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"bravura" poems
Slipping into my apron, Hungry in body and soul Humming as a song played... I grab my knife and chop-board Unsure of what to cook Strange inspirations possess me Filling me with ***** My kitchen becomes a stage In my hands- a plectrum and fretboard Silver utensils- my live audience!* As I play divine recipes Strumming master acoustic chords Chopping fresh, colorful vegetables. I dash to the remote, Punch "Repeat" and dash back on stage Landing on E♭ minor, Scaling impossible notes, I slice with razor-sharp plectrum, On onions and other root chords My fret arrayed with colors, Of spinach, lettuce, tomatoes Carrots, potatoes, olives Pepper, cabbage and cucumbers. I hear a thunder of applause As I ignite the cooker Butter sizzling in the hot pan A staccato of sharp notes, *Ready to modulate innocent vegetables Through spicy aromatic crescendos!* I fight hard to suppress a sneeze, No sneezing on-stage! Unprofessional! Multitudes of seconds rush by and… Voila!!! I stand for a moment Salivating, awed at my bravura! Wishing I could hang it on my wall Tis beautiful like art But I can’t eat this cake and have it! So I dig in… Heaven and earth kiss for a moment L U S C I O U S!!! Luckily, it didn’t taste nauseating Like my last attempt. No time for ceremonies I munch from pan to mouth Pausing for what may pass for a prayer, I relish every bite! Not that I’m a foodie or something, But nothing beats this combo- Of good food and soul music. And yes, *Music is indeed food to the soul!* I devour, in view- the next meal... © Raphael Uzor
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Apr 4, 2014
Apr 4, 2014 at 2:42 PM UTC
Guitar Sauce
Slipping into my apron, Hungry in body and soul Humming as a song played... I grab my knife and chop-board Unsure of what to cook Strange inspirations possess me Filling me with ***** My kitchen becomes a stage In my hands- a plectrum and fretboard Silver utensils- my live audience!* As I play divine recipes Strumming master acoustic chords Chopping fresh, colorful vegetables. I dash to the remote, Punch "Repeat" and dash back on stage Landing on E♭ minor, Scaling impossible notes, I slice with razor-sharp plectrum, On onions and other root chords My fret arrayed with colors, Of spinach, lettuce, tomatoes Carrots, potatoes, olives Pepper, cabbage and cucumbers. I hear a thunder of applause As I ignite the cooker Butter sizzling in the hot pan A staccato of sharp notes, *Ready to modulate innocent vegetables Through spicy aromatic crescendos!* I fight hard to suppress a sneeze, No sneezing on-stage! Unprofessional! Multitudes of seconds rush by and… Voila!!! I stand for a moment Salivating, awed at my bravura! Wishing I could hang it on my wall Tis beautiful like art But I can’t eat this cake and have it! So I dig in… Heaven and earth kiss for a moment L U S C I O U S!!! Luckily, it didn’t taste nauseating Like my last attempt. No time for ceremonies I munch from pan to mouth Pausing for what may pass for a prayer, I relish every bite! Not that I’m a foodie or something, But nothing beats this combo- Of good food and soul music. And yes, *Music is indeed food to the soul!* I devour, in view- the next meal... © Raphael Uzor
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54
Sinbad’s sea-battered ship was poised on the edge of annihilation, The Sultan's brow furrowed with curiosity, then without warning Scheherazade stilled her narrative and lived to see the morning sun. When the moon and stars next owned the sky, Sinbad was snatched from the jaws of death then the saga of Prince Kalandar seized the king's soul with wonder but Scheherazade left the tale unfinished and sang with the birds at dawn. Rimsky-Korsakoff turned the pages at his desk - consumed by Scheherazade’s charms then etched his pen across the waiting staves: The violin must weave her spell once more and bassoon and oboe take the prince’s part. Trombone and trumpet led the martial call and all the rest enlisted for the cause. Russian bravura fused with the seductive allure of exotic tunes born of the dust on the silken road. A sonic whirlwind filled Saint Paul Church, as winds and tremolos grew to cyclonic force. A wall of brass completed Kalandar’s tale. capped by an exuberant clash of cymbal plates. The silence yielded to tender violins chanting a hymn to the princess in all her grace. Tambourine and winds wove a tapestry of her debonaire and most virtuous prince. As the final pizzicato chord faded, the Sultan turned to Scheherazade with tear-filled eyes and beheld his immortal princess and she her valiant and eternal prince and so it would be as long as night preceded dawn. She kissed away his tears of joy and whispered in his ear, “My beloved husband, I will tell you stories forever. Tomorrow you shall learn of the Feast at Baghdad.”
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May 21, 2016
May 21, 2016 at 11:27 PM UTC
A Thousand and One Nights
Sinbad’s sea-battered ship was poised on the edge of annihilation, The Sultan's brow furrowed with curiosity, then without warning Scheherazade stilled her narrative and lived to see the morning sun. When the moon and stars next owned the sky, Sinbad was snatched from the jaws of death then the saga of Prince Kalandar seized the king's soul with wonder but Scheherazade left the tale unfinished and sang with the birds at dawn. Rimsky-Korsakoff turned the pages at his desk - consumed by Scheherazade’s charms then etched his pen across the waiting staves: The violin must weave her spell once more and bassoon and oboe take the prince’s part. Trombone and trumpet led the martial call and all the rest enlisted for the cause. Russian bravura fused with the seductive allure of exotic tunes born of the dust on the silken road. A sonic whirlwind filled Saint Paul Church, as winds and tremolos grew to cyclonic force. A wall of brass completed Kalandar’s tale. capped by an exuberant clash of cymbal plates. The silence yielded to tender violins chanting a hymn to the princess in all her grace. Tambourine and winds wove a tapestry of her debonaire and most virtuous prince. As the final pizzicato chord faded, the Sultan turned to Scheherazade with tear-filled eyes and beheld his immortal princess and she her valiant and eternal prince and so it would be as long as night preceded dawn. She kissed away his tears of joy and whispered in his ear, “My beloved husband, I will tell you stories forever. Tomorrow you shall learn of the Feast at Baghdad.”
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37
Con diez cañones por banda, viento en popa a toda vela, no corta el mar, sino vuela un velero bergantín; bajel pirata que llaman, por su bravura, el Temido, en todo mar conocido del uno al otro confín. La luna en el mar riela, en la lona gime el viento y alza en blando movimiento olas de plata y azul;  y va el capitán pirata, cantando alegre en la popa, Asia a un lado, al otro Europa, y allá a su frente Estambul; -«Navega velero mío,  sin temor, que ni enemigo navío, ni tormenta, ni bonanza, tu rumbo a torcer alcanza, ni a sujetar tu valor.  »Veinte presas hemos hecho a despecho, del inglés, »y han rendido sus pendones cien naciones a mis pies. »Qué es mi barco: mi tesoro, qué es mi dios: la libertad, mi ley, la fuerza y el viento, mi única patria la mar. »Allá muevan feroz guerra  ciegos reyes por un palmo más de tierra, que yo tengo aquí por mío cuanto abarca el mar bravío, a quien nadie impuso leyes.  »Y no hay playa sea cualquiera, ni bandera de esplendor, »que no sienta mi derecho y dé pecho a mi valor. »Qué es mi barco: mi tesoro, qué es mi dios: la libertad, mi ley, la fuerza y el viento, mi única patria la mar. »A la voz de ¡barco viene!  es de ver cómo vira y se previene a todo trapo a escapar: que yo soy el rey del mar, y mi furia es de temer.  »En las presas yo divido lo cogido por igual: »sólo quiero por riqueza la belleza sin rival. »Qué es mi barco: mi tesoro, qué es mi dios: la libertad, mi ley, la fuerza y el viento, mi única patria la mar. »¡Sentenciado estoy a muerte!;  yo me río; no me abandone la suerte, y al mismo que me condena, colgaré de alguna entena quizá en su propio navío.  »Y si caigo ¿qué es la vida? Por perdida ya la di, »cuando el yugo de un esclavo como un bravo sacudí. »Qué es mi barco: mi tesoro, qué es mi dios: la libertad, mi ley, la fuerza y el viento, mi única patria la mar. »Son mi música mejor  aquilones el estrépito y temblor de los cables sacudidos, del ***** mar los bramidos y el rugir de mis cañones.  »Y del trueno al son violento, y del viento al rebramar, »yo me duermo sosegado arrullado por el mar. »Qué es mi barco: mi tesoro, qué es mi dios: la libertad, mi ley, la fuerza y el viento, mi única patria la mar».  José de Espronceda, 1840
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1.6k
Canción del pirata
Con diez cañones por banda, viento en popa a toda vela, no corta el mar, sino vuela un velero bergantín; bajel pirata que llaman, por su bravura, el Temido, en todo mar conocido del uno al otro confín. La luna en el mar riela, en la lona gime el viento y alza en blando movimiento olas de plata y azul;  y va el capitán pirata, cantando alegre en la popa, Asia a un lado, al otro Europa, y allá a su frente Estambul; -«Navega velero mío,  sin temor, que ni enemigo navío, ni tormenta, ni bonanza, tu rumbo a torcer alcanza, ni a sujetar tu valor.  »Veinte presas hemos hecho a despecho, del inglés, »y han rendido sus pendones cien naciones a mis pies. »Qué es mi barco: mi tesoro, qué es mi dios: la libertad, mi ley, la fuerza y el viento, mi única patria la mar. »Allá muevan feroz guerra  ciegos reyes por un palmo más de tierra, que yo tengo aquí por mío cuanto abarca el mar bravío, a quien nadie impuso leyes.  »Y no hay playa sea cualquiera, ni bandera de esplendor, »que no sienta mi derecho y dé pecho a mi valor. »Qué es mi barco: mi tesoro, qué es mi dios: la libertad, mi ley, la fuerza y el viento, mi única patria la mar. »A la voz de ¡barco viene!  es de ver cómo vira y se previene a todo trapo a escapar: que yo soy el rey del mar, y mi furia es de temer.  »En las presas yo divido lo cogido por igual: »sólo quiero por riqueza la belleza sin rival. »Qué es mi barco: mi tesoro, qué es mi dios: la libertad, mi ley, la fuerza y el viento, mi única patria la mar. »¡Sentenciado estoy a muerte!;  yo me río; no me abandone la suerte, y al mismo que me condena, colgaré de alguna entena quizá en su propio navío.  »Y si caigo ¿qué es la vida? Por perdida ya la di, »cuando el yugo de un esclavo como un bravo sacudí. »Qué es mi barco: mi tesoro, qué es mi dios: la libertad, mi ley, la fuerza y el viento, mi única patria la mar. »Son mi música mejor  aquilones el estrépito y temblor de los cables sacudidos, del ***** mar los bramidos y el rugir de mis cañones.  »Y del trueno al son violento, y del viento al rebramar, »yo me duermo sosegado arrullado por el mar. »Qué es mi barco: mi tesoro, qué es mi dios: la libertad, mi ley, la fuerza y el viento, mi única patria la mar».  José de Espronceda, 1840
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107
This takes place on a rooftop above the city Almost twangy, almost Stars are out, and boy, are they ever strong The sweetest lullaby of a love song Sung to me from your fingertips Patetico Strumming the notes as you would a lover Best friends turned to endless memories Perfect, soft whispers Harmonies that make me listen so close I don't want to miss a thing Breathing in the calmest wind-- your air Sospirando Coming together with a melody that grows Two bodies unified as one loud symbol-- Crescendo, dolcissimo, fortepiano, melting gelato   Rosy reds and the palest clouds Awakening both hearts, not a dream You tighten your grip and beg me not to go Ostinato As long as you keep singing from your fingertips Appassionato And if those hands are your outlets Bravura I’ll stay here Al fine
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Aug 20, 2014
Aug 20, 2014 at 3:12 AM UTC
Sempre, Liberamente
A poet is sitting by the riverside As he stares blankly into the water He sees a copycat staring back at him A poor man’s poet of the people Once there was the promise of bravura and muster Now his company is mind-numbing and lackluster And there’s only one poet to blame One man who deserves the centerpiece In this game of shame For a battologist he has always been He never cared to forbear The tedious yet sumptuous curse Of repeating and echoing And echoing and repeating So the poet sits by the riverside His glazy eyes fixed on a man in the water Who would like to be a swan But is doomed to be a vulture The disciple of an inferior culture
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Apr 12, 2016
Apr 12, 2016 at 3:43 AM UTC
The poor man's poet of the people
<> “I hear bravuras of birds, bustle of growing wheat, gossip of flames, clack of sticks cooking my meals, I hear the sound I love, the sound of the human voice, I hear all sounds running together, combined, fused or following, Sounds of the city and sounds out of the city, sounds of the day and night” Song of Myself (1892 version) by  WALT WHITMAN                                                    §§§ *Irony great, some say unto delicious, for my writing, be a fusing of surroundings of silences, admixture of inconsequential noises, atomic horn and geese honking, sun rays speaking in tongues, my skin translating, both, the sounds of the city, those of out of city, merged, both, accessible, instant recall, stored for tongue tasing upon these blank pages below, needy for wordy fulfillment, copy and place these mishmash of cacophonous, on a single page, simmer, blend and sauce, of course, salt to taste, mine, author of this recipe being born, born in the night, prepped by day, the lovely sounds, kettle or pan, broiler, fryer, slow cooked on full flame they are the melted butter sweetness crossing the span between the body of the heartbeat, the ache of the brain, shot out in rapidity, error’d and stain’d, their state natural, for this mess of beans, collection of noises, stir my soul where they contain’d, aromatic, fanatic, exotic, sticky hot, only a singular harsh invades, the shrill of the voice human this piece, this poem, a flavoring, a dish-not-to-be-repeated, once consumed, spoiled milk, molded with Jello mold green, back to hiding in place of unseen, of bravura masked as cowardice, when crackle of easy wasted word cowards, daily spewed, so precious these ingredients, these artful sounds, easy ruined, chitchats of nothingness, parlous blasé wastrels, seize! cease! take thy tongue, let it memorize all the oddities that fill your ears, ecrivez! the cooing, smacking, the alliteration of snap, crackle, and yes, pop! and if you can love the human voice, of that too, tho not me, more beloved, the exterior symphony of kettle drum, soft cry of violin, timpani tingling, guitar plucking, the voice of men, too oft abusing and abused by untruths, emboldened lies, they are the sounds I love least, love to hate.  a shrill disease, the TV liars...*                                                      §§§§§ May Manhattan Island
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May 15, 2020
May 15, 2020 at 3:44 PM UTC
Whitman: “all sounds running together, combined, fused or following”
<> “I hear bravuras of birds, bustle of growing wheat, gossip of flames, clack of sticks cooking my meals, I hear the sound I love, the sound of the human voice, I hear all sounds running together, combined, fused or following, Sounds of the city and sounds out of the city, sounds of the day and night” Song of Myself (1892 version) by  WALT WHITMAN                                                    §§§ *Irony great, some say unto delicious, for my writing, be a fusing of surroundings of silences, admixture of inconsequential noises, atomic horn and geese honking, sun rays speaking in tongues, my skin translating, both, the sounds of the city, those of out of city, merged, both, accessible, instant recall, stored for tongue tasing upon these blank pages below, needy for wordy fulfillment, copy and place these mishmash of cacophonous, on a single page, simmer, blend and sauce, of course, salt to taste, mine, author of this recipe being born, born in the night, prepped by day, the lovely sounds, kettle or pan, broiler, fryer, slow cooked on full flame they are the melted butter sweetness crossing the span between the body of the heartbeat, the ache of the brain, shot out in rapidity, error’d and stain’d, their state natural, for this mess of beans, collection of noises, stir my soul where they contain’d, aromatic, fanatic, exotic, sticky hot, only a singular harsh invades, the shrill of the voice human this piece, this poem, a flavoring, a dish-not-to-be-repeated, once consumed, spoiled milk, molded with Jello mold green, back to hiding in place of unseen, of bravura masked as cowardice, when crackle of easy wasted word cowards, daily spewed, so precious these ingredients, these artful sounds, easy ruined, chitchats of nothingness, parlous blasé wastrels, seize! cease! take thy tongue, let it memorize all the oddities that fill your ears, ecrivez! the cooing, smacking, the alliteration of snap, crackle, and yes, pop! and if you can love the human voice, of that too, tho not me, more beloved, the exterior symphony of kettle drum, soft cry of violin, timpani tingling, guitar plucking, the voice of men, too oft abusing and abused by untruths, emboldened lies, they are the sounds I love least, love to hate.  a shrill disease, the TV liars...*                                                      §§§§§ May Manhattan Island
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42
He scrunches up his face; A bravura of sheer irksomeness. Fruitless tries of wild fathom. His act halts his face facing mine; dawning of endless gaze. After a splendid array of irritability all that his partings exit is a set sound of, Tch.
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Mar 16, 2018
Mar 16, 2018 at 9:44 AM UTC
Tch
Gemini in the dark Preys upon beloved aurora. To pounce on a pierced heart Is the art of bravura For your meticulous game.
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Aug 28, 2015
Aug 28, 2015 at 8:05 PM UTC
Steadfast
Ó morte! O silêncio de tua voz me é tortura, Pois suspiraste em chama tão cedo Colhendo de desesperança, o medo E secando fontes de virtude em tua bravura Ó morte! Por que recolhe tua graça obscura Quando nutre interna, minh'alma em segredo? Por que fazes-me ardilosa, teu lume enredo, Quando aviva-me o desejo de unção tão pura? De eras tortuosas, tece-me piedoso dilema Neste espírito breve, de impetuosa e extrema Flor desatada e imprudente E eriçam minhas razões para que a tema Mas bem sei que és gentil! Pois, da paz amena És tu quem guardas os tesouros eminentes
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Sep 27, 2017
Sep 27, 2017 at 10:06 PM UTC
Paisagens de Primavera - I
seminal squirt didst sanctify an anonymous boulder when mercury dipped below hashtag mark registering colder than usual temperatures circa winter of year 2000 in proximity to the sacred chapel at Valley Forge, Pennsylvania (house zing carillon player) rifling thru manilla folder first inn search of apropos mailer daemon ***** muse sic, thence finely pitted secretly riddled with holes encoded sheet threaded thru bell jar contrivance sans, handy dandy mechanical holder to accompany prurient powerful ******* pang bubbling (like the **** kens), and didst smolder especially, cuz a free ranging NON GMO, **** in boots hello kitty sauntered (emanating pheromone heat hand dill lee pronouncing feral passe faux foots), dripping, seething with hormonal secretion uttered via vow welled roots gluten and monosodiumglutinate free ***** hapt tabby on the prowl ready for par laid view ****** piqued Saint Peter to enter heavenly labial shoots rather than suffer frost bite the above mew wing tigress attempted to keep toasty warm ('thru minuscule tunnel lacked add **** quit light) prickly endowment fired raging testosterone with braggadocio, brio, bravura and might owing pretentiously pusillanimous feline fur reed black as night hood hit attempt to cap cha moxie ******** thus ensuing a mutually satisfactory plight until a park ranger back his utility truck than gregarious, felicitous, erogenous then quick as greased lightening ***** creatures disappeared out ta sight.
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Jan 9, 2018
Jan 9, 2018 at 10:19 PM UTC
**** rock - schlock ad hoc
And what’s then? What’s left? Maybe the faith that the day'll beep, That day when the sun pushs cheekily To windows, disturbing sleep. That day when there’s no sadness, When everything’s clear and plain! That day when the soul is married To happiness, sprayed with rain. That day when all the trumpets around Struck the march, bravura and blessed! That day when I live the whole time Just live without any dread.
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Jun 13, 2025
Jun 13, 2025 at 6:12 PM UTC
And what’s then?
Couples. attractive people walk in I'm too tired to make up an excuse The only people I know that judge me Is the singles Couples.. I just can't be apart of that group Ive never been in one I don't know if I should be ashamed But I don't care At least not anymore Couples... I'm not afraid, I'm sure of it Takes a lot of courage, so I've heard I have no reason to build myself up I like being lonely And I always will be I don't need anyone Couples.... My heart has been destroyed Not even in a group I just seen some things go down I shouldn't have been there By the time I will be in the couple group I'll be dead Partially deaf But that's not an excuse It's the truth Couples.....
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Aug 13, 2015
Aug 13, 2015 at 6:45 PM UTC
bravura
I told everyone that I’d be fine - They dynamited my golden years And put the pieces in the trash - But I said I would be OK. I have resources and reserves That paved the way Past rocky highways in the past And would suffice me once again. I reassured the ones who wept That this was not to be an ending - That I had maps and GPS To guide me to a safer haven. But when I looked inside the box Containing my bravado There was a hug and a kindly word And nothing else to help me. Shocked at all that emptiness The first thing that I did was cry And gape into that hollow space To wonder where the courage went. But when I saw the others stare I clamped the lid back on real tight And glued a smile onto my face, Picked up my box and strode away. Now I’m hidden safe at home Astonished at my disbelief That years could warp away and melt The fortitude I counted on. That I should find myself alone With nothing but a broken crutch To help me cross the quicksand bog And locate solid ground again. How shall I navigate the mire? My GPS and maps are gone. Bravura’s just a memory. I’m not the big girl after all, There is no Mommie I can call No friend to offer magic beans This time I find myself alone To see if I can find a way To fill back up that empty box. ljm
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Apr 20, 2018
Apr 20, 2018 at 1:14 AM UTC
EMPTY BOX
Dulce miel, esa de tu boca, que arropa mi piel desatando una furia peligrosa. Como dulce caramelo te comes mis deseos, tus labios tienen el calor preciso para derretirme en tu regodeo. Mi sal no te asusta pues tu miel en mi piel me envuelve en dulzura. Tú mi dulce jinete, dulce complemento para esta amazona, versado en jadear mi cuerpo y, en tus brazos pierdo…toda mi bravura. Confeccionas lentamente el cocido de mi pasión, elevando mis respiros.., desnivelando mi intuición. Como dulce caramelo elasticidad soy en tus manos moldeando mi cuerpo a tu agrado. Dulce y salada, tierna y antojada, Me subes la mirada-confirmándome “Que tú eres quien manda”. Tú suculenta y acaramelada boca me derrite en ensueños, y, evidenciada siempre quedo…. cuando el azúcar de mi piel deja rastros en tu cuerpo. LeydisProse 2/14/2018 https://m.facebook.com/LeydisProse/
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Feb 20, 2018
Feb 20, 2018 at 10:44 AM UTC
Contigo...puro caramelo
Coronad a la escoba de laurel, mirto, rosa. Es el héroe entre aquellos que afrontan la basura. Para librar del polvo sin vuelo cada cosa bajó, porque era palma y azul, desde la altura. Su ardor de espada joven y alegre no reposa. Delgada de ansiedad, pureza, sol, bravura, azucena que barre sobre la misma fosa, es cada vez más alta, más cálida, más pura. Nunca: la escoba nunca será crucificada, porque la juventud propaga su esqueleto que es una sola flauta muda, pero sonora. Es una sola lengua sublime y acordada. Y ante su aliento raudo se ausenta el polvo quieto. Y asciende una palmera, columna hacia la aurora.
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398
Ascensión de la escoba
"I come from a defiant lineage of constellations made with the brightest stars. Raised as a raw, untamed wolf by women who never apologized for their power. My blood is the receptacle of unflinching bravura." - "How are you so fearless as a woman?"
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Jun 7, 2020
Jun 7, 2020 at 12:32 PM UTC
"Unflinching Bravura" - To the women raised by women
Last night I was beguiled by dreams galore: of sailing ships, pirates, explorers and more, but the best for me, was of a country scene. A quiet rustic retreat, where I was often seen, accompanied by the music of a babbling stream, cavorting with Nature. Wandering in my dream along a brook, where willows danced and swayed, in choreographed terpsichore, as water music played. The cadence of rattling reeds: a pulsing even beat, were as castanets, that energised my restless feet! There was magic in the music, heard by me this night. Seduced by its bravura, I savoured the gentle delight, of soft vagrant breezes, that added their unique refrain, to the rhythmic tattoo. Enhanced by the beating rain, perfection then prevailed, with the pleasing music heard. Complete in all respects, it required no single word to further foster my enjoyment, of its haunting melody. As such it was pleasing, and a pleasant treat for me, though twas a short lived dream; that was soon done! Of many dreams encountered? This was a cherished one. Long shall I remember, as a moment to hold dear, for such entertaining dreams, are a rarity I fear. Bringing a welcome smile, to replace a morning frown; raising spirits high, when I’m worried or cast down! May 3rd, 2018.
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May 3, 2018
May 3, 2018 at 7:26 AM UTC
Dream Dance.
“We were affirmed to fill each other’s souls, And I so wondered does she love me as once? Its dubiety that one should never have to voice, The strength in your words has become futile, My love is unequivocal with no quandary just praise, I know no other way to love you other than I have, Because love is meant to be linked as one to other, I believe no woman should be without a crown, Recall your soul clenched in that poignancy of quarry, I feel as if you have your hand caressing my chest, Auspices armor for every hand like fruits of the sun, Create women into mystically celestial beauties, How has the integral of love come on me abruptly? For when I am sad I always know she is far away, With egoistic antipathy subjugated transient bravura, Confined souls left in disarray coerce incessant decay, It is said you expire twice once when your love leaves, And when the person you loved calls your name anew, It is then we will receive our Laurel Arch” By AG 06/01/2018 ©
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Jun 1, 2018
Jun 1, 2018 at 6:58 PM UTC
“Our Laurel Arch”