this watermelon will not go down
so good... while i worry about *******
myself come tomorrow morning...
unlike the Red Hot Chilly Peppers singing
the fames of California:
what do i have? i have the countryside of Essex
and the incursions in the concrete staccato
of London... i can mediate this...

              burp: well... at least it's whiskey mingling
with the juices of a watermelon...
i much prefer that to the half-digested acidic
meat of any sort...
                 that's healthy burping and healthy farting
for your...
hmm... investing in children... that's an idea...
i once remarked to a boy in a supermarket:
you know... how a while i thought animals
were incapable of seeing 3D objects
in a 2D canvas: i.e. why wouldn't animals
watch television with men?
today i had a "Fred" pester me for a bite
of my tortilla roll...
i would have given it to him freely:
i wasn't that hungry...
   so i asked his owner: so... what's his diet like?
oh... Fred has had pretty stomach upsets...
he spent the past three days eating mulberries
from a tree...
ooh! i love mulberries: who couldn't be more upset?
the dog or the mulberries?
ugh: these kind of people:
that have their dogs on a ******* vegan diet...
hey! Fred! bite into this tortilla wrap!
i have learned that the food man eats
if also eaten by a dog tastes better:
after it was eaten by man!

o.k., fair enough Fred... you have an owner that
deserves having you: but no children...
i'd put you in the same category as a child...
children, dogs, cats...
things that might stir in man the unusual:
certainly not Darwinistic / genetic investment
that might reduce a man's hormonal balance...
mate... you look at me that dumb-***** eyed way
one more time... let me pat you on the head
like i have... you're coming with me to the land
of eternal tortillas wrapping around chicken
and bacon: there's no "yes" as there's no "no"...

but that's London for you...
            and that's also Essex for you...
i spent an entire day in London?
where did i find those cheap-*** beauties of womanhood?
i didn't find them in London:
i had to travel back to Romford to find...
i sat down to eat a snack bucket in a chicken shop:
three spicy wings, some chips...
mayonnaise and some chilly sauce...
a 7up... £3.50... i enjoyed the meal
and thought about: nothing...
nothing is usually hard to "think" about...
you get into geometry: to prolong your time at pretending
to look "cool"... when eating alone...

i hopped on the bus... watched two hunchbacks
of an elderly couple "manage" their way own:
what cruel fate... the extension of mortality
via science... may i never see myself
that old... reduced to being the child of Atlas...
no... i don't care for the sensibility of secularism
and science...
old age transcends both of these:
it's the reality of old age...
prolonged old age is best renowned
and celebrated by lizards: turtles most in fact...
mammals look weird...
mammals look weird when their life is prolonged:
unnaturally: via the basis of science!

start giving out re-prescriptions to people
with a a faith in science but no hope in hope...
start selling them hopes of eternity...
this materialistic "eternal life": is drawing us closer
to no closure...
there comes a life: there coms a death of said life...
it's not fair to pretend that the inevitiable
is "not" going to happen: it will...
the tyranny of old age...
                  by the standards of the Benelux:
i'm more than willing to bow out...

who knows! i am not willing to simply live
for the awkward presence of strangers
on a basis of anomalies and non-intrusions
of some freaked-up formalities...
to hell with that: i have no evolutionary-existential
plight of  "conscience" that might make me suppose:
on racial grounds: that the human "effort"
will disappear: outright: completely:
sure... chances are... humanity will be governed
by more people willing to ***** cities of death via
the pyramid... people engage in the magic carpet
flights of Islam and pseudo-Islam from regions
akin to Somalia and Bangladesh:
my problem? i can't live forever! can i?

et scriptum est...
i like being toyed around as being the idiot...
it helps me grow...
and it was so written...
                ergo? ut necesse sit!
(and so it must be)
  ha ha! ah ha ha h ha ha!
vulnus ferrum:
                  sanguis respiratio
scratch of iron:
breathing blood!
            
mortuus est mori: the dead must die!
vivos debet mori /
vivos non sunt exceptio!

i work among people that make my intellect:
CLOWN!
   i entertain them... i must...
but their intellect is about as much:
grappling as... i don't know what!
i'm out of metaphors and aphorisms...

                        intelligence is discouraged when it comes
to a working environment...
           i'm like Leibniz... i'm unlike Newton...
my ambitions a "cowering" in a personal enterprise...
i like the individualism of m own enterprise:
i don't hope to solve or save the problems of
a common man... nope!
                
last time i heard? the train has arrived:
i also heard: the train is leaving...
well... i'm i geared up:
what do i care for the famines in Ethiopia?!
i don't care for claiming responsibilities for
people who don't take responsibilities for
themselves!
starve?! **** it... why not?"
oh right... one of the Somali types?!
pretend it's work by hiding behind the bushes?!
ergo? behind the bushes i pretend to shower you
with free bread and pork? don't like pork?
eat dirt instead!

i'm done: free-loaders: i'm done with them...
i'm so ******* with these Somalis that you can't even begin to comprehend!

Boys are weird!
Us girls will never understand them.
They scuff their knees up and walk out the house with tousled hair,
Can they ever think before they do?
They swing, climb, run, and jump on everything!
Just stay still.
Boys will be boys,
With dirt on their faces and cuts on their fingers.
They stick gum in girl's hair,
Carry slimy frogs in their pockets.
Their appetite is atrocious,
Are they gentlemen deep down?
Boy's language is all washed up,
They'll call you hot instead of beautiful.
They're full of burps and hung up on videogames,
Wrestling in the house every second.
Do they have a nice side?
Dads will keep a good eye on them,
Making sure they're good for their daughters.
Boys never stay like this,
They grow up to eventually become a *man.

when the sweethearts left,
we took off our token smiles
and overly-kind eyes.

my roommate grabbed a beer,
quickly ****** it off,
i put on "beat connection" by lcd,
and the derailment of the night
began with some synth and burps.

i made a *** of coffee,
went outside,
the neighbors were having a party,
making a stew,
grilling chicken,
drinking,
drinking,
drinking,
and exhaling enough smoke to signal the natives.

"are you drinkin' coffee muthafucka?"

"hi, i'm josh, and yes."

"the name's chase."

"nice to meet you." *******.

before i knew it chase, our neighbors,
and about three people i didn't know
were in my apartment.

chase looked at a picture of lennon in
our living room.
asked me my favorite beatles album.

"probably sgt.peppers."

"you like that gay ****?"

"if that's gay ****, yes i like gay ****."

he grunted with rednecker royalty.

"the white album is probably my second favorite,"
i offered.

"man, the white album is the ****.
there is nothing else."

someone said they had some fire, if anyone was interested.
everyone was.

there was a dark-skinned boy, with snow white teeth and a fake afro, rapping as i clumsily played an acoustic.
there was a 26-year-old ***** and his 43-year-old wife
smoking a bowl in my bedroom,
there was my roommate vomiting on the carpet,
there was everyone
and
there was
me.
there was everyone
and
there was
me.

Specialism, electro mechanical circuits,

moving parts yet move, you see, but when we read we bring our senses
inside
privacy can become a public mind, if one is connected, in a giving way,
taking thought,
as the original medium we found message in,
thought takes form
in words,
words take form in things. Right. Check.

Blake feared the objective world was being walled in,
and all the people screamed, amen.
Again

Build the wall, from icons demoted to mites of no more
weight than a tinker's think,
phe-nomenal noment-ation, if we may

Hot and cool both bubbled up as burps, perhaps from the babes
booming through the lies told before the great war.

No future? You allow that thought in your culture?
And shame and blame?
No wonder you choose to lie.

Bear with me a while, share my load, it's light.
There is a hopeful object,
we can go easy into that good night,
the world is round.

Free from Ra and Isis and all, in one fell sweep of the besom.
Broom, besom, means broom, but the effect of an e,

e-lectrix

you give us the fire we'll give em hell  a game ad in the middle of the massage
Call of duty, black ops.
they
You use you eyes to see, it's a with-spiracy,

a hair of the dog that bit you. Eh?
live in bonanza land, 1965.

and so it goes, Dresden, every minute of every day

the walls of your home are coming down,

unless you were born with a cell phone in your father's pocket.

Privacy is calling for walls from the fenced in time after Bonanza.

Ah, too late, ours is an all new world of all at onceness, a global village, happening simultaneous.
extreme with everybody else's business, huge in
volvement in every body's business

we know too much to be strangers
walls fall down, not go up,
the wallbuilding never workded, did it Grandpa?

Nineteenth century student could believe
the factory system
would use the knowledge, hard-won
from books and chalkboards,
to keep him outa the mine.

Now, the information age,

are we the leisure class? Ever learning,
never knowing everything,

but knowing walls and wars do not perform as advertised.

The safety car, that was one with seat belts, 1965.
Our body percept, it changes,
this image of which you are un
aware.

The disconnected minded man, alienated
artist living edgewise to
cattywompus.

My life is my art, eh, not the other way.
Global village information age McLuhan named these things
from Canada.
More expert than my teacher,
Pop art is not a pun, it was a bubble,
that's a fact. The-joke-with-no-story-line-conundrums,
elephant jokes, blonde jokes

Those tests, Turing would approve,
any old A.I. can play chess,
just remember every response to every move ever made in any game in the system,
like the amygdala, your lizard thought-speed brain,
at the top of your spine.

But humans can make funny seem.

Humor comes from a world of un happiness and gripes,
Jose Jimenez was the example they made. Racist, right?
The guy was a jew.
William Szathmary, Googled it.

From <https://en.wikipedia.org/wiki/Bill_Dana>

Communicating with the logo-label-designer you wear,
messaging the world what? Exactly,
any un thought thought goes unsaid,

but T-shirts and body art, henna's the best,
those send a message with no thought whatsoever.
Same as Redcoats in bearskin hats, what's being said,
same as the judge with a wig?

What is the role?
Why the ongoing act?
It must have changed into that wigged judge from something.

Theater of everywhere, accept allatonce, or die asking y not.

Inward directed seeking
deep meaning
a role that changes

some outside
the future of the future started, a while back. not too far.

No inevitability.
An act of high poetry

envisioning,
the future was friendly

metaphysical value, brilliant, incomprehensible
a man, a thinker,
storytellers the experts say,
need some mud behind 'em. and some snow.

a mother never satisfied with her life,
brittley self confident,

the whole approach to knowing is old.
Diogenes's search for a good poem, with
shifting levels of imagery,
never shall you know,

they work
the way a word works,
the effect.
effect. fect from Latin facere,
sistere mechanically deus
The oracle of the information age
Ah,whatvoiceisheardaroundtheworld,
oh,mine.2018 Mr. McLuhan,
you'd likely lighten up a little.
Toejammspredder was mcluhan I heard on the grapevine.

Hey, mom, I'm on TV.
Up to doctrine, then destination syndrome a hopebubble

He had brain surgery and returned to Catholicism, a safe place.
But he left his vision to television's offspring.
That's about all I know of his work.

In fourth grade I got a handwritten paper back from the teacher.
All my lowercase letter b’s were perfectly circled in red ink.
I think that’s what made me allergic to fire ants and yellow jackets.

I used to work at a breakfast restaurant and I smiled a lot.
I brought him his omelet and he told me it was as big as a body *****.
It was nice that I got to ask strangers for their first names.

I donate blood every fifty-six days on the dot because I like the questions
about prostitutes, and the ****** Butters, the rubber bands and the iodine swabs.
I am O positive and I feel regeneration as the bag fills up.

I wore black in Valencia and I could feel the gray matter pulsing in my brain.
I danced with the balcony girl in the bathrobe and I watched the whole city burning.
He always offered me the same breakfast, a warm glass of milk and a cigarette.

I slept on salty bark in Big Sur and we drove fast over Bixby Bridge.
I couldn’t get my head far enough out of the window in the backseat.
I smelled so human and breathed in the waste of the redwood beasts.

I came across an old barn with an old truck parked permanently behind it.
The bed was piled high with bundles of dried lavender harvested before I was born.
I grabbed scratchy handfuls and rubbed the brittle stalks on my arms and neck.

I stood in the cathedral so I could feel the weight of each broken back.  
The forest sculptors and lamb carvers believed in what they could not see.
Light pours in through the stained glass window and I feel the colors in my bones.

Gravity isn’t a factor when a jellyfish plague leaves
a layer of purple gelatinous mass on the beach.
The hills unzip their jackets into the ocean waves,
feeling the cool breeze on their uppermost ridges.
Rocks are painted from within
demonstrating all the colors of the turkey tail.
There are spirits around me,
watching from the pine trees and rippling the water when they wink.
The explosion of the dawn wood pigeons
startles the leaves awake.
I was there when the lightning made this river,
filling it with life and movement.
I can see your shadow from behind the aspen grove,
tunneling the light towards the chalk cliffs.
The ground is shaking from the thunder core of my fiery center,
I take shelter under the strongest branches.
I wrap a blanket of constellations around my shoulders
and count the times the bullfrog burps.

“I can never remember if the Earth goes around the moon
or if the Sun goes around the Earth.”
‘That’s alright, I can never remember if the tides are pulled on strings by fish
or by machines under the marsh.”

Then there are these blue dreams of mine, underwater in a car with one door open.
My ears are popped and I can’t get them unpopped, even if I chew bubblegum.
So I put my thumb and index finger on either side of my nose and blow.

The guy sitting behind me
opened up a tupperware,
brought his own food
to my favorite cafe
and he smacks his lips as he eats it
crunches the world's loudest salad
and burps as a finale

*I want to **** him

the i.q. (intelligence quotient) is hardly representative,
you can bishop-streak as a tourist to Giza and get
the same result... quotient etymologically speaking
is simply a quote, statistically represented -
meaning it only gathered answers from
the μ - median, mean, and meridian, also
a fond mention of mode: we all wish to sleep as peacefully
as the dead, necromancy with the pepper & salt shakers
for the fancy... stirrup hunch to giddy up,
and that makes two of us qualm bitter with
                                                    the grey matter
unexposed in chess tournaments.
i.q. (intelligence quotient) v. i.i. (intelligence inclusiveness):
that too.. statistics means a lot of autism
and many tiger mommies... preferably with surname Chang....
bright kid / always the dummies -
make that five years after the the show,
show them bullied... n'ah, you wont.
meaning the only thing included is
a pyramid and competitiveness, rather than shared
genius - which is hard to come by -
yes, the inclusiveness bit of the Rubik's cube solved
like Pavlov's tongue and the palette of a dog
given Sumerian cuisine to slobber over
when ingesting a tablespoon of cinnamon as the
other educated guess: the educated joke, universities
are famous for them being practised.
thus μ and the statistician's consonant... constant...
three tiers of synonymous bishops making up one
cardinal - intelligence is well enough quotient's worth
and the pyramid for a competitive streak of further events...
but such intelligence performed as example among
children doesn't qualify others to share the oncoming demise...
we need intelligence of an inclusive nature,
not a statistical correspondence with economists dodging
hard questions with quick investment answers...
we need people to tell the difference between
inclusiveness on the plural scaling of being a part of,
rather than an exclusiveness on the plural scaling of not being
a part of (alter: an exclusiveness on the solipsistic slave-scaling
of simply da sein - i.e. being there) -
i get the pronoun ambiguity, whenever there's no i involved
and it's purely a thing, everyone in the factory asks for the
Schindler's List - whether or not people are organic or
prosthetic(s) extending into a network of parasite or host
economy projects, and people ask those questions;
meaning? people are more likely to dismiss the idea of
a soul (an indestructible part of themselves, whether
contemporary or far fetched in terms of: ahead - Kant lives on
from the 18th century, plastic surgery will make others like you
take up the augmentation many decades later... there is always
something indestructible about you... it's called recycling
in the transference of physics, or metaphysics, the soul is like
an atom... it's indestructible... but your ego isn't... your ego
has no correlative support of the soul - your soul is an
indestructible unit, prone to gravity e.g., but your ego is prone
to the more pervasive moral force, which gravity isn't
a part of in term of monotheist glue... namely conscience...
the indestructible part of your isn't a self-conscious Jungian
jargon bit watered with control that you're aware of...
the soul, the unit of indestructibility is the unconscious bit...
which is why we continue to have actors, poets, plumbers,
bus drivers... you can't destroy the soul in the collective
unconscious sense of things... the indestructible element of
your being continues regardless of your wish to sell
out and profit or take an overly conscious case of
being aware of conning the selfish gene stipend on Wall Street...
it still bites back at your **** for showing off your yacht
rather than your Mongolian yurt.
the soul is real... not in an individualised sense of things...
the individual is completely destroyed... constantly revised
via recycling... a lot of Hinduism makes his plainer but
more mythical and less hoarse in its reality of death -
the soul is a continuum, the indestructible capacity of
preservation, preservation rather than evolution -
anti-Darwinism? the preservationists... apply poetic rhyming
to ideas and the truth is ******* boring - poetry can decipher
GRAND PLATINUM ORNATE GALAS OF STATE AFFAIRS
by looking at the suffixes... and rhyming them together
getting the toad's ******* of October Fest's burps...
it is time to learn how to write poetry outside of poetry...
it's time to write testaments, it's time to write biblical accounts
of our lives... there's not time for pretty verse...
it's at this precise moment when poetry has become too
technical in theory and mundane in practice...
use this zenith moment to read language across all genres...
and never applying it for a poetic expression...
look! the paupers are numerous! but these paupers are
octopus handy in picking your ten pockets!
to have reached the plateau of Darwinism as having to preserve...
to have reached the penultimate affair of the prone
destructibility of identity, personality, character (Thesaurus Rex's
RA! or the complete synonymous archive of ego) - meaning
that the soul was a plumber you never were given
the Saturday of the appointment, and your chronology being
that of a Ford Automobile salesman in some showroom in Peckham.

the sharp edged
rubble
of the decimated
mud crab
lay in a pile
of shell,shards
and hollow limbs

we sat, fingers
and faces smeared
singapore curry sauce
smiling, as we raise
our beers to
still tingling lips.

simultaneously
we burp... in appreciation
big joyous burps
of yeast and curry.

we laugh....
before starting to clear
the table
of the mess...

What’s the connection?—
        a secret kept best between plug and socket.
               Prophet man gone the old electric way,
[and durn’ an election year, no less]. Epigrammatic burps, and
  occasional flatulence, of intellection,      
I can’t help
        but admire my own kindofbouquet, it ain’t easy—
                 when Christ was crucified like gas…

…There’s a million and more clichés I could toss around as mud and dirt;
       Alas!,
                         I’d rather speak in terms of glass, [plateglass, stainedglass etc.,
               germs and love, and guns and lovely lovely ca-sh,

today’s math; burnt and sad, self—Walking [my] small town streets, sure to stray faraway of dense windows,
        and passerby's in ugly masks, with karaoke mouthpieces,
                       Ballads of boredom on precipitate tongues, Shoo!—away
and blow apart minstrel clouds.

        No taxis, [ever]
        just men and women in ordinary cars, pedestrians,
                   in obvious shoes,sporting unconscious denim,northeastern scowls
—fashionable scowls,
         nuanced grays that distract from the spots of ill sun [hostage winter sun;]
                 scowls like Northeastern sky herself.

“I’ve surely lost my perspective”
                 [An empty phrase, really. A neat vaguery, I submit.]
        I had a perspective, I still got it;
        Though not much use it does me being how singular it is,
                                       Optics and all, no shades of reflection,
Dense windows of thought, so dense,
       —it’s now a microscope! Hell, all i can make out is a loose collection of colors,

A broken box of loose wires
          and some kinda bang-up dodgy liberty, those frayed connections, too.
                Nothing as tidy as plug and socket,
        however,enough
                to keep the lights on.

THE SWAN & LEDA

How, like a...God
he comes

taking the shape
& the form of a

swan

who having had
his wicked way

longs
to be

on his
merry way.

But, wait
...what’s this

he can’t....shake
...his fine...feathers...off

feather upon
downy feather

locks him
into the costume

he had put on
& now...can’t be put off.

What magic
can this human woman

weave

& now
having been taken

takes great pleasure
in having her servant

a giant of a man
among men

****** the swan
& be gone.

And once
the God

is well & truly
f*

he’s plucked
of all

the finery
of his feathers.

Behold, the God
standing in the ****

shivering & ready
for the ***

the final twist
of this fatalistic plot

...his beautiful
neck.

That night
she dines upon

the subtle delicate
breast of swan

served in a creamy
pepper & garlic sauce.

She even has
an extra helping

thinking she can
always exercise it off.

Alas, poor Zeus
wishing he had chosen

to pose
in his usual tour-de-force

a shower
of gold

but thinks too late
(thinking even as he is eaten) .

And now, she burps
(“Oh, pardon..! ”)

sleeps
& dreams

of a God
fit for a dish.

(I fancy you.
I ******* fancy you.
I fondant fancy you,
I flight of fancy you,
I fancy-pants you,
I fancy the pants off you)

I fancy your body -
Every inch of it!
I fancy your hair,
I fancy your spit,
I fancy the way you
Knock on my door,
Just the knock gets me hard!
(But I don’t fancy the door.)
I fancy you first thing
In the morning
When my mouth wants to do something
Other than yawning,
I fancy the way you pull at my hair,
I fancy your smiles,
I fancy your stares,
I fancy your job,
Your wardrobe,
Your phone,
I fancy your burps,
Your kisses,
Your groans,
I fancy your tongue,
I fancy your licks,
And I really
Really
fancy your ****,
But most of all
I fancy the fact
That I fancy you
And you fancy me back.

poets tend to inspect each other, and revise in such a way as to make maxims out of poems.*

a fine gentleman once wrote
prose,
an even finer lady wrote in
reverse,
and what ensued became poetry.

1.  Silence always means he's thinking about his deep and everlasting love for me.
2.  Farts are his way of glorifying my existence.  And burps always get a "God bless you."
3.  Him and Gary the get-well-gorilla want me to be happy.
4.  On OKCupid, the opening line of his first very first message to me was "Bonjour!  While reading your profile, I noticed you're into gaming."
5.  He found that street, you know, with the black mailbox at the end of it.
6.  I have never wished for him to "find an antique rocking chair to die in." (ESOTSM)
7.  We will have a hammock in our attic.  And a room for our four cats, named Fiona, Penelope, Montozo, and Ernesto.
8.  We will kiss in a tent in a woods, and then kiss in Paris, and finally settle which is more romantic.
9.  [R]Otman's Ottomans is our future enterprise.
10.  Oh, and, uh, I guess I love him, and stuff.

Apocalypse Dreams


Pt. I

a handful of unknown faces--familiar strangers--mixed
with recent visitors of my flat
(like the faerie friend with the voice of a man, the proud & queer
Ms. Bobo-Dancy herself, who taught me how
to glitter everyone in the dance hall)
come together to swim.

we tread water in canals, naked along
the European street whose frames are
pastel towers, elaborate easter-egg homes.
untouched elation sits in our chests,
a rare, extraordinary *****.

our legs tango in cyclic waves,
we do the dead fish float in the rising water.
when we relax our eyelids, our bodies are carried
right to a high school gymnasium.

the dance continues, takes our legs
down the stairs, we duck against
descending ceilings, to reach the blue mats in the basement
where we stretch our limbs fully, infinitely--
(until gravity bickers).

the blonde lady in front instructs the flow--
until
Sirens shriek in routine breaths
(the alarm we prepared to disregard in school drills
presents itself).

***** smoke rushes down the stairs to play tag,
my eyes dash, but no doors,
all the fibers in my thighs work together to perform the sprint,
across the tiled floor, up the crowded stairs

but flames rule the spiral staircase
i **** in air, hold it, as i rush against the cloud of grey, the block.
fellow stretchers surround me, but i reach the door right in time,

I look back. I am Lot’s wife.
Against my will, I look back.
I watch the orange killer strike--
In one motion, he absorbs the school
The girls behind me on the stairs
become walking bodies of fire.

Pt. 2

Tonight we are at the ocean,
the boy from Budapest, my father, & I.

We stand with toes on the shore
as waves gently turn in with the aid of the Moon.

It is winter, yet the ocean is bathwater
under Midnight’s sky, under the rickety boardwalk,
We push off into the deep water.

The boy points at the scarlet seahorse latched on my arm like a tattoo,
Through the clear water, a stingray sways, spots my legs, &
chases me back to the sand,
my heartbeat runs faster than my feet.

Back on the sand that starts to growl,
quiver, faster, and
the Earth hiccups, an awkward sonic thunder,
then it vomits up seawater, with much vigor,
--an epic volcanic belch--
only over the ocean,
I am untouched.

But the boardwalk,
It acts like a sewer
The water rushes through its pipes
I see one man on the walk,
a tall, dark-haired stranger with a top hat, suitcase, & a story
The water sweeps him up
and he drops straight down,
his bottom plops onto the shore
and his arms fall right off like a plastic doll with removable parts.

A smile strikes his face,
Is it the satisfaction of a future in disability funds?
The humor in being knocked down by random burps of the Earth?
The random vomits that take us with it.

His suitcase is out of sight, and
I am being transported to another new home,
with purple walls and a **** green carpet.

I am yawning at the apocalypse.




Pt. 3
August 1992, Miami


Off the highway ramp to Miami,
Clusters of cars perched as birds in the treetops

Like baby robins, some shimmied back and forth—preparing to fly
Telephone poles and oak trees did the tango ‘til they dropped

Like unwanted *****, they dispersed among the grass and streets
The twin palm trees from Carol’s backyard spilled into the in-ground pool

Her once-favorite spot—they will forever be swimming. The sun, the only
light in town, radiated in waves, darkness to light to darkness; the stench from

lack of running water permeated the air. Carol had phoned the bank earlier; her untouched safe deposit box was the reason for her trip. She parks her Buick

in the spot with the least ashes, and walks towards the bank, NCNB.
Its walls were scattered among the cement, the teller’s desks have vanished.

She eyes the security guard sitting (in uniform) in a grey folding chair near the entrance. “How may I help you, ma’am?” the words exit his lips as if it’s a normal

day at the bank. She tells him her business, and starts towards the back, but triggers the guard... “Enter the front door, ma’am!” Her feet guess where that used to be, start over,

She gathers her savings, leaves out “the door.” A sharp smile crosses the guard’s face.
How long will the it last?

1) I’m so sorry.  Please Forgive me.
2) You have my sweatpants still.  I want them back.  
3) My parents still think you’re gay.  I don’t bother correcting them anymore.
4) I need you to forgive me.  Please.  Before the guilt eats me alive.
5) How dare you think of me as your ex-girlfriend when I thought of you as my best friend.
6) I want to play a game of Operation with your skinny body.  I want to slowly pick your organs out of you one-by-one, knowing that it’ll hurt you as much as it hurt me when you said goodbye.  I want to hurt you.
7) Do you remember the time you made a wish on a star?  Do you remember the wish you made?  Does that not matter anymore?  Do I not matter anymore?
8) When I get drunk, I don’t talk because alcohol reminds me of you.
9) I miss you.  Every day, right when I wake up, I miss you.
10) Do you think about me?  Do you still hate me?
11) Don’t ever talk to me again, or I’ll cut your tongue out.
12) Please just talk to me.  Tell me you don’t hate me.
13) How are you?  I think of you every day and it makes me feel hollow.
14) Do you remember the last look you gave me on that last day?  That look that promised that when you came back everything would be okay.  I feel cheated because you left me.
15) What happened while you were gone?  Was it me?  Was it the drugs?  The ***?  When was the exact moment you stopped loving me?  Did it make you cry?
16) How’s your new *****?  Do her burps taste as good as my lips?
17) I hate you and everything about you.  I want you to get out of my head and out of my life.
18) I miss you and the things we talked about.  No one else could ever fill the gap you left in me.
19) I smoke a cigarette every day and it feels like revenge on you.
20) I hate love and it’s your fault.

the punchline sounds like this (according to English psychiatrists), you think i'm mentally ill, schizophrenic more or less, just because my mother is a housewife and my father is a roofer, and i somehow found interest in reading Kierkegård? better ask my grandfather and look at his library and why he bought me the full collection of philosophy books... oh wait... you can't since you're about to leave the European Union... better luck next time; before judging the cover of the book... good luck finding that needle (ego) in a haystack (man is born as many men, under many influences, but dies a singleton, atomic). mother... *******!

they treated me like i had some repressed
post-colonial desires or ambitions to
prance around in my colonial leather boots,
they treated it like global fascism,
i just learnt the ******* language, spoke it
like i spoke it, disguised the accents of my
parents, and still they persisted to treat me
like some red coat, repressing former
glory of the empire... guilty as charged,
frau doktor... if i came here aged 2 i'd struggle
with having a different complex, unable
to relate to my parents with their accents,
i can speak: english in disguise of slavic ethnicity,
i can speak english with slavic ethnicity,
i can speak polish without any regional accent,
i can speak polish like a peasant for jokes -
honestly, if Marx or Engels were alive today
they'd see England as yet another opportunity
to think of something that's ****** up,
and it is... the empowered feminism movement,
coupled with the expulsion of the Jews
and the arrival of Islam... it's a perfect breeding
cauldron for something truly staggering...
eh? you hear that? it's coming from afar...
like an echo rumbling in a stomach...
Mo    tsar             Mo tsar         Mo tsar... tee..........
**** me if another Mozart comes around the bend
(dot dot to prolong the echo, fading),
it wont happen given that, well, ha ha, a section
of Islam prohibits music... yep, under the Wahhabi
act we can't have any music... we can have, as an
alternative the music of blacksmiths hammering, drills,
horse farts, cat burps, and two cavemen figuring out
a camp-side with two flints struck against each other
with some hay... BURN THE SCORES!
BURN THE BOOKS! *the kombucha mushroom people,
sitting around all day, who can believe you?!
- i sit, in my desolate room, no lights?! no music?!
maybe you should just speak
the Adhan in spaghetti mumbles rather than
sing it then? eh? but listen,
i've learned the language not expecting to have to
deal with all that historical baggage that came with it,
but i was treated like some repressed post-colonial
*******... never mind... let it all burn.

Just when I think I've seen it
All throughout this  land
They went and upped the anti
On the classic can of Spam

Those with the higher power
The ones that run the show
The Spam men of the hour
In a bunker buried way down low

Have added different flavors
To this meat of mystery
From Teriyaki to Tocino
That's bacon to those who don't speak Philippine

They heat it up with Jalapeno
Helps to liven up the slime
Those bunker boys as they're fondly known
Have really out done themselves this time

Aloha from Hawaii?
Imagine Spam in a Hula skirt
As they pull out the Leis and go all the way
Adding pineapple to those Spam burps

Exciting rumors have it
They're in talks with Oreo
There's no place in this universe
That a good slice of spam won't go

The only thing they need to work on
Is the dipping in the milk
They have yet to solve the problem
Of the massive oil spill

Yes they've taken what the rest of us
Never thought could be improved
Just goes to show what ingenuity
And a touch of crazy genius can do

There is a wooden window, circular
above a roses-in-ink embroidered couch
that complements and contrasts the curtain
of roses-in-mud that eloquently hugs
the wooden sides of the wooden window.

On this couch I sit in my suit and out I see
through the circular wooden window
waves with stretch marks and salty burps
dancing (for me?) with brave crashing crescendos
and butter melting bass.

This ocean could teach humanity
absolutely everything about ***
its voluptuous waves caressing
the ***** seaweed and *******
it for miles until it's washed (limp) ashore.

The couch back is hard and unused
speaking of the depravity of our angry age
whose ***** wear bare the leather and studs
on the barstools in the club below my library
with its wooden window, circular.

I've yet to see a sunset or sunrise
in a place where I can see no land
but looking at the quiet reflections of rage on
the roiling ocean, on which I'm afloat,
I pray I do- I want to see it all aflame.

Tania slurps her cheap beer and uncrosses her legs,
exposing fresh bruises from the soup factory.
She outlines them in marker and draws
a smiley face on one located on her right thigh.
These bruises tell me that my life is composed
almost entirely of bad decisions, she says,
replacing the cap on the marker. I ask how
a decision could form such a perfect,
purple circle. Between swallowing
beer and peering into the rain,
she burps. I can't say, but--
I mean, do you want
to have ***? Later on
I drive her to the
hospital and I visit
a therapist. For
a few months.

.metallica, manchester 2019... master to whos mastery: whos puppets to whos puppeteering... i have to admire the fact that you have to play the standards... its not like even plagiarism comes into the play, but it must be tiresome to have to continue to play the crowd favorites... no compensation for what's expected as new.... if i were stuck in the rut of replica upon replica... regurgitation upon regurgitation... doesn't this art form tire so easily... who was that poet, who went to bed crying after listening to liszt play? matthew arnold... god i'm freed... all the fame and fortune and also not enough time to make your shadow a friend... one inherited temptation is enough to succumb to facing the subsequent ones... come playing a guitar staged before a horde... or fiddling with my beard in the background without malicious intention... but the poverty of lyricism... sure... blues players and their incessant rhymes... but these modern lyrics? to hell with it: i'm no better... but how can you fathom the stamina to replay, to replay, to replay the horde's echoing boom boom mantra fantaticism? i couldn't do music... rememebering words, contonuing a course for replay of the greatest hits... even if expanding into unwritten new territory was a farce... so what... come the bad with the good and the tabloid quality... but having to "love" your work in order to erode your memory like your standard pedagogy manual... i don't want or would't want to remember my words: half if not a third is hardly worth remembering... to a verbatim suited & booted closure and an opening for poet turned entertainer... i don't see how these people cling onto their nostalgia performances... well: to please the crowd is to please the crowd... ilona (former russian "gif") reminded me when james hetfield opened his mouth: he's such a redneck with that accent... god, this russian loved how i appropriated the english shropshire accent... what was that word she called me? ah.... i was a.... yuppie! then the moscow crowd took out their cigarette lighters and we snogged... god i miss relationships, being in that state of vulnerability... i really miss being vowed to a woman and free-falling into a grace of competent trust without question... now here's me calling out the lost trill surrounding the R in both the snake-bitten english numb "R" (without the trill) and the hark of the Francians... i miss being vulnerable... which is what love feels like... being assured a safety when staging a dangerous theatre scene of... say... free-falling before the parachute... that's love: the ability to feel vulnerable... love is and never was some ******* poetic ideal... of perfecting the "art" of loving... to love was always to feel vulnerable... i really miss that... to love was to trust, it wasn't ever about spewing out amour cliché after another amour cliché... sad news being, i will (probably) ever experience that softness of the heart, always the anchor of the weight of a marble slab... never the emotions derived from the heart, forever bound to the bowels... gut-sensations and the reflexes... never a mind to compensate incompassing reflections and the expansion of time to a fixed space... i once loved... is it better to have loved than to have no loved at all? that's questionable, riddle with... is it better to have lived and died, without the knowledge of pain associated to a brain haemorrhage or with: said knowledge? any man can claim the same: it's horrifying to have to live the rest of your life without the cushion, the bed, the feathers of love where you throw yourself icarus-esque, head-first, as a vulnerable babe... shedding the wolf's mane and softening your heart to escape the rational, reflexive array of emotions derived from the bowels.

guess who's diacritical abstaining from the prose...
      kurwy codzienne
czy te kuchenne... a raczej
               zbyt?
no churrah w mnie i horongiew
       wapnia i kurczu -
i tyle to, by gadać tchu!
pięć łatwych utworów -
you made my mind up to counter...
    i said no to the niqab,
so i said yo- to the -gurt...
and let me franchise it babe....
because when i do i won't be
the Franklin as the heavy heave to a scutter
and rat bound
smartease of a Jefferson's lighbulb...
you get boring
more so with the season...
***** and the farthing: quick-change
to quicken your step,
spelled Tokyo... takes two with reminders:
now pay and wait and pastry-size to
concubine the shadow....
                        of hiding cassette and
the lung to breathe through to gorgon enterprise
of the three-headed alcatraz.
i said score ***** harry
     i said i said it twice... 7070 film...
                  i said it thrice...
i said it a fourth time...
the fifth time i was left the overs,
and america r.i.p.,
and i said: god: just let me be!
you were the 20st century fake in the project act
and it was named kevin spacey....
           and you said drive-by
bygone shoot-out... and i said: hamburger
        tattoo and other things worth
the same idea of gluing **** together...
                         and then the toad's hiccup...
rhapsody of burps...
and then that...
  and then i want to be: martin luther king jr.
and a national holiday icon,
and when i want it... and i gag for it....
and then i die for it...
   and then i hate dying for it.... and
so i earn my living as a plumber....
    and then the nation goes for iraq...
and then i am president and face a q & a...
and i'm like: happy are those
who come with applause...
    because i'm the sole one battered with
with the qualm that might translate
as america bound...
well ye-ha! aren't we the lucky living *******!
then i'm about to pludge-****-and-poach-the-*******-yankees
into a question of: a horn brigade to toll the folding bridge;
scatter skew the next new coercion for a parade...
infantile french be the said: long gone...
germanic kinder less a rhyme,
and more a gas... just gaß... or governor:
that should have been gaś or gaš... but then you're
so ******* boring, it makes sense that you're rič...
because you didn't actually get that part...
to be: clint the runner in western and not
***** 'arry...
say you laugh, you don't say clint eastwood
when you actaully watch al pacino in
dog day afternoon... and 1970s america makes
sense...
             and you won't be able to replay
1960s america... because you can't... and it makes
sense why it all feels filthy and dry these days....
that you believe in recitation as you might
believe in the word regurgitate....
and all you want is horror and a.i.,
    and you will never wake from that dream again...
because there were those not lazing in learning
english, that you were left, so glutton coerced
into learning more anagram of english than french
wasn't...
and sure: you created these games of a language
for the sole reason that you wanted to avoid learning
french or german...
you created games from language
because you felt superior... and you created
these games from language because you said
it wasn't worth saying anything in french...
LAZY, OBSOLETE, MOTHER... *******!
but i say: it would have been easier to learn
german than to invoke the game of anagram...
   but then again... who am i to judge?
              who cares, when there are over a billion
chinese and we are but a case of ****
in asking for the perfumed number?
             i say thank god for the indus and the chinese
with their billionth marking...
    it makes no matter if i'm white
and speak english or german or swede or *******...
     it took just one of us to be as lazy as we were
to leave the rest of us happy in tuning toward
becoming extinct. ha ha... ha ha ha ha ha ha!
well, d'uh! you ******* dodo!

when worded in mathematics, thought is point (0, 0, 0) in the axis, ad knowledge is anything we wish the self to become, be or be known as, and that's a randomisation of co-ordinates, examples as a step, into either (0, 1, 0), (1, 0, 0) or (0, 0, 1); it's not thought that's exclusively a worth of doubt, it's thought from non-being that's exclusively doubted: when we have no chance of becoming a casanova, then we equate thought with doubt, which we equate with our sigma of falsely assumed being not being expressed, and rightly, for we have not been given the title, but a mere cameo.*

it's van gaal in the dock, gets asked a rhetoric question,
oddly enough he's not asked a dialectical question,
the reason why would be  because because a rhetorical
question in casual speech inference  will leave the speaker asked
in an oblivion of faking lies... rhetorical questions are with answers
elaborate...convincing.... needy of truth, times when being convinced
of something when the mongols stole the avatar of vishnu as buddha,
and when the european whites hid the avatar of shiva;
there it happened.... to the convinced lark of the silenced song,
there i learned lyricism from shakespeare's
titus andronicus, where the son was caverned
in depth only a body not requiring beauty required...
for a beauty such as a woman's vanity
neither attracted thought or knowledge...
and she gained a beauty, but the beauty she gained
was one of being untouched...
oh roar the piping winds in the fathomed turbines
of music said... oh roar the breath turned into
turbines of rotary theft kept...
oh roar the theft! oh roar the theft!
that it might be a kept music! that music might
grace the chase for the bird's allocation of
safety among the migrant types in the land so
resolved as orientate with seasonal vectors of return...
then the bull burps with larynx in nasal chime
to a glory of breath with soul rather than
what already came with soul, thought,
for that other breath came with excuses to breathe
nothing into something that might make geometry
conscripted from non, anonymously perhaps
for a while if a name might claim the re-,
like of that famous ha shem of beer, or the hammer,
or the moaning gratitude of the lost first breath of a flute.
how end it then? how then continue,
among the services of tears that spoke of no sadness,
but spoke... but spoke of a bethlehem's peace
with its zenith of prophecy matured
at hiroshima thus in acting, thus faked...
oh how i wish, i too was a member of a brotherhood
that took to heraclitus' river of known life;
oh how i wish... it was never about a misguided
friday on a repetition for a command of the serfs.
anyway... you won't get a casual inference
from a dialectical question, you simply won't get one...
of course you'll get a rhetorical question,
where you won't get any dialectics...
you also won't get rhetoric / the intention...
because the paradox is understood as:
rhetoric neither questions nor answers...
it's up to dialectics to mind that...
and even then... the answers are cult in terms of short,
and because of that, the dialectics can continue,
where questions are more elaborate than answers...
in terms of rhetoric the answers are more elaborate
than answers via that are curt / or simply short...
and the questions are not really elaborate,
because their elaboration was intended.

pile of blankets--vaguely human shaped bed lump
white curtains, snake skin bundle
crepuscular lit window opposed wall
cranky cellphone sounds
slither-hand. blind pat.
that old song and dance.
11:17 am
self medicated coma
consciousness  comes too soon
post alcohol lubricated dry throat
dryer tumbled bones
dehydrated nectarine shrunken head ache
body floats to surface
ice on road out of control alligator death spinning head
body floating too fast car crash at bed foot
hand eye coordinates aim for dresser
slow foot movement high speed camera precision-every frame counts
reflective closet door shows thick skull and hollow skin, too translucent for comfort. blue veins battling to breathe
squemish rattling breath shuts up
let the stomach talk.
blurted burps stomach acid cacaphony
rorshach stained carpet matches drapes
depression is a thick milkshake

That smile
That stupid smile
That **** eating grin of yours
Beautiful pearly rounded chompers
Okay, so maybe they are a little yellow
Who’s aren’t?
When one has smoked filterless filters for the last 10 years
What does one expect?

It’s exquisite really.
It brings me to the ground
Mostly from the weak knees that it incites
Nostalgia doesn’t even begin to describe
I’ve seen it in my dreams
It’s been with me for the last decade
It’s something that I will never be able to forget

The largest mouth I ever done seent
3 ounces of liquids in one easy swallow
I could put my foot in there
And there would still be room

Belches and burps
Curses and yells
Loud laughs
Sweet whimpers
All the things that are expelled

Every time a smile appears
A smug smirk
A gushing grin
I smile back
Despite my anger
Or fears
It doesn’t seem to matter how upset you make me
I smile back

The history we share is complex
Predating all the things
All the peoples
All the events
All the places
Spanning such far distances
In space, place, and time

And here we are.
How long have I known that bittersweet smile?
A better question is how long I will continue to be graced with it.
Even if that is shorter than I hope
I’ll still remember.
It’s something I can never forget.

CHEESE!

The **** Name List*

The Alarm **** - This is a good **** for the beginner. It is easy to identify. It starts with a loud unnaturally high note, wavers like a siren, and ends with a quick downward note that stops before you expect it to. It sounds like something is wrong. If it happens to you, you will know right off why it is called the Alarm ****. You will be alarmed. The alarm **** however is rare.

The Amplified **** - This is any **** that gets its power more from being amplified than from the **** itself. A metal porch swing will amplify a **** every time. So will a plywood table,and empty fifty gallon drum, a tin roof, or some empty cardboard boxes if they are strong through being amplified in this way can be called an Amplified ****. These are common farts under the right conditions. For example, if you're sitting on an empty 55-gallon steel drum.

The Anticipated **** - This one warns that it is back there waiting for some time before it arrives. A person who is uneasy for a time in a crowd and who later farts at a time when they think no one will notice has farted an Anticipated ****.

The Back Seat **** - This is a **** that occurs only in automobiles. It is identified chiefly by odor. The Back Seat **** can usually be concealed by traffic noise as it is an eased-out **** and not very loud. But its foul odor will give it away, due to the way air moves around in a car. It is often followed by someone saying, "Who farted in the back seat?"

The Barn Owl **** - A familiarity with owl calls is helpful in identifying this ****. Almost any morning if you get up just before daybreak you can hear one of these birds talking to himself. It's a sort of a crazy laugh, particularly the way it ends. If you hear a **** that has about eight notes in it, ending on a couple of down notes, and it sounds maniacal, you have heard the rare Barn Owl ****.

The Bathtub **** - People who would never in their life know one **** from another, who would like to act like **** don't exist, will have to admit that a Bathtub **** is something special. It is the only **** you can see! What you see is the bubbles. The Bathtub **** can be either single or multiple noted and fair or foul as to odor. It makes no difference. The farter's location is what does it. Maybe there is a kind of muffled pong and one big bubble. Or there may be a ping ping ping and a bunch of bubbles. The sound I should point out depends somewhat on the depth of the water, and even more on the tub. If it is one of those big old heavy tubs with the funny legs you can get terrific sound effects. While one of the new thin ones half buried in the floor can be disappointing.

The Biggest **** in the World **** - Like the great bald eagle, this **** is pretty well described just by its name. This can either be a group one or a group two **** and can occur just about anywhere. I heard it one time, a group two identification, in a crowded high school auditorium one night, right in that silence that happens when a room full of people has stopped singing the Star Spangled Banner and sat down. It came from the back. There was not a soul in that room that missed it. A **** like that can be impressive. The most diagnostic characteristic of the Biggest **** In The World is it size.**** freaks who go around showing off, farting like popcorn machines, and making faces before they **** or asking you to pull their finger and then they ****, never have what it takes for this one, which is rare even among your most serious farter's.

The Bitburr: Sounds like just that--you're walking and the initial explosion "BIT!--" during one step is followed by a more gentle release of the rest of the volume during the next step: "brrrrrr..."

The Bullet **** - Its single and most pronounced diagnostic characteristic is its sound. It sounds like a rifle shot. The farter can be said to have snapped it off. It can startle spectators and farter alike. Fairly common following the eating of the more common **** foods, such as beans.

The Burning Brakes **** - A silent **** identified by odor alone. Usually and adult ****, occurring while the adult is driving a car or has a front seat passenger who farts. The Burning Brakes **** actually does smell a little like burning brakes, and seems to hang around longer than most farts Which gives whoever farted a chance to make a big show of checking to see if the emergency brake has been left on. When he finds it hasn't you know who farted. A common automobile ****.

The Car Door **** - Either a group one or a group two ****. Very tricky. It is meant to be a concealed ****. A matter of close timing is involved, the farter trying to **** at the exact moment he slams the car door shut. It is usually a good loud ****. It is one of the funnier farts when it doesn't work, which is almost every time. It is a desperation **** and not too common.

The Celestial **** - Not to be confused with the Did An Angel Speak ****, which is simply any loud **** in church. The Celestial **** is soft and delicate, surprising in a boy or an adult. It is probably the most shy of all farts and might be compared with the wood thrush, a very shy bird. It does not have the sly or cunning sound of the Whisper ****. It is just a very small clear **** with no odor at all. Very rare.

The Chicken Soup ****: One day I had chicken soup for lunch at work and then stopped off at the gym after work. When it came on, I eased it out, covered by the gym's muzak. It smelled exactly like chicken soup. A few feet away some woman sniffed and said; "Is somebody cooking?" I had to turn to the wall to hide my laughter.

The Chinese Firecracker **** - This is an exceptional multiple noted **** identified by the number, and variety of its noises, mostly pops and bangs. Often when you think it is all over, it still has a few pops and bangs to go. In friendly company this one can get applause. Uncommon.

The Command **** - This **** differs from the Anticipated **** in that it can be held for long periods of time waiting for the right moment. Unlike the Anticipated ****, it is intended to be noticed. Harold Tabor recently held a Command **** for the whole period in history class and let it go right at the end when the teacher asked if there were any questions.

The Common **** - This **** needs little description. It is to the world of farts what the house sparrow is to the world of birds. I can see no point in describing this far any further.

The Crowd **** - The Crowd **** is distinguished by its very potent odor, strong enough to make quite a few people look around. The trick here is not to identify the **** but the farter. This is almost impossible unless the farter panics, and starts a fit of coughing or starts staring at the ceiling or the sky as though something up there fascinates him. In which case he is the one. Very common.

The Cushioned **** - A concealed ****, sometimes successful. The farter is usually on the fat side, sometimes a girl. They will squirm and push their **** way down into the cushions of a sofa or over-stuffed chair and ease-out a **** very carefully without moving then or for some time after. Some odor may escape, but usually not much. Common with some people.

The Did An Angel Speak **** - This is any loud **** in church. This **** was first called to my attention by my father. He probably read about it somewhere. For **** watchers who go to church, this is a good one to watch for as this is the only place it can be found.

The Dud **** - The Dud **** is not really a **** at all. It's a **** that fails. For this reason it is strictly a group one identification ****, because there is no real way you can identify a **** that somebody else expected to **** but didn't. It is the most private of all farts. In most cases the farter usually feels a little disappointed.

The Echo **** - This is a **** that can be wrongly identified. It is not some great loud **** in an empty gym or on the rim of the Grand Canyon. The true Echo **** is a **** that makes its own echo. It is a two-toned ****, the first tone loud, then a pause, and then the second tone. Like an echo.

The G and L **** - This is one of the most ordinary and pedestrian of farts, known to everyone. Certainly it is the least gross. If you have not already guessed, G and L stands for Gambled and Lost. One of the most embarrassing of all farts, even when you are alone.

The Ghost **** - A doubtful **** in most cases, as it is supposed to be identified by odor alone and to occur, for instance, in an empty house. You enter and smell a ****, yet no one is there. People will insist that only a **** could have that odor, but some believe it is just something that happens to smell like a ****.

The Hic-Hachoo-**** **** - This is strictly an old lady's ****. What happens is that the person manages to hiccough, sneeze, and **** all at the same time. After an old lady farts a Hic-Hachoo-**** **** she will usually pat her chest and say, "My, oh my," or "Well, well." There is no reason she should not be proud, as this is probably as neat an old person's **** as there is.

The **** **** - The **** **** is a **** by a **** who smirks, smiles, grins, and points to himself in case you missed it. It is usually a single-noted, off-key, fading away, sort of whistle ****, altogether pitiful, but the **** will act as if he has just farted the Biggest **** in the World ****.

The John **** - The John **** is simply any ordinary **** farted on the john. It is naturally a group one identification, with the sound, whatever it was, somewhat muffled. If it is all the person's trip to the john amounted to he will be disappointed for sure. Common as pigeons.

The Lead **** - The heaviest of all farts. It sounds like a dropped ripe watermelon. Or a falling body in some cases. It is the only **** that goes thud. Except for the odor, which is also very heavy, it could be missed altogether as a ****. What was that, you might think? And never guess.

The Malted Milk Ball **** - Odor alone is diagnostic and positively identifies this ****. It smells exactly like malted milk *****. No other food works this way. It is rare.

The Oh My God **** - This is the most awful and dreadful stinking of all farts - a **** that smells like a month-old rotten egg - as the Oh My God ****. If you should ever encounter it, however, you may first want to say, oh sht, which would be understandable.

The Omen **** - This is the adult version of the Poo-Poo ****. About the only difference is that the farter will not say anything. He will just look kind of funny and head for the john. This one is easy to spot if you pay attention.

The Organic **** - Sometimes called the Health Food Nut ****. The person who farts an Organic **** may be talking about the healthy food he eats even when he farts. If he is heavily into health foods he may even ask if you noticed how good and pure and healthy his **** smells. It may smell to you like any other ****, but there is no harm in agreeing with him. He is doing what he thinks is best.

The Quiver **** - A group one identification **** only. When you ****, it quivers. If it tickles, then it is the Tickle ****. If you have to scratch it, then it is the Scratchass ****.

The Rambling Phaduka **** - You must not be fooled by its pretty-sounding name, as this is one of the most frightening of all farts. It is frightening to farter and spectator alike. It has a sound of pain to it. What is most diagnostic about it, however, is its length. It is the longest-lasting **** there is. It will sometimes leave the farter unable to speak. As though he has had the wind knocked out of him. A strong, loud, wavering ****, it goes on for at least fifteen seconds.

The Relief **** - Sound or odor don't matter on this one. What matters is the tremendous sense of relief that you have finally farted. Some people will even say, "Wow, what a relief." Very common.

The Reluctant **** - This is probably one of the oldest farts known to man. The Reluctant **** is a **** that seems to have a mind of its own. It gives the impression that it likes staying where it is. It will come when it is ready, not before. This can take half-a-day in some instances.

The Rusty Gate **** - The sound of this **** seems almost impossible for a ****. Is is the most dry and squeaky sound a **** can make. The Rusty Gate **** sounds as if it would have worked a lot easier if it had been oiled. It sounds like a **** that hurts.

The S.B.D. **** - S.B.D. stands for Silent But Deadly. This is no doubt one of the most common farts that exists. No problem of identification with this one.

The Sandpaper **** - This one scratches. Otherwise it may not amount to much. You should remember that if you reach back and scratch, it automatically becomes a Scratchass ****. Common.

The Shower ****: These are a lot worse than bathtub farts, due to conditions of humidity and heat. George Carlin once said that you can tolerate the smell of your own farts, but shower farts are the exception to that rule.

The Skillsaw **** - A truly awesome ****. It vibrates the farter. Really shakes him up. People back away. It sounds like an electric skillsaw ripping through a piece of half-inch plywood. Very impressive. Not too common.

The Snart: This is a **** that you succeed in suppressing so as not to not to offend, but then a sneeze jars it loose.

The Sonic Boom **** - The people who believe in this **** claim it is even bigger than the Biggest **** In The World ****. The Sonic Boom **** is supposed to shake the house and rattle the windows. This is ridiculous. No **** in the world shakes houses and rattles windows. A **** that could do that would put the farter into orbit or blow his crazy head off.

The Splatter **** - Unfortunately the Splatter **** exists. It is the wettest of all farts. It probably should not be called a **** at all.

The Stutter **** - If you think stuttering is funny, this is a very funny ****. It is a **** that can't seem to get going. The sound is best described as pt,pt,pt-pt,pt-pt-pt,pop,pop-pop-pop-POW! It is usually a forced-out **** that gets caught crossways, as they say, and only gets farted after considerable effort.

The Taco Bell **** - The Taco Bell **** is far richer and full-bodied than your ordinary Junk **** and takes longer to build up. Sometimes hours or even a day. But it will get there. And it will hang around after, too. Even on a windy day.

The Teflon **** - Slips out without a sound and no strain at all. A very good **** in situations where you would rather not **** at all. You can be talking to someone and not miss saying a word. If the wind is right he will never know.

The Thank God I'm Alone **** - Everyone knows this rotten ****. You look around after you have farted and say, "Thank God I'm alone." Then you get out of there fast!

The Tickle **** - A group one only and one of the easiest to identify. Usually a slow soft sort of ****. If you like being tickled this is the **** for you!

The Unconscious **** - My friend is asleep and snoring and they let out a couple of farts without know it.



Other Names For Farts

nouns
verbs
aerosolized stool
after dinner mint
air
air attack
air biscuit
air monkey
air ****
**** acoustics
**** announcement
**** escape of wind
**** emissions
**** oxide
**** retreat
**** evacuation
Arkansas barking spiders
ars musica
**** blast
*** dropping
backblast
backdoor trumpet
back draft
back end blow out
bae
barking rats
barking spiders
bean bombers
bean fumes
****** leaver
beer ****
belching clown
big spit-up
bilabial fricative
blampf
blare-***
Blat
blow-by
blow fish
blue angel
blue bomber
blue darts
blurp
bologna sandwich essence
boomper letters
bork
bottom burp
botty burp
botty cough
bram
brewer's ****
brown-body radiation
brown haze
brown mist
brown speckled mallard
brownster
brun canard
bubblers
buck snort or bucksnort
bull snort
*** and flutter
bunsen burners
burners
burp that went astray
burp that comes out the wrong end
**** burps
**** cheek squeak
**** moose
**** mutt
**** trumpet
can o' chedder
carpet creeper
case of swamp ***
cheeser
cheese toasty
chert
chold
chou pi
chunder
churchhouse creepers
******* tremor
crepidus
crunchy frog
cushion creepers
davebrok
deer snort
dej
desert varnish
doofu
doozer
doozy
double flutterblast
drifters
dr

I wouldn’t call it seedy
It’s not dingy, after all
Dark though, and loud
Almost always filled with a crowd
(Especially during happy hours)

The lights are low
(the prices too)
One plus one equals four
And soon, the time passes like
Clouds outside a window

The TV glows
With cricket or football
(But who’s really watching,
right?)
The soft conversations together
Make a loud hum
Of laughter and memories
And beer burps and orders
And call for bills and-
Maybe one more pitcher?

Four hours later,
Everything is closed
The mall is silent
As a graveyard
And we sway through it
Af if floating on air
Skipping stairs
And small talk

Looking back,
I don’t say goodbye
I know we’ll be back
Next week
Amongst its postered-up walls
And high ceiling,
Talking over its loud music
Comfortable,
Happy,
(And drunk).

Washing down nicotine burps
with slurps
of listerine.
Pearl lipstick layers like
sediment over
those festering trenches
where blisters whistle.
Machine gun lung curls
like a basilisk
around his flaccid fist.
Failure to plant a seed.

I left my attention
inside one of those bored hours
spent with you.

I want it back.